Movie review: This Call of the Wild is just too mild – The Patriot Ledger

"The Call of the Wild" is an adaptation of the Jack London novel.

Yep, its time for yet another new film adaptation of Jack Londons 1903 novel The Call of the Wild. There was a silent version in 1923, which focused on the life of Buck, the pet dog-turned-sled puller. Then came a 1935 version, with Clark Gable and Loretta Young, that was more concerned with the star actors than the dog. And there followed two more films, both forgettable, but at least concentrating on the dog, in 1972 and, made for TV, in 1997.

But lets take a trivia break. The 1935 Call of the Wild was the last film to be released under the banner of 20th Century Pictures, before it became 20th Century Fox. The 2020 edition is the first film to be released under 20th Century Studios, after the word Fox was dropped from the name. Armed with that information, you will be a hit at your next cocktail party.

But unless youre planning to chaperone a young child to see the new film which is a decent kid-centric adventure movie theres no need to check it out on your own, especially if youre a discerning viewer who recalls the London book.

Yes, the film remains focused on the dog, even though no dog is actually seen in the film, as big Buck is a 100 percent digital creation with a very expressive face who might as well be wearing a big F for Fake sign on its forehead. In fact, all of the dogs, and all of the other animals in the film dont really exist. And, surprisingly, the folks at Disney, the parent company of 20th Century, have not used the same creative flourishes and believability that was on display in the all-digital The Lion King.

But the visual glitches are small potatoes when considering the problems with this film. Screenwriter Michael Green (Logan and Blade Runner 2049) comes up short here, and his use of the celebrated London novel as merely a jumping off point rather than a blueprint for the film is an egregious error.

Yes, its still about Buck, enjoying a happy, relaxed life of comfort in a California household in the 1890s. And its still about his travails after hes dognapped and sold off in the Yukon territory where, during the Gold Rush days, a dog of his size and strength is just what was needed to pull sleds across long, snow-covered distances. And it even has another main but secondary to the dog character named John Thornton (Harrison Ford) who helps turn things around for Buck.

But Green has taken absurd liberties with Londons often rugged story. Hes cleaned things up, taken the edge off. Hes even and this is the worst part removed a large, important group of characters there are no Canadian Indians to be seen all in the name of what weak-minded people are passing off as political correctness. The mayhem thats now done in the story is committed by a fancy-dressing, money-hungry, hot-tempered white fellow named Hal (Dan Stevens, overacting). The character does appear in the book, and hes not a good man, but there he was Bruce Banner, and now hes a raging Hulk.

That Green has also imbued the film with some effective comedy is a good thing, even though most of it is of the cheap laugh variety and is based on big Bucks ineptitude and clumsiness. Green also inserts a couple of scenes of great peril, though everything is settled before too much concern can be spent on them. One of the scripts biggest annoyances is the overuse of narration, all of it by Ford, none of which makes any sense when you think about his characters circumstances at the end of the film. The most mystifying component here is that right after John Thornton tries to warn Hal of the dangers hes facing, the film jumps forward in time, with no explanation, as if a reel has been skipped.

At least theres still a romantic side story for Buck, but its accompanied by a poorly written (cleaned up) ending that will leave young viewers asking their parents what happened.

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Movie review: This Call of the Wild is just too mild - The Patriot Ledger

2 The Movies: Call of the Wild Delivers – WGRZ.com

BUFFALO, N.Y. Jack Londons novel, The Call of the Wild is considered to be a Great American Novel and it truly deserves that consideration. So, it is incumbent on filmmakers when they adapt this story to at least attempt to make it a Great American Film. Director Chris Sanders (The Croods) tries in this, his first live-action feature. He almost succeeds, but is waylaid by plot modifications that seem to bow to political correctness, and some CGI that ends up being a bit distracting.

If youve read the novel (who hasnt? Its almost required reading in our various school systems.) then you know the story is about Buck (Terry Notary, Avengers: Engame, War for the Planet of the Apes), a large, spoiled, rambunctious St. Bernard/Scotch Collie mix.

Terry Notary (Motion Capture) as Buck in The Call of the Wild

2019 Twentieth Century Fox Film Corporation. All rights reserved. Photo Credit Courtesy of Twentieth Century Fox

Hes kidnapped from his Santa Clara, California home, and transported to Alaska, where hes dragooned into the life of a sled dog.

(L to R) Terry Notary (Motion Capture) as Buck, Cara Gee as Franoise and Omar Sy as Perrault in The Call of the Wild

Photo Credit Courtesy of 20th Century Fox

He ends up on a sled team, and eventually becomes a leader. After an adventure or two, he ends up with John Thornton (Ford, Blade Runner 2049, Cowboys & Aliens) and the two head off into the Yukon. If you need more of a plot synopsis than that, dear reader, consult the novel.

Omar Sy as Perrault in The Call of the Wild

2019 Twentieth Century Fox Film Corporation. All rights reserved. Photo Credit Courtesy of Twentieth Century Fox

So, this films source material is truly outstanding. Its a great yarn, even if it is a bit diluted by some plot sanitation that completely removes the First People from any villainous role, and glosses over some of the more violent scenes. Still, the most important aspects of the events that happen to Buck and serve to develop his character are there.

Terry Notary (Motion Capture) as Buck in The Call of the Wild

Courtesy of 20th Century Fox

Make no mistake, Buck is the star of this movie. Notary provided the motion capture that Bucks movements were based on. The technology is nothing short of miraculous, but the filmmakers went a bit overboard in grafting human expression onto Bucks canine face. Still, the scenes with Buck where those pesky humans arent involved are some of the best in the movie. Buck and Thornton dominate this film to the point that one wishes some of the other cinematic worthies like Bradley Whitford (Get Out, The Last Full Measure) and Karen Gillian (Jumanji: Welcome to the Jungle, Occulus) arent given more to do. Omar Sy (Jurassic World, Inferno) and Cara Gee (Birdland, Red Rover) are utilized a bit more and to good effect. Most of the outdoor scenes are compelling enough that viewers might not notice that, with the exception of some shot in Santa Clara, the entire film consists of set pieces.

Merie Wallace

Most of the above is quibbling. The fact of the matter is that The Call of the Wild is a family friendly film that tells a thrilling, compelling and emotionally evocative story, in spite of the fact that the 1907 story has been cleaned up so as not to offend 2020 audiences. Perhaps the late 19th and early 20th century realities would have detracted from the family friendly nature of this film, or perhaps not. In any event, The Call of the Wild calls up 4 and a half out of 5 boxes of popcorn.

While the Call of the Wild has a great cast with the likes of Ford, our next film has, well, Katie Holmes (Thank You For Smoking, Dear Dictator).

Katie Holmes stars in BRAHMS: The Boy II

Courtesy of STXfilms

Brahms, the Boy II is a sequel to 2016s The Boy. Its Rated PG-13 for terror, violence, disturbing images and thematic elements.

Owain Yeoman, Katie Holmes and Christopher Convery star in BRAHMS: The Boy II

Courtesy of STXfilms

Critical attention seems scarce. I havent seen it yet, so I cant really weigh in, and its not on my docket for this weekend

Im Larry Haneberg, and Im taking you 2 the Movies

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2 The Movies: Call of the Wild Delivers - WGRZ.com

Giants tell Aubrey Huff he will not be invited to 2010 reunion due to tweets – San Francisco Chronicle

SCOTTSDALE, Ariz. Retired first baseman Aubrey Huff, a key force behind the Giants drought-breaking World Series championship in 2010, has been told he will not be invited to a 10-year reunion at Oracle Park this season because of a series of social-media posts the Giants considered vulgar.

Earlier this month, we reached out to Aubrey Huff to let him know that he will not be included in the upcoming 2010 World Series Championship reunion, the Giants said Monday night in a statement.

Aubrey has made multiple comments on social media that are unacceptable and run counter to the values of our organization. While we appreciate the many contributions that Aubrey made to the 2010 championship season, we stand by our decision.

The Giants sent the statement to The Chronicle after they gave it to the Athletic, which first reported the Giants decision.

Huff has not been shy about tweeting his conservative political views, but several recent posts drew widespread criticism and even outrage.

In one, he smiled as he held up a paper shooting-range target full of bullet holes and said, Getting my boys trained up on how to use a gun in the unlikely event @BernieSanders beats @realDonaldTrump in 2020. In which case knowing how to effectively use a gun under socialism will be a must. By the way, most of the head shots were theirs. @NRA @WatchChad #2ndAmendment.

In an even more decried tweet, responding to another that suggested the United States should invade Iran and bring some of their attractive women here, Huff said, Lets get a flight over and kidnap about 10 each. We can bring them back here as they fan us and feed us grapes, amongst other things. He later deleted the tweet, which he said was intended as a joke.

Huff last month tweeted criticism of the Giants for hiring a woman to coach, Alyssa Nakken, terming it political correctness, but the team said it decided not to invite Huff to the reunion before the Nakken tweet.

Huff did not immediately return a request for comment but told the Athletic he was shocked and disappointed.

If it wasn't for me, they wouldnt be having a reunion, he said. But if they want to stick with their politically correct, progressive (b.s.), thats fine.

Henry Schulman is a San Francisco Chronicle staff writer.

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Giants tell Aubrey Huff he will not be invited to 2010 reunion due to tweets - San Francisco Chronicle

Why Wont They Let Professor Funke In? – Bacon’s Rebellion

Hajo Funk. Photo credit: Main-Echo

By Peter Galuszka

Theres a very curious case involving the University of Virginia that involves freedom of speech and free education, but it doesnt involve the usual complaints of Mr. Jeffersons University being a hotbed of Bolshevism.

Rather, it involves a renowned German professor who has had a rough time getting a U.S. visa after he was invited to teach in Charlottesville, according to the Cavalier Daily. Political scientist Hajo Funke had been invited to lead two courses as The Max Kade Distinguished Visiting Professor. On Thursday, he finally got his visa after a months-long wait.

Funkes specialty is the study of right-wing politics, notably the re-emergence of the trends in Europe which has seen the rise of white supremacism, anti-immigration and anti-Semitism. Some examples include Hungary, Poland, Russia, France and other countries.

He had been slated to teach two courses, Right-Wing Populism and the Far Right and Historical Political Memory but had had to do them via teleconferencing from Berlin.

The university invited him to teach in November and he went to the U.S. Consulate in Germany to apply for the appropriate visa. Surprisingly, he was told that approval was being delayed with no reason given. According to the media, one possible reason is that he had visited Iran to see his wifes family and to do some research.

If so, that suggests that Donald Trumps xenophobic policies may be to blame. Its a true shame that if a scholar visits certain countries to do some research, he or she is put on a black list.

This conjures up the days of Joe McCarthy. I used to deal with visa issues all the time when I was a U.S. news correspondent in Moscow during the Cold War.

One of Funkes studies involves comparing the 2017 uprising by white supremacists in Charlottesville with a 2018 uprising of a similar type in 2018 in Chemnitz, Germany.

Its a true shame that Charlottesville has become the unwanted symbol of hate and violence that started over the removal of a Robert E. Lee statue. Its been spreading throughout Europe as well, in part because the Arab Spring and the Syrian war have created great crowds of immigrants looking for safe haven.

On this blog, one reads regular critiques of U.Va. for being some kind of haven for political correctness and anti-thought. But consider Funkes case.

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Why Wont They Let Professor Funke In? - Bacon's Rebellion

No, a list described as rules for children they won’t find in school did not come from Bill Gates – AFP Factcheck

A claim that Microsoft co-founder Bill Gates penned a list of real-life rules for children and delivered them during a speech at a high school continues to circulate on social media at least 20 years after it first appeared online. Gates, however, was in no way involved in creating the list.

It is a claim that refuses to die, as this Facebook post here from 2013 with at least 59,000 shares attests.

A list of 10 to 14 rules billed as an antidote to unchecked political correctness in schools, it is widely credited to Gates in multiple posts here, here and here.

Gates, the claim says, delivered a speech at a high school where he used the occasion to bash contemporary education for its politically-correct teachings that were setting children up for failure.

The first rule? Life is unfair. Get used to it.

Most posts like those above (and these recent oneshere and here) end at number 11 on the list with the advice to be kind to nerds because chances are youll end up working for one.

The claim conferring ownership of the list on Gates has been around for at least 20 years and one of the very first debunks was this one by Snopes in 2000, containing details of other misattributions at the time, including to American writer Kurt Vonnegut.

Other fact-checking organisations here and here have similarly dispelled the idea of authorship by Gates.

The man behind the list is US author Charles J. Sykes, whose 1995 book Dumbing Down Our Kids was described as a searing indictment of Americas secondary schools.

But it was on his radio show in Milwaukee, Wisconsin that he first introduced the public to his rules for children as a criticism of outcomes-based education. His list began with 10 rules and grew to 14.

Sykes expanded even further in his 2007 book 50 Rules Kids Wont Learn in School and included his original list, although the order was rearranged.

In the preface, he dedicated space to addressing the claims of authorship, stating that, while he was flattered to be associated with the billionaire philanthropist, Gates was not the author of his list.

A comment was requested from the Bill & Melinda Gates Foundation and will be added if and when AFP receives a response.

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No, a list described as rules for children they won't find in school did not come from Bill Gates - AFP Factcheck

BOOK REVIEW: The Age of Entitlement is a fascinating read – Wicked Local

"The Age of Entitlement: America Since the Sixties," Simon & Schuster, by Christopher Caldwell

This is a sweeping but insightful examination into every social, political and legal decision, movement and trend that leaves us where we are today in a polarized nation.

Author Christopher Caldwell traces the origins of today's deep discords to President John F. Kennedy's assassination in 1963. Grief that shrouded the nation after Kennedy's assassination, Caldwell writes, "gave a tremendous impetus to changes already under way." Lyndon B. Johnson, who was sworn into office after Kennedy's death, was able to push through far more ambitious civil rights legislation in 1964 than Kennedy would have been able to do. Most significantly, in the author's telling, the Civil Rights Act, and social movements that followed, were accelerated and empowered more through court decisions and government agencies than decisions by elected officials.

Although the Civil Rights Act was designed principally to ban employment discrimination on the basis of race, color, religion, sex or national origin, Caldwell presents a persuasive case that it provided the legal, social and cultural guidepost for advancing almost every movement since gay rights, immigration, affirmative action, fundamentalist Christianity, leveraged buyouts, political correctness, the Martin Luther King Jr. holiday and much more.

The citizen's band radio craze, leveraged buyouts and political correctness Caldwell fits all these topics and more into an engaging, questioning book that proceeds at almost dizzying speed. A reader feels like he has but a moment to think when Caldwell writes that "to establish new liberties is to extinguish others" before speeding off to the next topic. "Entitlement" is a fascinating read that could ignite 1,000 conversations.

Ironically, it's hard to imagine Congress passing anything today remotely as revolutionary as the Civil Rights Act. Given our sharpening political, social and economic divisions, Congress has trouble reaching a consensus on anything. The transformational legislation that was finally to give us all an equal chance at everything ended up herding us into warring tribes agreeing on nothing.

Caldwell's analysis of our Vietnam legacy is particularly masterful but the book brims with brisk evaluations of how a confident nation became an argumentative, fragmented one.

Civil rights divided the country by region, Caldwell writes; Vietnam did the same by class.

Perhaps because he was writing as his book's natural finale crashed into the arena Donald Trump's election Caldwell is less sure-footed in a grand conclusion. What does all this mean? Where are we? Where do we go to reconnect with our better angels?

Those answers await us still.

No question though that this is a significant rendering of how America evolved since the "me generation" asserted itself in the 1960s. Caldwell offers the best analysis and theory yet as to how we perhaps unwittingly arrived at a place where we would elect a president bent on unraveling our institutions, assumptions and beliefs about ourselves and where we no longer even start with a set of accepted facts about anything.

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BOOK REVIEW: The Age of Entitlement is a fascinating read - Wicked Local

Identity politics in the Democratic Party isnt hurting liberalism. Its saving it. – Vox.com

American liberalism is in desperate need of renewal. Its ideas too often feel stale, its nostrums unsuited to beating back the authoritarian populist tide.

Yet there is an opportunity for revival if liberals are willing to more forthrightly embrace the politics of identity.

To many liberals, such a suggestion will sound like blasphemy. Since mere days after Donald Trumps 2016 victory, an unending stream of op-eds and books have accused identity politics defined loosely as a left-wing political style that centers the interests and concerns of oppressed groups of driving the country off a moral and political cliff.

These critics accuse identity politics of being a cancer on the very idea of liberalism, pulling the mainstream American left away from a politics of equal citizenship and shared civic responsibility. It is, moreover, political suicide, a woke purism that makes it impossible to form winning political coalitions evidenced, in critics minds, by the backlash to Sen. Bernie Sanderss embrace of the popular podcast host Joe Rogan.

The idea that identity politics is at odds with liberalism has become conventional wisdom in parts of the American political and intellectual elite. Harvard psychologist Steven Pinker has condemned contemporary identity politics as an enemy of reason and Enlightenment values. New York Times columnist Bari Weiss argues that the corrupt identity politics of the left amounts to a dangerously intolerant worldview. And New York magazines Andrew Sullivan claims the woke left seems not to genuinely believe in liberalism, liberal democracy, or persuasion. This line of thinking is practically the founding credo of the school of internet thought known as the Intellectual Dark Web.

It is also deeply, profoundly wrong.

What these critics lambaste as an attack on liberalism is actually its best form: the logical extension of liberalisms core commitment to social equality and democracy, adapted to address modern sources of inequality. A liberalism that rejects identity politics is a liberalism for the powerful, one that relegates the interests of marginalized groups to second-class status.

But identity politics is not only important as a matter of liberal principle. In the face of an existential threat from right-wing populists in Europe and the United States, liberals need to harness new sources of political energy to fight back. This is not a matter of short-term politics, of whether being too woke will help or hurt Democrats in 2020, but a deeper and more fundamental question: what types of organizations and activist movements are required to make liberalism sustainable in the 21st century. And there is good reason to believe the passions stirred by identity politics can renew a liberalism gone haggard.

To say that liberalism and identity politics are at odds is to misunderstand our political situation. Identity politics isnt merely compatible with liberalism; it is, in fact, liberalisms truest face. If liberalism wishes to succeed in 21st-century America, it shouldnt reject identity politics it should embrace it.

All politics is, in a certain sense, identity politics. Every kind of political approach appeals to particular aspects of voters identities; some are just more explicit than others.

But critics of identity politics have a very particular politics in mind a mode of rhetoric and organizing that prioritizes the concerns and experiences of historically marginalized groups, emphasizing the groups particularity.

To understand why this kind of identity politics is so controversial and what its critics often get wrong about it we need to turn to the work of the late University of Chicago philosopher Iris Marion Young.

In 1990, Young published a classic book titled Justice and the Politics of Difference. At the time, political philosophy was dominated by internal debates among liberals who focused heavily on the question of wealth distribution. Young, both a philosopher and a left activist, found this narrow discourse unsatisfying.

In her view, mainstream American liberalism had assumed a particular account of what social equality means: that equal social status for all persons requires treating everyone according to the same principles, rules, and standards. Securing equality on this view means things like desegregation and passing nondiscrimination laws, efforts to end overt discrimination against marginalized groups.

This is an important start, Young argues, but not nearly enough. The push for formally equal treatment cant eliminate all sources of structural inequality; in fact, it can serve to mask and even deepen them. Judging a poor black kid and a rich white one by the same allegedly meritocratic college admissions standards, for example, will likely lead to the rich white ones admission perpetuating a punishing form of inequality that started at birth.

Young sees an antidote in a political vision she developed out of experiences in social movements, which she calls the politics of difference. Sometimes, Young argues, achieving true equality demands treating groups differently rather than the same. The specificity of each group requires a specific set of rights for each, and for some a more comprehensive system than for others, Young writes. The goal is identity consciousness rather than identity blindness: Black Lives Matter over All Lives Matter.

She did not like using the term identity politics for this approach, arguing in her 2000 book Inclusion and Democracy that it was misleadingly narrow. But two decades later, what she sketched out is what we understand identity politics to mean.

Youngs philosophical precision allows us to understand whats distinctive about contemporary identity politics. It also helps us understand why critics see it as such a threat.

Identity politics dissatisfaction with formal equal treatment is, in their view, fundamentally illiberal. Its emphasis on correcting structural discrimination can morph into a kind of authoritarianism, an obsession with the policing of speech and behaviors (especially from white, straight, cisgender men) at odds with liberalisms core commitments to individual rights, so the critics fret. They see college students disinviting conservative speakers for being problematic, or canceling celebrities who violate the rules of acceptable discourse on race or gender identity, as evidence that identity politics fundamental aim is overturning liberalism in the name of equality.

This approach is not only illiberal, the critics argue, but self-defeating. The more emphasis that is placed on the separateness of American social groups, the less space there is for a politically effective and wide-ranging liberalism.

The only way to [win power] is to have a message that appeals to as many people as possible and pulls them together, Columbia professor Mark Lilla writes in his recent book The Once and Future Liberal. Identity liberalism does just the opposite.

Many of these critics see themselves as coming from a relatively progressive and firmly liberal starting point. They tend to profess support for the ideals of racial or gender equality. What they cant abide is a political approach that emphasizes difference, shaping its policy proposals around specific oppressions rather than universal ideals.

It is a philosophical argument with political implications: a claim that the essence of identity politics is illiberal, and for that reason its continued influence on the American left augurs both moral and electoral doom.

Its hardly absurd for someone like Lilla to see tension between liberalism and identity politics. Young herself described the politics of difference as not a species of liberalism but a challenge to it.

But her stance notwithstanding, political philosophers have come to see the politics of identity as part of a vibrant liberalism. In 1998, Canadian scholar Will Kymlicka identified an emerging consensus among political philosophers on what he calls liberal multiculturalism, the idea that groups have a valid claim, not only to tolerance and non-discrimination, but also to explicit accommodation, recognition and representation within the institutions of the larger society.

If we examine liberalisms core moral commitments, Kymlickas consensus shouldnt be a surprise.

The quintessential liberal value is freedom. Liberalisms core political ambition is to create a society where citizens are free to participate as equals, cooperating on mutually agreeable terms in political life and pursuing whatever vision of private life they find meaningful and fulfilling. Freedom in this sense cannot be achieved in political systems defined by identity-based oppression. When members of some social groups face barriers to living the life they choose, purely as a result of their membership in that group, then the society they live in is failing on liberal terms.

Identity politics seeks to draw attention to and combat such sources of unfreedom. Consider the following facts about American life:

There is no law saying black people cant own houses, that women married to men must do the cooking and cleaning, or that LGBTQ teens must harm themselves. These problems have more subtle causes, including legacies of historical discrimination, deeply embedded social norms, and inadequate legislative attention to the particular circumstances of marginalized groups.

Identity politics focus on the need to go beyond anti-discrimination works to open new avenues for dealing with the insidious nature of modern group-based inequality. Once you understand that this is the actual aim of identity politics, it becomes clear that critiques of its alleged authoritarianism miss the forest for the trees.

It is of course true that one can point to illiberal behavior by activists in the name of identity politics: Think of the student group at the City University of New York that attempted to shout down a relatively mainstream conservative legal scholars lecture out of hostility to his views on immigration law. But instances of campus intolerance are actually quite uncommon, despite their omnipresence in the media, and the idea that a handful of student excesses represent the core of identity politics is a mistake.

One can say the same thing for social media outrages. Its certainly true that many practitioners of identity politics send over-the-top tweets or pen Facebook posts calling for people to be fired without good cause. Its also true that some practitioners of every kind of politics do these things. Holding up an outrageous-sounding tweet as representative of the allegedly authoritarian heart of identity politics is a basic analytical error: confusing a platform problem, the way social media highlights the most extreme versions of all ideologies, with a doctrinal defect in identity politics.

Merely because a liberal movement contains some illiberal components doesnt make it fundamentally illiberal; if it did, then slave-owning American founders and bigoted Enlightenment philosophers would have to be booted out of the liberal canon.

The key question is whether the agenda and aims of identity politics adherents advance liberal freedom compared to the status quo. On this point, its clear that the practitioners of identity politics are on the liberal side.

In recent years, we have seen champions of identity politics rack up impressive accomplishments victories like defeating prosecutors with troubling records on race at the ballot box, getting sexual assault allegations taken seriously in the workplace, and securing health care coverage for transition-related medical care.

These are hardly examples of woke Stalinism. They are instead victories of liberal reform and democratic activism, incremental changes aimed at addressing deep-rooted sources of unfreedom.

Time and again throughout American history, from abolitionism to the movement for same-sex marriage, members of marginalized groups have refused to abandon liberalisms promises. They put their lives on the line, risking death on Civil War battlefields and in the streets of Birmingham, in defense of liberal ideals. When they demanded change, they won it through the push-and-pull of democratic politics and political activism that constitute the heart of liberal praxis. In essayist Adam Serwers evocative phrasing: The American creed has no more devoted adherents than those who have been historically denied its promises.

Todays practitioners of identity politics are the proper heirs to this tradition. Former Georgia gubernatorial candidate Stacey Abrams, one of the most prominent defenders of identity politics in American public life, has devoted her post-election career to an unimpeachably liberal cause fighting restrictions on the franchise, particularly those that disproportionately affect black voters.

In a recent Foreign Affairs essay, Abrams made the case that one of the central aims of identity politics is bolstering liberalism that it is activism that will strengthen democratic rule, not threaten it. In Abramss view, the persistence of structural oppression, and in particular the Trump-era backlash to social progress, requires careful attention to identity, and in particular what marginalized groups want from their political elites.

By embracing identity and its prickly, uncomfortable contours, Abrams wrote, Americans will become more likely to grow as one.

The critics of identity politics have another complaint: that its hold on the Democratic Party can only lead to electoral perdition. Abrams, as inspirational as many find her, did lose the 2018 Georgia gubernatorial race. Maybe identity politics can be defended theoretically but in practice alienates too many people to be put in practice.

Its possible to challenge the specifics of these arguments. Abrams didnt win, but it was a very tight loss in a historically red state (in fact, 2018 was the closest Georgia gubernatorial election in the state in more than 50 years). And you can point to many examples that go in the other direction at the local, state, and national levels.

But it would be myopic to tie ourselves up in these near-term (and frankly inconclusive) tactical arguments. We have a broader crisis to worry about.

Debating the interests of the Democratic Party confines the imagination; rising illiberalism in the United States is a deeper problem than the Trump presidency. To reckon with it, we need to take a longer view, looking at the beliefs and sources of activist energy that define the contours of whats possible in American electoral politics.

Since World War II, liberalism and its core beliefs about rights and freedom have served as something like the operating system for democratic politics. But in recent years, this consensus has come under severe stress. Elite failures and global catastrophes particularly the one-two punch of the financial and refugee crises have caused Western publics to lose faith in the liberal orders guardians. Illiberal right-wing populism has emerged as a potent alternative model. The Wests fundamental commitment to liberalism is coming into question.

Liberals are in the midst of war and in it, giving up identity politics amounts to a kind of unilateral disarmament. Todays political contests, in both the United States and Europe, are increasingly defined by conflict surrounding demographic change and the erosion of traditional social hierarchies. These are the central issues in our politics, the ones that most powerfully motivate people to vote and join political organizations.

The anti-liberal side has pegged its vision almost entirely to backlash politics, to rolling back the gains made by ethnic and racial minorities, women, and the LGBTQ community. The challenge for liberals is not primarily winning over voters who find that regressive vision appealing; no modern liberal party can be as authentically bigoted as a far-right one. At the same time, liberals should not write off entire heterogeneous demographic blocs like the white working class as unpersuadable. Instead, the main task of liberal politics should be mobilizing those from all backgrounds who oppose the far-rights vision knitting together in common cause a staggeringly diverse array of people with very different experiences.

The 2017 Womens March is a concrete example of how identity politics can help in this struggle.

The march was billed, at the time, as both an expression of feminist rage and the major anti-Trump action the weekend of the inauguration. Some liberal identity skeptics fretted that these goals were antithetical; that the particularism of the events feminist rhetoric would end up dividing the anti-Trump coalition.

I think many men assume the Womens March is supposed to be women-only, which is why it was a bad name for the main anti-Trump march, New York magazines Jonathan Chait wrote. There are many grounds on which to object to Trump. Feminism is one. I think [the] goal should be to get all of them together.

Chaits concerns were clearly unfounded. The 2017 Womens March was by some estimates the largest single day of protest in US history, with somewhere in the range of 3 million to 5 million people attending the various marches nationwide. Feminism, far from being a divisive theme, served to mobilize large numbers of people to get out and demonstrate against Americas illiberal turn.

But what happened next is particularly interesting: The experience of attending Womens Marches seems to have galvanized a significant number of people overwhelmingly women to engage in sustained activism for both gender equality and the defense of liberalism more broadly.

In the years following the 2017 demonstrations, Harvard researchers Leah Gose and Theda Skocpol conducted extensive fieldwork among anti-Trump activists. They found that the march helped mobilize many new activists the bulk of whom were middle-class, educated white women in their 50s or older. Following the marches, they found, clusters of women in thousands of communities across America carried on with forming local groups to sustain anti-Trump activism.

The Womens March seems to have played a crucial role in turning these women into activists who not only opposed Trump but aimed to defend liberalisms promise of equal freedom. Activists interviewed by Gose and Skocpol frequently cited a concern for the health of American democracy as a reason for their engagement. Despite being heavily white, they also worked on issues that are of particular concern to racial minorities organizing against (for example) the white nationalist rally in Charlottesville, Virginia, and child separation.

As before throughout American history, Gose and Skocpol write, womens civic activism may revitalize democratic engagement and promote a new birth of responsive government in communities across the land.

In a recent working paper, political scientist Jonathan Pinckney took a close look at the impact of the Womens March on three metrics: increase of size in Democratic-aligned activist groups, ideology of Democratic members of Congress, and the share of the Democratic vote in 2018. He found that areas with larger attendance at the 2017 marches later saw significantly increased movement activity, left-ward shifts in congressional voting scores, and a greater swing to the Democrats in the 2018 midterm elections.

The Womens March itself seems to have largely petered out, succumbing to fatigue and leadership infighting. But its true legacy will be the activist networks it helped create, ones that contributed to sustained and impactful challenges to an illiberal presidency.

This kind of thing is what, in the long run, liberalism needs: a way to make its defense fresh and exciting, mobilizing specific groups toward the collective task of defeating the far right. Doing so will require meeting people where they are, engaging them on the identity issues that matter deeply and profoundly. Knitting this latent energy into a durable and electorally viable coalition will be the work of a generation, but its hard to see how American liberalism can get off its heels without trying.

Its true, of course, that the interests of members of marginalized groups are not always aligned, and that such groups also contain a lot of internal disagreements and diversity. There are always hard questions regarding building coalitions. Should Sanders have denounced Joe Rogans endorsement? Is former South Bend, Indiana, Mayor Pete Buttigiegs dubious record on race and policing disqualifying? These are important questions, and there will be more like them. They will lead to more fights among liberals and the broader left.

But political factions of all ideologies have to make tough judgment calls when it comes time to engage in electoral politics, and theres nothing about identity politics that makes it uniquely poorly suited to the task.

While the politics of difference is attuned to the specific experiences of social groups, it also contains a universalizing impulse: a sense that all structural injustices stemming from racism, sexism, class structure, or whatever are to be opposed. Theres a core commitment to solidarity, to not only listening to the members of other groups but seeing their struggle as linked to your own.

Having to be accountable to people from diverse social positions with different needs, interests, and experience helps transform discourse from self-regard to appeals to justice, Young writes in Inclusion and Democracy.

An anti-oppression framework gives people a moral language for articulating their disagreements and perspectives, for constructing a sense of unity and shared purpose out of difference. That were having these conversations at all, and are agonizing over what exactly our liberalism should look like, is all to the good because rebuilding liberalism around anti-oppression values, no matter how difficult it might seem in the moment, is its best hope for an enduring revival.

If all of this is right, and liberalism needs identity politics not just to survive but to succeed, then an obvious question looms: How can it be adapted to take issues of identity more seriously? What might the ideals and aspirations of an identity-focused liberalism be, and how might it imagine making them possible?

One good place to start is the work of CUNY philosopher Charles Mills. Millss most famous book, The Racial Contract (1997), is a fundamental critique of the Enlightenment political tradition, arguing that racist attitudes expressed by philosophical giants like Immanuel Kant are not some alien parasite on their theories, but vital to their intellectual enterprises.

Its the kind of thoroughgoing dissection you might expect from a socialist or black nationalist, someone willing to scrap liberalism altogether. Yet at the end of his most recent book, Black Rights/White Wrongs, Mills explains that his project is not aimed at supplanting liberalism but rather rescuing it by developing what he calls black radical liberalism.

Central to black radical liberalism is the idea of corrective justice: the notion that liberalism as it has been practiced historically has fallen badly short of its highest ideals of guaranteeing equal freedom, and that the task of modern liberalism ought to be rectifying the racial inequalities of its past incarnations.

Millss approach is refreshing because it moves beyond the strange conservatism in so much liberal writing today. His work is not an uncritical valorization of the Enlightenment nor a paean to dead white thinkers; it does not aim to Make Liberalism Great Again. It is instead a harshly critical account of liberalisms history that nonetheless aims to advance liberalisms core values and secure its greatest accomplishments.

The animating force of identity politics, what gives it such extraordinary power to mobilize, is deep wells of outrage at structural injustice. Millions of people see the cruelties of the Trump administration its detention of migrant children in camps, the Muslim ban, the plan to define transgender people out of existence by executive fiat, the presidents description of Charlottesville neo-Nazis as very fine people and want to do something.

Todays liberals often focus their arguments on bloodless abstractions like democratic norms and the liberal international order. I dont deny that these things are important; Ive written in their defense myself.

But people arent angry about norm erosion in the way they are about, say, state-sanctioned mistreatment of migrant kids. By making identity politics something not outside of liberalism but at the center of it, liberals can enlist the energies of identity to the defense of liberalism itself.

Doing that successfully requires a level of Millsian radicalism. While this sort of identity liberalism would not reject the accomplishments of the past, it requires admitting their insufficiency. It means accepting that liberalism is a doctrine that has failed in key ways, and that repairing its errors requires centering the interests of the groups that have been most wronged. It means appealing to the specificity of group experiences, while also emphasizing their shared interests in the twinned fights against oppression and for liberal democracy.

This approach will require compromises from some mainstream liberals, who will need to start welcoming in people and ideas they might not like. Theyll need to get over squeamishness about student activists and their pain regarding political correctness, to recognize that their vision of balancing competing political interests wont always win out. Thats not to say they cant argue for their ideas; this type of liberal can and should be entitled to make the case for more cautious political approaches. But liberals need to stop trying to play gatekeeper, to banish ideas like intersectionality to the illiberal wilds.

Because the practitioners of identity politics are not illiberal. They are, in fact, some of the best friends liberalism has today. The sooner liberals acknowledge that, the closer we will be to a liberal revival.

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Identity politics in the Democratic Party isnt hurting liberalism. Its saving it. - Vox.com

Soft Jihad in America – Arutz Sheva

Amil Imani The writer is an Iranian-American writer, poet, satirist, novelist, essayist, literary translator, public speaker and political analyst who has been writing and speaking out about the danger of radical Islam internationally. He has become a formidable voice in the USA against the danger of global jihad and Islamization of America. He maintains a website at http://www.amilimani.com. and wrote the book Obama Meets Ahmadinejad and a new thriller Operation Persian Gulf

Dr. Tariq Ramadan is a known Islamic scholar and the grandson of Hassan al-Banna who in 1928 founded the Muslim Brotherhood Organization. On July 27, 2011, I covertly attended an Islamic fund raising at the Hyatt Regency Hotel , in Richardson, Texas, that was arranged by the Islamic Circle of North America (ICNA), and their key speaker was Tariq Ramadan.

Never mind how I managed to enter this highly guarded Islamic venue, but I witnessed their fund-raising methods and their goal to make America an Islamic land and eventually make Sharia Law accepted by elected officials without a single bullet to be fired. Yes, Tariq Ramadan encouraged Muslim attendees not to assimilate to American culture, but stealthily engage in political institutions, universities and run for political office. Then they will be in a position of power to drastically alter our way of life through what we know as Cultural or Stealth Jihad.

Tariq Ramadan was banned from coming to the US, but the Obama Administration and the Sec. of State, Hillary Clinton, had signed an order to lift the ban which allowed Ramadan to enter the countryin order to preach to his Muslim followers.

Just because violent jihad has diminished recently, especially after the demise of ISIS leader Abu Bakr al-Baghdadi and founder of the Islamiccaliphate, we should not be complacent. There is a more serious scheme in progress called stealth jihad. It is in full motion in every corner of the United States with the help ofinvaluable allies, the Democrat Party. The formula is working. America the land of the free, is under assault by the deadly ideology of Islamic subversion.

Muslim organizations have been busy and working stealthily changing America in what is called Soft Jihad, or Cultural Jihad, or Stealth Jihad in the United States. Soft Jihad is practiced where the sword of jihad is not advisable, where Muslims are not strong enough to unsheaththeir sword, where if the true nature of Islam is exposed the public would likely stamp them out.

A critical tool of soft jihad, involves penetration of the American educational system, by use of means such as Dawa-a religious duty of each Muslim to convert non-Muslims in order to strengthen the Islamic Ummah.

Many of our elected officials dont even have the courage to challenge Islam and its barbaric rules. They normally avoid any questions about the nature of Islam when speaking with their constituents or just deceive them by telling them not to worry about the horrific things that are happening on the other side of the world. If Muslims act heinously toward non-Muslims, it is just the way things are in those countries and it is hardly any of our business.

This is the same attitude that set the Islamization of Europe on a seemingly irreversible track. One European country after another is rapidly buckling under the weight of Islamic ideology.But Islam is already in America and has no intention leaving or stopping thecultural jihad. It is unbelievable that America, the greatest superpower on the planet, is gradually losing its own power topolitical correctness.

This is alarming. But regrettably, too few Americans are aware of all this, and organizations such as the Council on AmericanIslamic Relations (CAIR) and other Muslim Brotherhood-linked organizations are taking full advantage of our navet. CAIR is only one of many Islamic organizations that provides refuge to stealth jihad.

Moreover, Islam stands in stark contrast to the Declaration of Independence, the US Constitution and what the Bill of Rights was designed to protect: our God-given inalienable rights to life, liberty and the pursuit of happiness. Understand that Sharia is very complex, and its derived from multiple Islamic sources.

As Anti-CAIR.net put it, CAIRis not in the United States to promote the civil rights for Muslims CAIR is here to make Islam the dominant religion in the United States and convert our country into an Islamic theocracy.Moreover, CAIR receives direct fundingfrom Islamic terrorist-supporting countries.

CAIRs true intention was revealed during the largest terrorism financing trial in the nations history: the 20072008Holy Land Foundationtrial.

Notice that Muslims are the only minority in the world who will never submit to the Western laws or assimilate into the culture! In fact, they are the only migrants who actively work around the clock to impose Sharia Law on everyone else. To most Muslims, the highest US authority and documents is considered a heresy. In a parallel attack, Legal Islam exploits every provision of the law in free societies to promote Islam and silence its critics through expensive legal shenanigans.

Mild Islamists may indeed be a minority in America. Yet this deadly cancer has metastasized throughout all fifty states and is attempting to devour Michigan, with Dearborn as its capital. Urgent confrontation of this advancing disease is imperative to stave it off. We must resist the intrusion of this seventh-century mentality into our country and our way of life.

Even if most Muslims seek to adopt an American lifestyle, a great many Muslims are dead-set on using violence to make America conform to their barbaric way of life. Islam is like cancer. Cancer cells are always few at the beginning, and if they are left unchecked, they keep on multiplying, eventually devouring the non-cancerous.

It is beyond the call of duty for all of us to find a pragmatic solution to stop Islam from expanding its reach to every institution, cultural and governmental agencies before its too late. We have no choice. Islam must be defeated politically and swiftly in our era, otherwise, our children and grandchildren could be engaged in a religious and ideological bloody war the likes of which has never been seen on American soil.

Islam is not really a religion, it hides behind the mask of religion to accomplish its mission of worldwide domination. We must treat Islam as a totalitarian doctrine based on the Quran, Sira and the Hadith in what Dr. Bill Warner of the Center for the Study of Political Islam aptly calls theTrilogy of Islam.

Here is the truth, as bitter as it may be. Islam is the culprit. Islam is anything but a religion of peace. Violence is at the core of Islam. Violence is institutionalized in the Muslim's holy book, the Qur'an, in many verses.

Islam has mandates for every facet of life, and those mandates are enforced and regulated by the barbaric criminal and civil code known as Sharia. The precise definition of a Muslim becomes clear when you read the trilogy of Islam. Bottom line: you are to be an Allah-fearing, Quran-believing and Muhammad-following zealot who forces people to submit, convert, and comply with Islam and Sharia or be killed. Those are the facts.

We must stop lying about Islam. Political correctness in the face of evil is equivalent to death and decay of our Western society. One thing for sure, Islam and Muslims will never coexist with the infidels.

It is past time that we confront Islams advancement in America. But we still must try. We need to remove this scourge of humanity from this land, move away from an exclusionary, primitive, and tribal mentality to a vision of all humanity being one, with justice and liberty for all.

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Soft Jihad in America - Arutz Sheva

What is the ‘boogaloo’? How online calls for a violent uprising are hitting the mainstream – NBC News

An anti-government movement that advocates for a violent uprising targeting liberal political opponents and law enforcement has moved from the fringes of the internet into the mainstream and surged on social media in recent months, according to a group of researchers that tracks hate groups.

The movement, which says it wants a second Civil War organized around the term "boogaloo," includes groups on mainstream internet platforms such as Facebook, Instagram, Twitter and Reddit, as well as fringe websites including 4chan, according to a report released Tuesday night by the Network Contagion Research Institute (NCRI), an independent nonprofit of scientists and engineers that tracks and reports on misinformation and hate speech across social media.

While calls for organized and targeted violence in the form of a new Civil War have previously circulated among some hate groups, the emergence of the term "boogaloo" appeared to be a new and discrete movement. NCRI researchers who analyzed more than 100 million social media posts and comments found that through the use of memes inside jokes commonly in the form of images extremists have pushed anti-government and anti-law enforcement messages across social media platforms. They have also organized online communities with tens of thousands of members, some of whom have assembled at real-world events.

The report "represents a breakthrough case study in the capacity to identify cyber swarms and viral insurgencies in nearly real time as they are developing in plain sight," John Farmer, a former New Jersey attorney general who is director of the Miller Center for Community Protection and Resilience at Rutgers University, wrote in the report's foreword.

The report comes as U.S. law enforcement officials and researchers at various levels have issued warnings about the growing threat posed by domestic extremists motivated by fringe ideologies and conspiracy theories. NCRI director Joel Finkelstein, a research scholar at the James Madison Program at Princeton University, said the report had been sent to members of Congress and the departments of Defense, Homeland Security and Justice, among others.

Paul Goldenberg, a member of the Homeland Security Advisory Council, said the report was "a wake-up call."

"When you have people talking about and planning sedition and violence against minorities, police and public officials, we need to take their words seriously," said Goldenberg, who is also CEO of the security consulting company Cardinal Point Strategies.

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Goldenberg said the report had "gone viral" within law enforcement and intelligence communities since its limited release last week. People are reading it and distributing it "far and wide," he said.

The current boogaloo movement was first noticed by extremism researchers in 2019, when fringe groups from gun rights and militia movements to white supremacists began referring to an impending civil war using the word "boogaloo," a joking reference to "Breakin' 2: Electric Boogaloo," a 1984 sequel movie about breakdancing.

The term is used to describe an uprising against a seemingly tyrannical or left-wing government, often in response to a perceived threat of widespread gun confiscation. For many, the word "boogaloo" silly on its face is used jokingly or ironically, but for others, the boogaloo memes are shared alongside violent text and images, seemingly to inflame an eventual confrontation.

In the last three months, boogaloo-related conversation has grown rapidly, according to the researchers, who found that use of the term has increased nearly 50 percent on platforms like Reddit and Twitter over the last few months. Increased exposure, the researchers warn, carries the danger of indoctrination.

Boogaloo extremists have used social media to "strategize, share instructions for explosives and 3-D printed firearms, distribute illegal firearm modifications, and siphon users into encrypted messaging boards en mass," according to the NCRI report. The report also notes how the boogaloo concept has been monetized, through merchandise advertised through Facebook and Instagram ads, and marketed to current and former members of the military.

On Facebook and Instagram, the researchers pointed to several boogaloo-themed public groups and accounts with tens of thousands of members and followers.

A spokesperson for Facebook said in an emailed statement that the company monitored groups that called for violence.

"We've been studying trends around this and related terms on Facebook and Instagram," the spokesperson said. "We don't allow speech used to incite hate or violence, and will remove any content that violates our policies. We'll continue to monitor this across our platform."

Since NCRI generated the report last week, membership in several boogaloo groups on Facebook has nearly doubled, according to an NBC News analysis. Two of Facebook's most popular boogaloo groups, which boasted nearly 20,000 followers during the same period, are no longer available this week.

Much like the OK hand symbol co-opted by white nationalists who later denied the association, the ambiguity of the term "boogaloo" works to cloak extremist organizing in the open.

"Like a virus hiding from the immune system, the use of comical-meme language permits the network to organize violence secretly behind a mirage of inside jokes and plausible deniability," the report states.

The term "boogaloo" has also been seen in real-world activism. At the Virginia Citizens Defense League's annual Lobby Day in Richmond in January, a group of protesters who go by the name Patriot Wave wore Pepe the Frog patches emblazoned with "Boogaloo Boys." One man carried a sign that read, "I have a dream of a Boogaloo." The rally was held on Martin Luther King Jr. Day.

NCRI was able to trace the origin of the use of the term "boogaloo" to 4chan's politics-focused message board, where racist and hateful memes often get their start. "Boogaloo" was often associated with apocalyptic and racist terms like "racewar" and "dotr," a white power fantasy that imagines a time when "race traitors" will be murdered.

The report tracked events when online chatter about an impending boogaloo spiked. The analysis found a peak during a November standoff in upstate New York between an Army veteran and police over a domestic dispute. The veteran, Alex Booth, chronicled the standoff on his pro-gun Instagram account, "Whiskey Warrior 556," claiming to followers that his guns were being confiscated. The incident made the boogaloo meme go viral and gained Booth over 100,000 followers.

The second boogaloo meme peak appeared around the House's impeachment of President Donald Trump, the report found.

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What is the 'boogaloo'? How online calls for a violent uprising are hitting the mainstream - NBC News

The 1975s New Meme-Heavy Video Will Make You Feel 1,000 Years Old – Vulture

Matty Healy and the boys from the 1975 have returned with another single from their upcoming album, Notes on a Conditional Form, out on April 24. The Birthday Party, the third cut off the forthcoming project, takes us on a digital detox. In the music video, co-directed by Ben Ditto and Jon Emmony, an animated Healy relinquishes his phone and is outfitted in a white linen getup before entering an extremely online Garden of Eden replete with memes. Healy soon encounters a yogi incarnation of Pepe the Frog. Seemingly disturbed, he backs into a motley ensemble of internet characters, including the crying cat and anime icon Earth-chan. As Healy sings about chatting with a guy named Greg, a man races between trees, plastering posters reading Looking for Goth GF before a banner of our favorite Butthurt Dweller appears. Then we get a quick medley of Healy doing some Fortnite dances.

Healys journey continues up in the clouds, where he catches the eye of a distracted boyfriend and does a little shuffle with a distorted Shrek, a toothy rainbow teddy bear, the terrifying Momo sculpture, and the girl thats like ermahgerd.We even get a cameo from the coolest Danny Phantom character, certified e-girl Sam Manson. As the song comes to a close, the rest of the band appears, sans instruments, for a little jam session. Then all the memes join hands in a circle and Healy tenderly embraces a carbon copy of himself. Did you catch all that?

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The 1975s New Meme-Heavy Video Will Make You Feel 1,000 Years Old - Vulture

Raining in the Mountain – film review – Louder Than War

Raining in the Mountain (1979)

Director: King HuCast: Feng Hsu, Sun Yueh, Shih ChunRun time: 121 minutesFormat: Dual Format (Blu-ray and DVD)Language: Mandarin with optional English subtitlesOut: 24th February 20209/10

Jamie Havlin gives his verdict on a film that is part spiritual fable, part heist movie and even part martial arts flick.

By the 1970s, King Hu had established himself as one of Asias most highly respected directors. A Touch of Zen (1971), which he wrote, directed and co-edited, won the Technical Grand Prize at the Cannes Film Festival, making history by becoming the first Chinese language film to win an award there.

As the decade was drawing to a close, though, the kind of wuxia movies that hed made his name with had fallen out of favour with audiences. Martial arts comedies like Drunken Master (1978), starring a young Jackie Chan and Sammo Hungs Enter the Fat Dragon (also from 1978), were proving popular around this time, while Hong Kongs new wave cinema movement began making inroads with contemporary dramas like the controversial Dangerous Encounters: 1st Kind (1980). Hus epic style of cinema was looking decidedly old fashioned and Raining in the Mountain failed to set the box-office alight. It won few foreign sales either. This is a pity as theres much to enjoy in it.

Two men and a young woman travel on foot to a remote Buddhist temple known as the Temple of Three Treasures.

The trio arent seeking spiritual enlightenment. Two are thieves: White Fox (King Hu regular Hsu Feng) and Gold Lock (played by the films action choreographer Wu Ming-tsai), while Esquire Wen (Sun Yueh), is a businessman and patron of the temple. He is ostensibly travelling to give advice to an ageing Abbot, who has decided the time is right for him to choose a successor before he dies, but Wen is more interested in his hired thieves stealing a sacred (and priceless) scroll housed in the library of the monastery.

Wen isnt the only person that the Abbot is seeking advice from. District governor, General Wang arrives with his henchman Lieutenant Chang, while Wu Wai, a Buddhist master enters on a sedan chair carried by a large group of Buddhist nuns.

The next outsider to be welcomed into the monastery is wrongly convicted criminal Chiu Ming. He is undertaking a mission to become a monk to atone for his crimes, even though was innocent and quite a coincidence this framed by Lieutenant Chang.

On his arrival, he is soon assigned to protect the scroll from any potential thieves. This will keep him busy, believe me.

Raining in the Mountain is more comic than most of Hus other work. Theres also less action but more scheming and intrigue. Many of the performers excel, particularly Feng Hsu as the feisty White Fox.

Its a beautifully crafted film. The editing is brilliantly rhythmic. The balletic fight scenes inspired by traditional Peking Opera are a joy to watch and the percussive score helps rack up the tension. Maybe best of all is the immaculate cinematography. This is a master at work.

I did struggle to grasp the full significance of some of the scripts Buddhist philosophy, although watching it again along with the audio commentary by Tony Rayns and reading the accompanying booklet helped in that respect.

A Taiwan/Hong Kong co-production made by a Chinese born director who moved to Hong Kong in 1949, Raining in the Mountain was shot in Korea. It was selected as Hong Kongs entry for the Best Foreign Language Film at the 52nd Academy Awards, but failed to be shortlisted as a nominee.

If youre already a fan of King Hu films like A Touch of Zen (1970) then you are in for an absolute treat here. If youre new to the director, you might want to start with some of his earlier work such as Dragon Inn (1967), an important inspiration on both Ang Lees Crouching Tiger, Hidden Dragon (2000) and Zhang Yimous House of Flying Daggers (2004).

Sadly, Raining in the Mountain is generally regarded as King Hus last great movie. Finding funding for his films became more difficult and his career went into decline, never to fully recover.

Special features include a brand new and exclusive feature-length audio commentary by critic Tony Rayns; Beyond Description, a new and highly informative video essay by David Cairns and a collectors booklet featuring new essays by author Stephen Teo; and Asian cinema expert David West.

For more on the release, click here.

All words by Jamie Havlin. More writing by Jamie can be found at his Louder Than War authors archive.

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Raining in the Mountain - film review - Louder Than War

A Tribute to Andrew Weatherall – The Mancunion

Gilles Peterson tweeted saying it is hard to put into words the influence and impact Andrew Weatherall has had on UK cultureso sad to hear of his passing.

Novelist, Irvine Welsh said, Genius is an overworked term but Im struggling to think of anything else that defines him.

The Chemical Brothers, Ed Simons declared A true inspiration and hero. A lovely funny man. Incredible DJ.

These are just a selection of some of the reactions to the death of electronic musics own man-of-letters and proclaimed swordsman Andrew Weatherall at the age of 56.

Andrew Weatherall occupies a distinct position in British electronic music and club culture. To view him merelyasthe producer of Primal Screams 1991 album Screamadelica is reductive, rather he should be remembered as an arranger of Screamss raw materials, allowing them to catapult to an untouchable pinnacle as a result of Weatheralls knowledge of dub and house musics sonic potential.

He worked alongside New Order and the Happy Mondays producing a scintillating remix of the latters track Hallelujah. However, although Screamadelica and Weatherhalls foray into the Madchester music scene was a commercial highpoint.

Andrew was much more than a one trick pony. He was a DJ, a tastemaker, a remixer, a record collector, a selector, a techno cosmonaut, a revolutionary. He signalled the confluence between the vitality of acid house and an emerging post-punk aesthetic and in the process, carved himself a niche as an idiosyncratic figure within underground music.

Weatherall was born in Windsor, Berkshire, in 1963. During his formative years, he spent his time immersing himself in the vibrant funk and soul nights littered across the capital city. He eventually left home aged 18 and worked in various roles as a labourer; but it was in 1987, the year he moved to London, that Andrews career exploded.

Weatherall was hired to DJ at the south London club Shroom, where he began to establish himself as a selector, playing across the spectrum of electronic music. In 2014, Weatherhall told the BBC that I saved up all my money and went to London at the weekend to buy records, I just got a really good record collection together to the point where people started to say Why dont you play this at our party?, Why dont you play this at our club?'

Following on from his emergence as a collector and DJ, in 1990 Weatherall created his own label Boys Own Productions where he became a highly sought remixer. He collaborated with Paul Oakenfold on Hallelujah, as well as New Orders World Cup single World in Motion in 1990. His Radio 1 Essential Mix broadcast on November 13, 1993 has gone down in electronic music folklore as an iconic touchstone that was to be heavily imitated yet never bettered.

Andrew Weatherhalls views on electronic music often aligned with notions of spiritual transcendence, viewing music throughout the ages as being the vehicle to which we achieve a higher level of spiritual enlightenment.

In an interview with Uncuts Michael Bonner, Weatherall states that club nights imitate the ancient Greek rituals involving herbal drugs to achieve transcendence. For Andrew, People were having transcendent experiences in 1940s dancehalls, dancing to a big band; now we do it with drum machines and electronic technology its the same concept. Humanity hasnt changed for 100,000 years, but our technology has.

For Weatherall, then, there is something innate in humitys quest to seek an out of body experience, an experience that he soundtracked for so many across different generations.

I was lucky to attend a few of Weatherhalls A Love From Outer Space club nights in Glasgow that he ran with Sean Johnston. The nights were always intergenerational, attended by old-skool ravers from the late 1980s summer of love, to new generations of dancers.

Weatherall set one rule and one rule only for DJs at these club nights: no track could surpass the 122bpm mark. As a result, the club nights plodded along to the steady rhythms of the 808 drum machine underpinning the swirling oscillations of synth stabs and the dancers gnawing on their Wrigleys spearmint.

An anecdote I heard from an ALFOS club night was, upon hearing a dancer giving Sean Johnston trouble across the DJ booth, Weatherall asked the dancer how much hed paid to get in. A fiver, he said. To which Andrew replied, Heres a tenner, now f*ck off.

As tributes will continue to pour in across the underground and mainstream music world, Lord Sabres influence on dance music culture will last in the collective memory for as long as there are dance floors.

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A Tribute to Andrew Weatherall - The Mancunion

Getting the most out of Lent – Arlington Catholic Herald

Feb. 26 marks Ash Wednesday, the beginning of Lent, a 40-day preparation (not including Sundays) for Easter. The word Lent itself derives from the Anglo-Saxon word lenctin, which means spring. The 40-day period also has significance: Moses stayed on Mount Sinai for 40 days; Elijah walked 40 days to Mount Horeb; and Jesus fasted and prayed for 40 days in the desert before beginning his public ministry. Therefore, our 40-day spiritual preparation should be a new spring, whereby we prune ourselves of the dead wood of sin and imperfections, grow in grace and strengthen our faith. The commitment to this preparation is symbolized by the imposition of ashes: the priest says, Remember, that you are dust and to dust you shall return, or Repent, and believe in the Gospel.

The Gospel for Ash Wednesday (Mt 6:1-18) provides a schema for this preparation: fasting, prayer and almsgiving. The Catechism of the Catholic Church (1434) highlights the importance of these three forms of penance: conversion in relationship to oneself (fasting), to God (prayer), and to others (almsgiving). First, fasting. We are body and soul, and so fasting intensifies a physical dimension to our prayers: even though we may not be spiritually engaged in prayer, physically, we are praying through fasting. Fasting is a powerful weapon against evil: when the apostles were not successful in exorcising a demon, Jesus said, This kind does not come out except by prayer and fasting (Mt 17:21).

Here we can include abstinence, i.e. giving up something for Lent. We ought to give up something we enjoy, but also something we think we cannot live without, e.g. video games, alcohol, coffee, etc. Here is a sacrifice which will not only challenge but also liberate us.

Second, prayer. Prayer is essential. During Lent, a good practice would be to attend daily Mass, make a weekly Holy Hour, pray the rosary, and pray the Stations of the Cross. These prayers may be offered individually or as a family.

Here we can include availing ourselves of the sacrament of penance. Take time to do prayerfully a thorough examination of conscience, recognizing not only the sinful commissions but also the omissions. Ask the Holy Spirit for enlightenment. Then, with real contrition, go to confession and receive the healing graces our Lord offers through this sacrament. No matter how long it may have been since the last confession, everyone ought to make a good confession during Lent so that we can truly rise to new life at Easter.

Third, almsgiving. While we think of almsgiving as giving money to those in need, we could broaden that to include giving of our time and talent, as well as our treasure. The time and talent given to help someone else is more precious and meritorious than any other act. The most worthy almsgiving is sacrificial, not giving from our surplus, but from our want, as described in the story of the Widows Mite (Lk 21:1-4). In the Book of Tobit we read, Almsgiving saves from death and expiates every sin (Tb 12:8-9). For example, money saved by not eating at restaurants, going to the movie theater, or eating desserts could be given to a particular charity or placed in the parish poor box. Closets and toy chests could be purged of old, forgotten, or seldom used items and given to charity. A visit and the offering of some refreshment could be made to an elderly person who is alone.

While Lent is an intense time to renew our relationship with the Lord, it is not all doom and gloom. Keep in mind that Sundays and the solemnities of St. Joseph (March 19) and the Annunciation (March 25) are technically free days, when we rejoice and therefore may partake of whatever has been offered up for Lent. On St. Josephs day, either at the parish or at home, one can have the St. Josephs table (which includes an array of bread, wine and sweets). Here we remember the holy man who provided for his family, Jesus and Mary, and ask for his protection and support for our own families. On the Feast of the Annunciation (also known as Ladys Day), we remember the mystery of the incarnation, and how Mary received the message of Archangel Gabriel and conceived by the power of the Holy Spirit. Here traditionally people bless their gardens, share Annunciation Bread (a Russian custom), or enjoy waffles (a Swedish custom). So these festivities help us persevere in our Lenten journey and anticipate the great joy of Easter.

Fr. Saunders is pastor of Our Lady of Hope Church in Potomac Falls and episcopal vicar for faith formation and director of the Office of Catechetics.

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More information about these practices and others may be found in the book, Celebrating a Holy Catholic Easter, by Fr. Saunders.

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Getting the most out of Lent - Arlington Catholic Herald

Grant to help Dartmouth museum, libraries better explore knowledge of indigenous peoples – The Union Leader

HANOVER What if everything we know about Native American and other indigenous cultures is wrong not because the facts are wrong, but because the way we handle these facts is twisting the truth?

That is the proposition John Stomberg, the director of the Hood Museum of Art, and Sue Mehrer, Dartmouth Colleges dean of libraries, want to have explored as the institutions team up over the next three years thanks to a $500,000 grant from the Andrew W. Mellon Foundation.

Stomberg said the way in which western institutions like museums and libraries catalogue and process information comes from the European Enlightenment of the 17th and 18th centuries, and those methods are not capable of appropriately dealing with other cultures.

The ways of codifying information and thought, by squeezing indigenous and Native American knowledge into that framework, we lost a lot, he said. Were distorting the knowledge by the very way we organize it.

Both the Hood and the Dartmouth libraries have artifacts from Native American and Arctic indigenous cultures. Mehrer said the museum and college use the collections for research and teaching, but that new systems are needed to not do harm to knowledge behind the collections.

Its quite different when youre talking about indigenous communities, she said.

Stomberg said that when he speaks with Native American and indigenous-cultures scholars about different artifacts and histories, hes often struck by the shortcomings of attempts to categorize the information.

Im often being corrected by Native Americans with, well, sort of, or, you could say that but its not really accurate, Stomberg said.

John Stomberg and Sue Mehrer look at a 19th-century basket from the Yokuts, a Native American tribe from central California. Items such as the basket, part of the Hood Museums collection, will be used in teaching and research supported by the $500,000 Andrew W. Mellon Foundation grant.

Stomberg said the methods of separating out and dividing information does not work with Native American and other indigenous cultures. As an example, he said scholars too often mislabel Native American artifacts as ritualistic, when the true value and meaning of the artifact is somewhat different.

We call it a ritual pipe, or a ritual basket, but what we mean by ritual means its just part of life for a Native person, Stomberg said. We apply that term almost willy-nilly to objects that come from Native American and indigenous communities.

Some thinkers tend to separate out religious practices and beliefs from everyday living, Stomberg said, while that is not necessarily the case for Native American peoples. Creating this sort of divide does damage to the understanding of artifacts, culture and history of these peoples.

Things are either religious or not in the way we describe them in our museum, hes said. But for some Native people there is no distinction; all of life can be, in a way, rife with spiritual belief.

Realizing that not only did they have a problem with how they store and process artifacts, Stomberg and Mehrer also knew they would need help.

We werent the people to fix this, Stomberg said.

The grant will fund two positions at the museum and libraries to facilitate a different understanding of the cultures and artifacts, he said. Mehrer said the goal is to look at the systems as a whole and develop new ways of understanding.

Part of our exploration is thinking about our infrastructure, exploring and describing the collections, and bringing in indigenous voices into that dialogue, she said.

Stomberg hopes the people they bring in will help connect the museum and library staff with Native American people so that they can gain a better and deeper understanding of the collections.

Were going to be working with Native communities and indigenous scholars to come up with ways to open up and reorganize knowledge and histories, he said. We dont have a specific goal, we dont want to rewrite the encyclopedia we want to open it up.

Stomberg said the grant will hopefully help the museum and library to be a resource for Native American and other indigenous people, so that their histories and cultures are better preserved and are more accessible. The grant will help the institutions get going on the path to a better system, he said.

How do we create a system where were not always getting it wrong? he said.

Dartmouth was founded 250 years ago with the purpose of providing education for Native American peoples. However, for the first two hundred years of its existence, Dartmouth saw only 19 Native Americans graduate. The college started making changes in the 1960s and 1970s, and has since enrolled about 1,000 Native American students.

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Grant to help Dartmouth museum, libraries better explore knowledge of indigenous peoples - The Union Leader

I toured a religious commune in Italy, and all I got was spiritual existentialism The Review – University of Delaware Review

Danny Zang/THE REVIEWA bust of Oberto Airaudi (Falco Tassaraco), the founder of Damanhur, standing watch over the private gardens in the village center.

BY DANNY ZANGSenior Reporter

And boy, did I come close to converting.

Over winter break I spent a month in Italy for a religious pluralism course. This meant touring dozens of churches, along with a handful of mosques and synagogues of note. That our focus in our visits to different cities was primarily centered around the three Abrahamic religions wasnt a shock. After all, Italy has a long and storied history with Christianity, Judaism and Islam.

But I admit, after weeks of discussing God, I was ready for something new, something that went beyond the faith structures wed seen so much of already. And thats Damanhur, baby.

Founded in 1975 by Oberto Airaudi and a couple dozen devoted followers, the Federation of Damanhur is a spiritual community nestled in the hills west of Milan. Designed as a self-sufficient unit with its own currency, policies and infrastructure, Damanhur has since swelled to several hundred members.

To be clear, Damanhur is not a religious cult. At least, not in the common, pejorative sense of the word. In fact, the Damanhurian faith isnt much of a religion at all; its a philosophy.

Theres no set doctrine to follow or rigidly enforced rules of worship. Damanhurians share common ideations of spiritual energy comprising our galaxy and all others, linking humanity in all its forms to life itself, but the rest is a bit of a mixed bag.

Metaphysically, Damanhurians believe in an unknowable divinity from which humanity and nature are derived; in this way, their religious philosophy is similar to neo-platonism. All of the deities worshipped by other religions are still divine, occupying an intermediate level between creation and humans.

Some of their more eccentric beliefs relate to the definition of humanity on a more galactic scale, where other planets populated with humanoid aliens can be communicated with through advanced meditation.

Damanhur echoes the meditative and enlightenment-striving projects of Hinduism and Buddhism, yet it stands apart from other faiths as a sort of composite of humanitys collective spirituality; it is similar to author Aldous Huxleys perennial philosophy, which held that all world mystical traditions are worshipping emanations of the same divine idea.

Our tour through Damanhur was led by a woman named Lizard, this being her Damanhurian name given in a tradition of animal first name and plant surname begun by Oberto himself.

Lizard guided us through the sculpture gardens that came about from the Battle of the Arts in the 1980s, a fierce competition among Damanhurians in which the expression of self through art became the primary battleground.

We visited the Altar of Fire, an open-air temple at which Damanhurians meditate and, on nights with a full moon, consult the Oracle for answers about their future. These open-air Fire Temples are similar to those of the Zoroastrian religion.

But the most striking part of Damanhur, the part that really brought out the existentialism in our tour group, were the Temples of Humankind.

In 1978, Oberto Airaudi, now referred to as Falco Tassaraco, which translates to Falcon Dandelion, decided that the tiny commune needed a place of worship to center the faith. High up in the mountains bordering Chiusella Valley, a couple miles away from the commune itself, Falco and his followers began to dig out a network of tunnels and chambers 100 feet deep entirely by hand.

The project took years to finish and plans are in place to continue adding chambers, without heavy machinery of course. And while the very construction of the Temples is impressive in its own right, the true awe-inspiring quality is what lies within.

As we made our way down the narrow passageways leading from the modest entrance, a small wooden door preserved from the very first shack Falco built over the tunnels, we walked on top of, alongside and under painted surfaces covered from floor to ceiling in intricate designs and multicolored patterns.

The Temples of Humankind are plural for a reason; each major chamber in the underground web of tunnels is a temple representing a cornerstone of Damanhurian belief.

Among these chambers were the Hall of Spheres, containing translucent orbs containing water imbued with spiritual energy intended for use in meditation; the Hall of Earth, with its dreamlike murals of landscapes and extinct animals calling attention to human responsibility to the planets preservation; and the Hall of Mirrors, an area for meditation surrounded on all sides by mirrors.

The last chamber, the Labyrinth Hall, was by far the most breathtaking and significant in understanding Damanhur. The Labyrinth Hall leaves no surface undecorated except for the passageways still being dug out. Its main hallway tells the story of humanity, from its humble origins to the modern age, through murals stretching from wall to wall across the arched ceiling.

In the corridors branching out on either side are still more murals, these depicting gods from nearly every pantheon on Earth, from the Norse to the Hawaiian, even including the Abrahamic faiths. Every few feet is a stained glass window, lit with artificial light from behind, displaying major gods or artifacts, from Zeus to Ganesh to the Torah.

What struck me most about Damanhur was the sincerity and optimism of it all, the lack of any apocalyptic prophecies or cynical analyses of human nature. Damanhur behaved more as a composite of religious spirituality in all its forms, an acknowledgement of divinity and the connection with the human spirit.

Lizard spoke of each god with a reverence that Ive come to not expect from followers of different religions. There was no trace of amused tolerance, only a sincere belief in a unifying spirituality.

Damanhur doesnt claim to have all of the answers. By Lizards own admission theyre a community without a set doctrine that one must follow to be Damanhurian.

Perhaps its this easing of traditional structure that makes the commune so interesting to learn about and even more interesting to witness. The treatment of spirituality as energy to be harnessed rather than rules to be followed was, in many ways, refreshing.

I didnt convert. Beyond the beautiful art and eccentricities of Damanhur, I found a new perspective on spirituality that has allowed me to recontextualize my own feelings on faith. The lessons I learned go beyond faith and can be readily applied to everyday life; if you want to be like a Damanhurian, just believe in something good.

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I toured a religious commune in Italy, and all I got was spiritual existentialism The Review - University of Delaware Review

The fight to preserve a 44,000-year-old painting | 1843 – The Economist 1843

The painting Im looking at depicts a hunt. But the hunters are not people like us, even though the artists were fellow Homo sapiens. The characters are tiny animal-human hybrids, some with tails and beaks, others holding spears and ropes. These figures are known as therianthropes (from the Greek theron meaning wild animalor beastand anthrpos meaning human being), and are found in many ancient cultures, from Greek centaurs to Anubis, the dog-headed Egyptian god of death. In the painting, six of them charge at pigs and an anoa, a midget buffalo endemic to Sulawesi, a starfish-shaped island in eastern Indonesia. The artist or artists made stylistic choices in rendering their subjects: the anoas body is bigger, its hoofs more elegant than the animals in the flesh. The buffalo towers over the humanoids. Altogether, they evoke a time when the planet belonged to animals and animals did not belong to us. The people who painted this started making pictures almost as soon as they arrived in this archipelago from continental Asia, after the last ice age, around 45,000 years ago. They inhabited an implacable world, dodging intense rain showers,hunting, gathering and fishing at great personal risk, living in cramped caves or under the stars, at the mercy of the elements.

This painting was discovered in the Bulu Sipong cave on Sulawesi in 2016 and recent analysis has shown that it is the oldest pictorial record of storytelling and the earliest figurative artwork in the world, and is at least 43,900 years old. (The oldest known drawing in the world, a 73,000-year-old abstract scribble, was found in South Africa in 2018.) My communion with the painting, however, was interrupted by a series of loud explosionsbecause one of the worlds oldest art galleries lies inside a mining concession.

A few days before Christmas last year, I went to the Indonesian port city of Makassar to meet a swashbuckling archaeologist named Budianto Hakim. He is known as Budi, but I came to call him Indonesia Jones, a nickname that was soon adopted by his colleagues. Tanned, stocky and wearing a khaki safari suit, Budi certainly looked the part. His hair was unruly and his large, blunt fingers were usually fishing for a cigarette, except when preoccupied with his favourite hobby: knapping prehistoric flint tools.

In a cavernous storage room at the South Sulawesi Archaeology Centre on the edge of Makassar, he walked me past piles of artefacts that had been excavated nearby, from Neolithic arrowheads to 17th-century blue-and-white ceramics from Indonesias brisk trade with Qing-era China. As we toured the building, Budi explained how he became obsessed with the history of Sulawesi, the large island to the east of Bali where he was born. Growing up as the son of schoolteachers, he read voraciously. When Budi went to college, he picked a field that satiated his thirst for adventure: one that would, as he described in true Indiana Jones style, let him sleep with the snakes.

Since graduating, Budi has explored at least 300 caves in Sulawesi, an island where every arm has a distinct climate and whose landscapes range from misty highlands to dense forests. Animals have even evolved into different species between the islands appendages: the black-crested macaque is found only in the north and the booted macaque in the south-east. Budi has written or co-written dozens of research papers that span tens of thousands of years of history on Sulawesi. His latest work may be his most important yet. The paintings discovered in Sulawesi, including the depiction of pig hunters that I came to see, have rewritten art history. It is no longer believed that figurative painting started in Europe, where the rock art of El Castillo in Spain and the Chauvet Cave in France have been dated to around 40,000 years ago.

I thought convincing Budi to bring me to this historic site would be the hard part. But it turned out even he had to get permission to go, because the painting sits on land owned by the Tonasa Cement Company, inside a large mining concession which Tonasa bought from the Indonesian government in 1984, decades before the cave paintings were discovered. Tonasa has cordoned off a protected area around the painting, but it holds the keys to the site and continues to mine around it. Its not ideal, grumbled Budi, whose colleagues at the South Sulawesi Cultural Heritage Preservation Centre already work with limited resources to steward the provinces heritage against degradation.

We drove to the site with six Tonasa employees, who wore baseball caps and white polo shirts embroidered with the firms motto: Together we build a better future. They were eager to tell us about Tonasas plans to open a museum near the paintings and win the site UNESCO recognition, adding that the paintings are currently open to any visitors who ask the company for access. Only a few dozen have taken up their offer since December, when the discovery was announced publicly.

On arrival at the site, Budi and I walked a few minutes to the entrance and I clambered up a bamboo ladder, directly into the painting chamber, which is about 25 feet off the ground. The wall that the prehistoric artists chose for the painting is a perfect canvas, with a natural window for sunlight. It still throbs with life. The porous limestone walls are laced with thick brown arteries of twigs and creepers; below it, the ground teems with large ants and dark-blue millipedes which dart through the dirt. I craned my neck to take in the ancient fresco in full.

They were brave, said Budi about the ancient Sulawesi painters. Hunting anoa and wild pigs would have been dangerous, he said, especially with primitive tools. He spoke about them proudly and with familiarity, as if they were his grandparents, and often prefaced his brusque sentences to say he was speaking as anak bangsa, a child of this nation. Budi believed these ancient painters lived in the same lowlands where his own ethnic group, the Bugis, build their houses on stilts today.

I want every student in Indonesia to know that art came from here. From us, Budi said, later. He believes that discovering prehistoric art is particularly important in Indonesia, a country where written records from even a few centuries ago are virtually impossible to find paper doesnt keep well in the tropics. Much else of the archipelagos material heritage has been destroyed by volcanic eruptions and earthquakes. For Budi, these ancient paintings mean more than a boost to tourist numbers or even the archeological record: they form a core part of Indonesian identity. Our ancestors were intelligent humans, he said.

This cave was used for rituals, Budi continued, as we gazed at the ancient artwork. There are no other signs of occupation. They came only to make the paintings, maybe to pray to whomever they thought was their God. Humanity has always sought refuge in caves. Hindu yogis, Celtic seers, Senegalese Sufis, the first Buddhists and the Ancient Greeks all retreated into them for spiritual enlightenment. Religious thought is believed by some scholars to have emerged from the creative act of imagining persons or creatures in their absence. From this perspective, the figures here are not merely art, but a fingerprint of faith itself.When I snapped out of my transfixing encounter and Budis breezy exegesis, I noticed that the paintings surface was peeling everywhere. Its disappearing at a rate of up to 3cm per year, according to the preservation centre. The presence of humans degrades ancient artwork; the Lascaux cave paintings in France were permanently closed to tourists in 1963, because visitors breath created carbon dioxide that damaged its frescoes and caused algae and calcite formation. (Where visitors to Lascaux actually go today is an elaborate reproduction called Lascaux II.) In the cave, I took shallow, guilty breaths.

But I also kept stealing glances through the caves mouth, which opened in the direction of the white Tonasa factory that sits just four kilometres away, puffing smoke. Also visible from my perch were supply trucks going back and forth on the dirt road every few minutes, loaded with raw limestone. And throughout our visit, we had to stop periodically each time an explosion reverberated through the cave, like a thunderclap.

Dust from traffic and mining is the biggest danger to prehistoric art here, according to Maxime Aubert, an Australian archaeologist who led the research team that dated this painting. Drilling also affects the delicate hydrological system of the karst, the limestone formations where prehistoric paintings are usually found. This can lead to the paintings surface peeling and the deterioration of their pigments, according to Budi. Logging trees to clear ground for mining also changes the caves temperature and humidity and increases carbon dioxide in the air, which hastens the dissolution of the limestone. (Tonasa representatives denied that mining had any of these effects.)

New prehistoric art is found in Sulawesi every year, so its likely that other nearby caves have undiscovered ancient paintings in them. Tonasa signed a contract with the preservation centre in 2017 promising to protect the Bulu Sipong cave and to report new archaeological findings from the site. But other large swathes of South Sulawesi karst were acquired by Bosowa, another cement company, for just 2500 rupiah, or about 68 pence, per square metre in 1996. And Bosowa has no such protection agreement with the regional government, which worries archaeologists like Budi.

The visible encroachment of industry around the cave meant I left it haunted by a sense of loss. But Budi was less sentimental about the fate of the worlds oldest painting. Look, our work there is done. Its out of our hands now. We documented it as best we could, he said, as we drove away. He has already moved on to researching other caves in nearby Maros. There is not much time to dwell on achievements in this part of the world, where archaeologists must race against mining and deforestation. I turned to get one last look at the site out the window, but all I could see was the top of the factory. There are so many more paintings here, said Budi, and we have to find those too. Its the least we can do. For our ancestors.

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The fight to preserve a 44,000-year-old painting | 1843 - The Economist 1843

Prayer Walk: An Excerpt From ’50 Ways To Pray’ – Patheos

The Prayer Walk is a physical prayer. If youre new to physical, body-oriented prayers, an introduction is in order.

Our perception of the world and our bodies change with each other, even if we dont know it. Our bodies react to stressful situations by increasing heart rate and breath, and sweating, even though were not doing any physical activity. We tend to unconsciously stand taller with better posture when were feeling confident, maybe in new clothes or after nailing a job interview. And when were in pain, we can feel more negative about the world.

Because every experience, including our experience of God, is filtered through some part of our bodies, we ought to involve our bodies in prayer now and then. Our post-Enlightenment world prioritizes the mind, so its sometimes hard to remember to do as Orthodox mystics did to allow our minds to sink deep into our bodys center and pray with movement, senses, and breath. In this exercise, we walk to pray.

Physical prayers are designed to call attention to the role of your body in communication with God. Forget about how you look or even how different these prayers are from your daily style of prayer. Focus only on your presence with God and using your body in all the different ways we pray giving thanks, praise, supplication, silence, and lament.

Mindful walking is a devotional practice in many religions; its prayer in motion, walking calmly and confidently with an openness to Gods revelation. This is not a power walk, because youre not setting a goal youre not trying to get through it, or even get somewhere youre walking in the light of Gods love, listening to the gentle music of your breath, your stride, your heartbeat.

The Prayer Walk

The Exercise

Tips

You may want to read more about mindful walking from Buddhist monk Thic Nhat Hanh. His book The Miracle of Mindfulness (Beacon Press, 1996) would be a good place to start.

While engaging in this prayer, if you are enjoying the awareness that comes from simply listening, watching and soaking in the environment, feel free to skip the step in which you begin to say a word prayer.

Looking for More?

If you like this prayer and are looking for even more ways to pray, you might enjoy my book, 50 Ways to Pray, from Abingdon Press. Youll find this prayer and 49 others to experiment with.

Want to try spiritual direction? I have openings in my schedule for new directees regardless of where you live. I can work by phone, Skype or if you live in the Phoenix metro area we can meet in person. Contact me at teresa@teresablythe.net or visit http://www.teresablythe.net.

Thank you for following this blog!

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Prayer Walk: An Excerpt From '50 Ways To Pray' - Patheos

Religion is a Repeating Chapter in the History of Politics – CounterPunch

Jesus and the rich young man by Heinrich Hofmann, 1889

In 1949 the German philosopher Karl Jaspers coined the term the axial age in his book, The Origin and Goal of History. He defined the Axial Age as the pivotal period in human moral and spiritual development that has conferred upon the world the political, cultural and philosophical shape it has today. It occurred, according to Jaspers, between 2 and 3 thousand years ago in various places around the world. This pivot point in history comes after the emergence of the State and civilization in these areas, which current anthropological and archaeological thinking sets at about 5 to 6 thousand years ago.

What Jaspers and other historians had noticed in studies of ancient history was that over a relatively short span of time all the great founding philosophies or systems of morality that we still refer to today such as Daoism, Confucianism, Buddhism, Zoroastrianism, Platonism, the Abrahamic religions appeared in parallel, with no obvious connection, in different civilizations.

Jaspers looked for reasons for this ancient enlightenment in the political situations of the various civilizations he analysed and suggested the opportunity for new thinking was provided in each area by the destabilization of the previous, originary, monolithic, State and the formation of smaller, competing States that were in a process of navigating a new course for themselves and in relation to adjacent territories. Several of the founding philosophers, for example, are known to have wandered around their region, disseminating their ideas in the cities and districts of different States.

Michel Gauchet, in The Disenchantment of the World: A Political History of Religion (1985), takes up Jaspers notion and develops it. He finds that human history has undergone three pivotal revolutions. The first is the emergence of the State the event that brought humans out of the longue (et heureuse) dure of pre-civilized existence while the second is the shift in religious thought from immanence to transcendence: the Axial Age. The third, according to Gauchet, is the expansion of speculative thought brought about by the imperatives of Western Christianity (The Enlightenment). These three revolutions followed one another chronologically, but Gauchet insists: The most important of these upheavals is undoubtedly the first one, the birth of the State. This event severs history in two and brings human societies into an entirely new age.

For these revolutions after the emergence of the State, both Jaspers and Gauchet identify the motors of change as philosophical rather than material, although both would, of course, maintain that these changes in thinking were prompted by situational factors. But still, Jaspers and Gauchet give us a useful way into thinking about pivotal points in human history and we can go further. In fact, we can also go simpler.

In my CounterPunch article The Wonders of Modern Life Briefly Explained I identify two pivotal points. The first being the classic one: the emergence of the State. The second being the expansion of the strategy of acquiring relative surplus value capitalism that led to the Industrial Revolution. Neither of these events were philosophical revolutions. The philosophies that are associated with them came from them. So, morality, religion, and millenarianism (the transcendent philosophies) emerged with the birth of the State and civilization. And the Enlightenment and the march of reason and rationality- speculative thought emerged from the new economic and social circumstances created by capitalism.

In the article linked to above I do not explore how States were created, I do this in the piece Re-Contextualizing Fascism in which I use the image of chickpea bushes to make my argument. It may seem odd that I condense the emergence of the State into a short paragraph involving chickpea bushes within an article about fascism and anti-fascism, but thats all part of the rock-and-roll of trying to cram novel ideas into less than two thousand words.

My argument in that article is that States are neither good nor bad despite them often doing monstrous things and being represented by monsters but emerged as a managerial solution to the dilemma of a large population. This is how I think the first State and civilization emerged picture the scene, from long, long ago, two people are sat chatting in the shade of a rockface in the early morning:

Yeah, Bob and his gang reckon they can sort out all the problems as long as everyone does what he says and gives him a tribute by sending daughters and sons to work for him, and building him a really good place to sleep in. The whole place will be a lot easier to live in, less chaos, but well have to stay where we are and work harder to make sure he gets enough recompense for his trouble. We dont want him to put his thugs on us, but it will be good if he sorts out those lazy thieving bastards who live up by the chickpea bushes

You will need to go back to the original article for a fuller exposition, but my argument here does not rely on you accepting or not my proposition for the origin of the State, so lets proceed.

Back to religion. Did Gauchet get it right when he described the Axial Age as the change in religious thought from immanence to transcendence? Yes and no.

If we define religion only as having something to do with some kind of view that the truth of things as they are is underpinned by some kind of supernatural force or set of forces then yes. Prior to the emergence of the State and this is also recorded by anthropologists in the present day for Indigenous peoples who live with the land and not under the full command of a State peoples viewed supernatural presences as immanent. This means they saw supernatural forces within all material things they viewed the spiritual world as immanent. (Spinoza in 1665, by-the-way, returned God to an immanent state, he was lucky not to be hanged for it, and his Ethics formed one of the first texts of radical democracy, or communism, another transcendent philosophy.) Transcendent religions for example, Christianity took the supernatural out of all material things and made it stand above all things where it could control the universe. Once the idea of supernatural forces had been made transcendental (above the world) rather than in it (immanent) then it became possible to create monotheistic religion and everyone began to see God as a big guy somewhere up there in the sky. So, my contention here is that religion can only be transcendent this is where I think Gauchet does not get it right.

How does paganism fit here? Paganism as practiced by the Vikings and Ancient Romans, for example is also a product of transcendent thinking because it has supernatural human figures that lord it over the world. Paganism and religion are products of the State neither exist where exploitation and hierarchy are absent. Transcendent thinking is forever tied to social formations in which exploitation and hierarchy dominate.

John Gray begins his book, Black Mass (2007), with the sentence: Politics is a chapter in the history of religion. I think that this is a reversal of reality and history, religion is in fact the child of politics. What I perceive as Grays error comes, I think, from his psychological definition of religion. He writes:

The most necessary task of the present time is to accept the irreducible reality of religion. In the Enlightenment philosophies that shaped the last two centuries, religion was a secondary or derivative aspect of human life that will disappear, or cease to be important, when its causes are removed. Once poverty is eradicated and education universal, social inequality has been overcome and political repression is a thing of the past, religion will have no more importance than a personal hobby. Underlying this article of Enlightenment faith is a denial of the fact that the need for religion is generically human. It is true that religions are hugely diverse and serve many social functions most obviously, as welfare institutions. At times they have also served the needs of power. But beyond these socio-political purposes, religions express human needs that no change in society can remove for example the need to accept what cannot be remedied and find meaning in the chances of life.

There are two immediate problems with this passage. Firstly, is it true to state: At times [religions] have also served the needs of power? I am not sure about the words at times. I would think that religions are either always at the service of power or are trying to build their own power. If they are small and/or unsuccessful they operate like cults, with all the abuse that such social formations encourage. And even when they are only operating as welfare institutions they are setting themselves out in an economic situation, with all the political leverage that comes with such a strategy, or they are pushing their particular religious brand. Either way, they are never separate from power.

Secondly, Gray is conflating religion with the natural impulse within people to embroider a vain narrative onto their life events, or to believe in luck, or to simply see patterns and make meaning. But worse than this, by making religion some kind of irreducible trait of human beings Gray is doing a massive, and possibly dangerous disservice to the perspectives of Indigenous peoples and those peoples who live beyond the clutches of the State those who, as Eduardo Viveiros De Castro describes, see a multiplicity of human subject positions in all the animate and inanimate beings that have, naturally, a different perspective on their world. (Viveiros De Castro has explored the notion of perspectivism not animism in Amerindian culture and, to explain it really simply I could use this question: do you think your dog views the world as a dog, or does she view the world as the human?)

But it is Grays insistence that politics is a chapter in the history of religion that is my main concern here. It is most certainly true, as he shows in his book, that political utopianism, or communism, appears to resemble something like early Christianity and in making this connection we can easily fall into the trap of thinking that radical politics is the spawn of a religious impulse. The similarities between most religions Judaism forms a kind of exception because it is not a recruiting religion and radical politics become more obvious the more one considers them. For example, radical political groups are ever attempting to raise the consciousness of others and recruit them to their cause just like Christianity did from the beginning and so it would seem that the strategy for a political movement is descended directly from a recruiting religion like Christianity. But, in fact, it is the reverse.

Jesus Christ was an expression of political discontent within a Roman occupation. Christianity was a response to the objectionable aspects of a foreign State power. In fact, all religions are a response to living in a State they begin as controlling ideologies, at the beginning of States, or as oppositional political movements, after States have been established.

It is no coincidence that the story of the Garden of Eden, for example, is about the loss of innocence Adam and Eve were the peoples that lived prior to their tragic immersion in a State. When States first appeared, as the archaeological evidence shows, people became hungrier, they were exploited, they were subject to hierarchy and terror. No wonder they looked back to a receding golden age. The story of the Garden of Eden was developed to warn people that they were in new, inescapable territory, it was their fault, and that if they didnt follow a sound moral code then everything would get far worse. A transcendental rather than immanent supernatural force God was now presiding over the house, and he wasnt often pleased. But radicals argued that God didnt like these conditions and wanted to sweep away all the bad people so that the good people, the true believers, could live in peace again and they began a political movement that appealed not to true democracy as we might today but to the true God.

The utopian or millenarian radicals believed, like Jesus did, that heaven was definitely going to be (re-)established on Earth at some appointed time, and that if people wanted to get there then they should sign up and break with their old traditions and old family life asap. As Yuri Slezkine has shown in great detail in The House of Government, the Bolsheviks, as well as the anarchists and left communists, were millenarians too.

Life in an exploitative and hierarchical society naturally generates opposition, which is often revolutionary and millenarian and both are the same thing. Life in civilization also generates thinkers philosophers who try to work out how best to endure in such conditions. But if the political movement designed to revolutionize the State, or escape it completely, becomes successful then not only is a new State created, but also a new religion.

The first religions were indeed transcendent they made the presumed supernatural force external to material life but they werent millenarian, and they were developed in order to control populations that had to exploited. The religions that followed, such as Christianity, were political objections to the State that relied on reference to God for authority. If they became successful they did not do away with the State, they did not bring heaven to Earth, and they did not depose transcendence: they became part of the exploitative system. Communism is the most recent millenarian objection to the State. In our secular age true or radical democracy can replace God as the focus of appeal. Where communism became successful, no matter how much one may think that it was a travesty of what communism means, the new transcendent religion of Marxist-Leninism became established.

Politics the management of people who accept or oppose the machinations of a State comes before religion. We should be careful how we tread.

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Religion is a Repeating Chapter in the History of Politics - CounterPunch

Lili Reinhart Claims Luke Perrys Spirit Visited Her Last Night! – The Digital Weekly

Lili Reinhart took to social media Twitter on Wednesday and remembered a dream she had about the late Luke Perry. Last night I saw Luke, and I hugged him so hard and cried into his shoulder, telling him how much we all miss him, the 23-year-old actress wrote on the social network. Looking back on it this beautiful morning, I think his spiritual vision was visiting me in my dream, let me know he is smiling brightly on the other side. The actor Luke Perry died in March 2019 after suffering a stroke. He was just 52 years old.

After news gets released of Luku Perrys passing broke, several fame celebrities, including Reinhart, paid tribute on social media. Im finding it hard to understand that he will no longer be around to give long hugs and share his enlightenment, wisdom, and kindness with all of us, the artist Betty Cooper tweeted that Im thinking of his family. His children. I pray for them to heal and find peace in this overwhelming loss.

Cole Sprouse, who also appears on Riverdale, recognized him during a conference with Andrew Freund. We are improving at the time. It is not the most natural and simple thing to talk about. But he was well-loved, and there has been an overflow of emotional, warm support from people around the world, which goes to show what a wonderful person he was and how much he influenced peoples lives and changed our lives.

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Lili Reinhart Claims Luke Perrys Spirit Visited Her Last Night! - The Digital Weekly

At Fitchburg Art Museum, revisiting Spiritualism and finding new pathways to the dead – The Boston Globe

Massachusetts was a Spiritualist bastion. The Banner of Light newspaper, started in Boston in the 1850s, was published for 50 years. A Spiritualist camp was incorporated in the village of Lake Pleasant, in Montague, in 1879. The National Spiritual Alliance is still headquartered there. Spiritualists were abolitionists and suffragists.

Starting in the 1920s, magician Harry Houdini did everything in his power to debunk Spiritualism. Knowing how tricks worked, he would attend seances in disguise, point a flashlight at deceptions being practiced, and reportedly cry out, I am Houdini! And you are a fraud!

But consider the yearning that drove Spiritualisms believers. In the 19th century, more children died young, more mothers died in childbirth, and more people died of disease and infection. The Civil War saw 750,000 dead.

A search for solace was thrust upon Americans. Spiritualism thrived, and not all its practitioners were kooks and shysters. They longed for meaning. In After Spiritualism curator Lisa Crossman finds striking parallels between then and now.

A section focused on history pointedly calls back to the Civil War. Brian Kneps interactive video installation, Deep Wounds, was originally made for Harvard Universitys Memorial Hall, where the names of Union soldier alumni are inscribed on the walls.

But what of Harvards Confederate dead? Knep evokes them with video tiles on the floor. Step on them and much is made visible: A mans relationships, the year he graduated, and the battle he fell in. But, quite explicitly, not his name. More than 150 years after the most divisive era in American history, Knep points out, silence and recrimination remain.

In the series Within Our Gates: Site and Memory in the American Landscape, painter Keith Morris Washington likewise probes Americas unhealed wounds. For more than 20 years, he has visited the sites of lynchings and painted them as he saw them benign, shimmering landscape or suburban serenity. Beside each painting, he places text from a news report about the murder. He leaves out dates, so the horrors seem ongoing despite appealing paintings in which roiling, loose gestures stir the air.

One addresses the death of an unknown black man accused of attacking an aged white woman, in Maryland, according to the news article. Another visits the housing development tract where Matthew Shepard was murdered for being gay in 1998 in Laramie, Wyo. Gutting to read, these stories raise specters of present-day mob violence and hate crimes. Does the arc of the moral universe bend toward justice? Or does it circle back to fear and loathing?

These works arent merely about loss. Theyre about a society that spurs violence and resists resolution. They are very much about 2020.

Innovations in technology make another rhyme with the past. Scamming Spiritualists capitalized on the magic of photography, conjuring spirits with double exposures. Other so-called spirit photographs had white smudges (darkroom tricks or the result of faulty cameras) that were labeled as ectoplasm a gooey substance mediums were said to emanate during seances.

Ectoplasm, during the stuffy Victorian Era, had a not-so-veiled association to sexuality. Arising in the wake of the Age of Enlightenments valuing of reason and science, Spiritualism addressed in direct and sidelong ways what reason could not satisfy: mortality, longing, sensuality, and intuition.

Even technology. It moves faster than we do and shakes up our perceptions of ourselves and the world. Today, social media is hardly a breeding ground for reason. Maria Molteni and Lacey Prpi Hedtke did a performance at the Boston Center for the Arts, inviting visitors to pose for spirit photos with homemade ectoplasmic goop, collected in a comical and informative book on view here, Ectoplasm Selfies: DIY Ritual in the Age of Social Mediums.

Many works address the shows central theme of bereavement and the question of life after death. Imna Arroyos installation Ancestors of the Passage invites visitors to pin notes to an altar. Its a simple installation: A table covered in white, a bowl of slips of paper. The action is what matters; the momentary sense of communion with a lost loved one.

Society and common sense fall away when we touch into our own tender places of loss. Spiritualism suggests that relationships do not harden into amber after a loved one dies. Whatever you believe about an afterlife, that is a potent tonic.

At its heart, After Spiritualism honors the yearning to connect with someone gone. Art, like religion and unlike science and reason, can do that. But the exhibition leaps to no assumptions, and it peddles no snake oil. Rooted in the context of history and society, its a two-way lens that invites viewers to understand what drives Spiritualism even as we remember our own losses.

AFTER SPIRITUALISM: Loss and Transcendence in Contemporary Art

At Fitchburg Art Museum, 185 Elm St., Fitchburg, through June 7. 978-345-4207, http://www.fitchburgartmuseum.org

Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Twitter @cmcq.

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At Fitchburg Art Museum, revisiting Spiritualism and finding new pathways to the dead - The Boston Globe