Its so violent: Scientists propose revolutionary new kind of engine for space travel, theres just one small catch (VIDEOS) – RT

Researchers at the University of Washington have announced early findings on a potentially revolutionary new type of rotating detonation engine which could help produce cheaper, lighter spacecraft. Theres just one small catch.

While the research is only in its infancy, the fuel-efficient rocket would, theoretically at least, be easier and cheaper to build than current space-faring rockets, paving the way for more space travel at a lower cost to the environment. For instance, it currently takes about 3.5 million pounds of fuel to send NASAs space shuttles into space.

A conventional rocket engine burns propellant and forces it out the back using a vast array of machinery and control nozzles to create thrust and launch the rocket skyward, without any unforeseen detours.

In the rotating detonation engine, however, the shockwave does all the work, without the need for complicated machinery in the engine to direct the thrust, after which a number of secondary combustion pulses follow to launch the beast skyward. At least thats the theory.

The problem is, for the time being anyway, the engine is too unpredictable to use.

Its made of concentric cylinders. Propellant flows in the gap between the cylinders, and, after ignition, the rapid heat release forms a shock wave, a strong pulse of gas with significantly higher pressure and temperature that is moving faster than the speed of sound, said lead author James Koch, a UW doctoral student in aeronautics and astronautics.

The downside of that is that these detonations have a mind of their own. Once you detonate something, it just goes. Its so violent.

Koch and his team conducted a series of 0.5-second experiments captured using high-speed cameras at 240,000 frames per second to show exactly what happens when such engines fire, so they could then begin crunching the numbers and figure out how to replicate the power and efficiency minus the chaos.

The researchers have since developed a mathematical model which they are poring over to begin the process of developing a functioning prototype engine which wouldn't plaster a crew against the rear of the spaceship.

Now I can take what Ive done here and make it quantitative. From there we can talk about how to make a better engine, Koch concludes.

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Its so violent: Scientists propose revolutionary new kind of engine for space travel, theres just one small catch (VIDEOS) - RT

My God, Its Full of Stars! Two Auckland art shows on bodies colliding with space – The Spinoff

Visiting the Audio Foundation and the Michael Lett Gallery, both just off Aucklands K Road, Tulia Thompson finds herself considering the galaxy and what it means to be human.

You have to imagine you are viewing these on a stifling hot February afternoon. There is a cacophony of men and machines, orange road cones and iron mesh-wire. Karangahape Rd is being dug up for the new transport hub.

I head through St Kevins Arcade, down the wide steps to the green lip of Myers Park, and around the corner. The Audio Foundation is an interesting find, both a leading space for experimental music and a gallery. You descend into the space down a long flight of concrete stairs with paint peeling from the metal railing, concrete walls painted in cream, mint and red. It feels properly abandoned. Theres no one at the reception, so when I slip into the first room, into near darkness, it feels like I could lie on the cool, concrete floor to observe the piece if I wanted to.

Sarah Callesens show Drawing, Synopsis and Song is a quiet exploration of our relationship with space, making visible the contribution of 17th century astronomer and mathematician Maria Cunitz. She was considered the most learned woman in astronomy since Hypatia of Alexandria.

Sarah Callesen Retrograde

Retrograde consists of three rotating thin wooden rods lit by a single stage-light on the floor; they remind me of meter rulers. Rotating slowly counter-clockwise; windmills come to mind as they make slow, whirring circles. Callesen intended them to turn retrograde, like Venus, but the low-fi AC motors freestyle. So this is the rotation of planets, in honour of a bright queen.

At times the outside enters again, a rhythmic pounding of bass, and the high-pitched screeching of machines as Karangahape Road is torn up and reordered.

In the next room, a projector close to the wall projects the Moon. A small black spot with a blur of red and green travels across it in a straight line. It reaches the end, the image shudders, disappears, blinks and begins again. The dots travel marks the Transit of Venus.

From Sarah Callesens Drawing, Synopsis and Song

A large black rectangle of card on the floor has names and distances written diagonally across it in white: Polina 21.6 Km. Pasha 7.2 Km. Qulzhan 7.9 Km. If you stand back and let your eyes blur it makes a pattern of uneven fretwork. I discover this because I kneel down by it and then stand up too quickly. I panic that I cant find a way in. I cant find supporting material to orient me. This piece is the sort of thing that makes some people hate artists their obscure provocations can feel exclusionary. But then I remind myself that I am, after all, an eccentric person who puts obscure references in her own writing. Im probably invoking a curse from the female gods, possibly Venus.

I chat to a lovely chap, Sam, who explains that these names and diameters are craters on Venus. Those with diameters greater than 20km are named after women who make outstanding contributions to their fields, under 20km are given female first names. All of these craters are named for women, by men. Fascinating! One of the craters is called Cunitz, and I wonder whether she would be delighted, or pissed off that she didnt do the naming. There is an iPad plugged into the wall showing images of the craters next to biographic information about the women they are named after. These pairings are strange and effective.

New Zealand poet Helen Rickersbys recent, brilliant poetry collection How to Live has a poem about philosopher Hipparchia in which Rickersby writes: Silence isnt always not speaking. Silence is sometimes an erasure. We dont know much about her, but we know she spoke. The erasure of women, both through institutional sexism and the retellings of history, still feels pervasive. We are back observing bodies colliding with uninhabitable spaces. Theres something potent about observing the silencing of women extended into space.

From Sarah Callesens Drawing, Synopsis and Song

There is an almost mechanical noise in this room; a sound recording taken in 1982 on Venus by Russian spacecraft Venera 14, looped with the sound recording from an earlier version of Retrograde. How strange that celestial bodies make sound. Not angelic chiming, but disorienting noises like wind and fierce waterfalls. The sounds are abrasive like an industrial site or furnace. At times I cant decipher the audio loop from the street sounds.

Callesens art is often visually stunning; beautiful, strange images sometimes paired with sound. So, I would have liked more aesthetically from her engagement with Maria Cunitz. I got the sense she was searching for her uncovering the imprints of her data, dusting it off from the invisibility accorded to it by men. But I didnt feel like she had found her; Maria herself remains fractal and diffuse. Maybe that is the point.

How disturbing that humankind has even extended its sexist ideas into space. What stayed with me was an impression that our mappings of space, and consideration of other bodies, are a partial, emotive picture of our own limited humanness.

Zac Langdon-Pole, Cleave Study (ii), 2019, anatomical human tongue cross-section, Xenophora shell

Up the road at Michael Lett Gallery is Zac Langdon-Poles Interbeing. The cool of the gallery is a welcome contrast to the pressing heat outside. The airy room has pristine white walls and warm wooden floors. On the left-hand wall, in Cleave Study (ii), a plastic, anatomical human-tongue meets a seashell. The shell has other small shells and bits of rock attached. Xenophora sea snails glue foreign objects to their shells for camouflage. My first thought are the tacky shell ornaments my grandmother had in the 70s.

Cleave Study (ii) also reminds me of that famous line from theorists Deleuze and Guattaris A Thousand Plateaus:an electron crashes into a language. Deleuze and Guattari were interested in how assemblages of disparate objects confound our imposed, rigid meanings. In contrast to the view language was our inescapable lens, Deleuze and Guattari argued that the materiality of the physical world was also creative and could disrupt language. So, the Xenophora shell is not just a metaphor for human art; Xenophora shells are their own art machines.

On the one hand, a human tongue here is cleaved to a pearlescent surface, but on the other its still plastic. There is something disturbing about plastic being made human meeting shell. I cant not think of ghostly plastic bags and sea-turtles. The tongue is a visceral metaphor for language, but tongues are also true to shell (the tongue of the oyster, say, or the tongue-like muscular foot of the Xenophora).

Langdon-Poles strength is the exquisite poetry he creates through assemblage quietly placing found objects together in a way that is both resonant and jarring. To cleave is both to join and sever. Cleave Study (ii) sets up the tension between human and nonhuman that pervades this collection.

Standing in the centre of the room, the first impression is that Majuro Atoll, Te Whanganui-A-Hei/ Cooks Beach, and Treptower Park, Berlin present stars in night-sky. I think of camping up north over Christmas, looking up to the glitter of the Milky Way. The expanse of it reorders your own perception of freedom. Yet as you adjust your eyes, you realise these images are not stars, that the spaces between are not star-like. Indeed, the images are enlarged prints of sand photograms, named for the beach that the sand has come from.

Zac Langdon-Pole, Te Whanganui-A-Hei / Cooks Beach 12.06.2019, 2019, sand photogram (1000% enlarged), made with sand from Te Whananui-A-Hei / Cooks Beach, Aotearoa New Zealand, archival hahnemhle fine art print.

The most impressive is Te Whanganui-A-Hei/ Cooks Beach where, enlarged 1000%, the light flares of the sand particles show shadowed depths and have a painterly quality.

Zac Langdon-Pole, Assimilation Study (detail), 2020, painted wooden shape-sorter blocks, hand carved Campo del Cielo meteorite, artist designed display case, acrylic, mdf, paint.

In Assimilation Study wooden sorting blocks, including a green star, are scattered in a display cabinet. One piece is slightly larger, a metallic triangle that is actually a hand-carved meteorite. It looks as if God has a toddler. If Langdon-Poles intention is that the meteorite is juxtaposed with the mundane, it looks too pristine to achieve it. But it is visually arresting. Im thinking about galaxies again.

I walk down white-painted concrete stairs into the narrower, cellar space of the building. Three prints show sand photograms at a one-to-one scale, making you wonder about the production of these images. They are made from putting sand on top of photograph paper. The place names as titles seem almost idiosyncratic, but then I think about Langdon-Pole travelling between these places. Did he go around collecting buckets of sand? Apparently, curator Andrew Thomas tells me, he gathered small handfuls from each place. Thomas notes previous works stemmed from the flightpath of migratory birds.

Sand is ground rock or shell. A quick look at the NIWA website tells me that the density and grain size is determined by the source. The process of becoming sand takes hundreds of thousands of years. So sand is already in motion, moved by tide across expanse. It is a journey that is immense, already glittering and star-like. And these images trace an alternate journey, via Zac Langdon-Poles pockets and transposed through exposure to light, that make me rethink our part in it; the grand scale of time and space confounds us.

Zac Langdon-Pole, Orbits (Cast Dandelion, Rainbow Obsidian), 2019, anatomical orbital human eye models; resin-embalmed dandelion paperweight; rainbow obsidian sphere; screws.

In Orbits, a dandelion paperweight is fixed into the socket of a plastic, anatomical model of an eye. Other versions use rainbow obsidian or petrified sequoia-wood, which creates an inky iris, an almost anime look. They are both grotesque and beautiful.

Langdon-Poles work manages to have a trueness to the ideas he explores while also being beautiful. I dont think art should have to be aesthetically pleasing, but there is a real joy in this marriage of substance and form.

Thinking of the materiality of space data in Callesens work and the travels of materiality in Zac Langdon-Poles, I would say that both displace humanness the way we think we are the centre of everything. But theres a strange doubling back of what it means to be human through examining our limitations. A meteor becomes a childs block, the ancient journey of sand is reordered into human memory, and planetary data is transformed into art object

But still, this universe, writhing alongside us. Theres a poem called My God, Its Full of Stars! by Tracy K. Smith from her stunning Pulitzer-winning collection Life of Mars where she grapples with her fathers work building the Hubble telescope.

We saw to the edge of all there is

So brutal and alive it seemed to comprehend us back.

Sarah Callesens Drawing, Synopsis and Songand Zac Langdon-Poles Interbeingare both on until Saturday February 29.

The Spinoff Weekly compiles the best stories of the week an essential guide to modern life in New Zealand, emailed out on Monday evenings.

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My God, Its Full of Stars! Two Auckland art shows on bodies colliding with space - The Spinoff

The Mystery of Warren Buffett’s Missing Crypto is Solved – Cointelegraph

The mystery that has haunted the crypto community for years days is finally resolved.

We may never know the true identity of Satoshi Nakamoto, but we just cracked the second greatest mystery in the history of Bitcoin (BTC): what happened to the Bitcoins that Justin Sun supposedly gifted to Warren Buffet?

Justin Sun claimed that during his much-discussed lunch with Warren Buffet, he presented the crypto-skeptic with a Galaxy Fold phone which contained some cryptocurrency including Bitcoin and Tron (TRX).

However, in a recent interview with CNBC, not only did the Oracle of Omaha reiterate his negative stance towards cryptocurrency, he also flat-out denied owning any crypto whatsoever and further stated that he will never own it.... because it is worthless.

Subsequently, some in the crypto community started to question the veracity of Justin Suns statement. If indeed he had given some cryptocurrency to Warren Buffet, how could it be possible that Mr. Buffett doesnt own any?

Luckily for Mr. Sun, Buffett could be rebuffed. All Sun had to do was point to the blockchain-based evidence to defend himself:

Of course, all that the blockchain can prove is that some amount of cryptocurrency resides at a certain address. It cannot prove that an individual named Warren Buffet is the rightful owner of this cryptocurrency unless that individual chooses to prove his ownership by moving some coins or signing a message with a private key controlling it.

And as we have learned from the greatest Bitcoin mystery of all time, this can be no easy task for some individuals.

Justin Suns detractors seemed to have an upper hand in this deeply-contested conundrum until a good Samaritan stepped in to save the day (and Suns reputation).

Becky Quick, the CNBC reporter who inadvertently started this controversy, has now put an end to it:

No word yet on how Justin Sun feels about Warren Buffett regifting his generous present.

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The Mystery of Warren Buffett's Missing Crypto is Solved - Cointelegraph

CoinGeek London: When Bitcoin SV came of age – CoinGeek

The whole Internet can work this way, said Twetch CEO Josh Petty in his presentation at the CoinGeek London conference. It was a typically bullish sentiment from the two days in which dozens of speakers demonstrated their confidence in the momentum building around Bitcoin SV (BSV).

Superficially, that momentum was felt in the more than doubling of the number of attendees since the last conference in Seoul six months ago. Even more superficially, it was seen the extraordinary width and clarity of the screen at the back of the stagedesigned to be viewed by creatures with at least three eyes.

More importantly, it was noticeable in the way BSV technology and businesses were discussed on stage. Petty announced new features for Twetch, taking the social media app to a slicker, more user-friendly form: Everything you touch and feel is going to be a microtransaction, he said, with no more swipe.

Familiar faces from previous conferences spoke with new certainty about what they were doing and had new achievements to report and announcements to make. Jack Liu of the RelayX wallet provided a moment of drama when he unveiled the new look of his appwhich is essentially a blank screen, the idea being that your camera opens to scan a QR code. More broadly, users will access Relay through other apps, making the integration of money functions almost invisible for users.

Newcomers, such as Thomas J. Lee, from Fundstrat, endorsed and elaborated themes previously only heard from those inside the Bitcoin SV tent. With detailed financial graphs, he predicted a parabolic moment when institutions get serious about cryptosimilar to the effect on Teslas share price when Wall Street started paying attention to its potential (below):

Lees colleague David Grider summarised from Fundstrats recent report on BSV, highlighting BSVs transaction growth and the potential of its nascent businesses. He singled out the coming Maxthon browser, the Baemail, email service and True Reviews as examples of more than 400 projects building on BSV, with more in prospect using the increased functionality provided by the Genesis fork.

The first day ended with a rousing speech by Dr. Craig Wright, which provided a laser-focused summary of his original intentions for Bitcoin as Satoshi Nakamoto and his present-day assessment of the prospects for BSV from microtransactions.

On Friday, there was more. Jeff Chen, the founder and CEO of Maxthon talked about his BSV browser. With his long track record of successful Internet browsers, this is no pipe dream, but a solid business proposition in development.

If you thought BSV innovation was limited to the world as seen through a computer screen, Stephan Nilsson and Ken Hill took us out into the real world. Hill described EHR Data, a new business that plans to revolutionise health information, putting patients in charge. And Nilsson, of UNISOT, demonstrated his app to track an item through a complex supply chain in this case, a haddock.

Finally, at the end of the second day, the veteran economist and technology commentator George Gilder, another newcomer to BSV gatherings, put Satoshis ideas into perspective. He was confident that BSV solves the two-fold scandal in the world economy, namely Internet security and the excesses of global currency trading.

Were now engaging in forging a new system of the world, he said. Its a system to replace the failed economic model of Google. In an information age, economies can change as fast as minds. Were moving to a world in which security comes first, everything is correctly valued and nothing is free.

Gilder gave an account of how he had been persuaded that Dr. Craig Wright is Satoshi. Sitting next to him in the final session of the day, he said, to applause that I think you can safely celebrate Craig. It was a fitting tribute to the man who had already changed the lives of everyone at CoinGeek London, all of whom are convinced that the best is yet to come.

New to Bitcoin? Check out CoinGeeksBitcoin for Beginnerssection, the ultimate resource guide to learn more about Bitcoinas originally envisioned by Satoshi Nakamotoand blockchain.

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CoinGeek London: When Bitcoin SV came of age - CoinGeek

Crypto currency goes showbiz: Bitcoin makes guest appearance on The Simpsons – Express

The skit even teases a tantalising twist in the form of a subliminal message which appears to boast that the shows creators know the identity of the mysterious Satoshi Nakamoto the enigmatic inventor of bitcoin.Fans of The Simpsons and cryptocurrency enthusiasts have been sent wild with anticipation over the appearance of a singing ledger book explaining how crypto will be the future of money. The excitement stems largely from the script-writers remarkable track record in making uncanny predictions.

The crooning accounts book tells viewers: Each day Im closer to being the cash of the future, not in your wallet Im in your computer!

A clandestine message then briefly pops up on the screen which, intriguingly, reads: Using the word cryptocurrency repeatedly while defining cryptocurrency makes it seem like we have a novices understanding of cryptocurrency.

Well, that is a total pile of cryptocurrency. In this system, rules are defined for the creation of additional units of cryptocurrency. They can be generated by fiat like traditional currency or just thrown around randomly or all given to LeBron.

It adds: But for some reason, these crypto guys are really into computers. So we have big buildings full of energy-gobbling, air-conditioned computers solving useless math problems. But now we cant have straws?!

Pausing the scene, viewers would be able to digest the whole message where the bombshell last line has caused a stir throughout the cryptocurrency community.

Also, we know who Satoshi is, but were not telling, it declares.

While many within the industry have claimed to know or even be Satoshi Nakamoto, very few are taken seriously. However, given The Simpsons previous form for weirdly accurate clairvoyance, this sudden foray into digital finance is being given the nod of approval.

The Simpsons most notable act of prophecy was depicting Donald Trump as US President in 2000 a full 16 years before the billionaire businessman took office.

Earlier, a 1993 episode featured magicians Siegfried & Roy where one of the entertainers is savagely mauled by a white tiger during their act in Las Vegas.

Ten years after the show aired, Roy Horn suffered life-changing injuries after being attacked on stage by one of the acts famous white tigers.

In 1995, the animated comedy showcased smartwatches 20 years before Apple launched them.

Also in 1995, a trip to the UK by Lisa Simpson featured a mystery building in the London skyline that looked strikingly similar to The Shard.

Fourteen years later, construction work on The Shard began in exactly the same location where it had appeared in the Simpsons.

Coin Rivetis a website bringingnews, information, analysis, opinion and insight from the fast-moving blockchain world.

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Crypto currency goes showbiz: Bitcoin makes guest appearance on The Simpsons - Express

What is vitamin D deficiency: causes, symptoms, and treatment – Insider – INSIDER

Vitamin D is an essential vitamin that plays a role in your immune system and helps your body absorb calcium. Yet, many people don't get enough vitamin D, particularly if you don't live in a sunny climate. Here's how to make sure you're getting your daily dose.

Our bodies produce vitamin D with help from the sun. When you are exposed to the ultraviolet rays in sunlight, specific cholesterol molecules in your skin, called 7-dehydrocholesterol, turn into vitamin D.

Therefore, it's hard to get enough vitamin D if you don't live in a sunny climate. For this reason, many foods in the US are fortified with vitamin D, including milk, yogurt, orange juice, and cereal. There are also a few foods naturally rich in vitamin D including eggs and fatty fish like tuna and salmon.

Even with the food fortification efforts, however, an estimated 40% of US adults are vitamin D deficient. This means that many of us may be at risk for serious health problems like bone disease. That's because you need vitamin D to absorb calcium, an important mineral that helps build bone density and keeps your bones strong. In fact, without adequate amounts of vitamin D, you absorb half as much calcium.

In addition to the lack of sunlight, other risk factors for having a vitamin D deficiency include obesity and avoiding dairy. Moreover, historically, scientists believed that people with darker skin are at greater risk for vitamin D deficiency, but there has been some controversy over whether this is true. Some experts have reported that vitamin tests may not accurately show how much vitamin D is active in the body and give falsely low results for African Americans.

A 2016 study on vitamin D levels responded to this controversy by including additional measures of vitamin D that factored in racial differences. This study showed that black Americans do have lower levels of vitamin D than whites and that they benefit just as much from taking vitamin D supplements, though they say that more research is still needed.

The average adult needs around 600 international units (IU) of vitamin D a day. For reference, a serving of salmon contains roughly 400 IU.

However, if you don't eat a lot of fortified foods or go out in the sun every day, you may want to look out for the symptoms of vitamin D deficiency.

One of the most important changes you can make to raise your vitamin D levels is to get more sunlight. "Try to get at least 5-10 minutes outside 3 times a week without sunscreen," Springer says. This is most effective when your skin is directly exposed to the sun and not covered by clothing.

If you aren't able to get much sunlight, you can also make dietary changes as well. "During the winter months, try consuming foods that contain vitamin D or taking a supplement," Springer says.

You can also boost your vitamin D using a UV lamp, much like the type used for indoor tanning. This is particularly helpful for people with certain medical conditions who can't absorb vitamin D from supplements.

When choosing a supplement, Springer recommends that most people should aim for 600 units per day, while older adults are recommended to have 800 units per day. Moreover, the Mayo Clinic says that you can safely take 1,000 to 2,000 IU per day from supplements.

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What is vitamin D deficiency: causes, symptoms, and treatment - Insider - INSIDER

Scientists Want to Feed Old Bread to Microbes Heres the Plan – SciTechDaily

Researchers have developed a secret sauce for using waste bread as a medium to grow bacteria, yeasts, and other microorganisms for fermented food production.

As much as a third of food produced for human consumption is wasted or lost globally every year. New research published inFrontiers in Microbiologysuggests one way to take a big bite out of food waste is to use bread destined for the dumpster as a medium for cultivating microbial starters for the food industry.

While exact numbers regarding the amount of bread that is thrown away are hard to estimate, it is believed hundreds of tons are wasted daily worldwide from spoilage and other factors, including consumer preferences for products like crustless loaves.

The authors write that bread waste creates both economic loss and environmental impacts, as most of the waste ends up in landfills that emit greenhouse gases such as carbon dioxide and methane. The researchers propose repurposing all that discarded dough to feed the very microorganisms needed to kick start fermentation in food industries like bakeries, dairy, and wine-making.

We believe that the introduction of innovative bioprocessing technologies might be the key to unravel the burden of food waste [and] improving sustainability of the agro-food system, said team coordinatorDr. Carlo G. Rizzelloat the University of Bari Aldo Moro in Italy.

Rizzello and his colleagues experimented with more than 40 different kinds of growing conditions to find the best combination for various bacteria, yeast and other microorganisms used in food fermentation. This involved discovering the right recipe of bread amount, enzymes and supplemental ingredients, as well as the ideal time and temperature for incubation.

The goal was to create a wasted bread medium (WBM) that would match or beat current production methods that rely on raw materials. And, in fact, the scientists did formulate a secret sauce using 50 percent waste bread that was appetizing to a wide variety of microorganisms, including bacteria used in yogurt production. Crucially, they estimate that the production cost of WBM is about a third that of conventional media.

The protocol we were able to set up combines both the need for disposing of the huge amount of bread waste with that of cheap sources for media production, while fitting for the cultivation of several food industry starters, and it is patent pending, Rizzello said.

The idea is that the WBM protocols could be easily adopted by industrial bakeries, which currently rely on other companies to provide the starters. These businesses would benefit by using their own waste to produce the medium and propagate the cultures, without modifying [or] adding any equipment to the existing technology, said lead authorMichela Verni, who was responsible for the experimental design of the work.

The strength of our study strictly relies on how easily applicable the protocol is, and proof of its feasibility is indeed the fact that the process is already scaled up at industrial level, she added. Nevertheless, WBM offers a possibility for sustainable starter production to all the food industries working in the field of fermented foods and beverages.

Rizzello said WBM has applications beyond simple microbial cultivation. For example, it could be used as a food ingredient itself with a few tweaks to the WBM recipe and fermentation with different starters. Or it could serve as a substrate to feed microbes that produce specific compounds used in food supplements or cosmetics.

While WBM appears to be an effective medium for growing lactic acid bacteria and yeasts, Rizzello said further study is needed to determine if certain components or lack of some micronutrients might affect microbial metabolism in some significant way

Reference: Wasted Bread as Substrate for the Cultivation of Starters for the Food Industry by Michela Verni, Andrea Minisci, Sonia Convertino, Luana Nionelli and Carlo G. Rizzello, 28 February 2020, Frontiers in Microbiology.

DOI: 10.3389/fmicb.2020.00293

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Scientists Want to Feed Old Bread to Microbes Heres the Plan - SciTechDaily

Pet Supplements and Nutraceuticals Market Major Players Revenue all Growing with Positive Stance|Diamond Pet Foods, WellPet – The Market Journal

The Latest research study released by HTF MI Global Pet Supplements and Nutraceuticals Market with 100+ pages of analysis on business Strategy taken up by key and emerging industry players and delivers know how of the current market development, landscape, technologies, drivers, opportunities, market viewpoint and status. The research study provides estimates for Global Pet Supplements and Nutraceuticals market Forecasted till 2025*. Some of the Major Companies covered in this Research are BASF, DSM Nutritionals, Nestle Purina PetCare, Kemin Industries, Boehringer Ingelheim Animal Health, Blue Buffalo, Total Alimentos, Mars Petcare, Nutramax Laboratories, Diamond Pet Foods, WellPet, ALC INovators, Robinson Pharma, Diana Pet Food, Symrise AG, Roquette Freres, Darling International Inc, Archer Daniels Midland Company & Novotech Nutraceutical etc.

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Browse market information, tables and figures extent in-depth TOC on Pet Supplements and Nutraceuticals Market by Application (Dog,Cat,Bird,Fish), by Product Type (, Product Type Segmentation, Nutraceuticals & Supplements), Business scope, Manufacturing and Outlook Estimate to 2025.

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Customization of the Report: The report can be customized as per your needs for added data up to 3 businesses or countries or 40 analyst hours.On the basis of report- titled segments and sub-segment of the market are highlighted below:Global Pet Supplements and Nutraceuticals Market By Application/End-User (Value and Volume from 2019 to 2025) : Dog,Cat,Bird,Fish

Market By Type (Value and Volume from 2019 to 2025) : , Product Type Segmentation, Nutraceuticals & Supplements

Global Pet Supplements and Nutraceuticals Market by Key Players:BASF, DSM Nutritionals, Nestle Purina PetCare, Kemin Industries, Boehringer Ingelheim Animal Health, Blue Buffalo, Total Alimentos, Mars Petcare, Nutramax Laboratories, Diamond Pet Foods, WellPet, ALC INovators, Robinson Pharma, Diana Pet Food, Symrise AG, Roquette Freres, Darling International Inc, Archer Daniels Midland Company & Novotech NutraceuticalGeographically, this report is segmented into some key Regions, with manufacture, depletion, revenue (million USD), and market share and growth rate of Pet Supplements and Nutraceuticals in these regions, from 2012 to 2022 (forecast), covering China, USA, Europe, Japan, Korea, India, Southeast Asia & South America and its Share (%) and CAGR for the forecasted period 2019 to 2025.

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Some of the important question for stakeholders and business professional for expanding their position in the Global Pet Supplements and Nutraceuticals Market :Q 1. Which Region offers the most rewarding open doors for the market in 2019?Q 2. What are the business threats and variable scenario concerning the market?Q 3. What are probably the most encouraging, high-development scenarios for Pet Supplements and Nutraceuticals movement showcase by applications, types and regions?Q 4.What segments grab most noteworthy attention in Pet Supplements and Nutraceuticals Market in 2019 and beyond?Q 5. Who are the significant players confronting and developing in Pet Supplements and Nutraceuticals Market?

For More Information Read Table of Content @:https://www.htfmarketreport.com/reports/2513229-global-pet-supplements-and-nutraceuticals-market

Key poles of the TOC:Chapter 1 Global Pet Supplements and Nutraceuticals Market Business OverviewChapter 2 Major Breakdown by Type [, Product Type Segmentation, Nutraceuticals & Supplements]Chapter 3 Major Application Wise Breakdown (Revenue & Volume)Chapter 4 Manufacture Market BreakdownChapter 5 Sales & Estimates Market StudyChapter 6 Key Manufacturers Production and Sales Market Comparison Breakdown..Chapter 8 Manufacturers, Deals and Closings Market Evaluation & AggressivenessChapter 9 Key Companies Breakdown by Overall Market Size & Revenue by Type..Chapter 11 Business / Industry Chain (Value & Supply Chain Analysis)Chapter 12 Conclusions & Appendix

Thanks for reading this article; you can also get individual chapter wise section or region wise report version like North America, Europe or Asia.

About Author:HTF Market Report is a wholly owned brand of HTF market Intelligence Consulting Private Limited. HTF Market Report global research and market intelligence consulting organization is uniquely positioned to not only identify growth opportunities but to also empower and inspire you to create visionary growth strategies for futures, enabled by our extraordinary depth and breadth of thought leadership, research, tools, events and experience that assist you for making goals into a reality. Our understanding of the interplay between industry convergence, Mega Trends, technologies and market trends provides our clients with new business models and expansion opportunities. We are focused on identifying the Accurate Forecast in every industry we cover so our clients can reap the benefits of being early market entrants and can accomplish their Goals & Objectives.

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Pet Supplements and Nutraceuticals Market Major Players Revenue all Growing with Positive Stance|Diamond Pet Foods, WellPet - The Market Journal

How to boost your immune system: 5 ways to fend off cold and flu symptoms – Real Homes

Looking for advice on how to boost your immune system? Whether you find yourself coming down with colds more often than you'd like, or you are (understandably) worried about the Coronavirus, now is a pretty good time to give your immune system a bit of TLC. Late winter is a particularly common time for people to catch cold and flu because our immune systems have been depleted over the harsh winter months. Follow these steps to build up your immune defences and (hopefully) avoid catching anything.

For more health and beauty advice, visit out hub page.

Getting more sleep is probably the single best thing you can do for your health in general, and your immune system in particular. Even a single night of poor sleep or not enough sleep makes you more vulnerable to viruses and infections, to say nothing of chronic sleep deprivation.

Find our how to sleep well in our in-depth guide.

Food is another basic building block of your immune system: we need a varied diet not just to survive, but to keep healthy over time. Eating more vegetables, fruit, lean protein, and fibre has multiple health benefits, including strengthening the immune system. try to avoid processed and fas food as much as you can it's nutritionally poor and doesn't give your body enough of the vitamins and minerals it needs to function optimally.

If you're able to, try cooking at home more check our our food hub page for simple and inspiring recipes, most of which can be made in about half an hour.

While supplements cannot replace a healthy diet (you'll read this on every bottle and packet of vitamins), there are a couple of supplements that have been proven to improve your immune system. One of them is vitamin D, which the NHS recommends we all take between late autumn and early spring if we live in the Northern hemisphere.

The other is vitamin C but in order to get the real benefits, you might need to invest in more than fizzy vitamin C tablets. Look for Liposomal vitamin C instead it won't cure a cold that's already there, but it has been clinically proven to improve your immune system (and your skin, which is a bonus).

It is important not to rely on multivitamins to protect your from colds and flu, though sadly, it really doesn't seem to work that way.

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Yes, drinking more water boosts your immune system. It does so by improving your kidney function, allowing your kidneys to work more efficiently to flush out toxins from your body, making you less likely to fall ill. Water also helps increase blood supply to the brain, which in turn improves melatonin production that is essential for sleeping well.

There no need buy water for hydration, either tap water is perfectly fine and safe for you to drink. Just remember to refill your reusable water bottle.

Ted Baker water bottle-Pink

Ted Baker Glass Water Bottle...

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Aerobic exercise exercise that quickens your breath and increases your heart rate has been proven to boost your immune system by immunoglobulin (infection- and virus-fighting antibodies) levels in your blood. You should aim to do some form of exercise that makes you slightly out of breath every day. This doesn't have to mean going to the gym daily, but can include fast walking, swimming, gardening, and even cleaning.

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How to boost your immune system: 5 ways to fend off cold and flu symptoms - Real Homes

‘My God, it’s chaos’: Lush’s founder on why he is so downcast – The Guardian

The badge on the lapel of Lushs co-founder, Mark Constantine, does the talking for him today as his beauty retail empire is buffeted by one crisis after another.

A potential pandemic is closing half the bloody world, he explains, as his lapel badge reads: Fuck, fuck, fuckity fuck.

At the moment I have got no shops open in Hong Kong or Milan. Venice is shut, the 67-year-old adds. A couple of months ago half of bloody Spain was shut down [due to the Barcelona riots]. The fires in California and Australia provided another expletive, while the end of freedom of movement is the fuckity bit, he explains. I keep a neurosis top 10 but Ive got to the point where things that were number one or two a year ago are number nine.

This week Lush stepped up to the plate on the coronavirus, opening its doors for passersby to walk in and wash their hands for free with its soap as government advice flagged the role of basic hygiene in keeping viruses at bay. The simplest thing you can do to not get a virus is to regularly wash your hands, so were saying people can come in off the street and wash their hands for free.

The Poole-based retailer, best-known for its fragrant bars of soap and bath bombs, has run diverse campaigns with subjects ranging from the targeting of activists by undercover policemen to preventing the extinction of hen harriers (a subject close to the heart of bird fanatic Constantine).

But these days UK retailers are becoming an endangered species, with store closures rife and established chains struggling to absorb cost increases as sales move online. Rivals such as Boots, he suggests, are shortchanging customers with tired stores after owners banked profits and failed to invest in store refurbishments.

When I go into Boots Im pissed off, he says. I go to the new concept shop in Covent Garden and I think, well yes, that looks like you invested a bit of money into Boots. I want all my Boots shops to look like that.

Lush, which turns 25 this year, has 446 stores around the world and a turnover of 545m, although the business is twice that size once joint ventures and other overseas tie-ups are taken into account. In 2018 the company made an operating loss of 4m but remained in the black making a pre-tax profit of 23.4m thanks to its share of business partners profits. The company, which has more than 12,000 staff, will show a further decline in profits for the year to June 2019 when its accounts are published next month.

The sales disruption caused by the coronavirus outbreak has added to costs stemming from Brexit. Defaulting to World Trade Organization tariffs would cost it 2.6m a year, and Lush has set up a new German plant which it hopes will alleviate some of the business upheaval. The economics of the business have also been affected by the decision to pay UK staff the independently verified living wage, which costs 10m a year more than the legal minimum wage, at a time when its annual business rates bill has also gone up by 1m.

Constantine appears perplexed that his ethical approach to capitalism is not bearing fruit. A perfect situation for me would be, make a profit, pay your tax, give plenty to charity, and make sure youre paying a proper living wage, he explains. So Im not really getting on very well with my perfect virtuous circle.

Lush is the biggest private-sector employer in the Dorset seaside town where it is based. It has 14 manufacturing sites as well as several offices including a trendy set-up reserved for digital-focused staff where hot-deskers can work in a leafy central atrium or overlooking yachts bobbing in the harbour.

Constantine has been an ethical retail crusader for decades and was part of the early success of The Body Shop. He met the late Anita Roddick, founder of The Body Shop, when he was in his early 20s and became an important supplier to her business, concocting popular products such as peppermint foot cream and cocoa butter body lotion. A tenth of Lush is now owned by staff. The companys founders who include Constantines wife, Mo promise to sell shares to the trust with the ambition that employees will eventually own 35%.

He is confident profits will recover but downhearted that the retailers finances are strained at a time when Lushs business model is in tune with the zeitgeist. I feel very much like Ive been preparing for this moment all my life: where climate change becomes obvious, where excessive packaging is understood, where a sustainable supply is vital and regeneration is important, he explains. But my God, its chaos.

With department stores in the frontline of the retail downturn, Constantine sees scope to commandeer empty stores and turn them into giant soap emporia where shoppers can stock up on shower gel and moisturiser before getting their hair done or having a facial. All 23 Beales outlets including the prominent store in Poole are closing after the department store chain went bust, adding to the growing number of empty stores around the country.

Lush has invested in a 1,390 sq metre (15,000 sq ft) store in Liverpool that the businessman hopes will impress landlords. Perhaps they would like to pop round and have a look? he says. They would have to help me though because Ive spent all me bleedin money doing the big stuff.

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'My God, it's chaos': Lush's founder on why he is so downcast - The Guardian

Cadbury set to launch vegan chocolate bar, as trend steals the show at ISM2020 – ConfectioneryNews.com

The future is plant-based read the sign above the Katjes' booth at this years ProSweets/ISM conference in Cologne, perfectly illustrating the main trend at the sweets and snacks fair and also capturing the wider zeitgeist of a worldwide consumer movement in confectionery.

Irina Beule, insights & innovation manager at Innova Market Insights, told ConfectioneryNews it is describing the trend as the plant-based revolution.

Plant-based is already here, but now it is really taking off, consumers are preferring plant-based, but vegan is growing as fast, especially with younger consumers who want a more healthy lifestyle, but also with a lot of other generations, who want to do something good for the planet, she said.

Katjes, a German sugar confectionery firm, made its debut in 2019 in the chocolate category with the launch of Katjes Chocjes, a vegan chocolate bar in two flavours (Original and Hazelnut) made from oat milk instead of cows milk.

At ISM 2020, it launched four new vegan flavours and attracted thousands of visitors to its booth a clear indication that vegan chocolate is on the rise.

Alex Cramer, brand manager at Katjes, said the new category had been a great development for the company and that plant-based is the future and that chocolate also tastes good without cows milk theres lots of dairy alternatives and we have chosen oatmilk because it is the most sustainable alternative.

Commenting on the launch of its vegan chocolate, Katjes CEO Tobias Bachmuller said: With the expansion of our product line through the launch of Chocjes, we are strengthening our commitment to create great things. Obviously Katjes is an expert at vegetarian fruit jelly sweets. But with Chocjes, we are also catering to a growing consumer audience that is seeking out alternatives to cows milk.

The latest major brand to jump on the vegan bandwagon is Cadbury, announcing it is launching a new plant-based version of its Dairy Milk chocolate bar.

Although owner Mondelz International has not yet confirmed a launch date, ConfectioneryNews understands it has spent two years developing the bar.

We are very aware of the rise in consumer interest towards vegan products. We have a brilliant R&D team who are focused entirely on new products and innovation to enable us to offer more great-tasting choices to consumers. We only launch products when we have achieved the best taste and texture that consumers expect from Cadbury, and there are lots of exciting developments in the pipeline, a spokesperson said.

The ISM trade fair was held at beginning of February, a month after Veganuary, a global organisation encouraging people to adopt a vegan lifestyle in January and beyond. Organisers said this years response has been astounding and over 400,000 people signed-up, compared to 250,000 in 2019, far exceeding the groups 2020 target of 350,000.

In his Oscar-winning acceptance speech, A-list actor Joaquin Phoenix championed veganism and also highlighted the movement at The Golden Globes. February was also the month that Ben & Jerrys launched a trio of new vegan ice creams, while along came RAR from passionate challenger brand Froneri, who also introduced a brand new plant-based ice cream suitable for vegans.

Tiia Morsky, an ingredients research team leader at market analysts Campden BRI, told ConfectioneryNews: The rise in veganism and flexitarian diets requires products to be free from animal-based ingredients. The food industry is responding by seeking to develop or reformulate products with plant-based protein ingredients, but this is no easy task. Manufacturers can become confused about which plant-based proteins are available to them, which are most suitable for their product and how they will function during new product development.

Cocoa and chocolate supplier Barry Callebaut also chose ISM2020 to launch its new 'Plant Craft' range that spans chocolate, cocoa, nut products, fillings and decorations to cater for dairy-free and vegan trends.

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Cadbury set to launch vegan chocolate bar, as trend steals the show at ISM2020 - ConfectioneryNews.com

3 roles of Elisabeth Moss & how they speak to the zeitgeist – Entertainment.ie

"[Art] tends to start to reflect what we're talking about" Elisabeth Moss has taken on some fascinating roles of late that are really speaking to the times we're living in.

Commencing her career in the 90s, some of Elizabeth Moss's early roles included 'Girl Interrupted' and 'The West Wing'. But she really came to the forefront playing Peggy Olson in 'Mad Men'.

Since then she has starred in such highly acclaimed movies and shows as the satirical 'The Square', horror movie 'Us' and mystery drama 'Top of the Lake'. Indeed the latter sees her play adetective who specialises in sexual assault and who was the victim of gang rape as a teen. Three of her more recent roles have similarly involved playing women victimised by abusers who take charge and get back.

Last year's 'The Kitchen' would be a prime example of one such role wherein Moss plays Claire Walsh, a timid woman who is beaten by her husband, Rob. When he goes to jail, she and two other women (played by Melissa McCarthy and Tiffany Haddish) continue to operate and eventually take over their husbands' rackets.

Claire is not only inspired to leave her husband, she also takes a lover inGabriel O'Malley (Domhnall Gleeson). She learns to shoot and cut up and dispose bodies from him. She becomes an enforcer for the gang alongside Gabriel and even kills her husband. However she is eventually killed off by a young gang member after a hit is put out on her.

Moss's most recent movie is 'The Invisible Man', in cinemas on Friday. In it, she plays the victim of an emotionally and physically abusive partner who continues to haunt her even in death.

'The Invisible Man' has been read as a fresh take on gaslighting and domestic abuse. Generally it's something of a conventional horror which ends with the 'final girl,' a la Ellen Ripley or Sarah Connor, confronting the "monster" head-on.

Then there's of course 'The Handmaid's Tale' which would be up there among the best shows of the 2010s. It depicts a totalitarian society named Gilead where fertile women, called "Handmaids" are forced into child-bearing slavery.

Moss plays its protagonist, June, who continually rebels against the system in big and small ways. She smuggles her baby out instead of giving it to her "parents"; she also helps her friend leave and in her latest act of revolt, helps dozens of children escape Gilead.

Having been the continuous victim of emotional and sexual abuse, she maintains incredible strength and dignity, though you wonder how it could all pan out for her in season four.

Elsewhere in 2019 there were action movies with strong, kickass women who don't take any sh**, like 'Captain Marvel', 'Star Wars: The Rise of Skywalker', 'Alita: Battle Angel', 'Charlie's Angels' and 'Terminator: Dark Fate'. But Moss's roles signify a very different woman, one who is weak, vulnerable, fearful and fragmented. She is initially lost and trapped in a world run by controlling, abusive men, and fighting for survival. But she takes back control, and asserts herself in a decision she makes alone.

We got an opportunity to ask Elisabeth Moss about the similarities of her characters in this respect, and she reflected: "For sure. It does seem like a lot of that, doesn't it?"

She continued: "I think our film and television, and art in general, whether it's music or literature or whatever it is, tends to start to reflect what we're talking about, right? It starts to reflect what we're feeling.

"And I think as women we are exploring that right now because it's what we're thinking and we're talking about. I started it in 'Mad Men' in a different kind of way. But 'The Handmaid's Tale' kind of coincided with a political movement obviously in my country; and then [there was] Me Too and Time's Up so we are sort of talking about it a lot. I feel like the projects that I am attracted to right now are kind of a part of that conversation."

There was a step forward for Me Too and Time's Up this week with the news that disgraced Hollywood mogulHarvey Weinstein was convicted in court, having been the subject of dozens of sexual harassment and assault claims. The women were thanked for their bravery in coming forward.

It leads us again to that age-old question of does art imitate life or vice versa. In any case, this spiritual threequel of performances from Moss has caught on the zeitgeist, speaking volumes to our current era.

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3 roles of Elisabeth Moss & how they speak to the zeitgeist - Entertainment.ie

The Invisible Man, A Horror Movie For The #MeToo Era, Appears At Just The Right Time Post Weinstein Verdict Box Office Preview – Deadline

Its not as if Universal and Blumhouse anticipated the opening of its gaslight thriller The Invisible Man to coincide with the guilty verdict handed down this week to movie mogul Harvey Weinstein in his sexual misconduct trial. But the Leigh Whannell directed and written feature arrives in cinemas at a moment when the #MeToo movement again occupies center stage.

Tracking has been seeing this R-rated thriller starring Elisabeth Moss in the mid-$20 million range for quite some time, but coming away from the ravenous response of Mondays Hollywood premiere, its clear that Universal and Blumhouse have another socially conscious genre film on their hands that could hit a nerve and send this film into Get Outbox office territory. That Jordan Peele Oscar-winning blockbuster opened to $33.37M. Interestingly enough, Invisible Manis opening in the same final February weekend spot asGet Outdid three years ago.

Moss plays a woman in an abusive relationship with a wealthy optics engineer who is the best in his field. She flees from him in the middle of the night. Weeks later she learns that he took his own life. But is he really dead? Quite simply, his presence haunts her like a ghost, tormenting her and those around her but no one believes her. Off 32 reviews to date, Invisible Man has already clocked 90% fresh on Rotten Tomatoes, which is plenty to encourage average moviegoers outside the genre faithful to head to the cinema.Get Outfinaled its RT score at 98% certified fresh.

Previews for Invisible Man start Thursday at 7 PM. Well be watching with bated breath to see whether the film, which cost a net $7M off Australian tax credits, overperforms as its truly one of those old fashioned word of mouth movies. Dont be shocked if Moss is in the Best Actress conversation during awards season later this year: Deadline Pete Hammond writes in his review that Invisible Man is more than most films in the horror genre. This one feels comfortably in line with something Hitchcock would have loved, a film that also has something in common with terrifying thrillers like Julia Roberts Sleeping With the Enemy,a movie I thought about while watching it. ButThe Invisible Manmarches to its own beat in the end, and a lot of the success belongs with Moss, who nails this role of a woman under siege, both mentally and physically, with such skill I do not think it is too early to say this is first Oscar-worthy performance of 2020.

Universal shot Get Outout of cannon as the secret movie at Sundance back in 2017, creating immediate buzz that carried it for more than a year into the Oscars with four noms, including Best Picture and a win for Peele in Original Screenplay. The marketing campaign here for Invisible Man has been mostly standard for a genre film, though with a longer lead promo time going back to December with TV spots hitting broad audiences during NBA Christmas games, not to mention the pregame slot of the Super Bowl as well as The Masked Singerthat followed the game. Spots forInvisible Manalso aired during the Grammys, and hit TV series like The Walking Dead, This Is UsandModern Familyas well as the finale of the highest-rated telenovela on Spanish-language television, El Seor De Los Cielos.Currently, the movie is tracking well with males over 25 and females under 25 as well as African American and Hispanic audiences.

While genre movies are traditionally frontloaded with their highest grosses on a Friday during their opening weekends (thats including previews), you know if one is hitting the zeitgeist when Saturdays numbers exceed Friday. That will be a big sign if Invisible Manis being discovered by the masses; i.e., Get Outsaw a 17% spike on its first Saturday from Friday, while Universal/BlumhousesSplitrose 13% over the same period on its way to a fantastic $40M stateside start.

WhileInvisible Manstands alone as the only major studio wide release this weekend, opening today in 1,200 locations is Funimations animeMy Hero Academia: Heroes Rising.The movie already made $15M in Japan back in December and will follow a varying daily theater count pattern much like Funimations niche hit last year Dragon Ball Super: Brolywhich opened to an eye-raising first day of $7M at 1,250 locations, on its way to a $20.2M five-day total and overall domestic of $30.7M. My Hero Academia: Two Heroesdebuted at 513 theaters in 2018, and ultimately made $5.75M.

After making a shocking amount of dough with close to $2.9M through yesterday, WarnerMedias truTVs Impractical Jokers: The Movie will expand from 357 to 1,800 locations. The question on many rival distribution executives minds is how much more meat is left for this comedy, or did all the fans already come out last weekend?

Deadlines Dino Ramos will have more on this weekends specialty releases which include Searchlights alternative Peter Pan take Wendyfrom two-time Oscar-nominated filmmaker Benh Zeitlin, Sony Pictures Classics Michael Winterbottom-directed comedy Greedin NY and LA, John TurturrosBig Lebowskispinoff The Jesus Rollsfrom Screen Media, and Roadside Attractions BMX champ movieThe Ride.

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The Invisible Man, A Horror Movie For The #MeToo Era, Appears At Just The Right Time Post Weinstein Verdict Box Office Preview - Deadline

The Beef with Kobe – CounterPunch

Great teams have great benches. So strong was the musical squad assembled for Kobe Bryants send-off at Los Angeless Staples Center on Monday, that even Hall of Famer Jennifer Lopez didnt rate any playing time. All the megastar got was a couple of call-and-response notes in the massed sing-along to Beyoncs XO, claimed by that singer to be Bryants all-time favorite song. Beyonc called the tune, not JayLo.

Lopez didnt even get the musical equivalent of a few layups during the warm-up. She had to sit and watch otherinferior!talents hog the limelight and pad their stats. JayLos agony must have been akin to that of the young Bryant when he was forced to come off the bench in his first two seasons with Lakers, the years just prior to the construction of Staples Center, the cathedral in which his hardwood heroicsincluding Mondays posthumous oneswere recorded and have now been enshrined. Jerseys and Jumbotron are the relics and icons of our Age.

At least JayLo had someone to hold on to while riding the bench. Her grip around boyfriend Alex Rodriguezs arm tightened noticeably during Christina Aguileras rendition of Franz Schuberts Ave Maria at the close of the ceremony. JayLo clung fervently to those infamous bi- and triceps as if they were steroid-enhanced rosary beads.

As for Aguilera, she stood saintly still during her performance even while her voice shimmied and shook. Aguileras funerary showboating ran up the score on bespectacled and beleaguered Franzand JayLo, too.

Had there been a scorers table, Aguilera might have tried to jump onto it as Bryant had done near that very spot a decade earlier after Game 7 of the NBA Finals when he won his fifth championship at Staples Center. Atop his spontaneous plinth, the demi-god extended his arms with basketball in one hand like Herculess club, as if to gather within his mighty wingspan all the confetti and adoration raining down on him.

All Aguilera could do after her star turn was beam and bask. Emcee Jimmy Kimmel then mounted the podium to remind her to stand down, making a lame joke about her singing in Italian. Mr. Kimmel take note: half-Latina Aguilera sang Schuberts wedding warhorse fully in Latin, as its always done. Because Aguilera didnt vacate the stage expeditiously, she alone got a double ovation. However odd at a memorial service, ovations at Hollywood ceremonies, whether Oscars or obsequies, come with the territory in Tinseltown.

Perhaps Lopezs antics at the recent Super Bowl in Miami had disqualified her from ascending the altar and lifting a hymn to the departed. On that Sabbath Day earlier in the month, she got vertical and twirled on a strippers pole doubling as the antenna of the Empire State Building. Hers were the motions of a slo-mo sex-copter enacted while Bryants ongoing period of mourning was still in effect. There were three songstresses Monday morning: besides Beyonc and Aguilera, Alicia Keyes appeared at the event. All had appeared in variable states of provocative undress on previous Super Sundays. But these vocal and dance athletes have been on the bench for a string of state and civic rituals. It was their time to score some points.

Beyonc opened the observances with XO and the suitably heavenly Halo. But over the ensuing two hours it was to be classical music, a confirmation of the prematurely departed Laker stars own classic status.

Before Aguileras Ave Maria, an even bigger hit had been heard: Beethovens Moonlight Sonata. It was fitting that the piece should be called on, and not just because of its somber C-sharp minor ruminations. Beethoven, too, was given a huge public funeral, estimated at some 20,000 people, about the number of people who gathered in and around Staples Center, thus a much larger percentage of Viennas population in 1827 than Bryants rites tallied in LA in 2020.

Like incense, an unsettling synchronicity hung in the air of Staples as Bryant was sainted. One expected the Zeitgeist to appear on the Jumbotron, or at least see an ad for Hegels Drive-Thru-World-of-Spirits on Hollywood Boulevard. 2020 marks the 250th year since Beethovens birth, and no one could have expected that the most famous piano piece this side of Fr Elise would reach its biggest ever global audience thanks to the untimely death of a basketball star.

According to another of the speakers, Bryants best friend and one-time agent (now the General Manager of the Lakers), Rob Pelinka, Bryant was always dreaming up romantic gestures for his wife, Vanessa, who stoically, touchingly delivered the mornings first address. Pelinka related how Bryant once found himself in a hotel suite with a piano and seized the opportunity to learn the opening bars of Beethovens sonata by ear so that he could play them for his spouse.

Pelinka then introduced the performer Alicia Keyeslike Beyonc and Aguilera, a Grammy winnerand the piece she was about to play as the Moonlit Sonata. Pelinkas unwitting grammatical transformation of the nickname was strangely appropriate, as if that musical moon were a klieg light on the movie set that is LA. At least visibility was good.

The sobriquet Moonlight for this sonata goes back to an 1823 story by the Beethoven admirer, poet and music critic, Ludwig Rellstab. Here is the scene he sets to Beethovens piano celebrated piece: A lake reposes in the faint shimmer of the moon; the waves lap softly on the dark shore; gloomy wooded mountains rise up and cut off the holy region from the world; swans glide like spirits through the water with whispering rustles, and an Aeolian harp mysteriously sounds laments of yearning lonely love down from those ruins. The passages portent now extends to a mountainside in southern California. (In Staples the harp would have to wait until Aguileras Ave Maria.) Keyes Romantic surges and shifts were more dramatic than even the impetuous Beethoven might have countenanced.

She played the piece on a piano that was purplelike the face of the new moon before a solar eclipse. Keyes was clad in matching color, her singing voice silent for these musical reflections: contemplation not cantillation was called for at this juncture in the mournful rites. An all-black string quartet made sure the sonata became a safe space by adding a shimmering halo of musical and moral support for Keyess Beethovenian encounter. Ludwig Vans production design was deemed insufficient on its own. (Aguileras string quartet was made up exclusively of white players with that heavenly harp thrown in just in case the conjuring of the pearly gates wasnt clear enough already. Separate but equal obtained among the Staples fiddlers.)

Purple piano and purple planets had aligned. A coast away from the Staples solemnities, Harvey Weinstein got done on two out of three chargesat 66%, a damn sight better than the abysmal free-throw percentage of Bryants former Lakers teammate and the last of Mondays eulogists, Shaquille ONeal. Weinstein could never soar through the air and thrill crowds, make people love him even for one magical moment.

In drop-stepping away from rape charges back in 2003, Bryants defense team had followed the tried-and-true game plan of slut-shaming the accuser and leaking her identity to the press. The nineteen-year-old woman subsequently refused to testify in court and the Colorado prosecutors dropped the charges just before trial, even though the case had looked strong. There had been blood on her undergarments and on his shirt; the woman had bruises on her neck and tears in her vaginal wall. Bryant had admitted that he had not received explicit consent from her. She later brought a civil case against him and received an undisclosed settlement. Though he publicly apologized, Bryant maintained that he had believed the sex consensual.

In the aftermath of the rape charges, Bryant shed the skin of his previous brand (Kobe Bryant) for that of Black Mambathe lethal, phallic snake that strikes in the movie, Kill Bill: Vol. 2 by Quentin Tarantino, the filmmaker whose work helped make Harvey Weinstein into a Hollywood mogul of power and prestige. The first installment of Kill Bill came out in 2003, the year of Bryants alleged assault.

With charges pending MacDonald and Coca Cola cut ties with him, Nike did not. Bryants Mamba shoe deal with that company brought him some sixteen million dollars annually.

Even for all his moves, Bryant could not completely shake the past. In 2018, after the advent of the #MeToo movement that Weinsteins depredations had ushered in, Bryant was dropped from a film festival jury. Aside from that lone referees whistle, Hollywood embraced Bryant, even as it turned on Weinstein.

In basketball, as in life and death, there are winners and losers. Weinstein received the first installment of his earthly judgement the same day Bryant was being sanctified in Staples and his constellation spread across the firmament, Beethovens music rising up towards the darkened vault from which shone the gold and purple stars 8 and 24.

Beethoven did not connect his famous sonata with moonlight. He called the piece Sonata quasi una fantasiasonata in the manner of a fantasy. The phrase bespoke freedom from constraining rules, yet the composers admirers heard a profound unity across the works three movements. One can also hear dark urges in this music. Beneath its uncanny calm lurks danger, even violence, however hard the maudlin string quartet of Keyess rendition worked to diffuse the threat.

Likewise, in Bryants life, work, and death one can trace intersecting lines, tragic vectors. Bryant was a self-styled Romantic of the hopeless variety. Dear Basketball, the short-animated film that Bryant wrote, won an Oscar in 2019, the retired star taking full advantage of his Hollywood homecourt advantage. The movie was shown again at Mondays ceremony. To his own voice-over a cartoon version of Bryant is artfully portrayed accomplishing one of his greatest athletic feats. He flies through the air, spins, and completes a reverse dunk. Its a rapturous, godlike act, the very embodiment of imagination and skill, desire and gratificationof fantasy and fulfillment. Icarus without wings, Bryant seems to defy gravity, launched as if to fly on forever. But after attaining his seemingly impossible goal of putting the rock in the hole he crashes back to earth.

Bryants legacy escapes those forces. For that to happen he had to have teammates who would sing his praisesin, on, and off court.

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The Beef with Kobe - CounterPunch

Sundance 2020: Duke alums feature prominently in this year’s festival – Duke Chronicle

Duke alumni made a splash at Sundance this year many of the films in competition were acted, directed and produced by Duke graduates now working in the industry. Duke has one of the largest networks of alumni in the arts and entertainment industries in Los Angeles and New York, one that rivals even the University of Southern Californias. With so many graduates out in Hollywood, many have found success as actors or producers and have even worked on projects that have gone on to win awards.

This year, producers Clarence Hammond (Trinity 08) and Niel Creque Williams (Trinity 06), actress Angela Zhou (Trinity 14) and documentary director known for Ask Dr. Ruth, Ryan White (Trinity '04), each pemiered their projects at the 2020 Sundance Film Festival, many having worked alongside major names in Hollywood. Hammond, a producer at Will Smiths production company, Overbrook Entertainment, is no stranger to Sundance. He was a producer on Minhal Baigs film Hala, which was quickly picked up by Apple after the 2019 festival.

Hammonds most recent film, Charm City Kings, is a poignant coming of age story that follows a boy who wants to join a dirt bike gang that rules the streets of Baltimore. It stars Meek Mill and Jahi Di'Allo Winston, and Moonlight director Barry Jenkins is among the credited writers. Charm City Kings was awarded the U.S. Dramatic Special Jury Award for Outstanding Ensemble at the 2020 Sundance Film Festival.

Zhou, an actress and member of the Screen Actors Guild of America, is featured in the Emerald Fennell-directed, Margot Robbie-produced and Focus Features-distributed film Promising Young Woman, the story of a womans trauma and revenge against the men that sexually assaulted her best friend. Among the New Zealanders co-stars are Carey Mulligan, Laverne Cox, Bo Burnham and Alison Brie. The Chronicle interviewed Hammond and Zhou about Sundance, their Duke experiences and their respective projects.

Interview with Clarence Hammond (Trinity 08)

The Chronicle: You mentioned this project took six years to bring to life. What was the story like initially and what did the team want it to be?

Clarence Hammond: We always loved the idea of centering it around a young boy whos trying to grow up even though he's so young, so small, so mousey, we were drawn to that type of story, about a boy who needs to become a man. With that in mind, we needed to consider, "What's the journey?" Coming of age stories are always about collateral damage. You try to rail against everything you've known, lie to your mom and sneak out, but many of those actions have big life changing consequences.

TC: There were four writers involved in creating the story for Charm City Kings. Could you describe the initial stages of developing the script and at what stage each writer came on board?

CH: Once we figured out the story, we went to writers Kirk Sullivan and Chris Boyd. Their sample added a great youthful, fun voice to the children they wrote. After two or three drafts of their version, almost randomly, I was linked up with Barry [Jenkins] this is before Moonlight became what it is now. What I love about Barry's voice is that he added lyricism and sensitivity to the story. Sherman [Payne]s part was to take the foundation that Kirk, Chris and Barry built. Hes the one who decided how to build the world and paint its walls. He added a lot of commercial and group dynamics while holding on to the sensitivity that Barry brought to the story.

TC: Often production companies are unwilling to invest in stories from underrepresented voices in the industry, but things have been rapidly changing with inclusion in Hollywood. Where have you personally begun to notice a change in this mindset?

CH: There are many angles to it. As my generation grew up in the industry, we came in as a diverse assistant body, and in the decades since, we've become coordinators, executives, writers, directors and producers. Now, people are more inclined to tell the stories of their own experiences. As we come into these positions, the content we create is reflective of our diversity. We are also fortunately at a time where diversity is becoming more commercial of profitable films like Black Panther, for example, are starting to have such a following and success that will lead to a more diverse box office landscape in the years to come.

TC: What would you say is the importance of festivals like Sundance for independent filmmakers and producers?

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CH: Sundance has a pretty discerning power. There's the pressure of it, the excitement of it; it's almost like "the beginning of the school year" for the industry it gets the conversation started and sets the tone for what's to come. For us, it was great that we were already attached to Sony Pictures Classics, so being at Sundance this year meant beginning to promote the film's release. We needed to make sure Charm City Kings first appearance to the world was as successful as possible, and it couldn't have been better; there were people laughing, crying and jumping at the premiere.

TC: Is there anything you could say about your Duke experience that helped you arrive at this moment of premiering films at major festivals?

CH: My Duke experience helped teach me the value of understanding differing perspectives. My Political Science major, English minor and certificate in film gave me three drastically different experiences and allowed me to develop three different work approaches; Duke really taught me that and helped me broaden my horizons. For students at Duke now, it is important to cultivate your tastes and try to consume as much content as possible whether that be a podcast, play, documentary at Full Frame or screening at Duke, whatever you can do to soak up as much content will help you in telling your own stories.

Interview with Angela Zhou (Trinity 14)

The Chronicle: What stood out to you about the script for Promising Young Woman and why did you decide to pursue this project?

Angela Zhou: One big thing that stood out was that [Emerald Fennell] could mix your classic cute romantic-comedy moments with more dark humor and serious elements. Reading the script was like a roller coaster, you could go up at one moment, and then right back down to where it felt like the worst was happening. Just when you think nothings going to go right, [the script] gives you this crazy victorious feeling. I dont think Ive ever read a script thats given me such a sense of victory before.

TC: Without spoling too much, Promising Young Woman deals with themes of trauma and sexual assault. Could you speak to the timeliness of this film and its relevance to the Me Too movement?

AZ: The film is definitely timely, especially with the Me Too movement, and that was another part of what drew me to the script. There has been a lot of talk about Me Too, but no movies have broken through to discuss it until now. Its such a tough topic, because you want to tackle the situation with the right amount of nuance. The characters in the movie are all multidimensional, and the movie recognizes the shades of grey the issue [of sexual assault] is never black and white. When you see an amazing script thats one thing, but [Promising Young Woman] was not only new and fresh but in the zeitgeist of the moment.

TC: What was it like working with Emerald Fennell and a team that has been working to make womens voices heard in the industry?

AZ: Emerald is great in the sense that shes also an actor, so she knows exactly how to give direction in a way that an actor can actually understand and process. I think its an exciting time in the industry, especially with women like Emerald Fennell and Phoebe Waller-Bridge leading the way. They are my complete idols because they get to make their own narratives and do whatever they want and nobody stops them. They get to write, act, direct and produce, so it really is their own individual voices coming through in a way that is entirely unapologetic.

TC: Is there anything about your Duke experience that helped you reach this point in your career?

AZ: I dont think I ever couldve had a career in this business if I hadnt gone to Duke. I came from New Zealand, and when I fell in love with performance and storytelling, I didnt know how to translate that into a career. But, through the connections at Duke, my internships allowed me an idea of what the industry is and who the different players are. I am really grateful to all of the Duke alumni who took the time to meet with me and give me advice. Thats what really gave me my entryway into the industry.

Charm City Kings comes out in select theaters April 10 and nationwide April 17. Promising Young Woman hits theaters April 17.

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Sundance 2020: Duke alums feature prominently in this year's festival - Duke Chronicle

Ron Paul: Trump Does The Bidding Of Deep State – The National Memo

Reprinted with permission from Alternet

For many years, former Rep. Ron Paul was the most prominent libertarian in Congress often frustrating fellow Republicans by voting against their spending bills. Paul, now 84, left Congress in early January 2013 but still speaks out about politics. And in hisFebruary 24 columnfor the Ron Paul Institutes website, the Texas libertarian isvehemently critical of President Donald Trumpfor, as he sees it, throwing WikiLeaks founder Julian Assange under the bus.

Paul hasnt always been critical of Trump. The former Texas congressman asserts that in 2016, Trump upset the Washington apple cart and set elements of the Deep State in motion against him. But Paul quickly adds that Trump has since become part of the Deep State he once challenged.

Trump loved it when WikiLeaks exposed the criminality of Hillary Clinton and the Democratic Party as it cheated to deprive Bernie Sanders of the Democratic Party nomination, Paul writes. WikiLeaks release of the (Democratic National Committee) e-mails exposed the deep corruption at the heart of U.S. politics, and as a candidate, Trump loved the transparency. Then Trump got elected.

Paul goes on to say that the real tragedy of the Trump presidency is nowhere better demonstrated than in Trumps 180-degree turn away from WikiLeaks and its founder Julian Assange.

According to Paul, Trumps administration is pushing for a show trial of Assange worthy of the worst of the Soviet era and the U.S. is seeking a 175-year prison sentence.

It is ironic that a President Trump, who has been (a) victim of so much Deep State meddling, has done the Deep States bidding when it comes to Assange and WikiLeaks, Paul laments. President Trump should preempt the inevitable U.S. show trial of Assange by granting the journalist blanket pardon under the First Amendment of the United States Constitution.

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Ron Paul: Trump Does The Bidding Of Deep State - The National Memo

The immorality of US hegemony with Ron Paul – RT

We have a big interview for you this week. Ron Paul came on the show to discuss the multitude of corrupt practices that hold up the USA. Lee and Paul discuss the military industrial complex, the impending economic collapse, and the persecution of Julian Assange. But before the interview, Lee opens the show with fearmongering stories from the New York Times. He goes paper-shredding on their coverage of the coronavirus and a patently false story about how Bernie Sanders isn't bringing new voters into the Democratic Party.

Anders Lee finishes off the show by fact-checking the fact-checkers on one of the many stupid stories our corporate media chooses to focus on instead of discussing important issues. Michael Bloomberg's campaign released a video that had been altered with cricket sounds after he made the comment that he was the only candidate on the stage who had started a business. So, were there crickets on stage? There are two answers: No and "Why are you wasting your time with this story?"

YOUTUBEChannelRedacted Tonight

LIKERedacted Tonight atwww.Facebook.com/RedactedTonight

FOLLOWRedacted Tonight at@RedactedTonightand@LeeCamp

PODCASThttps://soundcloud.com/rttv/sets/redacted-tonight

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The immorality of US hegemony with Ron Paul - RT

Health Care Is On Coloradans’ Minds. This Is Where The 2020 Presidential Candidates Stand – Colorado Public Radio

George McHenry, 78, lives in Federal Heights and is also worried about prescription drug costs.A few years back, he was diagnosed with prostate cancer. He takes hormone treatments, which would cost more than $10,000 a month if he werent on Medicare.But McHenry, a reliably Democratic voter, considers himself lucky.

I'm aware that a lot of seniors cannot afford the cost of either drugs or care, McHenry said. And I think that's really terrible.

Maureen OMara-Sanzo, a 73-year-old from Highlands Ranch, describes herself as a conservative-liberal, or a liberal-conservative.Shes retired from the roofing industry and says her health and health care coverage Medicare, plus supplemental coverage are pretty good.But she worries about all the people who dont have health coverage they can afford and thinks people need more affordable insurance options.

It's a very crucial issue for people in terms of living and dying, she said.

President Donald Trump has promised to essentially defend the private insurance system.Hes staked out a position in opposition to Democrats, promoting an expansion of private Medicare advantage plans.

Last fall in Florida, Trump signed an executive order before a sign reading Great Health Care for You, to expand what medical savings accounts or MSAs, which some Medicare recipients make use of. In announcing the plan, he described Democrats Medicare for All as a disaster for seniors on the program.

"They want to raid Medicare to fund a thing called socialism, he said.

The Trump administration and its Republican allies in Congress have taken a number of steps to circumvent the Affordable Care Act.As NPR described last year, Republicans ditched the individual mandate, the requirement people get health coverage pay a penalty. The provision aimed to keep more healthy people insured in order to keep premiums low.

"We eliminated Obamacare's horrible, horrible, very expensive and very unfair, unpopular individual mandate. A total disaster. That was a big penalty, Trump said last fall.

The administration has taken other steps:allowing states to implement work requirements to Medicaid, ending cost-sharing subsidies to insurers, and slashing federal funding to programs aimed at helping people sign up for insurance on state exchanges.

One of the biggest moves came last spring when the Justice Department threw its weight behind a lawsuit aimed at invalidating the law.

Still, the ACA has proved resilient, with signups remaining fairly steady.

Bernie Sanders backs Medicare for All.The Vermont senators plan would expand the popular federal health program and essentially get rid of private insurance.Itd provide comprehensive care for everyone, with no out-of-pocket expenses. He says the average worker pays 20 percent of their income for health costs and his proposal would cut that sharply because we're eliminating the profiteering of the drug companies. And the insurance companies and ending this Byzantine and complex administration of thousands of separate health care plans.

Sanders has been criticized for not providing more specifics of how hed pay for his plans.He estimated on 60 Minutes last weekend that the cost of his plan would be $30 trillion over a decade.But questions remain about whether projected revenues would meet projected costs.

Sanders visited Colorado earlier this month, welcomed by a boisterous crowd of 11,000. In response to the rally, Colorado Republicans jumped on Sanders signature issue. Spokesman Kyle Kohli said the party is confident Sanders would find tough footing in the general election, due his support for the universal health care measure that Colorado voters rejected soundly in 2016.

Coloradans already made it loud and clear they have zero interest in Bernie Sanders government takeover of their health care, Kohli said.

In 2016, Sanders easily won the Colorado Democratic caucuses, capturing 59 percent of the vote, prior to a major overhaul of Colorados nomination process.

Elizabeth Warren also supports Medicare for All, although she proposes a more gradual transition.

Costs are gonna go up for billionaires, the Massachusetts senator said. They're going to go out for giant corporations, and out of pocket costs for middle class families are going to go down. It's costs that matter.

When she unveiled her plan in November, Warren said it would raise $20.5 trillion, but that middle class tax increases wouldnt pay for it.Instead, the funds would come from a variety of sources, including tax increases on the rich, cuts in spending on the military and payments to doctors. She said there would be considerable savings from a more efficient national system, in which administrative costs are expected to fall significantly.

Warren said by her third year in office, she aimed to pass legislation through Congress to complete the transition to full Medicare for All.

A number of big players in the health care world, including insurers, hospitals, drug companies and doctors groups oppose the sweeping changes in the plans of both Warren and Sanders as too far-reaching and too expensive.

Both Warren and Sanders say though their plans are expensive, theyll result in significant savings for consumers overall.

Joe Biden is among the many candidates in the Democratic field who balk at the ten-of-trillions price tag of a Medicare-for-All system. One recent poll showed a majority of Americans like both ideas, but more favor the public option.

It covers everybody. It's realistic and most importantly, it lets you choose what you want, the former vice president has said about his plan. On his website he describes it as protecting and building on Obamacare.Then-President Barack Obama signed the law into effect nearly a decade ago, on March 23, 2010.

His plan includes a public option proposal, which Biden argues would help bring costs down, without the disruption to the health system and patient care of Medicare for All. And it would give consumers a choice.

Bidens proposals echo those of some of the other candidates in the middle with goals like giving every American access to affordable health insurance, by expanding Medicare, promising a less complex system, and standing up to what his website describes as abuse of power by prescription drug corporations.Hed do that by letting Medicare directly negotiate drug prices and allowing for generally cheaper prescription drugs to be imported from Canada.

His approach has critics as well, as Politico reported when his plan was unveiled. Some progressives view the improvements hes aiming for as too cautious and incremental.Republicans blasted his plan as Obamacare 2.0, and a group of major health associations fretted that Medicare expansion would hurt hospital bottom lines.

Michael Bloomberg, the billionaire former New York mayor, has also come out as sharply critical of the more ambitious progressive push to expand health coverage. Medicare for All doesn't work because about 155 million people in America get their insurance from their employer. They want to keep it, Bloomberg told CPRs Colorado Matters earlier in February.

The hospitals and the doctors want to make sure that's still there as well because that's what subsidizes the people who are getting paid for by Medicaid and Medicare. He noted unions have often fought very hard and negotiated for medical benefits so they want to make sure that they continue to do that as well.

Hes also described Medicare for All as unfeasible and likely to win over key voters Democrats would need to prevail in the fall.

His plan, like Biden and others, would create a public alternative to private insurance. His website describes it as being administered by the federal government but paid for by customer premiums It aims to expand and improve on the ACA, by reversing what his campaign calls the Trump administrations attempts at sabotage.It would do that by boosting enrollment efforts, restricting the sale of skimpy health plans that dont meet ACA requirements and defending the ACA against politically motivated lawsuits.

Like Bidens proposal, Bloomberg too has drawn criticism for being too gradual.And Democrats in Congress have already been unable to get through some of his ideas, like ending surprise medical bills and lowering drug costs.

But Bloomberg touts his skills as a businessman to explain why he could succeed.

Look, in New York, I had a Republican Senate and a Democratic House and I got gay marriage through the Republican Senate. If I can do that, I can get a health care plan through a Republican Senate at a national level, he told Colorado Matters.

Pete Buttigieg also favors a more centrist approach.He backs a public option that he says would result in coverage for everyone, but that cuts cost.

The idea of my proposal, Medicare for all who want it, is that we take a version of Medicare and make it available to anybody who wants in on it without commanding people to adopt it if they'd prefer their private plan, the former South Bend, Indiana, mayor said.

Buttigieg maintains his plan would incentivize private insurers to compete on price and bring down costs.If private insurers cant offer something dramatically better, the plan would create a natural glide-path to Medicare for All, according to his website.

To make health care more accessible, the Buttigieg plan would expand subsidies for low-income people to make insurance coverage dramatically more affordable for individuals and families.

Buttigiegs proposal has drawn fire for what critics have likened to a supercharged version of the mandate to buy insurance contained in the Affordable Care Act, aka Obamacare.Under his plan, those who dont have coverage would be automatically signed up in the government program, which could cost them thousands. His campaign told the Washington Post the payments are justified because it allows a consumer to be insured throughout the year.

Amy Klobuchar favors building on the ACA.According to her website, she thinks the quickest way to achieve universal health care is via a public option that expands the government programs Medicare and Medicaid.

What I favor is something that Barack Obama wanted to do from the very beginning, Sen. Amy Klobuchar (D-MN) said about her proposal.

And that is a public option, a nonprofit choice that will bring down the cost of insurance.

The senator backs changes to the ACA to reduce consumer costs like making it easier for states to implement reinsurance, something Colorado launched last year with approval from the federal government.

Klobuchar stresses the importance of making prescription drugs affordable. According to her campaign site, Klobuchar has authored proposals to lift the ban on Medicare negotiations for prescription drugs.Shed also allow personal importation of safe drugs from countries like Canada, and stop pharmaceutical companies from blocking less-expensive generic products.

Some of the toughest criticism for some of the candidates comes from their rivals.For example, Warren blasted Klobuchars plan in a recent debate as being too thin, calling it a Post-it note, insert plan here.Of Buttigiegs health proposal, Warren said, Its not a plan, its a PowerPoint.

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Health Care Is On Coloradans' Minds. This Is Where The 2020 Presidential Candidates Stand - Colorado Public Radio

Pardon the Interrupters: meet the ska-punks with an InfoWars problem – Telegraph.co.uk

At age 18, Aimee Allen climbed behind the wheel of her Pontiac Grand Am and left her home in Montana for the last time. Leaving behind a broken home, an abusive stepfather, and a spell in foster care, she trained her sights on the bright lights of Los Angeles. Parking her car in sight of the Hollywood sign, like thousands of others before her she plotted her course to the summit of the music industry.

The Interrupters are the fruits not of her success, but of her failure. Formed in 2011, the Angelino quartet came together at the point at which Allens career as a solo artist had rendered her lonely and broke. Her dream was to become the new Joan Jett, to whom she presented a bouquet of flowers at a concert in New York City my whole body was shaking, and I was sobbing, she said of the experience but after a decade spent wilting on the vine, it turned out that there was more power, and greater happiness, in a union.

I kind of feel that I was alone my whole life until I found The Interrupters, she says. But when I did, I finally felt like I was home. I was an orphan before, and now Ive got a family. And weve got each other. If a show goes badly, its on all of us; but if its great, then we all get to share that.

The Interrupters play a fluent and seamless mixture of modern ska and American punk rock. Prior to taking to the stages of increasingly large venues this month the quartet performed for 4000-people over two nights in London the band watch Dance Craze, a concert film from 1980 featuring performances from The Specials, The Beat, and The Selecter. On record and in concert, this 2-Tone template has been recalibrated by the Americans and dispatched across the Atlantic as if brand-new.

The curious thing about this is that a proportion of the groups audience is old enough to have bought singles such as Too Much Too Young and Mirror In The Bathroom on their days of release. As well as this, alongside the Fred Perry shirts and Harrington jackets are a sizeable contingent of young teenagers for whom The Specials are unknown history in the way that Van Halen are for Billie Eilish. With only three albums to their name, the range of ages on display at concerts by The Interrupters is the widest I have ever seen for an emerging act.

I take it as the highest compliment that in England we have people coming up to us after our shows saying I saw the Specials, I saw The Clash, and I love your band, says Kevin Bivona, the groups guitarist. The fact that they could even put us in the same sentence as those people is hard to wrap my head around.

On a cold and sunny February lunchtime, Kevin Bivona sits with Aimee Allen these days known as Aimee Interrupter in the downstairs lounge of The Interrupters double-decker tour bus. Parked outside the BBCs Maida Vale Studios, the band find themselves in Northwest London to record a five-song session for 6music. When the sound engineer in a soundproof booth isolates Bivonas Fender Telecaster guitar on the superior breakup song Gave You Everything I dont know why youre gone, I walk these floors like a country song its throttled precision sounds like something that could saw a car in half.

The pair are friendly, thoughtful, and, it seems to me, tight. When the singer requires new eyelash-extensions, so as to save time it is her band mate that buys them for her. Theyre also uncommonly wholesome; answers are peppered with words such as like and awesome you can take the band out of California, and all that - but are entirely free of swearing. This U-certificate approach even extends to the concert stage.

We make unity music, says the singer. We want everyone to feel like theyre part of a big family.

Its been 20-years since Aimee Allen arrived in Hollywood equipped with little more than a capacity to carry a tune. A waitress by day, each night she would stand outside clubs such as the Whisky A Go Go, The Viper Room, and the Roxy Theatre, on the Sunset Strip, and ask perfect strangers if theyd like to form a band. She survived these encounters unmolested, but admits today that I got really lucky.

She joined forces with an act called No Motiv with whom she played a concert that was seen by Randy Jackson, one of the judges on American Idol. Jackson promised to secure the group a recording contract. After a fashion, he did; Allen signed as a solo artist with Elektra Records in 2002.

It was at this point that her problems began. Despite working with producer Mark Ronson, Aimee Allen did not appear to be a high-priority for her new label. When Elektra was subsumed in a merger with Atlantic Records, her debut album, the fabulously titled Id Start A Revolution (If I Could Get Up In The Morning), was viewed by her new paymasters as surplus stock. 17-years on, it remains unreleased.

I wouldnt wish being a solo artist on anybody, she says. You have people on your payroll, and you dont know if theyre saying that youre amazing because they feel like they have to, or because its genuine Its really lonely because its just you. Theres nowhere to hide. I was just part of the major label machine [and] I felt like I was floating.

In 2008, Aimee Allen recorded the Ron Paul Revolution Theme Song we dont want big government, or the Bilderberg Group that pays for it - in support of Texan libertarian Congressman Ron Pauls independent bid for president. In the same year, she made the first of several appearances on Alex Jones deeply controversial InfoWars radio programme.

Ten years later, the show was removed from all online mainstream media platforms for, among other things, claiming that the Sandy Hook Elementary School shootings were fake, and that the parents of the 20-children murdered by gunman Alan Lanza were actors hired by the US government.

At the mention of Alex Jones and InfoWars, the temperature on The Interrupters tour bus seems to drop by about 15-degrees. A 10-second silence ensues, punctuated only by a gravid sigh of deep displeasure.

I just want to be very careful about how I answer [this], she says. Okay, yes, I regret it [appearing on the show]. But at the time, he [Alex Jones] wasnt what he became. Would I go on his show now? Hell no, obviously [But] I couldnt see the future. And, honestly, [at the time] he was just an underground conspiracy theorist. It was entertainment; it wasnt that big of a deal. I had no idea he was going to become a controversial hate-speaker. Do you know what I mean? I one hundred-percent disavow what he stands for.

One of the worst things as a musician is when you are just trying to get your music heard and somebody co-opts you to their agenda, says Kevin Bivona. It happens quite often and its something youve got to be careful of.

At this point, my interview with The Interrupters appears to be holed below the waterline. The singer says that she wants to set the record straight [but] in a way that isnt going to create more trouble for me, a response, surely, to an online article from 2014 that accused Aimee Allen of being a stooge of the alt-right, and of supporting racist positions such as Ron Pauls opposition to the 1964 Civil Rights Act.

In a thoughtful and respectful response to the piece, Bivona wrote in reply that he failed to see how you can use a young persons [sic] 2008 political songs and a few interviews she did six years ago and apply them to a creative project they are involved with [today], when you dont even know them personally.

Its perhaps worth mentioning that other performers have also appeared on InfoWars, including Billy Corgan of the Smashing Pumpkins (more than once, as it goes). Its also worth noting that The Interrupters and I do recover the ground lost during our awkward moment. But if the band display a certain skittishness about being interviewed it is almost unheard of for the singer to be questioned alone this is probably the reason why.

In the days that follow, I receive two calls from the bands organisation, one of which asks if it might be possible for Aimee to expand on her position via email.

It was a traumatic time and I deeply regret going on that show, she writes. It became a vehicle for the type of hateful rhetoric that I stand vehemently against. I would never knowingly be associated with anyone expressing racist, homophobic or any other bigoted ideals. I spend all my energy spreading love and making unity music.

The singers 11-year career as a solo artist wasnt entirely shrouded in failure. Her debut album, A Little Happiness, released in 2009, clawed its way to the lower reaches of the US Billboard Heatseekers Chart. She also collaborated with Linda Perry on the song Save Me (Wake Up Call), recorded by the punk group Unwritten Law, and scored a top-10 hit on the alternative chart. But after a decade of struggle, these relatively modest returns were not what she envisaged when she left her Northwestern broken-home.

[When I left Montana] I was just so nave and so hopeful, she says. Where I had come from was bad; anything was better than where I was from. I had a tough upbringing [and] I never felt like I fitted in. I never felt like there was a home for me. Everything just felt so alien and I felt so unconnected to things. But when I listened to [punk rock] I realised that there were people out there who were like me. I just had to find them.

This happened when Aimee Allen met Kevin Bivona while on tour supporting Sugar Ray in 2009. A studio engineer, occasional roadie, and sideman for such acts as The Transplants and Travis Barker, the pair began writing songs together for the singers solo career. But the Montanan was tired of being out in the cold, and from this the idea of a band was born. The groups rhythm section arrived in the form of the guitarists younger twin-brothers, Jesse and Justin Bivona, on drums and bass respectively.

From the start, The Interrupters were an independent concern in the classic mode of Southern Californian punk rock. The band signed to Hellcat Records, founded by Tim Armstrong, the vocalist and guitarist with Rancid, who also serves as their producer. In turn, this imprint operates under the umbrella of Epitaph Records, the most successful and influential punk label of the past 35-years, owned by Brett Gurewitz, the guitarist with Bad Religion.

For anyone who believes that punk rock has endured beyond its initial 1970s heyday and clearly it has then, here, The Interrupters are rubbing shoulders with royalty. Both men are among the finest songwriters in the movements history I had a paperback crime running straight down my spine, wrote Gurewitz in The Devil In Stitches but, just as importantly, both are happy to let their artists run riot.

In 1994, with the genre finally part of the mainstream, Mr. Brett sided with the Epitaph band NOFX in their decision not to permit MTV access to any of their videos, at the likely cost of hundreds of thousands of album sales.

The access we have to punk legends is just crazy, says Kevin Bivona.

Along with Tim Armstrong and Brett Gurewitz, The Interrupters have also met with the approval of Green Day, who they will support on the Oakland trios forthcoming North American stadium tour.

But as with most punk rock groups of their kind, the success of The Interrupters has blossomed without anyone really noticing. Despite the groups last album being the finest ska-themed outing of its kind for more than 20-years, outside of the pages of the rock press this is the first time the band have been interviewed by a mainstream publication.

Being completely honest, where we are at right now is far beyond what I could ever have imagined when I picked up a guitar when I was a kid, Kevin Bivona has told me. I am so happy and grateful for all the success that weve had. I definitely dont want to put a ceiling on how big I want the band to get. I just want to be able to keep making the music and writing the songs, and doing exactly what we do. I want us to be as big as the universe will allow us to get.

Fight the Good Fight by The Interrupters is available now on Hellcat Records

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Pardon the Interrupters: meet the ska-punks with an InfoWars problem - Telegraph.co.uk

Working on ‘the human side’ of heritable cancers – Penn: Office of University Communications

I love working with people, says Allison Werner-Lin of the School of Social Policy & Practice (SP2). Werner-Lins office overlooking Locust Walk is homey and lamp-lit, with student gifts sharing space with scholarly tomes. This is just one of her workspaces, however. Recently returned from sabbatical, Werner-Lin has been working with the National Cancer Institute (NCI), as well as out of her home in upstate New York, which doubles as a private practice for families seeking bereavement therapy. The divide between academia and clinical practice suits her. I feel like I have one foot in each world and in a very positive way, Werner-Lin says.

Werner-Lin has extensive clinical and research experience and uses both to inform her work, which centers on heritable cancers. She began her academic work studying young adults with mutations in genes associated with breast and ovarian cancer, BRCA1 and BRCA2. Recently, her work with the NCI has branched out to the study of Li-Fraumeni syndrome (LFS). Patients with LFS have a mutation in a tumor-suppression gene, resulting in a high incidence of cancer starting in childhood, and 50% of LFS patients develop cancer by age 40. Both patient populations make life-altering decisions based upon their family histories and medical diagnoses.

Dr. Werner-Lins groundbreaking research merges science with social work at the intersection of qualitative health research, the structure and evolution of genes, hereditary cancer, and how it impacts individuals and families at various stages of life, says SP2 Dean Sara Sally Bachman. Each day, Allison is pushing the frontiers of genomic study and oncological social work while also mentoring other social change agents who will undoubtedly make a difference locally, nationally, and internationally.

For more than a decade, Werner-Lin has worked in the Clinical Genetics Branch of the Division of Cancer Epidemiology and Genetics of the NCI organizing the human side of research. Patients come annually to the NCI to receive full-body MRI cancer screenings and participate in data collection that covers everything from cancer history to family communication to risk management. Werner-Lin mentors an interdisciplinary team of predoctoral and postdoctoral fellows to explore how these families understand and cope with genetic information. Her work is used to train providers in delivering holistic medical and psychological care.

We talk with families about their experiences communicating cancer-risk information with loved ones, making reproductive decisions, and managing the endless cycle of screening, Werner-Lin says. She has seen patterns in how families share cancer-risk information and seek support, noting that information travels based on relationship patterns and emotional closeness, not necessarily degree of risk.

People with LFS have limited options for cancer prevention, and expectations for a cancer diagnosis and early death are common. Were seeing a lot of physical loss, where amputations and other changes in physical function are common consequences of treatment.

Many of the people Werner-Lin speaks with are looking at different pathways to parenthood or are choosing not to have children at all, she says. Grief becomes a chronic part of their lives, and those kinds of sustained of losses can connect individuals in and across families.

Former SP2 graduate student Catherine Wilsnack is a Cancer Research Training Award Fellow at the NCI, doing qualitative research as part of Werner-Lins team. Wilsnack first met Werner-Lin while in her second year at SP2 and calls the encounter transformative. Werner-Lin is a phenomenal mentor in every way, says Wilsnack, who earned her masters in social work (MSW) in 2019. She always goes above and beyond for her students. I would not be where I am today if it were not for her and her guidance, so I just feel extremely lucky.

Now in midcareer, Werner-Lin is taking the time to mentor younger generations. There are so many opportunities to focus on other peoples career development without such a bounded focus on my own professional needs, she says, crediting her own mentors with the ability to achieve professional success.

At Penn, Werner-Lin is involved in the Cancer Moonshot initiative led by Katherine Nathanson and Steve Joffe, an effort designed to accelerate cancer research aimed at prevention, detection, and treatment. Werner-Lins aspect of the project, based at the Abramson Cancer Center at Penn Medicine, involves issues surrounding genetic testing in people aged 18 through 40. Susan Domchek, executive director of the Basser Center for BRCA, says, Allisons work in terms of the psychosocial implications of having a BRCA mutationhow an individual can come to terms with that and how that information gets disseminated between familieshas been extremely helpful. She has a deep expertise on helping families navigate these situations.

Approximately 1 in 400 people carry mutated breast cancer genes, though mutations are more common in certain groups of people. The gene mutations are passed in an autosomal dominant pattern, meaning each parent with a mutation has a 50% chance of passing it on. Children of a BRCA-positive parent can pursue genetic testing to learn if they carry the mutation, adding pressure to family planning.

Werner-Lin was one of these children. Her mother has a BRCA1 mutation. She recovered from colon cancer when Werner-Lin was in college and is currently in remission from a rare ovarian cancer. When I was 23 and was thinking about having kids, I couldnt figure out how to do it, Werner-Lin says. I started talking to people, talking to other women, and that became my dissertation.

This curiosity and compassion led Werner-Lin to operate a private therapy practice out of her home, where she exclusively sees children and young adults with a deceased parent. People often dont see how therapy is connected to the genetics part of my work, but for me they are inseparable, Werner-Lin says. In my cancer work, parents often die young, leaving small children. Frequently, the children of cancer patients conflate their parents lives with their own, not seeing options, degrees of freedom, or technological innovation.

Working together with an MSW student, Werner-Lin does whole family-therapy, from diagnosis to end-of-life, through the grieving process. She helps to facilitate goodbyes, talks about legacy building, and makes the concept of death more concrete for young people.

The language adults use to talk about death is often confusing and shrouded in existential concepts, Werner-Lin says, citing references to angels or going to a better place. Young kids dont necessarily understand time or geography, she says. If were in New York, and Mommy went to the other side, is that a better place?

Instead, she says, we talk about the brain being a light switch, and once you turn it off you cant turn it on again. We talk about how the heart stops beating and the eyes stop seeing. These practical realities are important, Werner-Lin says. Kids need to understand the way the world is predictable, especially when people they love and need can fall off the earth at any moment.

Now back on campus, Werner-Lin is focusing on teaching and engaging with her graduate students. Acting in service to her patients, her students, and her colleagues is a core part of Werner-Lins brand of academia. If you tell her that you want to do something, Wilsnack says, she will go out of her way to help.

Originally posted here:

Working on 'the human side' of heritable cancers - Penn: Office of University Communications