I loveeee this skull sweatshirt by Loyalty & Blood. The smile adds so much!

Only $48 at the Supermarket!

This V day.
Eat her heart out.

Anatomical heart cupcakes made by the Black Cherry Bakery for the London Dungeon.

[via CakeHead Loves Evil]

Above are well-designed anatomical typography posters by Mattias Sjöberg. These would make a nice little V-day present or addition to your own art collection!  See his description below…

The inspiration for these posters came from the expression “to be beautiful on the inside”. And if you think about it, we really are! I live the organic but still graphical shapes of the organs and that there is so many feelings and associated with them such an love for the heart and intuition in the guts.
The posters are typographical pictures built with words associated with the hear and the lungs offset-printed om 170g paper and more are coming…

[vie Behance]

Helga Petrau-Heinzel created these delicious human entrails entirely out of marzipan.
Check out the entire collection on her site, http://www.petrau-heinzel.com.

Stray away from the overplayed cartoon heart this year—show some true heart and go anatomical with these two gorgeous prints available at the new Street Anatomy store!

[UPDATE] SOLD OUT!

You Are Here 12” x 18” hand printed letterpress poster

Display your love for that special someone by showing them exactly where they’re located in your big loving anatomical heart.

• 12” x 18” hand printed letterpress poster
• Five color hand carved lino cut
• Hand set vintage metal type
• Printed one color at a time in charcoal gray, pale yellow, red, blue and black
• French 80# cover, true white
• Created and hand printed by the fine folks at Roll and Tumble Press in Little Rock, Arkansas.

Available at the Street Anatomy store for only $25. SOLD OUT!

Emotionalism, 2007 "11x17"

Created by our very own resident Street Anatomy contributor, Heather Tompkins, this music poster for the Avett Brothers album, Emotionalism, is a delicate display of love and emotion.

• 11″x17″ ink and digital print
• Prominent anatomical heart overlayed against subtle bones and musculature of a human body
• Print comes matted and framed in natural wood

Available at the Street Anatomy store for $250.

The Bolognese "Venerina" is one of the more or less faithful replicas of the original model, the Venere dei Medici, that Clemente Susini (1754-1814) made between 1780-1782 in Florence. The agony of a young woman is represented in her last instant of life as she abandons herself to death voluptuously and completely naked. The thorax and abdomen can be opened, allowing the various parts to be disassembled so as to simulate the act of anatomic dissection.

A virtual dissection, to be carried out by lifting the movable layers or ‘pieces’ to reveal veins, arteries and internal organs. A young woman, the Venerina carries a foetus in her womb – to suggest the procreative potential of the female body – despite the total lack of any outward signs of pregnancy.

The alienating effect that the statue produces by combining anatomical detail, crude and repulsive, with a harmonious and sensual litheness, is the result of a precise scientific choice: sensitivity is an essential quality of matter; sensitivity – with its wide range of manifestations, including the sensuality of the Venerina who surrenders herself to death – lies at the core of the physical and physiological organisation of man.

From the website for the stunning Museo di Palazzo Poggi in Bologna, Italy where the Venerina is housed.

Field trip, anyone?

FIELD TRIP: Guided Tour and Behind the Scenes Viewing of The Murtogh D. Guinness Automaton Collection at the Morris Museum in Morristown, New Jersey
Date: Sunday, February 20th
Time: 12 PM - 4 PM (Bus pickup and drop-off at Observatory)
Admission: $45
*** MUST RSVP to morbidanatomy [at] gmail.com
*** PLEASE NOTE: Trip limited to a maximum of 30 attendees; Admission fee Includes round trip transportation via chartered bus, tour cost, a Guinness beer, and museum admission.

Many people have no idea that one of the finest collections of antique automata--moving mechanical toys popular in the 18th Century and 19th Centuries-- in the world resides not in London or Paris but 25 miles away from New York City in Morristown, New Jersey.

This collection--compiled over 50 years by Murtogh D. Guinness (1913-2002), heir to the Guinness beer fortune--consists of 700 historic automata and mechanical musical instruments as well as more than 5,000 programmed media, ranging from player piano rolls to pinned cylinders. Guinness regarded the collection as his life’s work, and he traveled the globe to search of the finest surviving pieces of their kind. Many of the automata in the collection were made in France in the 19th Century and represent a broad array of subjects including snake charmers, magicians, singing birds, musicians, animals, and anthropomorphic monkeys enacting a variety of human situations. Together, these objects constitute one of the largest public holdings of automata in the United States.

On Sunday, February 20th, join Observatory and Morbid Anatomy for a special guided tour of this incredible collection, one of the most significant of its kind in the world. Guinness Collection Conservator Jeremy Ryder will lead us on an hour-long tour of the collection; on this tour, he will guide us through of the permanent exhibit Musical Machines & Living Dolls featuring 150 pieces from the spectacular collection, explain the techniques and history of these incredible objects, demonstrate automata in action, and show us pieces rarely on display to the general public.

After the tour, attendees will be given approximately an hour of free time with which to take in the other exhibitions at the museum such as Frank H. Netter, MD Michelangelo of Medicine--featuring more than 40 works of art by this acclaimed master of medical illustrations--and the museum's excellent permanent collection which includes costumes and textiles, fine art, decorative art, dolls and toys, natural science, geology and paleontology, and anthropology; more about the museum can be found at http://www.morrismuseum.org.

At the day's end, our chartered bus will pick up us and we will enjoy a toast to Mr. Guinness and his fantastic collection with a Guinness beer (naturally!) on our drive back to New York City.

Trip Details: The $45 event cost of this event includes round trip transportation on a special chartered bus from Observatory to the Morris Museum in Morristown, New Jersey and back again, as well as museum admission, tour cost, and one Guinness beer per person. The bus will pick up and drop off in front of Observatory (543 Union Street at Nevins Street). Pick up is 12:00 noon sharp and drop off approximately 4:00 PM. Attendees will have approximately 1 hour of free time to view the rest of the museum collection.

More info here.

Image: Clown Illusionist Automaton; Made by Jean or Henry Phalibois, Paris, France, c. 1890-1900 "], from The Murtogh D. Guinness Automaton Collection

Playing off the titillating terror of being buried alive--a theme exploited also by Edgar Allen Poe among many others--Coney Island's Luna Park premiered a new attraction in 1907 which allowed the visitor to experience their own premature burial and added a trip through Hades and Paradise to boot.

From a contemporary New York Times report on April 21, 1907:

NEW WONDERS THIS SEASON AT CONEY ISLAND - Beatific Heavenly Visions and Gruesome Scenes in Hell to be Luna Park's Latest Novelty ...

"The real big feature of the revised Luna Park," Mr. Thompson explained, "is going to be what I have named Night and Morning: or, A Journey Through Heaven and Hell." The idea in itself if, of course, not new, but the manner in which it has been worked up in entirely original and is expected to make it a 'thriller.' It shows you the complete journey to Hades and Paradise, and is full of surprises....

"The first room into which the people enter is like a big coffin with a glass top and the lid off. You look up through the roof and see the graveyard flowers and the weeping willows and other such atmospheric things. When everything is ready the coffin is lowered into the ground. It shivers and shakes, and when it tips up on end you hear a voice above give a warning to be careful. Then the lid is closed and you hear the thud of the dirt.

"The man who is conducting the party now announces that they must have a spirit to guide them. A subject is put into a small coffin and in an instant he is transformed into a skeleton. Then a real skeleton appears and delivers a solemn lecture in which he tells the people that they must 'leave all hope on the outside'--a gentle perversion of the old 'abandon hope all ye who enter here.' ...

Now there is a great clanking of chains and the side of the coffin comes out and visitors pass down into the mysterious caverns. First they see a twentieth century idea of Hell, with monopolists frying in pans and janitors fastened to hot radiators.... After the modern Hell the people come to the Chamber of Skeletons. Though these skeletons haven't a stitch of clothes on them, they smoke cigarettes most unconcernedly all the time just like live men.... Next you come to the panorama of Hell, where you see a vision of all the condemned spirits being washed down by the River of Death. Now comes the big change and you find yourself in a large ordinary room, with cathedral-like windows through which you can look outside and see the graveyard which looms up with a weird effect. Like great mist you can see the spirits rising from the graves and ascending to Heaven...

The great transformation now takes place. The whole grave yard floats off into space with the single exception of an immense cross, where the form of a young girl is seen clinging to the Rock of Ages. Fountains foam with all their prismatic colors, and the air is filled with troops of circling angels. The room itself vanishes and you find yourself in a bower of flowers under a blue sky. At the climax and angel comes down with a halo which she places on the head of the girl who is still clinging to the cross Then all that vanishes and you are within four blank walls once more."

Excerpted fom the April 21, 1907 issue of The New York Times; You can read the entire article here.

For more on the amazing and bizarre attractions of turn of the century Coney Island, check out my new project The Great Coney Island Spectacularium.

Image: Antoine Wiertz, The Premature Burial, 1854. Also the name of an Edgar Allan Poe short story. Image found via a blog called Rouge's Foam.

For the curious (sic) among you: On Saturday, February 5th I will be presenting a short lecture as part of the very intriguing looking "Modern/Contemporary Art and the Curiosity Cabinet" conference hosted by Seton Hall University. Lawrence Weschler--author of one of my all time favorite books, Mr Wilson's Cabinet of Wonder--will be giving the keynote address on “A Natural History of Wonder;” my piece will examine the revival of private cabinets of curiosity as explored in my Private Cabinets photo series, from which the above images are drawn. I will also talk a bit about my own Private Cabinet experiment, The Morbid Anatomy Library.

This event is free and open to the public. Full line up and schedule follows; hope to see you there!