Anatomy Acne Project
Period 2 Dr. Hernandez Matthew Vega-Sanz and Marcus JacoboFrom:Matthew Vega-SanzViews:0 0ratingsTime:03:39More inEducation
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Anatomy Acne Project - Video
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Neuroscience & Cognitive Science (NSCS) course – Spring 2013
These courses are open to any students who meet the prerequisites, regardless of major! NSCS 200 – Fundamentals of Neuroscience & Cognitive Science (3 units) Course Description: Fundamental concepts in the development, evolution, organization and function of neural circuits underlying behavior, including biological, ethological, computational and psychological perspectives. The course will provide an introduction to the principles of neuroanatomy, neurophysiology and cognitive science. Topics will be addressed with material from philosophy, psychology, computer science and neuroscience, and will incorporate data from work with animals, humans and machines. Instructors: Dr. Richard Levine, Dr. Lynn Nadel Lecture: Tues/Thurs, 9:30-10:45am, Chavez 110 Prerequisites: MCB 181R/L or PSIO 201 Honors contract available NSCS 320 – Issues & Themes in Cognitive Science (3 units) Course Description: This course covers the major themes and issues in Cognitive Science, with an emphasis on philosophical foundations, cognitive architecture, and modeling approaches. NSCS Students must complete NSCS 200 before taking this course! Instructor: Dr. Shaun Nichols Lecture: Tues/Thurs, 11:00am-12:15pm, Harvill 204 Prerequisites: None NROS 307 – Cellular Neurophysiology (3 units) Course Description: Molecular and biophysical mechanisms underlying the signals within and between neurons and glial cells. Examination of properties of individual neurons followed by study of how these cells function in circuits and how circuits can change with experience. Emphasizes the importance of experimental data and model systems to understand the functions of cells in the nervous system. NSCS Students must complete NSCS 200 before taking this course! Instructors: Dr. Alan Nighorn, Dr. John G. Hildebrand Lecture: Tues/Thurs, 2:00-3:15, Harvill 305 Prerequisites: MCB 181R/L & ECOL 182, CHEM 151/152 with labs. Honors contract available NROS 381 - Animal Brains, Signals, Sex, and Social Behaviors (3 units) Course Description: To introduce the relationship between the functional organization of brains and signals in the animal world that elicit brain function resulting in behavior actions. The course will provide students with an appreciation of strategies used to observe, analyze, and study brain organization, relating this to the study of animal behavior, particularly those behaviors involving social and sexual interactions within a species. Instructors: Dr. Nicholas Strausfeld, Dr. Wulfila Gronenberg Lecture: Tues/Thurs, 2:00-3:15pm, Biosciences West 301 Prerequisites: Science major or Two Tier 2 Natural Science courses NROS 430 – Neurogenetics (3 units) Course Description: Neurogenetics deals with the molecular function of neural genes, their molecular signaling pathways and their relation to neurological disorders. It also provides a powerful methodology to examine molecular and cellular mechanisms of neuronal patterning, migration, connectivity, and all aspects of neuronal function including locomotion, perception, cognition, memory, and behavior. This course teaches genetic approaches to study the nervous system and provides insights into the genetic nature and genetic models of neurological and psychiatric diseases. Instructor: Dr. Konrad Zinsmaier Lecture: Tues/Thurs, 9:30-10:45am, Optical Sciences 408 Prerequisites: MCB 181R/L or MCB 184 If you have questions about these courses or would like information on the Undergraduate Program in Neuroscience & Cognitive Science contact Becca Van Sickler at beccav@email.arizona.edu or 621-6643.
Source:
http://physiologynews.blogspot.com/2012/11/neuroscience-cognitive-science-nscs.html
Agfa, TRIBVN team up to integrate digital pathology and radiology images
Have heard from a few sources the scanning platform for this is Hamamatsu but the TRIBVN also shows images of Aperio and 3DHISTECH with mention to those platforms as well. Either way, discussion about pathology PACS, seamless integration with clinical...
Source:The Lute Olson CATwalk December 1st 2012
ATTENTION STUDENTS: Join legendary Coach Lute Olson and Pi Kappa Alpha for a 5K/10K run and walk that goes to benefit cancer research at the Arizona Cancer Center. All the proceeds go specifically towards creating new pilot medicines for cancers that affect women such as Ovarian and Breast Cancer. Pi Kappa Alpha took over the event last year when it was decided CATwalk would no longer be the greek-wide philanthropy for the University of Arizona. We understand the necessity of this event and the impact it has on the greater community of Tucson and could not allow the event to no longer exist. The event is December 1st on the the University of Arizona campus. Here are the ways you can help: 1. Register to participate in the walk/race (all information below). Even if you can’t attend, you will get a great t-shirt and be supporting the cause with your $15 registration. Bring friends and family and join in the fun! Please follow this link to register online for CATwalk: https://memberplanet.com/CATWALK_REGISTRATION/catwalkrunnerregistration 2. Send a tax deductible donation to the Arizona Cancer Center in support of CATwalk. Checks should be made payable to: UAF/Arizona Cancer Center, with CATwalk in the memo line. Send checks to: Pi Kappa Alpha, 1525 E. Drachman, Tucson, AZ 85719. 3. Go to Facebook and ‘like’ this event and spread the word. http://www.facebook.com/events/435837639807934/?fref=ts
Source:
http://physiologynews.blogspot.com/2012/11/the-lute-olson-catwalk-december-1st-2012.html
NEUROSCIENCE (NROS) courses – Spring 2013
These courses are open to any students who meet the prerequisites, regardless of major! Two brand new courses! NROS 330 and NROS 487. NROS 330– Principles of Neuroanatomy: Cells to Systems (3 units) Course Description: This course presents neuroanatomy in the context of nervous system function. Rather than focusing on a single species, this course considers the functions that nervous systems must provide and the anatomical strategies used by diverse species to do so, with an emphasis on fundamental concepts that are shared across much of the animal kingdom. Hence, it is a comparative neuroanatomy course. Examples of evolutionary convergence and divergence are presented. In addition, this course aims to be integrative: (i) it deals with nervous system structure at multiple levels, from cellular to regional to functional circuitry spanning the entire neuroaxis; (ii) students will learn how a broad range of techniques can be used to reveal neuroanatomical relationships. Instructor: TBA Lecture: MWF 1:00-1:50 Prerequisites: MCB 181R/L & ECOL 182, CHEM 151/152 with labs. NROS 487 – To Know a Brain: A Neuroethical Approach (3 units) Course Description: To understand the forces and constraints affecting the evolution of animal brains, hence animal behavior, and allowing brains to adapt to and perform well under different and changing environmental conditions. The course will provide students with an appreciation of strategies used to observe, analyze, and study brain organization and function and will allow students to relate their knowledge to the study of animal behavior in an evolutionary context. NSCS Students must complete NSCS 200 before taking this course! Instructors: Dr. Nicholas Strausfeld, Dr. Wulfila Gronenberg Discussion: Mon 2:00-3:40, Lecture: Wed 2:00-2:50 Harvill 134 (both discussion and lecture are required) Prerequisites: One upper-division Neuroscience or Physiology course completed Honors contract available If you have questions about these courses or would like information on the Undergraduate Program in Neuroscience & Cognitive Science contact Becca Van Sickler at beccav@email.arizona.edu or 621-6643.
Source:
http://physiologynews.blogspot.com/2012/11/neuroscience-nros-courses-spring-2013.html
DrFirst and Halfpenny Technologies Announce Partnership to Provide CPOE and Results Delivery Capabilities
ROCKVILLE, Md. & BLUE BELL, Pa.--(BUSINESS WIRE)--DrFirst, the nation’s leading e-prescribing and solutions platform provider, and Halfpenny Technologies, the nation’s leading CPOE technology provider for labs and radiology today announced a partnership to embed Halfpenny’s ITF (Integrated Technology Framework) within...
Source:National Reference Lab PAML Is Expanding Use of Viewics Business Intelligence Products
PRESS RELEASE Viewics, Inc 440 N Wolfe Road Sunnyvale, CA 94085 Phone: 415-439-0084 FOR IMMEDIATE RELEASE Media Contact: Tim Kuruvilla Viewics Announces that National Reference Lab PAML Is Expanding Use of Viewics Business Intelligence Products Sunnyvale, California (November 2, 2012)...
Source:On Virchow’s Eightieth Birthday Party and the Mainstreaming of Digital Pathology – Kim Solez, M.D.
Technology is the easy part to change. The difficult aspects are social, organizational, and cultural. —Donald Norman, The Invisible Computer, Cambridge, 1988. Digital pathology, whole slide imaging, has been promoted well within the pathology community but adoption is limited. What...
Source:Corista Announces First Granted US Patent for their Digital Pathology Processing Platform (DP3) Technology
Corista, the Digital Pathology Network Platform provider, is pleased to announce that the US Patent and Trademark Office has granted Patent #8,244,912 B2 to Corista for its digital pathology technology. This is the first of several patents Corista has applied...
Source:Can virtual microscopy replace glass slides for dermatopathology?
New article (Q&A) about use of whole slide imaging in dermatopathology. In this month’s Acta Eruditorum column, Physician Editor Abby S. Van Voorhees, MD, talks with Ellen Mooney, MD, and Antoinette Foote Hood, MD, about their recent Journal of Cutaneous...
Source:Introducing Perfekt for Digital Pathology
Perfekt are information storage solution specialists and major suppliers of IT infrastructure to the Australian market. Perfekt strive to deliver the best value added IT solutions and services to you. Your IT solution is our priority and customer satisfaction our...
Source:"Diableries” (or “Devilment”) Stereo Views, 19th Century
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Some of you might recall my recent desperate search for hi-resolution images of “Diableries” (or “Devilment”) 19th century 3D stereo views. Morbid Anatomy reader Corey Schjoth kindly obliged, sending me the photographs you see above, demonstrating both front- and back-lit views of a particularly wonderful card.
Corey is also a photographer of haunted places; you can find out more about he and his work by clicking here, and check out his Etsy shop by clicking here.
I highly recommend clicking on the image to see larger, finer versions. And if you want to know more about these enigmatic and fantastic Diableries, you could do worse than to watch the Midnight Archive featurette on the topic by clicking here. Also, stay tuned for a heavily-illustrated article about "Diableries” in the upcoming Morbid Anatomy Anthology! More on that here.
Source:
http://morbidanatomy.blogspot.com/2012/11/diableries-or-devilment-stereo-views.html
"Death: A Self Portrait," The Wellcome Collection, Through February 24, 2013
In some way death in our culture happens offstage in private, but this show looks at the ways in which people have explored death much more face on. --Kate Forde, Curator of "Death: A Self Portrait," The Wellcome Collection, BBC Magazine
My last night in London, I had the honor and delight to attend the preview of "Death: A Self Portrait," the Wellcome Collection's spectacularly amazing new exhibition which officially opens today.
Beautifully and thought-provokingly curated by Kate Forde (who also curated the Wellcome's 2009 Exquisite Bodies), the exhibition uses as its base and its muse the extensive, broad, and rather profound death-themed collection of Chicago-based Richard Harris. Harris' collection is comprised of all things death, ranging from valuable artistic masterworks to the lowest-brow of popular culture, bringing to mind the collection of none other than Henry Wellcome, the man behind the Wellcome Collection. To its merit, "Death: A Self Portrait" draws deftly from both extremes as well as all that is located in between; the result is an exhibition that is at a lovely, provocative, fascinating, witty, and thoughtful investigation into the human obsession with imagining and coming to terms with that greatest and most unknown of absolutes: DEATH.
"Death: A Self Portrait" is divided up into five sections: The first, "Contemplating Death," is a collection of memento mori themed work; The second, "The Dance of Death," gathers works responding to notions of the danse macabre or death as the great equalizer; "Violent Death" features a variety of artistic responses to war, including Goya's Disasters of War series; "Commemoration" concerns itself with burial, morning, and our responses the particular dead; My personal favorite, "Eros and Thanatos," is an unusual addition to a public discussion of death, and showcases "works expressing our strange fascination with 'things at the outer limits of life and death, sexuality and pain."
Above are just a very few images from this wonderful exhibition; there are many, many more excellent artworks, objects and artifacts to be seen; I simply cannot more highly recommend checking out this jaw-dropper before its closing date on February 24th!
You can find out more about the show on the Wellcome Collection website by clicking here; To hear the lovely illustrated interview with curator Kate Forde from which the above quote was drawn, click here.
Also, for the interested among you: both collector-of-death Richard Harris and curator Kate Forde will be contributors to the Morbid Anatomy Anthology, a new lavish book immortalizing in words and images the best of Morbid Anatomy Presents; you can secure your own copy--and find out more--by clicking here. For more on the Richard Harris collection, click here to learn about a recent exhibition using his collection as its base at The Chicago Cultural Center.
All images © Wellcome Images, Courtesy The Richard Harris Collection; captions, top to bottom:
- Metamorphic Postcard, c.1900
- Skeleton puppet. Wood and cotton
- Bathel Bruyn the elder, 'A Skull in a Niche', c.1535-55 Oil on panel
- When Shall we Meet Again?Gelatin silver print Size, c.1900
- Louis Crusius, Antikamnia, 1900 Paper: calendar series of 6, 1900
- Marcos Raya, Untitled (family portrait: woman in yellow dress), 2005 Collage: vintage photo with mixed media
- Dana Salvo, From the series 'The Day, the Night and the Dead': 'Home altar atop table commemorating ancestors', 1990-2004 Photograph
- Alfred Rethel, 'Death the Enemy', 1851 Wood engraving
- Memento Mori, unknown artist, late 18th-century Engraving
- Mors Ultima Linea Rerum (Death the Final Boundary of Things), c.1570 Engraving,
- Ivo Saliger 'Der Artz (The Doctor), c.1921 Colour etching on brown paper
- Marcos Raya, Untitled (family portrait: grandma), 2005
Source:
http://morbidanatomy.blogspot.com/2012/11/death-self-portrait-wellcome-collection.html
"Held," Jane Fradgley, Guy’s Hospital, London, Through March 2013
“I was fascinated by the seemingly comforting strong dresses, and related this form of protective care to my own experiences in hospital and encounters with modern day psychiatric care. My aim was to create a representation of the pieces which lay somewhere between documentary and poetry, incorporating my love of abstraction yet offering a clear portrayal of the pieces for the viewer to interpret themselves." --Jane Fradgley, Held
Last week a friend brought me to see a wonderful exhibition of photography by artist Jane Fradgley; the body of work, entitled "Held," responds to a collection of "strong clothing"--i.e. restraint clothing used in 19th century asylums--kept in the stores of Bethlem Royal Hospital and Museum. The exhibition will be on view in Atrium 2 of Guy's Hospital through March 8, 2013. You can see a few of Fradgley's strikingly uncanny photographs above, but I highly recommend you visit them in person if you can to get a real sense of scale (they are printed life-sized) and emotive impact.
Full information follows:
Held
by Jane Fradgley
Funded by Guy’s & St Thomas’ Charity
Atrium 2
Guy’s Hospital
7th November 2012 – 8th March 2013This new photographic exhibition by artist Jane Fradgley is informed by the collection of strong clothing housed at the Bethlem Royal Hospital Archive & Museum, Beckenham, Kent. The history of this largely unexplored area of mental health care is both powerful and poignant. Through investigation, the artist’s intention is to open new dialogue and debate around protection and restraint in mental health practice. With a background as a fashion designer and a passionate interest in functional and tailored garments, Fradgley was inspired to delve into the archive after seeing Victorian portrait photographs of patients at Bethlem wearing unusual quilted dresses.
“I was fascinated by the seemingly comforting strong dresses, and related this form of protective care to my own experiences in hospital and encounters with modern day psychiatric care. My aim was to create a representation of the pieces which lay somewhere between documentary and poetry, incorporating my love of abstraction yet offering a clear portrayal of the pieces for the viewer to interpret themselves. ?I enjoyed the intimacy when alone with the garments, and felt closer to them by zooming in on details. One by one the pieces were carefully brought to me like offerings for my lens. They appeared reverential and it seemed fitting to respect this when arranging them in a staged setting in the studio. As each session passed I grew very fond of the pieces, perhaps my own projection but I felt as though they had certain characters. I hoped to convey the essence of the people who wore each garment as I felt great energy from the textiles - possibly there were many wearers and many stories never to be told. I had never imagined that these old garments would hold so much emotive substance. For me the purpose of the strong clothing was not to invoke or exacerbate fear or anxiety in the patient, rather the attention to detail in creating such well constructed garments was to bring some dignity, serenity, peace and tranquility ?to the wearer as an antidote to their anguish. Wishing to engage with that sense of calm, I explored soft lighting techniques, however some of the garments responded best in the darkness of the shadows, ?a reminder of the inevitable blackness of mental illness”.
Strong clothing was a rather euphemistic term used to describe certain forms of restraint used in late 19th century asylums. While chains, strait-jackets (known as strait-waistcoats) and similar garments were outlawed during the ‘non-restraint’ movement of the 1840s and ’50s, other methods of ‘mechanical restraint’ were permitted by the Commissioners in Lunacy (the government body who inspected and licensed asylums for much of the 19th century). The intention of strong clothing (including strong dresses and padded gloves) was to protect patients, both preventing self-inflicted injury and the destruction of their clothing.
“Strong dresses,” as described by Bethlem Superintendent George Savage in 1888, were “made of stout linen or woollen material, and lined throughout with flannel. The limbs are all free to move, but the hands are enclosed in the extremities of the dress, which are padded. …There are no strait-waistcoats, handcuffs, or what may be called true instruments of restraint in Bethlem”. Savage claimed that, by avoiding recourse to the use of sedatives or padded cells for violent or destructive patients, many “were thus really granted liberty by means of the slight restraint put upon them”.
The terms, descriptions and types of garment used were fraught with meaning for contemporaries, many of whom saw themselves as enlightened humanitarians. Others, however, did not agree, and the ‘principle of non-restraint’ remained an ongoing matter of debate. By the turn of the 20th century strait-jackets appeared to have returned ?to some institutions. Although the exact dates of the garments seen in these photographs are unknown, given the types of garments reported by the Commissioners in Lunacy as in use at this time, it is likely that they were adopted in the period 1880 –1920.
Through this historical perspective, held reminds us of the difficulty of placing a clear line between care, cure and control in a mental health context. Treatment providers invariably have to make extremely difficult decisions, indicating the importance of opening up debate around physical restraint and chemical intervention in mental health care today.
We are planning a symposium on the subject in 2013, if you would like to be informed about ?or participate in that symposium contact Sarah Chaney at s.chaney@ucl.ac.uk.
You can find out more about Jane Fradgley's work by clicking here.Thanks so much to Jane for the images and materials, and to Phil Loring for introducing me to her work.
Source:
http://morbidanatomy.blogspot.com/2012/11/held-jane-fradgley-guys-hospital-london.html
"Morbid Fears and Compulsions," H.W. Frink, 1921, The Wellcome Library
Morbid fears and compulsions : their psychology and psychoanalytic treatment / by H.W. Frink ; with an introduction by James J. Putnam
London : Kegan Paul, Trench, Trubner, 1921 (Torquay : Devonshire Press.)
Open shelves Medical Collection WM170 1921F91m
Physical description
xxiii, 344 p., [4] leaves of plates : ill. ; 22 cm.
Note
Includes index
Some of the material was previously published in various journals.-cf. Pref
"Reprinted (by arrangement with Messrs. Moffat, Yard & Co., of New York) from the American edition"
Bibliography: p. 337-341.
From the wonderful Wellcome Library.
Source:
http://morbidanatomy.blogspot.com/2012/11/morbid-fears-and-compulsions-hw-frink.html
A Trip to the 19th Century Popular Anatomical Museum: "La leçon d'hygiène," Félicien Rops, Late 19th Century
Whilst doing research in the wonderful and amazing Wellcome Library in London last week, I came upon a mention of the wonderful and underknown painting shown above, "la leçon d'hygiène" by Belgian decadent artist Félicien Rops. The painting is a rare fine-art depiction of a visit to a 19th century popular anatomical museum. I could find out precious little about it, but Wikimedia claims it is in a private collection and was painted between 1878 and 1881.
If anyone knows anything more about it, please email me at morbidanatomy [at] gmail.com. I also highly recommend that you click on the image to see larger, finer version.
Source:
http://morbidanatomy.blogspot.com/2012/11/a-trip-to-19th-century-popular.html
"'Morbid Anatomy Anthology': Brooklyn Art Group Seeks Funding For Curious New Book," The Huffington Post
From today's Huffington Post:
Morbid Anatomy Anthology': Brooklyn Art Group Seeks Funding For Curious New Book
Mummified remains, taxidermied animals, jarred body parts. These are the images that greet you when you visit the Kickstarter page for Morbid Anatomy.
The curiously named organization, housed in the Proteus Gowanus Gallery space in Brooklyn, is an arts-meets-science, subcultural playhouse that hosts lectures, performances and art exhibits all in the name of, well, oddities. Officially described as a survey of "the interstices of art and medicine, death and culture," Morbid Academy is really just a creative laboratory where curious scientists, artists, writers and weirdos get together to explore the underworld of scholarship that no one else gives a second glance. From anthropodermic bibiopegy (books bound in human skin) to extreme taxidermy to death-themed cabaret in 18th century Paris, the group covers just about any macabre topic you could imagine.
Morbid Anatomy showcases its esoteric findings in two ways -- a library/pocket museum that showcases the books, photographs and ephemera of its obscure researchers and a presentation and lecture series titled "Morbid Anatomy Presents." But now the "rogue morticians" are seeking to add a third platform, announcing on their Kickstarter plans for a "Morbid Anatomy Anthology." The illustrated book will feature the best of the Morbid Anatomy Presents series, like the work of Anthropomorphic Mouse Taxidermy Class teacher Sue Jeiven or "Stuffed Animals and Pickled Heads" author Stephen Asma.
The Kickstarter launched today, already exceeding it's goal by over $15,000. Check out the video above to learn more about the project of Joanna Ebenstein and Colin Dickey. What do you think, readers? Does Morbid Anatomy lean in the direction of beauty or horror?
To read the entire article and see a slideshow on the work of the lovely Tessa Farmer, click here. To donate to the campaign and secure a copy of the book for your very own, click here.
Source:
http://morbidanatomy.blogspot.com/2012/11/morbid-anatomy-anthology-brooklyn-art.html
LP Support Strength Training Equipment – Video
LP Support Strength Training Equipment
Buy from Amazon UK Site redirect.viglink.com?key=083bca13018b6acb381a415148cefb98 out=http%3A%2F%2Fwww%2Eamazon%2Eco%2Euk%2Fexec%2Fobidos%2FASIN%2FB0067JQCU0%2Fsport%5Ffab%2D21 Product Description LP Support Based on sport physiology and bio-mechanics LP Power Sleeve uses different ideal compressions levels to reduce internal perturbation that is the source of resistance when muscle contracts. It can help to activate motion quickly, control it during exercise effectively and allow you to gain energy to pre-exercise levelMeasure around circumference of knee at the patella with leg fully extendedMedium 14 ½- 15 ¾", 37-40cm Disclaimer Fabriano Boutique is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon UK Site. Amazon and the Amazon logo are trademarks of Amazon, Inc. or its affiliates.From:trang rhoadsViews:0 0ratingsTime:00:56More inHowto Style
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LP Support Strength Training Equipment - Video
How to Pronounce System – Video
How to Pronounce System
Learn how to say System correctly with EmmaSaying #39;s "how do you pronounce" free tutorials. Definition of system (oxford dictionary): noun 1a set of things working together as parts of a mechanism or an interconnecting network; a complex whole: the state railway system fluid is pushed through a system of pipes or channels Physiology a set of organs in the body with a common structure or function: the digestive system the human or animal body as a whole: you need to get the cholesterol out of your system Computing a group of related hardware units or programs or both, especially when dedicated to a single application. Geology (in chronostratigraphy) a major range of strata that corresponds to a period in time, subdivided into series: the Devonian system Astronomy a group of celestial objects connected by their mutual attractive forces, especially moving in orbits about a centre: the system of bright stars known as the Gould Belt short for crystal system. 2a set of principles or procedures according to which something is done; an organized scheme or method: a multiparty system of government the public-school system a set of rules used in measurement or classification: the metric system [mass noun] organized planning or behaviour; orderliness: there was no system at all in the company a method of choosing one #39;s procedure in gambling. 3 (the system) the prevailing political or social order, especially when regarded as oppressive and intransigent: don #39;t try bucking the system 4 ...From:Emma SayingViews:0 0ratingsTime:00:11More inHowto Style
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How to Pronounce System - Video
How to Pronounce Zoologists – Video
How to Pronounce Zoologists
Learn how to say Zoologists correctly with EmmaSaying #39;s "how do you pronounce" free tutorials. Definition of zoology (oxford dictionary): noun [mass noun] the scientific study of the behaviour, structure, physiology, classification, and distribution of animals. the animal life of a particular area or time: the zoology of Russia #39;s vast interior Derivatives zoologist noun Origin: mid 17th century: from modern Latin zoologia (see zoo-, -logy) http://www.emmasaying.comFrom:Emma SayingViews:0 0ratingsTime:00:11More inHowto Style
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How to Pronounce Zoologists - Video