Emmanuelle Lain Incremental Self: Transparent Bodies March 8July 1, 2017
Opening : March 7, 69pm
Btonsalon Center for Art and Research 9 Esplanade Pierre Vidal-Naquet Rez-de-Chausse de la Halle aux Farines F-75013 Paris France
T +33 1 45 84 17 56 info@betonsalon.net
http://www.betonsalon.net Twitter / Facebook / Instagram
Btonsalon - Center for Art and Research is proud to present a solo exhibition by Emmanuelle Lain to re-open its newly refurbished spaces.
Our lives are all but fragile and precarious. Yet they are multiple, collective, and uncontrollable. This is what artist Emmanuelle Lain manifests in her exhibitionIncremental Self: Transparent Bodies.The bodies we observe in her filmic installationstudents, retired artists, workersare in transitional places where different sorts of exchanges are taking place. They are evolving in spaces of negotiation where successive layers of identity are being performed in interaction with given economic, sensible, and even symbolic facts and objects.What should we do with of all these stories, anecdotes, and memories told by each and every one of us? How to make these narratives biting? To exhibit oneself is to demonstrate a form of resistance, while reconnecting with ones own fragility. WithIncremental Self: Transparent Bodies, we are inclined to explore the following question raised by philosopher Rosi Braidotti: How[do we] find adequate theoretical and imaginary representations for our lived conditions and how [do we] experiment together with alternative forms of posthuman subjectivity?(1)Emmanuelle Lains exhibition is a demonstration of ones taking shape, where humans and objects influence each other, assembling, overlapping, and mixing indiscernibly.Each permeates the other until conscience arises in their trembling selves, thus becoming transparent. Emmanuelle Lains transparent bodies materialize our shifting, off-center, fragmented, and multiple identities. Even more, transparent bodies are contagious, contaminating each other.
(1)Rosi Braidotti, The Posthuman, Cambridge: Polity Press,2013, p.187
Emmanuelle Lain (born in Paris in 1973) lives and works in Marseille. She graduated from the cole Nationale des Beaux-Arts de Paris. Elaborating on the specifics of each exhibition venue, Emmanuelle Lain uses the furniture and architectural features of her host institutions to provide a methodology of places connecting the spaces, the artworks and the audience. Her practice consists of monumental in-situ installations that blur the distinctions between the different media she uses. This process allows her to create a complex cognitive space where several temporalities coexist and only make sense to the spectator, who is considered to be the key player of the exhibition.
She recently exhibited her works at the Palais de Tokyo (2017, 2014) and at Villa Vassilieff (2016) in Paris, at the Lyon Biennale (2015), at the GLstrand, (Copenhagen, 2015), at the Stereo Gallery (Warsaw, 2015), at the ICA Singapore (2015), at the Swiss Cultural Institute (Rome, 2014) and at La Loge Bruxelles (2013). Her works were also shown in personal exhibitions hosted by the Villa Arson (2016), the Galerie Motinternational (Bruxelles, 2015), IFAL (Mexico, 2015), the foundation Ricard (2014) and C-o-m-p-o-s-i-t-e (Brussels, 2014).
Read the original post:
Btonsalon Center for Art and Research - E-Flux
- The Surprisingly Long History of Auto-Tune, the Vocal-Processing ... - Open Culture - December 3rd, 2023 [December 3rd, 2023]
- Drowning in Potential The Guardsman - The Guardsman Online - December 3rd, 2023 [December 3rd, 2023]
- Portraits of the Posthuman: Jon Rafman and AI | Berlin Art Link - December 26th, 2022 [December 26th, 2022]
- 7 Bio-Artists Who Are Transforming the Fabric of Life Itself - Gizmodo - December 23rd, 2022 [December 23rd, 2022]
- Book giveaway for Posthuman by M.C. Hansen Nov 14-Nov 30, 2022 - December 14th, 2022 [December 14th, 2022]
- Metahuman - Wikipedia - November 23rd, 2022 [November 23rd, 2022]
- More Posthuman Glossary | BibSonomy - November 23rd, 2022 [November 23rd, 2022]
- Paul Shapera Continues The Story Of The Fictional City New Albion In His Latest Concept Album, 'Jill's Psychedelic Sunday' - Broadway World - October 19th, 2022 [October 19th, 2022]
- Sacred Nature Review: Back to the Garden - The Wall Street Journal - September 20th, 2022 [September 20th, 2022]
- Harm's Way (band) - Wikipedia - August 23rd, 2022 [August 23rd, 2022]
- Timothy Alberino - Author, Explorer, Filmmaker - August 23rd, 2022 [August 23rd, 2022]
- The Writing Seminars | Princeton Writing Program - August 23rd, 2022 [August 23rd, 2022]
- Five Brilliant Books of Aussie Spec Fic - tor.com - August 23rd, 2022 [August 23rd, 2022]
- The Best Electronic Music on Bandcamp: July 2022 - bandcamp.com - July 27th, 2022 [July 27th, 2022]
- Post-Human NarrativesIn the Name of Scientific Witchery - Announcements - E-Flux - July 27th, 2022 [July 27th, 2022]
- Transhumanism: Savior of humanity or false prophecy? - Big Think - July 27th, 2022 [July 27th, 2022]
- Physicist: Why the Alien Simulation Hypothesis Is Bunk - Discovery Institute - July 13th, 2022 [July 13th, 2022]
- More than 120 titles are coming to Prime Video today (July 1) - Amazon Adviser - July 4th, 2022 [July 4th, 2022]
- Ad agency news you need to know July 1, 2022 - AdAge.com - July 4th, 2022 [July 4th, 2022]
- 'Proof' We're Living In A Computer Simulation, According To TikTok And Elon Musk - YourTango - May 23rd, 2022 [May 23rd, 2022]
- Stranger Things to Obi-Wan Kenobi: the seven best shows to stream this week - The Guardian - May 20th, 2022 [May 20th, 2022]
- 'Ghost in the Shell: SAC_2045 Sustainable War' Ending Explained: Is Togusa compromised? - MEAWW - May 15th, 2022 [May 15th, 2022]
- 'A Baby at Any Cost' on Lifetime: 5 things you didn't know about Sarah Fisher - MEAWW - May 15th, 2022 [May 15th, 2022]
- The Biggest Asian-wide Mobile Game Developer DINO GAME Released A New Version of the Sci-Fi Action-RPG Punishing: Gray Raven - Digital Journal - April 15th, 2022 [April 15th, 2022]
- Sorry Grimes, Your Ex-Boyfriend Won't Save Us - Jacobin magazine - April 11th, 2022 [April 11th, 2022]
- Mapping Memory in the Wake of the Posthuman: India and ... - March 17th, 2022 [March 17th, 2022]
- The rise of robot dogs - Domus - March 15th, 2022 [March 15th, 2022]
- Simulation hypothesis - Wikipedia - March 11th, 2022 [March 11th, 2022]
- Neocolonialism, a History of Death and Richterian Melancholia: the Best Arts and Culture this February - ArtReview - February 5th, 2022 [February 5th, 2022]
- Transcendent (novel) - Wikipedia - January 19th, 2022 [January 19th, 2022]
- A Biohacker Implanted 50 Chips in Their Body to Become ... - January 7th, 2022 [January 7th, 2022]
- Posthuman Ensemble - Announcements - e-flux - December 22nd, 2021 [December 22nd, 2021]
- Stream another new Arca album, KiCK iiii - Treble - Treble - December 3rd, 2021 [December 3rd, 2021]
- The Public Theology of Noreen Herzfeld | Public Theology and Technology - Patheos - December 3rd, 2021 [December 3rd, 2021]
- The War Over Life, Liberty And Privacy Rights: From Abortion To COVID-19 And Beyond OpEd - Eurasia Review - December 3rd, 2021 [December 3rd, 2021]
- The sci-fi thriller on Amazon Prime Video with a big twist at the end - CNET - November 28th, 2021 [November 28th, 2021]
- The Posthuman Dog | MetaFilter - November 23rd, 2021 [November 23rd, 2021]
- Who could dogs become without humans in their lives ... - November 21st, 2021 [November 21st, 2021]
- Into the Metaverse | Samuel D. James - First Things - November 19th, 2021 [November 19th, 2021]
- Why dogs might actually be better off without humans - New York Post - October 26th, 2021 [October 26th, 2021]
- Trees Speak fuse krautrock with post-punk on Vertigo of Flaws - The Vinyl Factory - October 26th, 2021 [October 26th, 2021]
- The vinyl straw: Why the vinyl industry is at breaking point - Mixmag - October 26th, 2021 [October 26th, 2021]
- Apocalypse Yesterday: The Graphic Novel in the Anthropocene (Wednesday, 3rd November 2021) City, University of London - City, University of London - October 21st, 2021 [October 21st, 2021]
- You can only appreciate art when you're not worried about putting food on your plate: Abhay Deol - Times of India - October 3rd, 2021 [October 3rd, 2021]
- Conceptions of God - Wikipedia - September 29th, 2021 [September 29th, 2021]
- Anthropogenic transitions from forested to human-dominated landscapes in southern Macaronesia - pnas.org - September 29th, 2021 [September 29th, 2021]
- AWAY: The Survival Series Glides Onto PC and Console Today - GLYFE Nation - September 29th, 2021 [September 29th, 2021]
- Physicist's Kickstarter To Test Whether We Are Living In A Simulation Raises $236000 - IFLScience - September 16th, 2021 [September 16th, 2021]
- Bring Me the Horizon Wins Grand Prize at Heavy Music Awards 2021 | Music - Pennsylvanianewstoday.com - September 10th, 2021 [September 10th, 2021]
- AI Art: Kolkata Exhibition to Showcase Artworks Created With Assistance of Artificial Intelligence - Gadgets 360 - September 10th, 2021 [September 10th, 2021]
- Mayuri, or The New Human Chelsea Theatre, London - The Reviews Hub - August 14th, 2021 [August 14th, 2021]
- Story-based sugar glider adventure AWAY: The Survival Series is coming to PlayStation 5 in late Summer - - Mygamer.com - July 16th, 2021 [July 16th, 2021]
- Beyond Integralism and Progressivism | Michael Hanby - First Things - July 14th, 2021 [July 14th, 2021]
- Are Clothes Made From Mushrooms, Bacteria And Yeast The Way Forward For Fashion? - ELLE India - July 12th, 2021 [July 12th, 2021]
- Ian Volner on the 17th Venice Architecture Biennale - Artforum - June 28th, 2021 [June 28th, 2021]
- Posthumanist Criticism Literary Theory and Criticism - June 20th, 2021 [June 20th, 2021]
- Citizen Sleeper is a dystopian slice-of-life RPG on a space station - Rock Paper Shotgun - June 15th, 2021 [June 15th, 2021]
- Trees Speak prep 'PostHuman' watch the trippy Elements of Matter video - Brooklyn Vegan - May 20th, 2021 [May 20th, 2021]
- Splatoon 3 release date, trailer, news, and what we want to see - Texasnewstoday.com - May 20th, 2021 [May 20th, 2021]
- Point of Contact Gallery Announces the Opening of 'Carrying the Thick Present: Fabulation,' Syracuse University's 2021 M.F.A. Thesis Exhibition -... - March 31st, 2021 [March 31st, 2021]
- Posthuman | Tardis | Fandom - March 21st, 2021 [March 21st, 2021]
- Are We or Arent We? - National Review - March 21st, 2021 [March 21st, 2021]
- Connections and inspirations between science fiction, tech, and games - VentureBeat - March 3rd, 2021 [March 3rd, 2021]
- Has 2020 really been real? Or are we all living in a computer simulation? - Daily Maverick - November 15th, 2020 [November 15th, 2020]
- Futureshock: Herbie Hancock and the Body Politics of Pop - PopMatters - November 15th, 2020 [November 15th, 2020]
- Bring Me The Horizons Oli Sykes: Yungblud is a new breed of rockstar - NME.com - September 7th, 2020 [September 7th, 2020]
- Caitlin Cherry on digital abstraction and Black femininity - Artforum - July 21st, 2020 [July 21st, 2020]
- Posthuman | Discography | Discogs - June 15th, 2020 [June 15th, 2020]
- Posthuman | Transhumanism Wiki | Fandom - June 15th, 2020 [June 15th, 2020]
- posthuman | The Chicago School of Media Theory - June 15th, 2020 [June 15th, 2020]
- Noourbanographies of the Information Age: Your Real Estate Interior - ArchDaily - May 4th, 2020 [May 4th, 2020]
- We Are Probably Living in a Simulation, Here's What You Need to Know About Simulation Theory - Interesting Engineering - April 21st, 2020 [April 21st, 2020]
- ICYMI: A wrap of the week's arts news - ArtsHub - February 28th, 2020 [February 28th, 2020]
- FAITH AND VALUES: Where does the buck stop? - Aiken Standard - January 26th, 2020 [January 26th, 2020]
- Architecture professor invents wearable garden - Daily Trojan Online - January 18th, 2020 [January 18th, 2020]
- Best of 2019: Harm's Way Pick 5 Favorite Albums of Year - Revolver Magazine - December 25th, 2019 [December 25th, 2019]
- Moscows Garage Museum Starts Pioneering Online Art Venueand Its More Than a Museum on the Internet - ARTnews - December 13th, 2019 [December 13th, 2019]
- 'The Expanse' Season 4 Review: Hard science, biological conflicts laced with emotions and action makes space d - MEAWW - December 13th, 2019 [December 13th, 2019]
- David Blandy and a Cadre of Essex Gamers Introduce us to a World After Homo Sapiens - frieze.com - November 30th, 2019 [November 30th, 2019]
- Ethics, Truth and Post-Truth: Political and social implications - Modern Diplomacy - November 30th, 2019 [November 30th, 2019]