What are Coen Brothers films all about?
Nihilists. Fuck me. I mean, say what you will about the tenets of National Socialism, Dude at least its an ethos. Walter Sobchak, The Big Lebowski
The solution of the problem of life is seen in the vanishing of this problem. (Is not this the reason why those who have found after a long period of doubt that the meaning of life became clear to them have been unable to say what constituted that meaning?) Ludwig Wittgenstein, Tractatus Logico-Philosophicus
To write about the Coen Brothers is to confront, head on, lifes hardest problem. Im not talking about the problem of film criticism generally, nor of identifying why Joel and Ethan Coen are among our greatest living filmmakers. These problems, though they confront me presently, are not all that hard. But usually, when one studies a filmmaker, there emerges in the work a distinct perspective on life a philosophical point of view, which style and story jointly reveal. And although countless words have been spilled on the philosophy of the Coens films, no one has yet produced a summary that the Brothers themselves would endorse. Themes and motifs recur, but meanings are elusive. The most one can say is that the work is so meticulously well-crafted that it feels meaningful, even as conclusive statements of purpose escape us. Thus in a Coen Brothers film, as in life, were left asking: is all this meaning merely apparent?
Notoriously resistant interview subjects, the Coens have managed to ascend through the ranks of the cinematic canon without ever showing their philosophical hand. Theyve now claimed every accolade: Oscars for Best Picture, Director, Original Screenplay, and Adapted Screenplay; the Palme DOr, Best Director, and Grand Jury Prizes at Cannes; Best Director from the DGA; Original and Adapted Screenplay from the WGA. Their films have inspired multiple books, including one that explicitly claims to deal with their philosophy. But when pressed for insights about their work, they tend to downplay its significance. one that explicitly claims to deal with their philosophy. But when pressed for insights about their work, they tend to downplay its significance. Asked in 1998 about his philosophy of filmmaking, Ethan replied, I dont have one. I wouldnt even know how to begin. Asked in 2001 about his creativity, Joel quipped, I guess it beats throwing trash for a living.
So what are we to make of the fact that these masters of the craft claim, or at least imply, that they have nothing to say? One option is to let the work speak for itself. Beginning with their startlingly assured 1984 debut, Blood Simple, the Coens have produced three decades worth of highly distinctive work. Their films span many genres and tones, yet all retain the clear signature of their makers. That Coen style, such as it is, has more to do with rhythm, tone, and characterization than visual flair. Its a feeling of faint tragedy amid the humor or faint humor amid the tragedy. Consider Anton Chigurhs sardonic use of the word friendo for his future victims in No Country for Old Men, or the Folgers tin used to hold Donnys ashes in The Big Lebowski.
One topic about which the Brothers are forthcoming in interviews is the many influences that feed into their work. Although they dont consider themselves film fanatics of the Tarantino variety, their love of Old Hollywood noir and screwball in particular is everywhere on display. 2003s Intolerable Cruelty is an out-and-out screwball film, while 2000s O Brother, Where Art Thou? takes its title from Sullivans Travels, directed by the great screwball master Preston Sturges. Aided by longtime collaborator Roger Deakins, the Brothers elegantly revived the black-and-white noir in 2001s The Man Who Wasnt There. And just last year, they released Hail, Caesar! a noir-screwball film about Old Hollywood.
Though theyve made many period pieces, the Coens use the past in much the same way as their genre predecessors, as fantasy rather than historical reality. Its not about reminiscence, they have said, because our movies are about the past we have never experienced. Its more about imagination. Such fantasizing makes the problem of meaning all the more vexing because the Coens cant be accused of commenting on a history they never claimed to represent. Hail, Caesar! in particular, was accused of ignoring topics like race and gender in the 1950s altogether a critique that the Brothers rebuffed by claiming this is not how they think of stories. It often seems that the Coens wish their films could be seen in a vacuum, as self-contained pockets of meaning without reference to the larger world.
And yet their two greatest films (at least by award-count) Fargo and No Country for Old Men are also among their most realistic. Both films invite the viewer, in their opening sequences, to regard the films as more than mere stories. Fargo bears an opening placard announcing, This is a True Story a choice the brothers made specifically so that audiences wouldnt see the movie as just an ordinary thriller. And Sheriff Ed Tom Bell in No Country concludes his opening monologue with the evocative phrase, OK, Ill be a part of this world.
No Country, in particular, is worth dwelling on, not only because its a perfect piece of filmmaking, but also because it provides insight into the brothers ambivalence about meaning. Ed Tom Bells speech at the films opening expresses a fear that the Coens seem to share: namely that, if he agrees to engage with the violence and tragedy of the world, it may overcome him. It may force him to say, as he does, I dont know what to make of that. Similarly, it would seem that the more of the real worlds senselessness they allow into their work, the harder it might become for the Coens to make meaning. Such meaning might not be there at all.
Of late, the Coens appear to be rebounding back and forth between addressing and ignoring this problem. No Country was followed by the farcical Burn After Reading. A Serious Man, the Coens most direct treatment of meaninglessness, gave way to True Grit, a downright pious film. And Inside Llewyn Davis, which directly mocks arts pretensions of meaning, was followed by Hail, Caesar!, which embodies that very mockery, by being (seemingly) meaningless itself. If the trend holds, we should expect the Coens next outing to tackle the question of meaning head-on once more, trying again to be a part of this world.
There is wisdom to be found, perhaps unsurprisingly, in The Big Lebowski. Many mistook that films sage ethos of acceptance for nihilism, but the Coens resisted this label. For us, the nihilists are the bad guys, Joel told Michael Ciment and Hubert Niogret in 1998, and if theres a preferred moral position, itd be that of Jeff Bridges, though its difficult to define! Though theyve grown to doubt it in recent films, the Dudes fluid perseverance his abidance, as it were might be a solution to the specter of nihilism that haunts the Coens. Not unlike Marge Gundersons down-home goodness in Fargo, it does not oblige one to make sense of the horrors of the world only to persist in being good despite them.
Jeff Bridges summarized it well: I think [The Big Lebowski]s a film about grace, how amazing it is that were all allowed to stay alive on this speck hurled out into space, being as screwed up as we all are. Like, Fargo had a moral resonance to it. This one, I think, does as well. It may not be apparent to most people at first. But working in it, kind of bathing in this thing, it rang for me. Its not a real clear thing that you can say, Thats what it means. Its a little different. Perhaps we can say, then, that the Coens philosophy is summarized in the Wittgenstein quote above (Ethan wrote his thesis at Princeton on Wittgenstein). Or, less pretentious, and more concise: the Dude Abides.
More:
The Philosophy of the Coen Brothers - Film School Rejects - Film School Rejects
- Voices: Working-class men like Steve Wright don't go to the doctor and that's exactly the problem... - Yahoo News UK - February 16th, 2024 [February 16th, 2024]
- "Superman Defeats Nihilism": Grant Morrison Loved an Obscure Alan Moore Story So Much They Almost Remixed It - Screen Rant - February 16th, 2024 [February 16th, 2024]
- The rise of stay-at-home girlfriends - UnHerd - November 26th, 2023 [November 26th, 2023]
- 'Fargo' Recap, Season 5, Episode 2: Trials and Tribulations - Vulture - November 26th, 2023 [November 26th, 2023]
- What's the matter with Russia? - The Hub - November 26th, 2023 [November 26th, 2023]
- The Killer: The unintentional comedy of the year? - EL PAS USA - November 26th, 2023 [November 26th, 2023]
- Eli Roth's Thanksgiving Keeps A Disappointing 2023 Slasher Trend ... - Screen Rant - November 26th, 2023 [November 26th, 2023]
- Bobby McDonagh: The Rule of Law matters more than ever when ... - TheJournal.ie - November 26th, 2023 [November 26th, 2023]
- A 2023 gift guide: 10 ideas for the music lover in your life - 25 News KXXV and KRHD - November 26th, 2023 [November 26th, 2023]
- Ten Great Sci-fi TV Shows that Promote Reason and Individualism - The Objective Standard - November 26th, 2023 [November 26th, 2023]
- Jonathan Sacks: Are Science and Religion Enemies? - The Collector - November 26th, 2023 [November 26th, 2023]
- An open letter to all of my progressive friends - New York Daily News - November 26th, 2023 [November 26th, 2023]
- The Two Tragedies of November 22nd - The American Conservative - November 26th, 2023 [November 26th, 2023]
- Speculating on the ceasefire moment in Gaza - rabble.ca - November 26th, 2023 [November 26th, 2023]
- In Defense of Stigma - The Stream - November 26th, 2023 [November 26th, 2023]
- Pro-lockdown obsessives still long to be told what to do - Yahoo Eurosport UK - November 26th, 2023 [November 26th, 2023]
- 8 signs you're a mentally strong person (even if you don't think so) - Hack Spirit - November 26th, 2023 [November 26th, 2023]
- Trump Gets Fined in Court but Wins in the House - The New Yorker - October 29th, 2023 [October 29th, 2023]
- The challenges to democracy [letter] | Letters To The Editor ... - LNP | LancasterOnline - October 29th, 2023 [October 29th, 2023]
- Standing against the insidious spread of euthanasia | News, Sports ... - The Daily Times - October 29th, 2023 [October 29th, 2023]
- A large chunk of Republicans are quite set on voting for the face ... - Daily Kos - October 29th, 2023 [October 29th, 2023]
- Israel's civic strength in response to the Hamas attacks should stiffen ... - The Hub - October 29th, 2023 [October 29th, 2023]
- No Time to Go Wobbly on Russia - Center for European Policy Analysis - October 29th, 2023 [October 29th, 2023]
- Blinken to Security Council: Where's the revulsion over Hamas attacks - The Times of Israel - October 29th, 2023 [October 29th, 2023]
- Opinion | In Israel and Gaza, Searching for Humanity - The New York Times - October 29th, 2023 [October 29th, 2023]
- Donald Trump to testify in NY AG Case - Daily Kos - October 29th, 2023 [October 29th, 2023]
- Thom Nickels: Demonic nihilism? It's not just on the streets. - Broad + Liberty - August 18th, 2023 [August 18th, 2023]
- Reflections on the Revolution in America | Pavlos Leonidas ... - First Things - August 18th, 2023 [August 18th, 2023]
- Why It's Always Raining In The Movie Se7en: David Fincher's ... - Screen Rant - August 18th, 2023 [August 18th, 2023]
- Poetic Time In The Age Of Acceleration - Noema Magazine - August 18th, 2023 [August 18th, 2023]
- Review: Zilched releases her best work yet in 'Earthly Delights' - WDET - August 18th, 2023 [August 18th, 2023]
- Phoebe Bridgers thinks we confuse sadness with intelligence: Listen ... - Audacy - August 18th, 2023 [August 18th, 2023]
- Called to be a man in Christ, not a Nietzschean superman - Catholic World Report - August 18th, 2023 [August 18th, 2023]
- Why The Last Voyage of the Demeter Sank at the Box Office - MovieWeb - August 18th, 2023 [August 18th, 2023]
- Forget GTA 6 and Red Dead Redemption, I want Manhunt 3 - PCGamesN - August 18th, 2023 [August 18th, 2023]
- Gabriel Krauze: raw writing from the streets of London - RNZ - August 18th, 2023 [August 18th, 2023]
- The Ideal Man According to 7 Different Philosophers - Art of Manliness - August 18th, 2023 [August 18th, 2023]
- Review: In How to Blow Up a Pipeline, nihilism is optimism - Detroit Metro Times - April 29th, 2023 [April 29th, 2023]
- Beaten To Death Review: Disturbing Australian Horror Lives Up To Its Title [Panic Fest 2023] - Dread Central - April 29th, 2023 [April 29th, 2023]
- David Brooks: Joe Biden and the 'battle for the soul of America' l - Baltimore Sun - April 29th, 2023 [April 29th, 2023]
- Ram Jams: Fall Out Boy, New Album and Era - Fordham Observer - April 29th, 2023 [April 29th, 2023]
- Tucker Carlson Is the Emblem of GOP Cynicism - The Atlantic - April 29th, 2023 [April 29th, 2023]
- One Night in Washington, D.C., With George Santos - The Intercept - April 29th, 2023 [April 29th, 2023]
- Reddit study finds interesting facts about typical Blue Jays fans - Jays Journal - April 29th, 2023 [April 29th, 2023]
- Yale Professor Breaks Down Years of Violent Conflict Between ... - The Greyhound - April 29th, 2023 [April 29th, 2023]
- Nietzsche, Friedrich | Internet Encyclopedia of Philosophy - January 6th, 2023 [January 6th, 2023]
- 30 Religious Terms You Should Know - Daily Writing Tips - January 6th, 2023 [January 6th, 2023]
- The Difference Between Existentialism, Nihilism, and Absurdism - January 6th, 2023 [January 6th, 2023]
- Philosophical skepticism - Wikipedia - January 4th, 2023 [January 4th, 2023]
- Simon Critchley - Wikipedia - January 4th, 2023 [January 4th, 2023]
- 'World is Crumbling. An Email Doesn't Matter': 2022 Was the Year of Nihilism. How Do We Move On? - News18 - December 23rd, 2022 [December 23rd, 2022]
- Moscow accuses West of legal nihilism RT Russia & Former Soviet Union - December 12th, 2022 [December 12th, 2022]
- Wordsworths Challenge to Darwinian Nihilism | Evolution News - December 12th, 2022 [December 12th, 2022]
- I Fear My Pain Interests You by Stephanie LaCava review numb nihilism ... - November 19th, 2022 [November 19th, 2022]
- Editorial: In the Face of Climate Nihilism, What Can One Do to Not Lose All Hope? | Opinions - The Link - October 8th, 2022 [October 8th, 2022]
- Cardinal Mller Reasserts the Dangers of Nihilism The European Conservative - The European Conservative - October 8th, 2022 [October 8th, 2022]
- The Midnight Club Is a Teen Horror Show Thats Actually Scary: TV Review - Yahoo Entertainment - October 8th, 2022 [October 8th, 2022]
- Hiltzik: GOP cruelty counts on the humanity of others - Los Angeles Times - October 8th, 2022 [October 8th, 2022]
- Screen Grabs: A revisionist Western that still shines bright - 48 hills - 48 Hills - October 8th, 2022 [October 8th, 2022]
- Russian Roulette: How Ukraine Can Win the Game (Part 1) - Kyiv Post - October 8th, 2022 [October 8th, 2022]
- What 20 Years of Putin's Own Words Tell Us About Russia's Subversion of International Law - JURIST - October 8th, 2022 [October 8th, 2022]
- 'Triangle of Sadness' Review: Hazardous Levels of Smug - Vulture - October 8th, 2022 [October 8th, 2022]
- In China, Only the Party Tells History - Foreign Policy - September 29th, 2022 [September 29th, 2022]
- The Infinite Nihilistic Jest of Brian Ennals and Infinity Knives - Yahoo Entertainment - September 29th, 2022 [September 29th, 2022]
- No Laughing Matter: Bodies Bodies Bodies Is Too Cynical to Be Much Fun - Erie Reader - September 29th, 2022 [September 29th, 2022]
- Oliver Jeffers Gets Perspective With Meanwhile Back on Earth - TIME - September 29th, 2022 [September 29th, 2022]
- Talkin' About My Generation: How Boomers Became Deaf, Dumb, and Blind To The Inspiration and Innovation of Rock and Roll - MetalTalk - September 29th, 2022 [September 29th, 2022]
- 'Cult of the Lamb' and the bleating heart of nihilism - Catholic News Service - September 22nd, 2022 [September 22nd, 2022]
- The Infinite Nihilistic Jest of Brian Ennals and Infinity Knives - Spin - September 22nd, 2022 [September 22nd, 2022]
- This cosmic horror game will force you to trust characters to survive - Polygon - September 22nd, 2022 [September 22nd, 2022]
- Belief in God can help us find a purpose in life that we are currently lacking - David J Nixon - The Scotsman - September 22nd, 2022 [September 22nd, 2022]
- "Date Night" by White Lung - Northern Transmissions - September 22nd, 2022 [September 22nd, 2022]
- Lyrically Speaking: What is Bob Dylans All Along the Watchtower actually about? - Far Out Magazine - September 22nd, 2022 [September 22nd, 2022]
- Pinocchio (2022): Disney wished on another wrong star - Campus Times - September 22nd, 2022 [September 22nd, 2022]
- The Complicated Legacy Of 'Rick And Morty' - The Federalist - September 22nd, 2022 [September 22nd, 2022]
- "Soul and Things" - Baltimore Beat - September 22nd, 2022 [September 22nd, 2022]
- Ukraine Holds the Future: The War Between Democracy and Nihilism - Foreign Affairs Magazine - September 11th, 2022 [September 11th, 2022]
- Hedgerow Theatre Company Dives Into The Darkness With Martin McDonagh's THE PILLOWMAN, October 5-31 - Broadway World - September 11th, 2022 [September 11th, 2022]
- The skate punk brats of the '90s are back to ruin our lives again - Cult MTL - September 11th, 2022 [September 11th, 2022]
- Kurt Russell's Best Movie Was A Critical And Box Office Disaster - Giant Freakin Robot - September 11th, 2022 [September 11th, 2022]