Category Archives: Trance

A lot of us trance fans believe that Ferry Corstens return to trance is the single most reason for the resurgence of this genre of music. In 2015 when he came back with Gouryella Anahera, we were all reminded of the hay days the track was outstanding, so was the reception. After many years, a trance track hit the top of Beatport Main chart. Last year when he announced a follow up and his new album Blueprint, we knew he was upto something special Blueprint from start to end is uber special. We would rate this as one of the best trance albums of recent times. Thank You Ferry Corsten, this is Grammy worthy and we hope you get it for all of us.

Download/stream: https://flashover.choons.at/blueprintalbum

Its been said that space exploration is a force unto itself, a statement that can aptly be applied to the experience of music discovery. A purveyor of a music with that timeless quality, Ferry Corsten actioned himself into taking his own artist exploration deeper with his fifth artist album. Entitled Blueprint because of his technical approach to this latest studio outing. This newest longplayer by the Rotterdam native was spawned from an idea to unite the music with a storyline that stretches beyond a nebulous lyrical theme. Combining his love for the art of screenwriting and film score Ferry has crafted Blueprint as a concept release to put a wider perspective on his musical vision.

Transcending any referential genre, Blueprints storyline centres around two protagonists in Lukas and the extra-terrestrial being Vee. From a discovery to a bond to consciousness to interdimensional travel, Blueprint embarks on a journey across the galaxy asking many questions from its listeners.

Encapsulated in the soundtrack is a musical narrative that entwines with a storyboard crafted by the minds of David H Miller (of House Of Cards and Rosewood fame) and Ferry himself. The resulting effort gives the listener a conceptual direction that is breathtakingly beautiful. Narrated by Hollywood actor Campbell Scott (known for The Amazing Spider-Man and The Exorcism of Emily Rose), whose voice unravels the mystery of Blueprints storyline.

Written into the musical code of the album we learn that from the deepest edges of space The Drum can be heard, endlessly repeating, without any understanding as to its reason or purpose. None of the greatest minds on earth nor governmental superpower can decipher its existence. Except one. As the listener journeys from the opening track to the last the album chronicles the voyage of Lukas and Vee as a new world is opened to not just the mind but the heart.

With its opening title track Blueprint the album commences in wondrous form straddling euphoria and seduction at its heart, as it shoots for the stars setting up for a cosmic ballet. The atmospherical payoff of Venera (Vees Theme) is enchantingly uplifting, as listeners have their first encounter with Vee. The vocal of Eric Lumiere adds depth to the characters arrival with Something To Believe In before Edge Of The Skye, featuring Haliene, ignites an odyssey to A World Beyond. The weaving metronomic build of Trust is industriously rich and perfectly poised for this interstellar exploration. Whilst the otherworldly tones of Lonely Inside beam us into the isolation of Space and renders all meaning beyond one emotion, desire. The sentiment on Halienes voice pierces through on the tense Piece of You before we head into the third act and encounter The Drum again on Drums A Weapon. The album majestically concludes with the beautiful combo of Haliene & Eric Lumiere on Another Sunrise and the Eternity with its Shepherd scale-esque splendour.

With the narrative that gives nods to the proses of iconic sci-fi authors such as Jules Verne, Hugo Gernsback and most distinctively HG Wells, whilst sharing familiarities with modern day shows such as The OA, Westworld and retro Sci-fi-fest Stranger Things, Blueprint is an explorative piece of work that puts Sci-fi at its interstellar core. A brave and unique studio release from one of the most iconic artists in the electronic scene but Ferrys attempts with Blueprint are simply to bring a wider perspective to the listener, as he aims the album to be inclusive of dimensions of religion, history, ideals and science fiction.

Co-Founder of Trance Hub, Curator of The Gathering events in India and ALT+TRANCE in Czech Republic. By day, a Digital Marketing Enthusiast with love for Food and Technology. By night, a dreamer who wants to grow the Trance scene in India.

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Ferry Corsten deserves a Grammy for this album... | Trance Hub - Trance Hub (satire) (press release) (blog)

You may order this book from our ebay Store!

25 year veteran US Government Whistleblowers Mark and Cathy are arming you with the self-applying concise facts they teach leading mental health professionals worldwide. Whether your traumatic experience peaks the top of PTSDs sliding scale the way Cathys Pentagon level MK Ultra mind control programming did; or is from the horrors of war; or even if it is simply resultant from socially engineered information control and fears, this book is for you.These step by step healing methods intelligence insider Mark Phillips taught Cathy can help anyone willing to reclaim control over their own mind and life just as she did.

Their journey to releasePTSD: Time to Heal has been politicallystrenuous until now! Positive change through public awareness and overwhelming global demand prompted this release of otherwise suppressed easy to follow step-by-step healing methods Mark taught Cathy for successfully reclaiming her mind and life after decades of torturous MK Ultra mind control.

Since PTSD: Time to Heal is a workbook journal, it is not authorized and licensed in eBook form. Get your printed copy here. From its cover to unconventional layout to insights within, PTSD: Time to Heal reverberates with introspective inspirations.

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Trance Formation of America

An icon to the dance music world, and a revolutionary leader in production; Paul Van Dyk is a figure that not only represents undeniable expertise and talent but also, resilience. After a fatal accident that left him in the hospital last year, he's back on the map and paving the road to the rebirth of trance music. His passion for music and, trance in general, seeps through his strong dedication to his music, label and more.

He's coming off of a nation-wide Dreamstate tour stopping in San Diego and finishing at the mega trance event, Dreamstate SF this Memorial Day Weekend. He's the father figure for the Dreamstate movement that's been sweeping the nation ever seen its introduction in 2016, where trance, some may call the lost genre was found again with very open arms.

Paul reflects on his past, present, and future, coming off of one of the most turbulent years of his life,

What's some advice you would give to yourself as a young producer?

Always try to make music that resonates with you personally. Aim to make music that you yourself want to listen to, rather than trying to make songs that the mainstream will enjoy. The same goes for collaborations. I always try to work with musicians that share the same passion for the music, instead of working with someone purely because they are popular in that moment.

What do you want to take away most from this tour? What do you want your fans to experience most from this tour in particular?

This tour means a lot to me, as it is the first full-length tour Ive done in over a year. Touring is undoubtedly one of the greatest aspects of being a musician, and I love nothing more than traveling the world and playing my music for fans who really appreciate this music.

Who's an artist you've been listening to lately and believe in?

Alex M.O.R.P.H. is one of my favorite artists today. Hes joining me on this Dreamstate tour. He released a track on Vandit Records a couple months ago with Kim Kiona called Coming Home, that Ive been listening to a lot recently.

How do you feel about trance's resurgence over the last few years, esp with the unfolding of Dreamstate as a brand?

The fact that Dreamstate still regularly attracts tens of thousands of people at festivals is clearly a sign that trance music is as alive and well today as it was 20 years ago. EDM has essentially become pop music today, but true electronic music is still as in demand today as its ever been in my personal opinion. Im honored to be headlining the first ever Dreamstate tour, and the way the tour has gone so far, this certainly wont be the last time theyll be doing this.

Catch Paul Van Dyk in San Diego and at Dreamstate this weekend!

Excerpt from:

Paul Van Dyk Answers Our Questions About Trance, The Dreamstate Tour and More - EDM Sauce

Just how much better is the 2017 Trance? Wil tests and reviews Giant's most popular full suspension mountain bike to find out

After three months of thrashing through winter and spring, Wil gives us his rundown on the 2017 Giant Trance 1

It would be pretty hard to find a mountain biker out there who hasnt heard of Giant Bicycles before. Indeed many of you reading this right now will have owned one in the past, or at the very least will have several riding buddies that are currently aboard a Giant mountain bike. Travel to any trail centre in the UK on a busy summer weekend, and I challenge you not to spot a Giant logo somewhere either on the trails or in the carpark.

As one of the largest names in the industry, the monolithic Taiwanese company has been manufacturing bikes since as far back as 1972. Starting out as a factory producing frames and bikes for other companies including the likes of Scwhinn, it wasnt until 1987 before Giant decided to launch its own label. Since then, Giant has grown into the largest bike company in the world, with a truly enormous range of road, urban, cyclocross, leisure, kids and mountain bikes of its own, as well as remaining as a huge manufacturer for many other well-known brands out there.

Although Giant has built loads of great mountain bikes in the past, the overall direction of the brand has typically been on producing bikes with a focus on value for money, rather than necessarily pushing the outer boundaries of geometry and frame design. Solid, reliable and well-priced, yes. Cutting edge and full of state-of-the-art proprietary technologies, well, not so much. However, theres no doubt that it has been this conservative design approach and the ability to deliver value-oriented product that has made Giant so successful over its 40+ year history. After all, when youre talking about production volumes in the tens to hundreds of thousands of units, your bikes need to have a broad appeal.

In more recent years however, Giant has been making progress on its mountain bike lineup, with the traditionally conservative Taiwanese brand pushing the design envelope just a little bit further than what weve come to expect from it in the past. You could see the beginning of this transition back in 2015 with the release of the current generation Reign all mountain bike a long travel enduro rig that Barney reviewed as one of the best bikes in its category. Following on from that, Giants Liv brand has since rolled out the new Hail, and Hannah has so far had very little but praise for what is arguably the burliest and most contemporary womens specific mountain bike on the market. At Eurobike last year, we were even impressed by Giants new XTC hardtail, which offers 29/27.5+ tyre compatibility and clever dropouts that allow for singlepseed setup in the same chassis trail-friendly features not usually found in a lightweight XC hardtail.

But perhaps the most significant step in the recent evolution of Giants off-road range was witnessed last year, when the brand unveiled the all-new Anthem and Trance models.

First launched in 2005 alongside the Anthem and Reign, the Trance originally debuted as the everymans trail bike. Whereas the Anthem was Giants XC race bike, and the Reign was the long-travel all mountain machine, the Trance slotted in between as a tough, versatile and comfortable trail bike designed to cope with long distance riding across a wide range of terrain.

Over the last 12 years, the Trance platform has steadily grown bigger both in terms of travel and wheelsize but it still remains as the most versatile full suspension bike in the Giant lineup.

For 2017, the Trance received its biggest and most significant overhaul yet. Its still built around 27.5in wheels and the Maestro suspension platform like the previous model, and it still features 140mm of rear wheel travel. Put the 2016 and 2017 bikes side-by-side, and they even look the same. But as much as they might appear to be the same thing, there is almost nothing that has remained unchanged between the new Trance and its predecessor.

Just like the latest Anthem, the Trance has received an all new frame, new geometry, a new suspension linkage, and the adoption of up-to-the-minute standards including Boost hub spacing and metric shock sizing. It may look similar, but this machine is brand spanking from the ground-up.

With six different models to choose from, the Trance is available in both alloy and carbon frame options. The carbon models (denoted by the Advanced tag), upgrade to a lighter carbon front triangle, while using the same alloy rear-end, the same geometry, and the same suspension design.

The Trance 1 Ive been testing sits at the top of the range in the alloy models, with a slick all-black Fox suspension package, Shimano XT 111 groupset and Giants own carbon wheels. If the 3449 price tag is beyond your budget however, youll be happy to know that Giant offer the exact same frameset with several cheaper build kits that start at 1549 for the Trance 4.

Having ridden previous versions of the Trance before, I was particularly keen to swing a leg over the new version to see just how Giants improvements would feel out on the trail. I wouldnt say I was a particularly big fan of those previous iterations, but having recently reviewed (and been thoroughly impressed by) the shorter-travel Anthem, I had high expectations of Giants do-it-all trail bike.

Before finding out what it rides like though, lets take a closer look at some of the key changes on the new Trance.

Unlike previous Giant models, the latest Trance elects for a much more subtle paint and graphic scheme. In fact, youll have to search pretty hard to find both the Giant and Trance logos, which makes for a nice change from the billboard-style of old.

As a manufacturing heavyweight, Giant has flexed its engineering muscles on the Trances shapely ALUXX alloy frame. Impressive hydro forming has resulted in loads of curves, bends and flares to each tube on the frame, with the internal walls changing thickness from end to end depending on where the loads are being applied.

Save for a few weld lines, the smooth matte frame finish gives the Trance 1 a distinctly carbon-esque appearance. The droopy top tube maximises standover clearance, while the S-shaped downtube offers fork crown clearance before dropping down to accommodate the lower shock mount. Of note is that a full size water bottle will comfortably fit inside the Trances front triangle.

Tying that front triangle to the welded one-piece swingarm is the twin-link Maestro suspension design. This has been a feature of the Trance since it first launched in 2005, but the new version is notably different. For a start, the upper rocker link is crafted from a single piece of composite fibre. Giant states this rocker link is 50% stronger and 50% lighter than the old welded alloy rocker link. Win-win.

The rocker then connects to the metric-sized shock via a trunnion mount. So rather than a traditional DU bushing at the top of the shock, the trunnion mount sees two cartridge bearings bolting on to either side of the shock. This mirrors the design used on the new Anthem as well as the Liv Hail and Pique models, and in our experience, allows for a more supple suspension feel with less stickiness in the starting stroke.

The Fox Float DPS itself is also a much smaller package, with the metric shock size delivering a longer stroke in a more compact eye-to-eye length. One appreciable by-product of the Maestro design is that the lower shock mount shares the same pivot shaft as the lower link, which helps to reduce moving parts. However, the pocket sculpted into the downtube for the lower shock mount does allow water and muck to pool, making it a bit fiddly to clean after a grubby ride.

As for travel, the Trance dishes out 140mm out back, while front travel been pushed up slightly to 150mm. Along with the 27.5in wheels, that puts the Trance in the same bracket as popular trail bikes such as the Specialized Stumpjumper, Orange Five, Canyon Spectral and Norco Sight.

With the new frame, Giants designers have also called on some improvements in geometry to increase the Trances stability on fast and rough trails. The front end has been stretched out a touch, with the reach on our Medium sized bike having grown 10mm from 425mm to 435mm. The bottom bracket has been lowered by 5mm, while the chainstay length has been snugged up by 4mm, and now sits at 435mm long.

Compared to some of the uber-modern trail bikes out there, the angles on the Trance are still very much on the conservative side, including the 67 head angle and a 73.5 seat angle. And despite the swoopy top tube, standover clearance has actually decreased with the new frame, which is likely due to the taller fork and 5mm longer head tube.

Then again, numbers do only tell one part of the story.

Other frame features on the Trance include an hourglass tapered head tube up front and a 92mm wide press-fit bottom bracket between the crank arms. Rear spacing is arranged for the 3mm Boost offset, with Boost hubs specd front and rear along with tidy bolt-up axles. All the cables run internally through the downtube with cosy rubber ports, and while it may be redundant to many, theres a mount for bolting on a front mech should you want one.

If you want to get the full rundown on frame geometry and some of the other features on the bike, check out our First Look of the 2017 Giant Trance 1 here.

When the Trance first arrived at Singletrack Towers, it required minimal fettling to get it setup for the first ride Shimano XT is really good like that. Giant includes tubeless tape and valves in the box with the bike, so after half an hour Id ditched the tubes, added some sealant, and had a 12.37kg bike ready for the trails.

In its stock configuration, the riding position on the Trance is quite open and upright in a comfortable I wanna ride all day long kind of way. For the Medium frame sizes and under, Giant specs a 60mm long stem on the Trance, while the Large size gets a 70mm stem, and the X-Large goes to 80mm. All sizes come stock with a 750mm wide riser bar.

Although the position felt fine for cruising, I did find myself wanting to get a little wider and lower over the front of the bike. And so early on in the test period I succumbed to the bike journalist stereotype by swapping in a lower rise 760mm bar and a flat 40mm stem. After dropping the stem down a couple of spacers and adding a set of excellent Ergon GE-1 grips to widen the handlebar tips just a little further again, I was feeling much more confident with the cockpit on the Trance.

I will say that Im not convinced that every rider requires the widest of bars and the shortest of stems, but given that the Anthem I tested recently basically comes with the same cockpit setup, Id have expected Giant to have pumped up the Trance a little more than that.

While on the note of sizing, I chose the Medium frame size given thats whats recommended for a 175cm tall rider like me. However, riders wanting to get that longer front centre for increased descending stability may want to upsize. Given the short seat tube and 125mm dropper post, there was certainly plenty of clearance that would have allowed me to get onto a Large frame, which comes with a 448mm reach. However, reach and cockpit setup is all a bit arbitrary these days, so its best to at least demo a couple of options before assuming youre a specific size.

The other change I made early on was tyre choice. The stock rubber comes in the form of Schwalbe Nobby Nics, with a 2.35in on the front, and a 2.25in on the rear. Theyre good lightweight tyres for mile-munching on soft loamy trails, but having adopted the Trance in the middle of winter, I decided to swap in some meatier treads from Maxxis. Depending on how sloppy conditions were, I rode with a combination of 2.5in wide Minion DHFs, DHR IIs and Shortys throughout the rest of the test period.

Getting the suspension dialled in on the Trance was refreshingly easy. For my 68kg riding weight I ended up with 165psi in the rear shock to reach 30% sag, with the red rebound dial wound in 8 clicks from full fast. 63psi in the fork did the trick for 25% sag, with 9 clicks of rebound getting things balanced front and rear. Surprisingly for me, I didnt touch the suspension for the remainder of the test it was absolutely bob-on from the get-go, with no need to mess around with volume spacers or damping adjustments.

Much of that is because Giant has got the suspension absolutely nailed on the Trance, with an overall feel of buttery, buttery plushness. Seriously, this bike could well be the smoothest feeling full suspension bike Ive ridden. The combination of the custom tuned Fox Float DPS shock, trunnion mount and updated Maestro linkage delivers incredible sensitivity, making it feel like youre floating on a lovely pillowy cloud. With a linkage orientation that isnt worlds apart from the excellent dw-link suspension design, the supple action on the back of the Trance doesnt feel dissimilar to bikes such as the Ibis Mojo 3 and Pivot Switchblade.

Just like the new Anthem, theres been a slight loss of pedal efficiency with the new Trance suspension design, with more shock activity occurring when riding in the Open compression setting. Pedal smoothly in the saddle, and the Trance glides along. Pedal harshly and with heavy weight transfers, and the shock will bob a little. Its not that big of a deal, and in my opinion, the increase in suppleness is well worth the trade off.

As such, I spent most of my ride time in the Open setting with the black compression dial set to 1, where I could enjoy each and every millimetre of travel on offer. But if you must have more support and snappiness under pedalling inputs, adjusting the black compression dial into 2 or 3 will achieve exactly that. The Medium setting for the shocks blue lever is quite a bit firmer than any of the Open mode settings, and is really only useful for long road or freshly-graded fireroads. The Firm setting is basically a complete lockout.

For technical climbing, the Trance makes short work of the kind of uphill sections that resemble a giant Picnic chocolate bar. The reactive suspension keeps the rear tyre driving into the trail surface for predictable traction, and with minimal feedback, it pedals smoothly even as the rear wheels doing the jive out back.

The only barrier to the Trance making mincemeat of really steep pinches is the tall front end. A combination of the generous head tube length, 150mm travel fork and steeper 67 head angle mean the grips do sit further off the ground, so for clearing uphill gradients above 15%, youll have to lean forward, bend those elbows, and chew the stem to ensure you can keep the front wheel tracking where you need it to go.

As the trail flattens out and snakes along the hillside though, the playful attitude of the Trance really begins to shine through. Thanks to the crisp acceleration from those lightweight carbon wheels, the Trance picks up speed really well, and seems to hold it even better. The bike has a nice and light feel to the steering, making it feel nimble and easy to place on the trail. Last-minute corrections to your line are intuitive and rapid, and tight corners are handled with ease. Id say it feels lighter and more sprightly than the 12.37kg weight figure, with a level of nimbleness that feels more long-legged XC than burly All Mountain.

What really seems to work with the Trance as a package is that its sprightly and efficient nature is balanced well with the floaty suspension. Most trail bikes that deliver quick steering seem to have a habit of getting bucked off line as rock hits begin to rob speed and momentum. Not so with the Trance.

The reactive suspension has no problem accommodating medium and high-speed hits, helping to keep you isolated from the impacts that would normally be felt through the chassis. Even as the speedo continues to tick over, the Trance remains calm and composed. Even our local fast and chattery packhorse trails were laughed off by the Trance, where the supple off-the-top feel to the rear suspension tracked each and every impact with assured precision.

Its this same suspension performance that results in the Trance being so planted on the descents too. Although I initially had reservations about the Trances technical capabilities for riding the steep and ugly stuff, it didnt take long for the bike to prove me wrong. The stability of the Maestro suspension design means the bikes dynamic geometry remains consistent even as youre ploughing through the travel, so it never feels as if you have to wrestle with the bikes front end. And with each thunk!, pop! and whallop! being managed by the buttery Fox suspension, the Trance affords you the chance to spend more time concentrating on setting up for the corner ahead.

I did come towards the bikes limits after facing up to much steeper trails in the woods you know the ones where your bum spends more time on the rear tyre than it does on the saddle. In that kind of environment and on much faster straight-line natural stuff, a bike like the Reign is clearly a more suitable tool for the job, where a slacker head angle and longer front centre really come into their own.

Giant could surely achieve that added descending stability by lobbing another degree off the Trances head tube, as I reckon 66 would just give it a little more oomph for faster and woolier trails. and certainly after the first few valley rides on the Trance, I was wishing for a little more front-centre length in the chassis to cope with the off-piste trails. The more I rode the Trance however, the more I appreciated its lively handling everywhere else, so Id be careful of wanting something much slacker. A geometry chip in the rear end like the MinoLink found in the Trek Fuel EX would be a great way of allowing riders to adapt the Trances geometry to their preference.

For everything but the steepest of gnar, there were very few faults to be found in the Trances capable handling package, and certainly fewer faults to find in the parts spec. The Shimano XT 111 drivetrain was mint, with no chain drops or mis-shifts that I can recall. I was happy to see the 11-46t block out back, which gives a decent climbing gear compared to smaller 11-speed cassettes.

That said, I did also test an enormous 11-50t SunRace cassette on the Trance 1, which aside from providing tractor-pulling power, was surprisingly smooth with the medium cage rear mech. Look out for aseparate review of the SunRace cassette in the near future.

Likewise, braking was low-fuss, with the XT brakes giving a firm bite point from the textured alloy levers. Tools-free reach adjustment is nice, and power from the 180mm rotors was more than adequate for the type of riding the Trance is designed for. While I have experienced pumping-up of the lever feel on other XT and XTR brakes Ive tested, there were no such issues with this pair.

For the winter and spring seasons I spent aboard the Trance 1, there were very few squeaks and groans that came from the smooth-rolling bike. The internal cable routing kept rattling to a minimum, and both the headset and bottom bracket remained noise-free throughout.

However, I did have to tighten the lower shock mount, after some knocking became apparent as the bolt had loosened. There are fewer pivots to worry about on the Maestro linkage compared to other four-bar suspension designs, but as usual, keep an eye on any moving parts and apply fresh Loctite if you happen to remove any bolts for whatever reason.

I did take issue with the Giant dropper post lever, which Ive always found to be too small for intuitive operation. Because of the compact lever and the high torque required to activate it, it doesnt take much cable contamination before it becomes significantly harder to push. For the latter part of the test period, I paired up the dropper post with a Wolf Tooth ReMote lever, which was night and day in terms of ergonomics.

The dropper post itself went down the same path as other Contact SL Switch-R dropper posts weve tested. Using a similar construction as the Bontrager Drop Line we recently reviewed, the Giant design is also susceptible to the effects of wet and cold weather, with the action of the post slowing down significantly through the winter months.

Removing the main seal and regreasing helps, but the post isnt particularly well sealed in the first place, meaning water and contaminants can make their way into the guts of the post, leaving a metallic grinding noise and sensation as the post compresses and returns. The post also developed a decent amount of rotational play, which was accompanied by some knocking. Wed love to see improvements to the sealing for future Giant droppers, and Id personally like to see Giant offer a dropper post with more than 125mm of travel too.

As for the contact points, I cant say Im a big fan of the Giant-branded lock-on grips, which are a little too flimsy in texture. The Contact SL saddle is adequate, but it is quite firm and narrow, so anyone aside from long-distance XC riders are likely going to find it uncompromising.

Those spec notes aside, I was really impressed with Giants own TRX carbon wheelset, which uses a hookless carbon fibre rim with a 27mm internal width. The rims offer a really tight tubeless seal, the wide-but-not-too-wide size makes them ideal for most 2.2-2.4in tyres on the market. The rims are plenty stiff, but big tyres and supple suspension mutes the effect of the rigid wheels riding these on a hardtail would be a different story.

Out of interest, I stripped the wheels down to put them on the scales, and was blown away when I read them at 1649g for the pair. Given that theyre a wide wheelset built for trail riding, thats impressive, and theyre a big reason why the Trance 1 is so lively and quick.

But while the wheels were otherwise immaculate, I did come a cropper at some point on the bike late in the test period, where a hard impact on the rear wheel caused a crack in the non-drive side sidewall. I didnt actually know Id cracked the rim until I changed the tyres over for a photoshoot, and discovered the small bulge on the rear wheel. The wheel had remained true despite the force of the impact, and without a puncture or any loss or pressure at the time, everything had seemed as normal.

Would the rim have cracked if it was alloy? Im not so sure. Having cracked a number of carbon rims in the past, Id say that carbon generally has a higher strength rating than an equivalent alloy rim, but whereas an alloy rim will bend a sidewall, theres no such compliance with carbon rims. The takeaway from this? Any wheel can still break, especially if youre ploughing it into angry-looking rocks on a regular basis.

The more I rode the Giant Trance 1, the more I was pleasantly surprised by its technical capabilities and floaty suspension feel. Its not radically slack and long like its contemporaries, but like many other great mountain bikes, its the real-world ride experience that reveals the Trances true ability not some numbers on a geometry chart.

With its upright riding position and smooth Maestro suspension design, the Trance is a comfortable trail bike for map-crossing riders. Itll happily plod along with its pilot in a seated position, where the active suspension will take care of all the bumps along the way.

Get it onto more technical trails at speed however, and the Trance perks right up, with a sprightly disposition thatll make you want to pop and ping your way down natural rutted-out singletrack. No, it isnt as stable as some other trail bikes on the market that are built for the devotees of the slacker-than-thou church. Of course you can always upsize on the Trance to get more reach and a more stable front centre, but expect to lose some of the bikes pizazz elsewhere on the trail.

If the Anthem is too light and spindly for you, and the burly Reign is too heavy and cumbersome, the Trance is your goldilocks ride. Want a fun, lively and comfortable trail bike for just plain mountain biking? The Trance 1 delivers.

Link:

Review: Giant Trance 1 - Singletrack

Shugz (Christopher Kirkpatrick) is a name that has appeared to come out of nowhere on the Trance scene. Combining youth, energy, electrifyingly impressive deck skills and a notable production ability, it doesnt take long to realise why there is such a fuss around this exceptional talent. Picked up by Irish Trance star Bryan Kearney and later hosting the KEARNAGE podcast, it was then that Shugz got his opportunity to truly shine. Unleashing a blistering remix of Kearneys 2010 Tech-Trance anthem Mexican Rave exclusively for Bryans set at FSOE 400 Mexico, achieving the number 1 spot and sat atop of Beatports Trance top 100 chart for ten consecutive days. We had a chat with Shugz about his upcoming gigs and music

Thanks guys, glad to be involved! Things are good at the moment, keeping my head down in the studio getting ready for the madness of summer on the gig front.

I absolutely love both but an opening DJ slot is definitely more difficult. The importance of a good warmup DJ is essential. Its your job to introduce people to the night properly, build it up from nothing for the DJ who is following you. Its a great skill to have & there isnt enough of them around at the moment sadly. In regards to describing my sound Id say driving & energetic with focus on the unexpected.

Think outside the box. That applies to being in the studio & performing live, people always show more interest in something if its slightly different to the norm, my advice be the first yourself & never the second someone else.

Easy question. Lush, Portrush. The club I grew up in & the club that educated me as a clubber. The best.

Makes the best sense to only commit to an agency/manager when you are needing to take yourself to the next level as an artist. A lot of young guys rush into signing for agencies simply because of what it is, achieving that goal, but its not always beneficial. In the end you & your manager become a team in your development so its only really going to work if you both work together & both have things to offer each other.

With the younger generation these days they are constantly using social media on a daily basis so they get used to it by default, its not very often you see a young DJ/Producer without a Facebook or Twitter page. The best advice I can give is just to be yourself & stay true to the music. Social media is an important part of artist development these days but just be yourself & youll nail that part.

Ah I cannot wait! Youre right in saying its the worlds best, nowhere like it. Anyone in attendance can expect lots of new music & a set from yours truly that you wont be forgetting in a hurry thats for sure.

Amazing. That was an unreal trip & experience. Crowd well up for it & the hospitality was top notch. Couldnt ask for more.

I have a stripped back Tech Trance track that Ive just finished & stamped. The follow up to my own track End Product is coming along great too & also a BIG remix as well. Keeping busy

Thanks Trance Hub readers, hopefully catch a few of you at a gig in the near future. Keep her lit!

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Co-Founder of Trance Hub, Curator of The Gathering events in India and ALT+TRANCE in Czech Republic. By day, a Digital Marketing Enthusiast with love for Food and Technology. By night, a dreamer who wants to grow the Trance scene in India.

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Interview - Fresh new trance prodigy Shugz - Trance Hub (satire) (press release) (blog)

Dance music is reaching new heights, and Ruben De Ronde has been called upon by Armin van Buuren to co-host his weekly A State of Trance radio show. During electronic musics biggest week, we sat down with Ruben to touch base on his recent endeavors, including the release of his debut studio album, My Story, and taking on co-host responsibilities alongside Armin. This summer brings

As if co-hosting one of the worlds biggest radio shows wasnt already a feat in itself, Ruben joins Armin for every episode of ASOT which is now video live streamed across the world. All while the annual ASOT Miami festivities were taking place at the Ultra Music Festival Megastructure, we caught up with Ruben who had also just made his ASOT MIA debut. During our sit-down with Ruben, we discussed his very beginnings exploring the world of electronic music, joining Armin van Buuren as the official new co-host of his A State of Trance radio show, his debut album, My Story, and of course, whats to come. Read the full transcribed conversation with A State of Trances new co-host, Ruben de Ronde, below.

The Nocturnal Times: Were back here in Miami at Ultra Music Festival. What are some things you look forward to most when heading back to Music Week in Miami? Ruben De Ronde: Well, similar to Tomorrowland, they both have very blended crowds. Everybody flies in from all over the world for this event and it sells out very quickly. Its rare if you come across somebody whos here by accident. At Ultra, you either come across locals or those who planned this months in advancethey fly here, book hotels, etc. Everybody knows the music here, so thats another thing that makes Ultra special.

The Nocturnal Times: Youve sort of become an A State of Trance staple yourself now. What can you tell us about your ASOT Miami experiences over the years? How has the annual return of ASOT MIA evolved? Ruben De Ronde: I think the very first time we were here, I didnt really have as big of a role in A State of Trance as I do now. Over the last few years Ive taken on a bigger role. As of a few months ago, Ive even become the co-host of ASOT now every week. It keeps getting bigger and bigger! This is actually the first time that Ive played at the ASOT Miami event at Ultra, which is another big step for me and I can cross off my bucket list.

The Nocturnal Times: How was your ASOT Miami debut? Ruben De Ronde: Well, I mean I wish I could say it was booming the whole time, but I opened the Megastructure (laughs)and by the time people started making their way over my set had already begun. But I will tell you, the energy was still great. And I also have to say, once I came back to the trailereven at the beginning of my set when while the crowd was making their way inside Bayfront Parkthere were so many people tuning in from across the world. We were trending worldwide on Twitter; its like two different worlds.

The Nocturnal Times: Youre co-hosting ASOT now with Armin van Buuren every week. What can you share with us about your co-hosting duties alongside the king of trance since starting the new ASOT Live stream every Thursday? Ruben De Ronde: It has been interesting because I didnt really see Armin all that much before, but we really need to be doing this together every single weekno exceptions. So, its different as well as my role being more integral with the show itself. Its interesting, its a lot of fun!

The Nocturnal Times: Tell us a little bit about your debut album, My Story. How did it come together and how long did it take to complete? Ruben De Ronde: From start-to-finish, Id say it took about three years to complete. In the meanwhile, I also had a computer crash so I lost a lot of files in the process. I have to re-create certain tunes, re-record tons of vocals, but Im really happy about how the end result turned out. Now theres a new album coming out together with David Gravell, Together, which is 16 brand new tracks. The first singles came out already, but it sees its official release in June.

The Nocturnal Times: Taking your hard-drive crash into consideration, which of the tracks on My Story are the most personal for you? Ruben De Ronde: I think one of the tracks from the album that means a lot to me is All In with Kimberly Hale. Its such a deep track, the vocals are quite deep. All In is one of those tunes that is really close to my heart. I actually met Kimberly a few weeks ago for the first time and shes a really, really cool person. All In is definitely one of the tunes I like most.

Stream My Story on Spotify:

The Nocturnal Times: Weve been listening to Moment Of Truthalso featuring vocals from Kimberly Halea lot lately. How did this one come together with Kimberly and LTN? Ruben De Ronde: Yes, the same thing in this case! I was working with LTN for months on tunes and he came with this pitch. Then we both took different routes: I made a clubby version at 128 BPM and LTN went to 118 BPM for a deeper version. So what we did was we took the start and then both went two separate ways, which is how the track actually came about.

The Nocturnal Times: Which of the tracks on the album took the longest to create? Do you sometimes start on a track and then go back to it at a later time or completely neglect a work in progress once near completion? Ruben De Ronde: Actually, a track that didnt make the albumbecause I couldnt finish itis one that Ive just finished recently with Proff. Im going to put that one on the next album. That tune, from start to finish, after sending her the first demo, I got the vocals back and it took me about four years. After about 100 different versions, at a certain point I gave up. I had this whole guitar part in the track and started working with Proffand now its finally finished. I just got the remix in from Bryan Kearney and John OCallaghan, which is really special. Ive been playing that for a while, but now its finally going to be released, which is very cool.

The Nocturnal Times: What would you say are some of your dream artist collaborations? Vocal collaborations? Ruben De Ronde: Hmm vocal, thats an easy question because theres a Norwegian singer, Maria Mena. Shes actually the only single artist that Ive bought a ticket for in the last couple of years, shes just special. I highly suggest you check her out!

The Nocturnal Times: How about a chance to play a back-to-back set with any DJ? Have you ever played a b2b set with this guy (points to Armin van Buuren)? Ruben De Ronde: Actually, no, never (with Armin)! Haha, thats a good question! Ive played b2b with Rodg before. [Since touching base with Ruben, it was announced that he will be playing a back-to-back set with Rodg at Tomorrowland 2017].

The Nocturnal Times: What do you hope for the future of A State of Trance the radio show, especially now that the show has a new co-host (you)? Ruben De Ronde: Well, in a way, we already are living in the future now, with the start of the new ASOT live video broadcast every week. But what I hope is that were broadcasting video stream from tons of other platforms, including those that are already hosting our audio stream every week. Its already starting to happen in The Netherlands. Radio 538 is going to broadcast the radio and the video on their radio and their TV channel, which I hope is going to happen to all of the stations.

The Nocturnal Times: How about your future and your short-term or long-term goals? Ruben De Ronde: I have goals, but I dont share them with anyone (my long term goals, that is!) One of my long-term goals though, was playing at ASOT Miami, and now Ive done that! I also just played at Beyond Wonderland, which was an amazing experience. Im going to be doing four more events with them this year too, so thats something to look out for as well. Also, my new single with Rodg, Riptide, is out now. Im really excited about it because Armin played it three times and Above & Beyond played it too, which I didnt see coming. The Rodg collab is the first single from the Together album with Rodg.

Ruben joins Armin van Buuren this Memorial Day Weekend for an opening set at Echostage in Washington D.C. on Friday, May 26.

Follow Ruben De Ronde on Facebook and Twitter.

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Ruben De Ronde Exclusive Interview: Armin van Buuren's A State of Trance Has a New Co-Host - The Nocturnal Times

Calgary Herald

Trance DJ Paul van Dyk rebounds from injury, retains passion to make music Calgary Herald When Paul van Dyk takes the stage at the Marquee Beer Market and Stage on Saturday, no one will be as grateful as him. While performing at a festival in the Netherlands in February of last year, the veteran trance DJ fell through a gap in the stage ...

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Trance DJ Paul van Dyk rebounds from injury, retains passion to make music - Calgary Herald

Buy Stream here https://anjunabeats.lnk.to/FrozenGroundYo

When that old wind blows The secret stirring in my soul I heard a fevered sound that stayed whit me

Forever

And it calls on me A beacon when Im all at sea And if this runs aground were all in it Together

Ohh ohh ohh o o ohh Ohh ohh ohh o o ohh

On frozen ground, I feel that sound Forever

Ohh ohh ohh o o ohh Ohh ohh ohh o o ohh

On frozen ground, I feel that sound Forever

Ohh ohh ohh o o ohh Ohh ohh ohh o o ohh

On frozen ground, I feel that sound Forever Ohh ohh ohh o o ohh Ohh ohh ohh o o ohh On frozen ground, I feel that sound Forever And it calls on me A beacon when Im all at sea And if this runs aground were all in it Together Ohh ohh ohh o o ohh Ohh ohh ohh o o ohh On frozen ground, I feel that sound Forever.

Release Date: 14th April 2017

Filmed in the Norwegian mountains, this is the official music video for ilan Bluestone & Giuseppe De Lucas Frozen Ground.

The first single to be taken from his forthcoming debut artist album, Frozen Ground reunites ilan Bluestone with British singer / songwriter Giuseppe De Luca.

Since joining the label in 2014, ilan has been at the forefront of the evolving trance sound. With an ear for hooky instrumentals, organic chords and dance floor minded productions, the likes of Big Ben, Spheres and 43 became euphoric moments in DJ sets for the likes of Above & Beyond and Armin Van Buuren.

A prolific touring artist, ilan has headlined the Anjunabeats North American tour in 2016 and 2017 as well as joining Above & Beyond at Madison Square Garden and Sydneys All Phones Arena.

The follow up to ilan and Giuseppes breakout hit Bigger Than Love, Frozen Ground was debuted during Above & Beyonds Group Therapy 200 show in a sold out 13,000 capacity Ziggo Dome.

For Giuseppe, inspiration for the song came after he joined ilan on stage at EDC, theres something about witnessing a sea of people gathered together to feel something that really helps to warp the borders of reality. I had this Brechtian idea of a specific sound, that when heard, would snap the listener out of their everyday veneer and allow them to connect with who they truly are. On Frozen Ground, I feel that sound, forever.

Co-Founder of Trance Hub, Curator of The Gathering events in India and ALT+TRANCE in Czech Republic. By day, a Digital Marketing Enthusiast with love for Food and Technology. By night, a dreamer who wants to grow the Trance scene in India.

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ilan Bluestone feat. Giuseppe De Luca Frozen Ground - Trance Hub (satire) (press release) (blog)

Competition seems to be ramping up among seniorhousing owners seeking deals, and an expected shift in pricing might be why.

In fact, executives at Murfreesboro, Tennessee-based National Health Investors (NYSE: NHI) have been in a trance over senior housing cap ratesand they believe other senior housing owners have been, too.

Weve been in a trance watching cap rates compress for so long that people are nervous this could be the end of that game, if you will,NHI President and CEO Eric Mendelsohn said Tuesday during a presentation at theBank of America Merrill Lynch 2017 Health Care Conference in Las Vegas.

Mendelsohn, once again, compared the current senior housing deal flow to a game ofmusical chairs, noting that senior housing owners arescrambling to get their deals done before interest rates go up.

NHI has some more deals up its sleeve for 2017, Mendelsohn hinted.

The REIT is currently targeting between $300 million and $500 million in acquisitions for 2017. A lot of NHIs deals fall in the eight-cap rate range, according to Mendelsohn.

Were seeing as robust a pipeline as weve ever seen, he said.

NHI is competing primarily with smaller, private REITs for senior housing deals, as well as private equity. The REIT tends to do more of its business in the southern and midwestern U.S., as opposed to on the coasts, Mendelsohn pointed out.

There are additional factors that set NHI apart from the pack of other senior housing owners, he explained.

We probably have one of the lowest, if not the lowest, G&A expense in the REIT universedefinitely the health care REIT universe, Mendelsohn said.

NHI also has the highest revenue per employee of all the major health care REITs, he said, noting the company has 15 employees.

Written by Mary Kate Nelson

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NHI CEO: 'Trance' Over Senior Housing Cap Rates Could End - Senior Housing News

2016 saw the hugely successful Altitude concert shows define the MaRLo sound. This year, the Altitude live experience will soar to even greater heights. Ranked the #1 DJ in Australia by ITM and #49 in the world by DJ Mag, MaRLo is renowned for spine-tingling live performances and awe-inspiring production. Dedication to his craft and the relentless honing of his skills have led him to the top and the 2017 Altitude live shows present an artist at the peak of his powers. Offering an unparalleled arena event, this year Altitude invites fans to prepare for an experience that defies expectations.

Fresh from the main stage at ASOT and cemented in to perform at EDC, Tomorrowland and a multitude of other global tastemaker festivals, MaRLo will be delivering an extended set launching the Altitude live shows into the stratosphere with both trance and tech-energy on full display. Comprising legendary production and the passion and intensity that elevates stages worldwide, Altitude 2017 is a one of a kind MaRLo experience. Stay tuned for special guest announcements!

Pre-registration is now open at http://www.marlomusic.com

05/8/2017: Festival Hall, Melbourne 12/8/2017: Hordern Pavilion, Sydney 25/8/2017: Colosseum, Jakarta 26/8/2017: KL Live, Kuala Lumpur

Co-Founder of Trance Hub, Curator of The Gathering events in India and ALT+TRANCE in Czech Republic. By day, a Digital Marketing Enthusiast with love for Food and Technology. By night, a dreamer who wants to grow the Trance scene in India.

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MaRLo takes Altitude to Asia - Trance Hub (satire) (press release) (blog)