Category Archives: Trance

A State of Trance (often abbreviated as ASOT) is a weekly radio show aired every Thursday at 20:00 (CET) and 14:00 (EST) and hosted by prominent music producer and DJ Armin van Buuren. It is also the name of van Buuren's annual CD compilation series.

First airing in March 2001 on ID&T Radio (the predecessor of Slam!FM), the show takes the format of a two-hour mix in which Armin plays new trance music (uplifting trance and progressive trance), both promotional and commercially released. Selected tracks are announced during the show in order to help promote new artists and releases. Its radio-show/website combination has proven popular internationally, as fanswhile listening to the radio-showwill converse in the website chat-rooms and forums, such as Digitally Imported, during the broadcast. Progressive trance and uplifting trance producers all submit promotional and commercially released tracks to compete to make it onto the playlist of the show each week. The success of the show has also spawned to include several dance events around the world. The show is celebrated live each year in different locations around the globe with a lineup consisting of many trance artists.[1]

A State Of Trance is a sub-label of the Dutch company Armada Music. Released its first vinyl release in 2003 and reached its 100 release (ASOT100) with "The Doppler Effect Beauty Hides In The Deep / Envio For You (The Blizzard Remix)".

A State Of Trance was formed in 2003 as a sub-label to its Dutch parent company Armada Music. It is also the parent label to A State Of Trance Limited. The style of music focuses mainly on trance and progressive trance with a wide range of artists and producers. The label is focusing on both young producers (such as Filo & Peri, 8 Wonders, Robert Nickson, and Galen Behr) as well as established artists (like Markus Schulz, Sunlounger, Sean Tyas, Signum and Vincent de Moor).

While it was not the first radio show to broadcast a two-hour mix from a recurring DJ, A State of Trance's legacy has arguably extended beyond the trance scene. Part of this may be due to the fact that for most parts of the world, A State of Trance was only accessible via Digitally Imported, an internet radio station. Since A State of Trance has gone on the air, numerous DJ's have created their own radio programs out of the spirit of A State of Trance. Some of which include, Above and Beyond with Trance Around the World (now rebranded as Group Therapy), Aly & Fila with the Future Sound of Egypt, and Markus Schulz with the Global DJ Broadcast. Some radio shows that don't even play trance music have spawned out of the spirit of A State of Trance (such as Carl Cox's Global, Hardwell on Air, and Nicky Romero's Protocol)

Special episodes of the show features various live or recorded mixes by Armin van Buuren or other guest DJs. Every 50th episode of the show there are various celebrations in different countries with many trance DJs that plays live.

In March 2011 during the Ultra Music Festival, A State of Trance was given its own stage as part of its 500th episode tour. This was the first time a radio show was given its own tent at a music festival, along with its own broadcast, separate from the festival's official broadcast. Typically a festival stage is hosted by either a particular style of music, or a record label. Since Ultra 2011, A State of Trance has had its own arena at Ultra and the Electric Daisy Carnival in Las Vegas.

Since ID&T's shift from trance to house music, A State of Trance's annual episodic celebrations have effectively replaced Trance Energy (now simply called Energy, focusing on electro house instead of trance) as the pinnacle trance event in The Netherlands.[citation needed]

A State Of Trance radio show is currently broadcast on the following radio stations:[2]

Tracklists for every episode can be found at the Episodes Section of Armin van Buuren's A State of Trance website.

Each broadcast features four songs selected as Tune of the Week, Future Favourite, ASOT Radio Classic and Progressive Pick.

The Tune of the Week is selected by Armin van Buuren as his personal choice of best new tune in the show. Here is the list of all Tunes of the Week:

The Future Favorite is voted for by listeners from a list of new tunes from the previous week's show. The poll takes place at A State of Trance.

The ASOT Old Skool Classic (until Episode 770 known as ASOT Radio Classic) track has been part of the show since Episode 284. Armin selects a track from past years of trance and briefly describes what made the track a classic. It is played as the last track of the show. Armin also played a classic track on each of the first 16 episodes in the early days of the radio show. These tracks were productions from the 1990s and showcased some of the very earliest pioneers of the Trance genre.

Armin asks the listeners of A State of Trance to submit original suggestions for the ASOT Old Skool Classic with the stipulation that the track not be a track already played on ASOT as a Classic. The following table lists all classics played on A State of Trance from Episode 284 to the present:

This is a segment for a featured new progressive trance track. This segment began with Rodg Wrong Direction on ASOT Episode 717.

Armin van Buuren regularly releases double mix CD A State of Trance compilations, as listed below:

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A State of Trance - Wikipedia, the free encyclopedia

Trance is a 2013 British psychological thriller film directed by Danny Boyle with a screenplay by Joe Ahearne and John Hodge from a story by Ahearne. The film stars James McAvoy, Vincent Cassel, and Rosario Dawson. The world premiere of the film was held in London on 19 March 2013.

Simon (McAvoy), an art auctioneer, becomes an accessory to the theft of a paintingGoya's Witches in the Airfrom his own auction house. When a gang attacks during an auction, Simon follows the house emergency protocol by packaging the painting. The gang's leader Franck (Cassel) then takes the package from him at gunpoint. Simon attacks Franck, who delivers him a blow to the head that leaves him with amnesia. When Franck gets home, he discovers that the package contains only an empty frame. After ransacking Simon's apartment and trashing his car, the gang kidnaps and unsuccessfully tortures him. But he has no memory of where he has hidden the painting. Franck decides to hire a hypnotherapist to try to help him remember.

Franck makes Simon choose a hypnotist from a directory, and he chooses a woman named Elizabeth Lamb (Dawson). As a first hypnotic exercise, Simon recalls where he put some car keys. Elizabeth exposes the gang's plan to have her hypnotize him, and demands partnership. In a next hypnotic episode, under gang supervision, Simon remembers that, shortly after the blow to his head, he awoke alone. On finding the stolen painting hidden in his suit, he left the art gallery. Distracted by a phone text message, while crossing the road, he was hit by a red car. The female driver tried to take him to hospital. Simon, in a kind of memory fugue, believed the woman was Elizabeth, recalling that she had made him forget her. The gang tries violently to force Simon to remember where he put the painting, and that ends the hypnotic episode. When asked by Elizabeth about how he met Franck, Simon confesses that he has a gambling problem. Franck helped him pay his debts in exchange for his help in stealing the painting.

To help Simon recover from the violence, Elizabeth stays overnight in his apartment. In the morning, Simon dreams of Elizabeth's having used a brain-scan behaviour-conditioning technique to erase an obsession that he had for her. Elizabeth tells Franck about that.

For the next step to recover the painting, Elizabeth tells Franck that she will sexually seduce Simon. Simon's feelings for Elizabeth recur, gently this time. At the same time, Franck and Elizabeth have unanticipated sex, and she steals his pistol from his bedside drawer. Nate, a gang member, sees them together and warns Simon, who confronts Elizabeth with it. She responds by touching his erotic mindspot, related to Goya's Nude Maja.

Remembering where the painting is, Simon goes with Franck and his associates to reveal the location, but overhears their plan to kill him. He calls Elizabeth and tells her that the painting is in a red car in a certain car park, and unable to leave Franck's apartment, he returns and kills the gang members instead. After shooting Franck, Simon wakes up: this was all dream, and he still is in Elizabeth's apartment. Elizabeth takes the car keys and goes to get the painting, leaving Franck's pistol for Simon. While searching for Elizabeth, Simon finds Franck in her apartment. Nate and his associates intercept Elizabeth and bring her there. Franck takes Simon to get the painting, and as he kisses Elizabeth, she secretly passes three bullets into his mouth. On the elevator, Simon stops Franck with a fire extinguisher, and then with the pistol, now loaded with the three bullets. In the apartment, Nate prepares to rape Elizabeth. Heading back into the apartment, Simon shoots the three gang members. He takes the car keys from Elizabeth, and loads the pistol with the remaining three bullets. He takes Elizabeth to get the painting, and she tells him to let Franck come with them. With Franck driving, Simon leads them to a parking garage where the painting is.

They collect the red car and drive it to a safe warehouse. During the trip, Elizabeth reveals that Simon was previously a client of hers. He had a gambling addiction he wanted to fix. They started an affair, and she found his erotic mindspot. However, he became obsessed with her, and eventually abusive. Fearing for her life, she re-directed the hypnosis to make him forget her. This led him back into his gambling addiction, which as previously stated, caused him to go in debt and to try to pay it off by stealing a painting, with the help of Franck. Simon recalls that, after the heist, when he was hit by the red car and mistook the female driver for Elizabeth, he strangled her.

At the warehouse, in the car's trunk, Elizabeth finds the painting and the body of the female driver. Simon, having at last remembered his past and wanting to forget, douses the car in fuel with Franck zip-tied to the steering wheel, sets it on fire and tells Elizabeth to run away with the painting. She runs away but promptly returns driving a truck which she drives into Simon, pinning him against the other car, and ultimately sending Simon, and the car Franck is trapped in, into the river.

Franck manages to escape, while it is implied that Simon is killed. The scene cuts to Franck swimming in his apartment while thinking of the event. He gets out of the pool and receives a package. He opens the package and finds an iPad that plays a video of Elizabeth talking about the painting, which is now hanging in her apartment. She reveals that when she hypnotized Simon to make him forget her, she also hypnotized him to go back into his gambling addiction and then try to steal a painting to pay off his debt. When this happened, he would instead give the painting over to Elizabeth. This explains why Simon took the painting away from Franck at the beginning and the text message he received before being hit by the car, which is revealed to be from Elizabeth telling Simon to deliver the painting to her. Elizabeth tells Franck that he can search for her and try to find her, but also gives him the option to forget the entire ordeal, and a button for an app called "Trance" appears as the video ends. Franck is shown debating whether to press the button just as the screen cuts to black.

After director Danny Boyle filmed Shallow Grave in 1994, Joe Ahearne sent the director his screenplay for Trance, seeking Boyle's encouragement. Boyle thought that the project would be "quite difficult" for a beginning screenwriter. Ahearne later turned the script into a 2001 television movie.[5][6] Boyle never forgot it, and almost two decades after their original conversation he contacted Ahearne about turning it into a feature film.[7] Partially based on Ahearne's 2001 British television film of the same name, Trance underwent script doctoring by screenwriter John Hodge marking the fifth motion picture collaboration between Hodge and Boyle.[8]

In May 2011, Michael Fassbender was cast as Franck but dropped out due to scheduling conflicts.[9][10]Colin Firth was considered for the part before Cassel was cast.[11][12]Scarlett Johansson, Melanie Thierry, and Zoe Saldana were considered for the role that went to Dawson.[12][13]

McAvoy, who accepted the role in 2011, said that he almost turned down the part, while reading the script, because Simon seemed to be a victim, which didn't interest him. He told NPR's reporter Laura Sullivan, "And then I got about 15 or 20 pages in, and I started to sense that something else was coming in the character. And then something else did come. And then about every 10 pages, something else came. Until at the end, I was hunching at the bit, as we say in Scotland... It just means I was desperate...I was hungry to play this part."[14]

Principal photography began in September 2011. After filming wrapped up, the film was placed on hold in order for Boyle to work on the opening ceremony of the 2012 Summer Olympics in London. Post-production was then picked up again in August 2012.[15]

Boyle said that this is "the first time I put a woman at the heart of a movie."[8] He also said that he originally intended to set the movie in New York City,[16] but it was filmed in London and in Kent instead, as Boyle's Olympic ceremony duties meant he had to stay in the UK.[17]

On 4 January 2013, it was announced that Rick Smith of the band Underworld would be composing the music for the film.[18] Underworld previously contributed tracks to other Danny Boyle films, including Trainspotting (1996), A Life Less Ordinary (1997), The Beach (2000), and Sunshine (2007). About the collaboration, Smith said, "After finishing the Opening Ceremony, I hardly knew what day of the week it was. I took a month off work, off music, off everything. Exactly one month and three days after we said goodbye in the stadium, I received a text from Danny that said, 'Do you ever want to hear from me again workwise and would that go as far as having a chat about Trance... Questions, questions.' Two Minutes later I was on board."[19] The soundtrack album for Trance was released in the United Kingdom on 25 March and in the United States on 2 April 2013.[19][20]

When asked by an interviewer about the secret of their 17-year-old creative partnership, Boyle joked, "He's cheap." Then, answering seriously, he said that they both like electronic music and that he doesn't prescribe a sound for a scene, but lets Smith follow his own instincts.[21]

Boyle showed a teaser trailer and an extended version of an alternate ending at South by Southwest on 9 March 2013.[22][23] The entire film could not be screened at the festival, as is usually done, because the producing studio Path owned the rights to the world premire.[24] The world premire of the film was held in London on 19 March 2013.[25] The film saw general release on 27 March 2013 in the United Kingdom,[26] with a United States release date on 5 April 2013.[27]

The film received mostly positive reviews from critics. Rotten Tomatoes gives a score of 68% based on reviews from 160 critics; the site's consensus is: "As stylish as ever, director Danny Boyle seems to be treading water with the surprisingly thinly written Trance -- but for fans of Boyle's work, it should still prove a trippily entertaining distraction".[28]Washington Post writer Michael O'Sullivan describes Boyle as "playing fast and loose with reality."[29]

On Metacritic, which assigns a weighted mean rating out of 100 based on reviews from film critics, the film has a rating score of 61% based on 37 reviews.[30]

Empire magazine in its review gave the film 4 out of 5 and called the film "a dazzling, absorbing entertainment which shows off Danny Boyle's mastery of complex storytelling and black, black humour."[31]Empire also ranked it 27 in its top 50 films of 2013.[32]

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Trance (2013 film) - Wikipedia, the free encyclopedia

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All new and totally reengineered for the benefits of 27.5-inch wheels, Trance 27.5 is the best of both worlds-light and agile, yet also super stable on the roughest trails. The lightweight, stiff and super-strong ALUXX SL aluminum frame is mated with 140mm of proven Maestro suspension The frame also features Giants OverDrive 2 steerer tube technology for stiff, razor sharp handling in the rough stuff. Climbing or descending, theres no better way to own the trail.

All specifications and prices listed are subject to change without notice.

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Trance 27.5 1 (2014) | Giant Bicycles | United States

Lots of bootlegs/remixes/mashups in this one, so if you like that sort of thing youre in for a treat!A few producers including the awesome Bryan Kearney kindly distributed some excellent productions over xmas so Ive included a few to get the year off to a banging start. Plus a great guest mix from up & coming Vancouver based DJ, EYC.

01. Whiteroom vs Ferry Corsten - White Love (Bryan Kearneys Passionate mashwork) 02. Bryn Whiting - Never Coming Down 03. Planet Perfecto Knights - ResuRection (Paul Oakenfold Full-On Fluoro mix) 04. Cygnus X - Superstring (Jordan Suckley IO remix) 05. Jordan Suckley - Flames (Sneijder 1AM remix) 06. Jean Jacques Smoothie - Two People (Kipster remix) 07. Josh C - Knock Off (David McRae remix) 08. On NRG - Own Way 09. Paul F feat. Adele - Rollin In 10. Bryan Kearney - You Will Never Be Forgotten (Unreleased mix) 11. Bryan Kearney & Snatam Kaur vs Solarstone vs Neptune Project - Ong NamAztec In Seven Cities (Bryan Kearney Pach-Up)

EYC Guest Mix: 12. Matias Faint - Casino Fire (Kent & Gian remix) 13. Sunny Lax - Always (Matt Skyer remix) 14. Nick Sentience - Kinetic 15. Paul Webster - Cut Off (Chris Metcalfe remix) 16. Running Man pres. Fifth Dimension - Somewhere 17. Bryan Kearney & Jamie Walker - Well Never Die

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The Force Factor - Trance and Hard Trance Podcast

Trance denotes any state of awareness or consciousness other than normal waking consciousness. Trance states may occur involuntarily and unbidden.

The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.

Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transre "to cross", "pass over". This definition is now obsolete.[1]

Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p.58) as a state of mind being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as taking place on a dissociated trance plane where at least some cognitive functions such as volition are disabled; as is seen in what is typically termed a 'hypnotic trance'.[2] With this definition, meditation, hypnosis, addictions and charisma are seen as being trance states. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstasy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".

John Horgan in Rational Mysticism (2003) explores the neurological mechanisms and psychological implications of trances and other mystical manifestations. Horgan incorporates literature and case-studies from a number of disciplines in this work: chemistry, physics, psychology, radiology and theology.

The following are some examples of trance states:

Trance conditions include all the different states of mind, emotions, moods and daydreams that human beings experience. All activities which engage a human involve the filtering of information coming into sense modalities, and this influences brain functioning and consciousness. Therefore, trance may be understood as a way for the mind to change the way it filters information in order to provide more efficient use of the mind's resources.

Trance states may also be accessed or induced by various modalities and is a way of accessing the unconscious mind for the purposes of relaxation, healing, intuition and inspiration. There is an extensive documented history of trance as evidenced by the case-studies of anthropologists and ethnologists and associated and derivative disciplines. Hence trance may be perceived as endemic to the human condition and a Human Universal. Principles of trance are being explored and documented as are methods of trance induction. Benefits of trance states are being explored by medical and scientific inquiry. Many traditions and rituals employ trance. Trance also has a function in religion and mystical experience.

Castillo (1995) states that: "Trance phenomena result from the behavior of intense focusing of attention, which is the key psychological mechanism of trance induction. Adaptive responses, including institutionalized forms of trance, are 'tuned' into neural networks in the brain and depend to a large extent on the characteristics of culture. Culture-specific organizations exist in the structure of individual neurons and in the organizational formation of neural networks."

Hoffman (1998: p.9) states that: "Trance is still conventionally defined as a state of reduced consciousness, or a somnolent state. However, the more recent anthropological definition, linking it to 'altered states of consciousness' (Charles Tart), is becoming increasingly accepted."

Hoffman (1998, p.9) asserts that: "...the trance state should be discussed in the plural, because there is more than one altered state of consciousness significantly different from everyday consciousness."

According to Hoffman (1998: p.10), pilgrims visited the Temple of Epidaurus, an asclepeion, in Greece for healing sleep. Seekers of healing would make pilgrimage and be received by a priest who would welcome and bless them. This temple housed an ancient religious ritual promoting dreams in the seeker that endeavored to promote healing and the solutions to problems, as did the oracles. This temple was built in honor of Asclepios, the Greek god of medicine. The Greek treatment was referred to as incubation, and focused on prayers to Asclepios for healing. The asclepion at Epidaurus is both extensive and well-preserved, and is traditionally regarded as the birthplace of Asclepius. (For a comparable modern tool see Dreamwork.)

The Oracle at Delphi was also famous for trances in the ancient Greek world; priestesses there would make predictions about the future in exchange for gold.

Stories of the saints in the Middle Ages, myths, parables, fairy tales, oral lore and storytelling from different cultures are themselves potentially inducers of trance. Often literary devices such as repetition are employed which is evident in many forms of trance induction. Milton Erickson used stories to induce trance as do many NLP practitioners.

From at least the 16th century it was held that march music may induce soldiers marching in unison into trance states where according to apologists, they bond together as a unit engendered by the rigors of training, the ties of comradeship and the chain of command. This had the effect of making the soldiers become automated, an effect which was widely evident in the 16th, 17th and 18th century due to the increasing prevalence of firearms employed in warcraft. Military instruments, especially the snare drum and other drums were used to entone a monotonous ostinato at the pace of march and heartbeat. High-pitched fifes, flutes and bagpipes were used for their "piercing" effect to play the melody. This would assist the morale and solidarity of soldiers as they marched to battle.

Joseph Jordania recently proposed a term battle trance for this mental state, when combatants do not feel fear and pain, and when they lose their individual identity and acquire a collective identity.[3]

The Norse Berserkers induced a trance-like state before battle, called Berserkergang. It is said to have given the warriors superhuman strength and made them impervious to pain during battle. This form of trance could have been induced partly due to ingestion of hallucinogenic mushrooms.

As the mystical experience of mystics generally entails direct connection, communication and communion with Deity, Godhead and/or god; trance and cognate experience are endemic. (see Yoga, Sufism, Shaman, Umbanda, Crazy Horse, etc.)

As shown by Jonathan Garb,[4] trance techniques also played a role in Lurianic Kabbalah, the mystical life of the circle of Moshe Hayyim Luzzatto and Hasidism.

Many Christian mystics are documented as having experiences that may be considered as cognate with trance, such as: Hildegard of Bingen, John of the Cross, Meister Eckhart, Saint Theresa (as seen in the Bernini sculpture) and Francis of Assisi.

Taves (1999) charts the synonymic language of trance in the American Christian traditions: power or presence or indwelling of God, or Christ, or the Spirit, or spirits. Typical expressions include "the indwelling of the Spirit" (Jonathan Edwards), "the witness of the Spirit" (John Wesley), "the power of God" (early American Methodists), being "filled with the Spirit of the Lord" (early Adventists; see charismatic Adventism), "communing with spirits" (Spiritualists), "the Christ within" (New Thought), "streams of holy fire and power" (Methodist holiness), "a religion of the Spirit and Power" (the Emmanuel Movement), and "the baptism of the Holy Spirit" (early Pentecostals). (Taves, 1999: 3)

Taves (1999) well-referenced book on trance charts the experience of Anglo-American Protestants and those who left the Protestant movement beginning with the transatlantic awakening in the early 18th century and ending with the rise of the psychology of religion and the birth of Pentecostalism in the early 20th century. This book focuses on a class of seemingly involuntary acts alternately explained in religious and secular terminology. These involuntary experiences include uncontrolled bodily movements (fits, bodily exercises, falling as dead, catalepsy, convulsions); spontaneous vocalizations (crying out, shouting, speaking in tongues); unusual sensory experiences (trances, visions, voices, clairvoyance, out-of-body experiences); and alterations of consciousness and/or memory (dreams, somnium, somnambulism, mesmeric trance, mediumistic trance, hypnotism, possession, alternating personality) (Taves, 1999: 3).

Trance-like states are often interpreted as religious ecstasy or visions and can be deliberately induced using a variety of techniques, including prayer, religious rituals, meditation, pranayama (breathwork or breathing exercises), physical exercise, coitus (and/or sex), music, dancing, sweating (e.g. sweat lodge), fasting, thirsting, and the consumption of psychotropic drugs such as cannabis. Sensory modality is the channel or conduit for the induction of the trance. Sometimes an ecstatic experience takes place in occasion of contact with something or somebody perceived as extremely beautiful or holy. It may also happen without any known reason. The particular technique that an individual uses to induce ecstasy is usually one that is associated with that individual's particular religious and cultural traditions. As a result, an ecstatic experience is usually interpreted within the context of a particular individual's religious and cultural traditions. These interpretations often include statements about contact with supernatural or spiritual beings, about receiving new information as a revelation, also religion-related explanations of subsequent change of values, attitudes and behavior (e.g. in case of religious conversion).

Benevolent, neutral and malevolent trances may be induced (intentionally, spontaneously and/or accidentally) by different methods:

Charles Tart provides a useful working definition of auditory driving. It is the induction of trance through the sense of hearing. Auditory driving works through a process known as entrainment.[citation needed]

The usage of repetitive rhythms to induce trance states is an ancient phenomenon. Throughout the world, shamanistic practitioners have been employing this method for millennia. Anthropologists and other researchers have documented the similarity of shamanistic auditory driving rituals among different cultures.

Said simply, entrainment is the synchronization of different rhythmic cycles. Breathing and heart rate have been shown to be affected by auditory stimulus, along with brainwave activity. The ability of rhythmic sound to affect human brainwave activity, especially theta brainwaves, is the essence of auditory driving, and is the cause of the altered states of consciousness that it can induce.[citation needed]

Nowack and Feltman have recently published an article entitled "Eliciting the Photic Driving Response" which states that the EEG photic driving response is a sensitive neurophysiological measure which has been employed to assess chemical and drug effects, forms of epilepsy, neurological status of Alzheimer's patients, and physiological arousal. Photic driving also impacts upon the psychological climate of a person by producing increased visual imagery and decreased physiological and subjective arousal. In this research by Nowack and Feltman, all participants reported increased visual imagery during photic driving, as measured by their responses to an imagery questionnaire.

Dennis Wier (http://www.trance.edu/papers/theory.htm Accessed: 6 December 2006) states that over two millennia ago Ptolemy and Apuleius found that differing rates of flickering lights affected states of awareness and sometimes induced epilepsy. Wier also asserts that it was discovered in the late 1920s that when light was shined on closed eyelids it resulted in an echoing production of brainwave frequencies. Wier also opined that in 1965 Grey employed a stroboscope to project rhythmic light flashes into the eyes at a rate of 1025Hz (cycles per second). Grey discovered that this stimulated similar brainwave activity.

Research by Thomas Budzynski, Oestrander et al., in the use of brain machines suggest that photic driving via the suprachiasmatic nucleus and direct electrical stimulation and driving via other mechanisms and modalities, may entrain processes of the brain facilitating rapid and enhanced learning, produce deep relaxation, euphoria, an increase in creativity, problem solving propensity and may be associated with enhanced concentration and accelerated learning. The theta range and the border area between alpha and theta has generated considerable research interest.

Charles Tart provides a useful working definition of kinesthetic driving. It is the induction of trance through the sense of touch, feeling or emotions. Kinesthetic driving works through a process known as entrainment.

The rituals practiced by some athletes in preparing for contests are dismissed as superstition, but this is a device of sport psychologists to help them to attain an ecstasy-like state. Interestingly, Joseph Campbell had a peak experience whilst running. Roger Bannister on breaking the four-minute mile (Cameron, 1993: 185): "No longer conscious of my movement, I discovered a new unity with nature. I had found a new source of power and beauty, a source I never dreamt existed." Roger Bannister later became a distinguished neurologist.

Mechanisms and disciplines that include kinesthetic driving may include: dancing, walking meditation, yoga and asana, mudra, juggling, poi (juggling), etc.

Sufism (the mystical branch of Islam) has theoretical and metaphoric texts regarding ecstasy as a state of connection with Allah. Sufi practice rituals (dhikr, sema) use body movement and music to achieve the state.

Divination is a cultural universal which anthropologists have observed as being present in many religions and cultures in all ages up to the present day (see sibyl). Divination may be defined as a mechanism for fortune-telling by ascertaining information by interpretation of omens or an alleged supernatural agency. Divination often entails ritual, and is often facilitated by trance.

In Tibet, oracles have played, and continue to play, an important part in religion and government. The word oracle is used by Tibetans to refer to the spirit, deity or entity that enters those men and women who act as media between the natural and the spiritual realms. The media are, therefore, known as kuten, which literally means, "the physical basis".

The Dalai Lama, who lives in exile in northern India, still consults an oracle known as the Nechung Oracle, which is considered the official state oracle of the government of Tibet. He gives a complete description of the process of trance and possession in his book Freedom in Exile.[9]

Convergent disciplines of neuroanthropology, ethnomusicology, electroencephalography (EEG), neurotheology and cognitive neuroscience, amongst others, are conducting research into the trance induction of altered states of consciousness resulting from neuron entrainment with the driving of sensory modalities, for example polyharmonics, multiphonics, and percussive polyrhythms through the channel of the auditory and kinesthetic modality.

Neuroanthropology and cognitive neuroscience are conducting research into the trance induction of altered states of consciousness (possibly engendering higher consciousness) resulting from neuron firing entrainment with these polyharmonics and multiphonics. Related research has been conducted into neural entraining with percussive polyrhythms. The timbre of traditional singing bowls and their polyrhythms and multiphonics are considered meditative and calming, and the harmony inducing effects of this tool to potentially alter consciousness are being explored by scientists, medical professionals and therapists.

Scientific advancement and new technologies such as computerized EEG, positron emission tomography, regional cerebral blood flow, and nuclear magnetic resonance imaging, are providing measurable tools to assist in understanding trance phenomena.

Though a source of contention, there appear to be three current streams of inquiry: neurophysiology, social psychology and cognitive behaviorism. The neurophysiological approach is awaiting the development of a mechanism to map physiological measurements to human thought. The social-psychological approach currently measures gross subjective and social effects of thoughts and some critique it for lack of precision. Cognitive behaviorialists employ systems theory concepts and analytical techniques.

There are four principal brainwave states that range from high-amplitude, low-frequency delta to low-amplitude, high-frequency beta. These states range from deep dreamless sleep to a state of high arousal. These four brainwave states are common throughout humans. All levels of brainwaves exist in everyone at all times, even though one is foregrounded depending on the activity level. When a person is in an aroused state and exhibiting a beta brainwave pattern, their brain also exhibits a component of alpha, theta and delta, even though only a trace may be present.

The University of Philadelphia study on some Christians at the Freedom Valley Worship Center in Gettysburg, Pennsylvania, revealed that glossolalia-speaking (vocalizing or praying in unrecognizable form of language which is seen in members of certain Christian sects) activates areas of the brain out of voluntary control. In addition, the frontal lobe of the brain, which monitors speech, significantly diminished in activity as the study participants spoke glossolalia. Dr. Andrew B. Newberg, in analysis of his earlier studies as opposed to the MRI scans of the test subjects, stated that Buddhist monks in meditation and Franciscan nuns in prayer exhibited increased activity in the frontal lobe, and subsequently their behaviors, very much under voluntary control. The investigation found this particular beyond-body-control characteristic only in tongue-speakers (also see xenoglossia).

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Trance - Wikipedia, the free encyclopedia

Contemporary Examples

We have some trance sounds in there in an actual trance sense, says Berkman.

The new president glided onto the stage as if in a trance, not inhabiting his own body.

Everyone seems to be in a state of trance, absorbing the music, and vibrating with energy.

The protagonist in Paris trance talks about creating a museum to all the different varieties of boredom.

This trance was held for approximately one hour and forty minutes of interrogation with a subsequent total amnesia produced.

British Dictionary definitions for trance Expand

a hypnotic state resembling sleep

any mental state in which a person is unaware or apparently unaware of the environment, characterized by loss of voluntary movement, rigidity, and lack of sensitivity to external stimuli

a dazed or stunned state

a state of ecstasy or mystic absorption so intense as to cause a temporary loss of consciousness at the earthly level

(spiritualism) a state in which a medium, having temporarily lost consciousness, can supposedly be controlled by an intelligence from without as a means of communication with the dead

a type of electronic dance music with repetitive rhythms, aiming at a hypnotic effect

(transitive) to put into or as into a trance

Word Origin

C14: from Old French transe, from transir to faint, pass away, from Latin trnsre to go over, from trans- + re to go

Word Origin and History for trance Expand

late 14c., "state of extreme dread or suspense," also "a dazed, half-conscious or insensible condition," from Old French transe "fear of coming evil," originally "passage from life to death" (12c.), from transir "be numb with fear," originally "die, pass on," from Latin transire "cross over" (see transient). French trance in its modern sense has been reborrowed from English.

trance in Medicine Expand

trance (trns) n. An altered state of consciousness as in hypnosis, catalepsy, or ecstasy.

trance in the Bible Expand

(Gr. ekstasis, from which the word "ecstasy" is derived) denotes the state of one who is "out of himself." Such were the trances of Peter and Paul, Acts 10:10; 11:5; 22:17, ecstasies, "a preternatural, absorbed state of mind preparing for the reception of the vision", (comp. 2 Cor. 12:1-4). In Mark 5:42 and Luke 5:26 the Greek word is rendered "astonishment," "amazement" (comp. Mark 16:8; Acts 3:10).

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Trance | Define Trance at Dictionary.com

1. Parker & Hanson "Arabesque" [Original Mix] (Anjunabeats) 2. Mat Zo feat. Linnea Schossow "The Sky" [Extended Mix] (Anjunabeats) 3. Jaytech "Vela" (Anjunadeep) 4. Boom Jinx & Andrew Bayer "To The Six" [Martin Roth Remix] (Anjunadeep) 5. Cressida "6AM" [Kyau & Albert Remix] (Euphonic) 6. Deadmau5 "Faxing Berlin" (mau5trap) 7. Andrew Bayer & Matt Lange feat. Kerry Leva "In And Out Of Phase" [Club Edit] (Anjunabeats) 8. Signalrunners "Meet Me In Montauk" (Anjunabeats) 9. Wippenberg "Pong" (High Contrast) 10. Norin & Rad "Bloom" (Anjunabeats) 11. Maor Levi feat. Ashley Tomberlin "Chasing Love" (Anjunabeats) 12. Who.is "We.Are" (Anjunabeats) 13. Eye Wall "Bad Deal" [DJ Remy & Roland Klinkenberg Remix] (Electronic Elements) 14. Above & Beyond & Gareth Emery pres. OceanLab "On A Good Day [Metropolis]" (Anjunabeats) 15. Mike Koglin vs. Jono Grant "Sequential" (Anjunabeats) 16. Arty & Mat Zo "Rebound" (Anjunabeats) 17. 7 Skies "Sushi" (Anjunabeats) 18. Sunny Lax "P.U.M.A" (Anjunabeats) 19. Nitrous Oxide "North Pole" (Anjunabeats) 20. DT8 "Destination" [Above & Beyond Remix] (Mondo) 21. Super8 & Tab "Helsinki Scorchin" (Anjunabeats) 22. Andrew Bayer "From The Earth" [Breakfast Remix] (Anjunabeats) 23. Above & Beyond "Can't Sleep" (Anjunabeats) 24. White Room "White Room" (Liquid Asset) 25. Super8 & Tab "Suru" (Anjunabeats) 26. Sarah McLachlan "Fallen" [Gabriel & Dresden Remix] (Arista) 27. Above & Beyond Pres. OceanLab "Breaking Ties" [Above & Beyond's Analogue Haven Mix] (Anjunabeats)

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Trance Around The World with Above & Beyond playlists and ...

Trance is a genre of electronic music that developed during the 1990s in the Netherlands.[5] It is characterized by a tempo lying between 125 and 150 beats per minute (BPM),[5] repeating melodic phrases,[5] and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops."[5] Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno,[3]house,[1]pop,[3]chill-out[3]classical music,[3][4]tech house, ambient, and film music.[4]

A trance refers to a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A characteristic of virtually all trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely,[3][5] and leaving the melody and/or atmospherics to stand alone for an extended period before gradually building up again. As a result, trance tracks are often lengthy to allow for this progression and have sufficiently sparse opening and closing sections to facilitate mixing by DJs.

Trance can be purely instrumental, although vocals are also a common feature. Typically they are performed by mezzo-soprano to soprano female soloists, often without verse/chorus structure. Structured vocal form in trance music forms the basis of the vocal trance subgenre, which has been described as "grand, soaring, and operatic" and "ethereal female leads floating amongst the synths".[8][9]

Trance as a word in music has been used for a very long time. The first usage of Trance close to the origin of Trance as a music genre is the British act The KLF on their 1988 track "What Time Is Love (Pure Trance 1)", on which the record sleeve is also annotated "Pure Trance".[citation needed] This track however cannot be classified as Trance but it is (Techno) Rave as it clearly lacks the features of Trance.[according to whom?] The very first Trance record (also British) is "Age Of Chance Time's Up (Remix)" and dates from 1989, soon followed "Age Of Love" (1990, this one by an Italian duo). The remix by Jam & Spoon of that track speeded up the genre. Dance 2 Trance is also an early example of trance music, having first released single in 1991.[citation needed]

Other schools of thought argue the name may refer to an induced emotional feeling, high, euphoria, chills, or uplifting rush that listeners claim to experience, while other suggestions trace the name to the actual trance-like state the earliest forms of this music attempted to emulate in the 1990s before the genre's focus changed.[5]

Some trace Trance's antecedents back to Klaus Schulze, a German experimental electronic music artist who concentrated in mixing minimalist music repetitive rhythms and arpeggiated sounds (specifically his 1988 album "En=Trance".[citation needed] In truth it was really Sven Vth, his labels and others in the same group that saw the initial releases of trance[citation needed] Another possible antecedent is Yuzo Koshiro and Motohiro Kawashima's electronic soundtracks for the Streets of Rage series of video games from 1991 to 1994, and the Wangan Midnight Maximum Tune series.[10][11][12][13] It was promoted by the well-known UK club-night megatripolis (London, Heaven, Thursdays) whose scene catapulted it to international fame.

Examples of early Trance releases include but are not limited to German duo Jam & Spoon's 1992 12" Single remix of the 1990 song The Age Of Love.,[1] German duo Dance 2 Trance's 1990 track "We Came in Peace".[5]

One writer[who?] traces the roots of trance to Paul van Dyk's 1993 remix of Humate's "Love Stimulation".[1] However, van Dyk's trance origins can be traced further back to his work with Visions Of Shiva, which were his first ever tracks to be released.[original research?] In subsequent years, one genre, vocal trance, arose as the combination of progressive elements and pop music,[3] and the development of another subgenre, epic trance, had some of its origins in classical music.,[3] with film music also being influential.[4]

Trance was arguably at its commercial peak in the second part of 1990s and early 2000s.[14][15]

Classic trance employs a 4/4 time signature,[5] a tempo of 125 to 150 BPM,[5] and 32 beat phrases and is somewhat faster than house music.[16] A kick drum is usually placed on every downbeat and a regular open hi-hat is often placed on the upbeat or every 1/8th division of the bar.[5] Extra percussive elements are usually added, and major transitions, builds or climaxes are often foreshadowed by lengthy "snare rolls"a quick succession of snare drum hits that build in velocity, frequency, and volume towards the end of a measure or phrase.[5]

Rapid arpeggios and minor keys are common features of Trance, the latter being almost universal. Trance tracks often use one central "hook", or melody, which runs through almost the entire song, repeating at intervals anywhere between 2 beats and 32 bars, in addition to harmonies and motifs in different timbres from the central melody.[5] Instruments are added or removed every 4, 8, 16, or 32 bars.[5]

In the section before the breakdown, the lead motif is often introduced in a sliced up and simplified form,[5] to give the audience a "taste" of what they will hear after the breakdown.[5] Then later, the final climax is usually "a culmination of the first part of the track mixed with the main melodic reprise".[5]

As is the case with many dance music tracks, trance tracks are usually built with sparser intros ("mix-ins") and outros ("mix-outs") in order to enable DJs to blend them together immediately.[3][5] As trance is more melodic and harmonic than other electronic dance music,[citation needed] the construction of trance tracks in the proper way is particularly important in order to avoid dissonant (or "key clashing," i.e., out of tune with one another) mixes.[citation needed]

More recent forms of trance music incorporate other styles and elements of electronic music such as electro and progressive house into its production. It emphasizes harsher basslines and drum beats which decrease the importance of offbeats and focus primarily on a four on the floor stylistic house drum pattern. The bpm of more recent styles tends to be on par with house music at 120 - 135 beats per minute. However, unlike house music, recent forms of trance stay true to their melodic breakdowns and longer transitions.[17]

Trance music is broken into a large number of subgenres.[citation needed] Chronologically, the major subgenres are classic trance, acid trance, progressive trance,[3]uplifting trance,[3] and hard trance.[citation needed]Uplifting trance is also known as "anthem trance", "epic trance",[3] "commercial trance", "stadium trance", or "euphoric trance",[5] and has been strongly influenced by classical music in the 1990s[3] and 2000s by leading artists such as Ferry Corsten, Armin Van Buuren, Tiesto, Push, Rank 1 and at present with the development of the subgenre "orchestral uplifting trance" or "uplifting trance with symphonic orchestra" by such artists as Andy Blueman, Ciro Visone, Soundlift, Arctic Moon, Sergey Nevone&Simon O'Shine etc. Closely related to Uplifting Trance is Euro-trance, which has become a general term for a wide variety of highly commercialized European dance music. Several subgenres are crossovers with other major genres of electronic music. For instance, Tech trance is a mixture of trance and techno, and Vocal trance "combines [trance's] progressive elements with pop music".[3]Balearic beat, which is associated with the laid back vacation lifestyle of Ibiza, Spain, is often called "Balearic trance", as espoused by Roger Shah.[citation needed] The dream trance genre originated in the mid-1990s, with its popularity then led by Robert Miles. There is also a slower bpm trance music, this styles are often called "psybient" (synonyms are "psychill", "ambient trance").[citation needed]

AllMusic states on progressive trance: "the progressive wing of the trance crowd led directly to a more commercial, chart-oriented sound, since trance had never enjoyed much chart action in the first place. Emphasizing the smoother sound of Eurodance or house (and occasionally more reminiscent of Jean-Michel Jarre than Basement Jaxx), Progressive Trance became the sound of the world's dance floors by the end of the millennium. Critics ridiculed its focus on predictable breakdowns and relative lack of skill to beat-mix, but progressive trance was caned by the hottest DJ."[18]

The following is an incomplete list of dance music festivals that showcase trance music.

Notes:' Sunburn was not the first festival/event to specialize in India in trance music much earlier pioneers of Goa parties[19] held events as early as the late 80's and through all of the 1990s[20]

Electronic Dance Music festivals in the Netherlands are mainly organized by four companies ALDA Events, ID&T, UDC and Q-dance:

Electronic music festivals in the US feature various Electronic Dance Music genres such as trance, House, Techno, Electro, Dubstep, and Drum & Bass:

The trance scene in South America is constantly growing. Countries like Brazil and Mexico have many great DJs. The most important trance festival in South America is called Universo Parallelo.

Continued here:

Trance music - Wikipedia, the free encyclopedia

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Trance (2013) - IMDb