Monthly Archives: May 2020

NSoft offers BlueOcean Gaming’s content to its full web clients – European Gaming Industry News

Posted: May 6, 2020 at 6:45 am

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Brand new partnership between the bookmaker and Udemy platform to offer thousands of virtual lessons with which workers will be able to increase professional skills and cultivate personal interests and goals

From Leadership & Managementto yoga, fromMarketingtoData Science, throughguitarlessons anddesigncourses, tophotography,pilatesand even courses to pilot adrone. These are just some of the contents available to employees ofSKS365, one of the leading operators in the international betting and gaming market, in Italy with thePlanetwin365brand.

Almost500 workerslocated betweenItaly,Austria,SerbiaandMalta, all currently remote working due to the global health pandemic Covid-19. Despite the general situation of uncertainty, the company continues to invest in their workforces learning activity, providing courses useful not only for skills development for advancement and professional career, but also to improve or deepen ones hobbies and personal interests. More than 4,000 courses on demand, some with the possibility of obtaining a true certification according to the area, all available on a single platform:Udemy, one of the most famous and rich marketplaces in the world.

Moving towards the learning culture is recognized to both, bring high value to the people and ensure long term sustainability of the companies. In SKS365 we definitely aim to embrace this culture. We know we are there when learning is no longer one more must on top of our busy schedules, but the way we approach things, an intrinsic need saidMilena Milosevic, HR Director On our path towards the learning culture we wanted to provide to our people learning that is exciting, diverse, available anytime and anywhere shaped by todays people needs. We recognized Udemy for Business as a great platform and partner.Message is simple Learn for your job, learn for yourself, learn music or graphic design, programming, leadership skills and much more. I find it beneficial because we can really explore what we want to learn personally, and professionally.

SKS365had embarked in 2019 on a process of inclusion and integration aimed at employees, through the publication of thecompany culture book available online and open to all on web a sort of corporate manifesto with which management has undertaken to enhance the relationship with human resources not only in words, but also witheconomic bonuses,extra benefitsandmeasures for balancing work and private life.

This period of strict isolation redefines the dynamics of work and interaction, risks distancing the employees from their company commentedBrianDean,CPOandHead of CommunicationofSKS365This is an unprecedented and sudden situation, which will leave a sign on all of us and will say a lot about how the relationship with the people was approached, not only in terms of technical support and role guarantee, but also as a presence, stimulus and involvement. We thought of the best way to invest in our resources, in their growth, extending attention not only to their working position, but also to their attitudes and passions. Each of them will know how to find their favourite courses among the countless contents offered by Udemy for Business.

The agreement withUdemyfor e-learning on demand enrichestraining, updating programs and, above all, concretizes the commitment that has always been declared to encourage the cultivation of individual passions and personal fulfilment even away from PCs and desks.

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Wiggin European regulation roundup May 2020 – iGaming Business

Posted: at 6:45 am

In conjunction with Chris Elliott and Beth French of Wiggin LLP, iGB provides a regulatory snapshot of igaming across Europe. Belgium, Cyprus, Denmark, Finland, France, Germany, Great Britain, Greece, the Netherlands, Portugal, Spain and Sweden are among those updated for this edition, with a number of these related to the Covid-19 pandemic

AUSTRIARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Licences for sports betting and horse race betting are available for private operators on a regional basis within Austria, whereas poker, casino, bingo and lottery are controlled by the monopoly, Casinos Austria, which has exclusive rights until 2027.Status: The CJEU has held that the Austrian casino monopoly is incompatible with EU law in a number of cases, although national courts continue to reach conflicting decisions on the compatibility of Austrias current gambling legislative framework with EU law and the position remains unclear.

BELGIUMRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: All products are available to private operators except for lotteries, which are reserved exclusively for the monopoly provider. However, online operators need to partner with a land-based licence holder in order to satisfy a local establishment requirement; alternatively, apply for one of the retail licences that can be extended to cover online.Status: There remain valid arguments that the existing regime is incompatible with Belgiums EU Treaty obligations. Active enforcement measures against operators and players are in place.A mandatory, weekly deposit limit of 500 for all customers of licensed operators is in place. A draft law to introduce an advertising and sponsorship ban has been submitted to parliament.

BULGARIARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery (excluding raffles and instant lottery games).Operator type: All products are available to private operators except for lotteries, which are to be reserved exclusively for the monopoly.Status: Any operator from an EU/EEA jurisdiction or the Swiss Confederation can apply for a licence. The Bulgarian regulator has awarded approximately 30 licences to date, including to a number of international operators. The government has adopted amendments to the countrys gambling legislation to establish a monopoly on lotteries in Bulgaria, with any existing lottery licences to be revoked with immediate effect following the amendments entry into force.

CROATIARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: All products are available to private operators except for lotteries, which are reserved exclusively for the monopoly provider. Private operators can only be licensed to offer online gambling if they obtain a land-based casino or betting licence.Status: Attempts by the Ministry to update its gambling legislation have been subject to criticism in respect of EU incompatibility issues (including the requirement that only holders of land-based licences can offer online gambling). Regulatory reforms appear to have stalled in the country.

CYPRUSRegulated gambling products: Sports betting, horse race betting and lottery.Operator type: OPAP has a monopoly over lottery operations; betting licences are available to private operators.Status: Cyprus regulated online betting in July 2012, although a licensing regime was not established until 2016. ISPs are obliged to implement blocking measures to prohibit Cypriot residents from accessing unlicensed gambling websites. A new betting law, which entered into force in March 2019, replaces the 2012 Betting Law. The provisions of the new law are substantially the same, with minor amends introduced to address EU incompatibility concerns under the previous law (such as the requirement to have a local branch in order to obtain a betting licence).An overhaul to player protection measures has been proposed by the betting regulator.

CZECH REPUBLICRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: EU and EEA-based operators are able to apply for licences.Status: The new gambling regulatory regime entered into force in the Czech Republic on 1 January 2017, allowing EU/EEA companies to enter the market. ISP-blocking measures are active in the jurisdiction. Tax rates reportedly increased to up to 30% of GGR for certain online gambling activities from January 2020.

DENMARKRegulated gambling products: Sports betting, fantasy sports, horse race betting, poker, casino, bingo and lottery.Operator type:Licences for all gambling products are available to private operators save for lotteries, which are controlled by the state monopoly.Status: The Danish online gambling regime went live on 1 January 2012. ISP-blocking measures are active in the jurisdiction and the Danish Gaming Authority (DGA) has been granted an injunction to block operators and suppliers that have been targeting Danish customers without the requisite licence. As of 1 January 2020, licensed operators are required to ensure that customers have set deposit limits before they are allowed to gamble, although it is understood this applies to online casino only. The regulator has introduced new marketing regulations, effective from 1 April 2020.

ESTONIARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Licences for all gambling products are available to private operators save for lotteries, which are reserved exclusively for the monopoly operator.Status: Operators seeking to accept business from players in Estonia must be issued an activity licence for the type of gambling they wish to offer, then an operating permit to provide the services online. A blacklist of operators is maintained and updated by local authorities and ISP and payment blocking is in force. Though some operators argue that the regime is still not compatible with EU law, no notification alleging incompatibility has been issued by the EC since the requirement for licensees to main servers in Estonia was removed.

FINLANDRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: All gambling products are under the exclusive control of monopoly provider Veikkaus Oy.Status: Despite the existence of a national monopoly, EC enforcement action was dropped subsequent to various changes to Finnish laws. Active enforcement measures are in place (restrictive marketing for offshore operators in particular) and the government is exploring measures to further restrict the offshore supply of gambling services. The Finnish Competition and Consumer Authority recently published a report criticising the existing regime, citing failures of the current monopolistic system that arguably raise questions over the regimes compatibility with EU law.Maximum loss limits have been lowered by government decree until 30 September 2020 (applicable to monopoly provider Veikkaus Oy) in light of the Covid-19 pandemic.

FRANCERegulated gambling products: Sports betting, horse race betting, poker, bingo and lottery.Operator type: Private operators can obtain online licences for sports betting, horse race betting and poker. The monopoly has exclusive rights to bingo and lottery.Status: A regulated market since the introduction of a licensing regime in 2010, following which the EC withdrew its infringement proceedings. Ordinance 2019-1015, which was published in the French Official Journal in October 2019, amends the existing gambling legislation and establishes a new regulatory authority, Lautorit Nationale des Jeux, for land-based and online gambling(said to be effective from Spring 2020). Responsible gambling advice has been issued to operators and players during the Covid-19 crisis, with a warning against using bonuses to attract new players to poker.

GERMANYRegulated gambling products: Schleswig-Holstein, a small northern-German state, regulates sports betting, horse race betting, poker, casino and bingo. The other 15 states of Germany currently permit only sports betting and horse race betting.Operator type: Private operators can no longer obtain casino licences in Schleswig-Holstein under the existing regime, although S-H has approved legislation to reinstate existing licences until 2021 (with operations allowed to continue in the interim). S-H has also introduced a quasi licensing regime for sports betting (intended to be of a transitional nature). In the other 15 states, horse race betting licences are available at a regional level. Sports betting licences can be applied for by private operators as of 1 January 2020,albeit the licensing process has been suspended following a ruling of Administrative Court of Darmstadt in April (currently the subject of appeal).Status: The main legal framework for gambling regulation in Germany has been the subject of much debate and has been heavily criticised by the EC and interested parties/states within Germany for a number of years. Discussions to reform the existing legislation have resulted in the approval of the 3rd Amendment Treaty which, following ratification on 18 December 2019, entered into force on 1 January 2020. The 3rd Amendment Treaty removes the limit on the number of sports betting licences and re-introduces a sports betting licensing process. The ban on online casino remains in place, although there is an exception to the prohibition for S-H. An increase in enforcement action is expected now the 3rd Amendment Treaty is in effect.On 12 March 2020, the German prime ministers approved the new Interstate Treaty on Gambling which proposes to allow private operators to obtain a licence to offer online slots for the first time (although stringent restrictions, such as stake limits, are expected to be implemented). The Treaty, which is scheduled to enter into force from 1 July 2021, still needs to be ratified by state parliaments before becoming law.Enforcement action continues, including a recent interdiction order issued to a payment services provider.

GREAT BRITAINRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: All licences are available to private operators save for lottery, which is reserved exclusively for the monopoly provider, Camelot.Status: Any operator that transacts with, or advertises to, British residents requires a licence from the Gambling Commission (GC). Licensed operators are required to source gambling software from GC-licensed businesses. Licensed operators are prohibited from allowing consumers to use credit cards to gamble (including online and land-based gambling with the exception of non-remote lotteries) as of 14 April 2020. The GC is set to consider the introduction of stake limits online, with a decision to be made within the next six months.Members of the Betting and Gaming Council, a UK trade group, have agreed to stop TV and radio advertising during the coronavirus lockdown.

GREECERegulated gambling products: Sports betting, horse race betting and lottery.Operator type: All products are exclusively reserved for the monopoly providers pending the implementation of an open licensing regime, although 24 transitional licences for private operators remain active, with all products permitted.Status: In 2012, a transition period commenced, whereby the Greek government granted 24 transitional licences to operators, enabling them to provide services to Greek residents. Legislation, which will introduce an open licensing regime for online betting and other online games, including casino and poker, entered into force on 30 October 2019.The new regime was not implemented by 31 March 2020 as was originally envisaged. As a result, the regulator confirmed that transitionally licensed operators could continue to offer their services under temporary licences provided such operators had submitted an application for a permanent licence prior to 31 March 2020.

HUNGARYRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Only the state monopolies (Szerencsejtk Zrt. and Magyar Lversenyfogadst-Szervezo Kft) and local concession companies can apply for a licence.Status: Amendments to Hungarian gambling law came into force on 1 October 2015 and allow only two land-based casinos to hold remote casino concessions. The regulator has since issued fines, a number of which have been challenged, against unlicensed operators that continue to target the market. In June 2017, the ECJ determined Hungarys gambling regime to be incompatible with Article 56 TFEU. A subsequent ECJ decision in February 2018 ruled against the Hungarian requirement that online gambling operators must have a land-based licence to offer online gambling services to Hungarian citizens, further strengthening arguments that the current regime is incompatible with EU law.

IRELANDRegulated gambling products: Online betting regulated since August 2015. Online gaming is not specifically accounted for in Irelands outdated legislation and as such is currently unregulated.Operator type: Private operators can apply for a betting licence.Status: Ireland has contemplated updating its legislation, which will create a comprehensive igaming regime, for some time. The Gambling Control Bill the legislation which promises to specifically regulate online gambling has been subject to continued delay and legislative progress is not expected in the short- to medium-term.

ITALYRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Fully regulated market, although lotteries are the subject of a state monopoly.Status: Remote gambling licences are granted within specific application windows. The last tender process for applications closed on 19 March 2018. AGCOM, the Italian communications regulator, recently issued its first sanction against an operator for violation of the advertising ban (introduced in 2018). New measures to combat unlicensed gambling, including payment blocking measures, entered into effect in October 2019. The 2020 Budget Law provides for the organisation of a tender for the issuance of licences by 31 December 2020 it is understood there will be 40 licences available for online gambling.

LUXEMBOURGRegulated gambling products: Lottery.Operator type: Monopoly.Status: The general prohibition on gambling appears sufficiently wide to cover all forms of online gambling.

MALTARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Private operators can apply for a local licence (except for lottery products).Status:In 2018, Malta has approved a new Gaming Act that replaced all existing gaming legislation with a single piece of legislation, supplemented by secondary legislation. The Gaming Act, with directives and regulations, became effective 1 August 2018.

NETHERLANDSRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Monopoly for all products.Status: The Remote Gambling Bill, intended to introduce a new regime, is expected to enter into force on 1 January 2021, with a six-month window for licence applications. It is understood that operators that have directly targeted the Dutch market will face a 30-month cooling-off period before being eligible for a licence. Full implementation of a licensing regime is not expected until 1 July 2021, albeit local experts consider this target increasngly unlikely. In the interim, the regulator is expected to continue to implement enforcement measures against operators targeting Dutch players.

NORWAYRegulated gambling products: Sports betting, horse race betting and lottery.Operator type: Online gambling is reserved for the two monopoly providers, Norsk Tipping and Norsk Rikstoto.Status: The monopoly has extended its offering to include live betting, online bingo and casino games in an attempt to redirect traffic from unlicensed sites. The Norwegian regulator continues to step up enforcement efforts against unregulated operators, local banks and payment service providers. The government has proposed legislative changes to stem the flow of gambling supply from offshore, including enhanced enforcement powers to prevent gambling advertising from abroad. Expanded payment blocking provisions entered into effect on 1 January 2020.

POLANDRegulated gambling products: Sports betting, horse race betting, casino and poker.Operator type: Betting licences are available for companies with a representative in Poland. Casino and poker are reserved for a state monopoly.Status: Legislation enacted 1 January 2012 permits betting. Online gaming (including poker) is no longer prohibited as of 1 April 2017, although the exclusive rights to offer such products are reserved for a state monopoly. Provisions that provide for the establishment of a blacklist of unlicensed operators and ISP and payment blocking came into force on 1 July 2017. The blacklist contains more than 1,000 domain names.

PORTUGALRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Any EU/EEA operator can apply to be granted a licence for online gambling. Lottery games and land-based fixed-odds sports betting remain reserved for a monopoly.Status: A regulated market since 2015. Although operators can apply for licences, their Portuguese revenue streams are subject to comparatively high tax rates, particularly in sports betting.Portugals 2020 Budget will implement changes to the current taxation rates applicable to selected gambling products offered online.The Portuguese government has instituted legislation that imposes a partial or total ban on online gambling for the duration of the Covid-19 pandemic. The legislation does not state the specifics on the limitations, but it is understood that it will apply to online casino only (if implemented).

ROMANIARegulated gambling products: Sports betting, horse race betting, casino, bingo and lottery.Operator type: Any operator from an EU/EEA jurisdiction or the Swiss Confederation can apply for a licence. Lottery games remain reserved for the monopoly.Status: The Gambling Law (as amended) introduced a legal framework for a fully regulated online gambling market and requires licences to be held by online gambling operators, as well as software providers, payment processors, affiliates and testing labs. After some delay, the secondary legislation that fully implemented the new licensing regime came into force on 26 February 2016. The gambling regulator actively polices the regime and notifies ISPs to block blacklisted websites.

SLOVAKIARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Private operators can apply for licences for online casino as of 1 March 2019 and for sports betting licences from 1 July 2019. Lottery and bingo remain reserved for the monopoly provider.Status: A new Gambling Law came into force on 1 March 2019. The Gambling Law allows private operators outside of Slovakia to apply for licences for sports betting and casino, although sports betting licences will not be operational until at least July 2020.

SLOVENIARegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Online gambling must be operated by land-based casinos or lotteries and, as a result, only the monopoly holds online licences in Slovenia.Status: The requirement that only land-based Slovenian operators are eligible for licences is considered by certain industry stakeholders to be incompatible with EU law. Draft amendments to the Gaming Act were published in 2015, which aimed to remove the current local establishment requirement. However, the proposal does not appear to have been submitted to parliament to date.. Whether any proposed amendments will ultimately introduce an open licensing system remains unclear.

SPAINRegulated gambling products: Sports betting, horse race betting, poker, casino, bingo and lottery.Operator type: Private operators can apply for licences for all gambling products save for lottery.Status: Operators must hold a general licence and a specific licence, both issued by the National Gambling Commission, for each activity. Remote gambling licences are granted within specific application windows. The last tender process for applications closed on 18 December 2018.In April 2020, Spains government introduced restrictive measures on the offer of bonuses and advertising gambling for the duration of the countrys lockdown during the Covid-19 crisis.

SWEDENRegulated gambling products: Betting (including sports, horse race, pool, exchanges), casino, poker, bingo and lottery.Operator type: Licences are available for private operators.Status: As of 1 January 2019, Sweden is a fully regulated market. All gambling operators that wish to offer their services to Swedish residents will be required to obtain a licence in order to validly do so (either a betting licence or a commercial online games licence, depending on the product(s) being offered). Active enforcement measures are in place.Proposed regulation, which is set to be introduced on 1 June 2020 in response to the Covid-19 crisis, will introduce restrictions on, among other things, deposit and loss limits and total login time. The measures are expected to be in place until the end of 2020.

Wiggin is a law firm dedicated to supporting the media, entertainment and gaming sectors. Its market-leading betting and gaming group provides specialist legal services to an array of gambling industry stakeholders. We advise many of the worlds leading gambling operators and suppliers and also enjoy helping entrepreneurial, interactive start-up businesses. If youd like to hear more, contact us at gambling@wiggin.co.uk.

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Kamloops Readies for Online Gaming Revenue Allocations – Casino Reports

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The City of Kamloops is looking for ways in which it could boost its city coffers with gaming revenue, a situation that requires more flexibility, as well as brand new arrangements. Kamloops Mayor Ken Christian recently confirmed that the city has commenced a conversation with the British Columbia government regarding bagging a percentage of the online gaming revenue locals generate.

Right now online gaming is widely popular across the province of British Columbia, as well as across Canada. Players are advised to practice social distancing and explore the gaming offerings available online. They are powered by the British Columbia Lottery Corporation and are available on its premium online platform called PlayNow.com. The gaming revenue generated via online gaming is considerable.

Municipalities across the province have their brick-and-mortar casino locations shut down and no gaming revenue flows into the city coffers. This interferes with the larger projects on a local level, as well as the budget set in stone earlier this year. Kamloops officials want to see the online revenue distributed across the province of British Columbia now that brick-and-mortar casino venues are not welcoming patrons on a daily basis.

Coun. Arjun Singh was the first to talk on the subject making it clear that many Kamloops locals currently gamble online and fuel the British Columbia Lottery Corporation. They have more free time on their hands and this allows them to explore the online gaming offerings the Crown corporation has up for grabs. The online gaming revenue could end up supporting their local communities, as Coun. Singh made it clear in April.

British Columbias Attorney Generals office made it clear that the change must be formally requested by the municipalities interested in bagging a percent of the revenue in question. Then both parties have to approve the new arrangement. Kamloops Mayor Ken Christian is currently engaging in this milestone conversation with the provincial government.

Brick-and-mortar casinos and gambling halls to the likes of Cascades in Aberdeen, Chances in Brocklehurst, Cascades Casino Kamloops, and Chances Casino Kamloops are expected to be the last businesses to relaunch operation in the summer months of 2020. They would have to implement various measures promoting social distancing and protecting the health of patrons frequenting them.

The preparation period ahead of the reopening is expected to take longer than the quick shutdown mid-March. Kamloops is eligible for a 10 percent of the gaming revenue of the casino hotspots in the municipality. Kamloops solely bagged some CA$2.5 million over the course of the 2018/2019 fiscal year. Projections are that the city coffers would experience a strong hit when the next casino revenue allocation makes its way.

The upcoming four months are expected to bring loss of about CA$2 million now that the two casinos are closed for business. Some of the local projects that have been postponed are the second construction phase of McArthur Island community park, infrastructural work on Victoria Street, as well as work related to the museum facility. Casino cash was also supposed to support renovation work on the Old Courthouse.

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New Jersey Online Casinos Have Big Shoes To Fill With AC Casinos Closed; Can They Do It? – Play NJ

Posted: at 6:45 am

With the state of New Jersey under a stay-at-home order until further notice, Atlantic City casinos remain shuttered.

While this is a huge blow for the gambling industry, thankfully, New Jersey online casinos provide another revenue stream for the gaming companies.

AC casinos saw an instant impact on their bottom line. Before the closure, casinos enjoyed a 21-month streak of revenue growth.

During the first month of the lockdown, the casinos saw a 47% drop from March of last year. However, despite the decline, online gaming revenue saw an increase of over 65% from that period.

David Schwartz, a gambling historian with the University of Nevada, Las Vegas, told KRCR News that the deep declines were expected.

While there will be some revenue coming in from online sources, the cessation of live casino gaming caused numbers to sharply plummet, and they will take some time to increase, even after the shutdowns end.

The $64.8 million that was earned through online gaming during the first month of the quarantine is a nice buffer. The casinos certainly welcome the revenue during these trying times.

However, when we factor in the $124 million in total gambling revenue lost, it shows a bleaker outlook for the casinos.

The longer that the brick-and-mortar casinos remain closed, the harder it will be for the corporations that own them to reopen.

With that being said, the online casinos that bring more to the table in regards to customer acquisition will be better equipped to weather the storm.

Memorial Day weekend, which is the kickoff to summer and Atlantic Citys biggest money-making season, is about a month away. If the casinos have any chance of surviving, they need to reopen around this time in some fashion.

Of course, that means a plan that involves any and all social distancing and cleaning guidelines. Only relying on online casino revenue will become less and less feasible as months go by.

Two major employers in South Jersey, AtlantiCare and the Casino Association of New Jersey (CANJ), announced a battle plan last week.

CANJ President Steve Callender spoke to NJBIZ about the plan.

We want Atlantic City to be ready to open as soon as the government determines it is appropriate to do so.

That is why we are working with our regional health care provider to develop a comprehensive plan that ensures our properties are prepared and ready to reopen when the stay-at-home order is lifted.

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Swedish concerns, UKGC injection and Danish blocks: The week in numbers – Casino Beats

Posted: at 6:45 am

Each week,CasinoBeatsbreaks down the numbers behind some of the industrys most interesting stories. The latest edition features a UKGC gambling related-harm injection, removal of adverts and the urging of Swedish proposals to be reversed.

9

TheUK Gambling Commissionis making 9m in funds from regulatory settlements available toGambleAwarein a bid to boost the resilience of gambling harm treatment services during COVID-19.

After receiving $27m in penalty packages since January of this year alone, the charity and its partners are to use the windfall to help ensure treatment and support services can continue to operate effectively and withstand additional pressures brought by the outbreak.

This follows research undertaken by the regulator that indicated an overall fall in gambling participation since lockdown commenced, however concern was raised over evidence of an increase in the use of certain gambling products such as online slots, poker, casino gaming and virtual sports.

Furthermore, it was also said that funds will help to address any increase in demand for such services, support the move of services to alternative models of delivery, such as online, as well as building resilience in the treatment and support system during the uncertainty.

28

TheEuropean Gaming and Betting Associationhas urged Swedish decision makers to withdraw proposals that would see further restrictions imposed on the countrys online gambling market.

Calling on the country not to exacerbate an already harmful unregulated gambling problem and jeopardise consumer protection even further, the comments follow the publication of a new study undertaken byCopenhagen Economics.

Published this week by Swedens online gambling trade associationBranschfreningen fr Onlinespel, it found that 22-28 per cent of online casino gambling and 15-20 per cent of sports betting is unregulated, higher than the previous official estimates.

Online gambling is a consumer-driven market and customers will shop-around for better value, bonuses and products and even look outside the regulated market to find these,Maarten Haijer, secretary general of the EGBA.

Significant numbers of Swedes already gamble in the unregulated market and the proposed restrictions to the regulated market will encourage more to do so. For these reasons, black-market companies will be the only people celebrating the restrictions.

7

Members of theBetting and Gaming Councilhave agreed to the voluntary removal of all gaming product advertising on TV and radio during the COVID-19 lockdown.

Despite a drop of ten per cent in advertising spend and the volume of TV sport and casino advertisements,BGCmembers have made the decision that all existing TV and radio advertising slots will be replaced by safe gambling messages, donated to charities or removed from broadcast where contracts permit.

Operators have until May 7 to implement the changes which will remain in force for six weeks and at a minimum until June 5 of this year. This voluntary change will apply 24 hours a day, seven days a week and will only be reviewed when lockdown restrictions are relaxed.

BGC chief executive Michael Dughercommented on the removal: From day one of this crisis we have sought to protect customers potentially at risk, including announcing stepping up safer gambling measures as part of our ten pledges for COVID-19 in March.

This latest move by the regulated industry further underlines our commitment to safer betting and gaming with many people cut off and feeling anxious.

16

The Danish Gambling AuthoritySpillemyndighedenhas been successful in taking action to block a further 16 websites from the market after bringing fresh action to the District Court.

Taking the total number of successful actions against illegal entities to 90 since 2012, this becomes the sixth time that the authority has gone to court to have illegal websites blocked that, without a licence, offer betting, online casino and skin betting to Danes.

The Spillemyndigheden stipulates that initially 17 entities were identified, however, one provider stopped the illegal provision before the case was conducted. Those blocked included seven online casinos as well as seven skin betting and two betting portals.

In a media release the regulator maintains that efforts to find and block sites that offer gambling illegally are an important part of its work to ensure a fair and legal gambling market in the country.

We work to protect players against illegal gambling, and we also need to ensure that the operators who are licensed to offer gambling in Denmark can run their businesses under orderly conditions. That is why it is very important for us to clamp down on gambling offered without a licence, stateddirector of the Danish Gambling Authority Morten Niels Jakobsen.

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‘Touched by God’ Ronaldinho is better than Messi – Cardetti – Goal.com

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The former Argentine forward played alongside the Brazilian at PSG and insists that his ability with the ball made him "different" to any other player

Martin Cardetti sayshe would choose former Paris Saint-Germain team-mate Ronaldinho over Barcelona superstar Lionel Messi.

Ronaldinho enjoyed a stellar career with PSG, Barca, AC Milan and Brazil, winning the 2005 Ballon d'Or, World Cup, Champions League and La Liga among other honours.

Messi - regarded as arguably the greatest footballer ever - has claimed a record six Ballons d'Or to go with 10 La Liga crowns, four Champions League medals and many more team trophies and personal accolades.

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But Cardetti, who spent a season playing alongside Ronaldinho at PSG before the Brazilian moved to Barca in 2003, told Crack Deportivo: "As a coach, for my team I would chooseRonaldinhoat his best overMessi.

"I shared a year withRonaldinhoand he is a different player, he's touched by God.

"He always had fun; with the ball he was always doing things and he practiced a lot so that he could replicate those things in matches."

On Ronaldinho, Argentinian Cardetti added: "You see him in training, in matches and every move he makes is different from everyone.

"Players like him appear very rarely and they are remembered in football history.

"I'm proud to have been a team-mate of that kind of player."

Ronaldinho has been in the news of late after heand his brother Roberto Assis were arrested in Paraguay in early Marchfor allegedly using fake documents to enter the country.

After spending a monthin prison, a judgedecided that the duo can live in a hotel inAsuncion while they await trial on their charges.

Speaking to Paraguayan television networkABC Colorfrom the Palmaroga hotel in the Paraguayan capital, the 40-year-old former Brazilinternational insists they came to the country to be at the launch of an online casino.

Former Ballon dOr winner Ronaldinho, part of Brazils 2002 World Cup-winning squad, said the entire situation had been hard to takeand he was working with the police to try and resolve matters.

He said: "We were totally surprised to learn that the documents were not legal. Since then our intention has been to collaborate with the justice system to clarify the facts.

"From that moment until today, we have explained everything and facilitated everything that has been requested of us."

Speaking of the moment he was told he was going to jail, Ronaldinho said: "It was a hard blow, I never imagined that I would go through such a situation. All my life I have sought to reach the highest professional level and bring joy to people with my football."

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How Art Movements Tried to Make Sense of the World in the Wake of the 1918 Flu Pandemic – TIME

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On Feb. 7, 1918, the artist Egon Schiele, then 27, once again looked to his mentor, Gustav Klimt, to be his muse. But this time, Schiele had to visit the morgue of Allgemeines Krankenhaus, the Vienna General Hospital, to make his drawings of the renowned painter. The day before, Klimt had died of a stroke that many historians believe was a result of the flu. Schieles visit resulted in three haunting drawings of a deceased Klimts head, showing his face deformed from the stroke.

That same year, Schiele began working on a painting, The Family, which was meant to be a portrait of himself, his wife and their future child. But before he could finish the piece, his wife, who was six months pregnant, died of the flu. Three days later, Schieles life was also taken by the flu.

Egon Schiele's "Gustav Klimt on his death bed," 1918

Public Domain

Norwegian painter Edvard Munch also found inspiration in the disease. The artist made Self-Portrait With the Spanish Flu and Self-Portrait After the Spanish Flu, detailing his own experience contracting and surviving the illness. These paintings, characterized by Munchs obsession with existential drama, speak to feelings of trauma and despair that were widespread amid a pandemic that killed at least 50 million people. Illness, insanity, and deathkept watch over my cradle, the artist once said, and accompanied me all my life.

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It could be easy to think that these works are the only famous examples of the impact of the 1918 flu on the world of western fine art. Though the ongoing fight against COVID-19 has drawn renewed attention to the pandemic of about a century ago, the influenza pandemic has long been largely overshadowed by World War Iin public memory as well as contemporary thoughteven though the flu had a higher death toll. In light of wartime efforts, news about the initial spread of the 1918 flu was played down in many places. Do not worry too much about the disease, wrote the Times of India, in a country where 6% of the population ended up dying from the illness. In addition, many artists were sent to war during this time or died prematurely of the flu themselves.

Egon Schiele's "The Family," 1918

Belvedere Museum

But the flu did not go unnoticed by artists. Rather, the outbreak magnified the absurdity of the moment, according to art historian Corinna Kirsch. For many, World War I and the flu combined with political upheavals (such as the collapse of the Ottoman Empire and the rise of newly-formed communist governments) and social issues (such as gender and income inequality) to create a perception of the universe as chaotic and hopeless. A sense of meaninglessness spread, and people started to lose faith in their governments, existing social structures and accepted moral values. Everyday life felt ridiculous. The art movements that came out of this period explored this hopelessness, tried to fight against it and showed the ways in which everyone was trying to cope.

The Dada movement in particular seized on this absurdity as inspiration. The Dadaists wanted to create a new form of art, one that could replace previous notions altogether. Collage became a popular medium at the time; many artists were dealing with the modern era and the horrors of war through strategies of cutting, reassembling and remixing, explains Kirsch. One 1922 piece by Hannah Hch, the only woman who was part of the Berlin Dada group, parodied a traditional German guest book by collecting Dada sayings rather than the typical well-wishes from house guests. One saying included in the piece was from the poet Richard Hlsenbeck: Death is a thoroughly Dadaist affair.

Edvard Munch's "Self-Portrait with the Spanish Flu," 1919

Nasjonalmuseet

George Grosz, another Dada artist, painted The Funeral around 1918, depicting distorted human figures haphazardly overlapping one another in what appears to be a never-ending street, surrounded by nightclubs and buildings. In the middle of the crowd is a skeleton perched on top of a coffin drinking from a bottle. In a strange street by night, a hellish procession of dehumanized figures mills, their faces reflecting alcohol, syphilis, plague I painted this protest against a humanity that had gone insane, Grosz later said of his hellscape.

Though Dadaism was mostly nihilistic in its approach, there was also a utopian impulse at work with many artists who wanted to create an entirely new world and revolution, says Kirsch.

With this impulse in mind, architect Walter Gropius founded the Bauhaus School in Weimar, Germany, in 1919. The Bauhaus aimed to bridge art and design, training students to reject frivolous ornamentation in order to create art objects that were practical and useful in everyday life. Marcel Breuer, who started at the Bauhaus in 1920 and eventually taught there, designed furnishings that historians believe were influenced by the flu. In contrast to the heavy, upholstered furniture that was popular at the time, Breuers minimalist pieces were made of hygienic wood and tubular steel, able to facilitate cleaning. Lightweight and movable, works like the designers bicycle-inspired Wassily Chair and Long Chair met modern sanitary needs by being easy to disinfect and rid of dust build-up.

The rise of modern architecture and design in the 1920s was inextricably linked to the prevailing discourse on health and social hygiene, says Monica Obniski, curator of decorative arts and design at Atlantas High Museum of Art.

Wassily Chair, B3, design By Marcel Breuer at Bauhaus School

Gamma-Keystone/Getty Images

To other artists dealing with the horrors of the time, abstraction was a way to escape reality. Abstraction became a defining sense of that moment in time. There was a definite relationship [between] non-objective, non-realistic art and the horrors of what was going in the world, says Jeff Rosenheim, Curator in Charge of The Metropolitan Museum of Arts Department of Photographs. This was seen in many paintings and photographs made during the time. [View of Rooftops], a 1917 photograph of a desolate New York City scene, made by Morton Schamberg, is one example of this. The photograph, shot at an oblique angle, abstracts the cityscape in a Cubist manner and lacks any signs of human life. Schamberg died of the flu in 1918.

Further, in 1917, Fountain was unveiled under the pseudonym R. Mutt. The work consisted of a standard urinal, signed and dated, and thrust the art world into discussions of what was and wasnt to be considered art for years to come. It is widely believed that R. Mutt was Marcel Duchamp, but the subject has been up for debate. Art historian Michael Lobel argues that R. Mutt could also have been Schamberg. We arent able to know for sure because of the artists premature death from the flu. Schambergs relatively early death not only cut short his career but also means that we have little to no recorded testimony from him on these and related matters. In his case, then, the pandemic registers mostly as a telltale absence in our account of the period, Lobel has written in Art Forum.

Morton Schamberg's "[View of Rooftops]," 1917

John C. Waddell/Ford Motor Company Collection/The Metropolitan Museum of Art

Just as the 1918 flu pandemic was an inescapable part of the zeitgeist of the time, the coronavirus pandemic has already become so today. Though we might not know exactly how COVID-19 will affect art and art movements to come, the visual culture has already shifted.

Photographers discovering empty streets and how our cities look without people show a kind of sad beauty to these urban metropolises around the world, says Rosenheim. The empty cityscapes being captured and shared arent depicting the pandemic, but the effects of isolation and emptiness, psychologically. Others have argued that, as a result of the quarantine, nude selfies have become high art.

Andreas Gursky's "Prada II," 1996

Courtesy the artist/Gagosian/The Metropolitan Museum of Art

As was the case in 1918, the pandemic is just one part of a larger mood that predated the disease. Isolation, stillness and the impacts of consumerism were already themes being explored through art in recent decades. For example, Andreas Gurskys 1996 photograph Prada II shows a display case that is completely void of product and lit with sterile, fluorescent lights an image that now calls to mind news photos of store shelves left empty amid the pandemic. Gregory Crewdsons early 2000s Beneath the Roses series captures with a surreal ghostliness the desolate corners of small towns, evoking the urban loneliness of Edward Hoppers paintings, which are being disseminated widely on social media today.

These works were created before the novel coronavirus swept the world, but they speak to the current moment proving that, as was the case in the past, Rosenheim says, we dont need a pandemic to create chaotic, psychologically traumatic imagery.

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Write to Anna Purna Kambhampaty at Anna.kambhampaty@time.com.

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The Punk Movement Was Over Before It Began – WhatCulture

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The late 1970s was a turbulent time for Britain. Mass unemployment, a new Prime Minister with her eyes on privatising national companies for huge profit, and Glam Rock. For the youth of the era, it was hard to find something to look forward to, but after a shop owner tapped into the zeitgeist from the New York music scene, a new movement began to form.

The first Punk single to be released in the UK was the 1976 track, New Rose by The Damned. The song was fast, simple and catchy. Despite this being the first mainstream British Punk song, The Damned were influenced by and had started as a supporting act to this rising Malcolm McLaren manufactured group, the Sex Pistols.

The Pistols followed The Damned one month later with their debut Punk single, Anarchy in the UK, introducing the Sex Pistols to the mainstream. They became the poster boys for the new Punk movement, which would seemingly eschew pop music orthodoxy and promote disdain for the conventional.

But was it everything they hoped? Was it everything punks now think it was? No, is the short answer...

By the time the bands second single, God Save The Queen, was released in time for the Silver Jubilee, they had been dropped from their EMI record deal due to swearing on primetime television, signed with a young Richard Bransons Virgin Records label, and had made headline news across the country.

Appearing on the front of the Daily Mirror under the headline the FILTH and the FURY, the Sex Pistols represented a new direction for pop music and seemed to endorse the idea of personal freedom, originality, and non-conformity. These ideals were attractive to the youth, and quickly Punk became fashionable. Bands would alter their sound to capitalise on the energetic and simplistic performances of the Pistols and join in the revolution, effectively conforming with the non-conformists.

After the rejection of co-managing the Sex Pistols, Malcolm McLarens former business partner, Bernie Rhodes sought to find a bad of his own. After attending local gigs and getting musicians on board, it wasnt long before he had control of his own Punk band, The Clash.

The band were the next big thing in Punk, and, under the direction of Rhodes, released a variety of singles focused on the troubles of the time. Rather than just spewing no future, The Clash rallied against the disastrous job market, declared apathy towards American music, and detailed events from a riot at the 1976 Notting Hill Carnival.

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5 Recent Comic Book Movies That Were Better Than The MCU’s Offerings (& 5 That Were Worse) – Screen Rant

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Throughout the 2010s, the rate of Hollywood comic book movie releases drastically escalated. The backbone of that movement was theMarvel Cinematic Universe, a 23-part mega-franchise encompassing 11 sub-franchises, most of which stand among the highest-grossing film series of all time. Although its business-oriented structuring has some creative drawbacks, the MCU has never produced a truly bad movie.

RELATED:10 Previous Failed Attempts To Adapt MCU Characters For The Screen

At worst, the MCUs offerings are cookie-cutter blockbusters, like Thor: The Dark World or Doctor Strange; most of the time, theyre fun, entertaining, pretty great movies, like Guardians of the Galaxy and Thor: Ragnarok; and at best, they really connect to the zeitgeist, like Avengers: Infinity War and Endgame.

There are still plenty of great comic book movies being made outside the MCU, as well as plenty of not-so-great ones that provoke more fan backlash than a Mandarin fake-out. So, here are five recent comic book movies that were better than the MCUs offerings, and five that were worse.

Patty Jenkins was lined up to direct Thor: The Dark World with a more interesting love story and astronger characterization for Jane Foster, but quit after Marvel made some script changes she wasnt happy with. (As it turned out, neither was the Marvel fanbase.)

Jenkinswas instead snapped up by DC to helm Wonder Woman. Jenkins brought a real sincerity to the project, refusing to acknowledge the word cheesy, that made it a more engaging counterpoint to the MCUs bathos.

Warner Bros. gave David Ayer just six weeks to write the script for Suicide Squad before rushing it into production. Somewhere in the movieis the groundwork for an entertaining piece aboutantiheroes, but that potential is buried under generic characterization, on-the-nose exposition (like Rick Flags introduction of Katana), and mind-numbing plot logic.

RELATED:Suicide Squad: 5 Things James Gunn Should Change From The Original (And 5 He Should Keep The Same)

Following Sylvester Stallones abysmal PG-13 attempt at bringing Judge Dredd to the screen in the 90s with Rob Schneider, the 2000 AD icon finally got his due in 2012.

Karl Urban stars in the title role in this ultraviolent hard-R take on the character as he takes a rookie (played wonderfully by Olivia Thirlby) into a high-rise controlled by a drug lord to bring down their operation with brute force.

In 2019, Simon Kinberg, who is somehow the highest-paid screenwriter in Hollywood, tried his hand at directing an X-Men movie after years of writing and producing them. As with every $200 million directorial debut, Dark Phoenix was a complete disaster. Days of Future Past may have a couple of plot holes, but it was a cinematic ride, and Apocalypse had its moments, few and far between.

RELATED:5 Things Fox's X-Men Movies Did Wrong (And 5 They Did Right)

Thanks to the Disney merger, Dark Phoenix was always going to be the final nail in Foxs X-Men franchises coffin a crew somberly going down with their ship but Kinbergs script and direction (not to mention the casts bored performances) didnt do it any favors.

Last year, for whatever reason, Academy voters got it in their heads that Todd Phillips Joker was something more profound and artistic than a derivative, confused, thematically vapid Scorsese knock-off being carried on the shoulders of Joaquin Phoenix and Lawrence Sher. James Mangolds Logan is a much better example of a comic book movie taking influence from the classics of cinema to transcend the trappings of the superhero genre.

Its a bleak neo-western taking cues from Paper Moon in its father-daughter story and Shane in itstale of an aging hero reluctantly called upon for one last act of heroism. In both cases, it doesnt feel like a rip-off of those movies but simply a story exploring the same themes in a different, more modern context.

Hugh Jackmans final performance as Wolverine is a grizzled tear-jerking delight, while Patrick Stewarts bittersweet portrayal of a dementia-ridden Charles Xavier and Dafne Keens subdued, emotionally deep performance as X-23 are quite poignant.

Midway through production on Josh Tranks unusually dark reboot of the Fantastic Four franchise, 20th Century Fox executives got cold feet about the directors weird body horror aesthetic and stepped into reshoot most of it.

RELATED:Fantastic Four: 5 Things The Other Movies Got Wrong (& 5 Ways The MCU Can Get It Right)

The reshoots are painfully obvious, from Kate Maras intermittent use of a blonde wigto the inconsistent, anticlimactic plot. Plus, for reasons unknown, the strangely titled Fant4stic carried over the terrible apropos-of-nothing Reed/Sue/Victor love triangle storyline from the previous movies.

After the first Deadpool movie provided an entertaining enough origin story with an agreeable gag rate, the second one really pushed the boat out as a meta commentary on superhero blockbusters.

At every turn, Deadpool 2 masterfully subverts the audiences expectations, such as thegrim early fate of the X-Force. Plus, the subplot involving Wades dream of reuniting with Vanessa in the great beyond gave the sequel a real emotional connection.

Why did they not just let Guillermo del Toro make Hellboy III with Ron Perlman? Instead, wegot Neil Marshall and David Harbour being given a $50 million check by a Hollywood studio to unsuccessfully mimic what del Toro and Perlman already did perfectly in 2004 and 2008, with needless bloodshed added in post to strain for a gratuitous R rating.

In some parallel universe, theres a Hellboy III directed by Guillermo del Toro and starring Ron Perlman, and it would probably be included in the best column of this list.

With emotionally resonant voice performances (particularly from Shameik Moore in the lead role), a complex plot that uses lofty sci-fi concepts like interdimensional travel to convey human ideas, and a beautiful animation style that recalls flicking through the pages of a comic book, Spider-Man: Into the Spider-Verse emerged in 2018 as the perfect Spidey movie.

RELATED:Spider-Man: 10 Things We Hope To See In The Spider-Verse Sequel

Into the Spider-Verse reassured fans that Sony wouldnt screw up all of its attempts to tell Spider-Man stories on the big screen even if it screwed up a lot of them.

This is the movie that forced Sony to relinquish some of Spider-Mans film rights to Marvel Studios, allowing his introduction in the MCU. Andrew Garfields bloated second outing as Spidey proves that Sony didnt learn anything from the shortcomings of Spider-Man 3, as they rammed it with terrible villains, and on top of that, it has a bunch of setups for a cinematic universe that never happened.

NEXT:The 10 Darkest Superhero Movies Ever Made, Ranked

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Ben Sherlock is a writer, filmmaker, and comedian. In addition to writing for Screen Rant and CBR, covering a wide range of topics from Spider-Man to Scorsese, Ben directs independent films and takes to the stage with his standup material. He's currently in pre-production on his feature directorial debut (and has been for a while, because filmmaking is expensive). Previously, he wrote for Taste of Cinema and BabbleTop.

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The Rising of the Shield Hero Is Absurdly Popular for NO Good Reason – CBR – Comic Book Resources

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Isekaiis easily the most ubiquitous genre in today's anime and manga. While this means the genre has a huge audience of avid fans, it also means that it has plenty of detractors, as well. Often seen as incredibly cliche, if not boring, the faraway fantasy worlds that isekai transports its heroes and viewers to all seem to blend together at this point. Add in a host of social faux pas, and you have the recipe for a potentially terrible anime.

That recipe was cooked to perfection with The Rising of the Shield Hero. With an overpowered protagonist who's seemingly never wrong, topped with sociallycontentious undertones, the series has gotten its fair share of well deserved flak. Despite this, it continues to find a fanbase, as evidenced by its consistently high ranking on sites like Crunchyroll. Here's a look at how one of today's worst anime has become one of its most popular.

RELATED: One-Punch Man: The Blizzard Bunch Beats [SPOILER] in the Weirdest Way

Like nearly every isekai series, The Rising of the Shield Hero began life as a light novel series before becoming a manga and finally, in 2019, an anime. The plot follows Naofumi Iwatani, a college student who is suddenly transported to a magical fantasy world. After discovering the Book of Four Heroes in this world, he is greeted by three other men and is designated as the titular Shield Hero.

Unfortunately for him, everything goes downhill from there. He's not exactly charismatic among the chosen heroes, having been something of an outcast in his original world. This leads to only one female - a cardinal sin in the harem filled worlds of isekai anime - to join his party and, once she does, she falsely accuses him of raping her. From there, he has to learn how to thrive as a hero in a world where his reputation is lower than dirt.

RELATED: Shield Hero or Reincarnated as a Slime: Which is the Better Isekai?

Fittingly, the show's own reputation and critical reception are lower than dirt, and for good reason. Thestory kicking off with the hero being falsely accused of rape was especially controversial, with many seeing it as being at odds with the zeitgeist of the #MeToo movement, if not wholly opposing it. This led to many Western fans in particular criticizing the series for its casual misogyny, though the sentiment was significantly less felt in Japan. Regardless, though this plot point is played for laughs, many felt that the confines of a fantasy isekai might not be the best place to handle such a serious topic.

The show has also been accused of supporting slavery. Early on, the protagonist actually buys a slave girl and, instead of immediately freeing her or even feeling conflicted over the fact that she's a slave, Naofumikeeps her enslaved to him. Some have excused the plot element through the show's medieval setting, as well as the fact that the hero doesn't treat his slave in a degrading or dehumanizing way. Within the show, Naofumi justifies his needing a slave by saying that no one else would willingly work with him due to his fractured reputation. This hasn't helped the character's real life reputation as an "incel self-insert" who feels put upon by the world.

Even without these unsavory elements, the show itself is just another generic isekai show, and a poorly done one at that. This is exacerbated further by Naofumi constantly winning in some form or fashion, despite him supposedly being the world's victim. He wins fights with relative ease- despite his inexperience with the fantasy game world. Far more experienced gamers and fighters pale in comparison to the awesomeness of Naofumi...for some reason. Other characters also constantly come off as incredibly dumb, either blindly worshiping Naofumiorsimply acting stupid for the sake of the plot.

RELATED: Dragon Ball: Super Saiyan 3 is the One Form Vegeta Never Mastered

Despite all of these legitimate issues, the show continues to develop an audience. Crunchyroll revealed that it was in their Top 20 list of the currently most popular series, in the same ranking as much more acclaimed shows like My Hero Academia, Narutoand One Piece.One justification for the questionable series' popularity is the current wave of other generic, poorly constructed isekai shows that seem to somehow find a loyal audience. The genre is currently plaguing anime as a whole, much as the harem genre had in years before.

The controversial elements might actually be a boon for the show's popularity. Some viewers may seek out Shield Herobecause of its taboo, almost risque reputation, while others might even sympathize with the protagonist. This would justify the show's label as an "incel fantasy," but it would also explain why rampant criticism has failed to break the show's viewership. Another interesting explanation for why the show is so widely watched may be its cult status in the West. The source material was one of the first web light novels to be translated into English, opening a new world of potential readers, and eventually viewers, to an underdog, no-name web novel author. This Western cult status is ironic, given that the West is where the series has seen the majority of its criticism. Nevertheless, the show's popularity, much like its eponymous hero, continues to rise, and it certainly won't be the last generic isekai to get more notoriety than it deserves.

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