Heres our review for Thor: Love and Thunder, which opens in theaters nationwide on Friday, July 8
By Damon Martin Editor/Lead Writer
When Taika Waititi dropped Thor: Ragnarok back in 2017, audiences were understandably pessimistic about what could expected after the first two Thor movies failed to really break through the Marvel Cinematic Universe zeitgeist.
In fact, Thors appearance in The Avengers movie was far more beloved than either of the solo films before it with both the first film and Thor: The Dark World near the bottom of the list in terms of all time ratings for MCU movies.
But Waititi changed everything with Thor: Ragnarok, which was a wholly different take on the character as he injected a ton of humor and heart into his story that also involved some rather bleak moments including the death of Odin and Thors famous hammer Mjolnir being shattered into pieces not to mention having his eye gouged out. The film was praised for the perfect balance between action, story and comedy with Waititi quickly becoming one of the most sought out directors in Hollywood.
Fast forward five years and Waititi is back with Thor: Love and Thunder a follow up to Ragnarok but more importantly the first Thor film in a post Avengers: Endgame world where many of the original Avengers are gone. Chris Evans, Robert Downey Jr. and Scarlett Johansson have all said goodbye to the Marvel films, which leaves Chris Hemsworth as the only original cast member from the 2012 blockbuster to still be around who had solo films out during that phase of the MCU (both Jeremy Renner and Mark Ruffalo are also still present in the current MCU but neither have had standalone movies before or after The Avengers was released).
Expectations were definitely high as Waititi, Hemsworth and company returned for a fourth film in the Thor franchise but sadly, Thor: Love and Thunder fails to deliver with the same kind of punch or punchline as previous film. Despite an all-star cast coming back along with some notable newcomers including Christian Bale, the latest sequel starring Thor feels more like a superhero parody than a movie that will anchor the next phase of Marvel films.
With that said, lets get to our full review for Thor: Love and Thunder
In the aftermath of Avengers: Endgame, Thor left Earth with the Guardians of the Galaxy and thats essentially where we find him when this movie picks up except hes grown far more despondent as a God amongst men, jumping in to save the day when things get a little bit too dicey for his new friends. After losing his father and his brother this film doesnt acknowledge theres another Loki somewhere in the multiverse Thor is starting to feel kind of lonely despite being surrounded by the Guardians and his old pal Korg, who came along for the ride as well.
Thats when he gets a distress call from his old friend Sif, who has been attacked by a creature called Gorr, who has vowed to kill all gods after his own family was ravaged on a desolate planet when the deity he prayed to never answered until it was already too late and then the god mocked him for his misery.
Wielding the powerful Necrosword, Gorr can actually slay the gods and hes already killed several when Thor gets the call from Sif. To make matters even weirder, when Thor returns to Earth to meet up with his friends at New Asgard he discovers that his ex-girlfriend, Dr. Jane Foster, has reforged Mjolnir and taken up the mantle as The Mighty Thor, which gives him a whole lot more questions than answers.
In many ways, the script and story are really the biggest issues with Thor: Love and Thunder and by extension that gives the actors less to work with during the performances.
Its great to see Natalie Portman back as Dr. Jane Foster along with Loki, she was arguably the best part of those early Thor movies but her story still feels somewhat disjointed and rushed. Tessa Thompson is fantastic as King Valkyrie but again shes just not given enough room to work, which is a shame after she made such an impact in Thor: Ragnarok as well as Avengers: Endgame.
As for Hemsworth, hes somehow managed to add even more muscle onto his frame because this version of Thor is apparently going to audition to become The Mountain on Game of Thrones when the movie is finished. Physicality aside, Hemsworth spends far more time in this film attempting to be funny that its actually exhausting by the time the film is finished.
Thankfully, Christian Bale does the heavy lifting when it comes to performances because his Gorr The God Butcher is definitely one of the most compelling villains in recent MCU history. He carries a real sadness behind his eyes thanks to the tragedies hes endured but Bale also expresses rage and anger in a seething matter than makes him look like a perfect foil to the gods.
This film could have used a lot more Gorr and a lot less Thor as it turns out because the script is just mired it bad quips, slap-stick jokes and just barely any real storytelling thats actually worth following. The plot is razor thin yet somehow stretched out including a middle section of the movie that just feels out of place in a sad attempt to duplicate the fun had with Jeff Goldblum in the previous Thor movie.
This time that role falls to Russell Crowe, who is an incredible actor, but its clear with this film that maybe comedy just isnt his thing.
The direction from Waititi isnt anything unexpected but it feels like he really leaned into the over the top, cartoon like effects from the last Thor movie and then injected all of that with an unhealthy dose of steroids. This movie feels like one giant Skittles bag exploded and Waititi really, really wants everybody to taste all the flavors.
The comedy in this film is just overwhelming.
With Thor: Ragnarok, it was a perfect blend of humor mixed with action, adventure and still plenty of story to propel the plot forward with every scene. This time around, Waititi abandoned the good story and just really put all of his emphasis on making the audience laugh and there are definitely some hilarious moments but this movie feels more like a Scary Movie parody of a superhero film than an actual entry into the Marvel Cinematic Universe.
Even the dour moments when Christian Bale or Natalie Portman are given time to work feels completely overshadowed by the constant injection of jokes.
As someone who loved Thor: Ragnarok, this film somehow only took the funny moments from that movie and then left everything else on the cutting room floor.
Thor: Love and Thunder is just disappointing, especially when compared to the previous Thor film, which stands as one of the best MCU movies of all time. Waititis ability to blend humor with a really heartfelt or heartbreaking story see JoJo Rabbit as a perfect example is perhaps his best talent but somehow he just decided to just turn this movie into a full blown superhero comedy, which in the end doesnt work.
Thor: Love and Thunder gets a 2 out of 5 on the Skolnick Scale.
See more here:
- Five years since #MeToo, Tarana Burke is looking beyond the hashtag - Yahoo News - October 15th, 2022
- After Florence Pugh Freed The Nipple, Olivia Wilde Supported The Movement On New Magazine Cover - CinemaBlend - October 15th, 2022
- Barbara Kay: The Movement to Normalize Pedophilia Hits a Roadblock, but We Mustn't Let Our Guard Down - The Epoch Times - October 15th, 2022
- Is it Time to Decolonize Global Health Data? - Research Blog - Duke University - October 15th, 2022
- Claire Foy Doesnt Think Women Talking Could Have Been Made Before #MeToo - Yahoo Entertainment - October 15th, 2022
- Can the Congress rewrite its chronicle of a death foretold? - Scroll.in - October 15th, 2022
- We need a strong nationalist as a president - Daily Sun - October 15th, 2022
- The 19th Century Movement to Canonize Columbus - Catholic Exchange - October 13th, 2022
- Audemars Piguet toasts 50 years of Royal Oak with new watches, book - New York Post - October 13th, 2022
- Claire Foy Doesn't Think 'Women Talking' Could Have Been Made Before #MeToo - Yahoo! Voices - October 13th, 2022
- Best Bets: 6 nights of live music at Wussow's and more - Duluth News Tribune - October 13th, 2022
- Five Burning Questions: Bad Bunny Spends a 13th Week at No. 1 With Un Verano Sin Ti - Billboard - October 13th, 2022
- San Diego artist uses creativity to uplift Black culture and 'determine how we are seen' - The San Diego Union-Tribune - October 13th, 2022
- The Premier League at thirty - what should it sound like next? - Broadcast - October 13th, 2022
- Steve Braunias on Peter Ellis case: 'Moral panic, contaminated evidence and an innocent ghost' - New Zealand Herald - October 13th, 2022
- Constituency Statutes: The Overlooked Predecessor to the ESG Movement - JD Supra - October 2nd, 2022
- 10 books to add to your reading list in October 2022 - Los Angeles Times - October 2nd, 2022
- The Multiple Religions Coexisting Within the Catholic Church - Crisis Magazine - October 2nd, 2022
- 2023 Oscar Predictions The Rules of the Game - Awards Daily - October 2nd, 2022
- Kathy Sheridan: Brace yourselves for where Giorgia Meloni and Italy end up - The Irish Times - October 2nd, 2022
- The rise and fall of Sir Philip Green, the retail king who fell from grace - Evening Standard - October 2nd, 2022
- The lying flat movement standing in the way of China ... - Brookings - September 29th, 2022
- Namwali Serpell Distills the Disorienting Experience of Grief in 'The Furrows' - Shondaland.com - September 29th, 2022
- Dance & House Music Ruled the Summer. What Now? - Complex - September 29th, 2022
- It is time to back a new party in the elections - Morning Star Online - September 29th, 2022
- The empty feminism of Dont Worry Darling - The Guardian - September 27th, 2022
- Sunburn The morning read of what's hot in Florida politics 9.26.22 - Florida Politics - September 27th, 2022
- GOP candidate Trevor Lee ran a secret Twitter account that attacked LGBTQ people and Utah Gov. Cox. Now he's been rebuked by Republican leadership. -... - September 27th, 2022
- Peeling Back the Slasher-Inspired Look of HBO Maxs Pretty Little Liars: Original Sin with Cinematographer Anka Malatynska - Dread Central - September 27th, 2022
- If theres a settlement, XRP will pump: Finder founder and other experts speculate on ... - Stockhead - September 27th, 2022
- Natural Born Killers: the soundtrack that changed the 90s - Louder - September 27th, 2022
- Uttara (2000): Capturing the Zeitgeist of a Contemporary Turbulent Period and Decoupage - High on Films - September 3rd, 2022
- From Sri Lanka to Salinas: Will California Learn Anything from Sri Lankas Green Apocalypse? - California Globe - September 3rd, 2022
- Northeastern Creatives Bringing Their Art & Identities Into The Cultural Zeitgeist - Homegrown - September 3rd, 2022
- "I Think It's Limitless": MORTEN On the Volcanic Potential of the Future Rave Movement - EDM.com - September 3rd, 2022
- Chipotle workers in Lansing fear closure after union vote: Delta Twp. location first in the nation to be unionized - City Pulse - September 3rd, 2022
- @Jamwanda2 on Saturday: Triple C: Rendezvous of problems! - The Herald - September 3rd, 2022
- L.A. fashion trend analysis: It's time to reconsider Uggs - Los Angeles Times - September 3rd, 2022
- How Eliza Rose made the song of the summer - Dazed - September 3rd, 2022
- Friday essay: Joanna Bourke, the NSW arts minister, and the unruly contradictions of cancel culture - The Conversation - September 3rd, 2022
- Human Rights in the Crosshairs - Just Security - August 25th, 2022
- Around the Circle This Week: August 25, 2022 - lakesuperior.com - August 25th, 2022
- Australias Lockdown and Vaccine Narrative Has Fallen Apart - Brownstone Institute - August 25th, 2022
- Why Dont Millennials Have Hobbies? - The Walrus - August 25th, 2022
- Cheap, green vehicles are taking off overseas. Why are they banned here? - The Spinoff - August 25th, 2022
- The clock is ticking on the Rohingya crisis - The Business Standard - August 15th, 2022
- Augustus Owsley Stanley III: The sound engineer who kickstarted the counterculture movement - Far Out Magazine - August 15th, 2022
- Shailene Woodley Used to Get Offended When People Called Her a Hippy - Showbiz Cheat Sheet - August 15th, 2022
- Never Have I Ever Co-Stars Visit Phoenix, Talk About Their Netflix Hit Teenage Dramedy - Phoenix New Times - August 15th, 2022
- The real world is terrifying: Anne-Marie Duff on sisterhood, survival and Shameless - The Guardian - August 15th, 2022
- 'He wanted to break one of your ribs and eat it': Women describe Armie Hammer's sick requests in new docu - MEAWW - August 15th, 2022
- Never Have I Ever Season 3 review: Still one of the best teen comedies out there - Entertainment News , Firstpost - Firstpost - August 15th, 2022
- Black Panther: How Sound and Vision Made the 2017 Trailer a Zeitgeist Moment - Muse by Clio - August 2nd, 2022
- The five best albums produced by Butch Vig - Far Out Magazine - August 2nd, 2022
- Jennifer Lopez's 1990s-style summer hair: how to achieve the half-up, half-down look - The National - August 2nd, 2022
- 'The establishment didn't know what to do with me': Sanjeev Bhaskar on marriage, success and stereotypes - The Guardian - August 2nd, 2022
- Tasty ways to satisfy that craving for the iconic Choco Taco - FoodSided - August 2nd, 2022
- Publishing will never be fair - UnHerd - August 2nd, 2022
- Lena Dunham's "Sharp Stick" Is Sneakily Traditionalist Just Like the Rest of Her Work - InsideHook - August 2nd, 2022
- Attacking TV presenters, ruining Glastonbury and being banned by the BBC: how Carter USM became Britain's unlikeliest chart-toppers - Louder - August 2nd, 2022
- Gugu Mbatha-Raw on Apple TV+ show Surface, her dream role and why she likes to dig into the darkness at work - Evening Standard - August 2nd, 2022
- The Great Resignation: How Beyonc became the anti-work movement queen we didn't know we needed - New Zealand Herald - July 13th, 2022
- Dobbs is a win for the American experiment - Washington Examiner - July 13th, 2022
- Social Justice Ideology and the Decline of American Medicine: A Conversation with Stanley Goldfarb - Public Discourse - July 13th, 2022
- This political ad from Jerone Davison is pretty unhinged, even for the MAGA crowd - Mic - July 13th, 2022
- Riding the wave of the Crocs - Chicago Reader - July 13th, 2022
- Whats New on DVD Blu-ray in July: 'Everything Everywhere,' 'Drive My Car,' 'The Beatles: Get Back' and More - TheWrap - July 13th, 2022
- Where The Crawdads Sing director Olivia Newman on mysteries and myth-making - The A.V. Club - July 13th, 2022
- Local artist/writer duo document 2021 and beyond - The San Diego Union-Tribune - July 13th, 2022
- The best games of 2022 so far - NME - July 13th, 2022
- Children of the Counter-Revolution - Quillette - July 13th, 2022
- Boris Johnson Could Have Been Another Thatcher - Novara Media - July 13th, 2022
- How Google is Amplifying Alternative Youth Culture - THISDAY Newspapers - July 7th, 2022
- The revolution will be televised: why we are witnessing a big-boss backlash - The Guardian - July 7th, 2022
- The Origin of Vibes - The Atlantic - July 7th, 2022
- 4 Powerful Photography Exhibitions Will Debut at the National Portrait Gallery This Year - AFAR Media - July 7th, 2022
- Battleground Director Cynthia Lowen On Roe V. Wade And Pro-Life Views - Exclusive Interview - The List - July 7th, 2022
- Club culture in the 1990s: How Dublin danced to a new beat - Irish Examiner - July 7th, 2022
- Agency of the Year and MARKies Malaysia 2022 shortlists unveiled - Marketing Interactive - July 7th, 2022
- Gaming In Ghana and Beyond | General Sports | Peacefmonline.com - Peace FM Online - July 7th, 2022