Mike Watt occupies his own niche in the space and time continuum of punk rock. He seems to belong everywhere and nowhere, simultaneously. Although he graduated high school in 1976 and fervently took the alternative path out of stadium rock clichs by honing jazz-spiel punk escapades in Minutemen, his work ever since has been quite an immersive tangle of styles, legacies, and inputs.
That is why each of his gigs, including White Oak on October 24 with the Missingmen, is tantamount to a one-off experience. One never knows what might be unleashed. The table is set. The pot stirred. And what erupts is likely to be mesmerizing and off-kilter, like a blend of the unknown. He might unveil a Roky Erickson cover while convening and careening through his latest output or pull out a momentous Minutemen flashback.
Watt's music often nods to endless syncretism and unstable hybridity alchemy in the sonic shape of free jazz, hard-cut funk, flexing punk, wonky experimentalism, and bursts of trad rock. He also offers a spiritualized special combo of vigor and craft too, forWatt is unafraid to tether his performances to a higher state of mind.
It all began when Watt was a youth. Music was a way to keep him and guitarist-singer D. Boon out of trouble, behind doors, safe from fights in working class San Pedro, CA neighborhoods in the port town.
My pop was an enlisted man. I grew up in Navy housing where we were taught we were all sailors' sons. I found it trippy how civilians organized how they lived. You know how you think the whole is world is how you're growing up ... I didn't know any officers' kids, so we were kind of segregated that way, attests Watt.
Yet, that same music eventually opened the doors to punk rock and clubs that were ... trouble spots.
D. Boon's ma had us make a band to do that, stay in his bedroom after school. We were 12, recalls Watt. When we joined the movement, we were 19, different situation. There was scary stuff in Hollywood in the later 1970s, but yeah, there were and are still in my Pedro time. I would not blame the movement for that, though. The movement helped us discover music could be used for expression.
The first gig Watt witnessed was T. Rex, yet one of his biggest influences became James Jamerson, who helped anchor the Motown sound, as well as visionary jazz pioneer John Coltrane. As such, Watts own musical melting pot has cohered around a blend of black and white musical legacies.
John Coltrane said he thought musicians were looking for some kind of truth, and I like that. James Jamerson's bass always aided and abetted the tune, while he still had his own identity, and I also like that. My life is full of mixing stuff, I'm into it. You're right.
Those expressions became explosive. His career seems to segue fluidly between markers on the musical highway. Early on, Minutemen proved immensely influential, maverick, and tireless in their pursuit of making tunes that mattered both to discerning critics and open-armed fans galore.
Band members seemed as if they punched the clock like regular Joes and wore their flannel influences, like Creedence Clearwater Revival, with determination. However, they also produced a bewildering array of tiny torpedoes musical haiku of the punk variety: brisk, poetic, condensed, and high-charged songs that still feel inventive and inchoate, from propulsive hard-fast Fanatics to the slithering snare drum background of Anchor to the rusted-edge crunch of Cut.
They performed the improbable Dr. Frankenstein too by marrying the likes of first-wave English art-punk minimalists Wire with the bombastic glare of Van Halen. Literally, they morphed the stadium rockin enormity of Aint Talking Bout Love into a minute and half thirty second gut punch that resonated and rioted, like a murky, roughhewn dot dash Morse code signal of garage rock attitude and homespun anarchic tendencies.
After the death of singer and guitarist D. Boon, Watt weaved through projects like Dos, with Kira Roessler of Black Flag fame, in which they both played bass, but he found even a louder footing in fIREHOSE. At first, they seemed akin to a lite version of Minutemen, plumbing through tunes that were smart, poetic, and dizzyingly syncopated, which set them apart from much college rock mumbling doldrums.
fIREHOSE adopted most of Minutemens limber musicality, though dropped some of the searing politics. Though, during the first Gulf War, they unveiled Wires Mannequin. The original, cut in 1977, served as a critique of empty-minded, energy void, bone-thin beauty models but was recast by fIREHOSE as a protest of the slaughter underway. So, when the line Youre a disgrace catapulted through the room, it was like a chant against the powers-that-be that treat human bodies as no more than mannequins in war zones.
fIREHOSE cemented themselves in the alternative rock zeitgeist, alongside Dinosaur Jr. and Meat Puppets, making albums brimming with guitar tours-de-force, like Flyin the Flannel, yet they still left room for idiosyncratic indie pop, like the Do-It-Yourself musings of Daniel Johnston, whose "Walking the Cow they warmly embraced.
And after fIREHOSE said goodbye, Watt's musical footprint was fecund. His solo albums have been complex, condensed arrays of music probing as evocative and conceptual as they are spirited and singular. They include the musical Rubiks Cube known as Ball Hog or Tugboat?, featuring armfuls of different artistslike Eddie Vedder and Dave Grohl;the profoundmusical overview of his father, Contemplating the Engine Room;his own near-death journey evoked on The Secondmans Middle Stand; and the Minutemen-esque Hyphenated-Man.
Yet, he also joined the Stooges, one of the most beloved proto-punk groups ever to unleash blood-curdling yelps, savage guitar wallops, and Detroit-greased beats. With Iggy Pop at the helm, and Mike Watt replacing Dave Alexander (who died in the mid-1970s), the reformed outfit felt limber and sinewy, as if age had only honed their chops. Unfortunately, since then, death has made a maximum impact on the original line-up, leaving Iggy, who began his musical journey as a drummer, as the lone force.
Yeah, Iggy is the bow of the boat, and I miss the Asheton brothers and Steve Mackay very much. James Williamson was very nice to me and so was the Stooges' helper men. It was a righteous classroom to learn as much as I could from, and I think of those cats all the time. I like the way Iggy charges hard and at the same time is always thinking about stuff. I think Iggy being a drummer has a lot to do with what he is, yeah. I think anyone doing drums can benefit from it, I really do. Damn, I wish I could work the drums ... I think I would be a better bassman.
To me, Minutemen felt as if they linked to Beat Generation poets like Bob Kaufman and Allen Ginsberg, writers that could feel both surreal and absurd, electrifying and enlightened. So, when Watt began working with Charles Plymell, publisher of groundbreaking Zap Comix artist Robert Crumb and renown underground writer of his own work Apocalypse Rose, on performances on material such as Was Poe Afraid, they seemed to share some sensibilities about language and rhythm.
I love Charley and saw him in his Cherry Valley, New York town even konked in his pad. I'm doing an opera with Petra Haden using his "Planet Chernobyl" as the libretto, tells Watt. I used a lot of what I learned in Mr. Joyce's Ulysses for my first opera Contemplating the Engine Room and also from listening to Raymond Pettibon [artist first associated with self-published zines and Black Flag art] talk to me. I like his rhythm and way of putting things together. I was very inspired to learn John Coltrane was influenced by Dr. Martin Luther King's speaking for his "Alabama" tune. I think you're right: the arts and expression overlap in many trippy ways.
More currently, Watt has been featured on the new album Wall of Flowers by Mike Baggetta, which is very tender and spare at times, yet also rooted in free jazz too, especially on tunes like I Am Not a Data Point. Though instrumental, the theme of the work seems to be: music cannot not be reduced to 1s and 0s.
Meaning, music is one of the best ways to resist the digital age, to reclaim the human.
It's his album, and he wrote the tunes, Watt describes the release. As far as what I think about what you suggest: yes, I agree music ain't maybe the best when you try and reduce it to ones and zeroes. Technology threatening us? In the old days, you could use a knife to cut up a banana into bite-sized pieces or use it to stab your partner. Same dilemma with other human inventions, it appears to me."
Look at the way people are driving on the roads these days, a nightmare ... I saw it getting really bad about two and a half years ago, on my last U.S. tour.
So, as the roads grow more bewildering, hectic, and disorderly, Watt will continue to be restless, both behind the wheel as well as on his musical path. While many rockers settle for a sense of redux and repeat, playing the oldies and crowd pleasers to a slew of people holding up their shiny phones, Watt prepares for another leg of his obsessive journey that you would be wise to witness.
Mike Watt & the Missingmen is scheduled for October 24 at 8 p.m. at White Oak Music Hall, 2915 North Main. For information, visit http://www.whiteoakmusichall.com. All ages. $18 advance $20 day of, plus fees.
Visit link:
Things to Do: Mike Watt Returns to White Oak to Play Maverick Music - Houston Press
- NBC Has a Huge Opportunity with Law & Order: SVU's 25th Season - CBR - Comic Book Resources - November 30th, 2023 [November 30th, 2023]
- Seeding a gay community in LA, the gay liberation revolution - Los Angeles Blade - November 30th, 2023 [November 30th, 2023]
- Britney Spears's 'Baby One More Time' music video debuted on ... - Yahoo Entertainment - November 30th, 2023 [November 30th, 2023]
- 13 Of The Greatest And Most Famous Britpop Bands - Hello Music Theory - November 30th, 2023 [November 30th, 2023]
- The top advertising campaigns of 2023 according to Australian ... - AdNews - November 30th, 2023 [November 30th, 2023]
- The 25 Best New Movies Streaming in November 2023 - TheWrap - November 30th, 2023 [November 30th, 2023]
- Jets' Aaron Rodgers 'attacking' rehab, eyes return this season - WABC-TV - October 3rd, 2023 [October 3rd, 2023]
- ESG counteroffensive is missing big guns - POLITICO - POLITICO - October 3rd, 2023 [October 3rd, 2023]
- The increasingly radical climate movement, explained - Vox.com - October 3rd, 2023 [October 3rd, 2023]
- Imani Winds inspires with recital celebrating composers of color at ... - EarRelevant - October 3rd, 2023 [October 3rd, 2023]
- The Super Models Tells the Story of the Original Fashion Influencers - AnOther Magazine - October 3rd, 2023 [October 3rd, 2023]
- What constitutes a master? Don't ask Jann Wenner The Daily ... - Daily Free Press - October 3rd, 2023 [October 3rd, 2023]
- The Conviviality of Ivan Illich (Part I) | by O.G. Rose | Oct, 2023 ... - Medium - October 3rd, 2023 [October 3rd, 2023]
- SickKids unveils more future-focused VS campaign to match new ... - The Message - October 3rd, 2023 [October 3rd, 2023]
- Top 6 Iconic Classic Rock Bands of the '60s - American Songwriter - October 3rd, 2023 [October 3rd, 2023]
- Brent Harold: The renaissance of union logic - Arizona Daily Star - October 3rd, 2023 [October 3rd, 2023]
- German bishops conclude tense gathering with all eyes on Synod ... - Catholic World Report - October 3rd, 2023 [October 3rd, 2023]
- Slasher Saturdays: The Hills Have Eyes (1977) Vs. The Hills Have ... - Horror Obsessive - October 3rd, 2023 [October 3rd, 2023]
- Listen to Scott Drebit Discuss His New Book A CUT BELOW: A ... - Daily Dead - October 3rd, 2023 [October 3rd, 2023]
- Whitney Houston Hairstyles: Tribute to Her Unparalleled Elegance - PINKVILLA - October 3rd, 2023 [October 3rd, 2023]
- Frosted Lipstick, Chunky Highlights & Thick Eyeliner: Every Beauty ... - New Zealand Herald - October 3rd, 2023 [October 3rd, 2023]
- From Alphas To Betas: Science Says There Are Three Types Of ... - Evie Magazine - October 3rd, 2023 [October 3rd, 2023]
- Russell Brand is a product of the horrifically misogynistic noughties - Prospect Magazine - October 3rd, 2023 [October 3rd, 2023]
- The Enduring Magic of Lorde's Pure Heroine and HAIM's Days Are ... - Paste Magazine - October 3rd, 2023 [October 3rd, 2023]
- Climate activists: How far is too far in raising the climate alarm? - Daily Maverick - October 3rd, 2023 [October 3rd, 2023]
- Pride Anthems at WHBPAC June 2nd at 8PM - Hamptons.com - May 28th, 2023 [May 28th, 2023]
- The illuminating influence of Eric Huntley - Peoples Dispatch - May 28th, 2023 [May 28th, 2023]
- Want Sofia Richie Style? Try These Cheap Nordstrom Finds - Who What Wear - May 28th, 2023 [May 28th, 2023]
- What will Saudi-Iran rapprochement mean for the Palestinians? - +972 Magazine - May 28th, 2023 [May 28th, 2023]
- EU as Arbiter of Ideological Elegance? The European Conservative - The European Conservative - May 28th, 2023 [May 28th, 2023]
- Catholic theology yesterday and today: A Thomist's response to Dr ... - Catholic World Report - May 28th, 2023 [May 28th, 2023]
- Andy Warhol exhibition coming to College of DuPage - Chicago Tribune - May 28th, 2023 [May 28th, 2023]
- COVER STORY | Arlo Parks Embraces the Intimacy of Aliveness - Paste Magazine - May 28th, 2023 [May 28th, 2023]
- The Number Ones: The Black Eyed Peas' Boom Boom Pow - Stereogum - May 28th, 2023 [May 28th, 2023]
- 7 First-time ASTRA Exhibitors You Don't Want to Miss This June - Gifts & Decorative Accessories - May 28th, 2023 [May 28th, 2023]
- Curator Lesley Lokko on the Venice Architecture Biennale: 'It's about ... - Financial Times - May 18th, 2023 [May 18th, 2023]
- German revolution of 1848: A precursor to today's democracy - DW (English) - May 18th, 2023 [May 18th, 2023]
- The Hoxton, Lloyd Amsterdam to open 21st August 2023 - Hospitality Net - May 18th, 2023 [May 18th, 2023]
- Ruin America? Joe Manchin is just getting started. | Will Bunch ... - The Philadelphia Inquirer - May 18th, 2023 [May 18th, 2023]
- How the MTV logo captured the creative spirit of the 1980s - Creative Bloq - May 18th, 2023 [May 18th, 2023]
- I give up I cant do that: The song that made David Crosby want to quit music - Far Out Magazine - May 18th, 2023 [May 18th, 2023]
- How We Loved and Lost the Hot Girl Summer - The Swaddle - May 18th, 2023 [May 18th, 2023]
- 5 Laid Back Essentials From Faherty Prove The Hype - Fatherly - May 18th, 2023 [May 18th, 2023]
- 'How to Blow Up a Pipeline' director Daniel Goldhaber explains the ... - The Real News Network - May 18th, 2023 [May 18th, 2023]
- The Totally Rockin' History of Dr. Teeth and the Electric Mayhem - Collider - May 18th, 2023 [May 18th, 2023]
- Was The Hunger Games Renaissance Planned All Along? - GameRant - May 18th, 2023 [May 18th, 2023]
- Michael J. Fox Looks Back on Hollywood Triumphs, Setbacks and Why Parkinsons Is the Gift That Keeps on Taking - Variety - May 18th, 2023 [May 18th, 2023]
- It's Raining Ramen! A Brief History of Jewish Asian Fusion - Aish - May 18th, 2023 [May 18th, 2023]
- Ted Weber's Wesleyan Political Theology - Juicy Ecumenism - May 18th, 2023 [May 18th, 2023]
- What do the British Royals and Cleopatra have in common? - Firstpost - May 18th, 2023 [May 18th, 2023]
- Pakistan Army won't bounce back easily this time. Imran Khan ... - ThePrint - May 18th, 2023 [May 18th, 2023]
- Five years since #MeToo, Tarana Burke is looking beyond the hashtag - Yahoo News - October 15th, 2022 [October 15th, 2022]
- After Florence Pugh Freed The Nipple, Olivia Wilde Supported The Movement On New Magazine Cover - CinemaBlend - October 15th, 2022 [October 15th, 2022]
- Barbara Kay: The Movement to Normalize Pedophilia Hits a Roadblock, but We Mustn't Let Our Guard Down - The Epoch Times - October 15th, 2022 [October 15th, 2022]
- Is it Time to Decolonize Global Health Data? - Research Blog - Duke University - October 15th, 2022 [October 15th, 2022]
- Claire Foy Doesnt Think Women Talking Could Have Been Made Before #MeToo - Yahoo Entertainment - October 15th, 2022 [October 15th, 2022]
- Can the Congress rewrite its chronicle of a death foretold? - Scroll.in - October 15th, 2022 [October 15th, 2022]
- We need a strong nationalist as a president - Daily Sun - October 15th, 2022 [October 15th, 2022]
- The 19th Century Movement to Canonize Columbus - Catholic Exchange - October 13th, 2022 [October 13th, 2022]
- Audemars Piguet toasts 50 years of Royal Oak with new watches, book - New York Post - October 13th, 2022 [October 13th, 2022]
- Claire Foy Doesn't Think 'Women Talking' Could Have Been Made Before #MeToo - Yahoo! Voices - October 13th, 2022 [October 13th, 2022]
- Best Bets: 6 nights of live music at Wussow's and more - Duluth News Tribune - October 13th, 2022 [October 13th, 2022]
- Five Burning Questions: Bad Bunny Spends a 13th Week at No. 1 With Un Verano Sin Ti - Billboard - October 13th, 2022 [October 13th, 2022]
- San Diego artist uses creativity to uplift Black culture and 'determine how we are seen' - The San Diego Union-Tribune - October 13th, 2022 [October 13th, 2022]
- The Premier League at thirty - what should it sound like next? - Broadcast - October 13th, 2022 [October 13th, 2022]
- Steve Braunias on Peter Ellis case: 'Moral panic, contaminated evidence and an innocent ghost' - New Zealand Herald - October 13th, 2022 [October 13th, 2022]
- Constituency Statutes: The Overlooked Predecessor to the ESG Movement - JD Supra - October 2nd, 2022 [October 2nd, 2022]
- 10 books to add to your reading list in October 2022 - Los Angeles Times - October 2nd, 2022 [October 2nd, 2022]
- The Multiple Religions Coexisting Within the Catholic Church - Crisis Magazine - October 2nd, 2022 [October 2nd, 2022]
- 2023 Oscar Predictions The Rules of the Game - Awards Daily - October 2nd, 2022 [October 2nd, 2022]
- Kathy Sheridan: Brace yourselves for where Giorgia Meloni and Italy end up - The Irish Times - October 2nd, 2022 [October 2nd, 2022]
- The rise and fall of Sir Philip Green, the retail king who fell from grace - Evening Standard - October 2nd, 2022 [October 2nd, 2022]
- The lying flat movement standing in the way of China ... - Brookings - September 29th, 2022 [September 29th, 2022]
- Namwali Serpell Distills the Disorienting Experience of Grief in 'The Furrows' - Shondaland.com - September 29th, 2022 [September 29th, 2022]
- Dance & House Music Ruled the Summer. What Now? - Complex - September 29th, 2022 [September 29th, 2022]
- It is time to back a new party in the elections - Morning Star Online - September 29th, 2022 [September 29th, 2022]
- The empty feminism of Dont Worry Darling - The Guardian - September 27th, 2022 [September 27th, 2022]
- Sunburn The morning read of what's hot in Florida politics 9.26.22 - Florida Politics - September 27th, 2022 [September 27th, 2022]
- GOP candidate Trevor Lee ran a secret Twitter account that attacked LGBTQ people and Utah Gov. Cox. Now he's been rebuked by Republican leadership. -... - September 27th, 2022 [September 27th, 2022]
- Peeling Back the Slasher-Inspired Look of HBO Maxs Pretty Little Liars: Original Sin with Cinematographer Anka Malatynska - Dread Central - September 27th, 2022 [September 27th, 2022]