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Monthly Archives: July 2022
Royal Ontario Museum Captures the Human Story in a Gripping 6 Minutes – Muse by Clio
Posted: July 13, 2022 at 9:19 am
"I will paddle the rivers of Turtle Island, be born into a rich family, die at 19 a pharaoh in Egypt. I will be beheaded. I will be a girl. I will be shamed. I will live through a pandemic. Or die in one."
"Immortal" was directed by Scouts Honour's Mark Zibert. The script was written by Denise Rossetto and Carlos Moreno, Broken Heart's co-founders and chief creative officers. The whole ad takes place in the womb of Earth, and is told from the perspective of an unborn child who contains the story of everyone who ever lived. Zibert and his team used lens, lighting and atmospheric effects to lend the impression that the piece was shot entirely underwater.
So many moments this meditation pricked our eyes. The juxtapositions of time and position are not only narrative; they appear, visceral and slow-moving, in water. A modern protestor leaps over a Roman soldier, both too preoccupied by the dance of their own timeline to see one another. The Berlin Wall resurrects to be crushed again, moments before a Black ballerina appears, staring out at nothing in particular. Great triumphs sit aside great follies: Write the Song of Solomon, then be the one who burns it.
"We always knew we wanted people not just to see objects," says Rossetto. "If you've been to the ROM, you've seen objects. We needed people to see that these aren't objects, they are portals to humanity."
The goal of "Immortal" is to cultivate that perspective of objects. "Every object in ROM is a portal to stories with the relevance that can speak to something we are facing today; igniting important cultural conversations. 'Immortal,' as a platform, speaks to the legacy of these objects and the immortality of these stories," says Lori Davison, the museum's chief marketing and communications officer.
The work concludes, "I will give birth and I will die. But I will live on in what I leave behind."
"I put on my late father's watch the day of the shoot," Rosetto says. "And I thought, 'He's living on with me today in the watch he left behind.' I felt this emotional feeling that I'm wearing what my dad left behind for me. I kind of like looking at objects everywhere as the people behind them and the love they put into these things."
The campaign will run through the summer in cinemas, outdoors and on digital. The Royal Ontario Museum will keep the full version on its YouTube.
Client: ROMChief Marketing Officer: Lori DavisonVP, Brand and Marketing: Kathryn BrownlieVP, Communications: Sally Tindal
Agency: Broken Heart Love AffairChief Creative Officers: Denise Rossetto, Carlos Moreno, Todd MackieStrategy: Jay ChaneyAgency Team: Bev Hammond, Joline Matika, Carlos Game-Garcia, Olivia CousineauAgency Producer: Erica Metcalfe
Culture Consultant: Shaunoh Wilson
Media Agency: OMDChief Talent and Enablement Officer: Christine Wilson
Production Company: Scouts HonourExecutive Producers: Simon Dragland, Rita PopielakDirector: Mark ZibertDirectors Of Photography: Mark Zibert, Eric KaskensProducers: Simon Dragland, Rita PopielakCreative Research: Tricia ZarembaProduction Service Company: Moonlighting FilmsExecutive Producer: Shayne BrooksteinLine Producer: Suzanne CurrieProduction Designer: Naobie NoisetteCostume Designer: Ruy Filipe
Prosthetics: CosmesisLead Artist: Clinton Aiden Smith
Casting: Kamikaze CastingCasting Director: Lea-Anne HendrickseIndigenous Casting: Shasta Lutz
Editorial: Nimiopere EditorialExecutive Producer: Julie AxellEditor: Graham ChisholmAssistant Editor: Griffin Stobbs
CG & VFX: Motif StudiosVFX Artist: Craig ParkerExecutive Producer: Jacques Bock
Colour: Alter EgoColourist & VFX: Wade OdlumExecutive Producer: Hilda PereiraSenior Producer: Genna Mcauliffe
Additional VFX: Tantrum StudioVFX Artist: Dominik Bochenski
Audio House: Rajakovic ElectricMusic Composer / Audio Director: Mark RajakovicExecutive Producer: Nicole RajakovicMix & Sound Design: Aaron MccourtVoice Over: Alana Bridgewater
Graphic Design: Leo Burnett DesignChief Creative Officer: Lisa GreenbergHead Of Design: Man Wai WongAccount Lead: Kim Le
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An Appalling Reboot Better Left Dead is Coming Back to Life on Streaming – Attack of the Fanboy
Posted: at 9:19 am
While some movies will die in the court of public opinion during their time in the cinema, that doesnt mean they cannot come back to life on a streaming service. If anything, the ability to pick from a vast library of films without investing more than your monthly subscription has allowed films to reach much bigger audiences than were otherwise possible. It certainly seems to be paying off for The Mummy (2017), which is finding a whole new audience on Amazon Prime after crashing and burning with critics and audiences alike when it was first released.
According to FlixPatrol, this shambling corpse of cinematic ambition has managed to claw its way out of the grave and all the way to the number one spot in Primes movie section. Directed by Alex Kurtzman (The Amazing Spider-Man 2, Star Trek Into Darkness), the movie rebooted the popular Mummy series that had won over audiences in the late 90s, with Brendan Fraiser and Rachel Weisz leading a charming cast through hilarious tales of action and adventure that channeled the soul of Indiana Jones. The reboot set the story in a modern-day setting with a gritty tone and was planned to kickstart Universals Dark Universe series that would see a return to the screen of some of their most famous monsters.
Despite struggling in preproduction and seeing a number of directors leave the project before Kurtzmans arrival, the project managed to attract Hollywood heavyweight Tom Cruise to play the lead character, U.S. Army Sergeant Nick Morton. Morton accidentally releases Ahmanet, played by Sofia Boutella, and is thrown into a series of disastrous events that see him teaming up with Jenny Halsey, played by Annabelle Wallis, in an attempt to put the mummy back in the coffin. Nick ends up being possessed by Ahmanet, granting him immortality. After that, the movie becomes a confused and ill-paced mess as Universal attempts to cram in enough twists and turns to establish the world they needed to launch yet more monster movies.
Sadly, the movie fell flat with the public, as critics awarded it just a sixteen percent score on Rotten Tomatoes, with audiences giving it a score of just thirty-five percent. Streaming audiences dont seem to mind, as The Mummy has been embraced in multiple countries, rising to the number one spot on Prime worldwide. Interestingly, the movie saw a similar box office take with an almost identical budget to the original film but was considered a financial failure by most. In a world of billion-dollar superhero movies, the entire Dark Universe was shelved, and we havent heard anything about it since.
It seems unlikely that this success on Amazon Prime will be enough to resurrect the Dark Universe, which is a shame as it would have been great to see modern takes on The Invisible Man, Frankenstein, the Werewolf, and more, but at least fans of terrible movies have something to indulge themselves with.
- This article was updated on July 12th, 2022
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Who’s Who: The Definitive Directory of the DC Universe Vol. V – Multiversity Comics
Posted: at 9:19 am
Welcome to our coverage of Whos Who! For this summer, well be focusing exclusively on the 26-issue 1985-1987 series, without any of the updates. Those will, hopefully, follow next year.
Today, we dive into the fifth installment, which continues the Legionnaire focus and brings us some of the kookiest villains DC has to offer.
Best overall entry: Crime Doctor
While I maintain that the Flash has the best villains at DC, there are some Batman villains that are just perfect. Created by Bill Finger and Bob Kane back in 1943, the Crime Doctor is such a fun idea. Hes the doctor to the underworld, and collects a portion of their loot for his fee, but still upholds the Hippocratic Oath. It also has the perfect comic book copout ending, where someone who knows that Bruce Wayne is Batman winds up in a vegetative state with no memory.
Best non-character: The Construct
Now, maybe youll argue that this is a character. Im not going to argue that its debatable, but Id say that a collection of radio waves that became sentient is not, actually, a character.
Marquee character: Cyborg
We are still in the midst of the New Teen Titans being one of DCs most popular comics, and so Cyborg is front and center on this cover.
Most obscure character: Colonel Future
Col. Future may be the most obscure character yet in Whos Who. Aside from a Superman Sourcebook and this issue, he was only in two other pre-Flashpoint comics. There was a Superman villain on Earth-2 with the same name, but he is only in 5 issues. And, there was a reboot in the the Americas Best Comics imprint, but he was only in five issues there, too. 12 issues across three different timelines is an impressive and small footprint.
Also, the dude got a full page! Some pretty major characters got the half page treatment, but not Colonel Future!
Most incomprehensible entry: The Controllers
This is the perfect storm of incomprehensibility: 30th Century, Green Lantern, pre-historic, alien, and monolithic. This all (mostly) made sense to me, but Rao help someone without a brain rotted by comics.
Most bizarre entry: Composite Superman
This is such a fun character, but everything about it, from the look to the origin (Legion statues struck by lightning while a janitor walks by) make this a nutty concept, even for hardened comics guys to embrace.
Most Surprising Entry: Clayface
Now, I knew that there were multiple Clayfaces (Claysface?), but I wasnt aware that, pre-Crisis on Infinite Earths, that Basil Karlo didnt have any shape shifting abilities.
Top three pieces of art:
3. Colonel Computron
Carmine Infantino and Klaus Janson absolutely kill this boxy weirdo.
2. Cyborg
All hail George Prez (and Romeo Tanghal) for all of this, but especially the transformation in the top background.
1. Creeper
Dave Gibbons is so associated with Watchmen that I think he gets looked over for just how great his other work is. I mean, just marvel at this for a moment. Hot damn, son.
Best lines/details per entry:
Chronos: Clinton, admiring the clockwork precision with which everything was run in prison, decided he would make time work for him rather than against him.
Brians commentary: Irony is an overused term, but it is borderline ironic to do crimes inspired by prison.
Cinnamon: Known relatives: Unnamed Father (deceased)
Brians commentary: I know that her father plays into her origin, but the fact that hes dead and unnamed means that you can probably not mention him and still be ok.
Circe: During the most recent of their encounters, Wonder Woman was indeed responsible for the destruction of Circles precious herbs of immortality, so that the enchantress is now aging normally.
Brians commentary: Herbs of immortality? Sounds like Circe is 420 friendly, no?
The Citadel: With the technology in place, the First Citadelin forcibly ejected his Psion allies (making war even on them), creating the Citadel race but the clones were imperfect and retarded.
Brians commentary: Uhhhmay want to rephrase that, bro.
Claw: The Unconquered:
Brians commentary: This is some of the most stringent anti-fap action weve ever seen in a DC comic.
Clayface(s): His flesh now malleable, Payne transformed himself into an Adonis and stepped out on the town.
Brians commentary: If youre blue and you dont know where to go to, why dont you go where fashion sits?!
Clock King:
Brians commentary: Sometimes, these villain origins are torture porn. My goodness.
Cluemaster: Convinced the very knowledge that they were facing the Batman was a psychological handicap that gave the Masked Manhunter an edge over his foes, the Cluemaster was determined to lean the Batmans true identity so that he could sneak-attack and dispose of the Batman in his civilian guise.
Brians commentary: Is Masked Manhunter a common name for Batman? Also, this acts like Cluemaster is the first person to realize that if you could solve Batmans secret identity, that youd have a leg up on Batman.
Colonel Computron: Though it has been speculated that Colonel Computron is in fact either Basil Nurblin, the actual inventor of the Captain Computron toy, his wife Francine, an electronic wizard in her own right, or their genius daughter, Luna.
Brians commentary: Electronic wizard sounds like either an early 80s MCs name or a toy that Radio Shack sold.
Colonel Future:
Brians commentary: This power is pretty cool, but it sounds like no one would want to have the physical effects of getting to that power.
Color Kid: His power to alter the color of objects, a result of a laboratory accident that bathed in a multidemensional light, was considered nearly useless and he was rejected.
Brians commentary: I meanyeah.
Colossal Boy: When the true identity of Yera (the Durlans stage name) was revealed, Gim realized he had fallen in love with her, and reaffirmed his marriage.
Brians commentary: Sometimes, the best marriages are the ones that begin with deception.
Commander Steel: As of this writing, the details of Commander Steels exploits between 1941 and the present have not been officially recorded.
Brians commentary: Then why, pray tell, would you even mention that?
Composite Superman: When possessing these powers, the Composite Superman is an extraordinary athlete and superior hand-to-hand combatant. Plain Joe Meach is neither of those things.
Brians commentary: Sick burn.
Computo: A now-tamed version of Computo is contained in an energized circuit globe that serves as majordomo for the LSH headquarters under Brainiac Fives watchful supervision, and the suspicious lances of other Legionnaires.
Brians commentary: Im highlighting this just for the use of the word majordomo, which is a lovely word we dont use nearly enough.
Congorilla: Explorer, Big-Game Trapper, Naturalist, Corporate President
Brians commentary: Donald Trump Jr. wants this exact bio for his Truth Social bio.
The Construct:
Brians commentary: This is some sci-fi bullshit, but exactly my kind of sci-fi bullshit.
Controllers: The Legionnaires also confronted the Controller, who died of an apparent heart attack that may or may not have been caused by the presence of Ferro Lads ghost.
Brians commentary: I love to hear that near-indestructible alien races can still suffer from the effects of heart disease.
Copperhead: Constructed from a unique weave of experimental metallic and elastic fibers, the snake-suit is coated with a polymer film that enables Copperhead to slither through impossibly small spaces and makes him almost untouchable.
Brians commentary: So his suit allows his bones to shrink or go limp?
Cosmic Boy: Recently, Rokks mother, Ewa, was killed in a fireballing incident.
Brians commentary: I feel like we need more context for what, exactly, a fireballing incident entails.
Cosmic King: He has demonstrated no skill at physical combat.
Brians commentary: Whos Who values two things above all else: are you an Olympic-level athlete, and can you throw a punch? If there answer to either is no, get the fuck out.
The Council: The Council values secrecy above all else and does all it can to avoid attracting attention to itself. Thus, at this writing, the world is generally unaware of the Councils existence.
Brians commentary: Seems like writing this exact entry would make them impossibly mad.
Count Vertigo: Alter Ego: Count Werner Vertigo
Brians commentary: I know that he wasnt exactly looking for a secret identity, but cmon dude.
Crazy Quilt: After murdering Kinski during an argument, Crazy-Quilt managed to lure Robin into an alley and, beating him mercilessly, left the boy for dead, not knowing that this was Jason Todd, the new Robin.
Brians commentary: Dont you hate it when you beat the wrong boy and nearly kill him?
The Creature Commandos:
Brians commentary: The idea of a Frankenstein called Taylor is never not funny to me.
The Creeper: In order to infiltrate a costume party where the kidnappers were rumored to be fathering, Jack threw together a makeshift out from from old odds and ends, including yellow makeup and a shaggy sheepskinrug.
Brians commentary: I like that Jacks costume also involved some red gogo boots and a green striped pair of briefs. Lets go to this party!
Crime Doctor: Occupation: Physician and Part-time criminal
Brians commentary: Shouldnt his name be Doctor Crime then? You lead with the title thats most a part of you, no?
Crime Syndicate:
Brians commentary: Please, give us more ridiculous examples!
Crimson Avenger: The Crimson Avengers calling card was a cloud of crimson smoke through which he made a most dramatic entrance.
Brians commentary: Ive known people who appear through a cloud of verdant smoke, if you catch my drift.
Croc: Born in a Florida slum to an unwed mother who died giving birth to him, Waylon Jones was raised by a deadbeat alcoholic aunt.
Brians commentary: Jesus, why not just slander the whole family while youre at it?
Cyborg: The morose young athlete was virtually rebuilt from scratch and given a body far more powerful than that of any normal human being.
Brians commentary: Wouldnt you be morose if you were almost killed and now was half machine? Way to judge, Whos Who.
Cyclotron: Though ultimately cured of her radiation poisoning in an as-yet-disclosed manner, Terri Curtis passed the effects of the radiation on to her own son, Albert, with led to his becoming the super-hero known as Nuklon.
Brians commentary: If you think this is confusing, wait until you see how Nuklon was retconned into being the Atoms son.
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Who's Who: The Definitive Directory of the DC Universe Vol. V - Multiversity Comics
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Rossi: Penguins grant Evgeni Malkins wish, and Pittsburgh is better for it – The Athletic
Posted: at 9:19 am
About a half-hour after Evgeni Malkin scored 50 goals for the first time, Mike Kadar walked into Ray Sheros office astonished.
Shero asked Kadar, the man whod helped Malkin rehab his surgically repaired knee the previous summer, what was wrong. Kadar left the office and returned a few minutes later with a puck that was cut in half.
It was the puck from Malkins 50th goal.
Ray, he told me it was mine as much as it was his, said Kadar, then the Penguins conditioning coach. I dont know what to say. Have you ever seen something like this before?
Shero had not. Nor did he have much advice. He had only this observation: Thats so Geno!
That is one of my favorite Malkin stories. There are so many others, but this is the one I like best: Despite a fairly fraught few months of negotiations, Malkin, who signed a four-year contract with the Penguins on Tuesday night, will be able to follow through on the goal he told me about way back during his rookie year. With his good friend Sergei Gonchar as an interpreter, Malkin said he wanted to play only for Pittsburgh, always with Sid.
Congrats, Evgeni your wish came true in the waning hours of what what was looking like it might be your last day as a Penguin.
Congrats, too, to general manager Ron Hextall your word was your bond, and after repeatedly saying you wanted to keep Geno, you did with not much time to spare.
It doesnt matter how it happened. It did. And everybody from Malkin to Hextall to the Penguins and Pittsburgh is better for it.
Malkin is as beloved as any player in franchise history. Hes earned that devotion from Penguins fans because hes been brilliant over the course of 16 years, if not the entirety of every season, always in moments that defied belief.
There was his record goal-scoring surge to begin a future Hall-of-Fame career.
Or The Geno Goal against the Hurricanes in the 2009 Eastern Conference final, only to follow it up by becoming the first Russian-born NHL player to win the Conn Smythe as MVP of the Penguins first of three Stanley Cup titles in the Sidney Crosby/Malkin era.
Oh, by the way, congrats are also due to Sidney Crosby. As The Athletic reported, as Malkin was discouraged a few weeks ago, Crosby visited Malkins home in Florida. Crosby also stepped in Tuesday to bring the Penguins and Malkin back from the brink a day after Malkin, feeling insulted and unwanted during negotiations, told his agent, J.P. Barry, the Penguins had waited too long to start talking about his desired four-year deal.
Malkin was set on testing the free-agent waters.
Or was he?
The Penguins hadnt been willing to firmly offer a four-year contract at the point when Malkin appeared to pull the plug on his Pittsburgh tenure. However, after talking to sources close to Malkin late Tuesday, Im convinced Malkin and Barry essentially called the Penguins bluff and played the only hand they had remaining to get a deal done in Pittsburgh: threatening to blow out of town as an unrestricted free agent.
If public reaction to Malkins possible departure was any indication, a divorce would have gone down as the most unpopular personnel decision in over 50 years of Penguins hockey. And thats saying a lot wounds have still not healed over the way former icons Jaromir Jagr and Marc-Andre Fleury left Pittsburgh. A big hole remains in Penguins fans souls because those players wont finish their careers the way Malkin, Crosby and Kris Letang will.
Malkin is staying, though.
Hes back to finish what hes always said he wanted to do: win at least one more title with Crosby and Letang, his self-described Canadian and French brothers.
This is as it should be, and not for nostalgia.
The Penguins havent lost four consecutive opening-round playoff series because those three werent good enough. They were done in by other roster deficiencies, and now Malkin has followed Letangs lead and signed a franchise-friendly final contract that will allow the Penguins to build a club better situated to contend for the Cup.
He wants to be the first Russian to win four Cup titles.
He also likes the idea of doing what the Steelers of the 1970s did tethering themselves to all future generations of fans in sports-mad Pittsburgh by adding a fourth title that would be, as Joe Greene said of the Steelers then, an invitation to immortality.
Will it happen? Who knows.
There will be an opportunity, and thats all anybody could have hoped for going into this seismic offseason. Hextall saved enough cap space to still do some work when free agency opens at noon Wednesday.
Unlike so many stars who are flipped for so many prospects, draft picks and spare parts, Malkin will get to go out on his own terms. Like Letang, Malkin got a full no-trade clause in his new contract. Neither player can be moved without his respective approval over the next four years.
And if youre thinking that Crosby is signed for only three years well, dont sweat that detail. He told The Athletic he wants to play at least another six, so hell be re-upping in a couple of summers too.
As a topsy-turvy Tuesday played out, I spent time working on a column of my favorite Malkin memories. The concept was to honor his time in Pittsburgh by peeling back the curtain on our unique professional relationship. I was struggling to wrap my head around the column because I didnt want to write it.
I will one day.
But that day is four years off.
Still, Ill share one more anecdote that shows the Evgeni who exists behind the Geno character that has so enraptured the Pittsburgh public for the past 16 years.
On my last trip to Moscow in 2019, Malkin sat at a restaurant table above the sparse facility where he trained and thanked me for again coming to meet him in his adopted Russian hometown. He explained that it meant a lot that over the years that Id made a point to speak directly to him as opposed to at him, that I took time to know his family and customs, that I helped him through early interviews when he wasnt comfortable with language, and that I write Geno stories when everybody else always writes Sid.
The journalist in me was uncomfortable. The person I am was stunned. This was a genuine moment between two people, but it was brief before I quickly moved on to something else.
So I asked Malkin if he remembered a particular week during his second season when I asked him every day what he had eaten for breakfast. He nodded.
Jelly toast, he said, smiling. You didnt believe me. But I like jelly toast. And I dont like to change what I like.
Evgeni Malkin loves playing for the Penguins.
And now that doesnt have to change for him.
(Photo: Kirk Irwin / Getty Images)
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Shitnews and fakenews, tools of the far right – PRESSENZA International News Agency
Posted: at 9:18 am
Unlike other political and ideological currents, the extreme right and the so-called libertarians have been better able to read the changes in societies, take advantage of the weaknesses and cracks in liberal democracies and understand the advantages offered by new technologies, and they demonstrate this, above all, in their campaigns not only of fakenews, but also of shitnews.
By Aram Aharonian
The far right has understood that fragilities and vulnerabilities can be exploited and that deconstructing shared reality and sowing confusion can further polarise society and remove them in the imposition of collective imaginaries and at the electoral level. Hence their interest and efforts to generate and disseminate fake news. In Europe, the United States, Asia, Oceania and Latin America.
The growth of extreme right-wing parties throughout the world, especially in countries such as France, Italy, Spain, Hungary, Poland, Brazil and the United States, has put every democrat and anti-fascist on alert, and from this concern arises debates on how to combat their racist, xenophobic, sexist, homophobic or aporophobic hate messages, i.e., those who reject, dislike, fear and despise the poor, the underprivileged.
And then thinkers ask themselves old questions such as whether intolerance should be tolerated, or whether any idea, even if it is discriminatory, is respectable for the sake of the sacrosanct freedom of expression.
But the real concern is how to counter them and how the media and social organisations, trade unions, democratic political parties should deal with the extreme right. And we are back to the eternal dilemma of whether the media should ideally ignore the far right or whether it is better to counter-argue their discourses. The issue is once again on the agenda of academics and communicators.
From March 2020 to October 2021, more than 400 politicians, civil and religious leaders, and some 200 civil, religious and political organisations have been counted in Latin America pushing messages and lobbies against a rights agenda: they do not believe in a gender focus in education, nor in LGBTI rights, nor in equal marriage, nor in sexual and reproductive rights. And they question the UNs efforts to push for gender equality, the globalist agenda.
The far right 2.0 has been able to read the changes in society better than others, to take advantage of the weaknesses and cracks in liberal democracies and to understand the possibilities offered by new technologies, unlike other political and ideological currents. It has understood that existing weaknesses and vulnerabilities can be exploited.
Hence its interest in and efforts to generate and disseminate fake news. In the 2016 US election campaign, the vast majority of fake news were pro-Trump messages, while in Poland, twice as many fake news pages were classified as conservative as progressive ones.
The far-rights medium-term goals are to undermine the quality of public debate, promote misperceptions, foster greater hostility and erode trust in democracy, journalism and institutions.
Up to 22 new websites that function as opinion generators and content creation by influencers, to fabricators of hoaxes or fake news or the whitewashing and naturalisation of the far right were identified in Europe by the Rosa Luxemburg Foundation, in a report that states that the genesis of the new right lies precisely in the internet and in these types of portals.
The viralisation of messages, videos or memes on social networks is the most widely used tactic through a complex network where so-called far-right influencers are aided by an endless number of fake or automated profiles -bots and sockpuppets- and activists who engage in trolling and shitposting. Techniques that border on illegality or are punishable as a crime are becoming increasingly common.
These include doxing the disclosure of a persons personal details in order to intimidate, silence and publicly discredit critical voices and political opponents or coordinated attacks known as shitstorming.
Often these practices are supported by what have been called troll factories or troll farms, companies dedicated to creating automated accounts, spreading fake news and harassing journalists or users on social media. These companies can be funded or created by governments, but also set up by individuals apparently not linked to political formations or governments. But generally, the financiers are the same.
In the far-rights strategy, fake news is a central element, and there is a distinction between short- and medium-term objectives. Among the former, as the case of Cambridge Analytica shows, is that of winning elections or increasing electoral consensus.
The ability of fake news to modify voting intentions seems to be much more effective than traditional electoral advertisements. The slogans used Take Back Control, Make America Great Again, Italians First have sold their political products, have managed to connect with the sentiments of the citizenry and have displaced rational reflection on technical issues.
This connects with social media studies, which allow us to analyse peoples feelings, opinions, prejudices and fears, and thus personalise propaganda and push certain messages over others. Content that provokes highly stimulating emotions is more likely to be shared. That is, a Facebook post or tweet that provokes astonishment, anxiety or anger is positively linked to virality.
Already Cambridge Analytica (CA)-a private British company that combined data mining and data analysis with strategic communication for the electoral process-which came to fame in 2018 for the so-called Facebook-CA scandal-had shown that provoking anger and outrage reduced the need for rational explanations and predisposed voters to a more indiscriminately punitive mood.
In his study of the far-right US Alt-Right, The New Yorkers Andrew Marantz showed how memes that is, an image, video or text, usually distorted for caricatural purposes are key to this strategy. The algorithms used by the major social platforms were not designed to assess whether an idea was true or false, prosocial or antisocial, but to measure whether a meme triggered a surge of activating emotions in a large number of people.
Memes are associated with the tactic of shitposting, i.e., trolling and attacking political opponents and filling social networks with low-quality content to divert discussions and render what is posted on a site useless or, at the very least, worthless. Shitposting also has the function of desensitising listeners over time.
It is therefore evident that the publication of fake news and conspiracy theories favours both the viralisation of news and the emotional and visceral reactions of a significant percentage of users. And the viralisation, moreover, does not remain only in social networks, but also reaches the traditional media and even parliaments.
The phenomenon of feedback between social networks, traditional media and places of public debate such as parliaments demonstrates the existence of global networks for the dissemination of far-right discourse, such as Steve Bannons Movement, one of the promoters of far-right libertarianism, but also important lobbies such as arms or Christian fundamentalism that promote a common agenda and finance far-right parties.
This is what explains the spread of truly incredible plot theories such as Pizzagate, according to which the main leaders of the Democratic Party in the US, starting with Hillary Clinton, had created a human trafficking network and organised child sex abuse sessions in restaurants such as the Comet Ping Pong pizzeria in Washington.
Or that of Qanon which interprets the world as a struggle between Good and Evil, represented by Trump and a supposed System, respectively or that according to which Bill Gates is the creator of the coronavirus. In a bewildering and ambiguous reality, conspiracy theories offer a mould of order, whose attractive simplicity eclipses their absurdities, Forti points out.
Spains far-right Vox party studies the formations website and profiles on Facebook, Twitter, Telegram, Flickr, Youtube, Instagram, TikTok and Gab. The use of these channels differs in their format and style, as they target different audience profiles.
An analysis by Andrea Castro and Pablo Daz points out that all the content generated by Vox for the digital sphere responds to the same discursive patterns: simplification and the use of direct and clear language, with belligerent expressions and calls to action, which it exploits to disqualify and ridicule its political opponents and praise its leaders. His use of networks focused on young users, such as Youtube, Instagram or TikTok, where he adapts his stylistic resources, stands out.
Also relevant is its presence on Gab, a social network characterised by not limiting any content and whose users are associated with extreme right-wing political positions.
In Germany, the AfD, the new German far right, did not become the countrys social media party by chance. They knew that the mainstream media would not let their racist and disrespectful messages get across so easily. And so, they started to sell themselves as victims who build their own rebel loudspeaker and begin to generate distrust of the mainstream media.
No other political party in Germany has more followers than Alternative fr Deutschland (AfD) on Facebook. It has 4.5 million users in Germany. The more emotion a post conveys, the more reactions it provokes. This is how the algorithms score. More user interaction with a post means more visibility and more attention.
While the AfDs official pages contain posts on topics such as terrorism and immigration, the far right is at home in private Facebook groups. The modern discourse of the new far right changes and users go straight to sharing quotes from Mein Kampf, Adolf Hitlers book, or links to scientific publications on white supremacy and so on.
As a closed group, this generates a much stronger sense of community or bond, where the constant reaffirmation of the same identity that feels defrauded and deceived by the media and institutions is strengthened. Only three percent of Germans have a twitter account, but almost every journalist in Germany has one. Their tweets are aggressive and direct in order to get their issues on the media agenda and get the other parties to make statements about them.
Conspiracy theories can also be transmitted as a subtly progressive process. They call this redpilling, in reference to the movie Matrix, where the ideological component is added step by step. Personal fear is associated with a picture of the culprit. In most cases these are fears related to migration, sexual violence, social decline or terrorist attacks. Conspiracy theory provides an easy explanation and a simple picture of the enemy.
In the US it was noticed that the focus and resources afterwards were too much on Islamist terrorism. The far-right internet networks were hardly observed. There was a failure to better understand this whole subculture, in order to finally be able to classify it properly.
What is potentially threatening to democracy? What can turn into violence? What is really just trolling? Today, the authorities do not have the full picture, in terms of far-right online groups. On the Islamist side they believe they are much better protected, or at least they do not have accomplices in the upper echelons of power.
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Shitnews and fakenews, tools of the far right - PRESSENZA International News Agency
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Patrick Lawrence: This Week in Fake News / Blurred Truths – Scheerpost.com
Posted: at 9:18 am
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No, I still havent got over the report in The New York Times this spring, wherein we learned of a joint AmericanUkrainian campaign to inundate Russians with propaganda intended to demoralize the public as Russian forces advanced in eastern Ukraine. Using a mix of high-tech and Cold War tactics, the government-supervised Times reported, Radio Free Europe/Radio Liberty is circulating information about the Ukraine war among Russian citizens to sow doubt about the Kremlins accounts in an effort to undermine faith in the Kremlin.
Now is this great, disinterested journalism or what?
And here is the passage in the Times report you just have to dig: Radio Free Europe/Radio Liberty, a U.S.funded but independent news organization founded decades ago, is trying to push its broadcasts deeper into Russia.
U.S.funded but independent? How does this work? RFE/RL is a news organization now? Foundednote the passive voice herein some distant decades ago?
This piece is the work of Julian Barnes and Edward Wong, and let the bylines of these two perfectly ordinary reporters be noted for the record. Lets clean up their quite disgraceful act very briefly.
Radio Free Europe was founded in mid1949, about two years after the onset of the Cold War, by the National Committee for a Free Europe, an antiCommunist cabal of spooks, pols, and publishers Allen Dulles set in motion as one of his numerous front organizations while he was director of the CIA. It was a big deal in the Eisenhower administrations Crusade for Freedomdont you love the names they give these things?during the 1950s. The CIA funded RFE, directly but covertly, until 1972.
At that point, the policy cliques decided it was poor PR for the agency to write the checks. RFE, which merged with Radio Liberty in 1976, has since been funded by Congress via the Agency for Global Media. Its all above board now, nice and clean.
This is RFE/RL as it is. It is neither independent nor a news organization and has never been either. What Barnes and Wong did get right was their reference to Cold War tactics: What RFE/RL is up to in Russia today is a subversion campaign of exactly the kind they were founded to conduct at the Cold Wars outset.
I was put in mind of this nonsense when I read the latest last week about Rappler, the Filipino news site whose founder, Maria Ressa, won the Nobel Peace Prize earlier this year. Rappler has been in a running battle with the government that dates to 2017, when President Rodrigo Duterte first charged the site with breaching laws prohibiting foreign ownership of Filipino media.
The Times chimes in once again. It describes Rappler as an independent news organization and quotes Ressa asserting, This is harassment and intimidation. If this were Latin America we would describe Duterte as a good, old-fashioned caudillo, and I have a good idea we may indeed be watching as he harasses and intimidates Rappler.
But what about these charges of foreign ownership? A journalist cant go home with a Nobel for her fight for freedom of expression and be other than independent. Are Ressa and Rappler indeed independent?
Not by a long way is my short answer.
The Duterte government first went after Rappler in consequence of an investment Ressa had accepted from the Omidyar Network. Immediately a problem. Pierre Omidyar, the billionaire founder of Ebay, is in the democracy promotion game in George Soros fashion: He uses the civil society dodge to subvert governments on Washingtons running list of adversaries.
Ressas defense, resting as it does on a legal technicality that may or may not hold up, gives off a bad odor. Omidyar did not actually acquire shares in Rappler when it invested in it, she maintains.
For the recordremember the record?Omidyar and some kind of investment vehicle called North Base Media own nonvoting shares in Rappler. North Base bills itself as a pioneer in global digital-media investing and is a partner in another something called the Media Development Investment Fund, which does what it sounds like and lists none other than George Soros among its founders.
See what I mean about odors?
Taking Omidyars dough was Ressas first big mistake. It has since been deeper into the morass for our Maria.
In 2020, Ressa accepted a grant of $180,000 from the National Endowment for Democracy, a known CIA front that long ago inherited the agencys coup function and is the ne plus ultra in civil society subterfuge. I would greatly like to lead readers to the NED page describing this grant, which I cited in a column elsewhere earlier this year, but when I attempted to open the link I discovered, Page not found. Where on earth could they have mislaid it?
Yes, the NED Supporting freedom around the world, as its logo boasts.
How Ressa could have taken NED money is simply beyond me. I would sooner give up the craft and bag groceries.
The NEDs latest escapade involves the Kyiv Independent, a year-old online newspaper, quotation marks required, that is financed by the NED and the Canadian and European equivalents of same. The title tells you much of this operations preposterous pose. These people are given to publishing wildly propagandistic junk and quoting the Azov Battalion, the infamously neoNazi militia whose influence suffuses Ukraines public space.
CNN and Fox News, it is worth noting, quote the Kyiv Independent in turn. Three days before brutal Russians began their brutal intervention in democratic Ukraine, The Times ran an opinion essay by Olga Rudenko, a longtime resident of Sorosland and the Kyiv Independents editor-in-chief. And why not? The Kyiv Independent is the voice of democratic Ukraine against the brutal Russian Federation. And dont forget your democratic and your brutals.
Full credit here: This account of the NEDs Kyiv Independent handiwork comes from Covert Action Magazine, a grand presence in (truly) independent journalism whose distinguished list of cofounders includes Philip Agee and William Kunstler. Wonderfully enough, it is now edited by Philips son, Chris.
Independent: It is independent, she is independent, we are independent. Being independent, or claiming to be, is de rigueur, it seems. Those of us working in the independent press cannot be other than flattered. As I have argued severally, it is among independent publications that the dynamism of our otherwise decaying profession resides. If journalism is to find its way out of its current mess, it will be by way of those publishing or broadcasting independently of powerpolitical power, corporate power, bureaucratic power.
The Times is on the ball in these matters, of course. The good people of Eighth Avenue told us so a few months back, when they launched a new advertising campaign to establish their bona fides. Independent journalism for independent lives is the tagline.
They were at least honest enough to identify this as a new brand marketing campaign, so we know straightaway The Times is not the slightest bit serious about the question of the presss independence. After that, I even liked the pablum: spotlighting how Times journalism is inspiration for the unique lives of our readers. We are shining a light on the power independent journalism has to make readers lives more fulfilling.
What would we do without the light The Times shines on us, we independents? How unfulfilled would be our lives.
In the course of this presentation, text and video, The Timess copywriters rang every identity politics bell I could think of and some I couldnt. Let them fritter away what remains of the papers reputation on such juvenile rubbishthis is their choice. The important point here is the profligate misuse of the worthy idea of journalism as an independent pole of power.
The Times has submitted to government supervision, usually but not always informally, at least since the Cold Wars onset in 1947 and arguably for decades prior to that. This, too, is a matter of record. It is a publicly listed company that, just as the ad campaign indicates, views the enterprise of journalism as, at bottom, a good brand and a profit center. Like the rest of the corporate-owned media and broadcasters, the unique responsibilities media bear in a (nominally) democratic society are at this point the subservient priority.
Radio Free Europe is independent. Maria Ressa and Rappler are independent. Government funding doesnt matter: When The New York Times tells you it is independent, whatever silliness is to come may amuse, but it will no longer surprise. As I have written elsewhere, the colonization of independent media has begun.
Driven out of a nearby village, Natalia Holovenko, 59, was in a line to register for aid when she began sobbing. We dont have any Nazis here! she said, a reference to Russian President Vladimir V. Putins false justification of the war as needed to de-Nazify Ukraine. He just wants to kill us.
That is Roger Cohen, the Paris bureau chief of The New York Times, reporting in midJune from Mykolaiv, a port city lying midway along the Black Sea between Odessa and the Crimean coast. Here we have a near-perfect example of how falsehoods, repeated often enough, can be transformed into accepted truths.
Roger Cohen is a distinguished correspondent, columnist, and once long ago The Timess foreign editor. He has some brilliant bylines in his clipping binder: He once ventured through Chongqing, ate a dinner of dog (more than I could do right there), and wrote an excellent piece of cultural crit about it. To me, Cohen proved on several occasions a supportive friend and colleague during my later Herald Tribune days.
But Roger, Roger, what is this? You now lead readers into The Timess vast hall of mirrors, wherein what is false is true and what is true is false justification? Say it aint so, Joe. There is no such thing as a Nazi problem in Ukraine, you tell us, and in the same piece you quote an official reciting neoNazi ideology, which you reproduce without, apparently, recognizing it for what it is? Alas, man.
The presence of neoNazis in Ukraine has been a touchy topic since the U.S. cultivated the antidemocratic coup that brought the current regime to power in 2014. Yes, antidemocratic: It brought down a legitimately elected president and reflected the sentiments of a very small fraction of the Ukrainian population.
While the putschists gathered momentum and in the years following the coup, the presence of neoNazis, and I sometimes wondered if we needed the neo, was downplayed in the major dailies but never much in dispute. There were mentions of their presence here and there if you read the coverage carefully. I often had the impression correspondents wanted to say more than their foreign editors would allow. Reflecting the new regimes dependence on the Azov Battalion, whose tentacles run through many of Ukraines public institutions, the group was incorporated into the nations National Guard a few months after the coup.
Nothing I write here is in dispute, or shouldnt be. It is all documented. The BBC, The Guardian, The New York Timesthey all reported at length on this. In 2018, none other than the Atlantic Council, the think tank funded by the North Atlantic Treaty Organization, published Ukraines Got a Real Problem with Far-Right Violence (And No, RT Didnt Write This Headline). In it, Josh Cohen laid out the whole neoNazi nine. So, a matter of record even among those cheerleading the regime in Kiev.
But since brutal Russia began its brutal military operation against democratic Ukraine in February, airbrushing the neoNazi presence out of the Ukrainian picture has become an imperative. There simply cannot be any neoNazis in Ukraine.
Graphic case in point: In early March PBS did an interview with a small town mayor named Artem Semenikhin, who was praising the heroic efforts of democratic Ukrainian forces for beating back brutal Russians. Behind Semenikhin was a photograph of Stepan Bandera, the fanatically Russophobic, Jew-hating leader of Ukrainian Nazis during World War II. Bandera is not a hero of present-day neoNazis: He is the hero.
PBS made my point better than I can: It blurred the photograph and ran the interview without commenting on it.
On the kooky side, we have the remarks of Andrey Melnik, Kievs stunningly coarse ambassador to Berlin. In an interview with a German journalist last week, the repeatedly offensive envoy defended Bandera as a freedom fighter. What about Bandera and his followers who, with the Nazis, killed 800,000 Jews in Ukraine along with massacres of 40,000 or so Poles residing in Ukraine? There are no laws for those who fight for freedom, saith Melnik, who likened Bandera to Robin Hood as someone who didnt act according to the law.
In effect, what we witness now with Ukraines neoNazis and its broader extreme-right scene is what the policy cliques and their clerks in the press have long done elsewhere. When alQaeda activated in Syria, they were rebranded as alNusra, which, when exposed, was renamed something else, and then something elseall along referenced in the media as moderate rebels. Those right-wing fanatics the Reagan administration financed to bring down the Sandinistas in Nicaragua 40 years ago were, of course, freedom fighters.
This is all we witness in Ukraine, a rebranding exercise. Not too complicated.
Roger Cohens piece from Mykoliav, a piece very unworthy of his gifts and intellect, is precisely in this line. I single it out because of Cohens stature and because it is wrong three times.
First of all, I wish I could have a quick word with Natalia Holovenko. I would like to know what she meant by here when she told Cohen, We dont have any Nazis here. I cannot know, of course. But I am just short of convinced she meant not here in Mykolaiv, which would turn her exclamation upside down, making it an implicit acknowledgement that there are indeed Nazis elsewhere in Ukraine.
Cohen had no business reifying this statement and implying it meant anywhere in Ukraine when it is at a minimum unclear what Natalia Holovenko meant. He should have stated the case one way or the other. Finally, it beggars belief that a correspondent of his caliber would gratuitously characterize Moscows stated intent to deNazify Ukraine as false justification given the weight of evidence that this is a very good thing to do.
I was especially interested in an interview Cohen had with Oleksandr Senkevych, Mykolaivs mayor, who exudes confidence, a man in perpetual motion in green camouflage cargo pants, with a Glock pistol at his hip and an almost manic gleam in his blue eyes.
It is a little over the top as these things go, but I believe him now about the manic gleam.
Here is the quotation that caught my eye: He sees this as a war between culturesin Russia, the leader says something and the sheep follow, he said, but in Ukraine, democracy has taken hold. In Mr. Putins Russia, everything said means the opposite: protect means invade and military targets means civilians. In Ukraine, Mr. Senkevych said, we live in reality.
There are many good accounts of the etymology of Ukraines Nazistheir history, their various splits, their ideological nuances one group to the next. What looks to me a good one came out three days after Cohens piece. It was written by Dmitry Plotnikov, a Russian journalist who covers events in the former Soviet republics, an interesting line of inquiry. Plotnikovs work appears in various publications; I read this one on RT. I do not know either his byline or his reputation, but he seems here to have a good command of his material.
Plotnikovs topic in Ukraines neoNazi Azov Battalion has built a state within a state, and it despises both Russia and the West is the prevalent ideology among the whole collection of extreme-right fanatics active in Ukraine. The subhead on this piece is an informative start. The Ukrainian regiment adheres loosely to its own brand of National Idea, loosely modeled on Mussolinis Italy.
It is a lengthy piece. What captivated me, having read the Cohen item, was this passage. Plotniov is citing Dmitry Dontsov, an influential far-right ideologist in the 1920s:
Dontsov equated the concepts of nation and race. The latter he divided into master and slave races. According to Dontsov, Ukrainians are a race of masters, while Russians are a race of slaves seeking to enslave Ukrainians. The clash between Ukrainians and Russians is of an absolute, existential nature and can only end with the destruction of one of the parties, Dontsov believed.
I didnt like Oleksandr Senkevych much after reading this passage, with his gleam and his Glock and his cargo pants. I read his remarks to Cohen again, and it is clear to me that Roger had encountered a good specimen of the Ukrainian right-wing ideologue, 2022 version. This is a war of cultures, they are sheep, we are democrats: It seems to me Roger Cohen just demonstrated plainly the presence in Ukraine of exactly what he intended to tell us was not there.
Editors Note: This is the third installment of Patrick Lawrences weekly media critic column. See his previous columns below:
Patrick Lawrence: The Power of Images
Foreign Policy: The Warmongers Game
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Poll: Bulgarians top in EU in saying they are exposed to disinformation, fake news – The Sofia Globe
Posted: at 9:18 am
Among the 27 European Union countries, Bulgarians have the highest percentage who say that they had often been exposed to disinformation and fake news in the past seven days, according to the results of a poll by Eurobarometer.
The Eurobarometer poll found that 55 per cent of Bulgarians said that they had been very often or often exposed to disinformation and fake news in the preceding seven days.
The poll, done in all EU countries between April 26 and May 11 2022, found the average across the bloc for those who said that they had been exposed to disinformation and fake news in the past seven days very often was 10 per cent, and often, 10 per cent.
Asked if they felt confident that they could recognise disinformation when they encountered it, 18 per cent of Bulgarians said that they were very confident and 49 per cent somewhat confident.
Asked which news sources they trusted the most, and allowed a maximum of three answers, 44 per cent of Bulgarians said that their most trusted news source was public television and radio stations, compared with an EU average of 49 per cent.
This was followed by people, groups or friends I follow on social media or messaging platforms 25 per cent, and other online news platforms including blogs and podcasts 23 per cent.
Twenty-one per cent said private television and radio stations, 19 per cent YouTube or other video platforms and 18 per cent the print press and its websites.
Again with multiple answers allowed, 86 per cent said that the media that they had most used to access news in the past seven days was television, followed by 60 per cent online news platforms, 47 per cent social media and blogs, 34 per cent radio and 13 per cent print media.
Asked what made it most likely that they would read an online news article, 60 per cent said that they would do so if the headline seemed relevant to their interests, 43 per cent because they trusted the news website, 35 per cent because the headline was catchy while trailing in fourth place, at 19 per cent, it shows an interesting photo or video.
(Photo: Andr Rainaud/freeimages.com)
The Sofia Globe doesnt do disinformation or fake news. Please help keep our independent journalism alive by clicking on the orange button below and signing up to become a supporter on patreon.com. Becoming a patron of The Sofia Globe costs as little as three euro a month or the equivalent in other currencies.
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Vikram jokes about fake news of his heart attack, recalls time when his leg had to be amputated – India TV News
Posted: at 9:17 am
Tamil star Vikram has showered praise on the Mozart of Madras, A.R. Rahman, calling the ace music director who has scored music for his upcoming film 'Cobra', a living legend.Participating in the audio launch event of the film in Chennai, Vikram jokingly said, "I shouldn't place my hand on my chest for there is a good possibility that people might say that I have suffered a heart attack."
Referring to a section of the media that had wrongly reported that he had suffered a heart attack, Vikram said, "I saw lots of wrong information out there. Some said I had suffered a heart attack and that I was lying at a hospital. There were some who photoshopped my face onto some poor patient."
To the delight of his cheering fans in the audience, he added: "I feel that I have seen lots and that this is nothing. When my family, my fans, my friends and people like you support me, nothing can happen to me.
"That is because you all know that I suffered an accident when I was 20 years old and that I faced a situation where my leg had to be amputated. When I have recovered from such a situation and come back, all this is nothing."
Vikram went on to clarify, "I only had a small chest discomfort and that was blown out of proportion. Thank you."
Stating that he had always lived for cinema, Vikram said: "A long time ago, I did an advertisement when I hadn't come to cinema. I played a Chola king in an ad for a tea brand. A cameraman called Chang, a technician called Subramani and a musician named Dilip worked on it as well. Today, I have played the role of the Chola king Aditya Karikalan, that too in an epic film like 'Ponniyin Selvan' under the direction of my dream director Mani Ratnam.
"The man who was Dilip then, has won two Oscars and is known the world over and is present before us today as A.R. Rahman sir. What this shows is that if you have a dream for yourselves, if you have a goal and if you work for it, whoever you are, you can reach heights that you never imagined. Rahman sir is a big example of that. I have to thank you sir for giving such a great honour to our country," Vikram said.
He went on to add, "Rahman sir is a living legend. Be it 'Ponniyin Selvan' or 'I' or 'Ravanan', I get a fresh burst of energy when I act in his songs because I have loved his music and I am such a great fan of him."
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The June Jobs Report Is "Fake News," Here’s Why – Unseen Opportunity
Posted: at 9:17 am
Stocks fell this morning on a very strong June jobs report before trading flat through noon. The latest batch of jobs data, released before the market opened, showed a huge payrolls beat (+372k jobs reported vs. +268k expected) alongside climbing hourly wages, which jumped 0.3% month-over-month (MoM), matching expectations. Unemployment remained unchanged at 3.6%.
The surprisingly large beat flew in the face of recent economic data that suggested the US has already entered a recession. But perhaps the most stunning disconnect was found in the Bureau of Labor Statistics (BLS) very own June household survey. The household survey is designed to measure the size of the labor force in the US with demographic detail. This survey is where the BLS derives the unemployment rate from.
And over the last three months, the household surveys findings have not aligned with the headline jobs numbers (aka the establishment survey). Junes household survey actually reported a 315,000 decline in jobs. Aprils household survey showed a similarly striking drop of 353,000 jobs opposite a headline April jobs report gain of 428,000 payrolls.
Mays household survey matched the establishment survey, but April and June did not in the slightest.
Thats probably what caused the recent dip in the labor force participation rate, which now sits flat since the start of the year after rising in Q1.
Cumulative discrepancies between the household and establishment surveys have created a major gap that began forming in March, too.
Thats abundantly clear when you plot both surveys on a chart. The household survey peaked back in March while the establishment survey just kept on rising. Over the last three months, the establishment survey shows a gain of 1.124 million jobs vs. the household, which shows a net employment loss of 347,000. Thats a total difference of about 1.5 million jobs.
How is this possible, you may ask? It all has to do with the demographics of the household survey, which divides workers into three categories:
Full-time, part-time, and multiple jobholders.
Full-time employees declined by 70,000 since March while part-time workers fell by 326,000. Multiple jobholders, on the other hand, have surged to a post-Covid high of 7.541 million. Multiple jobholders swelled by 239,000 in June alone opposite full-time and part-time workers, who fell by 152,000 and 326,000 last month, respectively.
But it gets even worse.
Multiple jobholders whose primary and secondary jobs are both full-time just hit a record high as well.
In short, there are far fewer people working than the last handful of jobs reports would suggest. There has, however, been a sharp increase in the number of people working multiple jobs. This is reflected in the recent jobs beats, which count the number of totalpayrolls, not workers.
Does that sound like the kind of thing that happens when the economy is strong? Not at all. Usually, folks are happy to have only one employer during times of economic prosperity.
The reality here is that US labor is not in a healthy place. Whats more, the US is experiencing a labor shortage during what seems to be the early stages of a recession.
And it should only get worse as high-quality jobs fall opposite ones that are taken by workers already employed elsewhere. Investors saw this mornings jobs beat as a potentially bearish impulse, as it suggested that the economy was strong enough to handle an aggressive rate hike schedule from the Fed.
The truth is that its a bearish impulse for an entirely different reason. US labor is in shambles, hidden by headline jobs gains that the BLS uses as a smokescreen. Its another sign that this recession is going to be far more intense than most expect, and when the market realizes that, share prices should react very negatively in turn.
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AGN warns those threatening Nollywood actors, initiators of fake news – Daily Post Nigeria
Posted: at 9:17 am
The Actors Guild of Nigeria, AGN, has warned those responsible for spreading fake death news and threatening star actors on social media platforms.
The President of the AGN, Emeka Rollas, in a statement signed by his SSA on Media and Publicity, Kemi Adekomi, warned that the Guild was working with relevant law enforcement agents and will arrest culprits.
He described such action as callous, adding that the AGN had set up machinery, in collaboration with relevant law enforcement agents, to track down and apprehend heartless culprits behind those evil acts.
Part of the statement read: There have been a series of fake reports of death of major star actors like Olu Jacobs, Kanayo O. Kanayo, Omotola Jalade Ekeinde, John Okafor (Mr Ibu), Genevieve Nnaji, Pete Edochie and many others on social media just to generate followers on their blogs and pages.
We cant fold our arms and watch this misdemeanour continue unabated.
The AGN President decried that it was inhuman to write obituary of anyone alive or peddle fake news, advising those behind this incessant mischief to desist henceforth, before they are caught by the long arms of the law.
Read the rest here:
AGN warns those threatening Nollywood actors, initiators of fake news - Daily Post Nigeria
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