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Monthly Archives: September 2020
SUNY Cortland to hold Constitution Day events – SUNY Cortland News
Posted: September 18, 2020 at 12:58 am
09/14/2020
SUNY Cortlands Institute for Civic Engagement will offer two opportunities for members of the university community to participate in important conversations as part of Constitution Day.
The first, Should Cortland County became a Second Amendment sanctuary county? will take place on Tuesday, Sept. 15 from 4 to 5 p.m. on WebEx.
Three Cortland County towns, Cincinnatus, Solon and Truxton, have recently passed laws that prohibit town officials from enforcing state laws that limit the acquisition or use of personal firearms, firearm accessories or ammunition. This panel discussion will localize interpretation of the U.S. Constitution, particularly the Second Amendment and issues of gun control and the right to bear arms.
The panelists are Stephen A. Furlin, Solon town supervisor, Ann L. Homer, Cortland County legislator and Robert Spitzer, distinguished service professor in SUNY Cortlands Political Science Department and one of the nations foremost experts on gun control.
A 20-minute question-and-answer period will follow the first 40 minutes of discussion.
To register, please contact John Suarez, director of the Institute for Civic Engagement.
The second event is a SUNY-wide deliberative dialogue that will explore the future of voting. Constitution Day: Deliberation on Voting in the United States, will take place from 4 to 6 p.m. on Thursday, Sept. 17 via Zoom.
Register online through SUNYs Center for Professional Development.
Constitution Day is recognized annually on Sept. 17, the day in 1787 on which delegates to the Constitutional Convention signed the document in Philadelphia, Pa.
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David Byrne and Spike Lee Consider the Oxymoron of "American Utopia" – Hyperallergic
Posted: at 12:58 am
From American Utopia (2020), dir. Spike Lee (all images courtesy Cinetic Media)
Its tempting to say this about any piece of media that brings even a semblance of joy during this terrible year, but David Byrnes American Utopia genuinely feels like a balm. The stage show, which ran from late 2019 to early 2020 at New Yorks Hudson Theatre, exists somewhere between a concert and a musical. Premiering at the Toronto International Film Festivals 2020 online edition, the film adaptation, directed by Spike Lee, is a fascinating deconstruction of live performance, emphasizing negative visual space and human connection over pyrotechnics.
As Byrne takes the stage, the recollection of Jonathan Demmes equally joyous 1984 Talking Heads concert film Stop Making Sense is plain, what with the simple stage assemblage and costuming. Its perhaps a reminder of how things have and havent changed in the time since. But while the original stage show and this film adaptation are absolutely in conversation with Stop Making Sense, Lee still makes it feel distinct. He applies his own visual stamp and a more intimate setup, especially as the show draws closer to its conclusion. He privileges Byrnes audience with unique angles afforded by the camera, getting close-ups, providing new views of the choreography via aerial shots, and generally making this a cinematic experience rather than simply a filmed show. He adds flair to Byrnes minimalist sensibilities.
For his part, Byrne is the same as he ever was humanist, good-humored and often a little self-deprecating, and most of all egalitarian. Hes the focal point of an ensemble, rather than an all-consuming presence. Hes still trying to make sense of the world through Dadaist art, world music, close friends and collaborators, and his audience. The big questions he asks about the American state of being in between the songs provide new context for everything from classics like Burning Down the House and of course Once in a Lifetime to modern collaborations like I Should Watch TV (written with Annie Clark, aka St Vincent) or a retooling of X-Press Zs house track Lazy. Some numbers are updated dissections of modern living, while others are more focused on finding joy in showmanship. Looking at people? Thats the best, Byrne says as This Must Be the Place thunders to life.
For all of American Utopias joy in revisiting these classics, it also has surprising urgency, full of calls to action, specifically around contemporary Black protest. Colin Kaepernick appears on screen as Byrne and his band take a knee and raise their fists, and one of the closing numbers is a cover of Janelle Monaes Hell You Talmbout. That protest song first came out in 2015, and lists some of the Black people killed, mostly by police, up until the point she performed it. Here its updated to include a few names from this year alone: George Floyd, Breonna Taylor, Ahmaud Arbery. The most telling sign of Lees presence is the confrontational construction of this performance, cutting it with scenes of protests featuring people holding gaze with the viewer, carrying placards and pictures of these stolen lives, with many more names in bold red text that engulf the screen.
The term American Utopia is knowingly oxymoronic. A lot of the show is dedicated to wondering how things can be fixed, if they ever will be. But at the same time, its hard to watch Byrnes warm and humanistic performance without grinning from ear to ear. The American Utopia doesnt exist, but for a couple of hours, the possibility feels a little more hopeful. Even such temporary escapism and affirmation is more than welcome.
American Utopia is currently playing as part of the Toronto International Film Festival. It premieres on HBO October 17.
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David Byrne and Spike Lee Consider the Oxymoron of "American Utopia" - Hyperallergic
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Vander Hart: Greenfield Doesn’t Understand What Second Amendment Is About – Caffeinated Thoughts
Posted: at 12:58 am
Theresa Greenfield, who has yet to debate U.S. Senator Joni Ernst in Iowas U.S. Senate race, spent time discussing gun control measures withGiffords PAC.
Giffords PAC, the political action committee started by former Congresswoman Gabby Giffords, D-Ariz., a victim of gun violence,held a virtual rallyfor universal background checks with Greenfield.
Giffords PAC executive director Peter Ambler asked Greenfield what message she gives to Iowans about gun control when she travels the state. Greenfield has not traveled the state and has not held a public, in-person event since the COVID-19 pandemic began. Evenher announced, virtual public campaign events are rare.
I have done over 250 events now around the state and were going to keep traveling the state as we work our way to victory on November 3, Greenfield stated.
Again, virtual events are not traveling the state.
Look, Iowans theyre a bunch of responsible gun owners, they really are. And I grew up on a farm. Thats where I learned to be responsible gun handler, eventually a gun owner, she said. Thats where I learned to shoot because Ill tell you what, filling up the freezer in the fall, thats a big deal. And it is with a lot of pride that you take your venison sausage to a winter card game or something. But I also had the responsibility as a teenager for protecting our livestock and making sure that you know the varmints didnt get our baby pigs.
They must have had quite a problem having Greenfield stand guard in the middle of the night, keeping coyotes out of their pig pens.
She also mentioned how she loved to shoot skeet with her dad, which Im sure is a great memory of her childhood.
She told Giffords PAC that she supports bipartisan background checks, closing the gun show loophole, and funding gun violence research. These are points she brought up duringa rare, in-person public event back before the primary.
Look, there is no gun show loophole. Licensed gun dealers at gun shows must do background checks just like they would if someone came to their store.
The loophole actually talks about private sales and transfers. In fact, those are the only gun sales where background checks are not required. In reality, I dont know how background checks of private gun sales and transfers would be implemented or enforced. I believe this is a trojan horse for banning private sales, something House Democratsvoted to do last year.
Its also a step toward a federal gun registry, something I vehemently oppose.
We have to keep guns out of the hands of criminals. We have to keep guns out of the hands of domestic abusers and suspected terrorists. Absolutely. And but we have to make sure that responsible gun owners have that ability to hunt and to enjoy skeet with their children to like I grew up, Greenfield said.
So, she wants to make sure that responsible gun owners can continue to hunt and to enjoy skeet with their children.
Thats pretty telling. The Second Amendment is not about hunting and shooting skeet; its about the right to self-defense.
Giffords PAC has worked to repeal stand your ground legislation, so I think it is fair to ask, where does Greenfield stand on that?
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Vander Hart: Greenfield Doesn't Understand What Second Amendment Is About - Caffeinated Thoughts
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Questions raised after JoCo Commissioner’s post urges followers to arm themselves for ‘coming war’ – KMBC Kansas City
Posted: at 12:58 am
Johnson County Commissioner Mike Brown urged constituents to buy firearms and prepare for a coming war" in a Facebook post that described a chaotic end to law and order. Brown, a Republican, used the hashtags All Lives Matter and Blue Lives Matter as he described violence, burning churches" and looting stores in the weekend post. I hear the war drum off in the distance from a not far away place foreshadowing in whispers the haunting cadence of the coming war," he wrote, urging people to buy a firearm and ammunition and take a class now to learn how to safely use it to defend yourself and your property, know what's happening around you at all times."The post is no longer public, but Brown said on Tuesday its the Left thats beating the war drum.And they know exactly what they're doing, Brown said.Brown said the post is a message to elected officials. He blames Democratic leaders, including Kansas City Mayor Quinton Lucas, for not stopping violence and supporting local protesters.Lucas, a Democrat, retweeted images of it Monday and described the message as racist and reckless. Brown said the post is not a call to violence on his part.You have a Second Amendment right that guarantees your First Amendment right, Brown said. Your Second Amendment right, you should exercise that just like you exercise your First Amendment right. It is most certainly not a call to violence.Johnson County Commission chairman Ed Eilert noted that Brown was up for election in November.The voters in his district do have a decision to make," he said in an interview Tuesday with The Associated Press. We want our community safe. We want law enforcement to operate in a safe environment. The feedback I read, and I hear, is people looked at that post and saw indications that there was a violent note to it. We understand free speech and Second Amendment rights, but it left the opportunity for many, many people to come away with the idea that it promoted violence.Brown's commentary comes after President Donald Trump said while laying out his case for re-election that a Joe Biden presidency would give free rein to violent anarchists, a contention that Biden has disputed.Brown wrote the post following the shooting of two sheriffs deputies in California.Brown said hes received lots of positive comments from people who read his full post. He thinks people criticizing have not read the whole thing.During his term, Brown has come under fire multiple times for his Facebook posts, including in March when he wrote that the COVID-19 pandemic is a political stunt and told constituents to get a grip. In recent months, Brown has sparred with other commissioners and public health officials over COVID-19 restrictions and the mask mandate.The Associated Press contributed to this story.
Johnson County Commissioner Mike Brown urged constituents to buy firearms and prepare for a coming war" in a Facebook post that described a chaotic end to law and order.
Brown, a Republican, used the hashtags All Lives Matter and Blue Lives Matter as he described violence, burning churches" and looting stores in the weekend post.
I hear the war drum off in the distance from a not far away place foreshadowing in whispers the haunting cadence of the coming war," he wrote, urging people to buy a firearm and ammunition and take a class now to learn how to safely use it to defend yourself and your property, know what's happening around you at all times."
The post is no longer public, but Brown said on Tuesday its the Left thats beating the war drum.
And they know exactly what they're doing, Brown said.
Brown said the post is a message to elected officials. He blames Democratic leaders, including Kansas City Mayor Quinton Lucas, for not stopping violence and supporting local protesters.
Lucas, a Democrat, retweeted images of it Monday and described the message as racist and reckless.
This content is imported from Twitter.You may be able to find the same content in another format, or you may be able to find more information, at their web site.
Brown said the post is not a call to violence on his part.
You have a Second Amendment right that guarantees your First Amendment right, Brown said. Your Second Amendment right, you should exercise that just like you exercise your First Amendment right.
It is most certainly not a call to violence.
Johnson County Commission chairman Ed Eilert noted that Brown was up for election in November.
The voters in his district do have a decision to make," he said in an interview Tuesday with The Associated Press. We want our community safe. We want law enforcement to operate in a safe environment. The feedback I read, and I hear, is people looked at that post and saw indications that there was a violent note to it.
We understand free speech and Second Amendment rights, but it left the opportunity for many, many people to come away with the idea that it promoted violence.
Brown's commentary comes after President Donald Trump said while laying out his case for re-election that a Joe Biden presidency would give free rein to violent anarchists, a contention that Biden has disputed.
Brown wrote the post following the shooting of two sheriffs deputies in California.
Brown said hes received lots of positive comments from people who read his full post. He thinks people criticizing have not read the whole thing.
During his term, Brown has come under fire multiple times for his Facebook posts, including in March when he wrote that the COVID-19 pandemic is a political stunt and told constituents to get a grip.
In recent months, Brown has sparred with other commissioners and public health officials over COVID-19 restrictions and the mask mandate.
The Associated Press contributed to this story.
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Questions raised after JoCo Commissioner's post urges followers to arm themselves for 'coming war' - KMBC Kansas City
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4 Films You Need to Watch This Fall – The Atlantic
Posted: at 12:58 am
Read: David Byrnes joyful and uncomfortable reinvention of the rock concert
This tension is at the heart of American Utopia, as is Byrnes distress over our disconnected modern world. Throughout the show, he champions the joys of collaboration and communality. At one point, he notes that most of the performers (including himself) are immigrants. At another, he decries Americas low voting numbers and informs the audience members that they can register to vote on-site once the concert is over. The film builds to a cover of Janelle Mones protest song Hell You Talmbout, during which performers chant the names of Black people who were killed by police or died in their custody, including Freddie Gray and Sandra Bland; Lees camera cuts away from the theater and shows the victims loved ones holding up photographs of those they lost.
Through each beautifully choreographed song, Byrne demonstrates the thrill of watching people perform in sync. But he tempers that glee with stark reminders of how much remains broken outside of his theatrical space, and how much work remains to be doneby others and by himself. The films premiere came shortly after Byrne apologized on Twitter for a newly resurfaced clip of him appearing in blackface in a 1984 video: Like I say at the end of our Broadway show American Utopia, I need to change too... and I believe I have changed since then. In an interview with Variety, he addressed the responsibility he has as an artist talking about racial justice to own up to his mistakes.If Im going to talk about this stuff, I cant talk about giving advice to other people if I cant do it myself, Byrne said.
Along with American Utopia, the most highly anticipated premiere at TIFF was Chlo Zhaos Nomadland, which won the top prize at the Venice Film Festival and will be released on December 4. Zhaos previous movie, the heart-wrenching modern Western The Rider, was one of the best films of 2018 and made enough of a splash to get her a gig making a giant blockbuster for Marvel (The Eternals, due out next year). In between those projects, she quietly made Nomadland, working with its star, Frances McDormand, to adapt a nonfiction book by Jessica Bruder about older transient workers displaced by the 2008 recession and living in cars. The film is a worthy exploration of the lost American dream, focusing on communities laid to waste by an economic crisis the country has already begun to forget.
Read: The Rider was one of the best films of 2018
Nomadland was filmed with a tiny crew that moved across seven states for four months and mostly features nonactors appearing as themselves. McDormand plays Fern, a woman still mourning the Nevada company town she left behind after its Sheetrock factory closed and her husband died. Zhaos film is a requiem for Ferns former way of life and a celebration of the new existence shes found, living in her van and moving from job to job as the seasons change. The open road has long been a mythic environment for cinema, and Nomadland captures many staggering, romantic vistas on Ferns journey. But Zhao also visits mundane localesparking lots, Laundromats, an Amazon packaging factory where Fern picks up shifts at Christmas. In the classic American Western, endless possibility always lies ahead; Nomadland is a modest yet powerful portrayal of Ferns determined effort to cling to the only thing she has left: her independence.
While Nomadland renders the inherent contradictions of America visually, Regina Kings directorial debut, One Night in Miami, does so in words. Kings film, which will be released by Amazon later this year, imagines a fictional meeting between historical heavyweights: Sam Cooke (played by Leslie Odom Jr.), Malcolm X (Kingsley Ben-Adir), Jim Brown (Aldis Hodge), and Cassius Clay (Eli Goree), before he was known as Muhammad Ali. Based on Kemp Powerss play of the same name, the film is set after Clays first victory over Sonny Liston, in 1964, when a celebratory hangout turns into a debate over the best way to build a better America.
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Biden under pressure to unveil list of potential court picks – The Associated Press
Posted: at 12:58 am
ATLANTA (AP) Joe Biden is resisting calls from President Donald Trump and even some fellow Democrats to release his list of potential Supreme Court picks seven months after he pledged to name the first Black female justice.
Some on the left suggest that outlining potential picks would help Biden build enthusiasm in the final weeks of the campaign, particularly after he already selected California Sen. Kamala Harris as his running mate, making her the first Black woman on a major presidential ticket. Trump, meanwhile, is eager to comb through a list to find possible nominees who would bolster his false depiction of Biden as an extreme liberal.
Trump helped insert the Supreme Court squarely into presidential politics in 2016 by taking the unprecedented step of releasing a list of potential nominees before he was elected, a move that helped rally the conservatives who ultimately carried him to victory.
But some of Bidens allies say a list wont provide the same payoff for him and could hurt him by distracting voters from Trumps handling of the coronavirus and give the president fuel to suggest Bidens choices are too far left.
Why play into Trumps hands? asked Karen Finney, a prominent Black Democratic strategist.
Delaware Sen. Chris Coons, a Biden protg and confidant, pointed to the former vice presidents 36 years in the Senate and his brand as a liberal pragmatist as assurance enough for voters.
He doesnt need to issue some lists in order for Democrats to be comfortable that they know his values and his priorities, Coons said, arguing that voters of all stripes know Biden would elevate highly qualified, mainstream jurists.
Still, the issue represents a familiar tightrope for Biden. Hes a center-left establishment figure aiming for a broad ideological coalition to defeat Trump in an era when the loudest voices come from the political poles. On issues from health care to the climate crisis, progressives hammer Biden as too incremental while conservatives cast him as too liberal. A Supreme Court nomination is certain to amplify those dynamics.
Trump offered a preview last week, challenging Biden to match his list of choices while sketching a caricature of radical justices he insisted would gut Second Amendment rights, remove under God from the Pledge of Allegiance and declare the death penalty unconstitutional. Iowa Sen. Chuck Grassley, a former Senate Judiciary chair, followed up Wednesday by urging Biden not to hide his intentions for the court.
On the left, the group Demand Justice wants to match the rights intensity on judicial politics, while a second group, She Will Rise, is raising awareness about the possibility of a Black woman joining the high court.
Demand Justice has assembled a list of 17 Black women it says would make ideal justices. The list includes law professors, leading civil rights attorneys and jurists from lower federal courts and state supreme courts. But there are no names as prominent as the headliners on Trumps list: Texas Sen. Ted Cruz and Arkansas Sen. Tom Cotton.
Demand Justice has launched a $2 million ad campaign targeting voters in Arizona, Michigan, North Carolina, Pennsylvania and Wisconsin around the Supreme Court and Bidens promise of a Black female nominee. But executive director Brian Fallon argued that Biden could do more.
Whatever good is achieved by making a general commitment like that would only be expanded and furthered if he put out some names of people hes considering, said Fallon, an adviser on Hillary Clintons 2016 presidential campaign.
Pew Research found in August that 66% of Biden supporters identified Supreme Court nominations as a very important issue, more than the 61% of Trump supporters who said the same. Thats a reversal from 2016, when Pew found Trumps supporters were 8 percentage points more likely than Clintons to consider the court a key issue.
There were key differences in 2016. Most important was a vacancy: Justice Antonin Scalia, a conservative icon, had died and Senate Majority Leader Mitch McConnell refused to consider President Barack Obamas nominee, Merrick Garland, who would have tilted the courts majority to the left. There is no vacancy now, despite considerable attention on the health of Justice Ruth Bader Ginsburg, the liberal wings 87-year-old leader.
Further, Trump in 2016 faced distrust among many conservatives, including white evangelicals, because of his support as a private citizen for Democratic politicians and public statements in favor of abortion rights and same-sex marriage. Trump turned that to his advantage by accepting help from the Federalist Society and other conservative legal advocates to compile a public list of would-be justices. Hes since nominated Justices Neil Gorsuch, who appeared on a preelection list in 2016, and Brett Kavanaugh, who appeared on a post-election list.
Without that list, he wouldnt have won, Coons said.
There is some irony in Supreme Court politics being such a potentially prominent variable in Bidens presidential hopes.
The conservative political movement on the judiciary blossomed after Biden, as Senate Judiciary chair, helped scuttle the nomination of conservative firebrand Robert Bork submitted by President Ronald Reagan in 1987. Biden angered some women four years later during the confirmation hearings of another conservative, Clarence Thomas, because of senators treatment of Anita Hill, who accused Thomas of sexual harassment. Biden voted against Thomas, but he was confirmed.
Even a 5-4 Supreme Court majority deciding the 2000 presidential election in favor of Republican George W. Bush over Democrat Al Gore did little to shift campaign dynamics concerning the court. All five justices in the majority were nominated by Republican presidents.
Kitchen-table issues, health care and economics have always resonated more with our voters, said Donna Brazile, a former Democratic Party chair and Gores campaign manager.
Fallon acknowledged, much to my chagrin, that it would be a first for Democrats to leverage the court as a key presidential issue more effectively than Republicans.
Finney said part of the challenge is the Democrats are mostly protecting existing precedent, while conservatives have spent decades trying to reclaim lost turf, from the Roe v. Wade decision legalizing abortion nationwide to decades of rulings on civil rights and the expansion of federal power. In short, its harder to get voters on the left to understand potential threats to rights they already take for granted.
Republicans have been better at using fear as a motivator, Finney said. A board member of NARAL, an abortion-rights group, Finney added: Ive had people say to me, Do we really need NARAL anymore? Arent our abortion rights safe? No!
Another example: A divided Supreme Court in 2013 gutted key provisions of the Voting Rights Act, but Democrats didnt make that an issue in 2016 even with the vacancy from Scalias death.
If theres a shift in 2020, Finney predicted it wont come from Biden or his promise of a historic nomination. Trumps list is a motivating factor by itself, she said. There is no Democrat who wants to see Ted Cruz on the Supreme Court.
___
Associated Press writer Alexandra Jaffe in Washington contributed to this report.
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Scott Walker: American greatness will prevail over the forces of darkness – Madison.com
Posted: at 12:58 am
Its not just that Biden would revoke the presidents offers of federal backup for overwhelmed or hamstrung local police departments the former vice president has made it clear that he would do everything in his power to deprive law-abiding citizens of the means to defend themselves, their families, or their property should they find themselves in the crosshairs of rampaging radicals.
If the left gains power, they will demolish the suburbs, confiscate your guns, and appoint justices who will wipe away your Second Amendment and other constitutional freedoms, President Trump warned on the closing night of the RNC.
Thats not even hyperbole. Biden sent an unmistakable message to the country when he appointed his former rival Robert Francis Beto ORourke best known for his full-throated declaration that, Hell, yes, he would confiscate legally-owned firearms from American citizens to help devise his campaigns gun control platform.
As the president explained, our votes in this election will decide whether we protect law abiding Americans, or whether we give free reign to violent anarchists, agitators and criminals who threaten our citizens.
Its not a trick question. Between now and Nov. 3, the Democrats will do everything they can to obscure and obfuscate, just as they did throughout the DNC. Theyre well aware that the American people would never accept their radical message if they were to deliver it in plain English.
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Recruiting for Utopia exhibit at Fruitlands looks to the past and the present – Worcester Telegram
Posted: at 12:58 am
HARVARD Nestled in the woods of Harvard is a message waiting to be discovered: Hope is the watchword now.
These words of Bronson Alcott flutter on a printed banner near the entrance to Fruitlands Museum. Flapping in the wind on large banners throughout the grounds are the words of other transcendentalists, too, utopians and some contemporary philosophers.
Jane Marsching, the 2020 artist-in-residence at Fruitlands Museum, is creating outdoors her interpretation of the newest exhibit indoors.
Recruiting for Utopia: Print and the Imagination, which opened Sept. 5, is an exhibit in two distinct parts. There is a historical collection and a contemporary collection of visual artifacts.
Shana Dumont Garr, curator at Fruitlands, explained the overall premise of the exhibit: To look at New England in two specific time periods: the 1840s and 2019-2020. And to explore how print and design helped express peoples worries and their desires to make the world a better place.
When we think of utopia in this way it was peoples imaginings of what was good, said Dumont Garr. Utopia has meant different things to different people.
In the1840s there were various ideologies competing for the attention of New Englanders. Since there was no internet to share memes, visual representations of complex ideas and concepts were created to spread particular beliefs.
For a little background, 1843 is the year that Bronson Alcott, educator, reformer and father of "Little Women" author Louisa May Alcott, tried unsuccessfully to establish Fruitlands, the experimental utopian community.
About that same time William Miller, a farmer turned preacher, who was born in Pittsfield, prophesied the return of Christ, the end of the world and the 1843 ascension of the true believers to heaven utopia. Miller was a charismatic speaker who gained followers across many social sectors. The Millerites were aligned with the temperance and abolitionist movements and they were encouraged to help others prepare to be worthy to ascend into heaven.
At large outdoor gatherings called tent revivals, Miller would preach to hundreds of people. To help spread the word, large-scale banners printed on linen were hung from the tent depicting timelines of real historical events, blended with scripture from the Old Testament. There were also frightening images of mythical beasts and lots of mathematical calculations. Instilling fear of an apocalypse was an important aspect of Millers proselytizing.
Miller successfully recruited many followers with his persuasive speaking and his didactic visuals. Flyers and pamphlets were printed and distributed and newspapers were sold to further promote his teachings.
The Millerites were only one of many Protestant organizations during this time of resurgent religious fervor. The Shakers in nearby Harvard believed that living a life of simplicity and perfection in all their endeavors would produce a utopia on Earth. They are known for their fine craftsmanship and innovation, but on display in this exhibit are writings devoted to their spirituality.
Shaker Sister Sarah Bates secretly documented in ink on paper her spiritual communications using detailed biblical symbols and text. It was kept secret, rolled up in a drawer, because creating two dimensional art was forbidden in the Shaker faith.
Also on display are handmade and printed ephemera from the Freemasons, the Phrenologists (practitioners of a pseudoscience who claimed they could discern a persons character from the shape of the skull), and various flyers concerned with the urgent issues of the times.
I am hoping that it will be reassuring for people to see that in 1840s New England, it wasnt just farmers who all got along and lived a simple life. There were conflicting ideas and life was just as complicated then, said Dumont Garr.
Today, even with the internet to digitally spread content, there is still a place for the printed word. Think about the signs we have all seen for the Black Lives Matter and Hate Has No Home Here movements, or Greta Thurnbergs Skolstrejk fr klimatet (School Strike for Climate). These powerful messages have spread organically with simply printed yard signs.
The contemporary part of the exhibit is an eclectic collection of printed materials, pamphlets, street signs, posters, zines and a comic book, all created within the past few years by diverse artists. These physical documents highlight issues as varied as the slave market at Faneuil Hall, saving the U.S. Postal Service, the repatriation of sensitive objects belonging to indigenous peoples, and the interface of beekeeping and environmental injustice.
This is not the singular, precious, one-of-a-kind type of artwork destined to hang on the wall of a museum, viewed only by people who have the privilege of visiting that place. These works were intended to be distributed, to convey a message and to recruit others who support the message, building a community in the process.
Paige Johnston, an art historian and co-curator for the contemporary portion of Recruiting for Utopia, explained the value of making art to be distributed. It is a very democratic art form. You can make it out of inexpensive materials, whether that is by photocopying or by hand stitching on paper you have made yourself out of old clothes. There is a level of economic and monetary accessibility.
And Marsching, the artist-in-residence, is creating banners that flutter in the breeze at Fruitlands just as the Millerite banners would have done in the mid-1800s. Marsching is a visual multidisciplinary artist, a professor at Massachusetts College of Art and Design and a climate change activist. For her project, Utopian Press, she uses bark and acorns foraged on the grounds of Fruitlands to make the ink for the 3-by-30-foot banners hung from trees.
Her ink is steeped in a passive solar oven that she made herself. Marsching designed and built a portable backpack letterpress that can be carried out onto the trails at Fruitlands for groups to collaboratively create the banners onsite and hang them from the trees. Marschings banners visually recreate the words and ideas of the utopians.
"Recruiting for Utopia" runs through March 21, 2021. While visiting Fruitlands, do not miss the exquisite work of Boston painter Polly Thayer Starr. Also on view are some of Starrs personal items and journals.
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Tomi Lahren talks to Oregon congressional candidate, 27, who became American hero – Fox News
Posted: at 12:58 am
Fox NationhostTomi Lahrensat down with Alek Skarlatos, a veteranhero who helped stop aterrorist attack on a Paris-bound train in 2015, about his run for Congress in Oregon's 4th congressional district.
Lahren previewed her interview with the 27-year-old Army National Guard veteran on hershow "No Interruption."The hero hopes to flip the seat Republican against 33-year incumbent liberal DemocraticRep. Peter DeFazio.
"He decided after taking downa terrorist he is ready to takedown the swamp in Washington,D.C.," Lahren told "Fox & Friends" Thursday of Skarlatos.
Her longtime friend is ready to "fight for the rural peopleof Oregon and show that not all youngpeople are crazy and liberal andleftist and that they believe inthe Second Amendment.They believe in freedom.They believe in small-townAmerica and he is ready to win," she added.
TOMI LAHREN ASKS ARMY VET TURNED COUNTRY MUSIC STAR HOW HE RESPONDS TO UNABASHED HATRED OF AMERICA
Skarlatos played himself in the 2018 Clint Eastwood film The 15:17 to Paris, which depictedthe attempted attackon a train from Amsterdam to Paris. Skarlatos and two of his friends,Anthony Sadler and Spencer Stone,were traveling in Europe in August 2015 when they incapacitated an Islamist gunman.
Since then he came in third on the show, "Dancing with the Stars," and now the hero wants to help flip his district red.
Skarlatos told Lahren his district is made up of timber, fishing, grass seed farming, rural and working-class, blue-collar people who've "had a tough time over the last 30 years."
ARMY NATIONAL GUARD VETERAN ON PORTLAND UNREST: 'I THINK IT'S TIME' TO 'DO SOMETHING ABOUT IT'
"Economically since the timberindustry went away, thingshave really gone downhilland the incumbent Democrat not doinganything to help us," Skarlatos explained, "it really just made me want to stand up andfight for the people that I livewith."
Co-host Ainsley Earhardt noted the 27-year-old "has done more than most of us in our lifetime."
Skarlatos won the Republican primary in May with more than 86% of the vote.
"This is somebody who could've justtaken his famefrom a Clint Eastwood movie and just been happy with that, but no, he saidthe people in my district, theyhaven't been fought for," Lahren said. "We have a Democrat that justkeeps getting reelected over andover and over again."
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She said his race is similar to so many across the country, saying people are "tired ofwatching Democrats run theircities into the ground and notpay attention to the littlepeople."
Lahren said that despite Portland's "craziness," Skarlatos' district wants the timber industry and good-paying jobs back, not what the radical leftists are offering with the Green New Deal and "other things that are going to completely decimatetheir livelihood."
"He's ready to fight for themand he'sa young conservativeready to do it and I think he isgoing to win," she said.
To watch all of"No Interruption",go to Fox Nationand sign up today.
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The Third Day review: Jude Laws inventive mystery drama from the team behind Utopia – NME.com
Posted: at 12:58 am
If theres one thing that film and TV history teaches us, its that strangers visiting remote communities is not a good idea. The Wicker Man, Netflixs Apostle, Midsommar there are no happy endings here. Sky-HBO co-production The Third Day, starring Jude Law and Naomie Harris, is the next big-budget project to adopt the premise and the results are mixed.
Split into three separate parts Summer (three episodes), Autumn (an immersive theatre event broadcast live from London) and Winter (three episodes) The Third Day is at the very least inventive. In the first part, Summer, Law plays bereaved husband Sam an episodic psychosis sufferer who happens upon the mysterious Osea Island during festival season. Reachable only at low tide via a causeway, this chunk of British land off the coast of Essex is populated by the likes of Paddy Considines Mr Martin and Emily Watsons foul-mouthed Mrs Martin (How c**ting lovely! she remarks during one scene), whose inn plays host to off-kilter shenanigans involving the locals. While staying there, Sam meets Jess (Fantastic Beasts Katherine Waterston) and the linebetween fantasy and reality begins to blur.
The Third Day stars Jude Law as Sam, in the midst of a nervous breakdown. Credit: Sky
In the middle of a breakdown, Sams fever-dream state is captured via intense close-ups by director Marc Munden. Aided by a cryptic script from Dennis Kelly and Cristobal Tapia de Veers disturbing score, the former-Utopia triumvirate have succeeded in crafting a haunting and colourful mystery drama that deals with weighty themes like faith and grief.
Skipping Autumn (the immersive theatre event hasnt been filmed yet),The Third Day arrives at Winter, which belongs to Naomie Harris character Helen. Driving to Osea with her two young daughters she explains that the island is a great archaeological treasure to her studious eldest the familys idyllic weekend away quickly spirals into a nightmare. Go home, believe me its for the best! a local hotelier says before shutting the door in Helens face. Does the Booking.com star rating mean nothing to these people?
Naomie Harris plays Helen, a mother who takes her children to a mysterious island off the coast of Essex. Credit: Sky
As Helen and her squabbling kids roam the freezing terrain, encountering weirdo after weirdo and the odd mutilated animal, Harris imbues Helen with an affable determination. This time we know what shes up against, so its a relief to find were in the company of someone a bit more attentive than Laws Sam. When the customs of the islanders manage to rattle our new protagonist, the atmosphere in The Third Day morphs into a low-key kind of horror la Ben Wheatleys Kill List. This is the shows best form and itll be fascinating to see which way Autumn goes when it airs in October.
Four months after it was originally scheduled to premiere COVID-19 pushed back post-production The Third Day arrives with two standout episodes (five were available for review, not including the live-streamed, mid-season Autumn and October 19s last episode). It might not blow anybodys socks off but for those who choose to stick by it, next months finale promises a mouthwatering if, likely ill-fated climax.
The Third Day premieres September 15 on Sky Atlantic and NOW TV
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The Third Day review: Jude Laws inventive mystery drama from the team behind Utopia - NME.com
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