Daily Archives: March 7, 2020

A Cambridge non-profit partnered with Google to help people with ALS preserve their voice through A.I. – Boston.com

Posted: March 7, 2020 at 5:44 am

I owe you a yoyo today.

This phrase started a whole database of words and idioms that researchers have used to help patients be understood after theyve been diagnosed with amyotrophic lateral sclerosis, or ALS.

We picked that phrase when we started the project in 2014 because that phrase has a lot of interesting resonance components to it, CEO of the Cambridge-based ALS Therapy Development Institute (ALS TDI) Steven Perrin said. Its used in a lot of speech analysis scientific studies over the years, and so we copied it.

Starting with just this sentence, and collecting thousands more, Perrin sent the data to Google in the hopes of garnering better ways to track the progression of the disease. But it grew into a project that could find ways to help voice recognition technology understand compromised speech, and, eventually, translate that speech back into a persons original voice.

Project Euphonia, I would say, started by accident, Perrin said.

It started as just another way of collecting data for ALS TDIs precision medicine program in 2014.

If there were 100 newly diagnosed patients in the room here with us, I couldnt tell you which one is going to lose their battle with ALS in two months, and which one could live as long as Stephen Hawking, Perrin said.

So the precision medicine program sought a better way to measure ALSs progression by learning from those living with the neurodegenerative disease.

And since no one had ever tried the program for ALS, Perrin said they decided to record as much data in as many forms as possible like asking 600 questions on the history of the patients life, sequencing their full genomes after quarterly blood drawings, and asking for monthly recordings of their voice.

They moved forward analyzing most of the data except for the recordings, having had no idea what to do with them.

But then, Perrin said he met with Google and asked if they could help look at the voice recordings to see if they could correlate the clients voice with the diseases progression.

At first they laughed and said, Ah thats not big enough data for Google.

But a year later, once ALS TDI had 600 people in the program uploading monthly recordings, Google said yes.

Using a fourier transformation to convert the WAV file recordings into colorimetric patterns, or image files, Google applied its machine learning algorithm to the recordings.

Through that, they were able to more sensitively predict disease progression than anything else were using in ALS, Perrin said.

Googles A.I. model trains itself independently, which is why it requires so much data.

The more data it has, the more it can pick out patterns from the WAV files after theyve become image files.

Thats when Perrin said Google saw a light bulb go off.

They said to us, you know, we never thought about it before, but people lose their voice and we have all of their voice recordings before they lost them, Perrin said. Maybe we could reconstruct somebodys voice.

And so Project Euphonia began. At first, only having access to data from patients with ALS, Perrin and Google saw it as a way to adapt voice recognition technology to better help anyone with voice impairment issues. But Perrin said the project has developed a broader goal: to restore patients original voices.

Sure, theres devices out there now that help with communication, but out comes this computerized voice thats not your own, he said. Its kind of sterile, its not the most inviting thing.

Perrin said its been profound to watch people use Project Euphonia and hear their own voice come out of a computer.

One patients voice, once it was fully reconstructed, sounded so close to his original that his wife called Perrin in tears.

She hadnt heard her husbands voice since 2010.

Perrin said sharing your voice as part of the program is free to any patient who wants to contribute, and most do, despite a diagnosis telling them they only have a maximum of five years to live.

Like Andrea Lytle Peet, who was diagnosed with ALS in May 2014 at 33 years old and founded the Team Drea Foundation while also participating in ALS TDIs Precision Medicine Program.

I realized when I was diagnosed that I could choose whether to be depressed or to live life the best way I knew how the time would pass either way, Peet said in an email. I have chosen to dedicate my remaining time to finding a cure for ALS and helping to advance the science so that one day, no other families will have to go through this cruel disease.

Only a year before her diagnosis, she had been doing nine workouts a week to take part in a half Ironman triathlon in September 2013.

Peet said she went to five neurologists before getting her diagnosis, and shes been fighting ALS for five and a half years since, outliving the normal life expectancy of two to five years.

I went from the strongest Id ever been to walking with a cane in eight months, she said.

And everything about her life and future changed.

My husband and I no longer plan to have children, Peet said. We dont get to imagine growing old together. I cashed out my 401k because I wont live long enough to retire.

But shes grateful for what she can still do, like speaking despite slurred words, walking with a walker, eating, driving, and using the bathroom on her own.

These are all things that most people take for granted, but people with ALS lose over time, Peet said. I will never take for granted the neurological glue that is still holding me together.

She said after the diagnosis, she was nervous about a lot of things.

I worried after I was diagnosed that I would no longer have a purely happy thought, Peet said. But the happy memories are sweeter, and we dont often argue about little things that dont matter. We take adventures now we dont wait for someday anymore.

And Project Euphonia has eased some of her worries, too, giving her independence, allowing her to turn on lights, the TV, or lock the door using just her voice.

Peet said shes been using the technology every day for the past six months.

This technology also allows me to continue giving presentations for my foundation to keep raising money for ALS research, she said. It live captions what I say and I dont have to worry about being understood.

The project has also offered her peace of mind.

If my hands stop working, I know that I can use my voice to turn on the TV, turn on a podcast, or set an alarm, she said. Any small measure of independence means so much when youve lost everything else.

Perrin said losing the ability to speak might be the most traumatic part of the ALS disease course.

Communication is key to our existence, our well being, our mental health, he said.

And Project Euphonia is giving patients the ability to not worry as much about losing access to that vital part of being human.

While it took almost four years for ALS TDI and Google to get to where they are today with the project, theres still more to be adjusted.

Perrin said the systems arent automated yet.

Google takes the audio recordings from ALS TDI and their A.I. learns how to translate them, but to fully recreate and fine tune someones voice, Google needs more than twenty minutes of perfectly clear, pre-recorded audio of a patients voice before ALS affected it.

The problem is, aside from wedding speeches or recorded business conference calls, most people dont regularly record their voice.

I think the vision is to try to get it down to a minimal amount of high-quality audio, Perrin said. Less than a minute would be optimal, because probably everybody could find that.

He said theyre moving forward nonetheless, continuing to collect words and get to a point where the translation is automatic.

But the progress is ongoing, and its not going to happen overnight, Perrin said.

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TikTok: Art in 15 second slices – The Age

Posted: at 5:44 am

This is because TikTok doesnt know you yet. Where other social platforms connect you with friends, family or colleagues, TikTok doesnt care about people you may know. Its only concerned with what you actually want to see, and once the apps algorithm really gets to work analysing why one video holds your attention just a second longer than another, or why you swiped back three videos to watch one over again the AI powering its recommendations engine begins to feel scarily godlike.

Thats when the art of TikTok begins to reveal itself. It took the film industry decades to establish itself as a coherent system with its own internal logic, but in just a few years TikTok has done the same. What seems messy and chaotic at first quickly coagulates into a highly coded and creative ecology that pillages older media forms from Funniest Home Videos to vines and repurposes them to new ends.

The opening bars of AC/DCs Thunderstruck are recreated using only a babys gurgles. God invents seahorses: "what if baby saxophones could swim?" A woman correctly inserts a USB stick on the first try and a heavenly chorus erupts.

If this sounds like cringey internet fare circa 2005, its because the artistry of TikTok doesnt translate well into words. Its important that most of its videos are without speech, since the musical soundtrack does so much of the talking. When words are needed, theyre delivered via on-screen captions.

Nineteen-year-old Victorian Heath Kirley posted his first TikTok in January last year. Hes standing in his kitchen putting the finishing touches on a cryptic yellow costume with an oversized M on his chest as the early bars of Soulja Boys Pretty Boy Swag play out. When the bass drops, hes transformed into the yellow M&M.

A year later, he has 2.1 million followers.

"There were some weeks where 100,000 new people would follow me," he says. "It still blows my mind."

At first TikTok was just a private joke, a place to post whatever he thought might amuse a few strangers. "Until one of my videos blew up overnight. It got more than a million views and I was like, maybe this is more than just a creative outlet."

That video? "It was a joke around getting a tattoo of the word bread."

Again, its really hard to convey the humour of TikToks in words.

Most TikTok videos begin when the maker chooses its signature "sound", selecting a short audio track from the vast library the app offers. In most cases this is a song excerpt, though there are snippets from TV shows and stand-up routines too. The user then shoots a video to accompany the track, inserting their own take on the original.

The audio-first nature of TikTok means that almost every video is a kind of cover version, and a videos creativity emerges in the way each user delivers their own spin on an established product. Youll hear the same 15-second snatch of song hundreds of times, but with each iteration a user will respond to all of the previous versions by throwing in a last-second twist, a new punchline or jawdropping physical feat.

This format of creative expression within a formulaic structure extends to dance videos, lipsynchs, comic memes and skits. The TikTok algorithm rewards originality within set constraints most videos take their cues from a previous dance, joke, trick or stunt and then make it their own.

A sophisticated visual and aural vocabulary has quickly evolved. Comic videos almost always end prematurely, cutting off mid-sentence so the viewer has to finish the gag. Conversely, a moment of absurdity (someone catching a falling bottle with their butt cheeks) will freeze while the moment is repeated from eight increasingly extreme camera angles.

TikToks creators might be crafty, but is any of this art? The study of aesthetics has long held to categories such as the beautiful and the sublime, but US cultural theorist Sianne Ngai argues that more relevant categories for understanding art today are the zany, the cute and the interesting. Its the first of those that helps explain TikToks relevance.

"Zany" sounds like a backhanded compliment at best. It conjures something too busy, trying too hard, overreaching itself. If the zany is fun, its also stressful, perhaps even fun because its stressful. Think manic comedians from Lucille Ball to Jim Carrey, but also the visual too-muchness of Star Wars films today, the 100km/h delivery of Youtube personalities, the streaming series you inhale in one sitting. For Ngai, the zany is the experience of "too many things coming at (you) quickly and at once".

TikTok is undeniably zany. The majority of videos consciously cultivate a naive aesthetic, looking more like the home videos you produced at the age of eight than the glossed and airbrushed imagery on other social platforms. This in part excuses the dorkiness that comes with being zany TikTok is undeniably dorky, too because we dont judge the eight-year-old pretending to be a grown up with the same rigour wed judge a professional actor.

Ngai says that the zany is a category worth considering seriously because it reflects the experience of modern times. From the silent antics of Charlie Chaplin and Buster Keaton through to the frantic, frenetic busyness of TikTok acts, zany humour collapses the distinction between fun and work, between the demands of everyday life and the supposed escape of privacy. Its hard to think of a better description of social media than that. With too many things coming at you quickly and at once, a zany response might seem the only reasonable one.

TikTok would rather its users be zany, too. More than any other social platform it sells itself as a low-conflict zone, promoting wholesome content and actively removing material that might provoke divisive responses (how it interprets that is another matter). Where other platforms increase views by ratcheting up the outrage, Tiktok appears almost entirely absent of capital-P politics.

At the level of lived experience, though, TikTok is rife with politics. Many of its memes straddle the faultlines of race, sexuality, gender and other seismically volatile subjects.

They do this with humour. Theres a popular meme that presents a scene with the caption "What I think I look like" before cutting to a variation captioned "What everybody else sees". In one iteration, an African-Australian teen is browsing a Coles aisle in a contemplative fashion. As the soundtrack switches up a notch, "what everybody else sees" is the same man stuffing items from the shelves into his pockets.

But even this is zany, and the slapstick element is jokes finisher: its only on the third or fourth viewing that you notice his hand gets stuck in a box, his keychain snagged on the shelf. Its a comment about racial stereotyping wrapped up in a clown suit.

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The content on TikTok appears to be far more diverse than elsewhere on the internet, though its entirely likely the apps algorithm is controlling that sense of diversity. Users have managed to gather a surprising amount of information as to how that algorithm works.

Melbourne high schooler Harvey Petito has a million and a half followers, but says that follower counts matter far less on TikTok than on other platforms. "The TikTok algorithm sends your videos out to people who arent actually following you too. Some weeks Ill look at my analytics and my content has reached over 20 million people, even though I have 1.4 million followers."

"The best part is that its not about followers," says Kirley. "Its about your originality and your creativity. There are accounts with zero followers and Im pretty sure, no matter what, the algorithm will still show their video to a very small amount of people. It all depends on how they interact with it."

Kirley is right. In the few hours after uploading, each TikTok video is seen by a few hundred random viewers, which is why youll be shown clips with just a few likes sandwiched between those with a million or more. How that small batch of viewers respond to the video is scrutinised by the app how much of the clip is actually watched, and how many times is it replayed or shared? The rule seems to be that if a video is liked once for every 10 times its viewed, its then catapulted out to a much larger audience. This is where the AI steps in and begins analysing content: is there hateful or divisive material in there, or anything that breaks the apps terms of service? If it passes the test, its shot out to an even bigger audience.

The next trigger is velocity a video that increases its likes by 20 per cent in a day will graduate to the next level of promotion, which is why TikTok is specifically geared for sudden viral spikes.

Engagement isnt based on the followers you already have, which is why first-time posters can rack up the kind of viewing numbers that would be impossible to attain elsewhere.

A relatively popular video will be circulated at this mass level for four days, and if it performs well enough a flesh-and-blood TikTok staffer will review the clip themselves and decide if it should be one of the tiny fraction of videos to go super-viral.

Reach that point and you might find yourself with one or two million followers. TikTokers wear their fame light, though. Harvey Petito is famous enough to be regularly recognised on the street, but hes more occupied by the same concerns as most other 16-year-olds. "It can be hard finding the time and energy to film when youve been at school all day and then had sports after school or something like that, then you come home and have to shower and get dressed to make tik toks when you know youve still got homework and stuff to do."

When Kirleys views went through the roof, things got pretty zany. "When it was all happening I felt it was something I had to do on the daily, to put all my time towards it, but Ive realised now and this sounds a bit weird that its not as significant as you might think it is ... Ive gotten to a point where I post what I want to post when I want to post it."

John Bailey is a contributor to The Age and The Sydney Morning Herald.

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Album Review: The best 3 tracks from Soccer Mommy’s melancholy masterpiece ‘color theory’ – The Post

Posted: at 5:44 am

Sophie Allison, who creates music under the moniker Soccer Mommy, can do no wrong. On her latest LP, the 10-track color theory, listeners watch her make sense of her own melancholia. Its heart-wrenching and enthralling, and it provides whats missing from most of the industry: feeling.

Soccer Mommy began creating music under her stage name and uploading it to Bandcamp in 2015. While she was studying music business at New York University, she played her first show, which shortly after resulted in a record deal with Fat Possum Records. She dropped out of NYU two years later, and since then, she has released three full-length albums and concocted her own formidable form of catharsis.

Even though meaningful music tends to go unnoticed, Soccer Mommy is well on her way to becoming a household name, already going on tour with the likes of Kacey Musgraves, Paramore and Vampire Weekend, among other notable names. She deserves every second of it, too.

Color theory goes beyond merely divulging raw human emotion. Soccer Mommy takes that, intertwines it with brutally honest lyricism and guitars that are delicate but can still roar and formed one of the best albums of 2020 already. The opener, bloodstream, sounds like the intro to an angsty teenage 2000s film with its acoustic guitar beginning and airy vocals. The tenderness of night swimming is inexplicably infectious. The candid nature of royal screw up is bound to rip your heart out and replace it with perpetual chills. Every track deserves accolades, but there are three that just edge the rest:

3. crawling in my skin

Though the melody of crawling in my skin may evoke feelings of euphoria, the lyrics will do anything but. Soccer Mommys tone and her supporting instrumentation of gentle guitars and drums completely juxtapose her inability to escape her demons. Despite their evil nature, they are something she feels she can no longer live without: I watch it creep and crawl through my room / But I cant move / Sedate me all the time / Dont leave me with my mind. There are no flaws to be found within this track.

2. up the walls

Despite having the shortest run time on the album, clocking in at two minutes and 44 seconds, up the walls packs one of the heaviest punches. Replicating a tone like that of Billie Eilish in her slower songs, Soccer Mommy reflects on a past love and how itll never make its way back to the present. Beside tranquil guitars, she admits nothing will ever feel as comforting again: Cause no ones really known me like you did when we were young / Our love was our everything / Everything you want but back then.

1. gray light

Closing the album is gray light, a track about watching a loved one suffer and pondering on your own fears. Guided by a simple yet stunning guitar line, Soccer Mommy reveals that as she is forced to watch her mom decline, she cant get away from the thought of her own death: I cant lose it, the feeling Im going down / I cant lose it; Im watching my mother drown. If goosebumps dont appear at some point, its safe to say youre not human. The track is wholly cathartic, and its the best on color theory.

Rating: 4.5/5

@bre_offenberger

bo844517@ohio.edu

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Committee approves bill addressing free speech in higher education – KSL.com

Posted: at 5:42 am

SALT LAKE CITY A Senate committee voted in favor of legislation that differentiates between free speech and discriminatory harassment at Utahs colleges and universities.

HB132, sponsored by Rep. Kim Coleman, R-West Jordan, would make it so universities are unable to punish speech that doesnt fall under the the Supreme Courts definition of harassment outlined in the 1999 ruling Davis v. Monroe County Board of Education.

Coleman said theres been a lot of attention in recent years on campus free speech rights. She believes there are two sides to this issue: students who feel like their rights have been inappropriately violated and students (who) are expressing concerns about speech that may be offensive.

Colleges have been all over the place with their student speech rights, she said, and her legislation would codify the standard set by the Davis ruling so it is applies across the board.

Almost all of our public institutions of higher education have problematic policies ... I would say they violate students free speech rights, Coleman said.

The bill would define discriminatory harassment as student-on-student speech that is unwelcome, discriminates on the basis of a classification protected under federal or state law, and is so severe, pervasive and objectively offensive to the point of distracting or undermining a students educational experience.

Coleman said courts have relied upon this as the standard in the education setting.

Over-broad, anti-harassment policies are the single most common way universities punish students for free speech that the Supreme Court has said is protected, said Joe Cohn, legislative and policy director for Foundation for Individual Rights in Education.

According to Cohn, no Utah universities are in compliance with the Davis ruling.

If passed, Utah would joined the ranks of Alabama, Arkansas, Arizona, Oklahoma and Tennessee that have codified the Davis standard.

Thereve been a number of cases that show its worked for students on both sides of this coin cases where students successfully sued schools for violating their free speech rights because they jumped the gun, and cases where schools have been successfully sued by victims of harassment because their schools didnt act when it was appropriate too, Cohn said.

To address concerns raised by Utahs board of regents and some universities, the committee approved a substitute to the bill that would create a filter between students and the decision to file charges against a university for violating their free speech.

Instead of the students being able to file a lawsuit, they could go to the attorney generals office and make their complaints and then the attorney general could file the lawsuit, explained Sen. Todd Weiler, R-Wood Cross.

When asked what he thought of the change, Cohn said he believes its generally better to allow individuals to take their rights into their own hands, but having an attorney general remedy is vastly superior to having no remedy at all.

Geoffrey Landward, general counsel for regents, said he remains neutral on the bill but feels the attorney general having the right to action is an appropriate balance.

We have two obligations to our students, Landward said. We want to and cherish their right to free speech we think that an important part of higher education is the exchange and marketplace of ideas. The other thing we have is an obligation to keep our students free from harassment.

The committee passed the substituted version of the bill 4-0. It goes to the full Senate.

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Hugh Hefner Foundation to Honor First Amendment Defenders, Raise Awareness of Threats to Free Speech and Free Press During 40th Anniversary of Awards…

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Hugh M. Hefner Foundation Seeks Nominations, Announces Judges for First Amendment Awards

LOS ANGELES, March 6, 2020 /PRNewswire/ --The Hugh M. Hefner Foundation is seeking nominations and announcing the independent panel of judges selected for the 2020 Hugh M. Hefner First Amendment Awards, which is celebrating its 40th anniversary this year. The Hugh M. Hefner Awards are hosted annually to honor a group of individuals for their work to protect and enhance First Amendment freedoms for all Americans, and help educate and raise awareness of modern-day threats to free speech and free press in the U.S.

The nomination application form can be found here. The submission deadline for consideration in the 2020 First Amendment Awards is March 27, 2020.

The Awards were founded by Christie Hefner in 1979 and have honored over 150 individuals in journalism, education, law, book publishing, government and entertainment.

Christie Hefner said, "The First Amendment Awards remind us of the modern-day challenges to our First Amendment rights. Threats still exist, but our constitutional right to free speech and expression remain intact because of the brave individuals who have been honored over the past 40 years. During the Awards, we recognize and celebrate the work of these everyday American heroes high school students, lawyers, librarians, journalists and educators who took a bold stand against infringement on their rights or the rights of their fellow Americans to protect our basic American rights."

The awards ceremony will be held at the National Press Club in Washington, D.C. in summer 2020. Details about the event will be provided when the winners are announced in spring 2020.

The Hugh M. Hefner Awards JudgesWinners will be selected by a panel of independent judges. The 2020 judges are:

Theodore J. Boutrous, Jr.,Partner at Gibson, Dunn & Crutcher LLP, and global Co-Chair of the firm's Litigation Group. Boutrous received the 2019 Hugh M. Hefner First Amendment Award in the Law category for his work on behalf of CNN and Jim Acosta in connection with the restoration of Acosta's White House press credentials after the White House suspended Acosta's press access. Boutrous also received the 2020 Freedom of Press Award from the Reporters Committee for Freedom of the Press and the Distinguished Leadership Award by PEN America in 2019 for his leadership in advancing rights and protecting freedom of expression.

Kyle Pope, Editor-in-Chief and Publisher of the Columbia Journalism Review, a magazine for professional journalists that is published by the Columbia University Graduate School of Journalism. The Columbia Journalism Review is referred to as "the voice of journalism." Pope previously served as deputy editor of Conde Nast's late Portfolio magazine, editor in chief of The New York Observer, and as a reporter, foreign correspondent, and editor during his decade career at The Wall Street Journal.

Allison Stanger, Russell Leng '60 Professor of International Politics and Economics at Middlebury College, and Author. Stranger recently authored a timely new book about the history of whistleblowers in the U.S. titled Whistleblowers: Honesty in America from Washington to Trump. Stanger received the 2018 Hugh M. Hefner First Amendment Award in the Education category for her work defending the free exchange of ideas on college campuses after an incident at Middlebury College. Stanger, a liberal professor, helped promote a speaking event on campus featuring a conservative social scientist who was invited by a student group; she was injured during a violent confrontation after the event.

About the Hugh M. Hefner FoundationThe Hugh M. Hefner Foundation was established to work on behalf of individual rights in a democratic society. The primary focus of the foundation is to support organizations that advocate for and defend civil rights and civil liberties with special emphasis on First Amendment rightsand rational sex and drug policies. For a complete list of past winners and judges, please visit: hmhfoundation.org/winners-judges.

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The Right to Dignity in Free Speech Discourse and the Case of Omar Radi – Morocco World News

Posted: at 5:42 am

Luxembourg Earlier this year, media coverage in Morocco shifted focus from street violence and rape into issues of defamation, injury, and free speech involving both ordinary citizens and persons of public interest. It honestly felt like a relief from raw knife fight images and ruthless sexual assault stories.

We read about the rapper Gnawi versus law enforcement officers, Mol Kaskita and his Youtube videos, and later about journalist Omar Radi versus Judge Lahcen Talfi, among a handful of other speech cases.

Though the common thread among all these cases is that they compel us to rethink how we look at free speech and the rights of others, including those we most vehemently disagree with, Omar Radi and his prosecution for tweeting negatively about a Moroccan judge is particularly interesting.

Omar Radi is not a household name like others across the Moroccan media spectrum. But for the first time in a while, Moroccan society began engaging in meaningful questions around rights, obligations, and the rule of law.

Of course, the price has been hefty. Ahead of his court appearance, in an objectively harsh measure given the nature of the liability, Radi was arrested. The justice system then reversed course, sticking to the rule of law by not criminally prosecuting Radi and set him free as he awaits trial.

The journalist rightfully received much support from different media sources out of collegial solidarity and pride for the role journalism plays in free societies. His own employer, Medias24, released a statement.

Besides the brotherhood that unites us, Omar Radi was a journalist at Medias24 and was able to make himself loved and respected during this period. He has forged strong bonds of friendship and respect with the team. He has been professional and exemplary in his work at Medias24.

And yet the statement does not address the issue at its heart. How does being loved or friendly relate to the idea of freedom of speech and rights to dignity?

The statement also quoted Karim Tazi, ahighly respected intellectual and political activist: Our country cannot avoid a major challenge. Such moments of transition are obviously sensitive and necessarily lead to excesses. In my opinion, such transitions should be managed by drawing a clear dividing line between what falls within the scope of political dialogue and what deserves repression.

Tazi continued, It is urgent that this line should become the sole recourse to violence, and that everything else should be catalogued as freedom of opinion to be dealt with through the fruitful confrontation of ideas.

By diverting the argument from its legal and ethical dimension into an ode to his character, Omars colleagues were actually doing him a disservice and depriving his cause of genuine traction and wider support.

In line with Tazis statement, there are two options to respond to Radis tweet: Either 1) call Radi names and slap him with a conspiracy theory of supporting revolutionary ideas to overthrow the system or 2) respectfully challenge Radis views through the fruitful confrontation of ideas.

Karim Tazis standpoint is premised on the classic argument that the only restriction of speech should be on speech that incites violence. This theory says any other restrictions would kill the spirit of public debate, and our free societies would, consequently, go off course towards finding the truth.

American legal theory on freedom of speech is deeply rooted in this notion. English philosopher John Stuart Mills 1859 essay On Liberty is probably the most famous literary work advocating for free speech.

The essay argues the only purpose for which power can be rightfully exercised over any member of a civilized community, against his will, is to prevent harm to others.

Mill elaborates on his harm principle and free speech with a story about corn merchants. The claim Corn dealers are starvers of the poor! can be condoned if written in the press, but may be subject to restriction if said to an angry mob gathered outside the corn dealers house.

Mills harm principle oversimplifies free speech and its extent. The wording of Radis tweet is a denial of Judge Lahcens dignity, regardless of how flawed Lahcens rulings are.

Radi tweeted: Lahcen Talfi, judge of the Court of Appeal, executioner of our brothers, let us remember him well. In many regimes, small arms like him came back to beg afterwards, claiming to have carried out orders. No forgetting, no forgiveness for these officials with no dignity!

When I read Lets remember him, I hear a speech to an angry mob gathered around Lahcens personal and professional space. It could even put him in harms way.

Born and raised in the notorious J5 CYM neighborhood in the heart of Rabat, I know what remember means in this context. If someone says remember me, it is like serving somebody with a notice to watch out for their own safety, both hyperbolically and literally.

With such a tweet, Radi fails to hold himself accountable to Lahcen. His emotional and understandably staunch disagreement with the judges rulings cannot legitimize his harmful behavior.

As much as I would like to defend him, Omar Radi named and shamed a judge, a private citizen exercising a public service.

Was the judge doing a good job? It is definitely an open question, and everybody is entitled to participate in the debate on the efficiency of Moroccos legal system.

Some people might argue that the judge is the center of his court, and criticizing him is a critique of the court.

Here we need to set the record straight. We have to distinguish between a person of public interest and a private citizen. Judge Lahcen cannot, even remotely, be compared to the likes of former Head of Government Abdelilah Benkirane, agriculture minister Aziz Akhannouch or any similar public figure.

Those people made a choice to be publicly exposed. They do and say things subject to the rules of public debate. Such rules allow heated conversations, naming and shaming, hyperbolic accusations, etc., as part of democratically-open debates.

But those very rules do not apply when the same public figures leave politics or public space, once and for all.

A case in point was an incident involving Benkirane and a member of Rally of Independents (RNI) party led by Akhannouch.

We were all entertained by the sharp words, insults, and accusations against Benkirane. As far as I can tell, nobody was sued for defamation or injury, since Benkirane was fully aware that his job does not guarantee him a good name.

Likewise, then Government Spokesperson Mustapha El Khalfi called RNI party members at a rally in Tangier mortazika, meaning scroungers, or people who seek to make money at the expense of others or by stealth. The members filed a defamation lawsuit against El Khalfi, asking for MAD 50,000 ($5,200) in damages per member at the rally.

The case did not gain any traction and was clearly a defensive nuisance lawsuit. The rhetoric came during the peak of politicking ahead of elections and was part of an electoral campaign run by public figures within the realm of politics.

Another case makes the distinction clearer. Shortly after Benkirane resigned as head of government, a protester insulted him through an SMS, comparing him to a mule, a despicably regarded animal within Moroccan society. The defendant received a three-month sentence, serving only two after the plaintiff pardoned him.

What is the catch? First, the defendant and the plaintiff were not political opponents having a debate, nor was Benkirane functioning as a public figure. He was a strictly private citizen, fully entitled to the rights of privacy and dignity.

Second, calling someone an animal is permissible only in the right context. Benkiranes most famous political punchline uses animal equivalencycrocodilesto describe his political opponents, and yet he has never been held accountable for that in a court of law, because the metaphor was hyperbolically used as permitted by the rules of public debate. The metaphor was meant to criticize, not to demean.

In his case, Radi could have aspired to protection by the rights society grants to journalists by upholding the standards of meaningful journalism. But his amateurish tweet does not mesh with an expectation to be treated as a journalist exercising his profession.

I assume Radi, as a journalist, has access to the court ruling. He could have challenged the content of it rather than insinuating an uncalled-for revolution, especially because journalists should reflect the truth that an ordinary citizen might not be able to see.

Free speech is a mixed bag, and saying all speech in that bag is protected can be misleading. When we have cases like Omar Radis, journalists are no longer the watchers of our problems. They become the problem.

The views expressed in this article are the authors own and do not necessarily reflect Morocco World News editorial views.

Morocco World News. All Rights Reserved. This material may not be published, rewritten or redistributed without permission.

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YouTube Is Winning The Battle To Curb Free Speech | Screen Rant – Screen Rant

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A recent court decision has determined YouTube does not qualify as a public forum and is therefore immune to free speech laws. This ruling sets a precedent for online free speech cases, as it has implications across all the web's social platforms.

The First Amendment debate has become especially intense in recent years as political arguments have intensified in online comments sections. Many people consider the internet a public place and attach the same notions to major sites like YouTube. Their concerns stem from the fear that if the largest video-sharing site in the world makes a choice to exclude one particular audience, it's effectively censoring millions of people.

Related:Notorious YouTuber Banned From EVERY EA Game and Online Service

Conservative media outlet PragerU pleaded this case in court after YouTube demonetized and restricted their videos, harming the channel's revenue generation in the process. A BBC report explains that San Francisco's Ninth Circuit court of appeals ruled against the popular right-wing channel, deciding that YouTube is not a public forum, and isn't required to promote free speech. PragerU's case argued that by denying some users access to their content, YouTube was deliberately silencing a conservative voice and continuing a trend of tech companies promoting a liberal bias.

A 2019 Supreme Court ruling referenced in this trial decided that "hosting speech by others is not a traditional, exclusive public function and does not alone transform private entities into state actors subject to First Amendment constraints."The logic behind this choice is that if every place that hosted public speech was subject to free speech laws, it would be impossible to moderate speech for a specific audience. On a platform with the ubiquity of YouTube, moderation is essential and it's easy to imagine other social platforms pointing to this ruling in defense of their own moderation efforts.

Despite the high profile nature of this case, it's unlikely that YouTube will adjust its stance here, considering the platform is open about its commitment to pleasing advertisers. Part of signing up for YouTube means agreeing to its terms that it can restrict or demonetize videos it doesn't consider "advertiser-friendly", to protect companies from running an ad before a video that may be unsuited to their brand. Other platforms have similar policies, so it could be argued that agreeing to such rules as part of joining an online service is an act of surrendering free speech rights by default.

It's worth noting that in addition to justifying the demonetization of certain videos based on terms of the site's policies, YouTube's restriction of PragerU's content is also less harsh than it may seem at first glance. The company revealed that less than 2% of its daily users log in as restricted, which means the vast majority of its audience still has access to such videos. To some, PragerU's argument that YouTube is promoting liberalism with its content moderation represents another example in the long history of right-wing media "crying wolf" about media exposure. At the same time, LGBTQ channels have been met with similar moderation, and have also pursued appeals. The battle for free speech on YouTube will certainly continue, but this decision will at least make it more clear that user-created content hosted on a publicly accessible forum is not subjected to free speech.

Next:Jim Sterling The YouTuber Standing Up To Game Industry Greed

Source: The BBC

Joker's New Girlfriend Punchline vs. Harley Quinn Confirmed

Hubert has been a journalist in spirit since age six, and can't see any good reasons to argue with that, so here we are. He spends most of his days working to leave the world a better place than it was when he showed up and trying to be better at Street Fighter.

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Author Adam Cohen on the Supreme Court 50-Year Battle Against Justice – Free Speech TV

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The makeup of the U.S. Supreme Court has come under intense criticism in recent years after two Trump-nominated justices joined the bench.

Senate Republicans confirmed Neil Gorsuch in 2017 after having refused to consider President Barack Obamas nominee in his final year in office, and they confirmed Brett Kavanaugh a year later despite multiple allegations of sexual misconduct against the judge.

During the 2020 Democratic presidential contest, several candidates floated the idea of packing the court appointing more than nine justices in order to counter the courts rightward drift. But while the current Supreme Court often earns the ire of progressive lawmakers and activists.

DN's guest Adam Cohen says it has actually been a force for injustice for the last 50 years, despite what Americans are taught about the courts role in protecting the rights of marginalized people.

The Supreme Court which is an institution that we think of as the bastion of fairness, the advocate for the underdog has actually been a major driver of inequality, says Cohen. His new book is Supreme Inequality: The Supreme Courts Fifty-Year Battle for a More Unjust America.

Democracy Now! produces a daily, global, independent news hour hosted by award-winning journalists Amy Goodman and Juan Gonzlez.

Our reporting includes breaking daily news headlines and in-depth interviews with people on the front lines of the worlds most pressing issues.

On DN!, youll hear a diversity of voices speaking for themselves, providing a unique and sometimes provocative perspective on global events.

Missed an episode? Check out DN on FSTV VOD anytime or visit the show page for the latest clips.

#FreeSpeechTV is one of the last standing national, independent news networks committed to advancing progressive social change.

#FSTV is available on Dish, DirectTV, AppleTV, Roku, Sling and online at freespeech.org.

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A Wake-Up Call for the Progressive Movement? – Free Speech TV

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David Pakman calls for a wake-up call to the progressive movement after the Super Tuesday 2020 results. With Joe Biden performing much better than polls, it suggests he has momentum. He was boosted by late dropouts before votes on Tuesday. Amy Klobuchar, Democratic Senator from Minnesota, and Pete Buttigieg, former mayor of South Bend, Indiana, both dropped out of the race and endorsed Biden. Beto O'Rourke also endorsed Biden ahead of Super Tuesday. Biden won 10 states on Tuesday, while Bernie Sanders only won 4 states. And now, Biden has received 1 million or 24 percent more votes in all of the primaries.

The David Pakman Show is a news and political talk program, known for its controversial interviews with political and religious extremists, liberal and conservative politicians, and other guests.

Missed an episode? Check out TDPS on FSTV VOD anytime or visit the show page for the latest clips.

#FreeSpeechTV is one of the last standing national, independent news networks committed to advancing progressive social change. .

#FSTV is available on Dish, DirectTV, AppleTV, Roku, Sling and online at freespeech.org

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Free speech and the library – Yellow Springs News

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A local group organizing against Issue 12 the sales tax levy to fund the construction of a new jail for Greene County was turned away from Yellow Springs Community Librarys meeting room last week. Local library staff cited a portion of the librarys meeting room policy that prohibits political campaign meetings from occurring in the space.

While the group had met in the room on three prior occasions, it had been doing so in violation of policy, according to library staff, who canceled a reservation for a future meeting.

The group found an alternative meeting venue in Yellow Springs. But the instance prompted the News to more closely examine the librarys meeting room policy and the relationship between such public spaces and the First Amendment, which protects free speech and other basic rights.

Library meeting room policy

The Yellow Springs library is part of the Greene County Public Library system, a county district library formed under the Ohio Revised Code. There are seven libraries in the system, and a seven-member Board of Trustees drawn from different home libraries makes policy for the district.

The Board of Trustees meets monthly, the second Wednesday of the month, and its meetings are open to the public.

Five of the systems seven libraries provide meeting spaces that are free and open to non-library groups, by reservation and within certain guidelines. Those guidelines define what types of groups and uses are permitted, as well as specifying meeting room rules and procedures.

The same policy applies to all public libraries in Greene County. Posted to the Greene County Public Library, or GCPL, website, the policy reads, in part:

Community groups whose purposes are non-profit, civic, cultural, or educational are encouraged to use the various library meeting rooms for group meetings when the rooms are not being used for their primary purpose: library-related activities.

Meeting rooms may not be used for social activities; private parties; commercial purposes/endeavors or gatherings that advertise a product or service; or political campaign meetings.

The current library meeting room policy dates back to February 2009, when the library board unanimously passed several changes proposed by Greene County Prosecutors Office civil attorney Elizabeth Ellis, who acts as legal counsel to the library.

A key change was the addition of political campaign meetings to the list of prohibited uses of meeting rooms, Board of Trustee meeting minutes show. The policy had not previously mentioned political campaigns in connection with GCPL meeting rooms.

The stated impetus for the revision of the GCPL meeting room policy was a federal district court lawsuit involving a religious group denied access to a meeting room in the Upper Arlington Public Library, located outside Columbus. In October 2008, a couple of months after the court found in favor of the religious group, GCPL Executive Director Karl Coln recommended that the Greene County library system update its own meeting room policy. That was accomplished the following February, with the new language about political campaigns and other changes.

In fact, the Upper Arlington Public Library court decision was a turning point for libraries around the country, according to Deborah Caldwell-Stone, director of the American Library Associations Office for Intellectual Freedom.

Libraries thought for a long time that because of the establishment clause they could not favor religious groups by granting them access to their meeting rooms, Caldwell-Stone said in an interview with the News last week.

The establishment clause refers to the part of the First Amendment that prohibits Congress from making laws respecting an establishment of religion, or prohibiting the free exercise thereof.

At least a dozen appellate court decisions have followed essentially the same lines, upholding the right of religious groups to meet for various purposes in public library meeting rooms, according to Caldwell-Stone.

Similarly, anti-abortion groups and white supremacist groups have successfully sued libraries for access to meeting rooms, she said.

Reached by the News for comment about the 2009 change in the GCPL meeting room policy that bars political campaign meetings from being held there, library counsel Ellis referred to the Upper Arlington case.

I drafted it based on that, she said last week.

Probed regarding the relationship between religious use of the space and political campaign meetings, Ellis stated that the overall goal of the policy was to ensure that the library was a neutral place.

The library needs to be as neutral as possible, Ellis said.

Prohibiting political campaign meetings is a component of that neutrality, regardless of the specific issue or candidate focus of the group.

Its politics with a small p, she said of the encompassing nature of political campaign activity barred from Greene County libraries.

Ellis added that the revised meeting policy was supported by case law relevant to the First Amendment.

Library Bill of Rights perspective

But another view of the countys meeting room policy is suggested by the American Library Associations Library Bill of Rights.

That document consists of unambiguous statements of basic principles that should govern the service of all libraries, according to text accompanying the Library Bill of Rights on the American Library Association, or ALA, website.

The sixth of seven statements reads: Libraries which make exhibit spaces and meeting rooms available to the public they serve should make such facilities available on an equitable basis, regardless of the beliefs or affiliations of individuals or groups requesting their use.

The ALA also offers several formal interpretations of the Library Bill of Rights, including an interpretation focused on meeting rooms. Under that interpretation, library meeting rooms open to the public are considered designated public forums, one of three types of public forums in which First Amendment free speech protections apply, within some limits.

Restrictions on meeting room use should not pertain to the content of a meeting or to the beliefs and affiliations of the sponsors, the interpretation states.

The interpretation also specifies that meeting room policies should be written in inclusive rather than exclusive terms. The interpretation continues, For example, if a library allows charities and sports clubs to discuss their activities in library meeting rooms, then the library should not exclude partisan political or religious groups from discussing their activities in the same facilities.

Another ALA interpretation focused on politics in the library makes a similar point.

If a library has designated a space for community use, it must make that space available to all community organizations and groups regardless of their views or affiliations, the interpretation states. The interpretation goes on to highlight the essential characteristic of American libraries in providing access to ideas and opinions.

Therefore, libraries should encourage political discourse as part of civic engagement in forums designated for that purpose. Libraries should not ignore or avoid political discourse for fear of causing offense or provoking controversy, the interpretation concludes.

Yet in reality, many public libraries do draw limits around who can and cannot use their meeting rooms, according to the ALAs Caldwell-Stone.

All library politics are local, she said, noting that a range of factors, including community values, state and local laws and the librarys defined mission, come into play when a library system crafts policies for meeting rooms and other aspects of its facilities.

Theres nothing inherently wrong with public meeting rooms being used to discuss politics, she said, following the interpretation of the Library Bill of Rights.

But library boards may be wary of controversy, she acknowledged.

Some library boards dont want to be seen as taking one side or another, Caldwell-Stone said.

While religious groups and others have sued libraries for access to their meeting rooms, groups denied access based on political activity have tended not to, according to Caldwell-Stone.

Theres no case law on this, she said.

Asked by the News whether the Library Bill of Rights was a binding document for libraries, she said it was not.

It offers aspirational best practices, she said.

However, many libraries adopt the Library Bill of Rights as part of their library policy, Caldwell-Stone added.

Asked by the News whether Greene County Public Library had done so, Executive Director Coln said last week that it had not.

And asked by the News whether library counsel had consulted the Library Bill of Rights while crafting the 2009 revision to the GCPL meeting rooom policy, Ellis replied that she wasnt familiar with the document by name, but had taken part in an ALA training prior to drafting the revision.

Describing the GCPL revised policy at the time of its creation in a report to library trustees, Coln wrote that it is suitably sensitive both to the First Amendment rights of all patrons and the GCPLs need to ensure the undisrupted flow of library services to all patrons.

Not an exact art

Managing competing priorities can be challenging for library systems, Caldwell-Stone acknowledged.

Its not an exact art, she said of libraries crafting and implementing policies that protect and promote the First Amendment within their particular community.

Coln last week offered his view that the political campaign meetings prohibition in the GCPL meeting room policy preserves the neutrality of the library for all community members.

The library is meant to be welcoming and open to everyone, he said.

Not all political activity is barred, just activity that involves advocacy, Coln clarified.

Political information is welcome, he said. The difference is in the advocacy piece when a group is saying vote for this or that.

In an email this week, he gave as an example the Beavercreek Matters series focused on local issues at the Beavercreek library meeting room. That forum is permitted because it includes a variety of viewpoints, he wrote.

Political groups that fall outside the librarys policy very, very rarely request use of the meeting room and thus are rarely turned away, according to Coln. The only other example from the past couple of years of a group denied GCPL meeting room access, aside from the recent instance in Yellow Springs, was the local chapter of Indivisible, a national progressive advocacy network, he said.

Yet the distinction between political information and advocacy may be subtle, as the ALA itself acknowledges. Another ALA statement on meeting rooms reads, An individual or group should not be denied access to the librarys meeting room because they intend to engage in political speech, to meet with constituents or to discuss partisan views. But it goes on to offer: Partisan campaign events may be inconsistent with the librarys mission and should be addressed in library policies.

Caldwell-Stone affirmed that libraries can place some limits on aspects of free speech within their spaces. But those limits have their own limits, she added.

Libraries do have obligations under the First Amendment that are binding, she said.

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