Daily Archives: December 20, 2019

Happy Holidays: What are the origins of the alternative Christmas greeting – and why does Trump object to it? – The Independent

Posted: December 20, 2019 at 7:44 pm

Its not actually a tradition as oldasChristmasitself, it just feels that way.

Every year, as December 25 approaches, certain groups of people take issue with those who sayhappy holidays,seasons greetings or some variant thereof.

So how did this seasonal controversy come about, and how does it manifest itself?

Sharing the full story, not just the headlines

Initially, the phrase Happy Holidays was adopted either as a way of avoiding offence, or as a catch-all to include other celebrations like New Year, and other religions winter festivals - likeHannukah- along with Christmas.

Theres a caveat to the optimistic message of the songs title. War is over, sing a choir of children over festive tambourines, but only, they add, If you want it. Having analysed the success of his previous single, Imagine, the former Beatle noted, Now I understand what you have to do: Put your political message across with a little honey. On this, an anti-Vietnam war protest song wrapped up in sleigh bells, strings and an anthemic melody, he does just that. AP

Getty

Taking Harry Belafontes 1956 hit Marys Boy Child and singing it in medley with new song Oh My Lord, Boney Ms No 1 hit combined Christmas carol-like harmonies with Euro disco, steel drums and a reggae sensibility. It might sound disastrous but somehow it works. AP

Hes gone/2,000 miles/Is very far, sings Chrissie Hynde, above a twanging guitar riff in 2,000 Miles, her serpentine melody stretching each syllable into several. You could easily assume its about two separated lovers, but it was actually written for the bands original guitar player, James Honeyman-Scott, who died of a drug overdose a year earlier at the age of 25. The song is desperately bleak as is the case with all the best Christmas songs but with a note of festive hopefulness too. The children were singing/Hell be back at Christmas time. AP

Rex

Brenda Lee was just 13 years old when she made herself a rockabilly legend thanks to the recording of this party classic. It always reminds me of scenes in The Santa Clause (one of the best ever Christmas films) where the jaunty number was heavily featured, along with seminal holiday movie Home Alone. RO

Few Christmas songs are as cosy as this one. Dean Martins smooth, rich voice is as warming as a good glass of whisky; paired with sweeping, romantic strings and a chirpy flute, Let it Snow! conjures up images of stockings hanging up over the chimney, a Christmas tree glinting with baubles, and a frost-tinted window with snow falling outside. RO

Getty Images

Though Aled Jones tends to get the credit for this haunting masterpiece, it is actually the voice of choirboy Peter Auty that appears in the climactic scene of the wordless 1982 animation The Snowman. He wasnt credited though, and when his voice broke and Joness version reached number five in the UK charts, he was almost written out of history. In truth, though, whichever version you hear, the songs sweeping grandeur is goosebumps-inducing. AP

Channel 4

Recorded for Bing Crosbys TV special Merrie Olde Christmas, and framed around a strange scripted exchange of banter between the two, this mash-up only came about because Bowie hated the song, Little Drummer Boy, that he had been asked on the show to sing. So songwriters Ian Fraser and Larry Grossman, alongside the shows scriptwriter, cobbled together Peace on Earth to serve as a counterpoint, while Crosby performed the intended song. They recorded the resulting medley after less than an hour of rehearsal, and five weeks later, Crosby died. AP

Redferns

Eartha Kitt is the sexiest woman in the world. You dont write Christmas songs that are sexy. How are we going to do that?Poor Phil Springer. Half of the songwriting team behind the super sultry Santa Baby was always slightly resentful that his biggest hit was a festive one. Well, Im grateful for it. Eartha Kitts huskily delivered letter to Santa Claus is undoubtedly the sexiest Christmas song of all time, and has been covered by everyone from Lady Gaga and Taylor Swift to Madonna (I dont talk about Madges attempt) and Michael Buble. Yet its Kitts version you find yourself coming back to. RO

This Mel Torme composition was originally written, according to Torme, with Bob Wells as a mind-over-matter attempt to stay cool during a stifling summer day in 1945. Its one of Coles most enduring hits, and one of the most beloved of all Christmas songs. RO

GETTY IMAGES

This Mel Torme composition was originally written, according to Torme, with Bob Wells as a mind-over-matter attempt to stay cool during a stifling summer day in 1945. Its one of Coles most enduring hits, and one of the most beloved of all Christmas songs. RO

Reuters

Andy Williams classic brings to mind the kind of big, brash Christmass you see in American films lots of presents, blazing fireplaces and a huge feast but also plays heavily on the importance of spending time with your loved ones. It consistently appears in the top 10s of Christmas song rankings, and more than 50 years in, the 1963 staple shows no signs of wearing out. RO

AP

It was just another anti-war song until Jona Lewie threw a kazoo into the mix. The English singer-songwriter never intended Stop the Cavalry to become a Christmas single, but the festive mention in the line I wish I was at home for Christmas, along with the addition of a Salvation Army brass band and tubular bell, was enough to convince listeners. The song sold 4m copies upon its release and was only kept off the top slot that Christmas because of John Lennons death and consequent position at numbers one and two on the UK singles chart. Lewie told The Guardian in 2015 that he earns more from Stop the Cavalry than the rest of his songs put together. RO

In 1978, Rea thought it was all over. His record contract was done, and his manager had just told him he was quitting. Rea wanted to get home from Londons Abbey Road studios to Middlesborough, but his record company wouldnt pay for a ticket.My wife got in our old Austin Mini, drove all the way down from Middlesbrough to Abbey Road studios to pick me up, and we set off back straight away, he told The Guardian. Then it started snowing. We had 220 and I was fiddling with it all the way home. We kept getting stuck in traffic and Id look across at the other drivers, who all looked so miserable. Jokingly, I started singing: Were driving home for ChristmasRO

AFP/Getty

Sinatras version of this classic Christmas song opens on his isolated vocals before gradually introducing the swooning choir and tender strings section. And the lyrics: Have yourself a merry little Christmas/Make the Yuletide gay / From now on your troubles will be miles away/Here we are as in olden days/Happy golden days of yore/Faithful friends who are dear to us / Gather near to us once more. RO

AP

One of the best moments on American Idol in 2014 was an exchange between judges Nicki Minaj and Mariah Carey, who famously did not get on during the series. As a contestant/Mariah stan [stalker fan] told the star he loved All I Want for Christmas is You and hailed it as the best modern-day Christmas song, Minaj threw a little shade by saying: It sure was, wasnt it?, emphasis on the was very much intended. Careys response was immediate and dismissive: Still is, dahling! She earns a reported 4000,000 in royalties from the track each year, with its lasting popularity testament to just how good a song it is. Its unyielding Christmas spirit and those diminished (infectious) C minor chords combine for the ultimate experience of festive cheer, with a perfect mix of nostalgia and pop sentimentalism thrown in for good measure. RO

AP

George Michael wrote, performed, produced and played every single instrument on this song, where the narrator looks back with sadness on a past relationship. As with Fairytale of New York, you have an upbeat, cheerful rhythm and chirpy instrumentation, against the melancholy of unrequited love in the lyrics, with the suggestion that it was given away too hastily (This year, to save me from tears/Ill give it to someone special). RO

YouTube/WhamVEVO

Some of the best songs combine uplifting instrumentation that contrasts with lyrics that can be downright miserable, and such is the case for Fairytale of New York. It has none of the sickly sweet sentimentality of Mariah Careys All I Want For Christmas Is You or Wham!s Last Christmas.Fairytale of New York is a drunken hymn for those with broken dreams and abandoned hopes. Its narrator, an Irish immigrant, is thrown into a drunk tank to sleep off his Christmas Eve binge. Hearing an old man sing the Irish ballad The Rare Old Mountain Dew, he begins to dream about the past, and so begins the story of two people who fell in love in America, only to see their plans of a bright future dashed.Shane MacGowans slurring, bitter delivery of those opening vocals is played out over romanticised piano chords, then to those wonderful, jaunty strings, with Terry Woods mandolin part giving the song an additional Irish brogue. RO

YouTube/Screengrab

Richard (Dick) Smith was suffering from tuberculosis, an illness which had plagued him since a child, from his bed in a sanatorium in Philadelphia. Gazing longingly out of his window at the snow, he wrote a poem describing all the things he would do when he was well again. He was inspired by the views of people playing in the park across the street from his family home on Church Street, where hed lived with his mother, brother and two sisters. His father had died when he was a child. After he was finished, he took the lyrics to his friend Felix Bernard, a professional pianist. A copy of Winter Wonderland found its way to Joey Nash, lead singer of the Richard Himber Orchestra, who recorded it in 1934. Guy Lombardo heard Nashs recording and made a record of his own, which became a hit that December. Smith died in 1935 before Winter Wonderland became a Christmas hit again for Ted Weems, and long before Crosby recorded his, and arguably the most famous, version. RO

STF/AFP/Getty

Theres a caveat to the optimistic message of the songs title. War is over, sing a choir of children over festive tambourines, but only, they add, If you want it. Having analysed the success of his previous single, Imagine, the former Beatle noted, Now I understand what you have to do: Put your political message across with a little honey. On this, an anti-Vietnam war protest song wrapped up in sleigh bells, strings and an anthemic melody, he does just that. AP

Getty

Taking Harry Belafontes 1956 hit Marys Boy Child and singing it in medley with new song Oh My Lord, Boney Ms No 1 hit combined Christmas carol-like harmonies with Euro disco, steel drums and a reggae sensibility. It might sound disastrous but somehow it works. AP

Hes gone/2,000 miles/Is very far, sings Chrissie Hynde, above a twanging guitar riff in 2,000 Miles, her serpentine melody stretching each syllable into several. You could easily assume its about two separated lovers, but it was actually written for the bands original guitar player, James Honeyman-Scott, who died of a drug overdose a year earlier at the age of 25. The song is desperately bleak as is the case with all the best Christmas songs but with a note of festive hopefulness too. The children were singing/Hell be back at Christmas time. AP

Rex

Brenda Lee was just 13 years old when she made herself a rockabilly legend thanks to the recording of this party classic. It always reminds me of scenes in The Santa Clause (one of the best ever Christmas films) where the jaunty number was heavily featured, along with seminal holiday movie Home Alone. RO

Few Christmas songs are as cosy as this one. Dean Martins smooth, rich voice is as warming as a good glass of whisky; paired with sweeping, romantic strings and a chirpy flute, Let it Snow! conjures up images of stockings hanging up over the chimney, a Christmas tree glinting with baubles, and a frost-tinted window with snow falling outside. RO

Getty Images

Though Aled Jones tends to get the credit for this haunting masterpiece, it is actually the voice of choirboy Peter Auty that appears in the climactic scene of the wordless 1982 animation The Snowman. He wasnt credited though, and when his voice broke and Joness version reached number five in the UK charts, he was almost written out of history. In truth, though, whichever version you hear, the songs sweeping grandeur is goosebumps-inducing. AP

Channel 4

Recorded for Bing Crosbys TV special Merrie Olde Christmas, and framed around a strange scripted exchange of banter between the two, this mash-up only came about because Bowie hated the song, Little Drummer Boy, that he had been asked on the show to sing. So songwriters Ian Fraser and Larry Grossman, alongside the shows scriptwriter, cobbled together Peace on Earth to serve as a counterpoint, while Crosby performed the intended song. They recorded the resulting medley after less than an hour of rehearsal, and five weeks later, Crosby died. AP

Redferns

Eartha Kitt is the sexiest woman in the world. You dont write Christmas songs that are sexy. How are we going to do that?Poor Phil Springer. Half of the songwriting team behind the super sultry Santa Baby was always slightly resentful that his biggest hit was a festive one. Well, Im grateful for it. Eartha Kitts huskily delivered letter to Santa Claus is undoubtedly the sexiest Christmas song of all time, and has been covered by everyone from Lady Gaga and Taylor Swift to Madonna (I dont talk about Madges attempt) and Michael Buble. Yet its Kitts version you find yourself coming back to. RO

This Mel Torme composition was originally written, according to Torme, with Bob Wells as a mind-over-matter attempt to stay cool during a stifling summer day in 1945. Its one of Coles most enduring hits, and one of the most beloved of all Christmas songs. RO

GETTY IMAGES

This Mel Torme composition was originally written, according to Torme, with Bob Wells as a mind-over-matter attempt to stay cool during a stifling summer day in 1945. Its one of Coles most enduring hits, and one of the most beloved of all Christmas songs. RO

Reuters

Andy Williams classic brings to mind the kind of big, brash Christmass you see in American films lots of presents, blazing fireplaces and a huge feast but also plays heavily on the importance of spending time with your loved ones. It consistently appears in the top 10s of Christmas song rankings, and more than 50 years in, the 1963 staple shows no signs of wearing out. RO

AP

It was just another anti-war song until Jona Lewie threw a kazoo into the mix. The English singer-songwriter never intended Stop the Cavalry to become a Christmas single, but the festive mention in the line I wish I was at home for Christmas, along with the addition of a Salvation Army brass band and tubular bell, was enough to convince listeners. The song sold 4m copies upon its release and was only kept off the top slot that Christmas because of John Lennons death and consequent position at numbers one and two on the UK singles chart. Lewie told The Guardian in 2015 that he earns more from Stop the Cavalry than the rest of his songs put together. RO

In 1978, Rea thought it was all over. His record contract was done, and his manager had just told him he was quitting. Rea wanted to get home from Londons Abbey Road studios to Middlesborough, but his record company wouldnt pay for a ticket.My wife got in our old Austin Mini, drove all the way down from Middlesbrough to Abbey Road studios to pick me up, and we set off back straight away, he told The Guardian. Then it started snowing. We had 220 and I was fiddling with it all the way home. We kept getting stuck in traffic and Id look across at the other drivers, who all looked so miserable. Jokingly, I started singing: Were driving home for ChristmasRO

AFP/Getty

Sinatras version of this classic Christmas song opens on his isolated vocals before gradually introducing the swooning choir and tender strings section. And the lyrics: Have yourself a merry little Christmas/Make the Yuletide gay / From now on your troubles will be miles away/Here we are as in olden days/Happy golden days of yore/Faithful friends who are dear to us / Gather near to us once more. RO

AP

One of the best moments on American Idol in 2014 was an exchange between judges Nicki Minaj and Mariah Carey, who famously did not get on during the series. As a contestant/Mariah stan [stalker fan] told the star he loved All I Want for Christmas is You and hailed it as the best modern-day Christmas song, Minaj threw a little shade by saying: It sure was, wasnt it?, emphasis on the was very much intended. Careys response was immediate and dismissive: Still is, dahling! She earns a reported 4000,000 in royalties from the track each year, with its lasting popularity testament to just how good a song it is. Its unyielding Christmas spirit and those diminished (infectious) C minor chords combine for the ultimate experience of festive cheer, with a perfect mix of nostalgia and pop sentimentalism thrown in for good measure. RO

AP

George Michael wrote, performed, produced and played every single instrument on this song, where the narrator looks back with sadness on a past relationship. As with Fairytale of New York, you have an upbeat, cheerful rhythm and chirpy instrumentation, against the melancholy of unrequited love in the lyrics, with the suggestion that it was given away too hastily (This year, to save me from tears/Ill give it to someone special). RO

YouTube/WhamVEVO

Some of the best songs combine uplifting instrumentation that contrasts with lyrics that can be downright miserable, and such is the case for Fairytale of New York. It has none of the sickly sweet sentimentality of Mariah Careys All I Want For Christmas Is You or Wham!s Last Christmas.Fairytale of New York is a drunken hymn for those with broken dreams and abandoned hopes. Its narrator, an Irish immigrant, is thrown into a drunk tank to sleep off his Christmas Eve binge. Hearing an old man sing the Irish ballad The Rare Old Mountain Dew, he begins to dream about the past, and so begins the story of two people who fell in love in America, only to see their plans of a bright future dashed.Shane MacGowans slurring, bitter delivery of those opening vocals is played out over romanticised piano chords, then to those wonderful, jaunty strings, with Terry Woods mandolin part giving the song an additional Irish brogue. RO

YouTube/Screengrab

Richard (Dick) Smith was suffering from tuberculosis, an illness which had plagued him since a child, from his bed in a sanatorium in Philadelphia. Gazing longingly out of his window at the snow, he wrote a poem describing all the things he would do when he was well again. He was inspired by the views of people playing in the park across the street from his family home on Church Street, where hed lived with his mother, brother and two sisters. His father had died when he was a child. After he was finished, he took the lyrics to his friend Felix Bernard, a professional pianist. A copy of Winter Wonderland found its way to Joey Nash, lead singer of the Richard Himber Orchestra, who recorded it in 1934. Guy Lombardo heard Nashs recording and made a record of his own, which became a hit that December. Smith died in 1935 before Winter Wonderland became a Christmas hit again for Ted Weems, and long before Crosby recorded his, and arguably the most famous, version. RO

STF/AFP/Getty

The phrase can betracedat least as far back as 1863, and by the1930sand1940swas commonly and uncontroversially being used in advertising campaigns.

But in recent decades what was intended as a neutral or inclusive choice of words has become increasingly political.

Some dislike what they see as an attempt at secularisation: they see it as taking the Christ out of Christmas.

Some are proud to hate what they call political correctness gone mad, often associating it with the kind of loony leftinitiatives of councils who in the Eighties were pilloried for banning things likeBaa Baa Black Sheep even thoughno council ever did ban the nursey rhyme.

Increasingly, Happy Holidays has been linked to what some critics portray as acraven attempt to appease Muslims, sometimes coupled to claims thatIslam is a threatto a countrys way of life.

And it has become more and more common for some or all of these objections to be bundled together in complaints about a perceivedWar on Christmas.

Possibly withFox Newsin 2005. That was the year when John Gibson, radio talk show host, and at the time anchor ofThe Big Storyon Fox News, published a book entitled:The War On Christmas: How The Liberal Plot To Ban The Sacred Christian Holiday Is Worse Than You Thought.

In this narrative, the phrase happy holidays was no longer as innocent as some believed. Instead, it was portrayed as an act of liberal aggression.

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The message was enthusiastically adopted by fellow Fox News anchorBill OReilly. Who repeated it pretty much every year.

For US conservatives, especially those on the evangelical right-wing - if the liberals were allowed to win the War on Christmas, who knew what fresh hell they would unleash next?

They say the next step after saying Happy Holidays is abortion on demand and euthanasia, DanCassino, a professor atFairleighDickinson University,told theNew York Timesin 2016. Thats a hell of a slippery slope, but thats the argument being made.

And by 2016 - in what is far from the only example of synergy between the man who is now US president and Fox News -Donald Trumpwas capitalising on those conservative fears during his presidential election campaign.

During rallies he repeatedly promised to end the War on Christmas, and in office he announced victory for the conservative backlash bydeclaring,We can say Merry Christmas again.

When Tim Allens Scott Calvin accidentally kills Santa Claus (a nice, light-hearted beginning to a family film) he is expected to take his place. He refuses at first but when his hair turns white, a beard and belly grow overnight, and children start approaching him with their wish lists, he reluctantly takes the mantle. Its weirder and darker than it has any right to be, but its enjoyable to watch.

Buena Vista Pictures

When writer and director Billy Wilder first watched Brief Encounter, in which two people use a friends house to consummate an affair, he wrote in his notebook: What about the poor schnook who has to crawl into the still-warm bed of the lovers? The result of that scribble is The Apartment, a film that, with its farcical but well-wrought premise and career-best performances from Jack Lemmon and Shirley MacLaine, never puts a foot wrong.

Rex

Whether you consider this film a heart-warming gem or an insult to the 1947 original might depend on which version you grew up with but its hard to argue with the performances of Richard Attenborough as Kris Kringle, and Mara Wilson as the precociously cynical Dorey.

20th Century Fox

Film trailer editor Amanda (Cameron Diaz) and wedding columnist Iris (Kate Winslet) exchange homes over Christmas in an attempt to escape their terrible love lives. This Nancy Meyers classic is as predictable as its fake movie trailers, but its warm and witty, with a strange but sweet subplot involving an Oscar-winning nonagenarian.

Universal Pictures

A bizarre and macabre Santa Claus origin story, this Finnish fantasy horror follows a group of Lapland natives who stumble upon the secret of Father Christmas. To say that hes not the cuddly, benevolent gift-giver we know and love would be an understatement. To say any more would be to spoil the twisted fun.

Kinology

This low-budget, entirely improvised film from mumblecore actor-director Joe Swanberg is an understated and underrated gem. Anna Kendrick is typically charismatic as an irresponsible twenty-something who crashes, uninvited, back into the life of her older brother Jeff (Swanberg), but the films secret weapon is a brilliantly nuanced performance from Melanie Lynskey

Magnolia Pictures

Featuring a reimagined version of the title song, which Bing Crosby introduced in Holiday Inn over a decade earlier, White Christmas was intended to reunite Crosby with Fred Astaire for their third Irving Berlin showcase musical. Astaire declined the project, and eventually Danny Kaye starred instead, as an aspiring entertainer alongside Crosby. The resulting film was a box office smash and a subsequent classic. Astaire missed out.

Rex

Whatever side youre on in the infernal debate over whether its actually a Christmas movie (Bruce Willis thinks not), it's hard to deny that Die Hard is a perfect action movie. That it takes place on Christmas Eve, and features lines like, Now I have a machine gun, ho-ho-ho, makes it ideal holiday viewing too particularly if youre a little sick of festive slush.

Moviestore/Rex

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Happy Holidays: What are the origins of the alternative Christmas greeting - and why does Trump object to it? - The Independent

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"Racists keep wondering why we call them racist": Italian football and the long road to understanding its problem – These Football Times

Posted: at 7:44 pm

Who are you calling racist? asked Corriere dello Sport on his headline last Friday. One of Italys main sports newspapers faced widespread criticism last week after publishing a now-infamous headline Black Friday, picturing Romelu Lukaku and Chris Smalling in anticipation of the days big match between Inter and Roma. Its was an easy choice to not use players ethnicity on their headline, but parts of Italian culture including its mainstream media remain far from this obvious but essential thought.

Even if this attitude doesnt reflect the mentality of most, its a problem you can see breathing in stadiums, on the street, in the media and on social media. Not everyone in Italy seems to understand that racism has a great variety of shades. While this headline generated universal contempt outside the peninsula, Corriere dello Sport found support in Italy, where critics were labelled of being hostages of political correctness.

In recent months, Italy struggled to deal with racism, particularly in football. Serie A has again been plagued by incidents this season, with Lukaku and Mario Balotelli among those abused by supporters during games. An Italian TV pundit was recently sacked for saying the only way to stop Lukaku was to give him ten bananas to eat. Racism also affects youth football in Italy, where the Observatory on Racism in Football recorded over 80 cases in the last two seasons alone.

This gloomy landscape clashes with the thrilling start to the Serie A season. In the race for the Scudetto, Juventus and Inter recently renewed their historic rivalry while thriving under new managers Maurizio Sarri and Antonio Conte. Their last matchday was a crucial one. Inter, who were one point clear atop the table, hosted Roma, in fourth, while Juventus travelled to the Stadio Olimpico to face Lazio, sitting pretty in third.

In a similar scenario, we had the most dangerous, perhaps astonishing, kind of racism, the one directly spread by media. Lukaku and Smalling reacted strongly to the Corriere dello Sportheadline, players described first by their ethnicity, and then by their footballing talents. The Belgian striker wrote on his social media that it was one of the dumbest headlines he had ever seen, adding that the paper keeps fuelling the negativity and the racism issue instead of talking about the beautiful game thats going to be played at San Siro between two great clubs.

It generated a similar reaction by Romas defender: What occurred this morning was wrong and highly insensitive, said Smalling in a statement on Twitter last Thursday. I hope the editors involved in running this headline take responsibility and understand the power they possess through words, and the impact those words can have.

However, after refusing to apologise, Corriere dello Sportsnotorious editor-in-chief, Ivan Zazzaroni, made things even worst with Fridays headline: Who are you calling racist? Lynching a newspaper that for a century has been defending freedom and equality. Its a curious choice, the word lynching to refer to an accusation of racism, and the lack of awareness about the importance of words was spread all over Zazzaronis editorial. Among some of his statements, there were: Armies of politically-correct-thinking people who whitewash their beautiful souls and White, black, yellow: to deny difference is the typical macroscopic glitch of antiracisms racism.

Read | We are all Koulibaly: the Napoli defenders fight against racism and the context of calcios problems

Its not the first time Zazzaroni has demonstrated such inappropriate behaviour. Last July, after learning about Sinia Mihajlovisleukaemia, he decided not to wait for the Bolognas managers public announcement and published the news on Corriere dello Sport. Afterwards, Mihajlovisaid that Zazzaroni ruined a 20-year long friendship to sell 200 more copies.

On each of these occasions, Zazzaroni has found connivance in the Order of Italian Journalists president Carlo Verna, who defended his conduct. Everything Lega Calcio hasnt done against racism, said Verna, enacting the typical Italian play of pointing the finger at the other, is now being translated in an exemplary disqualification of journalists who have no responsibility, given that their supervisors even made a mistake. Even if Verna used this element to minimise Zazzaronis misconduct, he went on to suggest that racism is, in fact, not in existence within the boundaries of the Italian football authorities and fans.

Two weeks ago, all 20 clubs from Serie A wrote an open letter to ask for help in dealing with racism. Nevertheless, just Roma and Milan (who wasnt directly involved in the episode) reacted to the headline, banning the newspapers reporters from visiting their training grounds for the rest of the year. Roma and Milan were also the only two clubs that publicly distanced themselves from the disgusting anti-racism campaign launched by Lega Calcio this week.

Serie A installed three paintings featuring monkeys supposedly representing a western monkey, an Asian monkey and a black monkey at its headquarters to spread the values of integration, multiculturalism and brotherhood. The anti-discrimination monitoring group Fare called the painting a sick joke and an outrage.

Once again Italian football leaves the world speechless. Its difficult to see what Serie A was thinking, stated Kick It Out, adding that Serie As use of monkeys in their anti-racism campaign is completely inappropriate, undermines any positive intent and will be counter-productive. Every time Serie A tries a new strategy to combat racism, it make the situation worse.

The only thing that they should underline is their lack of understating regarding what actually constitutes racism. Episode after episode, their position is becoming more embarrassing, and they fail to comprehend how they are poisoning the well. Luigi De Siervo, Lega Serie As CEO, defended the monkey painting, saying, Were going to do in two years what Thatcher did in ten, referring to the battle against hooliganism in English stadiums in the 1980s. Two days later, he reneged and withdrew the art. A lack of understanding again.

In September, Lukaku suffered a protracted flow of monkey chants by home fans as he prepared to kick what would turn out to be a match-winning penalty against Cagliari in Sardinia. After the episode, the club defended its fans in a statement, firmly rejecting the outrageous charge.Even Inters fans confronted Lukaku.

Listen | How populist politics is changing the world of football

An organised fan group from Curva Nord, Lurlo della Nord, wrote a grotesque open letter to Lukaku: Please consider this attitude of Italian fans as a form of respect for the fact they are afraid of you, said the Facebook post, sustaining that the use of racist comments did not mean fans were racist but that they were just trying to help their team. Then the supporters tried to indoctrinate Lukaku, saying that he had to understand that Italy is not like many other European countries where racism is a REAL problem. Its a statement that hasnt aged well.

Following an investigation, the Italian sporting justice panel decided to avoid applying sanctions upon Cagliari, stating that the chants could not be considered discriminatory in terms of their scale and perception. It remains a disgraceful decision, especially considering that Cagliaris fans have previous in this regard.

Last season, young Juventus striker Moise Kean now playing for Everton was subjected to similar abuse. Cagliari president Tommaso Giulini said any abuse aimed at the Juventus striker had nothing to do with racism. Keans coach, Massimiliano Allegri, and one of his teammates, Leonardo Bonucci, blamed the young striker for provoking it. Kean simply stood in front of Cagliaris fans with his arms outstretched after scoring a goal.

Similar accusations have also been aimed at Mario Balotelli throughout his career. However, last month he succeeded in the difficult process of reconciling the great part of public opinion that has always opposed him: none of his detractors argued about Balotelli being the latest victim of Veronas far-right ultras.

In November, the former Manchester City and Liverpool striker was subjected to monkey chants during a match at the Bentegodi. Balotelli reacted angrily, kicking a ball into the stands, then threatened to leave the field when the match was suspended for several minutes. After the match, Veronas manager Ivan Juri and president Maurizio Setti downplayed the event, saying that there was no racist element involved. A sports judge disqualified Veronas Poltrone Est the sector where the chants began for a match, but after the clubs appeal, the decision was suspended pending further investigation.

After the match, Luca Castellini, one of Veronas ultras chiefs, said in an interview with Radio Caf that Balotelli, who was born in Sicily to Ghanaian parents before being given up for adoption, is Italian because he has Italian citizenship, but he can never be completely Italian. Castellini, who is head of the northern section of Forza Nuova, a far-right political movement, added: We also have a negro in our team who scored yesterday, and all of the Verona fans applauded him. He was banned for ten years by Verona.

Read | How the Three Degrees inspired a generation of young black men

Not long after, Balotelli was subjected to a staggeringly racist comment from his chairman at Brescia, Massimo Cellino, the former owner of Leeds. When asked about the striker, who was facing a troubled period, Cellino stated: What can I say? Hes black and hes working to whiten himself but he has great difficulties in this. The president was clumsily trying to play on the word black, which in Italian is sometimes used as a synonym for angry, and the verb whiten, which associated with the word ideas can mean to clear your mind. Cellino refused to apologise.

These reactions to such deplorable behaviour highlight the strenuous efforts to normalise this kind of attitude in Italy. A man has been arrested after being accused of racist abuse during last Saturdays Manchester derby. After collaborating with the authorities, Manchester City immediately banned him for life. His workplace suspended him too. To expect a similar attitude from authorities, clubs or companies in Italy is still utopian.

People dont know where to draw a line, especially with regards to key figures in football. They dont know what is appropriate or inappropriate and what might be racist and what might be acceptable. Last week we had another example of this kind of attitude from former Juventus manager Allegri.

During an interview with Corriere della Sera, Allegri who is known for impersonating the part of the cynical and conservative coach and often rants against open-minded managers, who he calls philosophers was asked what football is like now that hes on the outside looking on. His response was a clear example of how so many dont actually know what constitutes racism in Italian football: First of all, African players are turning football more physical, said Allegri.

He used African players as a polite form for black players, referring to the narrow-minded stereotype of black players having natural athletic superiority, something that has no scientific support, as proved by a great number of studies, but a deep place in Italian and indeed wider society and culture. As a result of the nature of the interview, a one-on-one Q&A, Allegri maintained his dangerous stereotype with high social implications without the possibility of a contradictory opinion, unwittingly strengthening the racial bias in the readers minds.

The main problem nowadays is not the folks with the hoods, but the folks dressed in suits, says American sociologist Eduardo Bonilla-Silva in his book Racism Without Racists. The more we assume that the problem of racism is limited to the Klan, the birthers, the tea party or to the Republican Party, the less we understand that racial domination is a collective process and we are all in this game.

If its true that most of us have some form of racial bias, at the same time we all have tools to identify and defuse them or at least stop and apologise when they emerge. In Italy, many remain a long way off this form of self-understanding. All the while, theracists keep wondering why we call them racist.

By Maurizio Gaddi @Maurizio_Gaddi

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The Chanukah Story That Could Have Been – Jewish Link of New Jersey

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Chanukah is when we tap into the spiritual debate between the Jews and the Greeks, as the Greeks specifically attempted to destroy our spiritual way of life. They aimed to cut off our connection with Hashem and replace it with the worship of the natural, physical world. Yavan means quicksand in Hebrew: The Greeks sought to drown us in their secular culture, replacing spirituality with atheism and hedonism. The midrash says that the Greeks attempted to darken our eyes, hichshichu et eineichem (Bereishit Rabbah 2:4). Darkness represents a lack of clarity, the inability to perceive true form. This was the Greek attack on the Jewish people: a distortion of truth, a darkening of knowledge and perception. For this reason, the Jewish people went to war against the mighty Greek army, and to this day we carry on that fight against Greek culture, a culture that we view as damaging and antithetical to Judaism.

However, if we take a deeper look into Jewish literature, we find a strikingly different picture of the Greek nation and their culture. In Parshat Noach, Noach blesses his two sons, Shem and Yefet, with a seemingly peculiar bracha: Yaft Elokim lYefet, vyishkon bohalei Shem (Bereishit 9:27): Hashem will grant beauty to Yefet, and he will dwell within the tents of Shem. Yefet is the precursor to the Greeks, and Shem to the Jews. This seems to paint the Greeks in a positive light, as a beautiful nation fitting to dwell within the framework and boundaries of Judaism. In a similar vein, the Gemara (Megillah 9b) states that despite the general prohibition of translating the Torah into different languages, it is permissible to translate the Torah into Greek because it is a beautiful language. According to both of these sources, it seems as though Greek culture does not contradict Judaism, but is meant in some way to complement it, harmonizing with Jewish ideology. How can we understand this contradiction? In order to explain it, we must first develop a deep spiritual principle.

How do we understand and perceive Hashem? Is Hashem within time and space, limited to this world alone, as Pantheists believe? Or is Hashem completely transcendent, beyond time, space and this physical world, as many of the ancient philosophers believed?

The Jewish approach, as explained by the Rambam, Maharal, Ramchal and others, is a beautifully nuanced blend of these two approaches. Hashem is transcendent, completely beyond our physical world of time and space, and yet He is also immanent, within our physical world. This principle applies to all spirituality; we believe that the spiritual and transcendent is deeply connected to the limited and physical world. In other words, our physical world is a projection and emanation of a deeper, spiritual reality. This is the meaning behind the famous midrash, Istaklah boraita, ubara alma (Bereishit Rabbah 1:1), Hashem looked into the Torah and created the world. This means that the physical world is an emanation and expression of the Torah, the spiritual root of existence. To give an analogy, imagine a projector: the image you see on the screen is emanating from the projector. The projector and film are the source, the image on the screen is the expression.

Thus, we are able to understand and experience the spiritual through the physical, as the two are intrinsically connected. If youre wondering how to understand this concept, consider the way other human beings experience, relate to and understand you. All they have ever seen is your physical body. Theyve never seen your thoughts, your consciousness or your emotions. The only way they can understand you is by relating to how you express yourself and your internal world through your physical body: your words, actions, facial expressions and body language.

The same is true regarding our experience of Hashem and the spiritual. We cant see spirituality, only physicality. We must therefore use the physical to connect back to the spiritual root.

The Greeks sought to uproot this Jewish perspective, to detach the physical world from its higher root. They claimed that human beings have no connection to anything higher than the physical world itself, and that its therefore impossible to connect to Hashem. As the Ramban explains (Vayikra 16:8), the Greeks believed only that which the human intellect could grasp. Anything that requires spiritual sensitivity, that goes beyond rational proofs alone, was dismissed as false. Even the Greek gods were glorified humansas anything that transcended the physical, human world was dismissed. In essence, the Greeks served themselves.

The Jewish approach is much more nuanced. We embrace human intellect and reason, but are aware of a realm that transcends it. We recognize the wisdom of science, medicine, psychology, mathematics and other forms of madda, but also recognize a higher form of wisdom, the Torah. As the Vilna Gaon explains, where logic and human intellect ends, Jewish wisdom begins. The logic behind this principle is based on the aforementioned idea: the physical world is an expression of the spiritual world. Just as the physical world stems from a higher spiritual realm, physical wisdom is an expression of a higher form of wisdom, the Torah. While the wisdom of madda is true, it stems from a higher truth, the Torah. Torah Umadda means that Torah is the absolute foundation and root, and madda is its physical expression.

The ideal is for the physical wisdom of the Greeks and Yefet to be within the tent of Shem. For science and madda to be in harmony with Torah. The problem occurred only once the Greeks denied the existence of anything beyond their independent intellectual wisdom. This was the battle of Chanukah. The Greeks tried to destroy the Torah, which contradicted their ideology, and the Jews were forced to fight for their beliefs, to defend their spiritual connection with Hashem and the transcendent wisdom of Torah.

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Top 10 photography shows of 2019 | Culture – The Guardian

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10Eamonn Doyle: Made in Dublin

Photo London, Somerset HouseAlongside his creative collaborators production designer Niall Sweeney and sound artist David Donohoe Irish photographer Eamonn Doyle created an ambitious nine-screen projection for Photo London. It was an immersive experience that threatened to overwhelm, but, once surrendered to, unfolded to its visceral soundtrack at a furious pace. Looming figures flitted across the viewers vision in constantly unfolding juxtapositions, making Doyles native city seem more Ballardian than Joycean.

Marian Goodman, LondonA long-awaited major London show for Nan Goldin, her first since the Whitechapel Gallery retrospective in 2002, Sirens is shadowed by her recent addiction to Oxycontin and the direct action anti-Sackler activism she has embraced since her recovery. Two of her new works, Sirens and the viscerally unsettling slideshow Memory Lost, draw deeply on lived experience. The latter in particular uses her signature diaristic approach to explore memory, mourning, death and dislocation. Tough, heartbreaking and utterly compelling. On until 11 January. Read the full review.

Tate Modern, LondonAn ambitious, sprawling and constantly surprising retrospective of an artist too long considered in the reflective light of Pablo Picasso, with whom she had a turbulent relationship. Her career began in earnest in 1932, when Henriette Markovitch, painter, became Dora Maar, photographer. The creative trajectory that followed took her from fashion to portraiture to street photography and on into surrealist-inspired experiments in photomontage and camera-less photography. An expansive portrait of a restless spirit. On until 15 March. Read the full review.

Tate Britain, LondonBritains most famous living photographer drew the crowds to Tate Britain for this expansive retrospective, drawn from an archive that stretches back 60 years. Best known for his war photography, the show reminded us of the wealth of other defining documentary images from closer to home: post-war working class life in Londons East End, the declining landscapes of the industrial north, poverty and homeless in the capital. Comprising over 250 photographs, all hand-printed by McCullin in his darkroom, it was a celebration of, and an elegy for, a time when photojournalism and documentary photography indelibly shaped our view of the world. Read the full review.

Les Rencontres dArlesOn the back of her acclaimed first book, Ex-Voto, which merged landscapes of contemporary sites of religious pilgrimage with starkly haunting portraits of latter-day pilgrims, the young English artist won the Audience Award at Arles for The Faithful. Here, the central subject of stark monochrome prints and a quietly compelling film was a young Orthodox nun named Vera, who works with captive wild horses in a convent in rural Belarus. The end result was another austere and affecting exploration of contemporary religious devotion.

Jeu de Paume, ParisPeter Hujars reputation has risen steadily since his death in 1987, his often deftly composed portraits possessed of an acutely intimate undertow. Hujar came of age in the downtown art scene in New York, his creative life bookended by two defining cultural moments: the Stonewall riots in 1969 and the Aids crisis of the 1980s. He once described his approach as uncomplicated, direct photographs of complicated and difficult subjects. They include avant-garde artists, gay activists, intellectuals and drag queens; among the most celebrated are a reclining Susan Sontag and, posing languorously on her deathbed, Warhol superstar Candy Darling. On until 19 January.

Hayward Gallery, LondonDevoted to the formative years in which Diane Arbus honed her dark vision, In the Beginning showed how her sensibility and signature style a crucial shift from 35mm to square format took shape on the streets of New York. Around two thirds of the 100 plus prints on view had not been seen before in the UK; what they revealed was a precocious talent for the eccentric and the perverse, whether tattooed strong men, circus performers, self-styled outsiders or passing strangers. Still unsettling, still singular. Read the full review.

The Photographers Gallery, LondonFor all their quiet stillness, Dave Heaths portraits possess an intensity that is by turns melancholic and unsettling. In that most exuberant of decades, the 60s, Heath emerged almost unseen as a master of solitude and introspection. His images, as this deftly-curated exhibition highlighted, instil a thoughtful silence in the space around them. An illuminating survey of a quiet American photographer who was a master of mood and sequence.

National Portrait Gallery, LondonA long overdue British retrospective showed the full range of Shermans work, from the iconic early series Untitled Film Stills (1977-80) to the more elaborately constructed Sex Pictures, which still shock in terms of their sheer grotesquery. She is a conceptual shapeshifter, whose one brilliant idea turning the camera on her transformed self in order to exaggerate and illuminate myriad female archetypes is one of the most fascinating creative journeys of our time. Read the full review.

Les Rencontres dArlesIn the 1970s and 80s, self-taught Czech photographer Libue Jarcovjkov relentlessly chronicled her wild life during a time of political repression. The results, shot in edgy monochrome, were one of the revelations of this years Arles photo festival. Jarcovjkovs diaristic approach brilliantly captures the low rent hedonism and self destructiveness of a semi-clandestine bohemian milieu. But there is something energetic, even joyful, in her laying bare of her own reckless life. Often, she is her own subject, the captions a kind of defiantly nihilist manifesto: I understand nothing and dont care. Life is pelting along too fast to understand. Im rarely sober. Elsewhere, she shot on the nocturnal streets and in dive bars, parties and scuzzy bedrooms, capturing the long nights and hungover days of a repressive, and thus doggedly dissolute, time in her homeland. Uncompromising and grittily poetic, Evokativ took me by complete surprise and stayed with me for days afterwards.

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The Spaceship of the Imagination Makes Spirits Bright – Nashville Scene

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Personally, I identify with the Grinch. And yet, I find these waning weeks of December particularly festive if for no other reason than they signal that the whole crass consumerist schmegegge of Christmas is on its way out. In spite of all that, local seasonal synth ensemble The Spaceship of the Imaginations annual untraditional take on the Christmas pageant was an apt reminder theres an undeniable joy lurking beneath the hype. This years cast and crew offered quite possibly the most lit time to be had inside a church outside of Kanye Wests Sunday Service.

Though the synth-band-turned-performance-troupe doesnt have an affiliation with Trinity United Methodist Church, this is the third year that the sanctuary (through its Trinity Community Commons program) has hosted local piano man, keyboard wiz and SOTI orchestrator Matt Rowland and his Carl Sagan-inspired group. This years production, whose opening night I saw Thursday, marks the 11th year Rowland has convened his group. Hes assembled an increasingly more elaborate cast of familiar faces from the various local arts and music scenes. They pooled their talents for yet another absurdist, slightly psychedelic and wholly entertaining original stage production.

I unfortunately missed last years epic multimedia showcase Krampus Gone Wild which I understand included multiple green-screen sequences. This year, the technology was dialed way back, but the production (with a cast and crew of 28) wasnt poorer for it. Many of the players doubled as puppeteers something Werner Herzog might be proud of expanding the cast to something like 35 characters as the black-clad crew of stagehands hustled diligently between scenes to swap out sets. For the first time, the vast majority of the music was original compositions. There were literally no dull moments in this impressive three-hour opus (complete with intermission, of course).

Jessica Claus, Frosty the Snowman and Aurora the Polar BearPhoto: Laura E. Partain

This years show, Ms. Claus Saves Christmas, picks up after Krampus Gone Wild. As the show opens, we find Santas former wife Jessica Claus (ace singer Keshia Bailey), still recovering from their split and trying to put her life back together in her hometown of Paducah, Ky., aka The Pitiful Pad or The Dirty Ducah, after 150-odd years at the North Pole. Meanwhile, the half-goat, half-demon European folk legend Krampus (Seth Pomeroy, a pillar of Nashvilles stand-up and sketch comedy scene) had indeed gone wild, abandoning the now-canceled Christmas holiday in favor of an eternal summer of reckless hedonism.

The world mourns the loss, while Krampus, conspiring with his sidekick and hype-man Elfy and a couple of suits from Coca-Cola, embarks on a rap career. (The beats are genuinely dope, while Krampus bars are good-bad on an MST3K level and delivered with pitch-perfect swaggering gusto.) Soon, its clear that it will be up to Ms. C. and a lovable, ragtag group of North Pole loyalists a pair of reindeer, a couple gung-ho elves, a polar bear, an adorable snow couple to get Christmas back on track.

Was the production flawless? Nah. Acting styles meshed with mixed success, lines were flubbed, marks were missed and character was often broken by fits of laughter. But when a cast is having this much fun onstage, the spirit is infectious, which is ultimately the point. Rowland and his electro quartet laid an increasingly mean and funky flavor on traditional holiday tunes, and the show culminated in a candle-lit, audience-participatory chorus of Silent Night.

As a curmudgeonly holiday hater, I felt a little tricked as I found myself holding a tiny flame inside a church while swaying to a classic carol. However, with my face still sore from laughing through most of the last few hours, how could I gripe in the wake of this inspiringly DIY spectacle and wholly Nashville tradition? The Spaceship of the Imagination has landed on a universal translation of the holiday spirit. They continue to subvert any superficial or moral objections with an undeniably fun and impressive expression of goodwill.

You've got two more chances to see the show, tonight and Saturday. Tickets are $20 and available in advance. Below, check out photos from opening night by Laura E. Partain.

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The Raiders franchise will never be the same after their move from Oakland – ClutchPoints

Posted: at 7:41 pm

The NFL is all about money and the Oakland Raiders are making a financial decision by moving to Las Vegas. However, their decision could end up being a big mistake that may hurt the franchise forever.

After moving to Las Vegas, it will mark the second time that the Raiders have moved out of Oakland with the first being to Los Angeles. Of course, the Raiders later decided to move back to Oakland after their stint in Los Angeles. If the Raiders are smart, they will decide to follow suit after relocating to Las Vegas and get back to Oakland as soon as possible.

The biggest issue for the Raiders is they are leaving behind their most loyal fans. The Oakland-Alameda County Coliseum isnt a great NFL stadium, but that was part of the lure of the team. Going into the black hole was something no team wanted to do, and they had one of the best home-field advantages in all of football. Dieter Kurtenbach of The Mercury News put the issues with moving to Las Vegas best.

Raiders fans comprise the only fanbase in sports that can rightly call itself a nation. Such is their nomadic history, their decentralization, and devotion to the squad. Raiders fans will travel from the Bay, from Los Angeles (where there are still millions of fans), and everywhere else the first few years in the desert.

But I dont think that will last long.

Theyll go. Theyll see it. And after that, theyll stay home. Televisions are pretty great these days.

And why go back? There will be no tailgating scene in Las Vegas; they didnt build enough parking lots. No Black Hole in the stadium, either; that might scare off tourists.

This new stadium couldnt be a starker departure from the Coliseum. The Coliseum was a den of hedonism for the common man. It was featureless and amenity-free, a place youd go only if you were so into football and drinking that youd forget the home team played only one playoff game in the last 17 years.

Raiders fans supported their team no matter if the team had 12 wins or two wins. In Las Vegas, its going to be hard to find that same type of loyalty and fans will quickly turn. Its worth noting, Las Vegas is also a great travel city so there will be plenty of fans from other cities flying in to see their favorite team.

After the first couple of seasons, dont be shocked if Raiders home games resemble how some of the Los Angeles Chargers home games have appeared the last couple of seasons with many fans of the away team in attendance.

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Kurtenbach: The Raiders are leaving behind a fanbase with a passion you cannot buy – East Bay Times

Posted: at 7:41 pm

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OAKLAND We are long past the point of fighting the inevitable, of forlorn thoughts of what could have no, what should have been.

The Raiders are gone.

They havent packed up yet the team facility in Alameda will be operational for a few more weeks but Sundays game, a 20-16 last-minute loss to the Jacksonville Jaguars, marked the final moment that the Raiders belonged to Oakland, the symbolic end of an era.

They soon will soon fill up some boxes, put them in trucks, and head to Las Vegas to a new stadium, a new team facility, and what they think will be a brighter, more lucrative future.

But in that 560-mile move, the Raiders will be leaving their soul behind.

Things in Nevada will never be as good as they were in Oakland. At best, it will be a novelty in a city that has endless entertainment options.

And Ill bet dollars to cents that in a few years the Raiders will be the ones pushing forlorn thoughts what could have no, what should have been.

The Raiders have been fixing to leave Oakland for so long that no one not even those who booed them off the field Sunday and showered them with bottles can blame the team for finally exiting. The citys pension crisis and performative politics combined with Mark Davis leadership of the franchise created impossible barriers to an East Bay future for the Raiders, and when the state of Nevada likely duped offered nearly a billion dollars and the NFL agreed to back the move in a more-than-emotional capacity, the relocation to the desert became a no-brainer.

The NFL is big business after all, and in Las Vegas, the Raiders who reportedly ranked last in the league in revenue this past season will no longer be the leagues pauper.

Davis, who will be able to keep the family business in the family, is thrilled, though tact required him to push mixed feelings in public for the next few weeks. The NFL is thrilled, too. The cartels little-brother franchise will soon be able to live on its own, and the league will have access to Las Vegas for big events. All Roger Goodell had to do was co-sign a loan. (Ray Chavez/Bay Area News Group)

The Raiders new Las Vegas stadium is being pushed as a place to see and to be seen.

Raiders fans comprise the only fanbase in sports that can rightly call itself a nation. Such is their nomadic history, their decentralization, and devotion to the squad. Raiders fans will travel from the Bay, from Los Angeles (where there are still millions of fans), and everywhere else the first few years in the desert.

But I dont think that will last long.

Theyll go. Theyll see it. And after that, theyll stay home. Televisions are pretty great these days.

And why go back? There will be no tailgating scene in Las Vegas; they didnt build enough parking lots. No Black Hole in the stadium, either; that might scare off tourists.

This new stadium couldnt be a starker departure from the Coliseum. The Coliseum was a den of hedonism for the common man. It was featureless and amenity-free, a place youd go only if you were so into football and drinking that youd forget the home team played only one playoff game in the last 17 years.

No, this new stadium will be a den of hedonism for a different clientele the whales of Las Vegas. The new digs will be full of the club levels, VIP seats, and luxury experiences that have left the 50-yard-line seats at Levis Stadium empty and a good chunk of fans in bunkers (away from the poors) at Chase Center. The Raiders dont want blue-collar in Las Vegas, they want the fans in the upper deck to be blue with envy.

Anecdotally, it seems as if the die-hard Raiders fans who would come to all eight (thats the one preseason and seven regular-season) home games at the Coliseum are going to make the trip to Vegas once, maybe twice a year.

Eventually, people will stop making trips even that infrequently.

The money that was usually spent on gas, meat for the grill, and beer (and a bottle of something hard to pass around the tailgate) will be spent at the casino. How many Saturday night crap-outs will have to happen before those field trips to Vegas become more and more infrequent?

Meanwhile, the new local market is smaller than Sacramento. But Im sure it will make up the difference, though (Aric Crabb/Bay Area News Group)

The Raiders move to Las Vegas has all the makings of a second Chargers debacle. The Bolts have played 16 road games a year since moving to Los Angeles, and the Rams arent doing much better. But the NFL is scrambling to figure out how to solve that problem now theyre inviting a second problem to form.

The Coliseum wasnt even filled for Sundays final game and that was with the tarp still on Mt. Davis.

Once the novelty of the new Vegas digs wears off once whats left of the fanbase visits the desert I expect that there will be plentyof Broncos orange, Chiefs red, and whatever-the-visiting-fanbases color is in Las Vegas. Itll be a blast of a field trip for them.

The success of the NHLs Vegas Golden Knights, who sell out the 17,000-plus seats at T-Mobile Arena 41 nights (but mostly weeknights) a season, is often cited as a reason why the Raiders will be successful in Nevada. But I dont think that analysis is taking into account that the Knights were first to market (a huge advantage in any business), were wildly successful the first year in town (making the Stanley Cup Final), and that new Raiders stadium holds nearly four times the people and will be used mostly on Sunday afternoons.

Have you ever been in Las Vegas on a Sunday afternoon? Its a somber scene with people heading to the airport and a few trying to win back what was lost. (AP Photo/Eric Risberg)

The kind of fans who would show up to this East Bay dump might have dwindled in number over the years, but you cant say that those who stuck around didnt care. They cared more than any of us could know.

It was the kind of passion, the kind of devotion, you cant buy.

But now the team is gone and the traditions and rituals that came with watching them here the things that made a Raiders game the last bastion of old-school football culture will have nowhere to be channeled. The Raiders just wont be The Raiders anymore.

Try as they might, theyll never be able to recreate what they had here.

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