Rosario Dawson on sexism, racism and the opioid crisis – Politico

Posted: October 15, 2021 at 9:05 pm

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In a new Hulu series, Dopesick, about the roots of the opioid crisis and how it affected one small Virginia town, Rosario Dawson plays a frustrated Drug Enforcement Administration agent. After discovering bags of OxyContin at a drug bust, her character, Bridget Meyer, becomes consumed with getting the drug under control. But as a woman of color in law enforcement, she is stymied by her DEA superiors and representatives from Purdue Pharma, the company that made the drug.

Its a powerful portrait of the people affected by the opioid crisis and an exploration of how it got so bad. It comes at a particularly important moment, too: In early September, the Sacklers, the family that owned Purdue Pharma, were released from liability in lawsuits involving opioids. In exchange, the family agreed to pay $4.5 billion, which will mostly go to addiction treatment and prevention programs in the U.S., and to dissolve the company. After decades of a mounting opioid crisis spurred by OxyContin, critics said the ruling amounted to very little accountability for the family and their company.

The new series is also a subtle indictment of the racism and sexism embedded in companies and government agencies that made it harder to push back against the powerful interest groups that perpetuated the opioid crisis. I spoke with Dawson over Zoom about why the main person her character was based on didnt want to participate in the series and how the racism and sexism her family experienced shaped her role.

Thank God for the people who go, No, I will not bow down, This is wrong and something needs to change, she said. Not everybodys capable of it.

This conversation has been condensed and edited for clarity. Watch video clips of the interview above or click here.

Katelyn Fossett: How did you prepare for the role?

Rosario Dawson: I read Dopesick and a couple of other books that [Dopesick series creator] Danny [Strong] recommended that he had researched. My character is kind of a few different storylines put together in one. And I asked about the cast of people that was used to create Bridget.

I did the more basic online research about the DEA and how the structure works. I think what was great about it was Bridget as a character and as a person, and about the cost of being the Cassandra and seeing something happen and not being able to convince other people to not let in this Trojan horse in and to fight back. I think that was probably the more compelling thing.

Some of the people that [Strong] had tried to resource for this character didnt even want to talk. One of the main people that my character is based off of is just so burnt out from all of it, that she was just like, I dont want to touch this with a 10-foot pole. And it was just fascinating. Not having that person to speak to actually spoke volumes about this character that Im playing and the toll that this whole thing seeing this tsunami and doing her best to try to prevent it and and to protect people what that cost her personally.

Fossett: The thing that struck me as I was watching the episodes was how male and white this world of pharmaceuticals and regulation is most of the doctors, the lawyers, the pharmaceutical sales representatives are white and male. And then you have Bridget Meyer, a woman and a person of color and someone who is pushing back on everything that is happening with OxyContin. Do you think being an outsider in some ways made her more likely to push back on these powerful interests?

Dawson: Oh yeah. Theres one scene with a young boy. She thinks shes taking down an adult addict. And its this child, and its one of the big Aha! moments about just how insidious and scary and profound this tragedy is and how its unfolding. And in that scene, I talk about where Bridget comes from, which is a community that was devastated by the crack-cocaine disparities in how the laws were enacted, and the three-strikes rule, and how generations of people have been affected by how we addressed that crisis and the failed war on drugs.

And its that idea of you know, a Cory Booker who is in the Senate and is fighting for police reform and all kinds of things because hes actually living in Newark and in the community that hes trying to help and work with. And thats not true for most of the senators, or any of them. (Dawson is in a relationship with Booker.)

When people talk about the statistics of how valuable it is to have more diversity in your workplace, its true. When you dont have a voice that authentically comes from a certain space, your default position isnt going to include that.

So I think it is critical to represent a woman like Bridget in this space at that particular time and how that exceptionally put a toll on her because she was really fighting an uphill battle in so many different ways just to be even taken seriously when what was at stake was very serious. And the fact that she wasnt that charming, and didnt how to work the room and massage the egos, that cost her being able to be as effective as she wanted to be. If she had been a man, she would have been listened to differently. They wouldnt have killed the messenger.

Fossett: Yeah, it seems like the opioid crisis has not really penetrated our culture in the way that a lot of other big crises or wars, for instance, have. Is that a part of what appealed to you about the script in the story?

Dawson: Its really powerful to have a story that helps to share all of that and hopefully give us a different perspective and ground from which to act next. Like the SACKLER Act being passed! (The bill would prohibit non-debtor companies from enjoying protections from lawsuits that debtor companies can take advantage of during the bankruptcy process.) There are things legislatively that we can do that can make a real difference that if we get enough people to kind of push can shift the tide.

Fossett: We talked about Bridget Meyer being a woman of color and how that maybe made her more likely to go against these powerful forces. Is there anything in your own life that you tapped into when you drew strength from being a woman of color?

Dawson: There is a scene in which my character feels like shes making real progress, and shes been promoted, and shes done some really interesting things that have put Purdue and the Sacklers feet to the fire, and theyre actually willing to come to the table. And then, as shes finding out that her tactics are working, shes also being told shes not invited to the meeting.

And it just made me think so much of my grandmother. My great-grandmother worked for the Ladies International Garment Workers Union, and my grandmother used to help her with the union organizing. They stood up with stature and dignity in the face of really inhumane treatment.

My grandmother used to say all the time, I may speak with an accent, but I dont think with one. She was the senior secretary to the vice president of Swiss Bank Corporation at the World Trade Center. And I think about her going from deep Brooklyn trains and busses to get to work. The fact that she had to say that all the time ... what was she encountering every day? How many times did she have to hear a certain comment and be like, I'll be right back, and go and cry in the bathroom, and then put her game face back on and go back out there because no one else was going to do it for her?

I think a lot of people can recognize when the powerful treat you like crap, and you know youre right. And so youve got to tough it out and keep persevering. Thats such a real thing. But thank God for the people who go, No, I will not bow down. I will not play nice. I will not excuse this or ignore that. This is wrong and something needs to change. And not everybodys capable of it, but a [person like] Bridget Meyer was. But it still took a toll.

The cost of this crisis has been on so many people. And misogyny and racism and prejudice and discrimination added to how terrible this was. This would have been very different if our society operated differently. But here we are, and were still pushing back against that. And so it gives us leverage, because look at how differently we look at that moment now, and how much more differently we will look at it in 20 years and 30 years when equity is even more normalized.

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Thats about $200 billion, or about 40 percent, less than what the House approved. To get there, policymakers would need to make major changes to the House-drafted language, illustrating the kind of tradeoffs Democrats are being forced to consider and the type of schisms that's creating between moderates and progressives.

Weve been touting this as being transformational in terms of creating job opportunities for women, Rep. Jackie Speier (D-Calif.) said in an interview. It would be dastardly if the approach is one that is just going to be slash-and-burn the House bill, because that will mean that nothing is transformational.

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The arguments marked the first abortion case to be argued in full before the courts 6-3 conservative majority and centered on whether Republican Kentucky Attorney General Daniel Cameron could defend his states ban on some forms of abortion after two courts found it unconstitutional and Democratic Gov. Andy Beshear refused to defend it further.

A decision, which is expected next summer, could extend beyond abortion to Covid mandates, gun control laws and even election results.

Read more here.

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Read more here.

Two new biographies of Fannie Lou Hamer are coming out, and they both sound fantastic.

Kenyatta T. Brunson will be the new CEO of N Street Village, the largest provider of homelessness services for women in D.C. Neda Brown is now director for the Caribbean and Summit of the Americas at the National Security Council. She most recently was a student at the National War College and has spent almost 20 years at the State Department as a career foreign service officer. Sarit Catz is now an SVP at ATHOS Pr. She previously was a partner at Eldion.

Sakura Komiyama Amend is joining SKDK as a managing director. She previously was a U.S.-based comms executive for En+ Group. Sara Schapiro joins the Federation of American Scientists as a senior fellow and its first director of education, workforce and talent. Schapiro previously served as the vice president of education at PBS. ...

Ambar Mentor-Truppa, Katherine Brandon, Kimberly Davis-Wells and Tania Mercado are joining Fenton Communications as VPs. Mentor-Truppa previously was VP of comms at the Shriver Center on Poverty Law. Brandon previously led comms and advocacy for Together For Girls. Davis-Wells previously was lead consultant for the City of Oakland Human Services Department. Mercado previously was a VP at SKDK.

See the article here:

Rosario Dawson on sexism, racism and the opioid crisis - Politico

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