Category Archives: Rockall

Pete Townshend said he was ready to "moan" in public about the upcoming Keith Moon biopic if he didnt like it but noted that he couldnt see a situation where he'd block its development.

The project has been fostered by theWho'ssinger,Roger Daltrey, for many years, and it was recently confirmed to be going into production. In a new interview with Rolling Stone, Townshend said that, no matter how the story unfolded, hewon't go to war over it.

When you talk about it as a Keith Moon biopic, its going to be the first semi-fictionalized, dramatized Who story, Townshend said. It will be a Who biopic. Somebody is going to have to play Pete Townshend. Ive read some very, very varied opinions about what my relationship was like with Keith. I view it one way, and other people view it another way. I certainly was never at war with Keith but neither was I his puppy.

He described the late drummer as a great manipulator, and a great character, a great showman, addingthat "he brought a lot of joy, but he also brought a lot of hardship and difficulty. Ive always been honest about that. It will be interesting to see how that evolves. I certainly dont see a position where if I didnt like the way the story was being told, Id block it. I dont give a fuck, to be honest. I hope it happens because Roger has been working on it.

The guitaristalso said he wasnt in a position to create a fuss if the script deviated from the facts."I think if I felt I was being cruelly misrepresented, Id step in and say, This is a bit much,'" he said. "But I trust the people that are putting the film together. And Roger is somebody who would punch out somebody that said anything even slightly derogatory about me. I trust him.

Townshend noted that Daltrey had to tell his own story through the movie. He has to have his own way," he said. "He sometimes crashes in sideways into my projects! But if I dont like it, I will say so in the press. I might have a moan about it if theres something I dont like, but I will never go to war in the way that some bands have.

From AC/DC to ZZ Top, from 'Bridge Over Troubled Water' to 'London Calling,' they're all here.

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Pete Townshend Is Ready to 'Moan' About Keith Moon Biopic - Ultimate Classic Rock

Even when the game is a dud, the Super Bowl halftime show is always an extravaganza.

With a television audience that in some years has exceeded 170 million viewers, the halftime shows producers are aiming for unforgettable moments with blockbuster acts, unlikely musical pairings and a general air of over-the-top bombast. (Dr. Dre, Eminem, Kendrick Lamar, Mary J. Blige and Snoop Dogg are this years performers.) Theres always pyrotechnics, wacky costumes or a field full of people waving glowsticks who look theyre having the best time ever for the 12 minutes usually allotted to halftime performances.

Yet theres really only one crucial ingredient for a memorable Super Bowl halftime show: something has to go wrong. With one or two key exceptions, the halftime shows that people still talk about are the ones where things have gone off script.

Mostly, that doesnt happen. Since the dawn of the modern halftime show in 1993, when Michael Jackson appeared at Super Bowl XXVII the performers usually hit their marks, there are no obvious technical glitches and the whole thing comes off like the tightly choreographed, slightly sterile promotional behemoth that it is. For all the big-game atmosphere and big-name stars, the halftime spectacle isnt always memorable. Anyone chosen to perform at the Super Bowl can put on a big show, be it Tom Petty & the Heartbreakers, the Who, Lady Gaga or Beyonc, who offered a clinic in jaw-dropping choreography (and a Destinys Child reunion) at Super Bowl XLVII in 2013. Even so, the emphasis on grandiosity can overshadow the actual performance, and the result is often an anodyne big-budget show thats fun to watch while it glides by and easy to forget immediately afterward.

But sometimes theres a Left Shark.

Katy Perrys performance at Super Bowl LXIX in 2015 seemed destined to fit the template. She started her medley of hits while sitting on a metallic animatronic tiger, brought on Lenny Kravitz, launched a ton of pyro and then rolled into Teenage Dream surrounded by dancing palm trees, beach balls, surfboards and two sharks. Famously so famously that the NFL lists the timestamp on its YouTube video of Perrys performance the shark on the left improvised some Macarena-esque dance steps, overshadowing Missy Elliotts guest spot and becoming an instant meme.

Perrys performance was much more of a production than some of her earliest halftime predecessors. Indeed, in its present form, the halftime show is a relatively recent innovation. In the early years of the Super Bowl, the mid-game break often featured college marching bands, though jazz great Ella Fitzgerald performed in a tribute to Louis Armstrong at Super Bowl VI in 1972. Occasionally, a comedian or feel-good act would make an appearance: the youth-advocacy group Up With People did four halftime shows in the 1970s and 80s, for example. For a while, the shows were pegged to unwieldy themes: World of Childrens Dreams in 1985, Salute to Hollywoods 100th Anniversary in 1987 or the head-scratching double tribute Salute to New Orleans & the 40th Anniversary of Peanuts in 1990, which somehow included the song Waiting for the Robert E. Lee.

The halftime show edged closer to the pop mainstream when New Kids on the Block appeared in 1991 as part of a Disney-themed celebration of the Super Bowl itself. Since the early 2000s, after a few additional wonky tributes and niche themes through the 90s, its been all big artists all the time, often in weird configurations designed to appeal to the broadest possible swath of pop culture: Aerosmith and N Sync at Super Bowl XXXV in 2001, for example, or No Doubt and Shania Twain, with a cameo from Sting, at Super Bowl XXXVII in 2003.

Once the Super Bowl fully embraced pop music, it wasnt long before the quest for a memorable spectacle backfired, in a memorably spectacular way. At Super Bowl XXXVIII in 2004, Janet Jackson, P. Diddy, Nelly and Kid Rock all performed before Jackson returned to join Justin Timberlake on Rock Your Body. At the grand finale, as Timberlake sang, Im gonna have you naked by the end of this song, he pulled at the cup of Jacksons studded leather bustier and it came off in his hand, exposing her right breast. If 140 million people have ever screamed WHAT?! in unison, that was the moment.

The aftershocks were far-reaching. The FCC fined broadcaster CBS (though a federal court later threw out the fine). Timberlake apologized for a wardrobe malfunction, a term that remains embedded in the popular consciousness. YouTube co-founder Jawed Karim has said the incident helped inspire the idea that resulted in the video sharing platform, so no one would ever have to go without easy access to such footage ever again. All these years later, Janet Jackson Super Bowl is the third search result when you plug her name into Google. Now thats a memorable halftime show.

Subsequent halftime misfires have not resonated as widely as the wardrobe malfunction did, but theyve still injected a much-needed element of humanity into the proceedings. Think about the incredulous look on Bruce Springsteens face at Super Bowl XLIII in 2009 after his knee-slide took him crotch-first into the TV camera operator during Tenth Avenue Freeze-Out, or M.I.A.s smirk when she flipped the bird during her bit on Madonnas Give Me All Your Luvin at Super Bowl XLVI in 2012. The unpredictability made those performances stand out in a way that most of them dont.

Not all halftime performances have to go off script to feel unpredictable, which brings us to Prince. Prince is the exception to the rule that something has to go wrong for a halftime set to become iconic. His appearance at Super Bowl XLI in 2007 remains a standout because it was the rare convergence of memorable and great. He covered Bob Dylan, Creedence Clearwater and Foo Fighters, played three different guitars as if he was channeling an electrical current directly from the cosmos, and got the whole stadium singing along to Purple Rain as an actual, impossibly serendipitous rainstorm came crashing down around him. It felt like there was no script, just an abundance of uncontainable talent. In reality, his set was certainly planned out, but one of Princes gifts as a showman was performing as if anything at all could happen, whether he was enlivening the all-star jam at the Rock and Roll Hall of Fame induction in 2004 or playing a two-and-a-half-hour show in the middle of the night at South by Southwest in 2013.

This years performers are consummate entertainers, no doubt, but living up to Princes legend is a tall order. Then again, maybe something will go wrong.

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The Best Super Bowl Halftime Shows Are the Ones Where Something Goes Wrong - InsideHook

Artists and writers can't always bring their works to grandiose completion. Sometimes they plan too big. Sometimes, life just gets in the way. But just because creators' plans fall short doesn't mean that audiences mindor even notice. Here are the stories behind 11 classics that left us hanging.

Franz Schubert probably died of syphilis, and was nicknamed Little Mushroom. But dont hold those things against him. His music has proved tuneful and long-lasting, with one of his most enduring works being this unfinished symphony. In truth, as critic Brian Newbould said, its more of a "finished half-symphony"it consists of two complete, fully orchestrated movements. Most classical symphonies have four. No one quite knows why Schubert stopped working on the piece, and a friend of his kept it secret until nearly 40 years after the composers death.

British animation genius Richard Williams is best known these days for his contributions to Who Framed Roger Rabbit. But he also worked for an astonishing three decades on The Thief and the Cobbler, an animated adaptation of Arabian Nights legends. It turned heads in the animation community (some of its plot points and character designs magically popped up in Disneys Aladdin) but Williams ultimately lost control of the film to his financierswith about 15 minutes of animation left to complete. It was reworked, re-animated and entirely botched in a theatrical release. Fans have responded in recent years with a re-cobbled version, based on Williamss original intentions.

This iconic, square-jawed image is the basis for the portrait of George Washington on the dollar bill and innumerable reproductions. Our image of the man who could not tell a lie comes largely from this single painting, nicknamed The Athenaeum. But political portraitist Gilbert Stuart never finished his image of the nation's first president. Instead, he kept the canvasthe head and shoulders are finished, but not much elseand used it as a source to paint more than 100 duplicates, which he sold for tidy sums. (The original was no picnic to paint, eitherWashingtons new pair of false teeth made his mouth all bulgy.)

After the publication of The Lord of the Rings in 1954 and 1955, fantasy fans waited breathlessly for the next big book from Anglo-Saxon-scholar-turned-fantasy-author J.R.R. Tolkien. While he turned out a few short pieces, it wasnt until after his 1973 death that The Silmarillion finally emerged. The book had started as far back as 1916, and Tolkien kept whittling away at it into the 70s. His son, Christopher, finally put his fathers papers in order, and the collection of legends about Middle Earth raced to the top of The New York Times bestseller list.

In these three books, Bohemian Franz Kafka (he was actually born in the country of Bohemia) attempted to stretch his short story genius into book-length form. He never quite made it, abandoning his three books in various states of disarray (The Castle cant even finish its last sentence). Kafka died in 1924, at the age of 40. In his will, he instructed his friend Max Brod to destroy all of his unpublished work. Brod promptly published it all instead, cementing Kafkas literary reputation in the process.

Mythology is thick around Mozarts last composition, which was commissioned by Count Franz von Walsegg-Stuppach and obsessed the composer on his deathbed. What we know for sure is that Mozart completed only the first two movements. He sketched out the next several parts, but expired before finishing the piece. Mozarts widow, Constanze, then drafted one of the composer's students, Franz Xaver Sssmayer, to ghostwrite the last couple of sections. However the piece came together, its regarded as an imposing classic today and a tempting target for modern composers who have created their own complete versions.

Filmmaker Orson Welles left a legacy of partially completed and abandoned projects. Don Quixote was filmed over some 15 years and left in disarray (the death of the actor playing Don didn't help). Surviving fragments of the film were edited into a somewhat confusing 1992 release.

The Other Side of the Wind was different, though. Welles's last full, non-documentary film was nearly done, and filmed from start to finish. It just had the misfortune of being partially funded by a relative of the shah of Iran. After the Iranian revolution, ownership of the film was thrown into question, and Welles never edited it all together. Director and author Peter Bogdanovich had labored mightily to do so, but those pesky rights issues kept the movie out of bounds for years. In 2018, the film had its world premiere at the 75th Venice International Film Festival.

Samuel Taylor Coleridge meant for his now-classic poem to be 200 or 300 lines long. The whole work came to him in a hallucinatory dream, and after waking up he started writing it down. But Coleridge was then interrupted by a "person on business from Porlock" and forgot the rest of the poem. "A person from Porlock" has thus become literary shorthand for an intruder who breaks a writer's train of thought. Nabokov and Heinlein, among others, have made the reference. And Hitchhiker's Guide to the Galaxy author Douglas Adams used the incident as a major plot point in Dirk Gently's Holistic Detective Agency.

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11 Famous Works of Art That Were Never Actually Completed - Mental Floss

Stranded in the Atlantic Ocean: Meet the men training for Rockall 2022 Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Folder An icon of a paper folder. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. Linked In An icon of the Linked In logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. From left, Dr Chris Grieco, expedition leader Cam Cameron and James Price. Pic by Aaron Wheeler.Related Content

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Stranded in the Atlantic Ocean: Meet the men training for Rockall 2022 - Press and Journal

With one round to go in the Evening League at Boston Indoor Bowling Club, the leaders in both divisions have a clear lead and theres a scramble for the places below them.

The result of the week in the Orchard Health Group First Division was the clash between leaders Invaders and fourth-placed Strollers, which saw Strollers taking all six points.

Invaders still have a clear lead, while Strollers are now only one point shy of third place.

Kathryn Rockall, Mick Hippisley and Mick Dodes were trailing for most of their game with Invaders, but always managed to stay within touching distance.

They grabbed the lead on the 15th end and then held on to win 19-18 in a tight finish.

On the other rink, Strollers, with skip Alan Everitt ably supported by Paul Flatters and Keith Swain, were slow to get into their groove.

Five shots scored on the 10th end kick-started their game, giving them the lead, before they powered away to win 19-11.

Second placed Holland Fen won their match against Royal Mail 4-2.

Les Fearys rink won with ease 32-7, having got away to a good start and dominating the scoring.

The other rink was well won by Royal Mail, skipped by Keith Sharp, by 24-8, as they quickly established an early lead of 15-1 and never lost control of the game.

Breakaways beat Nomads 4-2 and did enough to hold onto third place in this division.

The rink of Neil Harrison, Anita Rymer and skip Michael Rymer ran out convincing 30-8 winners, never giving Nomads any chance to get established in the game.

Nomads, with skip Mel Maddison, were similarly ruthless on the other rink to take the win 20-8.

The mid-table clash between A40 in fifth and IBC in sixth saw A40 win 4-2.

A40 are now three points adrift of Strollers.

After a slow start, Sue Hoyles rink for A40 took the lead on the 10th end and built on it to win 20-11.

A40 were leading on the second rink for two-thirds of the game before IBC were able to tie the scores.

Still tied after the penultimate end, IBC scored two shots on the final end to win 17-15 and take two points from the match.

Cosmos and Central at the foot of the table proved to be closely matched opponents and shared the points equally, 3-3, from their match.

Cosmos moved up to eighth place with this result, with Central still in last place.

Jean Thompsons Cosmos rink took a few ends to get going, then controlled the game to win 16-10.

Central and skip Peter Copeland on the other rink held the lead throughout to win 17-11.

The top four in the T&B Containers Second Division faced each other this week, with leaders Golfers winning 4-2 against The Burtons and Autos taking all the points from their clash with Amateurs.

Burtons, in second, are now only one point ahead of Autos, but both are well adrift of Golfers.

For Golfers, Graham Scarboros rink quickly established a safe lead and ran out 23-16 winners.

Golfers went 17-2 down on the other rink, then steadily worked their way back and challenged for the win.

In the end, Chris Hills Burtons rink had done enough and won 19-16.

Autos built a 15-4 lead on Ivor Roberts rink before Amateurs started the fight back, but it was not enough and Autos won 17-12.

Amateurs were 11-5 ahead on the second rink, but Jeff Homewoods Autos squad finished strongly to snatch the victory 15-14 and bag all the points.

Hotspurs moved up to fourth spot after beating bottom-placed Phantoms 4-2.

Neil Owens rink for Hotspurs won comfortably in the end, 21-8.

Hotspurs started slowly on the other rink and were soon 17-3 down.

They did well to come back into the game, but Phantoms still won 22-17 for skip Roy Stanley.

The result of the week in this division saw ninth-placed U3 beat Dynamics, four places higher, 5-1.

Jack Carrs U3 rink made a good start to their game and went on to win 21-10.

U3 also built a good lead, 12-1, in the other game, but Dynamics were dogged in fighting back and finished better, to level the scores 15-15 at the end.

Vikings faced Vectors and took four points.

One rink, Janet and Ray Loughran with skip John Stray, were good from the outset and won 35-8.

Closely matched on the second rink, Vectors and skip Kevin Rockall seized control towards the end to win 21-12.

Lastly, Patriarchs had a good 31-12 win against Shipmates, dominating the match.

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Strollers defeat leaders for result of the week in bowls Evening League - LincolnshireWorld

Let's start by saying, I'm not a fan of Whoopi Goldberg by any stretch of the imagination. But all of this backlash over the "perceived" definition of a word is way overboard.

If the past few years are not a perfect example of how any group or individual may look at things way differently than you do, you've been under a rock. All she said was the holocaust was not about racism, in her opinion. I personally never thought about the holocaust being about race as much ethnicity. I thought like she did, all white people are the same race, which I don't think there is a definitive answer to. So what!

She nor I downplay the horror and disgust of the event. She even began apologizing right away, which I think is ridiculous, but that's where we're at these days.

Quit looking for something petty to be offended by, there's plenty of real issues to be offended by.

Oh sorry, that's just my opinion, not sorry.

Sam Lewallen, Jr.

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Enough Overreaction - The Chattanoogan

A penalty and two converted tries put Stourbridge on the back foot within the first 20 minutes of the National Two North clash before a Sebastien Atkinson try, converted by Michael Heaney, regained some ground.

Rotherham, however, pressed the action and scored three more converted tries towards the end of the first half and into the second half.

Stourbridge quickly notched two tries within two minutes through Afeafe Haisila and Arthur Morgan, one of which was converted by Heaney but as Stourbridge chased a comeback Titans once again found another converted try and a penalty.

The hosts did pick up a penalty try and another try through Daniel Rundle, converted by Heaney, but it was not enough to overturn the deficit bringing to an end Stourbridges winning run that had stretched to three games.

In the Midlands Premier, a second-half flurry from Dudley Kingswinford secured a tight victory over Sandbach.

A poor game in difficult conditions saw the hosts 6-0 up through two penalties after 55 minutes.

A Joseph Dunn try after 66 minutes, converted by Samuel Vaughan, gave Dudley a slim one point lead before a last minute try from Daniel Marsh, again converted by Vaughan, made the win secure.

In Midlands One West, Lichfield continued their charge at the top of the table with their sixth consecutive win.

The visitors dominated away at Old Halesonians to secure a 60-7 win, leaving them 12 points clear at the top of the table.

In the Midlands Two West (North), a trio of second half tries secured a losing bonus point for Stafford against Leek.

Daniel Smith, Neil Holden and Alex Rock all dived over the line for the hosts, with two of them being converted by Stelian-Christian Ureche.

But top-of-the-table Leek had enough in the tank to secure their 25-19 win over fifth-placed Stafford.

Second-bottom Stourbridge Lions slumped to their 11th consecutive loss with a 32-5 thumping away at Newcastle (Staffs).

In Midlands Two West (South), Kidderminster also tasted defeat with a slim 17-13 loss at home to Silhillians.

In Midlands Three West (North), struggling sides Eccleshall and Aldridge again fell to defeat.

Bottom side Eccleshall were on the wrong end of a home walkover against Handsworth, while second-bottom Aldridge lost 41-20 to second-placed Telford Hornets.

Third-placed Burntwood also narrowly lost 15-8 to fourth-placed Shrewsbury.

In Midlands Four West (North), Wednesbury comfortably won a relegation scrap against Warley with a comprehensive 41-5 scoreline.

Essington suffered an away walkover against Market Drayton.

In Midlands Five West (South), it was a weekend of home walkovers for Cannock against Stourport, St Leonards against Five Ways Old Edwardians and Stone against Redditch.

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Stourbridge's winning run is checked at three - expressandstar.com

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Getty Images. Pictured: Rams QB Matthew Stafford, Bengals QB Joe Burrow

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Super Bowl Odds, Promo: Bet $20, Win $205 if Stafford or Burrow Throw for 9+ Yards! - The Action Network

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High-throughput SNPs dataset reveal restricted population connectivity of marine gastropod within the narrow distribution range of peripheral oceanic...

On whatever stage she might be standing, Dani Miller is likely the happiest, craziest punk-rocker you ever saw. Shes a natural up there with Surfbort, her loud, colorful band, grinning and wailing right up front in a bikini top and torn nylon, with a rainbow mullet and tattoos up her arms. Every night on the road, shes the bands most dazzling special effect.

Miller is as excited to be there as any of Surfborts most hardcore fans shouting along to the bands songs of bong hits and depression, life-saving friendships and dancing with Tony Danza. At their final show of 2021 at The Roxy on LAs Sunset Strip, the December night was half punk explosion, half Christmas miracle (they ripped out a cover of Grandma Got Run Over by a Reindeer, and one side of Millers face was bedazzled in silvery jewels). As always, Miller shouts and wails, a joyously enraged, dazzlingly gap-toothed host, fueled on melody and attitude. Freaking out is the most fun, healing thing, says Miller of performing. She frequently steps off the stage to wade right into the moshing crowd. Even when Im having a really bad day, when I get up on stage its just a total blast. Its just a weird, unexplainable feeling.

Thats as true in a nightclub as on a big festival stage, and the hard-edged euphoria can be heard on Surfborts recently released second full-length album, Keep on Truckin. The sound is an urgent collision of the wildly contemporary and first-wave American punk rock, all frayed guitar riffs and melody. On the song Lifes a Joke, the wild-eyed singer shrugs cheerfully through her daily hurdles: Nothings going my way today, but its OK! Truckin is Surfborts pandemic record, mostly produced by Linda Perry with a few pre-COVID tracks carried over from sessions with producer Dave Sitek. Its the next step in Surfborts evolution, and critics are calling it a happier record than those past, as Dani spreads good vibes even while sharing her troubles. I think its just me processing differently because theres definitely still depression, sadness, anger that happens within me, no matter what, she says. For this record, it talks about a gnarly subject and then it gets kind of nihilistic, but then it gets happy again.

Freaking out is the most fun, healing thing. Even when Im having a really bad day, when I get up on stage its just a total blast. Its just a weird, unexplainable feeling.

Amid the bright, aggressive sounds and loud colors in the Kii Arensdirected video for Big Star, Miller has clearly found her tribe. Shes shown behind the mic as she is most nights, in her signature upturned eye shadow shooting past her eyebrows like bat wings (or an echo from the epic cat eyes of Divine, the late Pink Flamingos star). And rocking out behind her is the solidified current Surfbort lineup: drummer Sean Powell, guitarists Alex Kilgore and Matt Picola, and bassist Nick Arnold.

One band motto can be found on the old Surfbort Bandcamp page: Fed up with sheeple polluting the airways and submitting to easy listening and passive ideals. For years identified as a band from Brooklyn, where the first lineup was birthed around 2014, Surfborts members now scatter during their downtime across different cities. Miller and drummer Powell are in Los Angeles, while the others are in Oakland, New York, Texas. Dani made New York her home at age 19 or 20, working multiple jobs, eating cheap pizza, and being in a trash pile. The music video for their 2016 single Trash shows the band in that early phaseDani in long, straight hair, no makeup, and fewer tattoos. The sound was more New-York-indie, wall-of-noise than the flinty, fully realized, melodic-punk roar of today.

Singer Dani Miller performs with the punk band Surfbort at the Roxy Theater on the Sunset Strip. On left is guitarist Matt Picola, on the right is guitarist Alex Kilgore.

In that first lineup was Matt Picola, who can be seen in a YouTube videowith Dani and the others sitting on a boat for an interview in 2015, as they waited to play their first festival gig with borrowed gear. Picola is chatty and ready to rock, a Stella in one hand, wearing a Raymond Pettibon T-shirt. Literally 30 minutes after that, Matty freaking jumped off the four-story yacht into the East River, Miller remembers of that day. And then security people in kayaks came after him. Those days were out of anyones control. Now its about sober rage, keeping clear-headed and free. Definitely in the beginning we were all chaos, Miller explains. We keep the chaotic vibes directed into the music and less in a self-sabotage way. Were still crazy. We're still ourselves, but it's a little less hectic on that front. We don't jump off four-story yachts into the East River. I wonder if he caught something. That was so gnarly.

We keep the chaotic vibes directed into the music and less in a self-sabotage way. Were still crazy. We're still ourselves, but it's a little less hectic on that front.

Picola left the band for a time, and Dani was joined by three punk lifers from Texas. Powell was first to sign on. I remember when I met Sean, I was wearing all-black and working in a coffee shop and he would just dress like a clown. And I was like, Whoa, why are you dressing like a clown? And hes like, You can dress like a clown if you want, too. The band, she says now, let me unleash my clown self, and just find myself.

Surfbort has managed to find a growing audience by not especially courting one in the usual ways, as the band continues to thrive on what Miller has called its strong, freaky vibes. And support has come from surprising places. High-fashion brand Gucci recruited the group as models for a punk-glam campaign, while Debbie Harry and Chris Stein from Blondie recognized a bit of Blank Generation energy in them. Miller can hardly believe that Harry is now a friend and mentor, sharing a lifetime of lessons learned. She always tells me just to stand up for myself and what to watch out for and how to be more empowered, says Miller. Im so lucky to have her as a friend because she fricking paved the way.

The last two years of COVID-19 have been a serious challenge (Dani refers repeatedly to the pandemic as the apocalypse in a way that suggests shes not trying to be funny). During the forced downtime of the peak coronavirus months, the band convened in a Los Angeles living room and sketched out between 50 and 100 songs and ideas. By then, she had already met producer/songwriter/manager Linda Perry at a Nirvana tribute show at Hollywood Palladium in January 2020. She took the new songs to Perry, and soon they were working together. Linda definitely added a really special touch, Miller says of Perry, the former 4 Non Blondes singer, now a GRAMMY-nominated songwriter and producer. She means business. She makes sure that everything is handled, and then gives us the coolest pep talk ever and also busts her ass and gives a shit. Were just so lucky to have her in our lives.

In the end, its not about me. It's more just me being like a conductor for people having a blast and making new friends and dancing their asses off and screaming and letting all their angst out.

One track on Keep on Truckin that especially shows Perrys influence is FML, originally a blunt 30-second eruption about suicide. Perry encouraged Surfbort to stretch it out into different sounds and shadings, from sad to euphoric. It now begins with the melancholy strumming of guitar and lyrical lament before shifting into high-energy riffs and vocals, pushing back against that depression. The songs music video has Saturday Night Live alum (and punk devotee) Fred Armisen wandering the bands neighborhood with a smile. He finds that small crises are about to send people over the edge, and with a magical flick of the wrist he solves their many problems, and the sun shines again.

The message is connected to the album title: It's about knowing that even if you're in darkness, there's gonna be good moments ahead, she says. Hold on and be patient. Get to the other side when there'll be good times, and Fred Armisen will come into your room and put a smile on your face. Miller and Armisen have continued their friendship over text. But no words, just emojis.

Even without the comic actors presence, she can always find strength behind the mic, even if she still gets nervous there. Im like an extrovert-introvert, she says. In the end, I realize its not about me. It's more just me being like a conductor for people having a blast and making new friends and dancing their asses off and screaming and letting all their angst out. FL

Punk band Surfbort backstage at the Roxy Theater on the Sunset Strip. (L-R) Singer Dani Miller, guitarist Alex Kilgore, guitarist Matt Picola, bassist Nick Arnold and drummer Sean Powell.

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Surfbort on Cultivating Freaky Vibes and Looking Toward the Good Moments Ahead - FLOOD Magazine