Sir Thomas More (1478-1535), Utopia, 1516. The Huntington Library, Art Museum, and Botanical Gardens.
In partnership with LA arts organization Clockshop, The Huntington's "Beside the Edge of the World" features works by artists Nina Katchadourian, Beatriz Santiago Muoz, and Rosten Woo, and writers Dana Johnson and Robin Coste Lewis
Nov. 9, 2019Feb. 24, 2020Virginia Steele Scott Galleries of American Art, Susan and Stephen Chandler Wing, and various garden locations
New works of art and literature will debut at The Huntington Library, Art Museum, and Botanical Gardens in "Beside the Edge of the World," one of the programs marking The Huntington's Centennial. The exhibition, on view Nov. 9, 2019 to Feb. 24, 2020, features works by artists Nina Katchadourian, Beatriz Santiago Muoz, and Rosten Woo, and writers Dana Johnson and Robin Coste Lewis, and will give visitors the opportunity to experience video works, poetry, and more in a gallery setting, as well as an audio tour and a sculpture installation in the gardens.
Beside the Edge of the World uses an item at The HuntingtonThomas Mores satirical workUtopia(1516)as a thematic point of departure. The Los Angeles arts organization Clockshop, in partnership with The Huntington, invited the three artists and two writers to consider Mores work and its map depicting the fictional Isle of Utopia. The cohort spent a year delving into the institutions library, art, and botanical collections to create works that make up the exhibition, which is anchored by an installation in the Virginia Steele Scott Galleries of American Arts Susan and Stephen Chandler Wing that will include a selection of the objects used by artists in their research alongside their new works.
We selected the artists and writers in Beside the Edge of the World because of their interest in working in archives to re-frame and re-imagine history, said Julia Meltzer, founder and director of Clockshop and co-curator of the exhibition with Jennifer A. Watts, curator of photography and visual culture at The Huntington and coordinator of the /five initiative. Watts added, The exhibition will be revelatory. The work responds to the projects directive with enormous energy and intellectual depth.
Thomas More structured his story around a newly created world that described an alternative society. More was pushing boundaries, and these new works are, too, said Meltzer. The artists expanded their inquiry to borders and edges, islands, forgotten histories, and utopian experiments that necessarily happen on the periphery.
ArtistNina Katchadouriansresearch centered on the theme of monsters in maps and rare books within The Huntingtons archive. Her kinetic silicone sculpture Strange Creature, which the artist describes as half-baby, half-fish, is inspired by Ulisse AldrovandisMonstrorum Historia(1642); the English edition of Abraham OrteliusTheatrum Orbis Terrarum(1608?), considered to be the first true atlas of the known world; and the ancient Chinese textGuideways through Mountains and Seas, compiled between the fourth and first centuries B.C., which describes mythical beasts within the cosmos of heaven and earth. Installed in the Chinese Gardens Lake of Reflected Fragrance, the sculpture is meant to provide an element of surprise for visitors, appearing at the surface momentarily before disappearing underwater. The brief glimpses that visitors may catch of the Strange Creature are intended to suggest that there is more around us than we can see or perceive.
FilmmakerBeatriz Santiago Muozfocused on The Huntingtons botanical collections. Her video work, Laurel Sabino y Jagilla takes its title from the vernacular names of twoMagnoliaspecies native to the artists birthplace and home on the island of Puerto Rico.Magnoliais an ancient genus, dating back 20 million years; its family, Magnoliaceae, has survived ice ages, mountain formation, and continental drift.Magnolia splendensis now endangered by logging and wood harvesting. Filmed in the rain forest of Puerto Rico and in the botanical gardens at The Huntington, the work imagines the relationship of theMagnoliagenus to utopia, photography, soil, vision, and time.
Artist, designer, writer, and educatorRosten Woocreated "Another World Lies Beyond," consisting of a series of interrelated stories told through audio tours in the gardens along with a projection and artifacts installed in the gallery. Woo's research focused on the life and work of Robert Hine (19212015), a scholar of utopian communities in California whose archives are housed at The Huntington. Each audio story (accessed via smartphone in the gardens) offers a glimpse of the idea of the perfect state and the world just beyond it: a historian slowly goes blind as he documents American communes, only to regain his sight suddenly in his final years; a dilettante is charged with drawing the border between the United States and Mexico, and instead creates an archive of every living creature he encounters before being dismissed and discredited by Congress; an archivist plots to rename the world's largest tree and erase the history of America's most successful Marxist commune. Additionally, one of Woo's audio tours will guide visitors into the Chinese Garden where the phrase 'Another World Lies Beyond' appears on a placard at the main entrance to the garden. The phrase, which is also the title of the Woo's work, is intended to prepare guests for the space they are about to enter, a space separated from the mundane world of daily life.
AuthorDana Johnsonwrote a short story, Our Endless Ongoing, that unearths the history of a remarkable woman, Delilah L. Beasley, who wrote and self-publishedThe Negro Trailblazers of California(1919). Beasley recorded the lives and stories of pioneering African Americans living in California in the 19th and early 20th century, from gold prospectors and early settler families to the founder of a utopian black community near Fresno. Johnsons short story, along with a biographical essay of Beasley, is included in a limited-edition publication Trailblazer: Delilah Beasleys California, published by Clockshop and The Huntington. A copy ofThe Negro Trailblazers of Californiais on view at The Huntington through Jan. 20 in the exhibition Nineteen Nineteen.
Poet laureate of Los AngelesRobin Coste Lewistook Chapter 14 of Henry David ThoreausWaldenas the starting point for a new poem. In Chapter 14, Former Inhabitants and Winter Visitors, Thoreau conjures up the community of free blacks who lived around Walden Pond long before he arrived. Lewiss poem, titled Inhabitants and Visitors, erases and rearranges words and phrases in Thoreaus text to illuminate the world of the free black community that once lived at Walden Pond. A limited-edition book of Lewiss poem, along with images of the draft manuscript of ThoreausWaldenheld at The Huntington, will be included in the exhibition and sold at the Huntington Store.
About the artists
Dana Johnsonis the author of the short story collectionIn the Not Quite Dark. She is also the author ofBreak Any Woman Down, winner of the Flannery OConnor Award for Short Fiction, and the novelElsewhere, California. JohnsonsThe Story of Biddy Mason(2016) retraces the parallel but contrasting early 20th-century Los Angeles of Henry E. Huntington and African American entrepreneur Biddy Mason. Born and raised in and around Los Angeles, Johnson is a professor of English at the University of Southern California.
Nina Katchadourianis an interdisciplinary artist whose work includes video, performance, sound, sculpture, photography, and public projects. Her projects often make a case for closer scrutiny of our everyday surroundings by creating situations that attempt to provoke and awaken a viewers curiosity.
Robin Coste Lewisis Poet Laureate for the City of Los Angeles. She won the National Book award in 2015 forVoyage of the Sable Venus: and Other Poems.
Beatriz Santiago Muozis an artist whose expanded moving image work relates to Boalian theater, experimental ethnography, and feminist thought. Her recent work is on the sensorial unconscious of anti-colonial movements and everyday poetic work in the Caribbean. She has received the Herb Alpert Arts Award, a USA Ford Fellowship, and a 2015 Creative Capital Visual Artist Grant.
Rosten Woois an artist, designer, and writer living in Los Angeles. His projects aim to help people understand complex systems, reorient themselves to places, and participate in group decision-making. He is co-founder and former executive director of the Center for Urban Pedagogy (CUP) and winner of the 2016 National Design Award for institutional achievement. His bookStreet Valueabout race and retail urban development was published by Princeton Architectural Press in 2009.
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