Reflections on Trudeau’s Revolution in Ottawa – Splice Today

What does Justin Trudeau see from the main house of his country estate or from his seat inside the House of Commons?

Perhaps he sees flames dancing among the treetops instead of ice and snow covering the black ash and trembling aspen trees outside Parliament Hill. Perhaps he sees Los Angeles in April and Chicago in May, the two burning as one, with mayhem at the intersection of Florence and Normandie and a massacre at Haymarket Square. Perhaps he sees the first day of the 1992 Los Angeles riots as an opening ceremony, and the fourth of May 1886 as his chance to answer a mayday call with an attack on the workers who honor May Day.

Perhaps its time to stop conjecturing about what Trudeau says he sees, before the emergency he citesand the month-long Emergencies Act he invokesbecomes a sight too gruesome to behold.

Someone needs to tell Trudeau that the attack on Reginald Denny, a former truck driver, isnt an LAPD training video on crowd control. The video should have a Parental Advisory label, and Trudeau shouldnt watch the video without adult supervision, because he may order the police to act like the four criminals in the video: treating all the protesters in the Freedom Convoy as one; as a Christian like Denny, regardless of faith, whose fate he holdswhose life hed betraywithout remorse.

Before Trudeau tries to repeat history and imitate art, before he orders the cavalry to remake Calvary in his own image, he should see the faces in the convoy.

He should see the images of Denny bleeding in the street and of four Good Samaritans, including a fellow trucker, driving Dennyin Dennys truckfrom the scene.

He should see the CT images of Dennys crumpled skull in which the fractures look like fault lines, bearing in mind that the crater in Dennys forehead isnt the result of an act of nature but of men acting like brutes in a state of nature: that the acts are a series of assaults on Denny, culminating in a gang member doing a victory dance after throwing a cinder block at Dennys head.

Trudeau has a duty to see these things, so he may not misrepresent the facts or misinterpret art as a license to commit arson.

He sees what he wants, superimposing his cowardice on one mans portrait of courage and anothers source of inspiration, for Trudeaus political survival hinges on a tale of two paintings; of Richard Eurichs Withdrawal of Dunkirk and Ed Ruschas Los Angeles County Museum on Fire.

The latters an aerial perspective of an imaginary fire, where process destroys progress and chaos defeats the illusion of control, because the building in the paintingwith its breeze blocks and concrete colonnadesis a model of conflict.

Streaks of graphite and steel wool stain the canvas, creating swirls of black smoke, while shades of orange and yellow color the background toxic.

Trudeau would have us believe the fires real, so as to justify his aggrandizement of power and war on freedom.

He sees himself as the savior of Canada, more sovereign than the Queen of Canada and Canadas Head of State, with the people in his sights.

He sees himself in the virtual cockpit of a Spitfire, gliding beside the musicality of time and the sound of immortality, when in fact hes deaf to the noise of democracy and the judgment of history.

Blind to the obvious, Trudeau has no patience for reason or reason to stop his collision with reality.

May the people show him the mercy he denies them.

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Reflections on Trudeau's Revolution in Ottawa - Splice Today