Gus Van Sant: Mona Lisa, an exhibition of new paintings by the Los Angeles-based artist and acclaimed American filmmaker – FAD magazine

Vito Schnabel Gallery is to presentGus Van Sant: Mona Lisa,an exhibition of new paintings by the Los Angeles-based artist and acclaimed American filmmaker. Opening December 27th, 2021, at the gallerys St. Moritz space, the exhibition will be Van Sants first in Switzerland.

Mona Lisawill debut a series of large-scale canvases, executed in gold leaf, crayon and oil, that take as their subject Leonardo da Vincis Renaissance masterpiece created during his second Florentine period the celebrated, ubiquitous cultural iconMona Lisa(La GiocondaorLa Jaconde),ca. 1503- 1519. An artwork whose own mysterious legend continues to beguile the imagination, Leonardos enigmatic portrait is an archetype of beauty that has become ingrained in collective consciousness as an object of widespread veneration. Its hierarchical ranking as the most well-known painting in the world has bestowed upon the work the status of immortality.

In Van Sants new paintings, the elusive narrative of LeonardosMona Lisais appropriated and subverted, as the image of a smiling Giocondais deconstructed through formal experimentation. Van Sant deploys a technique reminiscent of pointillism to render large expanses of color as a series of small blocks exactingly constructed, thereby dissolving the sitter into an obscure grid of broad, tactile brushstrokes and assiduous dots of pastel crayon. The viewer observing at close range becomes enveloped in abstract color and shape, only to discover that Van Sants fractured surfaces materialize at a distance into a coherent, legible personage a smiling woman. Thus the artists newMona Lisapaintings invite meditation on the space that exists between pure optical experience and the realm of imagination in which we fabricate and assign meaning, projecting our dreams and desires onto what we see.

Van Sant is a creative visualist whose proclivity for storytelling is elemental to his modus operandi. The artists work in different mediums including painting, photography, and film is united by a single overarching interest in portraying the narratives of marginalized individuals and reverence for the dislocated protagonists living on the fringes of society. With the same sensitivity and observational prowess that he lends to his films, Van Sant calls upon the viewers sense of perception and proximity in his studio art practice, to engage with the emotional distance and dislocation that shroud the real history of theMona Lisa.Whether real or imagined, Van Sant gravitates towards the idea of the lost mother; Leonardo fulfilled the request from the Medici family to make a painting for an illegitimate son estranged from his mother, and asked his favored assistant Salai to sit as his subject, his beauty and the artists affection for him inspiring Leonardos vision of his own unknown mother.

Van SantsMona Lisaworks have developed slowly over the course of many years, arising from the artists longstanding fascination with digital printing as a means for exploring the myriad minute, layered elements that render the colors we see. Inspired by a LEGO advertisement that translated theMona Lisaand other renowned paintings into the companys famous plastic blocks, Van Sant began to isolate and partition hues. The palette of Van SantsMona Lisapaintings ranges from soft, pale pastels to bold, vivacious techno-colors, and even embraces reflective, metallic surfaces of gold, silver, and bronze. Punctuated by heavily worked and expressionistic surfaces, the near imperceptible brushstrokes of Leonardos sfumato become in Van Sants canvases a landscape of loose, thick smears of paint and layers of built impasto in oil, or the pure hues and regimented marks of crayon. He muses over the curious notion of subject or non-subject, and of the figurative and the abstract, as he questions what it is that one paints. Van Sants focus wavers between material, color, and form, while Mona Lisas watchful gaze dissolves into the vast pictorial field of his surface.

About the Artist

Gus Van Sant was born in 1952 in Louisville, Kentucky. He received his BFA from the Rhode Island School of Design in Providence in 1975, where he studied painting and film. Admired internationally as a filmmaker, painter, photographer, and musician, his studio painting practice has moved in and out of the foreground of a multi-disciplinary career through the years, becoming a priority again in the last decade.

Van Sants work has been the subject of solo exhibitions at the Muse de lElyse in Lausanne, Switzerland; Le Case dArte in Milan, Italy; and the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, among others. Vito Schnabel Gallery presented Van Sants first solo show in New York in 2019,Recent Paintings, Hollywood Boulevard.A series of Van Sants watercolor portraits were presented at Gagosian Gallery in Beverly Hills, California in 2011. Van Sant has participated in numerous group exhibitions since the 1980s, presenting drawings, paintings, photographs, video works, and writing. Among Van Sants many internationally acclaimed feature films areMilk(2008);Elephant(2003);Good Will Hunting(1997);My Own Private Idaho(1991); andDrugstore Cowboy(1989). In 2021, Van Sant debuted his first musical theater show,Andy,at the Dona Maria II National Theatre in Lisbon, Portugal. Inspired by the early life of pop art icon Andy Warhol,Andywas featured in the programming of the BoCA Biennial of Contemporary Arts (2021). A European tour of the musical will follow in 2022.

Van Sant lives and works in Los Angeles.

Mark Westall

Mark Westall is the Founder and Editor of FAD magazine Founder and co-publisher of Art of Conversation and founder of the platform @worldoffad

Beginning February 25th, 2021, Vito Schnabel Gallery will presentRobert Nava: Angels,the first New York solo exhibition for the Brooklynbased artist.

Ariana Papademetropoulos: Unweave a Rainbow is the first New York City solo exhibition for the Los Angeles-based artist. Unweave a Rainbow will debut a new series of large-scale works by the artist

Vito Schnabel Gallery is to present 1 + 1 = 1 Million, an exhibition organised by artist Tom Sachs to spotlight significant works by American Conceptual titan Sol LeWitt (1928 2007)

Read the original post:

Gus Van Sant: Mona Lisa, an exhibition of new paintings by the Los Angeles-based artist and acclaimed American filmmaker - FAD magazine