‘Fast’ franchise soars to new heights in ‘F9: The Fast Saga’ while also looking to the past – The Spokesman-Review

What a ride its been for the The Fast and the Furious franchise. Now spanning 20 years and nine films, this soap opera of motor fuel and melodrama has defied logic, physics and death again and again while weaving an intricate tapestry of a cinematic text thats filled with callbacks, cameos and a deep-rooted lore that always returns to the intertwining values of family and vintage American muscle cars.

Director Justin Lin, who also helmed the third, fourth, fifth and sixth films in the series, and evolved the franchise from minor street racing thrillers into outlandish displays of car ballet, is back behind the camera for F9: The Fast Saga (he also co-wrote the screenplay with Daniel Casey).

Lin ups his own ante with the outrageous vehicular stunts in F9, and its difficult to imagine any future installments exceeding the automobile acrobatics Lin and Casey have concocted. To describe the stunts and set pieces would be to ruin the fun of discovery for audiences; suffice to say there will be moments where youll say, they wont but rest assured: They will, and how.

Narratively, F9 does something no other Fast film has done before: it looks to the past. In a flashback storyline that takes place in 1989, we finally meet young Dominic Toretto (Vinnie Bennett and, of course, later Vin Diesel) and learn more about the infamous vengeful wrench attack that landed him in prison, a crime thats been oft mentioned throughout the series.

The flashback is a way of exploring some of the darker secrets of the Toretto family, specifically regarding prodigal brother Jakob (Finn Cole and John Cena), who resurfaces in Doms life. Turns out hes another freelance precision driver/special agent who frequently works with Doms (many) enemies. What are the odds?

With Jakobs return, Dom has to reckon with his past and the dissolution of his blood family, which he replaced with his chosen family. This motley crew of gearheads weve come to know and love over the years includes the fast-talking Roman (Tyrese Gibson), techy Tej (Chris Ludacris Bridges), Doms love Letty (Michelle Rodriguez), his sister Mia (Jordana Brewster) and, amazingly, against all odds, fan-favorite Han (Sung Kang) is back, returned from the dead, in a spine-tingling resurrection.

Thats not to say the gangs all here, as Paul Walkers tragic 2013 death means Brian is absent, but within the earnest optimism of the Fast franchise, Brian is immortal, unseen but alive and well in this universe. This question of immortality and the familys seemingly invincible nature is explored in a meta way in F9, especially by Roman, who has always served as a bit of an audience surrogate.

He gapes at and complains about the ridiculous stunts, offering sly commentary on the inexplicable occurrences as a way of getting out in front of the inevitable disbelief. In this film, he questions why they always come out of brawls, crashes and explosions unscathed, an apt question to pose after eight spine-crunching installments.

While it is the ridiculous set-pieces in F9 that take the franchise soaring to new heights, its the meta moments and the willingness to dive into the past in a real way that make this movie innovative within its own formula. In fact, the flashbacks are so enjoyable, it makes the argument for any standalone period-set prequel.

In F9: The Fast Saga, all of the Fast franchises soapy narrative peccadilloes come to fruition, from secret siblings and death-defying characters to the stable of Scooby-Doo villains out to get Doms family (Charlize Theron returns as evil hacker Cipher). The absolutely bonkers storyline is the foundation for the absolutely bonkers action, which is what we look for in the Fast franchise. In F9, bonkers on top of bonkers results in a truly delightful and vividly sensorial time at the movies.

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'Fast' franchise soars to new heights in 'F9: The Fast Saga' while also looking to the past - The Spokesman-Review