A two-week exhibition which aims to provoke conversation about race and technology is taking place in Leicester next month.
Identity 2.0, a creative studio exploring digital identity, is launching This Machine is Black, at the LCB Depot.
The exhibition, which explores the relationship between technology and race in a unique interactive space inspired by a garden, will run from August 13 to 30.
It is supported by Leicester City Council and De Montfort University, following the naming of Identity 2.0 as winners of the Smart Leicester City Challenge.
READ MORE: 'Uncover the Story' campaign launched to promote Leicester and Leicestershire as fascinating destination
The space, designed like a garden, is split into four themes: Deep Fakes, Surveillance and Privacy, Afrofutirsm and Abolition. Each contains unique art pieces, created by Identity 2.0 or work from one of 11 commissioned designers, artists and researchers, from a black, Asian or underrepresented ethnic group.
Jada Bruney is a London-based illustrator and graphic designer who has produced work for Adidas, Tate Collective and been commissioned by Merky Books to reimagine The Story of Tracy Beaker in an alternative universe.
Now for This Machine is Black, her work, The Return to the Motherland explores the concept of a retro futuristic second Windrush Generation.
Her bold work including elements of animation and typography, joins the anime, manga and Japanese culture inspired work of Midlands-based artist, Tobi Uzumaki as well as Danielle Williams who hails from Nottingham.
The latter is a 3D artist and Creative Designer who will celebrate Black beauty, pride and raised fists in a work depicting Nina Simone as an ethereal afrofuturist warrior, serving up Black joy through the power of song.
The exhibition will include even more international influences as the Netherlands data scientist and AI artist, Ahnjili explores the human mind and the machine with algorithms to create modular, additive art systems that decay over the course of a day.
This range of commissions are partly funded thanks to the Leicester City Council. This Machine is Black is one of the winners of the Smart Leicester City Challenge, a competition run by Leicester City Council and designed to kick-start innovative projects. The exhibition is also supported by De Montfort University.
Assistant City Mayor for jobs and skills, Cllr Danny Myers, said: Im really pleased that Smart Leicester could support Identity 2.0 through our Smart Leicester City Challenge. It sounds like they will be bringing a really innovative and fascinating piece of work to the LCB Depot, our hub for creative businesses in the heart of Leicesters Cultural Quarter. Im really looking forward to going.
I also look forward to supporting many more opportunities like this through the ongoing work of our Smart Leicester initiative, so that Leicester becomes known as a smart city, focused on using technology for the good of everyone who lives, works or visits here.
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The creators of This Machine is Black, Identity 2.0, have previously produced a range of moments and spaces which aim to push the conversation about digital identity into the mainstream.
Past work includes a digital exhibition (CTRL+U) which reached more than 3,500 people internationally, a self-published zine, a web series and creative workshops. They have been supported and praised by MIT Tech Review Download, Soho House and Airbnb.
The founders, Arda Awais and Savena Surana are two award-winning London based creatives, who work in the creative-tech world, and have been named Web Champions 2021 by Sir Tim Berners Lee.
Talking about the exhibition, Arda and Savena said: Were so excited to bring an important topic to one of the most diverse cities in the UK. Being women of colour, this is a topic which directly affects us, and we want more people to engage with it. We love creating spaces for people to explore what it means to exist online and in a technological world - and using art means that more people can get involved in this important fight for our future.
"We infuse humour, surprises and everyday language to make sure that this is a non-intimidating environment to explore technology. We also hope that this will encourage more artists to think critically about the tech they use in their practices!
Tickets to the exhibition, which cost 3 (or are free to some groups) can be found here.
See more here:
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