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Monthly Archives: July 2022
Before seeing ‘Nope,’ read this chilling alien abduction story – Syfy
Posted: July 21, 2022 at 12:55 pm
By Julie Montana
Humans are a naturally curious bunch, and when we look up to the stars we cant help but wonder who or what might be out there. Jordan Peeles latest horror flick, Nope, set to premiere in theaters next week, suggests that maybe we dont actually want to know the answer. Starring Keke Palmer, Daniel Kaluuya, and Steven Yeun, the film adds to the long tradition of alien and UFO speculation with Peeles added flare.
If youre anything like us, weve had our calendars marked since that first poster drop last July. The extra-terrestrial fans among us might have spent their time watching Resident Alien (check out thenew trailer for the second part of Season 2 here!) or spacing out (literally) with the new James Webb Space Telescope images. But, if youre looking for something to add to the alien reading list ahead of Nope, we recommend picking up a copy of one of the most famous and well-publicized abduction stories to date: An Interrupted Journey by John. G. Fuller.
In the summer of 1961, Betty and Barney Hill (along with their trusty pup, Delsey) packed up their 1957 Chevrolet Bel Air and took a spontaneous road trip to the Canadian border. Weaving through the wooded, desolate New Hampshire mountains in the middle of the night, the Hills had only their headlights and the stars to keep them company. But something was off. The moon, which had been trailing them up the winding roads, was getting bigger and bigger and incredibly bright. Eventually, the entire span of the road ahead was filled with nothing but a blinding white light.
A metallic beeping filled the car as Delsey curled into the backseat. But, just as Betty motioned to grab Barney, the impossible moon blipped out of existence. Thinking nothing of it, she turned her attention back to the road and continued the drive in silence. But the next morning, the couple noticed they had no recollection of two hours of the drive. Like the light, time had simply blipped out of existence.
Fullers 1966 book The Interrupted Journey chronicles the events of that night in full detail, including the subsequent National Investigations Committee on Aerial Phenomena (NICAP) investigation and the Hills attempts to regain those lost hours with psychotherapy and hypnosis. Drawing from the tapes of their trance sessions, maps, sketches, and official government reports, Fullers realization of the Hills story is thorough and questioning and just plain unputdownable.
Believers will find truth and skeptics will be questioned in these astonishing pages. The Hills didnt share their tale to be sensational and are instead clearly pretty scared and embarrassed about what they experienced. When they reach out to NICAP for an official government investigation, its not for fame, but for fear. And when the government finds their story credible, they set out to unlock whatever is behind their simultaneous amnesia through skeptical psychological intervention. Each step of the way, the story is questioned, torn apart, and countered with logical explanations.
Every aspect of their night is examined from multiple angles and repeated for us to scrutinize. Fuller takes care to present the reader with each version of the story throughout the book (NICAPs, Bettys, Barneys, etc.) in a way that lets us draw our own conclusions. The evidence iis presented as objectively (but vividly) as possible. It is up to the reader to put together the puzzle for themselves and walk away with their own conclusions. Though many of the questions of the night are still unanswered, it remains a key piece of discourse in alien experiencer conversations.
Some 60 years since the encounter, the Hills story continues to be one of the most thorough accounts to date. Their story and countless others like it have horrified, intrigued, and inspired people to think beyond the solar system. This book is required reading for anyone with an opinion on alien life and makes the perfect primer for Jordan Peeles new film.
Nope opens in theaters on July 22.
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Serbia on the side of Putin’s executioners in Ukraine – VoxEurop – voxeurop.eu
Posted: at 12:55 pm
This article is reserved for our members
Ukraine attacks Russia! was the headline of a February issue of Informer, the most popular tabloid in Serbia, whose owner and editor has been a confidant of President Aleksandar Vui for decades. This surreal title is no exception in the media representation of the war in Ukraine. Rather, but is a stark expression of the Putinophilia that has reigned in Serbia for many years. Whereas the whole world has united in condemning Russias aggression against Ukraine, the media under the control of Aleksandar Vui have turned to unfettered glorification of the crimes.
Tabloids, web portals, dailies, weeklies and nationwide television channels celebrate the destruction of Ukrainian cities and give wholehearted support to the Russian armed forces to persevere in the campaign against their neighbouring country. The editors and journalists of these disinformation media have fallen into a deep trance the killing of civilians, levelling of cities and destruction of cultural monuments and churches fills them with enthusiasm and exuberance.
Whereas demonstrations in support of the Ukrainians have been held in numerous cities around the world, mass rallies were organised in Belgrade at which the crowd cheered Vladimir Putin and the letter Z the symbol of the Russian "special military operation" was drawn on the asphalt. The whole world shudders as it watches real-time coverage with corpses on the streets of Bucha, buildings on fire in Kyiv and Kharkiv , demolished hospitals and schools, burning cars, civilians sheltering from the Russian shells in underground stations and millions of refugees leaving their country, but the hearts of Serbian Putinophiles leap for joy. Instead of compassion towards the innocent victims, understanding for the criminals is widespread.
While his media lackeys celebrate death and destruction, Aleksandar Vui feigns political neutrality. Serbia begrudgingly voted in favour of the UN General Assemblys resolution that condemns Russias aggression in the strongest terms and demands that the Kremlin immediately cease its use of force against Ukraine, but it persistently refuses to impose sanctions against Russia. A multitude of European officials, American senators and diverse envoys flocked to see Vui, making it clear to him that the time had come to choose: would Serbia be part of Europe or an ally of Russia? Despite all the pressure, Vui keeps Serbia in limbo, neither in heaven nor on Earth. There can obviously be no neutrality in the case of Russias nefarious campaign against Ukraine. To be neutral while an executioner butchers a victim means to side with the executioner.
Serbias specific attitude towards the war in Ukraine requires additional clarification. Whereas in other countries Sputnik and Russia Today are in charge of diffusing the Kremlins propaganda, in Serbia most of the domestic media act as if they were part of the Russian machinery under the direct command of Vladimir Putin and Roskomnadzor, the federal agency for media supervision and the monitoring of communications.
However, the problem is not only in the media sphere, which is already the product of disastrous policies. Serbia has never renounced the nationalist ideology of Greater Serbiathat led to the wars in the former Yugoslavia. The only exception was the short premiership of Zoran ini, but that attempt to return to civilisation was cut short by his murder on 12 March 2003. The assassination was carried out by the very same forces that waged the wars and sought to create a Greater Serbia.
Todays political leaders were active participants in the joint criminal enterprise [the official ICTY term] in the wars of the 1990s. President Vui was a high-ranking official of the Serbian Radical Party of convicted war criminal Vojislav eelj. His coalition partner Ivica Dai, leader of the Socialist Party of Serbia, was Slobodan Miloevis spokesman during the war crimes and genocide. One of Vuis closest associates, the minister of police, Aleksandar Vulin, began his career as a functionary of the Yugoslav Left, the party founded by Miloevis wife, Mirjana Markovi. Todays Minister of European Integration, Jadranka Joksimovi, was editor of the Serbian Radical Partys organ Velika Srbija (Greater Serbia), whose name speaks for itself.
No political official in Serbia has ever admitted that genocide was committed in Srebrenica. There has been no dealing with the past at the state level. On the contrary, al
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‘I really like how people here enjoy the small things in life’ – DutchNews.nl – DutchNews.nl
Posted: at 12:54 pm
Amit Biswas is a marketing and business strategist as well as the author of Logo Land, a book about the history behind the logos of the countrys 355 municipalities. Originally from Bangladesh, hes currently based in Eindhoven, enjoys gezelligheid, and would like to grab a cup of coffee with Armin van Buuren.
How did you end up in the Netherlands?It happened as a sort of accident. I wish this hadnt happened, but it involved my father. He was in aviation, and he travelled to Maastricht for his work back in 2010. During his trip, he had a stroke and was admitted to a hospital. Within 48 hours, my mother and I flew to Maastricht because the situation was really bad.
Before that, I had never heard of Maastricht. I couldnt even pronounce its name properly. I only knew about Amsterdam. I stayed in Maastricht for two months because he was in an artificial coma. It was too risky to wake him because he was partially paralysed and couldnt be flown back. It was during October and November, so not the best time of year in terms of seasons, but I met a lot of really nice people even though it was a very tough time for me.
After my father recovered and we flew back to Bangladesh, I thought about the warmth that I received while I was in Maastricht. It made me want to come back to the Netherlands. At the time, I was exploring my options to study for my masters. I returned to Maastricht in September of 2011. Its kind of funny how things work.
How do you describe yourself an expat, lovepat, immigrant, international?I would describe myself as a human who is travelling on a blue dot called Earth because, when things are getting complicated in your life, you should close your eyes and zoom out for a bit. Picture a blue dot without any borders or any labels or names like expats or immigrants, which are terms basically created by us. So I would just call myself a simple human, which I think is very tough to be nowadays.
How long do you plan to stay?The Netherlands is my home. Im very proud of that. Its not easy to call a place home. Im also married now. My partner is from Germany. At the same time though, my roots are still in Bangladesh. I was born there, and I am who I am because of my roots. I see it like this: if my roots are in Bangladesh, then the Netherlands is my tree and its still growing.
So I dont have any plans to go. Leaving here would be an obstruction that would limit the growth of my tree. I know you should never say never, but at least right now I dont have any plans.
Do you speak Dutch and how did you learn?I do speak Dutch, but I understand way more than I can speak because its so easy to switch to English here. Some 80% to 90% of the Dutch are excellent English conversationalists. I learned Dutch during the preparation for my inburgering exam. I actually went to a language school in Eindhoven when I moved there after graduating in Maastricht.
I also moved in with a friend who is a real hardcore Eindhovener. He introduced me to his friends and whenever there was a borrel or a party, I would go. I was able to pick up more and more of the language as well as the accent and the pronunciation of words, which are the most critical parts of speaking Dutch.
I also started working and had Dutch colleagues. We didnt have to speak Dutch in the office, but we always would during lunch, breaks, or borrels, which also helped me brush up my Dutch skills.
Whats your favourite Dutch thing?Gezelligheid. Its the Dutch term for cosiness or friendliness. I really like how people here enjoy the small things in life. For example, if theres a sunny day and those can be very rare, if you open the door and go out you will see every terrace is full. You sometimes even find yourself asking, Is there anyone actually working today? Because every time its sunny, everyone is out there on the terraces enjoying their drinks.
So I really like that. They also dont just sit and talk among themselves. Theyll start up conversations with each other. So they really enjoy small things like this and having a good time. They take life so easily. I really like this gezelligheid lifestyle.
How Dutch have you become?I think Ive become, subconsciously, pretty Dutch. My friends sometimes tell me, Amit, you scare me, youre being too much of a Dutchie. I really enjoy the directness, the timeliness, and how structured the overall system is here. Things here have their pros and cons, but I really like it.
I recently realised how Dutch I was becoming once I noticed how often I complain about rainy days. I was born in a hot, tropical country. In Bangladesh, people love the rain because its like a blessing. It cools you down. So when I first moved here, I really enjoyed the rain. I was even posting pictures online of all the cloudy days. Now I end up complaining about them just like the Dutch do.
With people like us who have moved here from another country, its not until you go to another country or, for me, back to Bangladesh. Thats when you really realise how Dutch you have become.
Which three Dutch people (dead or alive) would you most like to meet?Armin van Buuren. Hes one of the top three DJs in the world. Before I moved to the Netherlands, I used to listen to his weekly radio show A State of Trance, and it made me interested in trance music. When I was still a student back in 2012, I went to one of his shows. I still really enjoy his music. It gives me energy, gets me through the day, and really uplifts me. Id love to get a cup of coffee or have lunch with him. For me, hes a living legend who has inspired people through his music.
King Willem-Alexander. Theres a lot of controversy surrounding the royal family, and the Dutch are very critical of them in general, but they promote the Netherlands worldwide. I also like that they havent isolated themselves like the royals in other countries do and that the king flies as a pilot with KLM. I find that very nice. I sent him a copy of my book, actually, via the Commissioner of the Noord-Brabant province. I got a letter back from the royal house.
Also when you become a Dutch citizen, you get a letter that says the king has made a decision to approve you to become Dutch. I find that a pretty nice gesture, even if its just part of the procedure. Id like to have a beer with him and if hes read my book, Id be curious to know how much hes learned from it about the Netherlands himself.
Klaas Sierksma. He was a Frisian writer who wrote about all the Dutch coat of arms. Every municipality has a coat of arms and every city has a flag. Hes the only writer who has written a book about it in the Netherlands. Hes no longer living, but he designed several of these flags himself. I really like that he did something that nobody else has done, and his book was a real inspiration. It helped me with writing and finding all the information I needed. Much of the information he found might have been lost. It would just be nice to sit with him because I would be talking to someone with a shared interest.
Whats your top tourist tip?Whenever our friends visit us, they usually want to do the Dam thing. They want to go to Amsterdam. People should visit Amsterdam. Its a bit crowded and crazy, but I usually also try to take them to Maastricht. I recommend a day trip or a weekend trip. We usually cycle or walk around the city and go down all the side alleys. Its a very cosy, historical city with good food and nice local shops. They have a Burgundian lifestyle in the southern part of the Netherlands that is slower.
Tell us something surprising youve found out about the NetherlandsBefore I came here, I didnt know that half of the country wouldnt even exist if it werent for dams. When I first visited Amsterdam, I talked to my father about it and he asked me, Do you know that youre below sea level? At that point, I didnt know how to swim, so I found it quite scary.
I also found out that, geographically, the Netherlands is almost the same as Bangladesh. Its pretty flat there, just like here. We like to call our hills mountains, too. Bangladesh is also one of the most densely populated countries in the world. I wound up moving from one of the most densely populated countries in the world to another one of the most densely populated countries in the world.
If you had just 24 hours left in the Netherlands, what would you do?Im a big lover of specialty coffee. I would start my day by grabbing coffee at my favourite place in Eindhoven. I would also hope that the weather is good, and I would want to catch up with my friends over a borrel or dinner. We would order some bitterballen with mustard and some good Dutch beers.
I would also want to take a train, drive, or cycle to Maastricht to visit some of my favourite spots, like my university and the pubs we used to hang around in when we were students. I would even want to visit the hospital where my father was, which was a sort of starting point in the country for me. It would also remind me of why I came to the Netherlands.
In the last hours, I hope there would be nice weather and a nice sunset. I would head to the river Meuse. It flows through the city, and its nice just to sit there with some chips and some drinks and watch the boats go by.
You can learn more about Logo Land and Amits other projects via his website.
Amit was talking to Brandon Hartley.
The DutchNews.nl team would like to thank all the generous readers who have made a donation in recent weeks. Your financial support has helped us to expand our coverage of the coronavirus crisis into the evenings and weekends and make sure you are kept up to date with the latest developments.
DutchNews.nl has been free for 14 years, but without the financial backing of our readers, we would not be able to provide you with fair and accurate news and features about all things Dutch. Your contributions make this possible.
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Rupaul’s Drag Race 2022 All Stars on Their Beauty Routines – Cosmopolitan
Posted: at 12:54 pm
After years of fan-demand, Rupauls Drag Race has finally given us an all-winners All Stars season. To celebrate, we sat down with three of the show's famous faces (and front-runners for this seasons top prize): Jaida Essence Hall, Trinity The Tuck, and Yvie Oddly. Ahead, a look at their favorite beauty products and best glam secrets, their thoughts on the transformative power of drag as an art form, and the importance of being, above all things, a fierce queen.
Whats the best beauty advice youve received from another drag artist on or off the show?
"Dont be afraid of the makeup. We can have as much fun or as little fun as we want to with it. We can always take it off and start again. Its just makeup."
If you could leave the house with only two beauty items in your bag, what would they be?
"First, probably a palette. Does that count as one? A palette and then a wig, because when the hair is on, the fantasy is real."
Whats a beauty tip you live by?
"I spray my foundation brush once with setting spray. Next, I apply a pump of foundation to the brush and then spray it a second time before putting it to my face. It allows the makeup to set and the color to go a lot further."
How do you hope drag changes the way people see you and the queer community?
"I hope it shows that its possible that even a little boy from Wisconsin can be in the spotlight."
Favorite Cleanser
Caudalie Vinoclean Gentle Foam Cleanser
Honey, even if perfect skin comes naturally, you have to maintain it with the best ingredients!
Favorite Foundation
Juvia's Place I Am Magic Foundation in 400 Ethiopia
"It goes on with amazing coverage and makes me feel stunning.
Favorite Lip Color
Fenty Beauty Stunna Lip Paint Longwear Fluid Lip Color in Undefeated
I love to mix Fenty lip colors to create the perfect shade. But straight out of the tube, they are perfect too!"
Why is drag such a powerful art form?
"It allows anyone to transform into anything! Its their very own Superman/woman/they suit."
Whats a surprising makeup hack that everyone should know?
"Adding contact lens solution to any of your powder eyeshadows can turn them into liquid eyeliner."
Has fame changed the way you present yourself?
"I definitely think it requires you to step up your game at all times. It also makes you a little more on guard about what you put out into the world."
What do you hope your legacy will be?
"Without a doubt, that people will remember that I am a fierce queen and that Im great at what I do."
Favorite Setting Spray
ONE/SIZE by Patrick Starrr On 'Til Dawn Mattifying Waterproof Setting Spray
This setting spray keeps makeup looking right while I twirl and shake this bootay!
Favorite Eye Cream
Kiehl's Creamy Eye Treatment with Avocado
Its hydrating plus you can immediately add on concealer.
Favorite Concealer
Urban Decay Stay Naked Correcting Concealer
It doesnt crease and it does the job perfectly. I havent found another product as good.
How do you feel while getting glammed up?
"Like a blank slate. Getting into drag puts me in a sort of meditative trance that I only start to snap out of when I finally become Yvie. Its like my minds equivalent of being on Airplane Mode."
And do you have a mantra that you repeat when youre getting ready?
"Stay focused and hurry the fuck up, girl!"
Whats your best skincare advice?
"If you wait for your skin to fully dry after washing your face, it will absorb oil-based moisturizers better than if you slap them on right out of the shower. Ground breaking for me."
How do you want people to remember you?
"I think my legacy will be that I inspired others to live more exploratory, authentic, and radical lives. But at a bare minimum, Ill take She won RuPauls Drag Race!
Favorite Eyeshadow Palette
Nars Summer Unrated Eyeshadow Palette
Pigment, pigment, pigment! The blendability is incredible too! The possibilities are endless, mama!
Favorite Skin Prep
Coffeeface 3-in-1 Pads Exfoliate. Serum. Moisturize.
They exfoliate, do your serum, moisturize, and prime all in one pad. Theyre also individually packaged, so theyre great for travel.
Favorite Mascara
Dior Diorshow Mascara in #090 Black
I wear false lashes but use this mascara to paint them even blacker.
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Nicholas Goldberg: If you lost $58 billion would you still buy that superyacht? – Los Angeles Times
Posted: at 12:54 pm
Elon Musk has lost $51 billion since the beginning of the year. Jeff Bezos has lost $55 billion.
Mark Zuckerberg lost more than half his fortune $64 billion, as of Saturday and plummeted to No. 17 on the Bloomberg Billionaires Index.
Call me old-fashioned, but in my world tens of billions of dollars still sounds like a lot of money. So I briefly, almost, kinda felt bad for some of the worlds richest people.
But then I snapped out of it. What was I worrying about them for? No matter what happens to his portfolio, Musk isnt going to have to take on a second job. Even at No. 17 on the billionaires list, Zuckerberg isnt going to struggle to cover his rent or pay his hospital bills.
In fact, as far as I can tell, Bezos wont even let his stupendous multibillion-dollar losses derail his plan to buy the worlds biggest superyacht, a 417-foot-long behemoth sailing vessel that is reportedly going to cost him more than $500 million. The yacht made news last week because it is so tall it cant sail under the bridge in Rotterdam, Netherlands, it must pass to reach the open sea.
What kind of world do we live in where people with unimaginable fortunes build half-billion-dollar pleasure boats while more than 730 million other people subsist on less than $1.90 a day?
Worse yet, Bezos, Musk and the rest of Americas hyper-rich often pay a lower effective tax rate than the rest of us and sometimes pay nothing at all. Bezos, for instance, didnt pay a penny in federal taxes in 2007 and 2011, according to a ProPublica investigation. Musk didnt pay any in 2018.
One reason Ive been stewing about this subject is that even as the stories about Bezos yacht were coming out, I also happened to be reading an old, yellowing book Id randomly pulled off an upper bookshelf Looking Backward, 2000-1887, a once-famous socialist utopian novel by Edward Bellamy first published in the late 1880s.
Looking Backward was an enormous bestseller when it came out, an early example of speculative futuristic fiction, preceding H.G. Wells The Time Machine by about seven years. It tells the story of Julian West, a 19th century Bostonian gentleman who is put into a hypnotic trance to fight his insomnia and wakes up 113 years later in the year 2000. To his amazement, West learns that almost all the worlds great social problems have been solved.
In 21st century Boston, it seems, theres no poverty.
There are no more wars, because mankind has realized that nothing is worth fighting against except hunger, cold and nakedness. Crime, labor strife, corruption theyre all gone, because theres no longer any motivation for them. A society has been built instead on mutual benevolence and disinterestedness.
There are no prisons, no jails, no lawyers.
Income inequality, the defining characteristic of the so-called Gilded Age in late 19th century America when West went into his trance, has been eradicated. As in all socialist utopias, everyone is fed, housed and cared for according to his or her needs. No special perks for the Carnegies, Vanderbilts, Rockefellers, Zuckerbergs, Bezoses or Musks.
OK, OK, the book is ludicrously naive. Downright silly, really. It lectures interminably; it is self-righteous and starry-eyed. And its vision of the future is just flat-out wrong.
The intervening 20th century between when Bellamy wrote it and where we are today was one in which idealism took a beating; for much of the time, fascism, totalitarianism and mass murder were ascendant. Utopianism seems far-fetched to us now.
Bellamy may have read Marx but he knew nothing of Stalin.
Still, its awfully sad, isnt it? Sad that more than 130 years after the book was published were still facing so many of the same problems Bellamy believed, or perhaps hoped, would be long since solved.
Sure, people in the aggregate are no doubt better off today than they were a century ago. War is less common, life expectancy is longer, and fewer people are mired in deep poverty.
But inequality has been making a comeback. Instead of the Golden Age of mutual benevolence that Bellamy foresaw, we have 161,000 homeless people in California as of the last count. One-third of the states residents live in or near the poverty level. At the same time, California also is home to 186 billionaires, according to Forbes more than any other state in the country.
In America today, a shocking number of families say they would have difficulty finding $400 to cover an emergency expense. Many people cant get sick without fearing theyll go bankrupt. Ambitious students rack up tens of thousands of dollars in debt trying to educate themselves. Wages are stagnating and prices are climbing.
Yet Bezos yacht is so big it cant fit under the 95-year-old Koningshaven Bridge in Rotterdam. So the yacht makers had the chutzpah to ask the city to dismantle a portion of the bridge to let it through. The resulting public uproar persuaded the ships builders not to formally apply for a permit.
Im not recommending confiscating the fortunes of billionaires, Edward Bellamy-style, to build a socialist paradise. But I certainly favor far higher taxes on the likes of Bezos and Musk, and putting that revenue to work solving societys problems.
Its not much of a spoiler to reveal that by the end of Looking Backward, Julian West fervently hopes that he will continue to live in the glorious future and not be returned to the dismal past.
But I wonder if he were to awaken in the United States today as it really is, if he wouldnt want to catch the first boat maybe Bezos boat? back to the 19th century.
@Nick_Goldberg
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DJ Moses makes his mark on the alt-music scene – Key West Florida Weekly
Posted: at 12:54 pm
Moshe David, better known as DJ Moses, is the Israeli islander behind such ventures as Electroniconch. He is certain that Key West is in the right space and moment to create a bigger alternative music scene. After breaking through to the local bar and nightclub circuit, Moshe has built up the following and acclaim to experiment with events that can better bridge the Miami-Key West flow of party goers and importantly, electronic music lovers. In this interview, we talk about infusing Israeli heritage, gaining access to venues in the early days, and the evolution of the young DJ Moses.
Where did the stage name Moses come from? And are you pleased its
since stuck?
Moses: As you know, Im from Israel and my Hebrew name is Moshe, which can be translated to Moses. Its a biblical name, Moshe was the most important prophet in Judaism. It was much easier for people to pronounce and its basically the same name so I dont mind it becoming my stage name.
Which genres of music were you most exposed to in Israel?
Moses: Ever since I was a young boy, I was listening to electronic music. I grew up in the 90s and in Israel. That was the time when the trance music scene was really big in Israel. In time, I started to have my own musical taste that was mostly inspired by it. Besides that, my family roots are from the Middle East Iraq and Morocco. That impacts my music as well.
What was the first electronic mix or techno song that really got stuck in your head?
Moses: DJ Tisto Adagio for Strings.
What about that song did it for you?
Moses: Its something hard to explain in words. Its more of a feeling.
What was the first big professional break you got in Israel?
Moses: At 21 years old, my friend from the army organized an outdoor party and asked me to come play for his crowd like 200 people. This is one of the most powerful moments I had when I saw all the people dancing to my music.
Did that alter your professional goals or were you already dead set on becoming involved with music?
Moses: I always knew I wanted to do music. This experience just pushed me more and made it clearer that this is what I want and need to do.
You mentioned your grandmothers relationship previously. Did she impart any advice on your pursuit of music?
Moses: She always told me to do what I love and she always told me to make people happy. And I do that through my music because what makes people happier then music and dancing?
How did you make your way to Key West?
Moses: I was traveling the world and got to Key West because a family member visited this place. And from the first moment here like everyone else, I loved the atmosphere of the island and the community. So, I was sure with myself to produce some music here.
How did you start to ease into the local music scene?
Moses: OK, this is a good question. In my first year in Key West I always looked for electronic music parties or some action with electronic music. I found out in Key West this scene was not so popular. So, I started to create some underground electronic parties in different places like the Hookah Lounge, the balcony of Teasers, Tiki House, Green Room, Oriole, The Saint Hotel. And in the end before COVID-19, my dream came true and I started to play at Sidebar. This was the first nightclub gig in Key West for me.
What was Teasers like since that adult club has been through a few iterations?
Moses: I dont really know because we used to play outside on the balcony so we didnt have too much interaction with the inside. What was your favorite spot from those early days? I recall seeing you more at the Hookah Lounge.
Moses: I am thinking it was the Hookah Lounge. I have really great memories from my gigs over there. Also, Sidebar was an amazing place to play.
What was so special about the Hookah Lounge?
Moses: The vibe under the sky of the outdoor party. And also, my music was so natural to that location. My crowd always flew with me.
Was the local music scene enthusiastic about or welcoming of electronic-styled genres when you started? Was there resistance?
Moses: In the beginning, it was a little bit different for the people here, but slowly, slowly, we got the support of most of our crowd today and people loved to dance. We just brought something different and fresh to town and people love it. Im also sure most of the people coming from big cities really missed the underground electronic music.
Is there an actual underground scene here in the sense that it is not mainstream? The island is small and largely tourism driven. Is there sufficient interest from venues for alternative music?
Moses: Most of our parties are a little bit different than the parties on the street. So, we try always to play the most unique music and different vibe, dancing in our parties. We just bring the city vibe to the island of Key West.
You have shifted focus toward performing more at private events as opposed to clubs. Why? Is it financial?
Moses: Not really, there are only two night clubs in Key West that have electronic music parties. We use to make parties every week and now we try to do things a little different. We still make parties at the clubs just not as often. Do you miss it?
Moses: Of course, the energy of the club is something special. I love doing both, again, as long as it makes people happy and dance. I dont mind if its 20 people a party or hundreds.
Tell me about your latest venture Electroniconch.
Moses: Our latest venture of Electroniconch was March 17. We celebrated our Purim party Jewish Halloween. It was a custom party and this is the fourth annual party we did here in Key West. We made it in Sidebar.
What is Jewish Halloween?
Moses: It is a Jewish holiday that commemorates the saving of the Jewish people from Haman as recounted in the Book of Esther. And the tradition of this holiday is to have a custom, drink and give. This is why we donated all of the money from the party for the soldiers in Ukraine. This is the little solidarity of our group of Electroniconch production.
Our first goal was to bring the electronic music scene to Key West. With time the Electroniconch project become a community of DJs around the wordIsrael, Colombia, Venezuela, Macedonia, Georgia, Argentina, The United Kingdom, Canada in Key West that shares ideas and knowledge and enriches one another. We love giving opportunity and stages to DJs. Something we didnt have when we came to Key West. And of course, everyone is welcome to join our family.
You hosted a DJ and dance night at The Hookah Lounge in recognition of your years of island electronic music production. Everyone was dancing. You had crowds. How did you feel?
Moses: It was a great night. I feel so good after all the hard work of all the last three years. To see the love and the support of our crowds, it was best moment of my career as a DJ and in the party industry. And everyone came for one big reason: the music and to dance all night.
Looking beyond music, do you find the island easy to navigate as a 30-something-year-old?
Moses: I always believe in the island as a good place to navigate and to find myself with the music. Also, at my age its not so difficult and in Key West in general age is not the issue. I believe always without the music the life was a mistake. And I am sure my music connected me with all kinds of crowds. I will play to them.
Are there specific spots or activities you frequent here to seek creative stimulation?
Moses: I love running outside. Something about running and listening to music cleans my mind and helps me focus and inspires me.
What running routes do you prefer here? Do you worry about the heat?
Moses: I prefer to run around the island. But sometimes I also run around downtown. I love to run. This is my best meditation with my soul and my body. And about the heat, I get used to it. Its harder but more fun.
Is influencing the music of more popular local festivals such as Fantasy Fest something you would like to do?
Moses: Of course, the goal is to touch as many people and bigger crowds and expose them to our music and vibes. It might be a little difficult because older generations sometimes dont like electronic music.
How do you get that generation and similar groups on board in Key West?
Moses: I think we have a good group of that generation here in Key West. But Im pretty sure if more people from Miami knew we had a nice scene of electronic music parties here, it could really help. What I am hearing from every person from Miami is that they dont know Key West is a place for good electronic music.
What do you think about the slogan that pops up from time to time: Dont Miami My Key West?
Moses: Its really funny. I think every place has its magic and Miami forever was the place for good parties and great night life. Key West is the best place for chilling and relaxing. Im sure one day in Key West maybe it can change. And the electronic partys community can grow and succeed.
Interview has been edited for clarity
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DJ Moses makes his mark on the alt-music scene - Key West Florida Weekly
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‘The Baroness Is Not a Futurist. She Is the Future’: Celebrating Elsa von Freytag-Loringhoven – frieze.com
Posted: at 12:53 pm
In a time when it has become fashionable to revisit forgotten people from historical art scenes, a figure such as Elsa Baroness von Freytag-Loringhoven poses a complex question to curators, historians and contemporary artists. How to remember and respond to someone who was influential within an important movement, but was marginalized or treated solely as a muse and, for whatever reason, did not produce enough work for a retrospective?
Elsa Baroness von Freytag-Loringhoven, Earring Object, c.191719. Courtesy: Mimosa House, London
Born Elsa Hildegard Pltz in Pomerania (now part of Poland) in 1874, she trained as an actress and vaudeville performer, becoming a Baroness when she married her third husband, Leopold von Freytag-Loringhoven, in New York in 1913. Their union was brief, but she assumed the persona of The Baroness as she started to move in dada circles, making a short (and lost, if it ever existed) film with Man Ray and Marcel Duchamp, creating a handful of sculptures and costumes from found objects, and writing experimental poetry. She moved, penniless, to Berlin in 1923, where her mental health declined, and then to Paris in 1927. She died that December of gas suffocation, with the most substantial part of her output her poetry not collected into a volume until 2011, having been preserved by her editor and some-time lover, Djuna Barnes.
Sadie Murdoch, Here Crawls Moon Out of This Hole, 2022, gicle print on archival paper.Courtesy: the artist and Mimosa House, London
This poetry forms the cornerstone of The Baroness at Mimosa House, London, an exhibition that brings together her distinctive handwritten manuscripts re-created in part across the walls of the gallery and a small selection of her surviving objects with new or recent works by a range of contemporary artists. Some respond directly to Freytag-Loringhovens output. Astrid Semes audio work Figures for Dashing (2019), for instance, pays homage to her frequent use of the em-dash in her poems by repeatedly asking listeners to take a breath, prompting us to think about the nature of performed poetry (a favourite medium of the Baroness) and what happens when we translate written punctuation into the spoken word. Seme has also painted dashes across the walls, connecting Freytag-Loringhovens work to the various responses notably Linda Stuparts Cathedral (2022), a large sculpture made from rescued wood, like the Baronesss tiny 1918 piece of the same name, exhibited in a nearby vitrine.
Elsa Baroness von Freytag-Loringhoven, Cathedral, c.1918. Courtesy: Mimosa House, London
Sadie Murdochs diptych, Pathway Where-To and Pass-Way into Where-To (2021), plays with the Baronesss absence from cultural histories, re-creating images of her trying on self-made outfits in her New York apartment in 1915, but replacing Freytag-Loringhoven with a ghostly shadow, leaving viewers to contemplate the reason for her reputation fading. Sensibly, the curator Daria Khan gives short shrift to the rumour, refuted by art historian Dawn Ads and writer/publisher Alastair Brotchie in a series of letters to The Art Newspaper in 202021, that Freytag-Loringhoven provided the idea, or even the object, for Duchamps urinal, by projecting an image of Fountain (1917) onto a toilet door at Mimosa House, next to lines of her poetry: When I was young foolish I loved Marcel Dushit. The question of whether she inspired a male genius is not allowed to overshadow her work; instead, the focus remains on how she has influenced younger artists.
Linda Stupart,Cathedral, 2022, installation view. Courtesy: the artist and Mimosa House, London
Such influence is hard to measure and, obviously, this show actively aims to increase it both by commissioning direct responses and by constellating existing works around the Baroness. In Euro(re)vision (2019), Libby Heaney performs as former UK Prime Minister Theresa May and former German Chancellor Angela Merkel, using AI trained on debates in English and German to create algorithmic performances that combine the gestures of pop singers with fragments of political rhetoric, mirroring some of Freytag-Loringhovens poetry, to produce better public speaking than the real politicians. Reba Maybury also takes an experimental approach to poetry, using fragments of text compiled from the abuse she received from right-wingers over her work as a political dominatrix. In A Good Individual (2019), Mayburys submissive men recite love poems produced from the fragments of abuse. Their different body parts appear on five stacked video screens with their backs to the camera, turning the recital into a cut-up exercise in a way that would not have been possible in the Baronesss lifetime.
Elsa Baroness von Freytag-Loringhoven, c.192025. Courtesy: Mimosa House, London
Zuzanna Janins beautiful statuettes (all Femmage a Maria & Elsa, 201821) are prizes for an international award for women artists in Poland that she founded, named after the Baroness and Janins mother, the painter Maria Anto. The resin globes present a collage-portrait of the two women, made from images of their artworks, and are placed amongst Elsas sculptures and jewellery. I found these the most moving of the contemporary works here, striking an intriguing balance between a literal tribute, a more conceptual response, and an inventive, loving way of continuing the Baronesss legacy. It cannot fix the historical exclusion nothing could, even if proof existed of her influence on Duchamp but it uses that marginalization as a prompt to work towards preventing it from happening again. Hopefully, the people showcased here, many of them queer or from working-class backgrounds and amongst my favourite contemporary artists and poets, will not have to suffer a similar fate.
The Baroness is at Mimosa House, London, until 17 September 2022
The title quote is by Marcel Duchamp from Kenneth Rexroth, American Poetry in the Twentieth Century, 1971
Main image:Elsa Baroness von Freytag-Loringhoven, Enduring Ornament, c.1913. Courtesy: Mimosa House, London
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Chaotic Walrus Keeps Climbing on Small Boats and Sinking Them – Futurism
Posted: at 12:53 pm
Freya the Conqueror
No one does it quite like Freya, Sinker of Ships and solo travel icon.
This colossal walrus, easily distinguished by an adorable pink spot on her nose, has been on a grand European tour, slumbering and sunbathing on a number of seaborne vessels as she's traveled. She's been spotted off the coasts of Germany, Denmark, and Scotland, as well as the Netherlands, where we kid you not she took to snoozing on the roof of a "Walrus-class" Dutch submarine.
But now, upon arriving at harbors in Norway, this massive mammal has chosen chaos: Nordic outlet NH Nieuws reports that in her endless pursuit of sunny naps, the 1,500-pound Freya has been sinking comparatively tiny Nordic boats left and right.
As you can imagine, some boat owners who dock at Freya's new Nordic digs are pretty ticked off.
"I don't want her on the dock or on my boat," one angry marina goer told German broadcaster Deutsche Well.
Thankfully, local authorities and marine scientists have hatched a plan. As NBC reports, Freya will be gifted a floating dock worthy of her magnificent heft. Once she's taken to it, officials say they'll gently carry her to a new home along the coast.
Freya's developed quite the celebrity status, as walruses are exceedingly uncommon in these regions. Normally found in the Arctic circle, she's about 400 miles from home, and it's unclear why she's ended up down South.
We know boats aren't cheap, and we sympathize with folks whose crafts have been damaged or destroyed by the famous walrus' blubbery mass. Hopefully, Freya likes the custom-made floating dock, and the plot to diffuse the situation goes according to plan.
Still, we have to admit. As far as vandalism goes... this is pretty awesome.
More on Walrus tourism: Walrus Falls Asleep on Iceberg, Drifts Across Ocean
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Chaotic Walrus Keeps Climbing on Small Boats and Sinking Them - Futurism
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PR News | The Struggle of Adapting to Constant Change – Thu., Jul. 21, 2022 – O’Dwyer’s PR News
Posted: at 12:53 pm
Its the wild west out there. Just when you think youve graspedand perhaps mastered with more than a reasonable amount of certaintythe latest innovation, technical revolution, platform, app, digital breakthrough or content activation, theres something new waiting for you as you attack a new day. Its not like things havent been moving fast for the past decade. But this is different.
In the 1980s, there was a popular futurist named Faith Popcorn. At the time, her theories and projections were met with some consternation and more than a little well-oiled doubt. She predicted a time when the world would exist through an effect she coined as cocooning, a sort of hyper-nesting where people could work remote, live in an insulated environment, avoid others or anything and control their own lives. Its hard to believe its been forty years since her book The Popcorn Report was quoted in every marketing presentation. She was followed by another futurist named Watts Wackerodd names for futurists were evidently a thing at the timewho wrote a book based on the name of this article: The 500 Year Delta: What Happens After What Comes Next? where he outlined strategies for companies to reset their course toward an unpredictable future, offering new models to accommodate the chaos caused by increasing change and splintering of social, political and economic organizations.
Theres a reason Faith Popcorn and Watts Wacker were called futurists. And, in hindsight their indisputable accuracy is astounding. So, where does that leave us as public relations and marketing communications professionals?
Cocooning is real. Ms. Popcorn certainly predicted the onset of the remote workplace, Amazon and Netflix. And, the subsequent chaos caused by increasing change is something we have to deal with in our industry every day.
As we consider the road forward for our clients or our organizations, we may not have time to evaluate the true impact of all this change. Because theres more comingand its coming fast.
Who wouldve predicted that the QR code would have a reversal of fortunes and become the popular go-to for a contemporary call-to-action? Five years ago, if you had suggested a QR code to a client they wouldve thought youd lost touch. The QR code appeared to come, go and be forgotten with the likes of virtual reality, direct mail, variable printing and, oh wait those are all in vogue again too.
Not only is virtual reality a real thing, but its also opening doors that arent all that virtual. Despite the not-so-trend-setting goggles, Marriotts wedding experience in New York was awesome. And, the promise of destination experiences brought to life through virtual reality around the world is truly mind-blowing. And, now Navitaire, the Amadeus company, is introducing the worlds first virtual travel search and booking experience.
Virtual reality has the potential to change the way we communicate and how we operate as marketing professionals. It was not long ago when the idea of VR as a tool or concept was dismissed as one more innovation that sounded great but had no place in the real world. Truly an idea whose time has come and may well create a paradigm shift for the world of communications.
Consider bitcoin and cryptocurrency in general. It wasnt long ago that Expedia was embracing cryptocurrency as a way to pay for travel. The number of sites and collateral that highlighted the acceptance of crypto was increasing daily. And, hotels and travel companies looked at this new form of currency as a dealmaking launching pad for brands and their guests. The fast and unkind downfall of bitcoin has been covered by every information source from CNN to Saturday Night Live and criticized by business leaders from Elon Musk to Bill Gates. Not surprisingly, you can no longer use crypto to pay for your trip on Expedia.
Like QR codes and VR, perhaps well be looking back five years from now as blockchain technology and the world of Web 3.0 opens the world to crypto as a primary source of currency. Its not easy to counsel clients on speculation.
And, if thats not enough, the world of NFTs is worth more time and consideration than simply explainingor trying to explainwhats fungible and whats non-fungible. Marriott once again jumped to the forefront of innovative technology embracing an NFT collection as a form of reward through Marriott Bonvoy that was introduced at Art Basel. And destinations like Belize are using NFTs in partnership with renowned artists to help express and expose the audience to experiences that await them. It has yet to be seen if NFTs are worth the hype and return the value, but we must give them consideration, nonetheless.
While were considering three-letter acronyms, the world of college athletics has been changed considerably with the introduction of NIL, or Name Image and Likeness. An athlete cant be paid for their performance, and absolutely cant be paid by the institution. So, NIL must rely on collectives and corporate sponsors or organizations that believe theyll gain influence and positive exposure through association with the athlete. Theres a womens collegiate basketball player that has had her influence valued at more than $65,000 per tweet. But it takes a partner willing to pay to make that happen. And, it takes a public relations or marketing professional to make the recommendation.
If all of this doesnt make your head spin, get prepared for Web 3.0. The only thing that can slow it down is the lack of 3.0 developers. But, when it gains steam it will provide the ability to process and apply data at a much larger, much faster and considerably safer capacity. Content will be created in 3D and virtual. Your mobile device will become a powerful data center through edge computing. And, the user experience will be extraordinarily personal. The speed of change will be faster than anything we have seen in history. Not even Popcorn could have predicted what will happen next.
***
Curtis Zimmerman is Co-Founder of The Zimmerman Agency.
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PR News | The Struggle of Adapting to Constant Change - Thu., Jul. 21, 2022 - O'Dwyer's PR News
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Does Futuristic still rap? Here’s the latest on his career – The Arizona Republic
Posted: at 12:53 pm
It's been 10 years since Futuristic announced his arrival on the hip-hop scene with an album whose title served as something of a mission statement: "Dream Big."
He's spent the years since thensteadily growing his brandas one of Arizona's most successful rappers, with more than 800,000 monthly listeners on Spotify, where several of his biggest songs have pulled in more than 40 million streams.
He's released 10 solo albums, two collaborative albums (with Devvon Terrell and Michael Minelli), three EPs and countless singles.
And that's notcounting all the CDs he madein his father's basement studio to sell at school as a talent show regular as early as the fifth grade.
In 2015, he appeared on "The Tonight Show Starring Jimmy Fallon."Two years later, hespent the summer as the only rapper on the Warped Tour.
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Now, Futuristic wouldlike to introduce youto the other side of who he says he's always been a kid who grew up listening to Blink-182 as much as Ludacris or Eminem on an album of pop-punk songs he's hoping to release before the year is out titled "Never Too Late."
"I've been rapping for 25 years," he says.
"It just doesn't excite me. It really doesn't. Hopefully, I get that excitement back for rap after I do this. But as of right now, rapping just does not excite me."
The Tempe musicianhas already shared two singles from "Never Too Late" an existential pop-punk anthem devoted to making the most of the time you've got called "Highs & Lows" andaneffervescent adrenaline-rush called "Gucci."
Both tracks feature rapsbut those chugging guitars and sugar-coated chorus hooks are straight-up pop-punk.
"I grew up with all sorts of musical influences," Futuristic says.
"I'm one of nine kids. And all my siblings play instruments, sing, whatever. So when I started making music, it was a little bit of everything. I did show choir as a kid."
When Futuristic started playing in Arizona, where his family moved from Illinois when he was 15, it was with a full band.
"The whole point of the band was basically to play every genre," he says."We did reggae. We did heavy metal. We did rap.
"The only reason that stopped was because I started getting some notoriety and started touring. And it's like, 'There's no way I can take these five guys on tour;I'm getting paid $250, $300 a show.'"
Since 2017, he's done an R&B project and a couple other more experimental efforts.
"I did one album where I made every beat from scratch with household items, basically," he says. "So I've just always messed around with lots of different things."
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When he turned his attentions to making a pop-punk album, he says, "It just felt really good. And it felt right. It felt like this is what I was probably supposed to be doing the whole time."
There's an energy he brings to his performances that fit right in that summer on the Warped Tour.
"I've always had a wild show, from the mosh pits to the crowd surfing," he says.
"I do this thing called the crowd dunk, where my DJ goes in the crowd, they hold him up by his feet, he holds up a basketball hoop, like a nerf hoop, and I jump off stage, dunk it and surf the whole crowd."
His go-to pop-punk inspirations are the sort of acts you'd expect an artist born in 1991 to favor.
"I can't lie and say I was ever, like, a crazy pop-punk fan, as far as diving deep and knowing all the unheard-of bands," he says.
"Just your normal, you know, Blink-182, Good Charlotte, Sum 41. Those type of bands are definitely, like, you grew up and you knew all their songs."
That music spoke to him the same as any hip-hop songs in third or fourth grade.
"The attitude and the energy are kind ofthe same," he says.
"And rappers were like the new rock stars, putting on crazy shows, doing wild stuff, getting known for what they were doing outside of music. Even the subject matter. All music country, rap, rock we're all talking about the same things, just in different ways."
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As Futuristic has grown and matured, the way he talks about those same things has evolved with each release.
"That first record, I don't love it," he says of "Dream Big" 10 years later.
"Some people will say that's their favorite from me. So it is what it is. ButI think every album has progressively gotten better, in my opinion. It's just being aware of myself, I think, over time."
"Dream Big" was a step up from the CDs he was selling to his classmates back in fifthgrade.
"They are so bad," he says, with a laugh. "My voice doesn't even sound like me. And I'm talking about stuff I knew nothing about because I'm hanging out with all my older brothers and their friends. Butthat was childhood, I guess, for me."
He was in fifth grade when his parents split, and every time he visited his dad, he and his brother would retire to the basement and record more music.
"I performed at all the talent shows," he says."That was my hustle as a kid.
"And beinga 7-year-old rapper, I was definitely gonna get first, second or third no matter what. So that was my grind. Then after I performed, I'd walk the crowd and sell CDs. As a fifth grader, I would do a show and literally make 500 or 600 bucks."
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Those formative experiences shaped the way he's always looked at his career.
"It's been a business to me from the jump," he says.
When iTunes came along, he figured out how he could sell the most on iTunes. As he learned whatblogs were, he was targeting specific records to specific blogs.
"What I realized was that every song needs its own platform," he says. "If I'm making a song that sounds a certain way, it's always 'How do I get this song to that demographic?' That's how I just thought about everything."
If he made a track that had more of a rock feel, he says,"I thought, 'OK, I need to get this on the rock blogs.' And I need to then open a show for a rapper that has a rock influence. I need to open for Machine Gun Kelly. Or Yelawolf."
If he wrote a fast rap, he'd reach out to Tech N9ne or Hopsin to get them on the track.
"My whole career has been based on kind of using different platforms to catapult me," he says. "Now I've become the platform."
It's a strategy that's helped him grow his fan base through the years.
"My thing is, you're gonna snatch fans from every little pocket and some of those fans will stay and some of them will only like that song," he says. "But you've just got to snatch here, there and everywhere. That kind of makes your melting pot of fans."
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He realizes that melting pot includes some fans who may not want to hear him do a pop-punk record. That's part of the reason he's been rolling out the music one song at a time.
"I'm gonna drop the album in December because I know it's gonna take some time to get them acclimated," he says. "So far it's been, I'd say, 65, 35. Sixty-five percentof them are receiving it well and 35 percentare like, 'What the hell are you doing? Please stop.'"
The way he sees it, he's been losing a certain percentage of fans this whole time, yet his fan base just keeps getting bigger.
"I guess the reason why I wasn't tripping too much is I ask my fans at every show, 'Who here it's their first time seeing me?'" he says.
"And 50 percentof the crowd, at least, it's their first time. No matter how many times I've been to a market, how many times I've sold out the same place, it's never the same 500 people as the last time I played Utah."
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He's hoping to roll out his new pop-punk era in those markets in two stages.
"Ideally, I would want to open fora bigger rock tour in the spring and probably drop another project midsummer, maybe, of next year, and domy headline tour next fall," he says.
And that next project will be punk-pop.
"I think I'd be doing myself a disservice to just put out one and then go back to rapping," he says. "No offense to my rap roots.I feel like I write much better songs in this lane. I sayhalf the words but say more at the same time."
"Never Too Late" was produced by local pop-punk band This Modern in their home recording studio with guest appearances by FigureItOut and the Color 8 guitarist Kal.
"We made three songs the first day and I was like, 'Yo, I haven't felt this good making music since maybe forever," Futuristic says.
"And then, the concepts just flowed out of mefor two weeks, every day, making two or three songs. And that was the whole project. It was liberating."
He found himself addressing aspects of his life in ways he'd never rapped about those feelings.
"I've been rapping for 25 years, and I don't have a song about me and my dad's relationship like this, or me and my ex, or me and my girl or me and my cousin," he says.
"I don't know why or how, but the music itself brought new things out of me that I didn't know were in there."
He's quick to credit This Modern for helping him tap into that energy.
"They've just been been helping me the whole time," he says. "Even the lead singer, there's no reason for him to be there. But he's there at every session. And it's really, really dope. I've made great friendships with those guys."
There is a chance he'll come up with a different title by the time the album drops, but at the moment, he feels pretty good about"Never Too Late" and what it says about the essence of this record.
"I just think in life, it's never too late foranything," he says.
"Like for me and this album. It's never too late to make the switch. It's never too late to do something you love. It's never too late to move in a new direction. It's never too late to follow your dreams."
Reach the reporter at ed.masley@arizonarepublic.com or 602-444-4495. Follow him on Twitter @EdMasley.
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Does Futuristic still rap? Here's the latest on his career - The Arizona Republic
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