Monthly Archives: July 2022

Georgia’s six-week abortion ban goes Into effect, an attack on… – Liberation

Posted: July 27, 2022 at 11:19 am

Originally posted on Breaking the Chains.

Georgias HB 481, which bans abortion in the state at approximately six weeks, is now in effect. The misleadingly described fetal heartbeat ban prohibits abortion after electrical activity can be detected by an ultrasound; an embryo does not have a heart at six weeks. Georgias restrictive abortion ban had been tied up in court since 2019, but the Supreme Courts June ruling to overturn Roe v. Wade emboldened the 11th Circuit Court of Appeals to act. Chief Justice Bill Pryor, writing for the appeals court, made the unprecedented move to stay the lower courts injunction. Instead of a standard 28-day waiting period before the bill took effect, the politically motivated restriction of Georgians right to abortion immediately became the law of the land on July 20.

On July 22, protesters rallied outside Georgias Federal Court of Appeals, demanding that this unscientific, misogynist bill be repealed immediately. Rain began to pour, but the community still yelled, We wont go back! We will fight back! Jermaine Stubbs of the Party for Socialism and Liberation emphasized that the overturn of Roe is part of a wave of right-wing, anti-people decisions by the Supreme Court. Stubbs reminded the crowd, Were fighting for democracy, OUR version of democracy!

In addition to restricting abortion to the first six weeks of pregnancy, when many dont even know they are pregnant, HB 481 has significant implications for the future of fetal-personhood laws. The bill reclassifies fetuses and embryos as natural persons, counting them in population-based determinations. Fetal personhood laws are unscientific and by design put the rights of an embryo or fetus before those of a pregnant woman. The implications of legally establishing that a fetus is a person are wide-ranging and horrifying. Women and others who miscarry or self-induce abortions will be at risk of criminal prosecution. A state could conceivably apply child endangerment laws to a fetus and criminalize those who are pregnant on the basis of what they eat or drink, what kind of prenatal care they do or do not access, the activities in which they engage, or even for being the victims of domestic violence. Fetal personhood laws could also impact contraception access.

Georgias HB 481 also provides that the right to recover for the full value of a child begins at the point when a detectable human heartbeat exists. There are no stated guidelines for determining such value. Terminology such as this harkens back to slavery, wherein Black women were not only exploited as forced laborers but also as the reproducers of the enslaved workforce. Those in power seek to preserve these relations, creating a legal right for men to seek compensation for a lack of return on their investment. Additionally, Georgia courts are now given the power to order child support for a fetus, and fetuses will be considered dependents for tax purposes. There is also mention of the right to civil action by women against abortion providers who provide care that results in the termination of a pregnancy, with some exceptions for unviable fetuses and pregnancies that would result in the death of the mother.

These attacks on women and all child bearers are occurring in a state that was one of the first to cut unemployment benefits during the pandemic, where the income eligibility cutoff for welfare assistance is the lowest in the nation, and where there is no Medicaid eligibility for able-bodied individuals without children at all. The state is 47th in health outcomes and has the 3rd highest rate of uninsured residents. With a state minimum wage of $5.15, it is clear that the lawmakers and the governor are completely uninterested in whether working-class families have a healthy life in which basic necessities can be met.

That Chief Judge William Pryor, calling the original plaintiffs abortionists, would take the unprecedented step of refusing Georgians the standard 28 days to prepare for the law to go into effect reveals the undemocratic, aggressive nature of the right-wing attack on womens lives and rights. Appointments at Georgia clinics were unceremoniously canceled within minutes of the courts ruling and patients were sent home without receiving a planned abortion, a basic medical procedure. Georgias far-right lawmakers and judges have proven they will bend and break established rules in order to completely control womens bodies and to further incite and reward their far-right base. Meanwhile, Biden and the Democrats, currently in power at the federal level, hem and haw about possible court challenges to actions they have yet to take. This Georgia bill was passed in 2019 with lawmakers full knowledge that it was unconstitutional at the time, because there was understanding that the Republican Party would continue to prod and push until the Supreme Court took up a case that would overturn Roe vs Wade.

Working people in this country need a party and a movement that will go to bat for our interests. The Democratic Party has proven that they have neither the will nor the ability to stand up for even the most basic democratic rights. This moment in American politics signals that many difficult battles lie ahead, battles that the Democrats are not equipped to fight. Only a militant, independent movement can act with the urgency needed to protect millions of people from reactionary attacks on our most basic rights.

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Georgia's six-week abortion ban goes Into effect, an attack on... - Liberation

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10 years on, what is the true legacy of the London 2012 Olympics? – Metro.co.uk

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The burst of national pride at the London 2012 Olympic Games is continuing to echo through the years (Picture: Metro.co.uk/Getty/PA)

The blaze of glory provided some of British sports most electrifying moments in history.

Ten years on, and even in dark times, the feelgood factor from the London 2012 Olympics cant be dimmed.

The unforgettable host year reaped 185 gold medals for Team GBs Olympians and Paralympians, gave birth to the Queen Elizabeth Olympic Park and involved 70,000 Games Makers, half of whom continued to volunteer after the event.

Waves were made on Super Saturday when Mo Farah, Jessica Ennis-Hill and Greg Rutherford won gold, while Alistair and Johnny Brownlee took gold and bronze respectively in Hyde Park.

After the torch was handed over to Rio 2016, the legacy and funding, including through the Spirit of 2012 trust, has lived on in numerous sporting, educational and community projects.

A million people continue to visit the park every year, with 110,000 more jobs being created in the host boroughs over the decade, according to the International Olympic Committee.

Yet not everyone buys the notion of a glorious post-Games world.

Promises over affordable housing development in and around the park are said to have fallen short, with some residents saying they have been priced out of the market for new homes.

One citizens group wants more to be done to stop the neighbourhood being an exclusive oasis of wealth, while a London charity said few inroads have been made in tackling poverty and inequality in the city.

A decade on from the day of the opening ceremony, Metro.co.uk has given the2012figureheads and those whobrought it to lifeon the ground the chance tosharetheir thoughts in their own words.

Lord Seb Coe took a pivotal role in the host year as chair of the London Organising Committee of the Olympic Games and Paralympic Games.

He gave a rousing speech at the spectacular opening ceremony, saying London 2012 will inspire a generation and those involved would be able to tell their grandchildren, we got it right.

Lord Coe, now World Athletics president, hailed an impressive legacy that continues to benefit British sport.

I cant believe that we are already celebrating the10-year anniversary of the London 2012 Games an Olympic Games which is now largely considered as one of the best in history.

Those Games truly brought Great Britain together. Who can forget Super Saturday, that remarkable day when 80,000 spectators in Londons Olympic stadium witnessed the pinnacle of British sport?

That night, Mo Farah, Jessica Ennis-Hill and Greg Rutherford became household names across the world and showed dominant sporting nations that Team GB was a force to be reckoned with. To this day, Britons agree it was our countrys greatest moment in a summer Olympic Games.

London 2012 gave Britain a once-in-a-lifetime opportunity to inspire a nation to enjoy sport, but that is not the only positive outcome of those Games. Indeed, they left behind an impressive legacy something that very few host nations enjoy.

From residential development to school PE programmes and public-private sector partnerships, it is no wonder that 75% of Britons would welcome another Games.

This is but one of the reasons most local organising committees use London 2012 as a template.

It showed them that the Olympic Games could, in fact, deliver long-lasting value for their money, and as the chairman of the London 2012 Organising Committee, this makes me very proud. I am also proud that we continue to see the value of hosting those Games 10 years on.

All one has to do is look at the state-of-the-art sporting venues scattered across London not to mention the new district in the heart of East London that was built at lightning speed.

But one of the things I am most proud of from these Games is the cross-government legacy project that ringfenced 150 millionper annum for sport in primary schools across the country. We need to do more of this.

Every country should be looking at bringing sport, education, health and community services together to deliver better solutions to its people and communities. After all, they all overlap.

I will never forget seeing the BBC pan the Olympic stadium on the first morning and seeing that it was full. I remember thinking in that moment that what we delivered as a country was nothing short of remarkable.

We worked hard on these Games, and everyone did their part.

From theprimeminister to the volunteers, everyone came together to deliver a truly British product from start to finish and that is something we can all be proud of.

The Mayor revealed last week that his office is working on a plan to bring the Olympics back to the capital with a bid for 2036.

Sadiq Khan wants the greenest Games ever to build on 2012, which he hailed for driving billions of pounds worth of investment into the city.

Mr Khan, whose predecessor Boris Johnson parachuted into the opening ceremony, also acknowledged the errors made in the past as he pledged to provide more affordable housing in the park.

The 2012 Olympic and Paralympic Games breathed new life into east London and helped to drive billions of pounds of additional investment in the area for new, truly affordable homes, transport links, business districts and entertainment.

As a result of the investment sparked by the Games, five world-class institutions including the V&A, BBC, UniversityCollegeLondon, University of theArtsLondonand Sadlers Wells will form the new East Bank the largest culture and education district for a generation.

The creation of Barking Riverside and the Elizabeth line have also transformed transport links in east London and I will continue to correct the errors made in the past by delivering on my commitments to provide 50% affordable housing across all new developments on the park.

The Olympic legacy is not just about celebrating the success of the last 10 years but looking forward to the next 10 and the years beyond that in order to build a better, fairer, more prosperous London for everyone.

Liz Stainthorpe, manager of The Games Maker Choir, volunteered at an accreditation desk in Heathrow but still found herself swept up in what would be a life-changing summer of sport.

Liz, 56, from York, has been volunteering ever since, including at the UEFA Womens Euros, with the choir continuing to perform. She had worked in advertising but as a result of the Games moved into the music industry in a marketing role.

The spirit of the Olympic Games invaded London 2012 and was felt by so many people who were there.

So much had gone on beforehand with 7/7 marring the announcement and the bad press that inevitably comes before Olympic Games about whether they would be ready on time.

Then there was a fantastic swell of pride which just got bigger and bigger and bigger until Super Saturday when it exploded in glory.

There was a sense of team spirit and national pride, we all felt like an extension of Team GB.

Im a big sports fan, which is why I volunteered, and I felt part of something bigger than just me in my uniform laminating passes at Heathrow.

Volunteering at the Games changed the direction of my life.

It led to a complete change of career and I have spent the last 10 years managing the choir.

The wider legacy is that the nation has changed its attitude to volunteering. Its not just for retired people working at the local charity shop any more.

The Games made it cool to volunteer, galvanising that lovely can we help spirit and sharing it among people of all ages.

Susie Dye is grants manager and housing work lead at Trust for London, a registered charity which tackles poverty and inequality in the city. The trust has funded Citizens UK, Anti-Slavery International and Toynbee Hall for work connected to the 2012 Olympics.

Ten years ago the Olympic Games came to London, with an image of a city coming together to celebrate the diverse teams achievements.

The six Olympic boroughs of Barking & Dagenham, Greenwich, Hackney, Newham, Tower Hamlets and Waltham Forest saw physical transformation, and in some cases people losing their homes and workplaces, to make way for a promised legacy of jobs, investment and homes.

But the data shows that this isnt the case: the Olympic boroughs still have above-average unemployment, with 18% of residents in Barking and Dagenham on out-of-work benefits* and one in five Londoners still being paid below the London Living Wage, which isnow 11.05, and trying to keep pace with the rising cost of living in the capital. The figure rises to 24% in Newham, which saw the biggest transformations and the opening of the huge Westfield shopping centre at Stratford.

Child poverty numbers are particularly striking: 39% of people in Tower Hamlets and 56% of children are living in poverty. Seventy-six per cent of children in poverty in London are in working families.

London also continues to be the most unequal region in the country and the Olympic boroughs are among the most unequal, with Hackney having 2.8 times Londons average pay ratio of the highest to lowest 20% of earners.

It shows whats needed is a renewed and sustained commitment, with London and national government coming together to tackle poverty, really levelling up the country for those on low incomes and fulfilling the promise and hope we shared in 2012.

*Source:Londons Poverty Profile 2021

Penny Bernstock is co-chair of the Olympic Strategy Group at the Citizens UK chapter of East London Citizens, an umbrella group of organisations acting for social justice and the common good.

She is also visiting senior research fellow at University College London and has written a book on the wider impact of the Games entitled Olympic Housing: A Critical Review of London 2012s Legacy.

I was really excited and emotional when we won the bid, but the legacy has been disappointing.

Its been delivered in a very top-down way and theres scope for working more closely with local communities in order to make the legacy work.

There are some good things; London 2012 has been the first Living Wage Olympics, theres a Good Growth Hub and they are beginning to build more affordable housing.

If you had asked me about the legacy four years ago I would have been much more despondent, but these things dont compensate for a project that has mainly benefited professional groups from outside Stratford.

Given it was a public project, the question remains of why an area at the epicentre of Britains housing crisis has so much market housing.

The promise to regenerate the area for everyone that lives there hasnt done this for everyone that lives there. Its provided an oasis of wealth that could be so much better.

There is affordable housing on the park but they havent delivered on the 50% ratio that was promised. Then there is the problem that a substantial chunk of what is described as affordable is no such thing.

To give the policymakers their due, they have increased the amount of genuinely affordable housing at Chobham, East Wick and Sweetwater, but it needs to go further.

In 2005 it was agreed that community land trusthousingwould be developed on the park, this ishousingthat is genuinely affordable and mapped to median incomes and remains affordable in perpetuity.

Ten years on not a single one of these homes has been built on the park.

Another disappointing feature of thehousinglegacy is the lack of genuinely affordable housing and community involvement.

We would like to see a housing inclusion zone on the last neighbourhood on the park. This would provide an opportunity topilot new forms of community-led, genuinely affordablehousing,including land trust housing, that would create a meaningful and lasting legacy for east Londoners.

Theres still a future to play for in the Olympic park and more affordable housing could be added to the last neighbourhoods to compensate for whats missing. New jobs are also being created on the park and its important to make sure local people benefit from those opportunities.

When we won the bid, they talked about the world in one city, and its as important as ever to make sure the legacy of the Olympic park reflects the full diversity of east London.

Rachel Flenley was a dancer in the Frankie and June say Thanks Tim segment of Danny Boyles mesmerising opening ceremony.

The PR account director, 32, from Surrey, performed in a best of British-scored tribute to World Wide Web father Tim Berners-Lee.

When describing it to people, I say do you remember the bit with the inflatable house? and that tends to help them place me. It was a celebration of music through the decades, and my specific section was the 80s and 90s.

A lot of neon, some excellent pyrotechnics and a lot of fun.

My abiding memories are a real blend of just having the absolute best time and also it feeling like the most surreal experience Ill probably ever have.

I remember there being such a great atmosphere in London in the run-up to the ceremony; a real buzz and sense of excited anticipation.

The event itself went by in a bit of a blur. There were so many performers and so much colour and noise it was just so surreal. And once we were called for our section it was absolute game faces on from everyone.

Our incredible choreographers hyped us over our in-ears, getting us ready and then bam. We were out and the music was playing and we were all just dancing our hearts out. It was such a bizarre combination of being super focused on getting everything right but also wanting to absorb the enormity of the moment and take it all in.

I have always danced and always loved performing, and to do it on a stage like that was just incredible and something I will never forget.

For a few years afterwards, I got really stuck into choreography, creating routines for a few local musicals, which I really loved. I think my London 2012 experience definitely helped me realise just how much I enjoy it and gave me the confidence to get involved with theatre groups and choreograph for them.

I feel like London 2012 was the last time we were all really happy.

There was such an amazing bond when we hosted the Olympics.

The tour of the torch, the thousands of volunteers, the gold postboxes it was all just such a wonderful celebration of Great Britain, which feels like a bit of a distant memory now.

I do however think that it has had a lasting impact on our love of sport beyond football as a nation.

I love thinking that there are people who might have had London 2012 as their first Olympics that inspired them into a career in sport, who well then be seeing on Olympic podiums in years to come.

Rebecca Adlington won two bronze medals at the 2012 Olympics. Although she was unable to match her two golds at Beijing 2008, the first time in a century that a British swimmer had taken top honours more than once, it was London that proved life-changing.

Rebecca retired in 2013 and set up her Swim Stars programme aimed at teaching every child in Britain to swim.

I have so many amazing memories; I think about the legacy, the venues, Super Saturday, all the brilliant volunteersandthe GamesMakers.

London was a different place, the country was; everyone was in high spirits it was just an amazing place to be.

On a personal level, my first race was the 400m and I only just scraped into the final in 8th place so to come away with a bronze medal was just not expected. I felt incredibly proud of that achievement.

And then the 800m the time was just not there for me so to get another bronze medal was actually a highlight of my whole career. I got so emotional on the podium, to have so many people chanting my name and knowing it was my last Games. It really was extra special and something I will remember for the rest of my life.

London 2012is why I started my learn to swim programme. It has completely defined my business life and the past 10 years.

After 2012, I was inspired to do something myself and to be here now teaching 15,000 kids a week to swim is just incredible.

The legacy of the Games has been a huge influence for me had it not been for London I wouldnt have been so inspired and would be unlikely to be in the position Im in now.

Ifeel the Games has had wider success, definitely in the immediate period afterwards in terms of participation in and awareness of all Olympic sports.

It was great to see so many people taking up netball, hockey etc. And that increased participation expands to more jobs so everyone benefits.

Covid obviously had a big impact and put things on pause but its good to be getting back on track with live sport, a home Commonwealth Games and the Euros etc. There is so much to take inspiration from.

The community aspect was also huge its where sport has to start, at grassroots level. And with swimming as a life skill we need to get that right. With facilities closing and accessibility an issue for schools, we need to be investing at grassroots level. Its so important.

Looking forward another 10 years, I think the tremendous spirit and success of the Games can be equalled and bettered by British sport.

You see it from each Olympics, particularly from a swimming perspective. Tokyo was the best ever games for us as a swimming team in terms of our results. London played a big part in that, these things dont happen overnight it takes time, people are inspired, momentum builds and then we have to continue building.

Covid hit the younger generation at grassroots and community level but at the same time we are seeing womens sport having more visibility. There is a long way to go of course, plenty more to be done.

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10 years on, what is the true legacy of the London 2012 Olympics? - Metro.co.uk

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The Best Electronic Music on Bandcamp: July 2022 – bandcamp.com

Posted: at 11:18 am

BEST ELECTRONIC The Best Electronic Music on Bandcamp: July 2022 By Joe Muggs July 25, 2022

There are landmark projects this month from some of the biggest names of the 21st century UK bass explosion: Mala, Kode9, and Kuedo. Each of these is hugely ambitious, creating entire worlds of their own that reward lengthy exploration. Theres even more science fiction world-building from Posthuman and JBS with Ambient Babe Station Meltdown. But dont worry, this isnt all about headphone voyages; each of these records has at least one foot on the dancefloor, and weve got plenty of bumping house, wriggling garage, infectious disco-punk, and sledgehammer-swinging industrial techno as well.

The 80s revivalism present in Manchester/Ibiza producer Ruf Dugs Balearic street soulall ultra-clean synths and insistent melodyis really easy to get wrong, resulting in facile kitsch. Crucially, RD understands both the production sophistication needed to keep the sounds from being cheesy, as well as how to inject real emotional depth into compositions. Singer Private Joy adds Sade-style richnessin both the street soul and the reggae versionsand its also worth copping RDs instrumentals, where the subtlety of his marimba licks and synthetic horns really shine.

Parisian singer-songwriter Lonie Pernets single is a fantastic, politicized bit of shoegaze/dreampop, but Jennifer Cardini and Damon Jees vocal remix and dub are something else. They keep the dreamy drift and high drama of Pernets melody, but weave them into a six-minute electropop-disco-punk epic that takes us back to the 00s glory days when DFA used to turn indie rock into dancefloor gold on a weekly basis.

Jamie Teasdale is a master of joining the dots in electronic music. With Roly Porter in Vexd, he created fearsome dubstep-rave hybrids; in his solo work as Kuedo, he has found natural points of connection between footwork, grime, trap, ambient, and the most dramatic of sci-fi scores. In the six years since his last album Slow Knife, hes been doing a lot of work in actual soundtracksand, unsurprisingly, that dominates here. There is less darkness and discord here than on Slow Knife, and more sense of exotic worlds to explore. Which is not to say its free of existential terror; but theres a lushness that makes it a delight to immerse in.

UK duo Posthuman are capable of creating some slamming acid tracks, but when it comes to long-form music they tend to go more meditativeas this new album demonstrates. Harking back to mid/late 90s electronicathink Artificial Intelligence compilations, Pete Namlooks deep space ambient, the eerie drift of Boards of CanadaEcho Almaz East creates some fantastically moody atmospherics. It might not have the express narrative concepts of previous PH albums like Mutant City Acid, but it absolutely matches them in compelling world-creation.

There arent many in the game delivering the pure essence of deep house music in its original sense like Baltimore-via-Detroit producer LADYMONIX. As ever in her work, this EP delivers bumping beats with sampled jazz licks and warm, synthetic chords. But each track is so full of character that it never feels cookie-cutter. Highlights include the hugely hopeful funk synths of Big Beat and the masterful interweaving of Robert Owens-like vocal snippets with gurgling acid in Blow Your Mind.

New dark swing is what bloggers called it back around the turn of the millennium: The stripped-bare, crisply produced, bass-heavy UK garage which would mutate in short order into dubstep. It was short-lived but pivotal sound, and now Danish producer Adam Schierbeckhere on a Manchester no-nonsense club music labelrecreates it with glorious gloss and menace. The five tracks here glide through the night like a blacked-out BMW, showing that the futurist vision of 20 years ago is still very much viable.

Morwell calls this emotional soundsystem music, and thats as good a description as any. The title track pulls the classic Burial trick of looping an androgynous voice over a two-step beat; but unlike Burial, Morwell makes it hyper-present, its swelling strings and shivering chimes speaking of the heat of the middle of the dancefloor, even as they are shot through with sadness. Guide and Protect is funkier, but also moodier, bouncing on its heels as it assesses the dangers and pleasures of hot evenings.

Hyperdub founder, academic, and general polymath Steve Kode9 Goodman is known for his grand conceptualism. But his approach is visionary as it is intellectual. His latest album is part of a wider audio-visual-fictional sci-fi project called Astro-Darien, and it really feels like a future world unto itself. Fragments and bursts of ambiance and rhythm join together to take you somewhere thats very confusing but also very vivid. Theres plenty here to make you think, and even more that works directly on the senses.

Recorded in Berlin in 1993 from an abandoned trailer-turned-mobile recording studio, when the notorious Spiral Tribe soundsystem decamped to the city, this LP is a high water mark of illegal rave music. The furious industrial techno and gabber doesnt have a single clean line on it: everything is raw, rusted, dangerous, and punk as fuck. Incredibly, it still sounds fresh nowmaybe its the sense of impending apocalypse in the zeitgeist, but this remains thrilling and galvanizing from start to end.

Digitial Mystik/DMZ deep bass mastermind Mala has gradually expanded his work with live musicians over the years, but this collaboration with the keyboard superstar of the new London jazz generation is something else. Over five tracks, Joe Armon-Joness soul synths and liquid piano licks are blended into the heaviest of heavyweight dub in the most delightful of ways. It never feels like genre fusion, more like a true meeting of mindsand, as the artwork suggests, creates a feeling of sanctuary in its sound.

Canadian-in-Tokyo Zefan Sramek has found his perfect musical home with L.A. label 100% Silk. Everything about his fusion of house, New Age, ambient, and 80s funkmade to sound zoned-out and simple, when in fact its devilishly well finessed and complexdovetails perfectly with the labels aesthetic. The music here is instantly pleasing, but it also lingers with you, commanding you to come back to it again and again.

Canadian singer-songwriter-producer Rhiannon Bouvier has a distinctive way with slacker trip-hop and R&B. Here, as on her debut album and last years collaborative EPs with Telemachus, her voice is deadpan to the point of being sinister, and the beats capture the mixture of jitter and slow flow of the very best trap productionwith the addition of an extra shimmer of field recordings and abstract micro samples. As ever with her EPs, she offers up instrumentals of all three tracks, all of which are well worth the attention of bass music DJs of various tempos.

South London collective GD4YAs mission to dissolve the boundaries between UK garage and jazz continues apace. Both original tracks here have an Afrobeat roll to their live drums; but where Twin Carbon is densely packed with sound and topped with a piercing mono synth solo, Incognito is sultry and full of dub space, with chords floating elegantly through it. The former is remixed into a tough four-to-the-floor garage slammer by young duo Y U QT, while ZeroFG twists the latter into a sultry dream of a two-step groover.

Multiple generations of Bristolian talent combine dubstep, grime, and other soundsystem innovationsalong with the most staggeringly huge bass youll hear this month. The original track is a deep dubstep classic from 2009 by RSDaka Rob SmithSmith & Mighty and More Rockers, whose foundational place in UK bass culture starts way back in the 80s. Multi-genre master Sam Binga has tweaked it brilliantly with a bit of grime lurch and warble, and along with his instrumental take, hes made a vocal version featuring Bristol MC Sylla. All proceeds go to South Bristol youth charities.

Theres mystery, sleaze, conspiracy and magic in the four collaborative pieces between producer JBS and Ambient Babestation Meltdownbest known as a DJ, but here delivering tricky, insinuating, mind-dissolving ASMR-whispered narratives and recitations. Between them, they somehow manage to combine every kind of alley-creeping, neon-lit, smoky-backroom electronic sound of the past 40 years. You can hear deep dubstep, Chris & Cosey, Belgian new beat, Californian beanbags-and-fractals ambient, and a whole lot more. But you may not even note any of that, so swept up will you be in this enveloping sci-fi-noir soundworld.

We may be beset by drought, fire, war, and economic chaos, but dance musics capacity for optimism even in times of trauma abides. These four modular, synth-heavy tracks from Berliner Fantastic Man unashamedly hark back to years gone by: Underground Resistance techno in Gondwana Dance; The Orb-adjacent dub house in Low World Order and Party Rug; and mellow, sunrise acid-and-pianos rave on the self-explanatory By 1990-91. But theyre not wistful throwbacks. Each bubbles with the same determined yearning for better times these sounds always had.

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The Best Electronic Music on Bandcamp: July 2022 - bandcamp.com

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Post-Human NarrativesIn the Name of Scientific Witchery – Announcements – E-Flux

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Para Site is proud to present a unique off-site exhibition Post-Human NarrativesIn the Name of Scientific Witcheryat the Hong Kong Museum of Medical Sciences featuring all-new commissions by Betty Apple, Ho Sin Tung, Mayumi Hosokura, Hui Serene Sze Lok, Florence Lam, Liv Tsim, Hou Lam Tsui, Ice Wong Kei Suet, and Bobby Yu Shuk Pui, curated by Kobe Ko.

The exhibition features nine women artists from Hong Kong, Japan, and Taiwan, whose all-new commissions engage with practices in the medical and scientific establishments throughout history that are often considered controversial or unorthodoxfrom genetic engineering to xenotransplantation, dream analysis, sound healing, and ritualistic performance. Taking place outside of Para Sites space, Post-Human NarrativesIn the Name of Scientific Witcheryunfolds in the Hong Kong Museum of Medical Sciences, in Sheung Wan, a unique and historically charged setting where the exhibition seeks to reconfigure new speculative narratives around science, magic, and witchcraft.

Part of an ongoing project titled Post-Human Narratives, the exhibition marks the third iteration of a collective series of onsite and online initiatives using posthumanist thinking as a departure point. Focusing on the porous boundary between dichotomies such as nature versus human, human versus machine, and the empirical world versus the supernatural, the exhibition aims at centring peripheral histories of the mythical and magical as a way to challenge prevailing narratives centred on scientific rationality.

The exhibition title Scientific Witcherycomes from the lyrics of a fantasy anime track, a reference that implies an ambivalent relationship among science, magic, and witchcraftprior to the advent and spread of Western medicine, witch doctorsor shamans in various cultures often perform the role of healer. The participating artists are invited to respond to the fluidity and contradictions evoked by these connections through video, performance, sound, objects, and photography. Displayed in conversation with the historical exhibits in the museum, the audience is invited to contemplate what constitutes canonical scientificknowledge in a posthuman world.

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Post-Human NarrativesIn the Name of Scientific Witchery - Announcements - E-Flux

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Transhumanism: Savior of humanity or false prophecy? – Big Think

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In the blink of an eye on the evolutionary timescale, humans climbed down the trees, changed the landscape of this planet like no species before, and left their footprint in space. At each stage in the evolution of modern humans, we have strived to break free from the limits imposed upon us by biology. A major part of the human journey has been the development of new technologies, a phenomenon that has grown exponentially over the last century.

Transhumanism is an intellectual and technological paradigm that seeks to leverage this progress to further enhance the human condition. It cultivates a belief wherein by freeing the human body and mind of their biological limitations, humanity will transcend into a future unconstrained by death.

What does transhumanism look like? Its proponents promise a world where lifespan-extending breakthroughs allow us to live longer. Transhumanism will push research toward anti-aging treatments that let us stay healthy for a greater proportion of our longer lives. Mind-controlled prosthetics will offer disabled people the opportunity to regain control of their limbs.

Indeed, much of this is already happening. For instance, cochlear implants restore a sense of hearing, and pacemakers can add decades to patients lifespans. Recently, surgeons at the University of Maryland Medical Center transplanted a pig heart into a patient. Through genetic engineering, the scientists subdued the immune responses that would have otherwise made the patients body reject the organ. (Unfortunately, he later died.) In the future, transhumanists claim, we may be able to regenerate our organs, including hearts and brains, such that they never grow old.

But transhumanism proponents often go far beyond these breakthroughs. Many in the movement suggest that a singularity is the inescapable outcome of exponential technological progress. In such a future, they claim, it would be possible for humans to upload their minds to a computer and live forever in the digital realm. Some are signing up now to be frozen until such a time arrives that they can be revived.

So, on the one hand, we have technologies that are lengthening and improving the quality of our lives. But on the other hand, we are promised a techno-optimistic future where humans are immortal. History is rife with con artists promising the elixir of life. Is transhumanism any different? Is transhumanism the savior of humanity or a false prophecy?

Credit: Glenn Harvey / Big Think

In Harry Potter and the Methods of Rationality, a fanfiction novel by Eliezer Yodkowsky, Professor Quirrell tells Harry of a distant future when humanity would migrate from one solar system to another. He says that humans then wont tell the children about the history of Ancient Earth until theyre old enough to bear it; and when they learn theyll weep to hear that such a thing as Death had ever once existed!

Death, indeed, is the most profound of limitations that biology imposes on us. While immortality is more fiction than fact at the moment, radical improvements in longevity are already underway.

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Over the last few decades, the growth of omics technologies has made it possible to understand how genes contribute to phenotypes. Research in various model organisms has revealed that several genes involved in stress resistance, the length of telomeres (the ends of chromosomes that shorten with aging), and cellular division are linked to the aging process. In the last few years, longevity companies have begun exploring their mechanisms of action to develop anti-aging drugs.

Indeed, some of this research shows promise. But the underlying assumption is that aging is simply a disease like any other that can be cured. Is that true?

One important limitation to keep in mind is that much of this research is being done in mice. Thats fine, but unlike mice in laboratory settings, humans dont live in highly protected spaces, a luxury that is arguably a major factor in increasing lifespans. Also, the physiology of mice and men are too different to claim that any effects seen in the former will be seen in the latter. Poor translation from mice to humans remains a challenge for nearly all anti-aging drugs under development, as well as biomedical research in general.

Longevity researchers often see aging as a disease that can be cured. The hypothesized cures often involve restoring vitality by reversing the biological clock. Regenerative medicine technologies are generating a lot of interest, especially following Shinya Yamanakas work in inducing specialized cells to turn back into stem cells upon the introduction of a few transcription factors, molecules that regulate gene expression.

However, this area too is filled with overhyped studies. Telomeres are unreliable aging clocks, and finding a cure for aging is tricky if it cannot be accurately measured. After all, anti-aging drugs are tested by their ability to slow down these aging clocks. But, if these clocks arent true indicators of biological age, then studies based upon them are not producing reliable information. Likewise, using research on stem cells ability to rejuvenate our bodies is benchmarked by how well they rewind the biological clock. Worse, unproven stem cell therapies can lead to serious side effects, including blindness and cancers. One womans botched stem cell treatment led to bone fragments growing around her eye.

The Nobel Prize-winning CRISPR technique, which allows researchers to make precise edits in the genome, is incredibly powerful. Undoubtedly, it will make scientific research faster and lead to world-changing breakthroughs. Last year, the technology was used to cure a patient of sickle cell anemia, an inherited blood disorder that was previously incurable.

However, diseases that are caused by single genes, such as sickle cell anemia, are incredibly rare. For example, cardiovascular diseases that constitute the leading cause of death globally are shaped by a complex interplay of multiple genetic and environmental factors. Most likely, genetic engineering will not be able to cure diseases with complex etiologies. For the same reason, this is why the concept of designer babies with pre-selected traits like athletic ability and high intelligence are mostly a fantasy. Many of the characteristics we care about are controlled by hundreds, if not thousands, of genes.

Genetic engineering is also unlikely to be used to cure babies of various illnesses or conditions before they are born. If the objective is to avoid birth defects, pre-implantation screening and embryo selection can achieve that without the need for genetic manipulation.

Credit: Glenn Harvey / Big Think

Ensuring our bodies survive indefinitely through regeneration isnt the only route to immortality. As many sci-fi enthusiasts will vouch, one day, we might upload our minds into vast supercomputers. And like many other technologies touted by transhumanists, there are genuine advances in brain-computer interfaces. For example, some patients in a vegetative state can now communicate thanks to advances in neuroscience. Thus, transhumanists see uploading our minds as the zenith of a trend already underway. But this argument is dominated by hype rather than science.

A major and necessary milestone on the pathway to replicating the human brain in silico is understanding how the brain works. Indeed, we cannot build a conscious entity from scratch if we dont know how consciousness originates. We currently do not and can barely even define it. As most neuroscientists (but perhaps few AI engineers) will admit, we know astonishingly little about how the human brain works. It is still mostly a black box.

Why? The human brain has 1,000 trillion connections between neurons. Properly replicating a brain in other words, you would require precisely reproducing these connections and the information that they contain. (How the brain actually stores information is yet another basic thing we dont understand.) The sheer amount of information needed to reproduce one brain is roughly equivalent to the size of the internet (the 2016 version of the internet, anyway). And the computing power necessary to operate a single computerized brain in real-time is unimaginable at the moment.

Even if we had the necessary computing power, scientists have no idea how the brains structure and function translate to subjective, conscious experience. The sensation of eating chocolate is not something we can reproduce.Additionally, the entire notion that the brain or consciousness is uploadable is dubious. It stems in large part from the belief that our brains are like computers. However, that comparison is not correct. The brain as a computer is just a useful metaphor comparing the complexity of brains to that of humanitys most sophisticated invention; it is not biologically accurate. The brain does not operate like a computer.

Ultimately, all these objections to transhumanism are rooted in a critique of reductionism. Biological systems cannot be reduced to interactions between cells and genes. Cellular systems cannot be reduced to interactions between chemicals. Chemical systems cannot be reduced to interactions between atoms. And quantum mechanics shows us that even atoms cannot be reduced to simple interactions between protons and electrons. But transhumanists seem to believe that this is how the Universe operates, a view that is increasingly out of step with 21st-century science, which is holistic and systems-oriented.

Today, we know that many phenomena are emergent in nature. This means that their properties arise as a consequence of the interactions between their parts. For instance, the biological law of natural selection is not the direct result of the laws of physics. Instead, it emerges from the interactions of countless organisms. Simply knowing how protons and electrons interact does not yield any insight into the emergent phenomenon of biological evolution. Similarly, imitating the interactions of a quadrillion neurons in a computer almost certainly will not allow us to reproduce the emergent phenomenon of the mind. As Susan Lewis writes in her book Posthuman Bliss? The Failed Promise of Transhumanism, The viability of transhumanists dream depends on a compartmentalization of the mind and brain that scientific findings increasingly supersede.

In an essay on emergence, 13.8 columnist Adam Frank wrote:

If you know the fundamental entities and their laws, you can, in principle, predict everything that will or can happen. All of future history, all of evolution, is just a rearrangement of those electrons and quarks. In the reductionist view, you, your dog, your love for your dog, and the doggie love it feels for you are all nothing but arrangements and rearrangements of atoms. End of story.

Obviously, nobody really believes that. Yet, this sort of thing has to be true for the biggest promises of transhumanism to work. The problem is that it isnt true.

Therefore, instead of focusing on a distant future where sci-fi somehow becomes reality, transhumanists ought to redirect their energy to improving the human condition today. Many of the technologies upon which transhumanists base their aspirations can make a real difference here and now.

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Live PD returns after Black Lives Matter forced it off the air – Washington Examiner

Posted: at 11:17 am

On Friday, Live PD returns to television. The show had been canceled two years ago at the height of the Black Lives Matter movement, which was always more about hating police than racial justice.

Live PDs new name will be On Patrol: Live, and its new channel will be Reelz. The show had been canceled by A&E in the aftermath of the death of George Floyd, with the network saying that it was a critical time in our nations history and that it didnt know if there was space to tell the stories of both the community and the police officers whose role it is to serve them. And so, the network tossed police officers aside because this is what the movement demanded.

With it went half of A&Es audience.

Live PD wasnt the only show to get the ax. Cops was also canceled by Paramount after 32 seasons across three different networks. It was brought back last year by Fox Nation.

The cancellation of those two shows helped show exactly what the Black Lives Matter movement was about. Immediately after Floyds death, the movement pushed the idea of defunding the police to the forefront of the national debate. Rep. Ilhan Omar (D-MN) called on Minneapolis to abolish its police department, and the City Council initially agreed, requiring voters to vote the idea down. Other cities began cutting police funding, even as homicides and violent crime rose.

The Black Lives Matter movement did not just think that racism is an issue that must be addressed. Its most prominent activists, from Omar to Rep. Cori Bush (D-MO) to washed-up former quarterback Colin Kaepernick, thought the entire institution of policing must be abolished. They demanded the police officers be removed from black neighborhoods, schools, and other areas of life. A&E and Paramount were happy to extend that anti-police sentiment to television, even if it meant losing viewers.

While On Patrol: Live looks to pick up where Live PD left off, the shows return should serve as a reminder of what the driving force of the Black Lives Matter movement always was. It was and is primarily a movement to demonize police officers, even at the expense of black lives. Its activists bludgeon those who dont support the movement into silence or compliance using accusations of racism.

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Portland camp imagines life without cops, features BLM coloring book – New York Post

Posted: at 11:17 am

A far-left volunteer group in Portland, Oregon, is offering a free, radical social justice camp that has promoted Black Lives Matter-themed material, taught indigenous land maps and called for the abolishment of police in past summers.

Budding Roses is hosting the two-week camp that will explore social justice issues, youth leadership and arts activism for kids in fourth through eighth grades from July 25 to Aug. 5. The previous two years were held virtually as youngsters discussed race, gender and youth activism in the wake of the killings of George Floyd and Breonna Taylor.

The groups curriculum for the coming session is unclear, but its 2020 camp curriculum featured a Black Lives Matter At School coloring book and a What is Police Abolition section that imagined communities without cops.

How can we keep each other safe? the groups website reads. What does a world without police look like?

Budding Roses GoFundMe page says camp activities also include talk about racism, gentrification, student activism, gender, climate change, and mental health issues that Portland youth are already engaging with.

The camps website contains information from a Tear Gas for Portlanders publication and usage of the irritant by Portland cops during the fervent summer 2020 protests.

Learn about what tear gas is, how it was used in Portland, and ways to keep yourself safe if you get tear gassed, the site states.

The camps 2020 curriculum also contained a section on teaching budding anarchists how protest using songs and drum.

They are a way to express anger, our joy and our power, according to Budding Roses website. Write your own songs and make your own protest drum too!

Radio host Ari Hoffman said he was shocked they didnt offer a course on Molotov cocktails, but noted how the camps participants are being shaped into little activists, Fox News reported.

What they do learn is how to hate the police, Hoffman told the network Wednesday. Your child, if they go to this Antifa camp, will be taught how to be a little activist. Theyll be taught how to deal with tear gas, how to protest thats what parents are sending their kids to.

Campers were previously shown videos and materials detailing White Supremacy Reflection, an Indigenous Land Map and a history of radical organizing in Portland.

Our goal was to promote collective problem solving on issues of policing, abolition, and community safety by providing supplies and guidance to our campers, Budding Roses website reads.

The camp was founded as a project of Black Rose/Rosa Negra Anarchist Foundation, according to its website.

We believe in empowerment through education, while also understanding that mainstream education often reproduces structural oppression and disempowers youth, particularly low income and youth of color, the website continues.

Multiple messages seeking comment from Budding Roses were not returned Wednesday. The camps Facebook page, which was active earlier in the day, was no longer visible as of Wednesday afternoon.

Hoffman, an associate editor at The Post Millennial, claims Antifa and other far-left antifascist advocates have a firm grip on Portland since taking over the city during the BLM protests two summers ago.

Portland right now is controlled by Antifa, Hoffman told Fox News. They defunded their police, you still have riots on a regular basis, you still have protests on a regular basis. And these people think that theyve won.

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Racism, policing, politics and violence: How America in 2022 was shaped by 1964 – Salon

Posted: at 11:17 am

Republican attempts to gain political support by promoting racist fear and hatred, reflexively siding with police in confrontations with African Americans and denouncing Black Lives Matter demonstrations are a prominent feature of our political landscape. But they're also nothing new. In many ways, the battle lines of 2022 can be seen forming in 1964. A letter published 58 years ago this week in the New York Times can help explain the underlying issues, both then and now.

As President Lyndon B. Johnson signed the Civil Rights Act of 1964 into law on July 2, 1964, he called upon Americans to "close the springs of racial poison." Two weeks later, on the same night that Sen. Barry Goldwater accepted the Republican presidential nomination with an explicit endorsement of extremism, a 15-year-old African American was shot and killed in Harlem by a New York City police officer. The incident began after the white superintendent of a group of apartments turned a hose on a group of Black kids who often sat on the steps to the buildings. According to them, the superintendent shouted at them, "Dirty n***ers, I'll wash you clean." They responded by throwing bottles and garbage-can lids at the super, who retreated inside one of the buildings. A boy not involved in the original incident, James Powell, pursued him, and when Powell exited the building he was shot and killed by an off-duty policeman.

That led to an almost immediate confrontation between neighborhood young people and police. Over the following days, these clashes escalated into the first major urban "riot," or "uprising," of the 1960s. (Those two nouns were used by different sides to describe the same phenomena, the former by most white people, the latter by Black people and, as the decade went on, a growing number of whites on the left.)

By the night of July 18, thousands of Black people were in the streets of Harlem, breaking windows, looting stores and shouting at police, "Killers! Killers!" When a police officer tried to disperse one of the crowds by yelling, "Go home, go home," people in the crowd responded, "We are home, baby."

Over the next few weeks, northern urban uprisings spread to the Bedford-Stuyvesant neighborhood in Brooklyn (then largely Black and low-income, today a zone of intense gentrification) to Rochester, New York; to Jersey City, Paterson and Elizabeth in New Jersey; and then to Chicago. At the end of August, immediately following the Democratic convention in Atlantic City, serious disorder erupted less than 60 miles west, in Philadelphia. As in the other cases, the underlying cause was a series of charges of police brutality, and the fraught or openly hostile relationship between cops and the African-American community. White policemen beating and killing Black people with impunity was, to be sure, nothing new in 1964. Nor was it unprecedented for such incidents to spark rebellion in the Black community, including property destruction and sometimes violence.

But street-level resistance by Black residents became much more common in 1964 and throughout the ensuing years of the '60s. As historian Elizabeth Hinton demonstrates in her 2021 book, "America on Fire: The Untold History of Police Violence and Black Rebellion Since the 1960s," the vicious policing that remains a principal battle line today has been the cause of many outbursts of rebellion by African Americans. White police officers are almost never convicted of murdering a Black person, more than a half-century later. The 2021 murder conviction of the Minneapolis cop who killed George Floyd provides hope for change on this front, but the police killings of Black people have continued, during and after that trial.

The 1964 hopes of Republicans and fears of Democrats about the political effects of racial conflict are also strikingly familiar. President Johnson feared the riots could help Goldwater win the November election. "If we aren't careful, we're gonna be presiding over a country that's so badly split up that they'll vote for anybody who isn't us," White House press secretary George Reedy said to Johnson after the Harlem riot had been going on for a couple of days.

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Much as Democrats do today, Johnson felt the need to condemn the riots while simultaneously emphasizing the centrality of the pursuit of racial equality and justice. On July 20, he issued a statement on the situation in Harlem in which he declared: "In the preservation of law and order there can be no compromise just as there can be no compromise in securing equal and exact justice for all Americans."

The hopes of Republicans and fears of Democrats from 1964 are strikingly familiar. Lyndon Johnson feared the urban riots could elect Goldwater, and felt the need to condemn them while calling for racial justice.

The prospect that white "backlash" might turn the nation against Johnson and to Goldwater did not materialize in 1964 and Johnson was elected in one of the biggest landslides of American political history. It was to be the much larger uprising in the Watts district of Los Angeles in August 1965 which began five days after Johnson signed the Voting Rights Act into law that would wind up producing the sort of dramatic political backlash that Johnson had feared in 1964.

The causes of the 1964 rioting were brilliantly explained by a Black woman in Brooklyn named Barbara Benson, who wrote a letter to the editor of the New York Times after the outbreak. Benson wrote that she wept "at the damage done to this city and the world by the Harlem riots" and was especially concerned that "this rioting may have made a Goldwater victory more likely." But she felt the need to try to explain what leads to rioting. Her words sound all too contemporary more than a half century later:

All minorities recognizable by the color of their skin have experienced the irrational quality of the police force evident in the slaying of the 15-year-old boy. Many of us have been stopped by police and, yes, many frisked for no other reason than that a Negro in a certain neighborhood "seems suspicious."

If there is no "irrational" fear of the black man operating within many on the police force, why is it that intelligent, collegeeducated Negroes like myself simultaneously fear any possible involvement with the police, even for our own protection?

Let no one be deceived. Many Harlem police are sadistic in their administration of the law, insatiable in their beatings, unable to discern men from children, and irrational in their fear of the black man, as well as incapable of telling one black man from another.

There was really no need for the various commissions set up from 1964 through the end of the decade most notably the National Advisory Committee on Civil Disorders, popularly called the "Kerner Commission," set up by Johnson in 1967 to earnestly search for the underlying causes of urban uprisings. Benson's letter, then as now, pretty much said it all.

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Rhyme and Reason | NC State News – NC State News

Posted: at 11:17 am

All right. Here we go.

The opening lines of Ayo Agunbiades song that speaks about and to his late mother, Teresa Ann Ward, capture the musicians philosophy as he strives to impart meaning to life, loss and love. Although many of his songs pay tribute to an imperfect and sometimes painful past, Agunbiades eyes and heart are fixed in one direction: forward.

In a song titled Up, the hip-hop artist recounts a journey that has taken him from an impoverished childhood in Prince Georges County, Maryland, to academic and career achievements that once seemed out of reach:

I fell down sometimes and though it cost me

I couldnt be the best me without the losses, see

All these lessons that I learned made me wise up

They taught me even when Im down keep my eyes up

Today, as a senior academic advisor in the Poole College of Management, hes helping NCState students chart their own paths in uncertain times.

Ive made a career out of working in higher education because of how much I value education and how transformational it has been in my life, he says. When I went to college, I recognized that I needed to be successful there if I didnt want to go back home and sell drugs or pump gas, something like that.

Success in the classroom didnt come easy, but Agunbiade kept moving forward, earning a bachelors in communication and a masters in education.

Getting those degrees was the most gangster thing Ive ever done in my life, because I didnt have anyone ahead of me who took that path, he says.

His journey as a musician began in high school, where he participated in impromptu rap competitions.

Pretty much every day at lunch we would have these freestyle battles, and it was the best part of the day, he says. Somebody starts to hit a beat on the table, and its you versus whoever has the boldness to step up. Its you and your words against theirs, and the winner is the one who can come up with the cleverest lines and just keep the flow going.

Music took a backseat to football in Agunbiades life for a while, but after high school he found his voice and an outlet for his emotions in composing, recording and often producing his own original songs. Hes released two albums, Destiny in 2017 and Destiny Reimagined in 2018, as well as a slew of singles available on streaming platforms such as Apple Music and Spotify. And he appeared on a 2020 album, Deans List, produced by a rap collective called the Great Minds Alliance.

The name he writes and performs under iYo the Philosopher is a nod to his reputation for thinking deeply (or in the words of a friend, overthinking) about his life and the world around him.

A lot of my music is autobiographical, he says. Through music, Im able to process my own feelings and sometimes come out with something that I didnt quite expect. Sometimes, something that was deep in my soul just kind of pours out. I cant keep it all bottled up for so long.

Its more cost-effective than a therapist.

His mothers death in 2010 left Agunbiade struggling to cope with his grief and loss. It was, he says, a dark time.

My mom was my best friend, and it took me a really long time to properly grieve, he says. One thing that helped me through is understanding that even though my mom is no longer here in the flesh, she lives through me. I cannot be me without the impact that she had on my life.

In Teresa Ann Ward, a song celebrating her life, he marvels:

We never had a lot but it felt like plenty

How you raise a good kid in a mad city?

Worked all day, paid bills, made dinner

Even when I lost, had me feeling like a winner

The music video for the song, directed by Joey Gizzi, features the singer TreAlise, whose soulful vocals on the chorus float above Agunbiades somber rapping. The cinema verit work, shot handheld with available light in and around a desolate city park, was named best music video at the 2020 Longleaf Film Festival.

Agunbiade first teamed up with Gizzi in 2017, when the pair worked on a music video for the song Riot, an antiracist anthem inspired by the Black Lives Matter movement.

There was a string of Black men getting killed on camera, and I had this song on one of my old mixtapes that dealt with that, he says. I put an ad on Craigslist looking for somebody to shoot the video, and Joey responded. He charged me basically nothing because he was just getting started.

It turned out to be a really good video, but even more interesting is the fact that after that video, Joeys skill and his talent just sort of skyrocketed.

Since then the pair have worked together on several other video projects and won more awards. Its a rewarding collaboration that seems to come easily to both. Ill have an idea and Ill share it with Joey, and hell just take it to the next level, Agunbiade says.

His focus on racism and other social issues in his music reflects his struggle to make sense of the times.

Im a little lost in terms of where we are as a society, he says. It doesnt even feel real; it feels like a dream that maybe one day well wake up from. But theres so much going on, and the tensions are so deep. I dont ever remember a political moment in my lifetime that was so polarized.

People cant hear each other anymore.

Its one of the reasons Agunbiade values his work at NCState, where hes part of a small percentage of Black men in leadership roles. Working as an academic advisor gives him an opportunity to counter racial stereotypes and support the schools efforts to promote a welcoming environment for everyone.

Most of my students dont look like me, he says. And some have told me that its their first time interacting with a Black man in a position of authority. So I get to introduce them to someone who is supportive, reliable, accountable all these good things, but with a different skin color.

For Black students, Agunbiades visibility sends a positive message.

I appreciate that the students who do look like me have someone who actually looks like them on the staff, he says. Because there arent a whole lot of us in the college or across the university.

Not all of Agunbiades music deals with weighty issues or unresolved emotions. Butterfly, a catchy 2021 single, is a sweet and sometimes spicy ode to his wife, Rachel. The couple met working together in the Academic Support Program for Student-Athletes.

Girl, youre so fly like a butterfly

I couldnt let you fly to another guy

All up in the sky you be so high

You got the right mind and youre so fine

My life philosophy that theres joy to be found, and we have to find it, he says. No matter what were going through, we have to work our way back to it.

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How a skid row store faces the tensions in Black-Korean history by discussing its bleakest chapters – Los Angeles Times

Posted: at 11:17 am

On a block of L.A.'s skid row where the tents cluster corner to corner, theres a store that most people know as the place with a little of everything.

When May and Bob Park took it over in 1995, the store was called Best Market. The Parks tried to stock it all, and if they didnt have it, they were known to drive to the warehouse after hours to get it.

After their son, Danny, joined the business in 2015, he renamed it Skid Row Peoples Market. Its the latest of many names over the years, and the everything store tries to live up to all of them, stocking food, drinks and items geared toward life outdoors, such as drink mix, tents, cups of ice on hot days, warm socks on cold ones.

Danny Park, 38, stands in front of Skid Row Peoples Market in Los Angeles. When his parents took over the store in 1995, it was called Best Market.

(Allen J. Schaben / Los Angeles Times)

Danny wants the store just south of Little Tokyo to be more than its inventory. His new mission statement is hand-painted high up on the wall in English and Korean: A safe space for Skid Row community to heal ourselves and develop healthy identities and, below it, Food is medicine not only for the body, but spiritual connection to history, ancestors and the land.

On a given shift, employees might serve as therapists, social workers, confidants or mediators. The store tries to help customers build self-esteem, express themselves, display their art, even take steps toward building credit.

We all believe, in whatever work we do, that we are doing some kind of good for humanity no matter what it is, Danny said. So why cant that be the product?

Column One

A showcase for compelling storytelling from the Los Angeles Times

The story of why the everything store tries to do so many things has a lot to do with Danny, but it really started long before, on a Saturday morning in 1991, when Korean American shopkeeper Soon Ja Du fatally shot Latasha Harlins, a 15-year-old Black girl, at a South Los Angeles liquor store.

Many Angelenos remember Latasha whenever a young Black victim is denied justice. And when they remember Latasha, they also remember it was a Korean shopkeeper who shot her.

A photo of Latasha Harlins, right, who was killed by Korean shop owner Soon Ja Du in 1991, is part of a community altar in Danny Parks Skid Row Peoples Market in Los Angeles.

(Allen J. Schaben / Los Angeles Times)

Danny was a kid then. Now 38, he knows that no matter his intentions, someone will see the store as just another Korean American business profiting from a mostly impoverished Black clientele.

So another thing he wants the store to do is remember that history. Danny keeps a framed photo of Latasha at the front and a printout in his office, taped at eye level when he sits at his desk.

Even if it hurts, even if youre ashamed, Danny said, you have to keep the images close, because thats how we heal. Because by remembering, thats how we learn.

Latashas photo isnt alone. A stately row of framed headshots reminiscent of a Day of the Dead ofrenda meets you at the door. Theres Grandma Bessy, Cecil, Uncle Rock, regular customers who passed away. Next to them, faces grown too familiar: George Floyd and Breonna Taylor, victims of police violence.

Above the register is a set of clay figurines of each member of the store staff made by a customer, Kevin Kidd.

Above the register at Skid Row Peoples Market is a set of claymation figurines of each member of the store staff made by a customer, Kevin Kidd.

(Allen J. Schaben / Los Angeles Times)

The staff is half Korean, half Black, half skid row locals and half Korean immigrants hired through an ad in the Korea Times. The oldest employee is in her 70s, the youngest 35.

And in the narrow closet that serves as Dannys office, swimming under paperwork, is a studio portrait of a Korean American family. Danny, a young man refusing to smile against marble-blue backdrop, stands behind his father, whose suit looks crisp, especially his tie, which somehow accommodates a map of Korea.

Dannys family has operated stores as long as he can remember. His grandfather managed a store when he came to the U.S. in the 1970s, and so did several of his uncles.

We all believe, in whatever work we do, that we are doing some kind of good for humanity no matter what it is.

Danny Park, Peoples Market owner

Sometimes it was a liquor store in Silver Lake, or a laundromat in Gardena, but it was always a business, one small step toward an ever-distant American dream.

Korean Americans owned more than 30% of non-chain liquor stores in Southern California in the early 1990s. In many cases they took over stores previously established by largely Jewish entrepreneurs who were eager to leave the citys south side, where gang violence bled into the fabric of everyday life.

May Park, 67, speaks with a customer in a wheelchair as she works at Skid Row Peoples Market in Los Angeles. May helps run the store with her son, Danny.

(Francine Orr / Los Angeles Times)

In South Los Angeles, the Korean entrepreneurs met Black communities battling crack and gangs, impoverished by redlining and abandoned by larger retailers for fear of street violence. Robberies were a constant problem, and it was especially dangerous for those rumored to be cooperating with the police, like Soon Ja Dus family.

At least 19 Korean shopkeepers were killed in Southern California in the decade before 1992, largely by Black assailants. But when shopkeepers began to arm themselves, an untold number of their customers became innocent victims too. A few weeks after Latasha died, Lee Arthur Mitchell, a Black man and popular boxing coach, was shot and killed by Tae Sam Park, a Korean American shopkeeper.

Danny was born in 1984, a time when the violence between Korean shopkeepers and their customers was making national headlines. He speaks quietly and is prone to long silences, short sentences and clothing with protest slogans such as Black Lives Matter and No justice, no peace. His face reveals emotion easily, and he listens intently, as if words must be chewed before understood.

He attended UC San Diego and studied sociology, but without much focus. He went to art school, studied graphic design and found a job doing that. A large tattoo of the Gustav Klimt painting Life and Death covers his left forearm. On his right arm are a Dodgers hat, ball and glove for his dad, who always seemed happiest at Dodgers games and a portrait of his grandfather.

Residents pass by as owner Danny Park, center, fist-bumps employee Phillip Kim while waiting for customers at Skid Row Peoples Market in Los Angeles.

(Allen J. Schaben / Los Angeles Times)

He is sincere to a fault. When he was 27, he jogged the nearly 1,000 miles between Los Angeles and Nike headquarters in Beaverton, Ore., to hand-deliver his application and illustrate his desire to work there. (He got the job.)

He grew up not knowing much about the Harlins case, but the archetype of the racist Korean shopkeeper had become a staple of films and TV shows depicting Black life in cities, most famously in Spike Lees Do the Right Thing.

For example, Danny didnt know that in Dus letter to Judge Joyce Karlin expressing remorse, she offered condolences to Latashas mother, unaware that the mother was dead. Or that a few months before Dus acquittal, another Korean shopkeeper had received jail time for fatally shooting a dog, and that many in the community wondered why a dogs death carried harsher consequences than Latashas.

But he loved hip-hop, and wrote a college essay about how it shaped him. He listened to Tupac and Immortal Technique, loved the movie Dead Presidents and slept in a bedroom with a Martin Luther King Jr. poster on the wall.

Then Michael Brown, an 18-year-old Black man, was shot and killed by a white police officer in Ferguson, Mo. Danny found himself in the streets, attending protests and rallies. For the first time, he learned the details of the Harlins case, and he was ashamed by what he found.

May Park, left, with her son, Danny, at Skid Row Peoples Market in Los Angeles. The Park family has operated the store since 1995. Danny renamed it after he joined the business in 2015.

(Francine Orr / Los Angeles Times)

On his right forearm, Danny Park has a tattoo of his grandfather, who managed a store when he came to the U.S. in the 1970s. So did several of his uncles.

(Francine Orr / Los Angeles Times)

Danny and his father never talked about these issues. Korean Americans were leaving the liquor store business in droves, and the family was struggling to stay afloat. A screen-printing business flopped, and the Parks filed for bankruptcy. They left their home in Fullerton and moved in with Mays mother in Downey.

And in 1995, they took over the lease for what they named Best Market.

His father drank and from a young age, so did Danny. Bob Park drank mostly because he was angry he often beat Danny and he was angry for the same reason so many immigrant fathers are: because failing at a business in America made him feel like a failure as a man.

Both men struggled with addiction. Danny was arrested three times for public intoxication, he said, and when his dad came to pick him up, he was as likely to weep as to become violent.

Liquor stores, as businesses, offered great risks, painful side effects and few rewards. An uncle and a grandfather lost their businesses, struggled with alcoholism and died by suicide.

For years, all Danny can recall doing was trying to reach greater states of inebriation. He tried sobriety, religion and meditation retreats. He traveled and wrote. Even after landing his dream job, working in design at Nike, he felt restless.

Employee Mark Burton, left, works the cash register as Danny Park stocks the counter baskets with food at Skid Row Peoples Market in Los Angeles.

(Allen J. Schaben / Los Angeles Times)

At work, he kept thinking about this book he was reading, Father Gregory Boyles Tattoos on the Heart, which speaks of compassion and forgiveness. In his spare time, he volunteered at a soup kitchen.

When his father contracted cancer and died in 2018, it felt like a sign. Danny quit his job at Nike and took over the store.

For the first time in his life, he felt as if he was where he was supposed to be. He had found peace with his father before he died, and wrote about it in a June 2018 Facebook post:

Growing up my dad would every once in awhile tell me its okay for you to cry. If you need to cry, go take time to yourself and cry. And when youre ready, come back. Come back, ready and strong.

Best Market became Skid Row Peoples Market on an overcast morning in 2018. Danny and the staff painted the store a cheerful yellow, though the landlord repainted it in beige to match the rest of the building.

Down came the all-caps RIGHT TO REFUSE SERVICE and NO REFUNDS signs and up went inspiring words (Joy is an act of resistance) and quotes such as How can we truly be sovereign people if we cannot feed and nourish ourselves?

A woman and a man lie on the sidewalk outside the entrance of Skid Row Peoples Market. Danny Park sees the homeless crisis outside his doors in terms of sickness and a struggle for health in mind and body.

(Francine Orr / Los Angeles Times)

Danny imagined creating a space where he could apply the knowledge gained from a life of trauma and addiction, a place that would be a member of the community and take on the communitys problems.

He sees the homeless crisis outside his doors in terms of sickness and a struggle for health in mind and body. So the best way he can describe what hes trying to do inside the store is thus: to offer medicine in the form of healthful food, kindness, a creative outlet, a supportive work environment or whatever else the day calls for.

We look at these societal problems as failures of individuals, but its not that way, Danny said. Its all an ecological relationship. We are all this one web of light, this collective organism.

Can an open heart find solutions that a police baton and ballot box cannot? Can small interactions at the store stop a disagreement, a fight, a bullet? Save a life?

Danny doesnt know, but he wants to find out.

So whatever the problem, the staff tries to help or at least listen. Sometimes its a phone charge, an address to receive mail, or some advice from the staff, who know the neighborhoods maze of public assistance programs. Some aspiring artists display their work on spare patches of wall, and theres a community bulletin board that anyone can use.

May Park, 67, speaks with a customer in a wheelchair as she works at Skid Row Peoples Market. She was the one who first showed Danny that a store and its customers can be a community.

(Francine Orr/Los Angeles Times)

Jin Kim, 68, restocks shelves at Skid Row Peoples Market. The store tries to be a refuge of civility and safety in a place where both are in short supply.

(Francine Orr / Los Angeles Times)

But most of all, the store tries to be a refuge of civility and safety in a place where both are in short supply. And the key to that has been Dannys mother, May, and the stores best-known employee, Mark Burton.

May, 67, who shares a ready smile beneath a spray of salt-and-pepper curls, was the one who first showed Danny that a store and its customers can be a community, back when he was small and spent evenings on a stool in the corner.

She treated customers with the care reserved for families, until friendly customers outnumbered the troublemakers. Now even the troublemakers are wrapped around her finger.

Good morning, Mrs. Park, said a thin man in sweats and a durag on a recent weekday. I like your outfit today.

May, in a classy polka dot dress, smiled through her mask.

Over by the door, Burton was holding court as he downed an energy drink. Burton, 35, is a micro-local celebrity who works the register and hands out change with jokes. He stands 6 feet tall and then some, and hes often wearing cornrows, shorts and scrupulously white Nikes.

Employee Mark Burton, 35, looks out over skid row while waiting for customers. He a micro-local celebrity who works the register and hands out change with jokes. He knows everyones name and lectures patrons who end up admitting that they should know better.

(Allen J. Schaben / Los Angeles Times)

Cant wait to get the day started, Burton said. Its gonna be a good day.

He sang the chorus to the R&B song Slow Down to a customer who rushed out and left his groceries at the counter, prompting a snort of laughter. He teases people about their sneakers and commiserates with people about life on skid row.

I realize Im lucky, he said. I get to come to work and have a job. Not everyone gets that.

Burton has lived in skid row for nearly a decade, and he was a regular at the store. One day, a fight broke out while he waited in line. Fights were nothing new to him, so he paid and left. But that day, he turned around.

And all of a sudden, he recalled, I was breaking up the fight and pulled the guy off the other guy.

Once he got to know Danny and his family, he found they had far more in common than he realized.

People, they dont understand and nor do they have the respect to understand. They think these guys are rich, but they take the bus here, Burton said. Were all suffering here, the customers, the staff, even Danny.

Burton knows everyones name. He can throw down a lifetime ban without rancor. He lectures customers who end up admitting that they should know better. He can sense when trouble is brewing and can eject misbehaving customers with just two words: No. Out.

But whenever a customer needs a favor or some special consideration, its Dannys decision. Perhaps a customer is hungry but has no money to buy food, or needs an address to apply for a job. If they can help, Danny usually says yes.

Hey, man, your soup is ready, he told a customer who borrowed some hot water for ramen.

A few minutes later, a customer in a Chicago Bulls jersey handed Burton a dollar. Danny had treated him to a Coke the other day, and he wanted to pay back the favor.

The stores goodwill is often repaid, Danny said. In a crinkled spiral notebook under the register, he has a rudimentary micro-loan program in which customers who are respectful are allowed to run a tab if theyre short a few cents. The amount they can borrow increases to almost $100 if they pay back on time, and if they are respectful.

One day, a woman named Stephanie rolled in a generator and, in a standing deal with the shop, plugged it in to recharge it. Stephanie is the blocks de facto mayor, a woman in her 50s who holds court from a tent on the corner across from Dannys store.

Shes known to some as the Harriet Tubman of skid row, helping to supply tents, food and phone charges to her neighbors. She appreciates what Danny is trying to do, but she says helping people is harder than just being kind, because kindness can run out.

I will help a person every now and then, if its one time or two times, Stephanie said. But if you keep coming back every day, gimme gimme gimme, thats no good.

One day, I asked Danny why he seemed determined to do things the hard way. Lending money to a population of largely homeless addicts cant be profitable. Nor is offering free power and water.

Is it harder? Is it actually harder? I would question that, Danny replied. Do you actually feel better when you have nicer, shinier things, or is there a kind of spiritual emptiness that comes with that?

One day a man ambled through the markets doors, playing the blues on his guitar. He offered no introduction beyond theatrically raised eyebrows and a teasing smile, and he swayed and hammed it up until people started laughing and dancing in line.

The impromptu concert doesnt help them make rent or payroll, but in some ways, it is what the employees work so hard for.

His name is Danny, said Danny, smiling proudly. Hes here like every week.

Changing his parents store has helped Danny realize that his job was not to transcend or disavow the history that has loomed over his life, but to carry it forward.

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How a skid row store faces the tensions in Black-Korean history by discussing its bleakest chapters - Los Angeles Times

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