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Monthly Archives: June 2022
M0OXO Dxpedition & IOTA QSL Management
Posted: June 5, 2022 at 2:48 am
I am away from home on vacation until the 19th June. You may get a response to your email enquiries during this period, although responses will not be as fast as usual. Please see the specific information below relating to my status during this period;
Busted/Missing Call checks will be processed as normal.Direct QSL Card requests received up to and including 1300UTC on the 31st May 2022 have all been mailed.VK9NT, 5X7W and CP6CL have not yet arrived from the Printer.
Thank you for your attention and I apologise for any inconvenience.
73 de Charles M0OXO
Conditions are up!
Quite a few Sunspots visible today. (Nikon D500 500mm F5.6)
For the moment he is running only a Dipole and Barefoot although he has imminent plans to upgrade his 6m Antenna.
E20AX/p will QRV from Samet Island (AS-107) on 15-16 May 2022. We will have 2-3 stations running simultaneously on 40-10m band for CW, SSB and FT8. 80m might be possible if space permits.
Ops include E22JTJ, HS2UPR, E25OKO, E29TGW, E25KAE, E24OYI, HS2KYA, HS3NBR, E20NKB, and E21EIC.
QSL cards will automatically be sent to all successful QSOs via the bureau.
QSL via LoTW and E21EIC
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A link across time: how shipping forecast will outlast Radio 4 long wave – The Guardian
Posted: at 2:47 am
Radio 4s shipping forecast is a national institution, with millions of listeners reassured by the thought that, somewhere out at sea, British fishers are patiently waiting by their radios to find out whether there is a gale warning in Rockall or Cromarty.
Yet the announcement that Radio 4s long wave signal will be shut down as part of the BBCs latest cuts has left many wondering how the countrys fishing fleet will cope without access to the four-times-a-day updates.
The slightly less romantic reality, according to Mike Cohen of the National Federation of Fishermens Organisations, is that his members have not needed Radio 4 for decades. Modern fishers have far more accurate devices to warn them about the wind and rain: Even the small 15-metre boats in Bridlington have satellite internet these days. Ive had video calls from people in the middle of the sea.
Yet that does not mean they are immune to the charms of Sailing By, the music that heralds the forecasts and was designed to help captains adjust their radios: That theme tune is a link to other times, other people, other places. Theres as much a fondness among fishermen for that as there is for the rest of us.
When the fishers trade body asked its members how they felt about the shipping forecast one said it acted as a link across communities, a link across time. Another added: For us it is a bygone age but for many older folk it is a reassuring connection to the past.
The BBC plans to end dedicated programming on its Radio 4 long wave frequency next year, which could mean the loss of two of the current four shipping broadcast updates. The early morning and late night forecasts will remain on FM, DAB and online broadcasts. But the loss of the long wave signal accessible far from the British mainland confirms they will essentially be nostalgia pieces, more about waking the nation up or lulling listeners to sleep.
Cohen said modern fishing boats were stuffed full of GPS equipment, chart plotters, and highly precise weather information: You can get all of this built into the technology in the wheelhouse. Fishermen want detail for exactly the spot theyre in not just a summary of the nation.
While fishers still take substantial risks every time they head out to sea, he said the reality was that the modern fishing industry is a technology-heavy job that is worlds away from the stereotype of Captain Birdseye with a souwester knitting his own kippers.
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The shipping forecast has been broadcast for more than a century but took on its current form in 1949 including most of the 31 distinctive names for nautical areas around the coast of Great Britain and Ireland. Over the decades it has been parodied, interrupted crucial moments of Test Match Special cricket coverage, and provided musical inspiration inspiring Sea Power to write the song Gale Warnings in Viking North, and giving Blur the lyric On the Tyne, Forth and Cromarty / Theres a low in the high forties on This Is a Low.
A spokesperson for the BBC said the forecast would not disappear altogether and would remain as a much-loved part of the regular Radio 4 schedule, giving listeners moments of calm in their day. The long wave signal which has been threatened before and currently relies on a small supply of metre-high historic glass valves to keep broadcasting will survive for a few more years.
Cohen suggested the general public enjoyed hearing unfamiliar placenames such as North Utsire and South Utsire coastal regions near Norway which he likened to encountering here be dragons on an ancient map: You dont see those names on a road sign. Its a bit like beating the bounds going to the edge of the nation and looking off.
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Uruguay had little problem handling Mexico. What should the USMNT expect from Edinson Cavani & Co.? – ESPN
Posted: at 2:47 am
By the time Diego Alonso's Uruguay squad arrived in Glendale, Arizona, he had come to some important conclusions about the balance of his side. After beating Mexico 3-0 at State Farm Stadium on Thursday, La Celeste can now move forward with confidence to Sunday's meeting with the United States in Kansas City, Kansas.
In two of the past three World Cups -- statistically, at least -- Uruguay have been South America's best team, remarkable given it's a nation with a population of just 3.5 million. Being so small inevitably limits their options; if they are to get the best out of their resources, they must achieve the right collective balance. And over time, a hardened group of wonderful veterans have helped haul Uruguay back to football's top table after a spell between 1994 and 2006 in which they failed to qualify for three out of four World Cups and were eliminated in the group phase the one time they did qualify.
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In 2010, they finished fifth in South America's qualifiers and had to go through the playoff to make it to South Africa -- where they announced their return to the big time by finishing fourth. Many of the players responsible for that remarkable run are still involved, but how should they be handled? Luis Suarez and Edinson Cavani have formed a magnificent front pair, but can they both still operate together? And is 4-4-2 still the team's best formation?
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Toward the end of his marathon reign, manager Oscar Washington Tabarez appeared to have decided that it was time to move on. In his last nine World Cup qualifiers, only once did the team play in a 4-4-2 formation. Suarez and Cavani took the field together away to Brazil, where Uruguay were lucky to come away with a 4-1 defeat. In came Alonso -- fresh off a futile tenure as Inter Miami's first-ever coach -- and turned the clock back. Uruguay had to win and their remaining fixtures were relatively straightforward, so he went back to a 4-4-2 set-up, pairing Suarez either with Cavani or with the emerging star, Benfica's Darwin Nunez.
Three consecutive wins took the team over the line and, interestingly, with a place in Qatar secure, Alonso tried something different in the final round, away to Chile. He started with Cavani on his own up front, ahead of a five-man midfield. It looked closer to the team that he'd use in the World Cup -- an impression confirmed by his selection against El Tri. Suarez is unavailable this time. but Alonso can call upon Nunez, plus the strength of Maxi Gomez.
There are, though, clear advantages of playing a single central striker. It allows the team to field three in the centre of midfield, which these days is playing to a new strength. Real Madrid's Federico Valverde has emerged as probably the most important member of the side, and he works well with Tottenham Hotspur's Rodrigo Bentancur. Even in the absence of Bentancur due to injury, Uruguay can play Lucas Torreira holding in front of the defence and Matias Vecino alongside Valverde in a mixed attacking/defensive role. It is a formation that makes the current Uruguay side more fluent in possession, and harder to play through.
Having one striker also frees the flanks. In Thursday's match, Uruguay effectively won the game over Mexico in the first few minutes of the second half, when a 1-0 lead was quickly turned into a 3-0 rout by two Cavani goals. The quick strikes both came from breaks down the right, where Facundo Pellistri is a gamble that has come off for Alonso. The Manchester United attacking midfielder is on loan at Alaves, where he's not seen a great deal of action. Alonso took a chance on him early this year and has been rewarded -- especially against Mexico, where his running with the ball caused untold problems. He set up the second goal, while the final strike was made by a forward burst from substitute right-back Damian Suarez.
It's true that all of Uruguay's opponents will not be as obliging as Mexico, whose formation seemed ill-equipped for the occasion. With a back three against one striker, they left themselves light in central midfield. The USMNT on Sunday can be expected to provide a stiffer test, which is exactly what Uruguay need. They have one final game in these June FIFA dates, a chance for their fans to see them in Montevideo on June 11, but opponents Jamaica have pulled out, leaving Uruguay scrambling for a replacement.
There is a chance, then, that the rescheduled opponent could produce a festive occasion more than a serious international, which adds to the importance of the match against the USMNT.
Centre-back Diego Godin will presumably play in Kansas City. The team captain was on the bench against Mexico, coming on for the last few minutes. It will be a surprise if he's left out against the USMNT, but some will be surprised if he keeps his place in Qatar. Godin is at the veteran stage of his career, and a move back to South America has not gone especially well. He has struggled to get a regular game with Brazilian champions Atletico Mineiro and could soon be on his way to Velez Sarsfield in Argentina.
Will Alonso phase him out? At the World Cup, he could certainly pair Atletico Madrid's Jose Maria Gimenez with Ronald Araujo of Barcelona. Araujo has been used at right back, but this seems like a waste. He went off injured in the first half against Mexico -- and the advantages of a genuine right back were made clear when Suarez made the forward run that set up the third goal.
Sunday's game, then, may well be an important one in the long career of Godin. He has been a rock all the way through Uruguay's reemergence. He needs a sound display against the USMNT to show that he can end his international career on a high in Qatar.
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JACKSON: Hinckley will be totally unrestricted free man – Kankakee Daily Journal
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Days of Our Lives Summer Preview: As a Major Murder Mystery Kicks Off, Who Will Be Killed? – Soaps.com
Posted: at 2:47 am
The suspect list is a mile long!
The population of Salem will temporarily expand when the Grim Reaper visits Days of Our Lives. Of course, things will quickly balance out when the scythe-wielding soul collector steals the life of a local!
Theres going to be a shocking murder that will rock all of Salem, headwriter Ron Carlivati told Soap Opera Digest in their new issue. And the suspect list is a mile long!
The one thing the scribe didnt reveal? Who would be biting the proverbial (and perhaps literal) bullet. But were pretty sure weve got that one figured out
By now, youve no doubt heard those pesky rumors that Abigail is on the chopping block, with some even going so far as to suggest that shell exit in the most dramatic fashion possible: by being beheaded! (You can read what Carlivati had to say about that here.) Even if thats the case, however, hers seems unlikely to be the death referenced in the latest tease. Why? Simple. Even if Abigail were to be murdered, the suspect list wouldnt be a mile long. Its not as if Chads wife has a slew of enemies out there plotting her demise.
More: Which Salem couple is heading for divorce court?
The same cant be said, however, for Gwen. Since first she arrived in Salem, Abigails then-secret sibling has done nothing to endear herself to the locals (or, for that matter, viewers). Youll recall that when Abby yanked the rug out from under Gwen on the day she was to marry Xander, there wasnt anybody rushing to comfort the would-be bride. Truth be told, everyone from spectators to the at-home audience was cheering the bitchy Brits downfall.
Yet Gwen isnt likely to be the murder victim, either. Rather, were guessing her fellow schemer, the dastardly Leo, is the one wholl be offed. Think about it: The bad boy, who has just a little bit too much fun raising hell to ever make it into heaven, is exactly the type to wind up ticking off one person too many. You can practically hear half of Salem telling the police, Oh, I definitely would have killed him if someone hadnt gotten there first!
More: The best and worst of May sweeps
Heck, the cops wont even have to make a suspect list, given that Leo has been walking around with the names of everyone hes trying to destroy in his pocket!
Who might actually do away with Leo? Check out our list of suspects as well as their motives!
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JON ANDERSON To Celebrate 50th Anniversary Of YES’s ‘Close To The Edge’ Album On Summer 2022 Tour – BLABBERMOUTH.NET
Posted: at 2:47 am
Legendary YES vocalist/songwriter Jon Anderson will play select shows with The Paul Green Rock Academy in summer 2022. Jon and the ensemble will be celebrating the 50th anniversary of the release of YES's classic album "Close To The Edge" by performing the LP in its entirety, along with other classics and surprises.
This Jon Anderson tour with The Paul Green Rock Academy is a resumption of the tradition started in 2005 when Jon toured with Paul Green's original School Of Rock all-stars. These early shows, over 30 in total between 2006 and 2008, were nothing short of magical, and now Anderson returns to continue that magic with a set of YES classics, deep cuts, mash-ups and solo works, all with lush arrangements featuring choral singing, horns, and all the other benefits of having a backing band with 25 young musicians.
Says Paul Green: "Having done a few of these songs in the past with Jon and my students, I couldn't wait to add them to the current show. Once we did 'Close To The Edge' and 'And You And I' on our Florida run in April, I was reminded of the magic of hearing these songs recreated by young musicians They really capture the frenetic energy of the original recordings. Then when I heard it was the 50th anniversary of the album, I just knew we had to do the whole thing. Jon agreed."
Anderson said: "There are so many wonderful moments in my musical life, and being on stage with these young teenagers performing classic YES songs makes me so happy and proud... It's a marvel and a tremendous pleasure for me. They are a joy to be with and so much fun. I am grateful, thankful and feel very blessed to be able to sing along with them. Janee and I love them all. Love and light."
Tour dates:
Jul. 07 - Plymouth, NH - The Flying Monkey Performance CenterJul. 08 - Beverly, MA - The CabotJul. 13 - Huntington, NY - The ParamountJul. 14 - Montclair, NJ - Wellmont TheaterJul. 16 - Ridgefield, CT - Ridgefield PlayhouseJul. 17 - Sugar Loaf, NY - Sugar Loaf Performing Arts CenterJul. 20 - Glenside, PA - Keswick TheatreJul. 22 - Kent, OH - The Kent StageJul. 23 - Des Plaines, IL - Des Plaines TheatreJul. 27 - Greensburg, PA - The Palace TheatreJul. 30 - Milwaukee, WI - Pabst TheaterAug. 03 - State College, PA - The State TheatreAug. 06 - Albany, NY - The Egg
Anderson co-founded YES in 1968 with bassist Chris Squire, and remained with the band until 2008, when YES replaced him with Benoit David, an Anderson sound-alike who previously fronted the YES tribute band CLOSE TO THE EDGE. David left YES in 2012 and was replaced by Jon Davison.
In July 2020, Howe told Rolling Stone that there is virtually no chance of the surviving members of YES reuniting for a tour.
"I don't think [the fans] should stay up late nights worrying about that," he said. "There's just too much space out there between people. To be in a band together or even to do another tour like 'Union' is completely unthinkable," referencing the group's 1990 "Union" LP and tour, which brought together the previous YES album's lineup (Jon Anderson, Chris Squire, Trevor Rabin, Alan White, Tony Kaye) and the then-ex-YES members' group ANDERSON BRUFORD WAKEMAN HOWE (Jon Anderson, Bill Bruford, Rick Wakeman and Steve Howe). "It was difficult when we went through that, particularly because of the personalities," Howe said. "I'm not saying any one person is to blame, but when you get a big hodgepodge like that together, it's pretty much a nightmare. We made a nightmare of possibly a good thing back in 1990. I don't think there is the stamina or the appetite for that kind of thing again."
Anderson, Wakeman and Rabin had started touring as ARW: ANDERSON, RABIN AND WAKEMAN in 2016 and then adopted the YES FEATURING JON ANDERSON, TREVOR RABIN, RICK WAKEMAN moniker shortly after the group's 2017 Rock And Roll Hall Of Fame induction.
Howe last toured with Anderson and Wakeman in 2004.
YES has released over 20 albums across its career, including its self-titled debut in 1969, "Tales from Topographic Oceans", in 1973, and its last album, "The Quest", which came out in October.
Photo credit: Deborah Anderson
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Brett Gelman on ‘Stranger Things 4,’ Channeling the ’70s, and the Holy Trinity of Comedy – GQ
Posted: at 2:47 am
Did you know when you signed on how big a role that Murray would eventually play?
I thought from the get-go that they were going to expand the character. Absolutely. The Duffers are very honest people. And so if theyre being really warm to youit just felt like this character is going to grow. Theres nothing else like this character on this show and I think he brings something that no other character is bringing.
How does your comedy background influence the flavor of the show?
My comedy background played so much into it. A lot of it is playing the script, but there was some improvisation. But Im classically trained too and so I was always a student of acting and comedy growing up. Just watching my favorite comedies. Id watch my favorite comedies three times in the same day sometimes.
What are those?
Theres the Holy Trinity, which is Mels best three: The Producers, Blazing Saddles, and Young Frankenstein. Thats to me the three funniest films of all time. Then the Marx Brothers. Peter Sellers. Eddie Murphy. The original SNL cast members. Ghostbusters. Doctor Strangelove. A Night at the Opera. Duck Soup. What was so cool about this season was how we really dipped into that 80s action-comedy aesthetic. So I was channeling my 80s heroes like the guys who were in their prime when I was a kid: Eddie, Bill Murray, Dan Aykroyd, Chevy Chase, John Candy. Tom Hanks! When I was a kid, Tom Hanks was a comedic actor. Channeling those guys but also always having Gene Wilder in my mind.
Murray does almost seem like a 70s leading man, like Gene Wilder or Richard Dreyfuss.
Those were the two that I was channeling characteristically. Whenever I play somebody, I am thinking of other actors performancesnot to mimic but to get their soul and the tone of what theyre doing. And its always been Dreyfuss and Wilder. But I will say a little bit of John Candy creeped in this season too. Theres a lot of tense laughing [big, nervous laughs]. Trying to fool the bad guys with laughterthats very John Candy.
The way that Murray freaks out is very Gene. And a lot of the were laying out the stark reality here stuff is very Dreyfuss in Jaws. Channeling that but bringing myself to it, of course. Im very influenced by the 70s aesthetic, the 70s values of acting, both in comedy and drama. Wilder was a method actor. He studied with Strasburg. And then was working with Mel. In the Holy Trinity, Gene is the Jesus of those films and Mel is God! My two favorite comedic performances of all time are Zero Mostel and Gene Wilder in The Producers. Im always thinking of those performances.
What are the 80s buddy comedies that were specifically mentioned as reference points for you and Winona this season?
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Brett Gelman on 'Stranger Things 4,' Channeling the '70s, and the Holy Trinity of Comedy - GQ
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Elvis Presley: Death facts about the King that are still unknown – PINKVILLA
Posted: at 2:47 am
Elvis Presley is considered one of the most successful cultural icons of the 20th century. He was a highly successful American singer and actor and was known for popularizing rock 'n' roll music in America. He was born on January 8, 1935, in Tupelo, Mississippi, the U.S. and was interested in music since he was a teenager.Before rising to fame, he lived a simple life with his family. Only after the family moved to Memphis, that he started his music career. After he graduated from High School in the year 1953, he began recording music.
Elvis was greatly influenced by pop and country music and acknowledged many African-American singers like Arthur Crudup.His musical influences were the gospel songs he attended at the Church, and the black R&B he heard on Beale Street when he was a teenager.
Presley started his singing career in 1954 with the famous Sun Records label in Memphis and released his first single. One year later, Elvis Presley's recording contract was sold to RCA Victor. He released his first number-one single named "Heartbreak Hotel", in 1956.
He is known for combining various genres including gospel, rock and roll, country, and blues. His performance style was a unique combination of charismatic energy and erotic sensuousness. His music included diverse genres that led him to immense success.
During the 1950s, he became an international sensation. He made music that challenged the racial and social barriers of the time, and he took on the world with a whole new era of pop culture.
In the mid-1950s, Elvis became hugely popular worldwide and his music was played on the radio all the time. He even acted in various movies and TV shows. Not just that, he also composed music for movie soundtrack albums. Some of his popular songs are: "Hound Dog", "Kentucky Rain", "Love Me Tender", "Heartbreak Hotel", "Jailhouse Rock", "All Shook Up", and so on.
Here is a list of a few movies by Elvis Presley: Loving You, King Creole, Wild in the Country, and so on.Elvis joined the military service in 1957 and took a break from music for a few years.
After he returned from serving in the military, he didn't leave music at all and recorded more albums. He starred in a lot of movies, the most popular of which was "Blue Hawaii." He even returned to the small screen with a show named 'Elvis' that became a blockbuster. Elvis Presley was the best-selling solo artist in the history of music. He received several music awards during his musical career.
Some facts about Elvis:
1. He starred in a total of 33 successful movies.
2. He was the first-ever solo performer whose concert was broadcast via satellite.
3. He has sold over one billion records, and his American sales have earned him many awards including gold, platinum, and multi-platinum.
4. He was named One of the Ten Outstanding Young Men of the Nation for 1970 by the United States Jaycees.
5. He achieved Grammy Nominations 13 times, out of which he won the Grammy 3 times.
In short, he was one of the most influential and popular icons of the twentieth century and is given the name "King of Rock 'n' Roll", or simply, "King."
Who was the wife of Elvis Presley?
Elvis got married to Priscilla Anne Wagner in 1967. They both met each other during Elvis's military career. He met her at a party in Bad Nauheim, Germany in 1959.On May 1, 1967, the couple got married in Las Vegas. The ceremony didn't feature a lot of guests and was over in a very short time. Their child, Lisa Marie, was born on February 1, 1968.Both Elvis and Priscilla however couldn't stay happy with each other for long and got divorced in 1973.
When did Elvis Presley die?
Elvis died on August 16 in 1977, at the age of 42 in Memphis, Tennessee, USA.
How did Elvis Presley die?
The death of the famous rockstar Elvis shook the world. Everybody mourned his death and the news of his demise took the world by storm.However, his death caused a lot of chaos afterward as the question of how he died was bothering everyone.
Elvis Presley's cause of death remains controversial and mysterious to date.
It is known that on August 15, 1977, Elvis was at his home in Graceland and spent his day happily with his daughter Lisa and fiance Ginger.The same day at about 10:30 pm, both Ginger and Elvis went to see his dentist as he was having tooth pain. Elvis had a personal doctor, dentist, and nurse practitioner on call 24*7.
On August 16, 1977, both of them returned to Graceland and the King waved at his fans.The same night at around 2 am, he called his physician to ask for painkillers and when he was told about the same, he took them.The same night, he called his cousin Billy and wife Jo to come over to his place and play racquetball. The request wasn't odd because they were used to visiting him at late hours. They visited Elvis's house and played racquetball for some time.
At around 4:30 am, Elvis played gospel songs and the Ballard Blue Eyes Crying in the Rain.At around 5 in the morning, Elvis went up to his bedroom and took prescription drugs given by 'Dr. Nick'. These drugs were prescribed to the King for better sleep.Despite taking the drugs, he couldn't sleep and so he took a second package of the pills. These pills were handed to him by Dr. Ricky who was on duty that day.
Elvis was eager to sleep as he had a concert to attend, but he couldn't do that, so he was desperate to bring more medications. He called his aunt and asked her to call Dr. Nick. The doctor wasn't available, however, there was a nurse who was reluctant to hand over more pills. However, she gave a smaller package of pills to his aunt that helps treat insomnia.
His daughter Lisa, was asleep in her bedroom next door.The same day at around 9:30 am, after taking three packages of pills and painkillers, Elvis went to the bathroom. It is a known fact that he suffered from constipation and so Ginger asked him not to fall asleep in the toilet. The last words of Elvis were "I won't."
After a few hours, Ginger woke up in bed and realized that Elvis Presley wasn't there. It didn't seem strange at first, but eventually, when she couldn't find him, she went looking for him. Elvis was found dead by his fiance, Ginger Alden on August 16, 1977, on the floor of his bedroom's bathroom.
Ginger immediately called out for the person on afternoon duty at the mansion. Lisa Marie immediately rushed to see what the chaos was all about. An ambulance was called and emergency services arrived.The ambulance took Elvis to the Baptist Hotel, where he was announced dead at around 3:30 pm.
Cause of Elvis's death
Elvis Presley was pronounced dead from cardiac arrhythmia. It was later known that cardiac arrest occurred due to serious drug abuse.In his autopsy report, it was revealed that he had taken many prescription drugs including antidepressants that caused his heart to stop.
Presley used to take various medications including antidepressants, sedatives, and barbiturates.
After Elvis's death, his doctor George Nichopoulos aka "Dr. Nick" was investigated over the heavy doses of drugs he prescribed to the King.He told the investigators that he began treating Elvis in 1967 and gave him over 19,000 pills.In the year 1980, the medical license of Dr. Nick was suspended for 3 months by the state of Tennessee.Dr. Nick testified that he gave Elvis these many medications because Elvis used to threaten him that if he doesn't prescribe him the medicines, he would get them from someone else.
In 1981, the doctor was charged with 11 felony counts of prescribing drugs in such a heavy dose. In 1995, he was suspended permanently by the Tennessee Board of Medical Examiners.
What is the controversy around Elvis's death?
Today, it is commonly known that Elvis died due to cardiac arrest which occurred because of the overuse of drugs prescribed by Dr. Nichopoulos.However, at the time of his death, his family wanted to keep the details of his life private.
After the death of Elvis, a private autopsy was conducted to find the cause of his death at the request of his family. The official death certificate of Elvin was released by The Chief Medical Examiner of Tennessee Jerry Francisco stating that he died of a coronary issue and that drugs were not a contributing factor to his death.
Many pathologists who were involved in the autopsy criticized the statement of Jerry Francisco and argued that the cause of death should have been attributed to cardiac arrest due to a toxic combination of medication.It seemed as if the family was trying to cover up the fact that their son used to take a heavy dosage of medication.
The autopsy request came directly from the family and the reports were sealed after the procedure. Numerous attempts were made to unseal the documents, documents unsealed, with a 1993 reopening of the investigation into Presley's death getting the physician's notes, but not the autopsy itself, released.
So, to date, no one knows for sure if he died because of a heart attack or because he used to take so many drugs.
Conclusion
Whatever the case is, the death of Elvis will always be a mystery. However, he will always be remembered by everyone for his contribution to the world of music. He was, is, and always will be the King of Rock and Roll.
Also Read: Kate Moss denies Amber Heard's claim Johnny Depp pushed her down stairs in defamation testimony
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Elvis Presley: Death facts about the King that are still unknown - PINKVILLA
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The Liberal party cannot rebuild until it rediscovers its reason to exist – The Guardian
Posted: at 2:45 am
The lesson to be learned from the rise of the teals and other fracturing of the centre-right vote in Australia is that the Liberal party needs to have a clearly defined purpose if it wants to succeed.
This disintegration is not entirely without precedent. By the time the United Australia Party officially dissolved in 1945 the party had long been rudderless, its raison detre of getting the nation through the Depression with thrift and sacrifice having exhausted itself.
It was Robert Menzies who famously resurrected the fortunes of the Australian centre-right, but he did not do it by establishing a broad church. While it was certainly meant to have a broad appeal ranging from salary earners, shopkeepers, skilled artisans, professional men and women, farmers and so on, Menzies explicitly founded what he called a party with a philosophy.
Recently in the Guardian Van Badham argued that history shows that the Australian centre-right succeeds most when it appeals to the centre. However, the formation of the Liberal party represented no leftward shift from its predecessor, which after all had been formed around an ex-Labor premier of Tasmania.
The Liberal party represented a revival of Australias strongest political tradition, namely liberalism, and with it came a clear sense of direction. Menzies was tapping into something with deep roots in Australian history, so much so that by the end of the nineteenth century virtually every Australian politician called themselves liberal.
In the Australian context liberalism has conservative elements, which can often lead to confusion in definitions. By the time of federation liberals had triumphed such that defending that which existed was to conserve a liberal order. Australian liberals have always believed that freedom flourishes under our existing institutions, including parliamentary democracy and constitutional monarchy.
Australian liberalism thus contains many of the tenets of the philosophy of Edmund Burke, whom Menzies admired. During the 1940s when Menzies was giving his series of radio broadcasts made famous by the forgotten people, he quoted from Burke that a political party is a body of men united for promoting by their joint endeavours the national interest, upon some particular principle in which they are all agreed.
The concept of the broad church when it comes to the Liberal party of Australia is a legacy of John Howard, who was trying to put to bed ideological infighting which had dogged the party throughout the 1980s. But the fact that the Liberal party was led out of the wilderness by Howard rather than a Peacock says a lot.
The Australian centre-right has tended to succeed when it has a clearly defined purpose, whether that be upholding patriotism during and after the first world war, maintaining fiscal conservatism in response to our gravest economic crisis, or defending the role of free enterprise threatened by Chifleys bank nationalisation and the rise of international communism.
The Australian centre-right has failed when it becomes purposeless, like the end of the UAP or even during the 1980s, when Labor had taken up the crucial job of Reagan/Thatcher style economic reform.
Leaders who define themselves by their moderation have failed because they go out of their way to make the party pointless. Look at not just Peacocks failure, but the unexpected near defeats of 1969 and 2016. It must be remembered that Malcolm Fraser, who was electorally successful, only drifted to the left after office.
Australias unusual system of compulsory voting and compulsory preferencing does drag politics towards the centre. Australia has a long tradition of sacred cows that cannot be touched because of this, namely the Australian settlement which endured for decades, and an industrial relations system that cost Stanley Melbourne Bruce and John Howard not just their prime ministerships but their seats. One could argue that border protection has become a new settled issue in this vein.
But just because our voting system nudges politics towards the centre does not mean that centre-right parties are rewarded for leaning into this and losing their sense of direction. People need to be motivated to campaign when they dont have a union cajoling them to do so, and right-leaning preferences are far less reliable at coming back to their respective major party.
The recent wave of teal independents follows the fracturing of the UAP into multiple parties towards the end of its lifespan, but even before this it was the centre-right who introduced preferencing because of a tendency to have a multiplicity of candidates.
People who value individual freedom and personal conscience tend to herd about as well as cats. They need to be inspired and led.
Moderate Liberals are often fond of quoting Menzies as saying that Liberals were determined to be a progressive party, but what is too often forgotten is that as a visionary with a strong will Menzies would define what progress meant. He was not a weathervane pointing the direction of social and political trends beyond his control, and which actively eat away at a liberal ethos.
The centre-right will recover sooner or later, when it again finds its purpose. It is difficult to imagine that this will happen by simply chasing the teal vote.
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The Liberal party cannot rebuild until it rediscovers its reason to exist - The Guardian
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Are the Movies Liberal? – The New York Times
Posted: at 2:45 am
None of these stories can be said to reflect or advance the agenda of anything you might call the left. Mainstream American movies have, for decades, been in love with guns, suspicious of democracy, ambivalent about feminism, squeamish about divorce, allergic to abortion, all over the place on matters of sexuality and very nervous about anything to do with race.
I know there are exceptions, and Im not trying to flip the script and reveal the reactionary face of Hollywood, though its true that in the years of the Production Code (from the mid-30s until the late 60s), Hollywood upheld a fairly conservative vision of American life. Nonmarital sex was strictly policed, interracial romance completely forbidden. Crime could not pay, and the dignity of institutions had to be protected. Even in the post-Code years, what mainstream American movies have most often supplied arent critical engagements with reality, but fantasies of the status quo. The dominant narrative forms, tending toward happy or redemptive endings or, more recently, toward a horizon of endless sequels are fundamentally affirmative of the way things are. What they affirm, most of all, is consensus, an ideal of harmony that isnt so much apolitical as anti-political, finding expression not in the voting booth but at the box office.
At least since the end of World War II, the production of consensus has been integral to Hollywoods cultural mission and its business model. During the war, the studios worked closely with the military to deliver morale-boosting, mission-explaining messages to the home-front public, a collaboration that helped raise the industrys prestige and its sense of its own importance. In the postwar era, even as they faced challenges from television, the antitrust division of the Justice Department and the demographic volatility of the audience, the studios conceived their mission in universal terms. Movies were for everybody.
That article of faith has always been a hard sell in a society defined by pluralism and, perhaps more persistently than wed like to admit, by polarization. The notion that movies in the second half of the 20th century reflected a now-vanished consensus is doubly dubious. The consensus was never there, except insofar as Hollywood manufactured it. Perhaps more than any other American institution, Hollywood worked to foster agreement, to imagine a space within the theater walls and on the screen where conflicts could be resolved and contradictions wished away. In the westerns, the cowboys fought the Indians, the ranchers battled the railroads, and the sheriffs shot it out with the outlaws. But the outcome of those struggles was the pacification of the frontier and the advance of a less violent, more benevolent civilization. In the dramas of racial conflict, Sidney Poitier and an avatar of intolerance (Tony Curtis, Spencer Tracy, Rod Steiger) found common ground in the end.
This wasnt propaganda in the usual sense, but rather an elaborate mythos, a reservoir of stories and meanings that didnt need to be believed to be effective. Weve always known that movies arent real we like to insist that watching them is a kind of dreaming and thats partly why we love them so much.
By we I mean the movie audience, a collective that for a long time implied a parallel form of citizenship, a civic identity with its own ideology. The best cultural history of American movies, by the critic and scholar Robert Sklar, is called Movie-Made America. The corollary to that title, and one of Sklars arguments, is that moviegoing made Americans.
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