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Monthly Archives: June 2022
Explore astronomy at Jodrell Banks First Light Pavilion in Cheshire – Wallpaper*
Posted: June 9, 2022 at 4:42 am
Explore astronomy at Jodrell Banks First Light Pavilion in Cheshire
Jodrell Bank observatory reveals the First Light Pavilion in Englands Cheshire, courtesy of architecture studio Hassell
Sat at the heart of a Unesco World Heritage Site, Cheshires Jodrell Bank in England, the First LightPavilion is quietly nestled in the green landscapes rolling hills. The site, by the small town of Macclesfield, is home to anobservatory first established in 1945 by radio astronomer Bernard Lovell, and it includes the impressive Lovell Telescope. Now, this new piece of pavilion architecture, designed by Hassell, has been added to the popular tourist destination, as a centrethat welcomes visitors who want to find out more about astronomy, science and technology at Jodrell Bankand beyond.
The pavilionaims to open up the inspirational history of Jodrell Bank by engaging visitors with the fantastic stories of its pioneering scientists and their groundbreaking feats of science and engineering, offers a Jodrell Bank statement.At the same time, its architecture, defined by gentle concrete curves, was conceived to be subtle and respond to its leafy context and the nearby, familiar forms of the Lovell Telescopeand astronomyequipment in general.
The First Light Pavilions76m-diameter dome is topped by grass, ensuring it commands a clear, yetdiscreet presence in the Jodrell Bank campus. Inside,exhibition designerCasson Mann composed a display that tells the story of the site and thescience ofthe exploration of the universe using radio waves instead of visible light. Within the exhibits, interactiveprojected animations by digital media studio Squint/Opera, in partnership with exhibition builderRealm and software developerISO, promisean informative andengaging visit for guests.
That transformational development in this quiet corner of Cheshire completely opened up humanitys understanding of the universe and allowed us to discover previously undreamt of things such as pulsars, quasars, and even the fading glow of the Big Bang, says professor Tim OBrien, associate director at theJodrell Bank Centre for Astrophysics. Jodrell Bank is host to the worlds oldest existing radio astronomy observatory, and the First Light Pavilion visitor centre celebrates this through its gentle presence and contextual nature.
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Explore astronomy at Jodrell Banks First Light Pavilion in Cheshire - Wallpaper*
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Last Call: The Fawn & the Bear – Premier Guitar
Posted: at 4:41 am
Playing acoustic guitar is an entirely different experience than playing electric. For that matter, playing an acoustic thats plugged in is entirely different from playing an acoustic acoustically. Try your normal electric go-to stuff on an acoustic and youll probably be disappointed with the results. Plug an acoustic with a pickup straight into a DI or board, and its not going to respond or sound like an acoustic in your living room.
As a guitar nerd, I disliked that whole MTVUnplugged series. Mostly it was rockers just strumming away, kumbaya-style, on a harsh-sounding, plugged-in acoustic where you hear the pickup rather than the guitar body. Unless the song was either acoustically friendly or the artist came up with a completely different interpretation of the song, like Clapton did with Layla, most acoustic covers of electric songs undermine the guitar part.
In 1978, Eddie Van Halen put his swagger, groove, and ferocious riffs on You Really Got Me, and turned a weird Kinks tune into a game-changing rock anthem. But watch their 2012 acoustic version: It sounds like a solid but unremarkable player sitting around a campfire. Eddie was a brilliant acoustic player, as Spanish Fly from Van Halens second album demonstrates, but that was Eddie doing a specific acoustic composition.
Acoustic guitar is a different animal than electric. Ergo, one of the greatest guitarists ever sounds like a mere mortal when trying to make an instrument do what it cant do. In fact, a basic electric guitar in 1978 wasnt capable of what Van Halen wanted it to do, so he built his own. But the point of Unplugged was to showcase the song more than the riff.
Most of my session work is on acoustic. I love playing acoustic sessions: low pressure. With electric sessions, you must deal with buzzy amps and scratchy pots that you only hear under the microscope of recording. Take away pedals, amps, pickups, or cables, and nothing goes wrong. Theres rarely equipment failure when youre not plugged in. But thats not the only benefit.
With electric sessions, theres pressure to wow the audience with riffs and fresh signature parts. With acoustic, its always serve-the-song and rarely look-at-me. Usually youre laying down a simple, sturdy foundation, supporting the vocals and building the bed for the electric to shred. If done well, it brings out the best in the song and the lead instruments. Acoustic sessions are probably a bit like being a pilot: smooth/simple/routine procedural bits with the occasional terrifying part where you must land a plane with a wing on fire (or play a fast bluegrass solo).
The juxtaposition of an acoustic with an electric is a tried-and-true production approach because those textures work perfectly together. Some of the most epic hard-rocking songs rock all the harder because they start with acoustic. Por ejemplo: Hearts Crazy on You, Bostons More Than a Feeling, Pink Floyds Wish You Were Here, and Bon Jovis Wanted Dead or Alive.
Its like putting something delicate and sweet, such as a tiny fawn covered in white spots, next to a grizzly bear on its hind legs. The bear and the electric guitar seem even more powerful and scary by comparison.
That said, an acoustic guitar in the right hands can sound as big and awe-inspiring as a great three-piece band in full flight. Players such as Mike Dawes, Andy McKee, and Marcin Patrzalek cover bass and lead with 6-strings, then add their percussive element by beating on the guitar. They use internal mics and reverb to get a huge drum sound that you cant pull off on a Tele or Les Paul.
On the other hand, masters of bluegrass flatpicking, like Billy Strings, Molly Tuttle, and Tony Rice, play single-note melodies that, even when unaccompanied, sound complete. For an amazing example of a hybrid approach, check out Joe Bonamassas Woke Up Dreaming. At times, its classical fingerpicking. Then its Al Di Meola-eque blazing, then a hybrid thing that really sounds like two guitar players at once. Ive listened to that track probably 20 times and I still dont know how he does it.
Then theres Tommy Emmanuel, who has everything in his bag. He does the percussive guitar-as-a-drum thing and combines it with Travis thumbpicking and break-neck flatpicking. And Jerry Reed played some of the most complex, funky guitar music ever recorded on his gut-string.
Guitar shredding predates electricity, so it all started on acoustic. Charley Patton, Lonnie Johnson, Skip James, Son House, and the Devils own, Robert Johnson (armed with a high-action wooden box with strings bought from a Sears catalog), reimagined what the instrument could do. Its a long, winding journey, but the road to rock n roll and blues was paved with acoustic guitars.
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Blondie Announce Their First Box Set, ‘Against the Odds’ – Ultimate Classic Rock
Posted: at 4:41 am
Blondie will finally release their first box set. Blondie: Against the Odds 1974-1982 is set to arrive on Aug. 26.
The new collection covers theinitial eight years of Blondie's storied career and will includenew editions of the band's first six albums, remastered from the original analog tapes and cut on vinyl at Abbey Road Studios. The set will also featuredemos, alternate versions, studio outtakes, previously unpublished photos, two volumes of liner notes, track-by-track commentary from the band members and more.Of the box's124 tracks, 36 have never been issued before.
A complete track listing can be seen below.
Multiple formats of the release are currently available for preorder, including aSuper Deluxe Collectors Edition, deluxe four- and eight-LP sets and a three-CD version.
"It really is a treat to see how far we have come when I listen to these early attempts to capture our ideas on relatively primitive equipment," Blondie singer Debbie Harry said in a press release. "Fortunately the essence of being in a band in the early '70s held some of the antisocial, counterculture energies of the groups that were the influencers of the '60s. I am excited about this special collection. When I listen to these old tracks, it puts me there like I am a time traveler. As bad as it was sometimes, it was also equally as good. No regrets. More music.
You can view an unboxing video of theSuper Deluxe Collectors Edition below.
It is amazing that after all this time, and against the odds, our Blondie archival box set will finally be released," drummer Clem Burke added. "Its been a long time coming, and we are all very happy and excited with the final results."
Ahead of the full set's release, a previously unreleased recording of Blondie's "Moonlight Drive" is available today. You can hear it below.
"I am hopeful that this project will provide a glimpse into the process and some of the journey that the songs took from idea to final form, guitarist Chris Stein said. Some of this stuff is like early sketches; the old tape machines are like primitive notebooks. The trickiest thing for me was always about getting the melodies out of my head into reality and the changes that would happen along the way."
From the moment I walked into Chris Steins barn and saw a wall of tapes, I knew we were on the precipice of something extraordinary, producer Ken Shipley said. Againstthe Odds is a treasure chest disguised as a box set.
Blondie 'Against The Odds 1974-1982' Super Deluxe Collectors Edition Track ListingThe studio albums:BlondieSide A1. "X Offender"2. "Little Girl Lies"3. "In the Flesh"4. "Look Good in Blue"5. "In the Sun"6. "A Shark in Jets Clothing"Side B1. "Man Overboard"2. "Rip Her to Shreds"3. "Rifle Range"4. "Kung Fu Girl"5. "The Attack of the Giant Ants"
Plastic LettersSide A1. "Fan Mail"2. "Denis"3. "Bermuda Triangle Blues (Flight 45)"4. "Youth Nabbed as Sniper"5. "Contact in Red Square"6. "(I'm Always Touched by Your) Presence, Dear"7. "I'm on E"Side B1. "I Didn't Have the Nerve to Say No"2. "Love at the Pier"3. "No Imagination"4. "Kidnapper"5. "Detroit 442"6. "Cautious Lip"
Parallel LinesSide A1. "Hanging on the Telephone"2. "One Way or Another"3. "Picture This"4. "Fade Away and Radiate"5. "Pretty Baby"6. "I Know But I Don't Know"Side B1. "11:59"2. "Will Anything Happen"3. "Sunday Girl"4. "Heart of Glass"5. "I'm Gonna Love You Too"6. "Just Go Away"
Eat to the BeatSide A1. "Dreaming"2. "The Hardest Part"3. "Union City Blue"4. "Shayla"5. "Eat to the Beat"6. "Accidents Never Happen"Side B1. "Die Young Stay Pretty"2. "Slow Motion"3. "Atomic"4. "Sound-A-Sleep"5. "Victor"6. "Living in the Real World"
AutoamericanSide A1. "Europa"2. "Live It Up"3. "Here's Looking at You"4. "The Tide Is High"5. "Angels on the Balcony"6. "Go Through It"Side B1. "Do the Dark"2. "Rapture"3. "Faces"4. "T-Birds"5. "Walk Like Me"6. "Follow Me"
The HunterSide A1. "Orchid Club"2. "Island Of Lost Souls"3. "Dragonfly"4. "For Your Eyes Only"5. "The Beast"Side B1. "War Child"2. "Little Caesar"3. "Danceway"4. "(Can I) Find the Right Words (to Say)"5. "English Boys"6. "The Hunter Gets Captured by the Game"
Bonus Tracks7" 45 rpm1. "Moonlight Drive"2. "Mr. Sightseer"
10" LP Outtakes & rarities ('Out in the Streets')Side A (1974 Session)1. "Out in the Streets" (1974)2. "The Disco Song"3. "Sexy Ida"Side B (Betrock Demo)1. "Platinum Blonde"2. "The Thin Line"3. "Puerto Rico"4. "Once I Had a Love" (1975)5. "Out in the Streets" (1975)
LP 1 Outtakes & rarities ('Plaza Sound')Side A1. "X Offender" (Intro)2. "X Offender" (Private Stock Single)3. "In the Sun" (Private Stock Single)4. "Little Girl Lies" (Private Stock Mix)5. "In the Flesh" (Extended Intro)6. "A Shark in Jets Clothing" (Take 2)7. "Kung Fu Girls" (Take 8)8. "Scenery"Side B1. "Denis" (Terry Ellis Mix)2. "Bermuda Triangle Blues - Flight 45" (Take 1)3. "I Didn't Have the Nerve to Say No" (Take 1)4. "I'm on E" (Take 2)5. "Kidnapper" (Take 2)6. "Detroit 442" (Take 2)7. "Poets Problem"
LP 2 Outtakes & rarities ('Parallel Beats')Side A1. "Once I Had a Love" (Mike Chapman Demo)2. "Sunday Girl" (French Version)3. "I'll Never Break Away From This Heart of Mine (Pretty Baby)"4. "Hanging on the Telephone" (Mike Chapman Demo)5. "Will Anything Happen" (Instrumental)6. "Underground Girl"Side B1. "Call Me"2. "Spaghetti Song (Atomic Part 2)"3. "Die Young Stay Pretty" (Take 1)4. "Union City Blue" (Instrumental)5. "Llamame"
LP 3 Outtakes & rarities ('Coca Cola')Side A1. "I Love You Honey, Give Me a Beer (Go Through It)"2. "Live It Up" (Giorgio Moroder Demo)3. "Angels on the Balcony" (Giorgio Moroder Demo)4. "Tide Is High" (Demo)5. "Susie & Jeffrey"Side B1. "Rapture" (Disco Version)2. "Autoamerican Ad"3. "Yuletide Throwdown"LP 4 Outtakes & rarities ('Home Tapes')Side A1. "Nameless" (Home Tape)2. "Sunday Girl" (Home Tape)3. "Theme From Topkapi" (Home Tape)4. "The Hardest Part" (Home Tape)5. "Ring of Fire" (Home Tape)Side B1. "War Child" (Chris Stein Mix)2. "Call Me" (Chris Stein Mix)3. "Heart of Glass" (Chris Stein Mix)
UCR takes a chronological look at the 100 best rock albums of the '80s.
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Zakk Wylde picks the 10 songs that have defined his career – Louder
Posted: at 4:41 am
Zakk Wylde was barely out of his teens when he became Ozzy Osbourne's guitarist, going on to help pen some of the singer's best loved songs. 35 years later and Wylde is hailed as one of metal's most iconic guitar players, his work with Ozzy and the likes of Pride & Glory and Black Label Society helping to inspire generations of musicians to pick up the instrument.
"I'm just doing what the guys before me did," he says with a smile. "Chuck Berry came out and inspired Jimi Hendrix, then Hendrix inspired people like Eddie Van Halen. The guys that came before lift you up on their shoulders so you can take playing to another level - that's how this all works.
That in mind, we asked Zakk to pick out the ten songs that best tell his story...
If were talking about the 10 songs that tell my story, wed have to start with Miracle Man as thats the first song I wrote with Oz. Hearing that on the radio the first time was pretty insane; Id never made a record before that or even been in a studio of that magnitude.
That first album was a learning experience for me, working with Keith Olson on my guitar tone. Id be playing Ronni Le Tekr from TNT, 10,000 Lovers and hed go cool, keep playing and well get that sound from you too'. We were in England and every day wed record, then go back to this pub called The Wheatsheaf, jamming and drinking from around 11 in the morning - things got pretty hilarious.
Oz and I worked on Mama Im Coming Home in my apartment, which at the time I shared with my girlfriend now wife Barbaranne. Were sitting on my piano in my apartment and we wrote it right there, but when we recorded it on record it all got converted back into guitar. Listening to the finished version of it, I remember just being like wow and then Ozzys vocal comes in and is just unbelievable. He got some great vocal melodies on that album just check out the harmonies on Time After Time.
The framework of what Ozzy does was all set by Randy Rhoads on those first two Ozzy albums. Thats the template for how an Ozzy car is made, but you can make tweaks on that design to do something different like what Jake [E. Lee, ex-Ozzy guitarist] did with Bark At The Moon. At the same time, that means something like the banjo intro to a song like Losin Your Mind would never really fit into how an Ozzy record should look or sound. Its too much of a southern rock flavouring, even if on a song like Mama I was putting a bit of a country spin on the guitars, bringing a bit of a Allman Brothers Melissa type thing into it.
I ended up doing Pride & Glory up in Seattle with Rick Parashar, the three of us me, James [LoMenzo, bass] and Brian [Tichy, drums] living in a house that he owned and using this rental car, so it was non-stop shenanigans the whole time we were there. It was fun doing so much we didnt have room to do in Ozzys stuff, like using mandolin on Lovin Woman. We didnt double the guitars or anything either it was a real power trio vibe, more like Cream approach as opposed to Ozzy where everything gets built from the ground up.
We were working on Ozzmosis when I started writing the Book of Shadows record. Wed record all day, then at night Id go over to this bar called Brews. Id be in there until four, five in the morning most days and the sun would be coming up as I was drinking. They had this great jukebox stocked with Neil Young, The Eagles, Bob Seger, the Stones classic rock, all this killer mellow stuff.
Id spend all night drinking then go back to my hotel room inspired and thats how Book Of Shadows came about. It was a singer-songwriter, James Taylor type thing while I was working on it. I loved some of the vocal melodies and the Neil Young harmonica on Between Heaven And Hell was so much fun too. I think any great musician is a reflection of the stuff they truly love and that really holds true for that album. It was cool revisiting the idea for Book Of Shadows II, 20 years later too. Well have to top that next time 25 year wait for Book Of Shadows III, ha ha.
The first Black Label Society song I ever wrote was A Spoke In The Wheel, if you can believe it. A mellow song! I was sitting in a hotel in Japan doing promotion for Book Of Shadows, just up in my room with my electric guitar. Over the years we converted that into piano, but on the record its just an acoustic and single vocal looking back on Black Label, thats where it all began.
The idea then is still the same idea today the Black Label Society soup all starts with a riff, thats the foundation of the song. The guiding lights for me are Black Sabbath, Led Zeppelin, Cream and Deep Purple. Those riffs dictate the song look at something like Smoke On The Water, or Paranoid or Sunshine Of Your Love that riff is probably the very first heavy metal riff, ever. Thats my mount riffmore.
I called Oz and asked him to do the background vocals with me for Stillborn. We did the video for it with Father Rob Zombie which was great fun too. I was just trying to write a song based off a riff and to use as few crayons as possible if I give you only three ingredients and ask you to make a meal, Im interested in seeing what you can put together.
When people go oh man, imagine if The Beatles or Jimi Hendrix had Pro Tools, wouldnt that be great? and Im just like no. The reason theyre so great is because they had so little to work with, they had to use their imaginations to bounce tracks and create something that didnt exist. If youre there and can only use two strings, I wanna hear what you can write. Stillborn was exactly that its one note, F-sharp. Thats how Ive always approached the Black Label stuff how much can you do with as little as possible?
The crazy thing about In This River is that Id written it before Dime had even passed away, it was all about life in general. We dedicate that song every night to Dime, itll never leave our sets when we do a headline show. These days we dedicate it to Dime and Vinnie, which is crazy too. But when we first wrote it, both of those guys were still with us. But after everything happened, I knew that had to be his song.
Probably the most important collab Ive ever done was joining Generation Axe. Jamming with Yngwie [Malmsteen], Steve Vai, Nuno [Bettencourt] and Tosin [Abasi] was a blast every night.
Youd hear the horror stories of the music business, especially from Yngwie and Steve whod seen the comedy and tragedy in the whole thing. Steve even said one night he was glad he put the thing together for that reason, for the pure music business comedy its like the wild west. Rolling with the fellas is a blast.
Vertigo was all about celebrating the 50th anniversary of that first Black Sabbath record. We went out on tour to play as Zakk Sabbath and when we did that, its so obvious how inspiring it is. Re-recording that whole album just reiterated to me that Black Sabbath are the Beatles of heavy metal.
We even played in Birmingham, Black Sabbaths home town, on the 50th anniversary of that album, opening with Supernaut. There are two riffs in that song and its absolutely phenomenal. Into The Void is ridiculous too Lord Iommi is the Lennon, McCartney, Bach and Beethoven of riffs.
When the pandemic hit, my wife said hey, maybe you should work on a record so when it all ends youll have something to release. I spent a month working on my little book report ready for when the guys arrived and we could actually record. For the first time, Id recorded all my parts before the guys even arrived. Theyd come round, listen to what I had, then knock it out.
I was really happy with how Farewell Ballad came out, and that I finally managed to finish it. That song has been sitting around since like 2007 or 2008; I was doing something for Guitar Techniques magazine and needed something to solo over, so I wrote that piece right there. Over the years that things has had millions of views and people doing their own versions, absolutely crushing it and doing a great job, so I figured why not actually finish the piece.
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Zakk Wylde picks the 10 songs that have defined his career - Louder
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Migraine Treatment to be discussed on Viewpoint with host Dennis Quaid – 69News WFMZ-TV
Posted: at 4:40 am
An upcoming episode will look into the prevalence of migraines and some treatment options.
MIAMI, June 9, 2022 /PRNewswire-PRWeb/ -- A currently in-development episode of Viewpoint with Dennis Quaid will feature symptom management alternatives for migraines. Foremost industry experts will provide insight into the options for treating the acute and reoccurring headaches that affect numerous lives daily. The Viewpoint team of creatives will be working closely with content providers to create the segment.
Migraine headaches can be challenging for daily life. The intense headaches that often come alongside nausea and sensitivity to light and sound can interfere with regular tasks like education, careers, and social activities. Millions of people worldwide suffer from migraines, with approximately 10 percent of children experiencing them. While there is no cure for migraines, resources are available to help manage symptoms.
Viewpoint will cover some of the treatment options available in the upcoming episode. Some of the remedies for migraine headaches are pain-relieving medications and preventative medicines. Treatment solutions depend on the frequency and severity of an individual's symptoms. Over-the-counter pain relievers, Botox, and alternative medicines are some of the common options for symptom management. A headache specialist can be resourceful in pursuing the right treatment option.
The Viewpoint with Dennis Quaid documentary series highlights a wide range of topics. Viewpoint was created to bring awareness to important issues and feature the advances in technology, medicine, and beyond that are changing the world for the better.
The Viewpoint program with host Dennis Quaid was created for educational purposes. The show is distributed to television stations nationwide. A creative team of editors and producers develops the program. Viewpoint has won multiple awards for its efforts in the educational television arena.
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Development Division, Viewpoint with Dennis Quaid, 561-244-7620, info@viewpointproject.com
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Migraine Treatment to be discussed on Viewpoint with host Dennis Quaid - 69News WFMZ-TV
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Bridge Therapy For Neuroblastoma: A Game-Changing Paediatric Cancer Treatment | TheHealthSite.com – TheHealthSite
Posted: at 4:40 am
Patients Suffering From Neuroblastoma May Benefit From Bridge Therapy
Written by Kinkini Gupta | Updated : June 9, 2022 12:31 PM IST
Neuroblastoma, a pediatric cancer that arises from immature nerve cells has a very high risk of recurrence among approximately half of the children who are already suffering from cancer. With ever-advancing medicine and technology, researchers however have discovered a new therapy called the 'bridge therapy.' A study conducted and published the journal Cancer states that patients suffering from neuroblastoma may benefit from this therapy between induction and consolidation treatments. Neuroblastoma can often be cured by surgical removal of tumors followed by chemotherapy. These patients often receive induction therapy composed of various drugs used to carry out chemotherapy and surgery. This is followed by consolidation therapy, which involves a high-dose chemotherapy and stem cell transplants. Unfortunately, these treatments, which are currently in use, have not been successful in many children.
This newly discovered therapy will include immunotherapy drugs that have demonstrated anti-neuroblastoma activity in combination with chemotherapy, radiolabeled MBIG or combinations of chemotherapeutic agents. Research suggests that this therapy could offer some benefit to cancer patients. To examine the effectiveness of this therapy, a study including the data from 201 patients diagnosed with neuroblastoma at various hospitals from 2008-2018 were taken into consideration. Some patients were treated in three groups with different approaches based on physician, institutional or family preferences. The three steps were:
This study was especially done to find out if patients are responding well to bridge therapy prior to consolidation with stem cell transplant. They found out that the following results with patients who directly underwent consolidation:
Response to induction therapy is known to increase survival rate, and the study suggests that bridge therapy prior to consolidation therapy benefits patients with high-risk neuroblastoma with a poor response to induction. Also, response to bridge therapy prior to consolidation therapy is associated with outcome, and patients with less than a partial response may benefit from alternative treatment approaches. An accompanying editorial discusses the findings and agrees that future studies of bridge therapy for patients who do not experience a favorable response following standard induction therapy are needed.
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Effect of Alpha-Lipoic Acid in the Treatment of Diabetic Neuropathy: A Systematic Review – Cureus
Posted: at 4:40 am
Diabetic neuropathy, also referred to as peripheral neuropathy, is a condition that encompasses a wide range of clinical pathologies stemming from peripheral nervous system dysfunction in diabetic patients [1]. The most prevalent presenting symptoms include numbness, tingling, and burning in the extremities, with estimates suggesting a prevalence ranging between 6% and 51% among adult patients with diabetes [2]. Although the exact cause of diabetic peripheral neuropathy is not known, several studies have proposed underlying pathophysiologies, including metabolic, neurovascular, and autoimmune mechanisms. The most widely accepted theory is the induction of oxidative stress in the mitochondria caused by hyperglycemia, which results in hyperglycemic damage. This, in turn, causes damage to the endothelial and neuronal cells, compromising oxygen and nutrient supply to the nerves [3].
Neuropathic pain is a challenge to treat, with most standard analgesics not providing sufficient pain alleviation. The management of diabetic neuropathy, therefore, is divided into four pillars and primarily focuses on addressing underlying risk factors for diabetic neuropathy: (a) pathogenetically orientated therapy, (b) symptomatic therapy, (c) near-normoglycemia, and (d) avoidance of risk factors [4], with near-normoglycemia being the primary aim of treatment. The medication route of treatment mainly incorporates antidepressants, antiepileptics, and opioids, with the first-line therapies being tricyclic antidepressants, serotonin-noradrenaline reuptake inhibitors, and anticonvulsants that target calcium channels. Topical agents, including capsaicin and lidocaine, may also be considered [5]. More recently, antioxidants, including flavonoids and alpha-lipoic acid (-lipoic acid) have been proposed as effective interventions in treating diabetic neuropathy [6].
Given the growing body of evidence concerning the role of -lipoic acid in the treatment of diabetic neuropathy, this systematic review aims to evaluate the current literature and make recommendations for further research. The focus is on symptom reduction and the incidence of adverse events following administration of -lipoic acid in this population.
Study Design
The primary objective of this systematic review is to assess the effect of -lipoic acid in the treatment of diabetic neuropathy. Several secondary objectives are also evaluated, including the incidence of adverse effects following -lipoic acid administration.
Search Strategy
This systematic review was carried out in line with the latest Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines [7], adhering to the 27-point framework of recommended steps [8]. The literature databases PubMed, Scopus, and Web of Science were searched on March 3, 2022, to extract a list of relevant literature for this review. The search terms (alpha-lipoic acid) AND (diabetic neuropathy) AND (treatment) were used, alongside their relevant synonyms. Table 1 presents the search terms used in the search strategy, as identified by the Population, Intervention, Comparison, and Outcome (PICO) framework (Table 1).
For study selection, the following inclusion criteria set the parameters for eligibility: (1) a study population composed of diabetes mellitus patients with neuropathic pain, (2) randomized controlled trials (RCTs) investigating -lipoic acid, (3) and an appropriate comparison was made in the study. Studies were excluded if they were published in a non-English language. Studies were independently identified to be included in the review by a thorough evaluation of the titles and abstracts of the results from the database searches. The final decision to include a study, however, was based on an assessment of the articles full text. The reference list of the included literature was also reviewed to discover any additional eligible trials for review. Unpublished studies, gray literature, and conference proceedings were excluded (Table 2).
Data Extraction
A data extraction form was formulated in line with the PRISMA recommendations [7]. This permitted the extraction of all relevant data from the literature included in this review. This included author(s), year of publication, patient population, intervention, comparison, study period, outcome measures, results, and any conclusions deduced based on the evidence provided regarding the administration of -lipoic acid among diabetic patients with symptoms of peripheral neuropathy.
Quality Assessment
The authors independently evaluated the quality of each trial using the evaluation form for RCTs developed by the Critical Appraisal Skills Programme (CASP) (http://casp-uk.net). The level of evidence and recommendation for use grades were deduced in line with the Oxford Centre of Evidence-Based Medicine version 2009 (http://cebm.net). The quality of evidence was downgraded if there was a strong risk of bias, imprecision in data collection methods, inconsistency in the findings, indirectness, or publication bias [9].
Identification of the Literature
Incorporation of the search strategy resulted in 759 studies deemed relevant to the objectives of this systematic review, of which eight articles met the inclusion criteria for eligibility. Figure 1 summarizes the flow of literature at each stage of the screening process, with a total of 68 full-text articles being assessed for eligibility once duplicate studies were removed and the citations were screened against the inclusion and exclusion criteria.
Data Extraction
Eight studies comprising 1,500 diabetic patients were evaluated in this systematic review. All studies followed an RCT design. An overview of the data extraction process is presented in the Appendices.
Population
The populations included in the RCTs had diabetes mellitus. Four studies (50%) exclusively investigated the implications of -lipoic acid on type 2 diabetic patients with neuropathic pain, one trial (12.5%) solely included type 1 diabetic patients, and three trials (37.5%) included both type 1 and 2 diabetic patients.
Intervention and Comparison
All trials investigated symptom reduction in diabetic patients with neuropathic pain following the prescription of -lipoic acid; however, the dosage and method of administration varied between studies. Four trials (50%) administered the intervention intravenously (IV), three trials (37.5%) administered the intervention orally, and one trial (12.5%) adopted a combination of both administration methods. The dosages of -lipoic acid administered ranged from 600 to 1,800 mg/day. The most prevalent dosage administered was 600 mg/day, with this approach being adopted in five trials (62.5%). Two trials (25%) had more than one intervention group, with each division receiving a different dose of -lipoic acid, varying from 100 to 1,200 mg/day. All trials used an inert placebo as the comparison.
Outcome
The findings observed were inconsistent with each other concerning the effectiveness of -lipoic acid in the treatment of diabetic neuropathy. Three trials (37.5%) observed a significant improvement in symptoms, including a reduction in the total symptom score (TSS), a reduction in the symptoms of autonomic neuropathy, and improvements in measures of nerve conduction. The remaining five trials (62.5%), in contrast, did not observe any notable results when compared to the baseline or the control group. Moreover, the lack of consistent data collection methods prevented a thorough comparison of the reported outcomes. All studies found -lipoic acid to be a safe and tolerable intervention, with no reported adverse effects.
Risk of Bias
The Oxford Centre of Evidence-Based Medicine risk of bias assessment is presented in Table 3, with all trials presenting high-quality evidence and moderate recommendations for use given the nature of their design. The CASP tool did not identify any areas for concern, with a low risk of bias being observed across all included studies. This represents the overall strength of this systematic review and its findings.
This systematic review aimed to evaluate the effectiveness and safety of -lipoic acid in the treatment of neuropathic pain in diabetic patients. We observed that the administration of -lipoic acid offers an alternative intervention for the treatment of diabetic neuropathy and is a safe and tolerable approach. However, significant findings were only observed in three trials included in this review, with the remaining literature failing to present any notable evidence. Hence, further trials are warranted to corroborate or contradict the hypothesis that -lipoic acid is an effective intervention for the treatment of diabetic neuropathy.
A review by Vallianou et al. proposed that -lipoic acid achieves its symptom alleviation by delaying or reversing peripheral diabetic neuropathy using its antioxidant properties. In particular, -lipoic acid increases glutathione, an endogenous antioxidant involved in antioxidant defense, nutrient metabolism, and the regulation of cellular events [18,19]. Moreover, the literature highlights that glutathione deficiency contributes to oxidative stress, which plays a crucial role in the pathogenesis of diabetic neuropathy [20]. However, the literature does suggest that the effect of -lipoic acid is greater when used with conventional treatment. A trial by Karalis et al. investigating the effect of -lipoic acid as a combination treatment on diabetic peripheral neuropathy in 148 type 2 diabetics provided evidence in this respect. The peripheral neuropathy development score significantly decreased among all participants following the administration of a combination of treatments, including -lipoic acid at 600 mg/day, gliclazide, sodium-glucose-linked transporter 2 inhibitors, metformin, and glucagon-like peptide 1 analogs. Treatment was monitored over eight months. Collectively, these findings highlight the beneficial impact of -lipoic acid when used as part of a combination regime in patients with type 2 diabetes experiencing neuropathic pain [21].
Han et al. conducted a systematic review and meta-analysis of RCTs that investigated nerve conduction in diabetic patients with peripheral neuropathy. The findings of this review supported and corroborated the evidence presented in our review, observing significant improvements in only a handful of the included studies. Moreover, this review also reported on the lack of consistent methodologies and poor methodological quality, which resulted in weak evidence being presented [22].
Despite the strengths of this review, such as only including RCTs, there were several limitations that must be considered. First, we exclusively investigated the implications of -lipoic acid as a standalone treatment for diabetic neuropathy, excluding any trial that incorporated this intervention as a combination treatment. This may provide a rationale for the limited evidence observed concerning the sole beneficial effect of -lipoic acid on neuropathic pain. Previous trials, such as that of Wang et al., found significant improvements in diabetic peripheral neuropathy symptoms when -lipoic acid was combined with epalrestat [23]. Future reviews should consider this limitation and compare the patient outcomes of -lipoic acid alone and in combination with current treatments for diabetic neuropathy. Second, the lack of consistent data collection methods across the included trials negated a meta-analysis from being conducted; hence, we were unable to quantitively evaluate the effect of -lipoic acid on the occurrence of diabetic neuropathy.
Based on the majority of evidence from this systematic review, we conclude that the use of-lipoic acid alone provides no significant improvement in the treatment of neuropathic pain among diabetic patients. However, it is considered a safe and tolerable treatment option that may result in some neuropathic symptomatic reduction. Further future trials could incorporate this intervention as a combination with current treatments for diabetic neuropathy considering its notable efficacy and good safety profile.
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Effect of Alpha-Lipoic Acid in the Treatment of Diabetic Neuropathy: A Systematic Review - Cureus
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World-renowned Health Experts to gather in London at Integrative and Personalised Medicine 2022 Congress – Pressat
Posted: at 4:39 am
The largest event in the UK to focus on the benefits of a healthcare system that combines conventional medical treatment with integrative complementary methods attracts world-renowned speakers and doctors, therapists and complementary health practitioners from around the globe.
London is to host the inaugural Integrative and Personalised Medicine (IPM) 2022 congress, the largest event in the UK focusing on the benefits of a patient-centred approach to healthcare that combines conventional treatment with integrative, functional, lifestyle, holistic and complementary methods, resulting in better patient outcomes.
Taking place in-person at the Queen Elizabeth II Centre, London, from 16th to 18th June 2022, the IPM congress features an impressive line-up of speakers including BBC presenter and author, Dr Rangan Chatterjee; scientist and author, Prof Tim Spector; and neurologist Dr David Perlmutter, recognised as one of the USAs most influential physicians.
The three-day event combines a world-class international exhibition and three conferences: the already established College of Medicines Food on Prescription conference, a new Whole-Person Health conference and an Integrative Mental Health conference. It brings together medical and health practitioners from a variety of different fields to encourage the building of a multidisciplinary approach to healthcare where all practitioners involved work together as a team.
IPM 2022 congress Chair and Chair of the College of Medicine, Dr Michael Dixon believes that, post Covid, there is a growing recognition that we need to look at a new way of approaching healthcare. He states:
Medicine, as we know it, is no longer affordable or sustainable, nor is it able to curb the increase in obesity, mental health problems, and most long-term diseases. It is now time for Integrative Care to take centre stage. Combining the best of our current medicine with an approach that enhances our natural abilities to self-heal and stay healthy using lifestyle and a wider range of therapies.
It enables us to reconnect with ourselves, our patients and within our communities, and to recognise the potential of our social and physical environment to heal and enable us to live healthier and happier lives. This conference is a clarion call for Integrative and Personalised Medicine, and marks the dawn of a new era of Post Modern Medicine.
Research evidence into the health benefits of integrating different types of medical, lifestyle, holistic and complementary interventions is growing. In September 2021, the UK Government published a report on the findings of Former Chief Pharmaceutical Officer for England, Dr Keith Ridge, on over-prescribing in England. The report found that 10 percent of prescription items dispensed through primary care are either inappropriate for patients needs or that they could be better served with alternative treatments. As a consequence the College of Medicine launched its Beyond Pills initiative to reduce unnecessary drug prescribing, expand social prescribing, benefit patients' health, support patient empowerment and save money. It also benefits medical professionals, many of whom may have entered medicine to help patients recover but often find themselves in a position of symptom management that is dependent upon the culture of pills. An integrative and personalised approach to medicine provides them with additional treatment options to help their patients. The campaign will be explored in more detail during a panel discussion on day one of the conference.
Another key session of the IPMs Whole-Person Health Conference on day one, focuses on ways to enable our doctors and nurses to flourish. The Whole-Person Health Conference will be chaired by Dr Elizabeth Thomson, CEO of the National Centre for Integrative Medicine, and this session includes some of the leading names in integrative, personalised, functional and holistic medicine, such as Prof Dame Clare Gerada, President of the Royal College of General Practitioners, Dame Donna Kinnair, previous Director General of the Royal College of Nursing and Vice Chair of the College of Medicine, Dr Susanna Petche, Functional Medicine Doctor and GP, and Dr Ally Jaffee, NHS Junior Dr, Co-founder Nutritank, NHS Clinical Entrepreneur & 2021 Diana Award recipient. Together they will leave Prof Dame Gerada and Dame Kinnair will lead a discussion on keeping medical professionals themselves healthy to enable them to provide quality healthcare to others. Traditionally, the medical field has faced a culture where sacrifice is prioritised over self-care, leading to severe risk of burnout, but an integrative and personalised approach to medicine, with an emphasis on self-care and wellbeing, can also support the practitioners themselves.
During the Integrative Mental Health Conference on day two, the evidence and impact of integrative medicine on mental health is explored. The event will highlight the benefits of this growing approach to mental illness management that combines nutrition, social prescribing, psychotherapy, cannabinoids, psychedelics and a range of evidence-based complementary therapies to help address the worlds growing mental health crisis.
The Food on Prescription Conference takes place on day three of the congress, marking the fourth year for the College of Medicine's annual one-day conference. It is the leading UK event on food, lifestyle and medicine, and is a must attend for all healthcare professionals, who want to know how to create a healthier future for patients and the wider community.
The incredible line-up of speakers over the three days draws on experts from the conventional and integrative fields of healthcare from around the world. In addition to the aforementioned speakers, the event welcomes Dr Dean Ornish, Doctor, Author, Researcher and Advisor and Clinical Professor of Medicine at the University of California, San Francisco; Prof Robert Thomas, consultant Oncologist at Addenbrookes and Bedford Hospital; Dr William Li, world-renowned physician, scientist and author of EAT TO BEAT DISEASE The New Science of How Your Body Can Heal Itself and Dr Aseem Malhotra, Consultant Cardiologist, best-selling author & Chair, Public Health Collaboration. The event also includes free exhibitions and workshops.
The tide change towards a more holistic approach to restoring and maintaining health is growing, particularly among younger doctors and newly trained GPs, according to Dr Dixon:
"They have a new attitude towards healthcare. They are not interested in whether something is viewed as conventional, complementary, functional or lifestyle, they are just looking at what works for their patients. Through this conference, we aim to capture that sense of hope, open-mindedness, and patient-centred care. By sharing clinical experience, knowledge and ideas, we will see the start of a new revolution that strips away the labels and focuses on whole-person, patient centred care. This congress will bring together some of the best talents, so we can pool our knowledge and resources and leave re-invigorated and inspired.
For further information and to register, visit: http://www.ipmcongress.com
The full line up of speakers can be found at http://www.ipmcongress.com/conference/speakers
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Review: At Oakland Theater Project, a play written in 1987 has a new way to say Black Lives Matter – SF Chronicle Datebook
Posted: at 4:38 am
Stanley Hunt (left) as Blood and Dane Troy as Acts in Oakland Theater Projects The Mojo and the Sayso. Photo: David Flores II / Oakland Theater Project
Its been three years to the day since Linus, a Black child, was killed by plainclothes police officers. But none of his family has been set free yet not from any physical barrier, nor from their blinding grief or righteous yet futile rage.
In Aishah Rahmans 1987 play The Mojo and the Sayso, if justice was ever a hope, it was a slim one, now long buried. The freedom the Benjamin family seeks is to love one another again.
Each character in the play, now in an Oakland Theater Project production that opened Sunday, June 5, channels his or her unrequited feeling into a false idol and tries and fails to convert the others to worship.
For Awilda (Paige Mayes), its a church led by a snake oil salesman of a pastor (Reginald Wilkins). For her husband, Acts (Dane Troy), its the car hes been building in their living room out of junkyard scraps, the car whose metal tube outline ingeniously dominates Karla Hargraves set. As Acts tinkers on the vehicle throughout the show, he might hang gears and other parts by string to the contour, almost as if hes trimming a Christmas tree or as if hes literally pinning his hopes on a castle in the air.
For the couples surviving son, Blood (Stanley Hunt), the false idol is weapons. Every shadow and rustle is a threat to him now, and brandishing a handgun or a knife isnt just his way of protecting home; its his way of being seen in it.
The poetic, probing play, directed by Ayodele Nzinga, is sharp about the ways family members can live right on top of each other without ever intersecting or seeing or hearing one another, and how sorrow and guilt and fury only further entrench that isolation. Even when the Benjamin family members finally cry out for connection with all the fire in their bellies, even as all sides want it, none can say so in a language the others understand.
But even at a mere 80 minutes, the show frequently languishes. A fight scene is so clumsily realized that its not clear if anyone on stage believes the weapon is real. Its as if the only direction the performers got was to improvise and hope for the best when that scene rolls around. And Hunts Blood aimlessly drifts about and circles the stage to the point of distraction, like a blinking light that wont turn off.
Turn your gaze instead to Mayes, whose performance here suggests shes ready for the meatiest roles on the Bay Areas most august stages. She moves with the crisp focus and expansive communicative power of a dancer. Her voice, which the script affords frequent, glorious opportunity to burst into song, can rip a hole in the air one Troys Acts can almost walk through, but not quite.
Mayes shapes each moment shes on stage with athletic prowess, intellectual precision and emotional clarity. Wherever she trains her blazing eyes, you know its the most important thing or person in the scene.
The Mojo and the Sayso needs Mayes remarkable talent and skill when, after one of the best reveals of true colors in Bay Area theater design history (the specifics must be kept vague for your full enjoyment), she must instantly give up on her beliefs in order to take her husbands hand. Together, they all leap into a dreamland that, in the magic of the show, has burst through the walls of their home.
In our own era of police violence, the plays finale reads as a special gift. One way we must insist that Black Lives Matter is to let families like the Benjamins dream impossible dreams and then pave their way to reality, if at first onstage, then everywhere else.
LThe Mojo and the Sayso: Written by Aishah Rahman. Directed by Ayodele Nzinga. Through June 26. One hour, 40 minutes. $10-$52. Flax Art & Design, 1501 Martin Luther King Jr. Way, Oakland. 510-646-1126. https://oaklandtheaterproject.org
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Amy Klobuchar shuts down Ted Cruz’s attempt to use Buffalo hearing to rant about Black Lives Matter – Salon
Posted: at 4:38 am
During a Senate Judiciary hearing on white supremacy and domestic terrorism, Sen. Ted Cruz, R-Texas, said that the "machinery of the federal government should not be used as a tool to target and persecute your political opponents."
Cruz went on to say that Democrats repeatedly attempt to "politicize acts of violence," adding that they're trying to erase the history of the KKK, which was formed "by elected Democrats" and whose leadership "was almost entirely elected Democrats" as well as the "authors of Jim Crow laws."
Cruz said that Democrats use the "white supremacy" label to attack their political opponents while at the same time "diminishing anti-Jewish violence, anti-Asian violence, violence directed at white people, violence directed at police -- my view is simple: violence is always wrong whatever your ideology, left-wing, right-wing, no wings."
Cruz then listed examples of violent attacks carried out by Black nationalists, mentioning "the violence of the antifa riots and the Black Lives Matter riots that wracked this country" in the summer of 2020. "Stores were looted, police cars were fire-bombed, people were assaulted, people were murdered," Cruz said. "My colleagues on the Democratic side of the aisle sought to excuse, sought to apologize, four even went to so far toraise moneyto bail out of jail the violent rioters committing these acts of violence."
When Cruz finished his remarks, Minnesota Democratic Sen. Amy Klobuchar said that Cruz's comments failed to mention "that the FBI reported that of the racially or ethnically motivated violent extremists ... 87 percent were white supremacists."
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