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Monthly Archives: June 2022
Offshore Wind Turbines Market : Segmented by Type ; By Application ; and Region Global Analysis of Market Size, Share & Trends for 20192020 and…
Posted: June 11, 2022 at 12:57 am
ReportLinker
Global Offshore Wind Turbines Market to surpass USD 81. 73 billion by 2030 from USD 26. 24 billion in 2020 at a CAGR of 21. 7% in the coming years, i. e. , 2021-30, Product Overview
New York, June 10, 2022 (GLOBE NEWSWIRE) -- Reportlinker.com announces the release of the report "Offshore Wind Turbines Market : Segmented by Type ; By Application ; and Region Global Analysis of Market Size, Share & Trends for 20192020 and Forecasts to 2030" - https://www.reportlinker.com/p06191972/?utm_source=GNW Offshore wind energy is the technology that allows wind turbines near the oceans and lakes to generate electricity from the wind. Offshore wind power has various advantages, including renewable energy generation. Power is produced at greater speeds onshore than onshore, which has a good impact on market development. The turbine is located at appropriate elevations to generate electrical power from wind. High wind velocity is required for complete turbines with increased capacity.
Market Highlights Global Offshore Wind Turbines market is expected to project a notable CAGR of 21.7% in 2030. Increasing the emissions of the atmosphere and offering policy incentives and tax rebates for the installation of wind towers contribute to the growth of the Offshore Wind Tower. Also, governments across different countries are also designed to stimulate a beneficial structure for their policies and regulatory system to promote renewable energy generation globally.
Global Offshore Wind Turbines: Segments Turbine segment to grow with the highest CAGR during 2020-30 Global Offshore Wind Turbines market is segmented by component into Turbine, Substructure, Electrical Infrastructure, Others. Turbines accounted for the largest portion of the global markets revenue. In addition, manufacturers of wind turbines are concentrating on developing novel and standardized products with cheap installation costs, resulting in an increase in market demand for wind turbines.
Utility segment to grow with the highest CAGR during 2020-30 Global Offshore Wind Turbines market is divided by application into Utility and Non-Utility. Over the forecast period, the utility segment is projected to expand at the fastest pace. Utility wind turbines are mounted on massive, multi-turbine wind farms connecting to the transmission system of the country. Large-scale wind infrastructure projects require various property, buildings, and other approvals, as well as effective administration of ties with the various stakeholders involved in the process. The demand growth of the utility-scale sector would be powered by the elimination of barriers to the construction of utility-scale projects
Market Dynamics Drivers Rising carbon emissions and use of renewable resources Carbon emissions in the atmosphere are rising and are one of the main anthropological causes of climate change. The key explanation for this carbon pollution is the combustion or decomposition or combustion of fossil fuels such as oil, coal, and gas. A variety of significant proposals are being required to minimize emissions, such as energy conservation at residence or on the job, the use of public transport, and renewable resources such as solar, wind, hydro, tidal, geothermal, and biomass, hence accelerating the growth of Offshore Wind Energy.
Covid-19 pandemic increases cost competitiveness The covid 19 pandemics have had an impact on the global offshore wind business, causing project delays. Europe is the most affected by the global epidemic and is considered the leading region in the offshore wind sector. The disruption in global trade has limited the construction of projects, which has resulted in increased CAPEX for the projects. According to IEA projections, the offshore wind market is expected to grow at a faster rate post-pandemic, with the average LCOE of USD 50/MWh and increased cost competitiveness being the main drivers of growth.
Restraint Limited area of application and high maintenance cost Wind turbines largely depend upon the wind velocity and therefore cannot be installed at a place where the wind speed is not high enough thus the market growth is limited by the area of application. Moreover, high setup and maintenance cost will further limit the market growth.
Global Offshore Wind Turbines: Key Players Siemens AG
Company Overview, Business Strategy, Key Product Offerings, Financial Performance, Key Performance Indicators, Risk Analysis, Recent Development, Regional Presence, SWOT Analysis
General Electric Trinity Structural Towers, Inc. ENERCON GmbH WINDAR Renovables Vestas Wind Systems A/S Shanghai Taisheng Wind Power Equipment Co. Ltd. Suzlon Energy Limited CS Wind Corporation Other Prominent Players
Global Offshore Wind Turbines: Regions Global Offshore Wind Turbines market is segmented based on regional analysis into five major regions. These include North America, Latin America, Europe, Asia Pacific, and the Middle East, and Africa. Global Offshore Wind Turbines in APAC held the largest market share in the year 2020. With development projects and government-led investments aimed at boosting industry growth, China accounted for the highest deployed production capacity. In the coming years, Chinas offshore wind energy industry will continue to expand, with the government promoting the growth of renewable energy facilities, with the goal of growing thermal power stakes and reducing pollution in the countrys power production. The success of the offshore wind energy projects in the country is likely to be decided, which will, in turn, be the driving force in the area during the prediction period.
Global Offshore Wind Turbines is further segmented by region into: North America Market Size, Share, Trends, Opportunities, Y-o-Y Growth, CAGR United States and Canada Latin America Market Size, Share, Trends, Opportunities, Y-o-Y Growth, CAGR Mexico, Argentina, Brazil, and Rest of Latin America Europe Market Size, Share, Trends, Opportunities, Y-o-Y Growth, CAGR United Kingdom, France, Germany, Italy, Spain, Belgium, Hungary, Luxembourg, Netherlands, Poland, NORDIC, Russia, Turkey, and Rest of Europe Asia Pacific Market Size, Share, Trends, Opportunities, Y-o-Y Growth, CAGR India, China, South Korea, Japan, Malaysia, Indonesia, New Zealand, Australia, and Rest of APAC Middle East and Africa Market Size, Share, Trends, Opportunities, Y-o-Y Growth, CAGR North Africa, Israel, GCC, South Africa, and Rest of MENA Global Offshore Wind Turbines report also contains analysis on:
Offshore Wind Turbines Segments: By Component Turbine Substructure Electrical Infrastructure Others By Application Utility Non-Utility Offshore Wind Turbines Dynamics Offshore Wind Turbines Size Supply & Demand Current Trends/Issues/Challenges Competition & Companies Involved in the Market Value Chain of the Market Market Drivers and Restraints Offshore Wind Turbines Market Report Scope and Segmentation
Frequently Asked Questions How big is the Offshore Wind turbine market? What is the Offshore Wind Turbines market growth? Which segment accounted for the largest Offshore Wind turbine market share? Who are the key players in the Offshore Wind turbine market? What are the factors driving the Offshore Wind turbine market?Read the full report: https://www.reportlinker.com/p06191972/?utm_source=GNW
About ReportlinkerReportLinker is an award-winning market research solution. Reportlinker finds and organizes the latest industry data so you get all the market research you need - instantly, in one place.
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First turbine installed at worlds largest floating offshore wind farm which will power oil and gas – Electrek
Posted: at 12:57 am
The first of 11 8.6 megawatt (MW) turbines has been installed at the worlds largest floating wind farm, off the Norwegian coast. Hywind Tampen is also Norways first offshore wind farm and it will power offshore oil and gas platforms.
Four wind turbines have been fully assembled by Norwegian power giant Equinor, which is developing and will operate Hywind Tampen. Its located around 140 km (87 miles) off the Norwegian coast in a water depth of between 260 and 300 meters (853 to 984 feet).
The substructures are cast in concrete and are 107.5 meters (353 feet) tall. Equinor writes:
With the turbine installed on top, 90 meters [295 feet] will be under water; the rotor has a diameter of 167 meters [548 feet] and the blades are 81.5 meters [267 feet] long.
It will also be the worlds first floating wind farm to power offshore oil and gas platforms.
The 94.6 MW, 488 million ($522 million) floating offshore wind farm will provide electricity for the Snorre and Gullfaks oil and gas fields in the Norwegian North Sea. It will cover around 35% of the five platforms annual power needs.
Equinor asserts that the wind farm will reduce the need for locally produced gas power and thus reduce annual emissions from the fields by about 200,000 tonnes of CO2, which is equivalent to emissions from 100,000 vehicles.
Hywind Tampen is scheduled to start producing power in the third quarter of 2022.
While this is a wind farm with a lot of superlatives Norways first offshore wind farm, the worlds largest offshore floating wind farm, the first worlds first floating wind farm to power offshore oil and gas platforms its tarnished by its purpose.
I initially got very excited about this news, and then felt deflated when I remembered what its going to do.
Norway is the world leader in the most electric cars per capita; its planning planning 30 GW of offshore wind by 2040. But its also Western Europes largest oil and gas producer. The petroleum sector makes up around 40% of Norways exports and 14% of its gross domestic product.
The Norwegian government says it will work to cut the countrys net emissions by 55% by 2030 from 1990 levels. Thats aligned with EU targets. But unlike its EU neighbors, Norway says its move to clean energy will be gradual and has no intention of giving up oil and gas exploration.
Norway says it will honor a plan to raise the countrys carbon tax to 2,000 Norwegian kroner ($230) per metric ton. But in April, the WWF rightly called for Norway to stop all oil and gas exploration. WWF secretary-general Karoline Andaur said:
Norway must immediately stop all new exploration for oil and gas, formulate a plan to reduce production from existing fields, and ensure that all choices made are in the best interests of the climate.
As the worlds seventh-largest exporter of CO2 emissions, we stand at a historic crossroads. Now is the time to take our rightful responsibility and contribute to emissions cuts.
The WWF is right. Norway can and must do better.
Read more: Four EU countries set a massive offshore wind target of 65 GW by 2030
Photo: Jan Arne Wold/Woldcam for Equinor
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Massachusetts group works for diversity in the offshore wind industry – Yale Climate Connections
Posted: at 12:57 am
Massachusetts is going all-in on offshore wind power. The states already working to obtain enough for a quarter of its annual electricity. And that figure is expected to grow.
As the offshore wind industry takes off, its expected to create tens of thousands of jobs.
And I think theyre a mix of different jobs. So we have to make sure that were training people up and tooling them up to be ready, says Kerry Bowie, executive director of Browning the Green Space, a group that promotes diversity, equity, and inclusion in the clean energy industry.
His organization is working with Xodus, a consulting firm, to reach out to women, people of color, and others who are underrepresented in the clean energy industry. Theyre introducing people to potential career paths and connecting them to internships and training.
So really trying to push people to those programs and let them know that they are there, Bowie says. And then were trying to come back on the backside of it and connect the folk coming out of these programs with internships, apprenticeships, and ultimately full-time employment.
That way, more people in Massachusetts will have the opportunity to get a job in the growing offshore wind industry.
Reporting credit: ChavoBart Digital Media
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Kuwait rebrands offshore platform in disputed waters – Jane’s
Posted: at 12:57 am
09 June 2022
by Andrew White
Plath's metallic mock up resembling a Boxer armored personnel carrier (APC), used to illustrate the cylindrical COMINT payload's integration on board a generic ground combat vehicle. (Plath)
Electronic warfare specialist Plath is developing a communications intelligence (COMINT) payload to assist armoured vehicles in the detection and defeat of anti-tank weapons.
Speaking to Janes, company officials described how the innovative sensor technology was being designed with new technologies to support multiple platforms on land.
Plath is conducting internal research and development to design the payload. However, company sources also confirmed Plath was seeking additional funding from the German Armed Forces.
According to Dr. Ronald M. Meixner, chief executive officer of Plath Signal Products, the new payload comprises a communications warning receiver designed to detect the electromagnetic pulse generated by the launch of anti-tank guided munitions.
Once the launch of anti-tank ammunition has been successfully identified, Meixner described how a vehicle's active protection system (APS) could then be cued to defeat the incoming round through either the deployment of soft or hard kill effects.
Meixner said that several trials have been conducted in co-operation with Rheinmetall, manufacturer of the StrikeShield APS.
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First XXL Monopile Installed at Arcadis Ost 1 – Offshore WIND
Posted: at 12:57 am
DEME Offshores installation vessel Orion has installed the first of 28 monopile foundations at the Arcadis Ost 1 offshore wind farm in the German Baltic Sea.
Manufactured by Steelwind in Germany, the foundation will carry the wind farms substation. It has a length of 110 metres, a diameter of 9.5 metres, and a weight of 2,100 tonnes, making itone of the biggest ever installed, Parkwind said.
According to DEME, the XXL monopile foundations for Parkwinds offshore wind farm are the largest ever built in Europe, with Orion being the first floating monohulled vessel able to perform these operations, speeding up installation times dramatically.
This is the first time DEMEs new installation vessel was deployed on a project, following its delivery and officially joining the companys fleet at the beginning of last month.
Bladt Industries is to deliver the complete substation for Parkwind, with Semco Maritime and ISC Engineering as key partners.
The platform is jointly developed and will be jointly operated with 50Hertz, the responsible Transmission System Operator (TSO) for connecting the offshore wind farms in the German Baltic Sea.
The turbine installation is set to take place this month viaa new methodbased on using a floating installation vessel to assemble the turbine components, which will be located onboard the deck, as well as adummy tower.
Once fully commissioned in 2023, the wind farms27 Vestas V174-9.5 MW turbineswill provide enough electricity to cover the needs of up to 300,000 German households.
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Seaway 7 Tapped For USD 500+ Million Offshore Wind Contract in Scotland – Offshore WIND
Posted: at 12:57 am
Seagreen 1 Limited has selected Seaway 7, the Renewables & Heavy Lifting business unit of Subsea 7, as a preferred supplier for the Seagreen 1A wind project offshore Scotland, with the final contract expected to be valued between USD 500 million and USD 750 million.
Seagreen 1A lies adjacent to the existing Seagreen project that Seaway 7 is currently progressing and represents approximately 500 MW of additional renewable energy generation capacity.
Seaway 7s scope of work is under final negotiation and may include the full engineering, fabrication, transport, and installation of 36 foundations; transportation and installation of the offshore substation; and the procurement and installation of inter-array cables.
Execution of the scope will be led from Seaway 7s Aberdeen office.
The project is expected to commence in 2023 with offshore work commencing in late 2024 and could be operational by 2025/26.
The timeframe and Seaway 7s selection are subject to the Seagreen 1A project securing consent and a final investment decision by SSE Renewables and TotalEnergies.
Stuart Fitzgerald, CEO Seaway 7, said: We are delighted to be continuing our successful relationship with SSE Renewables and TotalEnergies to progress the Seagreen 1A project. The project will continue to be managed from our office in Aberdeen where we are bringing over a decade of UK offshore wind expertise to Scotlands largest offshore wind project.
The value related to what Subsea 7 identified as a very large agreement is expected to be recognised in Seaway 7s backlog after final contractual terms have been agreed upon.
We are very pleased to be continuing our proactive participation in the UKs ongoing energy transition and we look forward to extending our long-term collaboration with SSE Renewables, which began in 2009 with the pioneering Greater Gabbard development and continued with Beatrice, Seagreen and Dogger Bank, John Evans, CEO Subsea 7, said.
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Rolling Stones still astonish in their first gig since the death of Charlie Watts – iNews
Posted: at 12:56 am
It had to happen sometime. Thursday nights Rolling Stones show at Anfield was their first in the UK for four years, their first in Liverpool since 1971, but most importantly, their first since the death of Charlie Watts, who spent an uninterrupted 58 years as their drummer.
The quiet man of the group, he wouldnt have been the bookies favourite to be the first of the gang to die; not given the superhuman appetites for hedonism of bandmates Keith Richards and Ronnie Wood, and not given that time appeared to briefly catch up with Mick Jagger in 2019, when a routine insurance physical flagged up the need for urgent heart surgery.
But still, Watts passing last August threatened to upend the Stones decades-long run together, and in particular, their Dylanesque commitment to annual touring since they returned to the road to mark their 50th anniversary in 2012.
His bandmates had often talked of him not just as a human metronome, but as the bedrock of the outfit, his unflappable demeanour helping to anchor things on and off the stage. And yet Watts, a life-long straight talker, knew the reality; I think they could get another drummer, he told NME in February of 2018.
And so its proved. Watts long-time understudy, Steve Jordan, was already confirmed to step in on last years run of US dates when he was first taken ill; now, hes ensconced as full-time replacement. His first UK gig in the role, last night, opened with a moving two-minute montage of Watts, and its a testament to how many years he served in the band that they were able to find so much footage of the normally stoic sticksman smiling and laughing.
And then, the opening strains of Street Fighting Man rang out, Jagger exploded down the runway in time-honoured fashion, and it was very much business as usual. The frontman took a few moments, three songs in, to pay a brief tribute to Watts, but afterwards, it was full Stones steam ahead, in a fashion that will be familiar to anybody who caught them on the UK leg of the No Filter tour in 2018; first half carefully curated odds and ends, second half sheer greatest hits.
Watts absence is conspicuous in subtler ways. Jordan is a terrific player, and one in keeping with the rest of the groups bombast; thunderous drum fills and an innate physicality define his style, which itself serves to remind us of how endearingly incongruous the un-showy Watts always was as a member of the Stones.
The left-field decision to add the 1966 deep cut Out of Time to the setlist last nights airing was its first-ever in the UK perhaps also hints at the group looking back wistfully to their formative years. Jagger, for his part, turned it into a surprisingly breezy singalong, before tipping his hat to one-time rivals The Beatles by covering I Wanna Be Your Man for the first time in 100 years. Wed been practicing Youll Never Walk Alone, he joked, but we thought wed do one by some local lads instead.
He remains the consummate showman. On last nights evidence, you begin to wonder quite what itll take to stop the Stones. Wood, the baby of the remaining three-piece core line-up at just 75, has bounced back from a battle with lung cancer, and looked as sprightly as ever as he engaged in his signature guitar-weaving with the evergreen Richards, about whom we should still worry, in terms of the kind of world were going to leave behind for him.
And then, theres Jagger, who continues to defy the understood laws of time and physiology. He was a symphony in perpetual motion last night, racing up and down a runway that reached to roughly where the centre circle would be on the Anfield pitch, his pelvis as elastic as ever, cajoling audience members half his age into matching his moves. His devout adherence to a gruelling fitness regime is well-documented, and it clearly continues to work its magic, but its worth noting that his voice, too, remains freakishly untouched by the ravages of 60 years on the road.
The second half of the set was blockbuster stuff, regardless of how many times youve heard these ones before. The highlight was Midnight Rambler, which perhaps would more accurately have been titled Bohemian Rhapsody in Blues; between Richards six-string mastery and Jaggers virtuoso harmonica playing, it encapsulates everything the pair love about the genre that first brought them together as teenagers on platform two at Dartford station in 1961.
Elsewhere, Paint It Black is still thunderous, a raw-nerve reflection of Vietnam-era tensions that, sadly, feels as relevant as ever today, as does Gimme Shelter, with its refrain of war, children, its just a shot away. They closed with (I Cant Get No) Satisfaction, which Jagger famously said he didnt still want to be singing when he was 40. Hes now 78, and looks like he could go on until hes 100.
Without Watts, they are not quite the same; not diminished, exactly, but different. Hes missed. Still, the Stones keep on rolling, into an astonishing seventh decade together as a band.
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Awards 2022 winners – The Drinks Business – The Drinks Business
Posted: at 12:56 am
We are thrilled to reveal the winners of the 2022 Drinks Business Awards, which were announced yesterday at a packed ceremony at the London Wine Fair.
The Drinks Business Awards were conceived 19 years ago to celebrate outstanding achievements in drinks in an array of categories, from on-trade champions to pioneering PR companies.
A full report on each winning person, brand and business will appear in the July issue of db, while today we bring you a list of the winners in each category, starting with our awards for the leaders in drinks design.
Best Design & Packaging for Wine
Winner:Denominationfor Wild Folk
Special commendation: Ehrmanns Winefor Beefsteak The Beast
Shortlist
Denomination for Wild Folk
Ehrmanns Winefor Beefsteak The Beast
Piccini for Pinnochi
Best Design & Packaging for Spirits
Winner: Denomination for Battery Point Single Malt Whisky
Special commendation: StrangerNature New Zealand Gin
Shortlist
Stranger & Stranger for Italicus Rosolio di Bergamotto
Denomination for Battery Point Single Malt Whisky
Stranger & Stranger for Santa Ana Gin
Stranger & Stranger for Savoia Americano Rosso
Strange Nature Gin
Best Design & Packaging for Alternative Formats
Winner: Ed Wright Creative for Laylo
Special commendation: Accolade Wines for Vino Societ
Shortlist
Accolade Wines for Vino Societ
Ed Wright Creative for Laylo
House of Canvino for Canvino
The Sparflex Award for Best English and Welsh Sparkling Wine Packaging
Winner:Coolhurst Vineyards
Special Commendation: Dunleavy for Bottom
Shorlist
Coolhurst Vineyards
Dunleavy for Bottom
Flint Vineyard
Tuffon Hall
Best launch of the Year
Winner:Dutch Barn Orchard Vodka
Special commendation: PepperBox Shiraz
Shortlist
PepperBox Shiraz
Taylors Chip Dry & Tonic/ White Port
Dutch Barn Orchard Vodka
Savoia Americano Rosso
PR Company of the Year
Winner: Phipps Relations
Shortlist
Clarion Communications
Crate Communications
May Fox Communications
Phipps Relations
Trade Campaign of the Year
Winner: Slam Communications for Alsace Wines
Consumer Campaign of the Year
Winner: The Hidden Sea for its Ocean Clean-up
Special commendation: Beefsteak for Beef up your BBQ
Shortlist
The Hidden Sea for its Ocean Clean-up
Casillero del Diablo for Worlds Greatest Thief
PinotPinot for its Toni & Guy initiative
Beefsteak for Beef up your BBQ
Phipps Relations for Majestic Wines Nationwide Cork Recycling
Social Media Campaign of the Year
Winner: FirstPour,360 Degrees of Cava
Special commendation: Master of Malt for Whisky Icons
Shortlist
Master of Malt, Whisky Icons
FirstPour,360 Degrees of Cava
Hobgoblin, Best Sipped in the Dark
Whisky Exchange, Drinks 101
Echo Falls, Perfect Night In Challenge
Drinks Event of the Year
Winner: Clarion Communications for Aldi Champagne Bar
Special commendation:Whisky Show 2021
Shortlist
Aldi Champagne Bar
Mud House x Nomadic
Whisky Show 2021
The Hidden Sea
Best Contribution to Wine and Spirits Tourism
Winner wine:The Three Drinkers in Ireland
Special commendation: The Whisky Exchange, Barbados
Shortlist
The Three Drinkers in Ireland
Cognac Frapin
The Whisky Exchange, Barbados
Independent Retailer of the Year
Winner: Drop Wines
Special commendation:Hedonism Wines
Shortlist
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Yeah Yeah Yeahs at Brixton Academy gig review: Karen O and co are back at last and as electrifying as ever – Evening Standard
Posted: at 12:56 am
Review at a glanceT
he legend of the Yeah Yeah Yeahs and their magnetic frontwoman, Karen O, has been sustained over the last decade, despite the bands hiatus from both touring and making new music. Known for bringing an explosive injection of riotous hedonism to the garage-rock revival in the noughties, it was unclear whether they could convey the same magic on their return to the stage. But be in no doubt, this band proved their credentials as some of the most electrifying performers of the present moment, as well as the past.
The element of nostalgia was felt keenly by O as she addressed the crowd at the sold-out Brixton Academy, where she last played with her band almost exactly 20 years ago. Was anybody there? she asked. You were there. You were there. Yes! she shrieked, overjoyed to be reunited with her long-parted fandom.
Breathtakingly charismatic, O leaped, head-banged and lunged through her bands greatest hits. For Heads Will Roll, disco backbeats and expansive synths provided the driving force as O whirled around the stage, activating confetti cannons with a gleeful kick. Occasionally, she would swig from a beer and spray it, geyser-like, over the audience. She sung with her trademark shrieks and whoops during the chorus of Gold Lion, backed by a soaring guitar riff from Nick Zinner and intricate drumming from Brian Chase. It wasnt always dialled up to the max, however, and there was a collective misty-eyed sigh from the audience as the band played Maps, a power ballad about love and coming to terms with its potential loss.
But there was another the reason the band have returned to the stage after all these years, aside from sensing an opportune moment of indie revival. They were also there to debut songs from their fifth album, Cool It Down, which releases later this year. Alongside two unreleased songs, they played Spitting Off the Edge of the World, a ballad where O seems fragile yet defiant in the face of the climate emergency. Clearly this is a band that is not afraid to face the modern moment head-on.
The shows close had the potential to trigger further separation anxiety for fans, but thankfully, the band returned for a stomping encore to play Date With the Night, during which O plunged her microphone into her pants before smashing it repeatedly against the stage floor. It is comforting to know that the Yeah Yeah Yeahs are back to their old tricks this time, hopefully, for good.
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How Martin Scorsese used Howlin Wolf to perfection in ‘Wolf of Wall Street’ – Far Out Magazine
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Martin Scorsese has mastered the art of the needle drop. From the use of Jumpin Jack Flash in Mean Streets to the languid piano outro of Layla in Goodfellas, Scorsese always seemed to have an innate ability to pair the perfect track to the mood of a scene.
As hes aged, however, some of those instincts have gotten slightly less sharp. For all its intoxicating drama, The Departed does start to become a parody of Scorseses style once Gimme Shelter gets played not once but twice during the film. For detractors, the overstuffed approach to Scorseses favourite songs reaches its apex in The Wolf of Wall Street, a film thats practically allergic to restraint.
The rapid changes in pace, plot, and performance make The Wolf of Wall Street a singular movie-going experience, and part of what makes the film so aggressively unique is the whiplash-inducing cuts in music. One moment, a punk rock version of The Beach Boys Sloop John B is blasting out of the speakers, and the next, its the chorus to Foo Fighters track Everlong. All genres and all styles make appearances throughout the film, but one recurring motif is pure Scorsese: the use of Howlin Wolfs Smokestack Lightning.
Like Gimme Shelter in The Departed, Smokestack Lightning makes two appearances throughout The Wolf of Wall Street, both of which come when the lines between reality and fantasy get blurred. The amount of excess on screen can be absolutely wild, but when the hedonism gets taken to the highest of highs, thats when Scorsese drops the needle on Smokestack Lighting.
The first comes when Leonardo DiCaprios Jordan Belfort has successfully built up his penny stock company into a legitimate (or semi-legitimate) Wall Street powerhouse, Stratton Oakmont. During a meeting that involves shaving heads, naked marching bands, fighting strippers, and copious amounts of public sex, the lights begin to flicker and the haunting tones of Smokestack Lightning fill the air.
Then, when Belfort is mid-air en route to his bachelor party, a sudden bit of midair turbulence sends hookers and drugs flying. As the plane jolts, the film turns to slow motion as Wolfs voice returns to underscore the impossible amounts of excess on screen. As Belfort rummages through his completely burned-out hotel room like a scene from Sodom and Gomorrah, the otherworldly sounds of Wolfs voice and harmonica are right there with him.
Perhaps The Wolf of Wall Street needed some proper Wolf representation on its soundtrack. Perhaps Scorsese felt that the song perfectly encapsulated the sounds of pure evil, from Wolfs gritty bark to the ghostly one-chord chug that never wavers. Whatever he might have been thinking, Scorsese officially made Smokestack Lightning the harbinger of doom throughout The Wolf of Wall Street.
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How Martin Scorsese used Howlin Wolf to perfection in 'Wolf of Wall Street' - Far Out Magazine
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