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Daily Archives: April 25, 2022
The MeluXina Supercomputer To Be Accessed By SES + SnT For SATCOM Optimization Tests SatNews – SatNews
Posted: April 25, 2022 at 5:16 pm
A joint team of researchers at the University of Luxembourgs Interdisciplinary Centre for Security, Reliability and Trust (SnT) and SES received early access to Luxembourgs supercomputer MeluXina to carry out tests to effectively optimize satellite performance and allocate spectrum, SES, SnT and LuxProvide have announced.
MeluXina is ranked among the top 50 installations of its kind worldwide and opens the door for innovative and advanced research methods for key sectors in Luxembourg, including space. The supercomputer is capable of executing millions of billions of calculations per second which makes it particularly attractive for research and innovation projects that require complex, combined calculations, including telecommunications and cryptology.
Resource allocation for satellite communications, including modelling and optimizing performance and radio spectrum usage for broadband satellite communications systems, are inclusive within this joint SnT-SES project. As SESs satellites deliver content and connectivity services to millions of users simultaneously, resources such as spectrum and transmission power need to be continuously allocated in the most optimal way to maximize the system performance.
As SES starts operating its fully-digital satellites SES-17 and O3b mPOWER, the companys 2Gen MEO constellation the need for intelligent automation and optimization of satellite systems has become increasingly important. SES and one of its industry partners have developed groundbreaking advancements for large-scale optimization across the firms new satellites. The addition of the computational power of MeluXina and a research partnership with SnT brings testing and modelling of various scenarios to a different level.
The SnT-SES project was selected from several national and international applications for Early Access to MeluXina, being recognized as one with the highest potential impact on society, science and the economy. LuxProvide and the MeluXina supercomputer are part of Luxembourgs data-driven innovation strategy and are accessible to all companies and organisations in the Grand Duchy and abroad.
In order to optimize the performance of our innovative, next-generation satellites, we have to use software-based systems with complex algorithms, and run hundreds of tests before our new satellite systems are operational. We are grateful for the opportunity to use the capabilities of MeluXina to generate optimization scenarios that will enable us to deliver the best service to our customers, said Ruy Pinto, Chief Technology Officer of SES. It was great to continue our partnership with SnT and further our research on space.
There is always a trade-off between complexity and performance, and when your resources are satellites in orbit it is even more important to strike the right balance. Working with SES gives our researchers the opportunity to work with cutting-edge industry solutions, like their O3b mPOWER system, ensuring our innovative research is relevant for real-world applications, said Professor Bjrn Ottersten, Director of SnT. Meluxinas computational power enabled the project team to scale up the complexity of their work, investigating optimization scenarios that would not be realistic to consider with normal computers.
We are excited to see SES, a homegrown global content and connectivity satellite leader, and SnT, one of the leading research institutions in Luxembourg, joining efforts to benefit from LuxProvides supercomputing services, said Roger Lampach, CEO of LuxProvide. High system dimensions, such as for next-generation networks and satellite systems, require computationally intensive modelling, and thats where MeluXina comes in. Computational speed, tailor made software tooling and the inhouse team expertise at LuxProvide merge together providing a unique boost to the SES and SnT research & development capabilities.
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In Barbuda, locals fight to protect a wetland and a centuries-old way of life – Equal Times
Posted: at 5:16 pm
Palmetto Point, a wetland site on the island of Barbuda, comprises mangroves, seagrass beds, tidal flats and coral reefs. It is home to endangered species such as the hawksbill and leatherback turtles, as well as the Western Hemispheres largest colony of frigate birds. Soon, they will get a new neighbour a luxury resort with a 150-room hotel, 450 residential units, a beach club, a marina and a golf course.
The marine resources of Barbuda that support livelihoods, food security and ecotourism will be negatively impacted [by the development], says John Mussington, a marine biologist and school principal based in Barbuda. And the island and its people, already quite vulnerable to climate change, will lose what is needed for adaptive strategies.
Barbuda wetland sites like Palmetto Point are essential to the lives of locals, both as a means of subsistence and as a natural defence against coastal erosion, and UN experts have warned the project could pose as a threat to Barbudans human rights.
A part of the sovereign Commonwealth nation of Antigua and Barbuda located in the Caribbean Lesser Antilles island chain, Barbudas unspoiled natural beauty is the product of a collective tenure system that has been in place since the abolition of slavery in 1834. Codified in the 2007 Barbuda Land Act, the legislation not only gives the roughly 1,800 inhabitants of the 160-square-kilometre, palm-fringed island equal rights to the land, but also allows them to democratically choose which developments come in via the democratically elected Barbuda Council, the local authority in charge of managing internal affairs.
However, since Hurricane Irma struck in 2017, destroying 90% of the islands structures and forcing a mass evacuation to Antigua, both Barbudas communal system and socio-ecological resilience have been under threat. To get the island back on its feet, Gaston Browne, Antigua and Barbudas prime minister, has pushed for private ownership in the form of foreign investments. The ocean club under construction at the Palmetto Point wetland is one such venture.
The project is led by Peace, Love and Happiness (PLH), a US company run by Patrn Tequila co-founder John Paul DeJoria; and Discovery Land Company, a real estate developer owned by the American tycoon Mike Meldman. The Barbuda Ocean Club will sprawl over 800 acres, 700 of those inside the islands only national park, which has been declared a wetland of international importance under the Ramsar Convention, an international treaty for the conservation of wetlands. Under the 99-year lease, PLH has agreed to pay US$150,000 to the Antigua and Barbuda government annually to develop the resort.
With only one seat in the House of Representatives held by the Barbuda Peoples Movement (BPM) against 15 by Prime Minister Browns Antigua Labour Party (ABLP), there was little Barbudans could do to fend off the 2016 and 2017 amendments to the Barbuda Land Act. The legislative changes not only overrode their communal system but also legitimised PLH the project.
This hasnt stopped activists and surfers from raising awareness of what has been considered both a land grab and disaster capitalism.
I had a message from someone saying a wave in the Caribbean was under threat, says British surf photographer Al Mackinnon, referring to a surf spot at Palmetto Point. He first visited the island in 2012, both to photograph surfing and to witness first-hand the pristine nature his parents had spoken highly of over the years. But it was neither the waves nor the wildlife that prompted him to get involved with efforts to save the Palmetto Point wetland from his base in the UK. As surfers, we can speak about the [damage to the] waves, he tells Equal Times. But there was also a need to amplify the message behind the locals campaign.
Wetlands are our most important terrestrial ecosystems. According to a 2021 report by Ramsars Global Wetland Outlook, nearly 4 billion people worldwide rely on wetlands for health, food and water security, giving them an estimated yearly global value of US$47.4 trillion.
Moreover, coastal wetlands sequester carbon up to 55 times faster than tropical rainforests. And yet roughly 35% of global wetlands have vanished since 1970. This has happened at a rate three times faster than forests, making wetlands the worlds most threatened ecosystem.
Mussington laments the environmental consequences of the PLH project. But he is also worried about the lack of transparency in the decision-making. Among his main concerns is an environmental impact assessment conducted in 2017, which remains concealed from local residents. This plan was developed and presented for approval to the DCA [Development Control Authority] at a time when Barbudans remained evacuated from the island and were not allowed to return, except a couple of hours per day in limited numbers to salvage personal belongings from their homes and return to Antigua, says Mussington.
He also challenges the validity of a clause in the 2017 lease agreement signed by the then Barbuda council chair stating that the government had obtained all necessary consents of the people of Barbuda. The Barbuda Land Act requires the consent of the people of Barbuda, not of the Council alone.
The PLH has pledged to ensure that at least 75% of all its employees are citizens of Antigua and Barbuda, and it must submit a recruitment report to the Labour Commissioner annually. Even though the company claims that more than a thousand local jobs will be created, its unclear whether these jobs will promote sustainable development, according to Mussington. A clause in the lease moreover states that failing to meet the quota will not constitute a breach of the agreement.
The long-term deterioration of the environment, the consequent impact on food security, and resilience to climate change have costs associated [with them], and these costs will exceed any short-term monetary gains from the PLH project, argues Mussington. The project is basically a speculative, luxury real estate sales venture, and the kinds of local jobs this supports are mainly low-paying and menial. The few high-paying jobs go to individuals which the company brings in, he said, citing a recent construction project in the Bahamas as an example.
Global Legal Action Network (GLAN), a human rights NGO providing legal assistance to the Barbuda Council, takes a similar view. For Dr Tomaso Ferrando, a Belgium-based lawyer and member of GLAN, the 75% employment clause is not foolproof.
He says the salaries workers will earn will be less than the tax breaks PLH will receive, which means the company wont really inject any money into the local economy.
People in Barbuda need money for adaptation and support for local projects run by themselves, says Ferrando. Not to be employees of billionaires.
GLAN is currently overseeing two court cases challenging local construction projects. The first was filed in 2018 and argued that the concession of Robert De Niros 2014 Paradise Found project, also on Barbuda, went against the constitution. The second, brought by John Mussington and a former Barbuda council chair, called for a halt in the construction of a new international airport due to the lack of an environmental impact assessment. Both cases were rejected by a local court for lack of standing. They have been brought to the Privy Council, the highest court of appeal for sovereign nations of the United Kingdom, and are expected to be heard this spring.
The decisions of the Privy Council are key, Ferrando says. If the Paradise Found Act is against the constitution, the same should be [true] for the subsequent reforms to the Land Act that have been voted by the government (and not the Barbudan people) to facilitate investments, causing systemic repercussions on the legality of all the investments currently going on.
Land grabs are common practice across the world. Governments and corporations often set their sights on community-owned land for natural resource extraction, or industry and tourism development. And those who hold communal lands roughly 2.5 billion people, according to a 2016 report seldom have legal rights to it, which in turn puts their own rights at risk.
In Barbuda, communal land ownership isnt just a sociopolitical framework it is a way of life locals are keen to protect even though the systems fate currently rests in the hands of a faraway court. In 2018, there was a Barbuda Council election in which Barbudans voted overwhelmingly for the party which supports the communal land system [and] which is opposed to the PLH plan, says Mussington. But that doesnt change the fact that their right to vote on who leases their land has already been undermined by the Land Act amendments, as well as a central government which, according to Mussington, is unilaterally pushing the PLH model of development on Barbuda. So much so that those opposed to the policy have been branded as economic terrorists by the prime minister.
A visit by a Ramsar wetland committee to check on the state of the wetlands is expected between April and May of this year, and the hope is that an official mission will follow, which, together with international pressure, might persuade the government to reassess the PLH project.
While hope appears to be what keeps Barbudans fighting, a clear-sighted mindset is what helps them navigate the situation. Barbudans, as Indigenous and tribal people by virtue of their special connectedness to the land and its resources, will cease to exist without their land system, explains Mussington. The PLH plan and Barbudans as a People cannot coexist. The success of one hinges on the elimination of the other.
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Visualizing the Proton through animation and film | MIT News | Massachusetts Institute of Technology – MIT News
Posted: at 5:15 pm
Try to picture a proton the minute, positively charged particle within an atomic nucleus and you may imagine a familiar, textbook diagram: a bundle of billiard balls representing quarks and gluons. From the solid sphere model first proposed by John Dalton in 1803 to the quantum model put forward by Erwin Schrdinger in 1926, there is a storied timeline of physicists trying to visualize the invisible.
Now, MIT professor of physics Richard Milner, Jefferson Laboratory physicists Rolf Ent and Rik Yoshida, MIT documentary filmmakers Chris Boebel and Joe McMaster, and Sputnik Animations James LaPlante have teamed up to depict the subatomic world in a new way. Presented by MIT Center for Art, Science & Technology (CAST) and Jefferson Lab, Visualizing the Proton is an original animation of the proton, intended for use in high school classrooms. Ent and Milner presented the animation in contributed talks at the April meeting of the American Physics Society and also shared it at a community event hosted by MIT Open Space Programming on April 20. In addition to the animation, a short documentary film about the collaborative process is in progress.
Its a project that Milner and Ent have been thinking about since at least 2004 when Frank Wilczek, the Herman Feshbach Professor of Physics at MIT, shared an animation in his Nobel Lecture on quantum chromodynamics (QCD), a theory that predicts the existence of gluons in the proton. There's an enormously strong MIT lineage to the subject, Milner points out, also referencing the 1990 Nobel Prize in Physics, awarded to Jerome Friedman and Henry Kendall of MIT and Richard Taylor of SLAC National Accelerator Laboratory for their pioneering research confirming the existence of quarks.
For starters, the physicists thought animation would be an effective medium to explain the science behind the Electron Ion Collider, a new particle accelerator from the U.S. Department of Energy Office of Science which many MIT faculty, including Milner, as well as colleagues like Ent, have long advocated for. Moreover, still renderings of the proton are inherently limited, unable to depict the motion of quarks and gluons. Essential parts of the physics involve animation, color, particles annihilating and disappearing, quantum mechanics, relativity. It's almost impossible to convey this without animation, says Milner.
In 2017, Milner was introduced to Boebel and McMaster, who in turn pulled LaPlante on board. Milner had an intuition that a visualization of their collective work would be really, really valuable, recalls Boebel of the projects beginnings. They applied for a CAST faculty grant, and the teams idea started to come to life.
The CAST Selection Committee was intrigued by the challenge and saw it as a wonderful opportunity to highlight the process involved in making the animation of the proton as well as the animation itself, says Leila Kinney, executive director of arts initiatives and of CAST. True art-science collaborations are more complex than science communication or science visualization projects. They involve bringing together different, equally sophisticated modes of making creative discoveries and interpretive decisions. It is important to understand the possibilities, limitations, and choices already embedded in the visual technology selected to visualize the proton. We hope people come away with better understanding of visual interpretation as a mode of critical inquiry and knowledge production, as well as physics.
Boebel and McMaster filmed the process of creating such a visual interpretation from behind the scenes. It's always challenging when you bring together people who are truly world-class experts, but from different realms, and ask them to talk about something technical, says McMaster of the teams efforts to produce something both scientifically accurate and visually appealing. Their enthusiasm is really infectious.
In February 2020, animator LaPlante welcomed the scientists and filmmakers to his studio in Maine to share his first ideation. Although understanding the world of quantum physics posed a unique challenge, he explains, One of the advantages I have is that I don't come from a scientific background. My goal is always to wrap my head around the science and then figure out, OK, well, what does it look like?
Gluons, for example, have been described as springs, elastics, and vacuums. LaPlante imagined the particle, thought to hold quarks together, as a tub of slime. If you put your closed fist in and try to open it, you create a vacuum of air, making it harder to open your fist because the surrounding material wants to reel it in.
LaPlante was also inspired to use his 3D software to freeze time and fly around a motionless proton, only for the physicists to inform him that such an interpretation was inaccurate based on the existing data. Particle accelerators can only detect a two-dimensional slice. In fact, three-dimensional data is something scientists hope to capture in their next stage of experimentation. They had all come up against the same wall and the same question despite approaching the topic in entirely different ways.
My art is really about clarity of communication and trying to get complex science to something that's understandable, says LaPlante. Much like in science, getting things wrong is often the first step of his artistic process. However, his initial attempt at the animation was a hit with the physicists, and they excitedly refined the project over Zoom.
There are two basic knobs that experimentalists can dial when we scatter an electron off a proton at high energy, Milner explains, much like spatial resolution and shutter speed in photography. Those camera variables have direct analogies in the mathematical language of physicists describing this scattering.
As exposure time, or Bjorken-X, which in QCD is the physical interpretation of the fraction of the protons momentum carried by one quark or gluon, is lowered, you see the proton as an almost infinite number of gluons and quarks moving very quickly. If Bjorken-X is raised, you see three blobs, or Valence quarks, in red, blue, and green. As spatial resolution is dialed, the proton goes from being a spherical object to a pancaked object.
We think we've invented a new tool, says Milner. There are basic science questions: How are the gluons distributed in a proton? Are they uniform? Are they clumped? We don't know. These are basic, fundamental questions that we can animate. We think it's a tool for communication, understanding, and scientific discussion.
This is the start. I hope people see it around the world, and they get inspired.
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Time Might Not Exist, According To Physicists And Philosophers But That’s Okay – IFLScience
Posted: at 5:15 pm
Does time exist? The answer to this question may seem obvious: of course it does! Just look at a calendar or a clock.
But developments in physics suggest the non-existence of time is an open possibility, and one that we should take seriously.
How can that be, and what would it mean? Itll take a little while to explain, but dont worry: even if time doesnt exist, our lives will go on as usual.
Physics is in crisis. For the past century or so, we have explained the universe with two wildly successful physical theories: general relativity and quantum mechanics.
Quantum mechanics describes how things work in the incredibly tiny world of particles and particle interactions. General relativity describes the big picture of gravity and how objects move.
Both theories work extremely well in their own right, but the two are thought to conflict with one another. Though the exact nature of the conflict is controversial, scientists generally agree both theories need to be replaced with a new, more general theory.
Physicists want to produce a theory of quantum gravity that replaces general relativity and quantum mechanics, while capturing the extraordinary success of both. Such a theory would explain how gravitys big picture works at the miniature scale of particles.
It turns out that producing a theory of quantum gravity is extraordinarily difficult.
One attempt to overcome the conflict between the two theories is string theory. String theory replaces particles with strings vibrating in as many as 11 dimensions.
However, string theory faces a further difficulty. String theories provide a range of models that describe a universe broadly like our own, and they dont really make any clear predictions that can be tested by experiments to figure out which model is the right one.
In the 1980s and 1990s, many physicists became dissatisfied with string theory and came up with a range of new mathematical approaches to quantum gravity.
One of the most prominent of these is loop quantum gravity, which proposes that the fabric of space and time is made of a network of extremely small discrete chunks, or loops.
One of the remarkable aspects of loop quantum gravity is that it appears to eliminate time entirely.
Loop quantum gravity is not alone in abolishing time: a number of other approaches also seem to remove time as a fundamental aspect of reality.
So we know we need a new physical theory to explain the universe, and that this theory might not feature time.
Suppose such a theory turns out to be correct. Would it follow that time does not exist?
Its complicated, and it depends what we mean by exist.
Theories of physics dont include any tables, chairs, or people, and yet we still accept that tables, chairs and people exist.
Why? Because we assume that such things exist at a higher level than the level described by physics.
We say that tables, for example, emerge from an underlying physics of particles whizzing around the universe.
But while we have a pretty good sense of how a table might be made out of fundamental particles, we have no idea how time might be made out of something more fundamental.
So unless we can come up with a good account of how time emerges, it is not clear we can simply assume time exists.
Time might not exist at any level.
Saying that time does not exist at any level is like saying that there are no tables at all.
Trying to get by in a world without tables might be tough, but managing in a world without time seems positively disastrous.
Our entire lives are built around time. We plan for the future, in light of what we know about the past. We hold people morally accountable for their past actions, with an eye to reprimanding them later on.
We believe ourselves to be agents (entities that can do things) in part because we can plan to act in a way that will bring about changes in the future.
But whats the point of acting to bring about a change in the future when, in a very real sense, there is no future to act for?
Whats the point of punishing someone for a past action, when there is no past and so, apparently, no such action?
The discovery that time does not exist would seem to bring the entire world to a grinding halt. We would have no reason to get out of bed.
There is a way out of the mess.
While physics might eliminate time, it seems to leave causation intact: the sense in which one thing can bring about another.
Perhaps what physics is telling us, then, is that causation and not time is the basic feature of our universe.
If thats right, then agency can still survive. For it is possible to reconstruct a sense of agency entirely in causal terms.
At least, thats what Kristie Miller, Jonathan Tallant and I argue in our new book.
We suggest the discovery that time does not exist may have no direct impact on our lives, even while it propels physics into a new era.
Sam Baron, Associate professor, Australian Catholic University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Hydrogen Molecule Turned Into a Quantum Sensor With Unprecedented Time and Spatial Resolutions – SciTechDaily
Posted: at 5:15 pm
In the ultrahigh vacuum of a scanning tunneling microscope, a hydrogen molecule is held between the silver tip and sample. Femtosecond bursts of a terahertz laser excite the molecule, turning it into a quantum sensor. Credit: Wilson Ho Lab, UCI
New technique enables precise measurement of electrostatic properties of materials.
Physicists at the University of California, Irvine (UCI) have demonstrated the use of a hydrogen molecule as a quantum sensor in a terahertz laser-equipped scanning tunneling microscope, a technique that can measure the chemical properties of materials at unprecedented time and spatial resolutions.
This novel technique can also be applied to the analysis of two-dimensional materials which have the potential to play a role in advanced energy systems, electronics, and quantum computers.
On April 21, 2022, in the journal Science, the researchers in UCIs Department of Physics & Astronomy and Department of Chemistry describe how they positioned two bound atoms of hydrogen in between the silver tip of the STM and a sample composed of a flat copper surface arrayed with small islands of copper nitride. With pulses of the laser lasting just trillionths of a second, the scientists were able to excite the hydrogen molecule and detect changes in its quantum states at cryogenic temperatures and in the ultrahigh vacuum environment of the instrument, rendering atomic-scale, time-lapsed images of the sample.
This project represents an advance in both the measurement technique and the scientific question the approach allowed us to explore, says co-author Wilson Ho, UCI Donald Bren professor of physics & astronomy. Credit: Steve Zylius / UCI
This project represents an advance in both the measurement technique and the scientific question the approach allowed us to explore, said co-author Wilson Ho, Donald Bren Professor of physics & astronomy and chemistry. A quantum microscope that relies on probing the coherent superposition of states in a two-level system is much more sensitive than existing instruments that are not based on this quantum physics principle.
Ho said the hydrogen molecule is an example of a two-level system because its orientation shifts between two positions, up and down and slightly horizontally tilted. Through a laser pulse, the scientists can coax the system to go from a ground state to an excited state in a cyclical fashion resulting in a superposition of the two states. The duration of the cyclic oscillations is vanishingly brief lasting mere tens of picoseconds but by measuring this decoherence time and the cyclic periods the scientists were able to see how the hydrogen molecule was interacting with its environment.
The UCI team responsible for the assembly and use of the terahertz laser-equipped scanning tunneling microscope pictured here are, from left to right, Dan Bai, UCI Ph.D. student in physics & astronomy; Wilson Ho, Bren Professor of physics & astronomy and chemistry; Yunpeng Xia, Ph.D. student in physics & astronomy; and Likun Wang and Ph.D. candidate in chemistry. Credit: Steve Zylius / UCI
The hydrogen molecule became part of the quantum microscope in the sense that wherever the microscope scanned, the hydrogen was there in between the tip and the sample, said Ho. It makes for an extremely sensitive probe, allowing us to see variations down to 0.1 angstrom. At this resolution, we could see how the charge distributions change on the sample.
The space between the STM tip and the sample is almost unimaginably small, about six angstroms or 0.6 nanometers. The STM that Ho and his team assembled is equipped to detect minute electrical current flowing in this space and produce spectroscopic readings proving the presence of the hydrogen molecule and sample elements. Ho said this experiment represents the first demonstration of a chemically sensitive spectroscopy based on terahertz-induced rectification current through a single molecule.
The ability to characterize materials at this level of detail based on hydrogens quantum coherence can be of great use in the science and engineering of catalysts, since their functioning often depends on surface imperfections at the scale of single atoms, according to Ho.
As long as hydrogen can be adsorbed onto a material, in principle, you can use hydrogen as a sensor to characterize the material itself through observations of their electrostatic field distribution, said study lead author Likun Wang, UCI graduate student in physics & astronomy.
Joining Ho and Wang on this project, which was supported by the U.S. Department of Energy Office of Basic Energy Sciences, was Yunpeng Xia, UCI graduate student in physics & astronomy.
Reference: Atomic-scale quantum sensing based on the ultrafast coherence of an H2 molecule in an STM cavity by Likun Wang, Yunpeng Xia and W. Ho, 21 April 2022, Science.DOI: 10.1126/science.abn9220
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Tripping Through the Universes – The New York Times
Posted: at 5:14 pm
Speaking over Zoom, the Daniels proclaimed themselves devoted fans of pop science and cosmology. They sent me a copy of A Vast Pointless Gyration of Radioactive Rocks and Gas in Which You Happen to Occur (A24 LLC), a collection of science and speculative writing by authors including Jorge Luis Borges and Carl Sagan, which they edited.
Needless to say, there is not just one theory of the multiverse but many, depending on the physics you adopt. For instance, the many worlds interpretation of quantum mechanics posits that whenever you make a decision say, to turn left out of your driveway instead of right the universe splits in two and continues branching at every intersection. There is a universe for every way you could turn, every way a ball could come off Aaron Judges bat, every way a cookie could crumble.
Another version of the multiverse arises from string theory, the purported theory of everything that describes elementary particles as vibrating strings of energy. Theory of Anything might be a better moniker; it turns out that the theory has at least 10^500 solutions in 11 different dimensions, each of which represents an alternate universe, perhaps with its own laws.
Still another multiverse springs from the prevailing, though not fully confirmed, theory of cosmic inflation. Thanks to a violent whoosh fueled by negative gravity at the dawn of time, an endless array of bubble or pocket universes are branching off from one another at a dizzying, exponentially increasing rate.
The Daniels described their multiverse as a combination of Many Worlds and the cosmic bubble bath implied by inflation theory. Its fun to imagine both versions, Mr. Kwan said. Both of them are pointing toward infinity or just pointing toward the unknown.
But, they added, their film is less about physics than about how physics makes you feel. If you could see alternate lives, that would be that would send you spiraling, Mr. Scheinert said. It would send any of us kind of spiraling about, like, lives you could have led and choices you could have made.
The multiverse, they said, could also be a metaphor for the attention-deficient lives weve embraced in our bubbles of social-media truth. I think our stories have to constantly be looking for ways to calm us down again or to bring us back to another version of being centered and grounded again, Mr. Kwan said.
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The Man Who Fell to Earth review: a 2022 remake that almost sees a future – Polygon
Posted: at 5:14 pm
When President Grover Cleveland pushed a button to light the 100,000 incandescent lamps at the 1893 Worlds Fair in Chicago, the luminous glow, which left attendees awestruck in the face of modernity, finally shined the world from the proverbial dark ages toward the future. In Jenny Lumet and Alex Kurtzmans Showtime limited series The Man Who Fell to Earth, a slew of tech royalty look out windows at a London skyline dazzlingly lit by quantum fusion power, capturing a similar sense of promise and wonder. This show understands the tricky balance between mystery and intrigue, madness and lucidity, progress and heartbreak. It doesnt always set its own world ablaze in the same way, but it manages to offer a hearty spark.
Based on Walter Tevis 1963 science fiction novel of the same name, the shows titular character, Faraday (Chiwetel Ejiofor), crashes from the heavens, naked, in search of water. Police pick him up, and he requests the presence of Justin Falls (Naomie Harris), a disgraced MIT graduate in quantum physics now shoveling manure in Los Alamos, New Mexico.
Faraday can barely speak. He learns by listening, then regurgitating what he hears in a spatter of phrases and obscenities that worries everyone around him. Its not the first time hell face the police. And if theres one major failing of the series, its the color-blind scenarios of Black characters interacting with cops (particularly when Faraday is acting unhinged) but surviving mostly unscathed and ignored, which requires a real suspension of disbelief.
Faraday is on a mission ordered by Thomas Newton (Bill Nighy), a once-great inventor, presently gone and barely remembered except by his heirs. Before Spencer Clay (Jimmi Simpson), a needling CIA agent, can stop him, Faraday must find Justin, the worlds expert in quantum fusion technology, so they might build a machine thatll save his planet and Earth from the ravages of climate change. But departing with Faraday on a globetrotting adventure isnt easy for Justin. For one, she doesnt know him except as a troubled stranger without personal boundaries; Faraday often says exactly whats on his mind, no matter how casually cruel or weird he sounds. She also has a young daughter, Molly (Annelle Olaleye), and an arthritic father in constant need of care and medicine, Josiah (a delightful Clarke Peters).
The Man Who Fell to Earth initially subsists on Faradays quirkiness. Ejiofor delivers a torrent of accents in a William Shatner cadence. His spasms and kinetic physical energy offer a full range of emotions that at once dole out laughs and heartache if given the chance, he wouldve made a great Doctor in Doctor Who. Simply put, this show isnt afraid to be silly: In one scene Faraday, searching for water, sticks a few feet of garden hose down his throat. In another he vomits a mountain of gold rings to pawn.
Similar to the 1976 film starring David Bowie (who was always like an alien in his own right), Lumet and Kurtzman lean toward Tevis meditations on apocalypses and human error. Enter Harris Justin, a brilliant woman hiding her genius because of a mistake she committed long ago. The emotive Harris usually provides major wattage, and she doesnt disappoint here, as she crumbles and rebuilds to craft a character whose strength resides not in her anger but her admittedly shaky moral center. Together, she and Ejiofor add immeasurable potency to a series that sometimes slows to a crawl as it dissects the various apocalyptic scenarios around us.
The adaptations themes can often leave a bad taste in your mouth too. At one point, it resorts to ableism, pitching one characters disability as a burden for their family, leading to a moment reminiscent of The Green Mile. The writers, admirably, want to make The Man Who Fell to Earth a commentary on refugees. The series, in fact, begins in the future, with a successful Faraday as a Steve Jobs-style tech master talking to an auditorium filled with fans. He proclaims himself an immigrant who will tell his story. But what are the key elements to an immigrants story? Certainly, theres the fish-out-of-water element of being a traveler in a strange land with odd customs and a difficult language barrier. But the series fails to address the political element of it in a series featuring several strata of American law enforcement. Admittedly, only four of the shows 10 episodes were screened for review, but so far, the immigrant component is reedy at best.
For all the thematic holes, the series does offer visual wonderment. Wide vistas of desert landscapes, emphasizing the repetition of desolation, imbues the rough terrain with the spirit of the unexplainable. The cinematic lighting in particular, as it cuts sharp beams through austere compositions, emphasizes the series tinge of thriller, as does the thrumming score. Tranquil waters do flow through some episodes, such as Ejiofor and Peters dueting on Papa Was a Rollin Stone (its as adorable as it sounds) as well as Faraday and Falls supporting the other, even when everyone doubts them.
An unmistakable urgency pushes The Man Who Fell to Earth not just in Faradays mission and his belief in the ends justifying the means, but the environmental criticism guiding his journey and ours. Our planet is dying. And the people in power care very little about that fact. Sooner than we think, the damage will be irreversible. Faraday comes from a world where the only way to turn back the hands of time requires him to literally travel through space and time. Why are we letting petty rivalries and grievances destroy our collective future? Most likely because were human. Its our flaw and our strength. We can reach for the future when the light shines clearest, and then smash the switch when the light reveals an uncomfortable truth.
The Man Who Fell to Earth is filled with those truths but doesnt necessarily smash the switch or even reinvent it. A narrative universe exists where the show could be weirder, more boundary-pushing. Instead, the series needs more fortifying before its thematic investments yield any firm results, but good performances melded with an eccentric tone rife for tantalizing storytelling opportunities makes it worth exploring.
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Marvel Fans Debate Who’s the Smartest Human in the MCU – We Got This Covered
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Even without superhuman enhancements, many Marvel characters have a base-level intelligence that far exceeds any mere mortal mind. Some are physicists, others are surgeons, whereas many are just brilliantly gifted. Marvel has its fair share of brainiacs, but without the advantage of godly status or otherworldly influence, who can be named the smartest human being in the universe?
Providing the choice between Tony Stark, Reed Richards, Bruce Banner, Stephen Strange, Hank Pym, Shuri, Doctor Octavius and Norman Osborn, Reddit user DrDreidel82 took to the internet in search of answers as to who the most intelligent human in the Marvel Cinematic Universe could be.
When comparing so many candidates, the decision becomes an extremely difficult one. Do you prioritize scientific smarts, technological smarts, or generalized genius? Many fans (presumably) would nominate Tony Stark at first thought, but according to Reddit, the opinions are fairly evenly split. Judging by the unanimous agreement, it seems that Reed Richards is the victor.
However, despite the resounding opinions leaning towards Richards, it comes as no surprise that Stark takes the close second. In the vast majority of comments, there seems to be a huge divide between Richards and Stark as the main favorites.
There seems to be one or two comments that sway more towards Shuri and Hank Pym as close seconds to Richards and Stark. Especially given Shuris age, she may have the edge over the older geniuses, who may have slowed in their later years. Avengers: Endgame director Joe Russo stated during a 2018 interview withWired that Shuri (Letitia Wright) fromBlack Pantheroutranks all others.
Ultimately, it all boils down to personal opinions and individual analyses of each candidates achievements in comparison with others. One could argue that Stark is resourceful and persistent, but Hank Pym created Pym Particles that enable time travel and the quantum tunnel to access the quantum realm. Likewise, Shuri created bulletproof armor, Banner (accidentally) created the Hulk, Osborn essentially invented the Green Golbin (including his gear and weapons), Octavius invented octopus arms instilled with artificial intelligence, Strange is a qualified neurosurgeon and mastered the mystic arts and Richards has created several advanced machines.
Like many debates, it all relies on perspective. If quantum physics is conceivably a more significant and impressive achievement than designing bulletproof armor, then naturally Hank Pym would have Shuri beat and so on and so forth.
Clearly, not even an official word from Marvel can quell such a debate, so expect it to rage on until the end of time (or MCU). Whichever comes first.
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Norse code: are white supremacists reading too much into The Northman? – The Guardian
Posted: at 5:13 pm
At the London premiere of The Northman in early April, the director, Robert Eggers, explained on stage how he was seeking to reclaim Viking history from rightwing groups. Many of these groups thrive on myths of an imagined European past: a time before racial mixing or progressive politics, when men were mighty warriors and women were compliant child-bearers.
As Eggers told the Observer recently, such associations almost put him off making The Northman. The macho stereotype of that history, along with, you know, the rightwing misappropriation of Viking culture, made me sort of allergic to it, and I just never wanted to go there. Eggers has spoken of his scholarly research and commitment to getting Viking history right, down to the smallest details. But as rigorous and accomplished as The Northman is, it might in fact be the kind of movie the alt-right loves.
The Northmans 10th-century society appears to be uniformly white and firmly divided along patriarchal lines. Men do the ruling and killing; women do the scheming and baby-making. Its hero, played by Alexander Skarsgrd, is not a million miles from the macho stereotype Eggers complained of a brawny warrior who settles most disputes with a sword and without a shirt. Skarsgrds love interest, played by Anya Taylor-Joy, could be the far-right males dream woman: beautiful, fair-haired, loyal to her man and committed to bearing his offspring. Even before the films release, far-right voices were giving their approval on the anonymous message board site 4chan: Northman is a based [agreeable] movie, all white cast and shows pure raw masculinity. Robert Eggers. He is restoring pride in our people with his great films. The Northman is going to be epic Hail Odin.
On the face of it, some images of Skarsgrd in The Northman bare-chested, pumped-up with battle rage, wearing a wolfs pelt as headgear are uncomfortably close to those of Jake Angeli, AKA the QAnon Shaman, the abiding mascot of the 6 January assault on the US Capitol. On that day in Washington, Angeli was similarly topless and animal-adorned, his torso bearing tattoos of Nordic symbols now associated with white-supremacist movements, including a stylised Mjlnir (Thors hammer), Ygdrasil (the world tree of Norse mythology) and the Valknut (an ancient symbol of interlocking triangles).
The far rights love of Nordic lore goes back to the Third Reich and beyond, and the connection is stronger than ever. The deadly Unite the Right rally in Charlottesville, Virginia, in 2017 was full of Nordic symbols on banners and shields. Anders Breivik, the Norwegian extremist who murdered 77 people in 2011, carved the names of Norse gods into his guns. The shooter at the 2019 massacre in Christchurch, New Zealand, drew Norse insignia on his possessions and wrote see you in Valhalla on his Facebook page.
Eggers would doubtless be horrified to be associated with such movements, but The Northman illustrates how cinema can be misappropriated in ways its makers never intended. In the past two decades, the entire cultural landscape and films about European history in particular has been weaponised and politicised by the far right.
A guide to the far-right mindset was created on Stormfront, the notorious white-nationalist site, in 2001. A contributor named Yggdrasil (there is that Norse mythology again) began a thread on content that we can watch repeatedly, laying out guidelines and making and soliciting suggestions. The thread now runs to 154 pages.
Yggdrasils criteria for what qualifies as a good white-nationalist film include: Positive portrayal of whites in defense against the depredations of liberalism, crime, and attack by alien races; Positive portrayal of heterosexual relationships and sex, marriage, procreation and child rearing; Portrayals of white males as intelligent, sensitive and strong in positive leadership roles and or romantic leads; and Particularly intense portrayals of white female beauty, in non-degrading roles. Disqualifying themes include homosexuality, racial mixing, negative portrayals of Christianity and portrayals of white people as inferior.
The Northman pretty much ticks all these boxes, but then so do many other movies. Indeed, if you are looking for a Hollywood movie to support white-supremacist beliefs, you dont have to look very far.
Some of Stormfronts film recommendations are predictable: The Birth of a Nation, Triumph of the Will, Braveheart, Zulu, a lot of Jane Austen, Shakespeare and Clint Eastwood. Few will be surprised to see The Lord of the Rings movies come highly recommended. Neither JRR Tolkien nor Peter Jackson consciously framed the fantasy epic as white-nationalist propaganda, but, as with Nordic mythology, it harks back to an imaginary Eurocentric realm in which the heroes are considered to be white-skinned (and were cast as such in the movies) and the chief enemies, the orcs, are characterised as dark-skinned, ugly and uncivilised.
Derek Black, the son of Stormfronts founder, Don Black (a prominent Ku Klux Klan leader), even started a dedicated Lord of the Rings section on the website as a teenager. I figured you could probably get people who liked such a super-white mythos a few of them are probably gonna be turned on by white nationalism, he told the New York Times in 2017 (Black renounced his white-nationalist beliefs in 2013).
More recent medieval sagas have been venerated by the far right for similar reasons. Game of Thrones, for example, also set up a dynamic of white, northern Europeans battling darker-skinned nomadic barbarians (the Dothraki), who come to be led by a pale-skinned, fair-haired woman. The far right heartily approved of Zack Snyders action epic 300, in which heroic, muscular, barely clothed Spartan warriors bravely repel an invading army of Persians. The contrast between these manly action heroes and the anonymous keyboard warriors who idolise them is difficult to ignore.
Other recommendations on Stormfronts list are more surprising, such as Notting Hill. Few would have marked the Richard Curtis romcom as a key white-nationalist text, even if it was criticised at the time for excluding people of colour from its multicultural London neighbourhood. But, from the perspective of a white-nationalist blogger, Notting Hill is a story in which the white victims of culture destruction manage to extricate themselves and find happiness.
In recent years, the far right has been more strident about movies it doesnt like, which is almost everything. On social media and chatrooms such as 4chan and Reddit, far-right posters overwhelmingly white and male vilify Hollywood output, usually for being too inclusive, progressive or woke. Targets have included the all-female remake of Ghostbusters, the new Star Wars movies, Doctor Who and the Marvel films. As well as criticising, the far right has mounted coordinated attacks to lower these movies scores on reviews sites such as Rotten Tomatoes.
Theres a definite element of: The movies that we loved when we were kids are not as good any more, which is partly because youre not a kid, says Alan Finlayson, a professor of political and social theory at the University of East Anglia. He led a three-year research project on the far right and its use of digital platforms. From its point of view, says Finlayson, western culture is being continually corrupted, usually by an ill-defined power base (Jewish people, Marxists, liberals). The paradox of these kind of groups is that, on the one hand, they are claiming theyre deeply attached to western culture and civilisation, but they also hate western culture and civilisation, because its awful and decadent and liberal. So theyve got to kind of maintain these two things at the same time.
Harry Potter is an example of that, says Finlaysons colleague Rob Topinka, a senior lecturer at of Birkbeck, University of London. Referring to Harry Potter fandom is a shorthand way of saying mainstream liberal women and their kind of political thinking. But, at the same time, they call people who have been vaccinated mudbloods and adopt the name pureblood for themselves. So a lot of this is incoherent.
The far right also engages in more in-depth forms of movie commentary, via YouTube videos and podcasts. Far-right figureheads Richard Spencer and Mark Brahmin host a podcast that conducts 90-minute analyses of movies such as Tenet, GoldenEye and Midsommar, parsing their supposedly hidden meanings, often through a male-chauvinist and antisemitic lens. Midsommar, which deals with Scandinavian folklore in the present day, did not go down well. Brahmin described it as a deep insult against our people.
We could see these activities simply as extreme forms of film criticism, but Josh Vandiver, a lecturer at Ball State University in Indiana who studies rightwing appropriations of popular culture, prefers to describe them as metapolitics. If politics is the occupation of territory, metapolitics is the occupation of culture, he says. They are, at some level, creating a community. They comment upon films; they try to interpret them. Thats what they do together, at least publicly. And we could contrast that to more traditional forms of political organising that the far right for decades has not seen itself as able to do: marching in the streets or organising political parties. So, instead, they spend all this time on metapolitics.
It would be easy to blame the far right alone for this situation, but it has been given plenty to work with by Hollywood and academia. By and large, films and the histories from which they draw have been overwhelmingly controlled by people of white, European descent, whose own blind spots might well play into the far rights hands. Especially when it comes to matters of race.
After the Charlottesville rally in 2017, Dorothy Kim, an Asian American medieval literature lecturer at Brandeis University in Massachusetts, argued that medieval studies is intimately entwined with white supremacy and has been so for a long time. Academics had not done enough to counter myths that medieval Europe was a bastion of racial purity, said Kim, who was attacked by academics and the far right as a result. These myths were largely established by 19th-century historians with nationalist agendas, but more recent research reveals that societies such as those in Viking-era Scandinavia were in fact multicultural and multiracial.
These people were travellers. They ranged far across Europe and the Arctic and they engaged and mixed with neighbouring cultures. While they were highly gendered societies, a recent Finnish study also found evidence of gender-transgressing or gender-mixing practices, often of an openly sexual quality, among such societies. Eggers himself pointed to recent DNA analysis of the remains of a high-ranking Viking warrior found in Sweden, which identified them as female. (Apparently, she is briefly included in The Northman, but viewers may struggle to spot her.)
The far rights love of medievalism was never about historical accuracy, says Kim; it was always about constructing narratives. Invoking the medieval past has now become a more generalised sign of the alt-right, she says, pointing to recent far-right terrorists and their scattershot allusions to Nordic lore. The point is not the specifics of the historical detail or what certain medieval things may mean to certain subgroups. Instead, the point is to gather them all for the maximum amount of attention, to plant as many flags to say: I am a white supremacist, and to activate other white-supremacist terrorists globally.
When it comes to movies such as The Northman, considerations of accuracy or research are red herrings, Kim says. Ultimately, these are creative choices. What I am interested in is how to make their vision of the medieval past and, in this case, the medieval Scandinavian past, not some sort of catnip for white supremacists to use for future violent attacks.
Is such a goal achievable? Hollywood can create counternarratives without betraying the history or mythology. Amazons forthcoming Lord of the Rings series, The Rings of Power, has made a point of casting non-white actors to play elves and dwarves. Going slightly deeper, David Lowerys atmospheric The Green Knight, released last year, reinvigorated Arthurian legend a space as traditionally all-white as Viking history by casting the British-Asian actor Dev Patel as Gawain. (To his credit, Guy Ritchie did something similar, albeit to less acclaim, in his multicultural King Arthur: Legend of the Sword.)
In terms of Norse mythology, look at Marvels handling of its Thor movies. Kenneth Branaghs opening instalment was attacked in 2011 for casting Idris Elba as the Norse god Heimdall. As Elba said at the time: Thor has a hammer that flies to him when he clicks his fingers. Thats OK, but the colour of my skin is wrong? White-supremacist groups attempted to organise a boycott of Thor, but it had no significant impact on the movies box office takings.
Taika Waititi, who is of Mori and Jewish descent, took things even further with part three, Thor: Ragnarok. As well as casting Tessa Thompson, a woman of mixed African, Latino and European heritage as the ostensibly bisexual Norse warrior Valkyrie, Waititis film dealt with narratives of displacement, enslavement, colonialism and white-male fragility. Thors all-powerful hammer, Mjolnir, that beloved symbol of white supremacism, is casually disintegrated by Cate Blanchetts Hela. She then proceeds to bring down the Norse realm of Asgard, figuratively and literally.
Look at these lies, she says, stripping away a ceiling fresco to reveal an older one beneath, detailing how her father, Odin, built Asgard through violent conquest. Proud to have it, ashamed of how he got it. Judging by the trailer for the next instalment, Thor: Love and Thunder, Waititi is continuing down this road. There are hints of homoeroticism, while somehow Natalie Portman now wields Mjolnir. The far right is going to hate it.
In an ideal world, film-makers wouldnt have to give a moments thought to how their films might be co-opted by these groups; we could simply enjoy a movie such as The Northman as a piece of rousing, skilfully made entertainment. The fact that it is no longer possible to do so could be seen as a victory of sorts for the far right, but failing to consider the stories we tell from first principles could be part of the problem that created them in the first place. By this stage, in fact, film-makers ought to have realised that if the far right doesnt hate your film, you might be doing something wrong.
This article was amended on 22 April 2022 to clarify details of Tessa Thompson and Dev Patels heritage.
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Christopher Rufo Fuels the Rights Cultural Fires in Florida – The New York Times
Posted: at 5:13 pm
GIG HARBOR, Wash. Christopher Rufo appears on Fox News so often that he converted a room in his Pacific Northwest house to a television studio, complete with professional lighting, an uplink to Fox in New York and an On Air light in the hall so his wife and two children dont barge in during broadcasts.
Ill do Tucker and then pop out and have dinner, Mr. Rufo said recently at his home in Gig Harbor, Wash., thousands of miles from the nations media and political capitals.
Mr. Rufo is the conservative activist who probably more than any other person made critical race theory a rallying cry on the right and who has become, to some on the left, an agitator of intolerance. A senior fellow at the Manhattan Institute, a right-leaning think tank, he has emerged at the front of another explosive cultural clash, one that he sees as even more politically potent and that the left views as just as dangerous: the battle over L.G.B.T.Q. restrictions in schools.
Mr. Rufo has taken aim at opponents of a new Florida law that prohibits teachers in some grades from discussing L.G.B.T.Q. issues and that critics call Dont Say Gay. He declared moral war against the statutes most prominent adversary, the Walt Disney Company. And he has used the same playbook that proved effective in his crusade on racial issues: a leak of insider documents.
On Tucker Carlson Tonight, Mr. Rufo shared video last month of an internal Disney meeting where a producer spoke of adding queerness to an animated series and mentioned, tongue in cheek, her not-at-all-secret gay agenda.
To conservatives, the video was proof that Disney was sexualizing children.
Weve caught them on tape and the evidence is damning, Mr. Rufo declared. The story ricocheted through the conservative media ecosystem. Fox News alone ran dozens of segments critical of Disney.
On Friday, Mr. Rufo appeared with Gov. Ron DeSantis of Florida at the signing of a bill known as the Stop W.O.K.E. Act, which bars teaching in workplaces and schools that anyone is inherently biased or privileged because of race or sex. Mr. Rufo, who consulted on the bill, warned Disney that an in-house program it had run that urged discussion of systemic racism was now illegal in the state of Florida.
The signing was the culmination of Mr. Rufos long campaign to short-circuit corporate and school efforts at diversity and inclusion training. He has acknowledged twisting hot-button racial issues to achieve his aims. The goal is to have the public read something crazy in the newspaper and immediately think critical race theory, he wrote on Twitter last year.
Friday was also a milestone in Mr. Rufos latest fixation. As he looked on, Mr. DeSantis signed a second measure abolishing Disneys special tax status in the state.
The retaliation against Disney emerged after its opposition to the Parental Rights in Education law, signed by Mr. DeSantis last month, which bans classroom discussion of sexual orientation and gender identity for children below fourth grade, and limits it in older grades. The anti-L.G.B.T.Q. statute is part of a political brawl unfolding in an election year as both parties try to excite their bases. Republican lawmakers in multiple states have proposed measures similar to Floridas.
Mr. Rufo is convinced that a fight over L.G.B.T.Q. curriculums which he calls gender ideology has even more potential to spur a political backlash than the debate over how race and American history are taught.
The reservoir of sentiment on the sexuality issue is deeper and more explosive than the sentiment on the race issues, he said in an interview.
Critics of Mr. Rufo, and of the broader right-wing push on L.G.B.T.Q. issues, say the attacks represent a new era of moral panic, one with echoes of slanders from decades ago that gay teachers were a threat to children. Some champions of Floridas law, including Christina Pushaw, Mr. DeSantiss press secretary, have labeled their opponents groomers adults who want to sexually pursue children.
Donald Moynihan, a professor of public policy at Georgetown University, said conservatives had falsely and intentionally linked child sex predators with opponents of the Florida law. Mr. Rufo, he said, had provided fuel for their arguments.
This is the stock-in-trade of Rufos brand of activism creating these very negative brands and then associating things that might have much more popular support with those brands to put people on the defensive, Dr. Moynihan said. Thats the through line you see between the C.R.T. stuff and the current groomer effort.
After Mr. Rufo released the Disney employee videos, he shared mug shots on Twitter of Disney workers who had been charged in child sexual abuse cases over the years, based in part on CNN reporting from 2014.
He failed to note, in an article he wrote about the arrests for City Journal, a publication of the Manhattan Institute, that none of the cases in the CNN report involved children at Disneys parks. Nor did he include Disneys response to CNN that the arrests were one one-hundredth of 1 percent of the 300,000 people we have employed during this time period.
In another article for City Journal, Mr. Rufo claimed that American schools were hunting grounds for teachers, and that parents have good reason to worry about grooming in public schools.
He cited data from a decades-old survey, in a study for the Education Department, but he omitted the studys declaration that the vast majority of schools in America are safe places.
Charlie Sykes, a founder of The Bulwark, a political site for anti-Trump conservatives, said Mr. Rufos association with the Manhattan Institute provided intellectual cover for flawed and inflammatory work.
It gives him this veneer of being a conservative scholar, Mr. Sykes said. He basically says, Anything you dont like about race becomes C.R.T. Now, all of your anxieties about sexuality or gender become grooming.
Reihan Salam, the president of the Manhattan Institute, defended Mr. Rufos work for giving voice to parents concerns about the ideological climate in public schools, specifically a lack of transparency over the teaching of contentious subjects.
Mr. Rufo denied that he had broadly equated opponents of the Florida law with groomers. Its wrong, factually and morally, to accuse someone of being a groomer with no basis and evidence, he said.
Its become a powerful word that should be used with great responsibility, he added. Nevertheless, some L.G.B.T.Q. people have reported an increase in harassment as the use of the term has surged online, echoing the QAnon conspiracy theorys fixation on a cabal of deep state Democratic pedophiles.
Mr. Rufo, 37, lives and works in Gig Harbor, a picturesque boating town on Puget Sound south of Seattle. A former documentary filmmaker and, briefly, an unsuccessful candidate for Seattles City Council, he burst on the scene in 2020 by publicizing examples of diversity trainings in government that seemed to have gone off the rails, such as asking bureaucrats to examine their complicity in the system of white supremacy. Diversity trainings, long a fixture in government and corporate America, typically support the idea that peoples unconscious biases involving race and gender can create hostile work environments.
His reporting in City Journal and posts on social media electrified readers, who leaked him more documents from anti-bias and diversity seminars.
C.R.T. is not new. Derrick Bell, a pioneering legal scholar who died in 2011, spent decades exploring what it would mean to understand racism as a permanent feature of American life. He is often called the godfather of critical race theory, but the term was coined by Kimberl Crenshaw in the 1980s.
The theory has gained new prominence. After theprotestsborn from the police killing of George Floyd, critical race theory resurfaced as part of a backlash among conservatives includingformer President Trump who began to use the term as apolitical weapon.
The current debate. Critics of C.R.T. argue that it accuses all white Americans of being racist and is being used to divide the country. But critical race theorists say they are mainly concerned with understandingthe racial disparities that have persisted ininstitutionsandsystems.
A hot-button issue in schools. The debate has turned school boards into battlegroundsas some Republicans say the theory is invading classrooms. Education leaders, including the National School Boards Association, say that C.R.T. is not being taught in K-12 schools.
Perusing footnotes, he discovered the field of critical race theory. Originally a graduate-level academic thesis before conservatives turned it into political shorthand for a variety of teachings on race, it holds that racism is systemic in American institutions, not just a matter of individual bigotry.
Appearing on Tucker Carlsons Fox show in 2020, Mr. Rufo urged President Donald J. Trump to abolish critical race theory trainings in the government.
The next day, he said, he received a call from Mark Meadows, the White House chief of staff, telling him that Mr. Trump had seen him on Fox, and asking him to consult on an executive order. Framed in his home, Mr. Rufo has the pen that Mr. Trump used to sign the order, and a handwritten card from the White House: Who says one person cant make a difference?!
Although President Biden quickly revoked the order, critical race theory became a volatile political issue as Mr. Rufo and allies accused school systems of indoctrinating K-12 students.
The evidence was often thin, typically focusing on diversity training for teachers. But even as critics on the left called the attacks a diversion meant to exploit white grievances, the messaging resonated with many parents, who were already angry at school administrators about pandemic-imposed closures.
Critical race theory and a broader parents rights movement helped drive Republican victories in school board elections and the Virginia governors race last year. Seventeen states have passed laws or issued orders to restrict critical race theory or limit how public-school teachers can discuss racism and sexism, according to Education Week.
Taking this issue and educating 175 million American adults in a very short period of time, its an astonishing thing, Mr. Rufo said.
His advocacy has been financially rewarding. Besides his Manhattan Institute position, he has a newsletter with 2,500 paid subscribers, and he runs a nonprofit entity to support his work, which he said had received over $500,000 in donations since late last year.
Mr. Rufo said he thought a great deal about selecting the right language to define what he opposed. A fan of postmodernist thinkers, he refers to the importance of meta-narratives. He said that to maximize voters anxieties about gender issues, he plans to write a series of articles on classroom practices he deems outrageous.
You have to provide the vocabulary for people to talk about gender issues, he said. Once that happens, its going to be explosive.
State Senator Shevrin D. Jones of Florida, a Democrat who opposed the states classroom law, called Republicans the party of buzzwords they use words like groomers to rally up their base.
In January, Mr. Rufo urged people to leak him documents, PDFs, audio-video and training materials related to gender, grooming and trans ideology in schools.
Three months later, as Mr. Rufo works on several projects including a book, his classroom series is still in its early stages. On Thursday, he published his first article.
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Christopher Rufo Fuels the Rights Cultural Fires in Florida - The New York Times
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