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Monthly Archives: August 2021
The Democrats’ Budget: The Good, the Bad, and the Ugly – New York Sun
Posted: August 4, 2021 at 2:05 pm
In Washington, the conversation about infrastructure and budget reconciliation is running hot and heavy the good, the bad and the ugly. Right now nothing is completely clear. Not the outcomes, not the spending, not the scoring, not even the taxing.
Let me tell you, though, theres going to be plenty of spending, plenty of taxing, and unfortunately plenty of weird scoring. The infrastructure story could rest on tax scoring by the Congressional Budget office and the Joint Tax Committee. A lot of Republicans are waiting for the official numbers.
According to the Website of the Hill, the Joint Committee on Taxation issued a report Monday saying that the bipartisan infrastructure deal would raise only $51 billion dollars in new tax revenues over the next 10 years. A fraction of the $550 billion in proposed new spending. $51 billion is a bad number for this deal.
Now, up to $300 billion could come from repurposing unused Covid money. The rest of it could be a day in the country, or should I say a day lost in the country's deep woods. Part of the good news of infrastructure is there's no phony IRS tax gap and no corporate income tax hikes. Also no infrastructure bank.
The bipartisan group will not pay for infrastructure with dynamic scoring or ending Medicare rebates, or imposing drug price controls, or $30 billion of a crypto-currency tax. So they look revenue short to me right now of about $100 billion dollars.
That means that Republican support is by no means a given. My biggest concern is still the budget reconciliation package. This is the taxing, spending, entitling, greening, transformational, workers paradise utopia for which the left-wing Democratic progressives yearn. It will all be jammed into the reconciliation bill.
Amnesty for illegals might be part of it. Banning voter photo IDs could be part of it. Theres no telling. For those of us who do not wish to transform America into a woke driven exercise in central planning, regulating, critical race theory, cancel culture, end-free-enterprise vision, I think of it as Bulgaria before the Berlin Wall came down.
This proposed bill must be stopped. It is the number one priority for people of all stripes who love this country and want to save it. Whatever the Democrats fail to win in infrastructure, theyre going to try to jam it into reconciliation. Part of the bad of infrastructure is its Green New Dealness. Which covers about $140 billion dollars or roughly one quarter of the bipartisan package.
There will be subsidies for everything remotely related to green including changing the electricity power grid, boosting electric vehicle car sales, financing electricity pumps, aka electric charging stations. According to some conservative friends the word equity appears 64 times in this 2,700 page infrastructure bill.
In other words, equal opportunity at the starting line is not enough anymore. We need equality at the finish line. If not equity unfortunately based on gender, race, and other identity groups then federal subsidies will flow galore. I don't like any of that. Its saying, you cant buy me off, but you could temporarily rent me if you give me a free Tesla.
Which is kind of what they're doing with free everything that is green. Im joking here but not entirely. So theres the good, the bad, and the ugly on infrastructure. As far as the budget reconciliation package is concerned, though, there is nothing good. Its all bad. And it's getting more and more ugly.
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The Democrats' Budget: The Good, the Bad, and the Ugly - New York Sun
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New on the bookshelf: July 31, 2021 – Kankakee Daily Journal
Posted: at 2:05 pm
Allure of fast riches; perils of misplaced ambition
Its not hard to understand. Three buddies struggling to keep their Wyoming construction business afloat get a call from a California lawyer who wants them to finish building her mansion.
They might be so eager to get away from roofing and drywalling jobs that theyd ignore questions such as: Why did the last contractor quit a lucrative gig? Why does the owner want the house finished in only four months?
Huge bonuses have a way of dispelling such concerns, as was the case when Gretchen Connors offered that sum to Teddy, Bart and Cole, co-owners of True Triangle Construction. Therein lies the setup of Godspeed, Nickolas Butlers intermittently effective but overwritten thriller that, at its best, is a bracing reminder riches often come at a steep cost.
Those riches would solve a lot of problems, though. Teddy, a married Mormon, could use that money to pay medical bills. Cole, soon to be divorced, fantasizes not only about fancy watches and a nice townhouse but also about whether childless, never-married Gretchen ever could fall for him.
Only Bart says the job doesnt feel right. At Coles insistence, they take the gig, but the pressure gets to Bart. As he did in his younger days, he turns to drugs to help him maintain the energy required for a backbreaking schedule.
Butler has thrown many other elements into this mix, including holdovers from the previous contractor who might be spying on the new crew, a pair of murders, a ruthless drug dealer and a health issue that might affect the outcome of the job.
Eventually, the book reaches nifty plot twists and fine character sketches. Butlers writing sharpens as the story turns grisly, and he excels at describing mysterious elements, such as the strange gleaming that comes from beyond the propertys hot springs.
Godspeed feels like a novel from a different era, with white, tough-guy protagonists driven by sex, money and power. Butler might not always know where to shine his spotlight, but he knows this much: A jog on a treadmill in pursuit of riches might produce fitness of a sort, but watch your step.
Michael Magras, Star Tribune
Beautifully accomplished ballet-themed thriller
Dara, the heroine of Megan Abbotts new thriller, The Turnout, has spent her life in her mothers shadow. Together with her sister, Marie, and husband, Charlie, who was once their mothers star pupil Dara runs the Durant School of Dance, the studio her mother founded.
As refined as Daras world is, it also is characterized by ruthless ambition and the intense competition the sisters foster between their students.
After a fire, as theyre ramping up for the annual production of The Nutcracker, the sisters hire a contractor to rebuild. Equal parts rube and fairy tale monster, Derek epitomizes everything Dara thought she had banished from their lives. To make matters worse, he starts sleeping with Marie. And the job seems to be taking a lot longer than he promised.
As it becomes apparent Derek has ulterior motives, his presence in the studio strains the relationship between the sisters, and Dara must face truths about her family she has hidden from herself for years.
Dara and Marie live with chronic pain, and dancing has all but crippled Charlie.
Even if we dont always like Dara, who has internalized the worst of her mothers ideas, we sympathize with her desire to discover the truth and free herself from her mothers legacy. Scandalized by Maries fling with Derek, Dara thinks of her sister as an animal. Sex turns Daras world on its ear. Nearly everywhere, with Derek in the studio, Dara sees or hears innuendo.
Because Dereks such a buffoon, its fun to watch the ease with which he gets the best of Dara. Brash, vulgar, leery, hes a comic villain until it seems he might not be the villain.
Similar to most domestic noir, The Turnout is a slow burn. After a long wait, when violence comes, it seems much more arresting. Were Abbott not so accomplished, we might tire of reading before the stakes become clear. But from the first page to the reveal at the end, a palpable sense of menace and the sympathy we feel for Dara as her world unravels make it impossible to look away.
Tom Andes, Star Tribune
Fascinating memoir of Utopian Indian city
The most surprising aspect of Akash Kapurs Better to Have Gone: Love, Death, and the Quest for Utopia in Auroville is the authors well-disposed view of the leaders, beliefs and practices of Auroville, a planned city founded in 1968 outside Pondicherry in southeast India. It was here Kapurs wife, Auralice, lost her mother to suicide and her adoptive father to a mysterious wasting condition.
Among those attracted to the place was Auralices mother, Diane Maes, and John Walker, who later became Dianes partner. The authors parents, too, had been drawn there. Akash and his future wife had been childhood playmates.
The early history of Auroville follows the pattern of other attempts to transform society and human nature. Aurovilles physical planning came from organizers in Pondicherry who envisioned a rigorously designed futuristic city of 50,000 with a complex infrastructure. The actual residents, however, tended more toward hippies, counterculturists and spiritual seekers, people who believed the place should develop organically.
In time this led to the organizers cutting off funding, and many of the residents hardened into ideological zealots who embarked on their own cultural revolution, complete with interrogations, purity tests, book burning and violence.
TAlthough this painful phase eventually passed, a benign view of nature and rejection of medical intervention persisted. Diane slipped off a tall building under construction and, though horribly injured, refused to be taken to a hospital. Ailments often were understood to be the symptoms of hoped-for cellular evolution. As John, too, shunned doctors, the cause of his long decline and death remains unclear; still, parasitic invasion seems a good guess if one can judge from the two 10-inch worms that emerged from his body at different times.
Despite this and other tragedies recorded here, the book provides a fascinating picture of an Ideal City brought into being by the ceaseless, grueling work of its first residents, idiot savants of endurance, as one man dubbed them. It is also a shrewd portrayal of some of the experiments key players and of the backgrounds and beliefs of Diane and John, two stubborn, driven, spiritual adventurers.
Katherine A. Powers, Star Tribune
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New on the bookshelf: July 31, 2021 - Kankakee Daily Journal
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IndieLisboa announces the programme for its 18th edition – Cineuropa
Posted: at 2:05 pm
04/08/2021 - The Portuguese festival will showcase a strong selection of national films at its second summer edition
Jack's Ride by Susana Nobre
IndieLisboa is back for its 18th edition, spanning from 21 August-6 September and presenting 276 films across nine sections. The festival had already announced a retrospective of Sarah Maldorors work, as well the Silvestre, Indie Jnior, Directors Cut and Indie Music sections and the International Competition (which includes titles such as Norika Sefas Looking for Venera[+see also: filmreviewtrailerinterview: Norika Sefafilmprofile], Alice Diops We[+see also: filmreviewtrailerinterview: Alice Diopfilmprofile], and Alexandre Koberidzes What Do We See When We Look at the Sky?[+see also: filmreviewtrailerinterview: Alexandre Koberidzefilmprofile]). Now, the festival unveils most of its competitive and non-competitive sections.
The gathering will start off with Summer of Soul (...Or, When The Revolution Could Not Be Televised), directed by Ahmir Questlove Thompson, and will close with the national premiere of Srgio Trfauts latest film, Paraso.
As the festival is dedicated to support and showcase Portuguese films, the National Competition is one of its highlights, comprising of four features and 19 short films (with a grand total of 14 world premieres) and focusing both on works from emerging directors as well as from prominent filmmakers. Susana Nobres Jacks Ride[+see also: filmreviewtrailerinterview: Susana Nobrefilmprofile] will have its national premiere as one of the four features included in this section. Gonalo Lamas debut feature film, Granary Square, will have its world premiere at the festival, alongside two other debut feature films, both national premieres: Rock Bottom Riser, directed by Fern Silva, and Simon Calls[+see also: filmreviewtrailerfilmprofile], directed by Marta Sousa Ribeiro. The short film selection includes Joo Pedro Rodrigues and Joo Rui Guerra da Matas homage to Jacques Demy, Um Quarto na Cidade, and three films that are also in the International (short film) Competition: Catarina de Sousa and Nick Tysons Tracing Utopia (US/Portugal), Laura Carreiras The Shift (UK/Portugal) and the world premiere of Helena Estrelas Transportation Procedures for Lovers (Brazil/Portugal/Spain).
Emerging Portuguese directors will showcase their works in the Brand New section. Fruto do Vosso Ventre, the winner of the Curtas Vila do Condes Take One Competition, directed by Fbio Silva, is included in this 13-film selection, as well as Miraflores, directed by Rodrigo Braz Teixeira and Rosa Vale Cardosos Se Tudo O Que Oio Silncio.
Part of the non-competitive sections, the special screenings programme presents several documentaries on key figures of the Portuguese artistic and political scene: from the architect Nuno Portas, in The City of Nuno Portas, directed by Teresa Prata and Humberto Kzure, to the artists Maria Helena Vieira da Silva and rpd Szenes, in Joo Mrio Grilos Vieirapad, and a film-performance starring Joacine Katar Moreira and Welket Bungu, Upheaval, directed by Bungu.
IndieLisboa will once again host the Lisbon Screenings, an industry event organised by Portugal Film - Agncia Internacional de Cinema Portugus that aims to support new in-development or finished Portuguese projects in finding their world or international premiere. A Tvola de Rocha, by Samuel Barbosa, which will have its world premiere in Locarnos Histoire(s) du Cinma, followed by a national premiere in IndieLisboas non-competitive section Directors Cut, is one of many films that were included in this industry event in the past. This year, the selection includes feature films by Ins Oliveira, Ana Sofia Fonseca and Jos Filipe Costa, as well as short films by Diogo Baldaia, gata de Pinho, Falco Nhaga, Jos Manuel Fernandes, and Pedro Neves Marques amongst others.
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IndieLisboa announces the programme for its 18th edition - Cineuropa
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Come From Away Broadway recording to be streamed globally in September – WhatsOnStage.com
Posted: at 2:05 pm
A Broadway recording of Come From Away will be streamed globally via Apple TV Plus.
The musical, which first premiered on Broadway in March 2017, follows the passengers of 38 flights grounded in the week of the September 11 attacks, when they are forced to land at the sleepy town of Gander in Newfoundland. The small town is faced with the task of housing and feeding 7000 stranded travellers.
Come From Away has book, music and lyrics by Irene Sankoff and David Hein, and is directed by Christopher Ashley, with musical staging by Kelly Devine, music supervision and arrangements by Ian Eisendrath, scenic design by Beowulf Boritt, costume design by Toni-Leslie James, lighting design by Howell Binkley, sound design by Gareth Owen and orchestrations by August Eriksmoen.
The WhatsOnStage Award-winning piece has been recorded at the Gerald Schoenfeld Theatre in New York, featuring cast members from the Broadway production (in total, 200 creatives will be involved either on-stage or behind-the-scenes).
It will be available from Friday 10 September, with RadicalMedia, who captured Hamilton and David Byrne's American Utopia, having overseen filming. Christopher Ashley directs the filmed piece.
The cast will composed of Petrina Bromley (original cast member) as Bonnie and others,Jenn Colella (original cast member and Tony Award nominee) as Beverley/Annette and others, De'lon Grant (Jersey Boys) as Bob and others, Joel Hatch (original cast member) as Claude and others, Tony Lepage (Rock of Ages) as Kevin T and others, Caesar Samayoa (original cast member) as Kevin J /Ali and others, Q Smith (original cast member) as Hannah and others, Astrid Van Wieren (original cast member) as Beulah and others, Emily Walton (Peter and the Starcatcher) as Janice and others, Jim Walton (Sunset Boulevard) as Nick/Doug and others, Sharon Wheatley (original cast member) as Diane and others and Paul Whitty (Once) as Oz and others.
Watch the new trailer below:
The show continues to run at the Phoenix Theatre in the West End, where it recently reopened.
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Come From Away Broadway recording to be streamed globally in September - WhatsOnStage.com
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UFOs and the Boundaries of Science – Boston Review
Posted: at 2:05 pm
Astrophysicist J. Allen Hynek displays a photo of a fake UFO at a 1966 press conference. Image: AP
This summer, a defense report and a new Harvard research project have renewed the publics interest in UFOs. But neither are likely to change many minds.
On June 25 of this year, the Office of the Director of National Intelligence released a brief report entitled Preliminary Assessment: Unidentified Aerial Phenomena. It fulfilled a 2020 directive from the Senate Select Committee on Intelligence, chaired at the time by Marco Rubio, which ordered the national intelligence director to publish an unclassified, public appraisal of the potential aerospace or other threats posed by the unidentified aerial phenomena to national security, and an assessment of whether this unidentified aerial phenomena [UAP] activity may be attributed to one or more foreign adversaries. The request came partly as a response to news reports that Navy personnel had, in recent years, filed a number of incident reports involving UFOs.
Since 1947, UFOs have been caught in cycles of periodic, animated interest from government officials, enthusiasts, and scientists. But results are always inconclusive.
In the lead-up to the reports release, both believers and skeptics were abuzz with anticipation. Chatter on social media was lively, and the self-styled crusader for government disclosure about UFOs, former intelligence officer Luis Elizondo, announced he would run for Congress if the report seemed misleading.
In the end, the preliminary assessment proved a mixed bag. Enthusiasts could be buoyed by the governments admissions that most reported UFOs were real objects, that only 1 in 144 could be definitively explained, and that fear of ridicule had thus far stymied witnesses and thereby inhibited effective inquiry. Debunkers, on the other hand, could point to the fact that most reports suffered from a lack of sufficient specificity, that the overwhelming majority of UAP demonstrated conventional flight characteristics, and that there remained a great many mundane explanations for the phenomena. All sides felt vindicated, all could claim victory.
And so, ambiguity reigns. To anyone familiar with the history of unidentified flying objects, this represents a familiar state of affairs. The first modern report of a UFO took place in Washington State in 1947, and since then the phenomenon has been caught in cycles of periodic, animated interest from government officials, civilian enthusiasts, and scientists. During such moments, it always seems that the riddle of UFOs is about to be solved. But the result is always inconclusive findings and a dispersal of interest, leaving few minds changed and everyone returned to their corners to await the bell for the next round. The seeming effervescence of our current moment notwithstanding, its doubtful we should expect anything different this time around.
Its easy to forget that, not long ago, the media was not giving regular updates on UFOs.
This most recent fanfare surrounding UFOsor UAP, as those seeking distance from UFOs outsize reputation now preferbegan in December 2017, when the New York Times, the Washington Post, and Politico all published exposs revealing the existence of a secret government program which, between 2007 and 2012, had investigated UFOs. Then followed viral videos of Navy pilots encountering unusual objects (reported upon in the same outlets); a cable television series on the incidents featuring Elizondo and former Blink 182 band member Tom DeLonge; announcement of the first human-detected interstellar object to enter our solar system (Oumuamua); and a highly publicized, though admittedly frivolous, attempt to storm Area 51 in Nevada. And in July, astronomer Avi Loeb announced the creation of a new project at Harvard University, called Galileo, that will use high-tech astronomical equipment to seek evidence of extraterrestrial artifacts in space and possibly within Earths atmosphere. This follows closely on the publication of Loebs book Extraterrestrial, in which he argues that Oumuamua might be an artificial light sail made by an alien civilization.
Its easy to forget that, not long ago, the media was not giving regular updates on UFOs. On the contrary, during the past two decades, public discussion of UFOs has been limited. But interest in UFOs has cycled through a couple of phases of ups and downs. The 1960s ushered in a revival of the supernatural in popular culture that flourished throughout the seventies, eighties, and into the nineties. If youre old enoughsay, over the age of fortyyou may still have memories of Leonard Nimoy narrating the occult and mystery TV series In Search Of (197782); of listening to interviews with telepathic spoon benders and alien abductees on the daytime talk shows of Mike Douglas, Merv Griffin, and Phil Donahue; or of browsing through the extensive paranormal section at your local public library or Waldenbooks. New Age philosophy, extrasensory perception, exorcisms, reincarnation, telekinesis, astrology, channeling, psychic healing, cryonics, Satanic ritual abuse claims: UFOs were sucked up into this paranormal wave and boosted by the lively syncretism of it all. The rising paranormal tide lifted all boats.
All this publicity surrounding the supernatural also gave rise to a revival of debunking, with prominent figures taking it upon themselves to call out erroneous claims and expose frauds. In 1976 a group of dedicated skeptics founded the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP), headed initially by philosopher Paul Kurtz and sociologist Marcello Truzzi. At the organizations inaugural conference, Kurtz expressed worry about the growing number of cults of unreason and other forms of nonsense. Noting the popularity of related beliefs in Nazi Germany and under Stalinism, he lamented the fact that Western democratic societies are being swept by other forms of irrationalism, often blatantly antiscientific and pseudoscientific in character. Skeptics needed to be decisive. If we are to meet the growth of irrationality, he insisted, we need to develop an appreciation for the scientific attitude as a part of culture. During the seventies and eighties, a number of well-known personalities associated with SCICOPincluding aviation journalist Philip J. Klass, illusionist James Randi, and astronomer Carl Saganagreed and assumed the roles of public myth-busters.
Mudslinging over convictions is familiar to historians of religion, a domain of human existence marked by deep divisions over interpretations of belief. But science has often found itself engaged in similar debates and conflicts.
Over the last fifty years, the mutual antagonism between paranormal believers and skeptics has largely framed discussion about unidentified flying objects. And it often gets personal. Those taking seriously the prospect that UFOs are extraterrestrial in origin have dismissed doubters as narrow-minded, biased, obstinate, and cruel. Those dubious about the idea of visitors from other worlds have brushed off devotees as nave, ignorant, gullible, and downright dangerous.
This kind of mudslinging over convictions is certainly familiar to historians of religion, a domain of human existence marked by deep divisions over interpretations of belief. But science too has found itself engaged in similar debates and conflicts over the centuries. Venerated figures and institutions have regularly taken it upon themselves to engage in what has been dubbed boundary work, asserting and reasserting the borders between legitimate and illegitimate scientific research and ideas, between what may and what may not refer to itself as science.
When scientists engage in boundary work, they are doing something more than saying this is true or that is false. Instead, they are setting up the ground rules for what will be considered acceptable questions, methods, and answers when it comes to doing science. In essence, they are saying, this is a question we may pursue in science or that is an impermissible way of conducting an experiment. And there are any number of examples of this in the modern world.
Take psychology, for instance. Until the middle of the nineteenth century, it was a subject that largely fell under the domain of philosophy. Then, during the second half of the century, some scholars interested in psychology took their cue from the natural sciences and started conducting experiments with animals and human beings. In this way, psychology began to establish itself as an independent social scientific field. That status remained contested, however, and psychologists had to defend their claims of being a legitimate science for decades. Boundary work was essential to this mission. So, when prominent researchers such as William James, Frederic Myers, and Eleanor Sidgwick argued that psychical researchthe study of the power of mediumship, telepathy, clairvoyance, and life after deathshould be included as part of academic psychology, many practitioners bristled. Experimentalist Wilhelm Wundt, Science editor James Cattell, and Harvard psychologist Hugo Mnsterberg were just some of the influential figures to repudiate the phenomena as nothing but fraud and humbug and to bemoan research about them for doing much to injure psychology. Their judgments eventually won the day and, as a result, parapsychology was shifted from science to pseudoscience.
Boundary work has also been evident in policing the how and what of the search for extraterrestrial intelligence (SETI). When SETI takes the form of astronomers using telescopes to seek evidence of intelligent radio signals and mechanical objects in outer space, it is accepted as a mainstream (though, admittedly, underfunded) academic pursuit. The study of UFOs, on the other hand, is brushed off as pseudoscience. UFO investigation has, consequently, been largely privately funded and conducted by committed individuals in their free time.
This stark divide did not happen overnight, and its roots lie in the postwar decades, in a series of events thatwith their news coverage, grainy images, celebrity crusaders, exasperated skeptics, unsatisfying military statements, and accusations of a government cover-upforeshadow our present moment.
When astronomers use telescopes to seek evidence of extraterrestrials, it is accepted as a mainstream academic pursuit. The study of UFOs, on the other hand, is brushed off as pseudoscience. This stark divide did not happen overnight.
It all started in June 1947, when a private pilot, Kenneth Arnold, reported seeing a group of bat-like aircraft flying in formation at high speeds near Mt. Rainier. He described their motion to the media as moving like a saucer would if skipped across water, and an enterprising journalist had found his headline: he christened them flying saucers. That summer, flying saucers were reported across the United States, and the press began wondering what exactly was going on.
The thought that the objects might have been extraterrestrial visitors did not rank highly on the list of possibilities considered by most people at the time. A Gallup poll published just a few weeks after the Arnold sighting asked Americans what they thought the things were: while 90 percent admitted having heard of flying saucers, a majority either had no idea what they could be or thought that witnesses were mistaken. Gallup didnt even mention if anyone surveyed brought up aliens. Ten years later, in August 1957, Trendex conducted a similar survey of the American public and found that now over 25 percent believed unidentified flying objects could be from outer space.
Three things had happened in the meantime that made this possible. First was media saturation. Newspapers and magazines across the world covered and outright promoted the flying saucer saga, especially after 1949. Then, what had begun as a distinctly U.S. phenomenon soon became a global one, as UFOs began to turn up in Southern Africa, Australia, Europe, and South America. By the mid-1950s, few in the world could say they had never heard of flying saucers.
Second was the rise of flying-saucers-from-outer-space promoters. In 1950, three influential books by pulp and entertainment writersDonald Keyhoes The Flying Saucers Are Real, Frank Scullys Behind the Flying Saucers, and Gerald Heards The Riddle of the Flying Saucershit bookshelves, each arguing that the overwhelming evidence showed that aliens were visiting, more likely than not in response to the detonation of atomic bombs. The authors provided the model for a new kind of public figure: the crusading whistleblower dedicated to breaking the silence over the alien origins of unidentified flying objects.
Third, some Americans were so curious about the phenomenon that they sought out like-minded others. Inspired by the development of science fiction fan clubs and newsletters in the 1930s and 40s, enthusiasts beginning in the early 50s organized local saucer clubs where members could meet to discuss the latest developments. By the end of the decade, some had grown into vibrant organizations, with national, even international followings and monthly newsletters which actively solicited contributions from members about their own sightings and theories.
So, by the end of the 1950s, flying saucers didnt just make news; they had champions who helped make them news. Some enthusiasts, however, believed interest in UFOs needed to be channeled into something more than a hobby or pastime. The Air Force had been conducting its own investigations into the flying saucer phenomenon since 1947. Saucer groups, however, placed little confidence in the military and were especially frustrated by the secrecy surrounding its work. They believed it was time for civilians to seize the day and to begin investigating cases in a more thorough and open manner.
Keyhoe, Leonard Stringfield, Morris Jessup, and Coral and Jim Lorenzen were some of the leading pioneers in this effort. At first, most civilian investigators had to rely exclusively on newspaper and magazine articles for their source materials. By1965, however, the Lorenzens and Keyhoe were directing large organizations (the Aerial Phenomena Research Organization and the National Investigations Committee on Aerial Phenomena, respectively) with national reach, allowing them to send members into the field to conduct interviews and examine sites. By 1972 the Lorenzens had put together a manual for field investigators, guiding them through the kind of equipment and procedures to use when going about their work.
The first generation of ufologists was buoyantly optimistic. They saw themselves as trailblazers who, though now dismissed, would one day be vindicated when ufology was established as a legitimate research enterprise.
In this way, a new field of study was bornufology, as it was dubbed. That first generation of ufologists was buoyantly optimistic. They saw themselves as trailblazersit was not uncommon for comparisons to be made to Galileowho, though now dismissed by the establishment, would one day find their endeavors vindicated when ufology was established as a legitimate research enterprise.
Major scientific associations and most academic scholars saw matters differently. They considered ufology yet another example of a pseudoscience. While some went about publicly debunking its methods and findings, most academics opted to simply pay ufology no heed.
By the mid-1960s, however, a few scientists working at major U.S. universities had reached a different conclusion. They believed that UFOs were genuine physical phenomena that warranted serious scientific study. Northwestern University astronomer J. Allen Hynek was one such figure. Hynek was the scientific consultant to the Air Force in its investigations into unidentified flying objects. At first skeptical about the claims of witnesses, he grew puzzled by the growing number of cases that seemed to defy conventional explanation.
In the early sixties, Hynek began holding UFO discussion meetings in his home with interested colleaguesat first from Northwestern, but then from other universities as well. The group included French computer scientist Jacques Valle, who would go on to become a leading voice in ufology. Soon, Hynek was referring to the circle as The Invisible Collegea reference to the secretive group of seventeenth-century natural philosophers who had touted experimental research and defied church dogma. The name stuck, and continues to be used to refer to academics who study and exchange ideas about UFOs but do so clandestinely for fear of hurting their careers.
Another ufologist who rose to prominence in the 1960s was James McDonald, an internationally respected atmospheric physicist at the University of Arizona. An expert in cloud physics and micrometeorology, he had begun privately looking into UFOs in the late fifties and joined a leading UFO organization. In 1966 he suddenly went public as an outspoken advocate for the position that UFOs were, as he put it, the greatest scientific problem of our times. Though a latecomer to the scene, McDonald was a constant public presence, making the case for the scientific study of UFOs in press conferences, public lectures, and TV and radio interviews. He railed against what he considered the Air Forces incompetence in handling the matter, and he took it upon himself to interview hundreds of witnesses.
Though widely acknowledged to be accomplished and eloquent, many of his fellow scientists found McDonald to be dogmatic and abrasive. So when it was announced in October 1966 that the University of Colorado at Boulder had agreed to serve as the home for a scientific committee funded by the Air Force to study the UFO phenomenon, McDonald was not invited to serve as a member. Like Hynek and Valle, McDonald instead was asked to consult now and again with the committee, but all three were left out of the groups day-to-day activities and deliberations.
The projects director was nuclear physicist Edward Condon, who had spent decades working in and with the government dating back to the wartime Manhattan Project, which developed the atomic bomb. His involvement with the military, however, hadnt stopped him from criticizing it for being too secretive. After the war, he was also a leading voice insisting that civilian authorities be put in control of atomic energy, and he had to face down accusations before the House Un-American Activities Committee on several occasions. Here, then, was a no-nonsense academic, who was not easily intimidated and despised government secrecy. He seemed the ideal choice to head up this first-ever funded scientific study of UFOs by academic researchers.
The Condon Committee began its work in November 1966. Excitement and anticipation surrounded the start of the project. Ufologists, UFO enthusiasts, members of the Invisible College, the Air Force, and the general public all expressed high hopes that the world would finally have an answer to the riddle of the flying saucers. Their enthusiasm was soon quashed. While some ufologists were asked to make presentations before the committee, word inside the Colorado group was that Condon considered the possibility of alien visitors to be preposterous. Disgruntled insiders reported that researchers were being steered toward concluding that the UFO phenomenon had a psychological explanation.
Condon came to consider his involvement in the study of UFOs the biggest waste of time that I ever had in my life.
McDonald was careful to cultivate contacts within the Colorado project. His personal papers, now housed in the archives at the University of Arizona, show that he received surreptitious updates from Boulder on an almost daily basis. As he did, he became more and more frustrated by what he saw as Condons attempt to stop any serious consideration that UFOs might have extraterrestrial origins. In early 1968 he, along with several people serving on the Condon Committee, confronted Condon with evidence that he had no intention of conducting a legitimate scientific investigation into unidentified flying objects.
The move outraged Condon, who fired the committee members for dereliction of their duties. McDonald went to the media, finding a journalist at Look to write an expos chronicling what was portrayed as Condons incompetent and imperious management of the project. And with that, all bridges had been burned. Ufologists dismissed the work of the committee even before it had released its report in January 1969. McDonald demanded a new scientific study be conducted. The Air Force formally shut down its UFO task force. And Condon came to consider his involvement in the study of UFOs the biggest waste of time that I ever had in my life.
The Condon Committees final report did not mince words. Our general conclusion, it stated, is that nothing has come from the study of UFOs in the past 21 years that has added to scientific knowledgethis despite the fact that around a third of the cases examined remained unexplained. No one was terribly surprised, least of all people in the UFO community. Rather than settling the matter of UFOs for good, it simply escalated the mutual mistrust between believers and skeptics, between amateur ufologists and academic scientists.
Was the Condon Committee a failure then? At first glance, it would appear so. Without question, it fell victim to the political machinations of bad actors such as McDonald. Nevertheless, one has to wonder if any study at the time could have resolved the matter. If the 202021 UAP task force found itself confronted with ambiguities and a lack of information, this was surely even more the case in the 1960s.
And it must be said that both back then and today, there are many people for whom the mystery is the matter. UFOs may well be far more interesting to ponder than to actually solve. And fittingly, the decades that followed saw the rise of the UFO as mystery, with increasingly bizarre stories of alien abductions capturing the attention of readers and TV audiences between 1975 and 1995. Yes, there had always been outlier abduction reports dating back to the 50s and 60s. But now the floodgates opened, and with them a new generation of UFO advocates.
Chief among them were artist Budd Hopkins, horror writer Whitley Strieber, historian David Jacobs, and psychiatrist John Mack: each came onto the scene in the 1980s and 90s insisting on the veracity of those claiming to have been kidnapped, examined, and experimented upon by beings from another world. The ufology of investigating the nuts and bolts of unidentified flying objects gave way on the public stage to these new missionaries who simultaneously played the role of investigator, therapist, and advocate to their vulnerable charges.
There are many people for whom the mystery is the matter. UFOs may well be far more interesting to ponder than to actually solve.
In many ways, it was Macks involvement that signaled both the culmination and end of the headiest days of alien abduction. A distinguished Harvard psychiatrist, when Mack began working with and publishing accounts of abducteesor experiencers, as he called themin the early 1990s, he lent the study of extraterrestrial captivity an air of legitimacy it had been lacking. A five-day conference at MIT in 1992 on the alien abduction phenomenon, followed by a book on the subject two years later, brought him the affection of many in the UFO community and the scorn of many of his colleagues. The Harvard Medical School initiated a review of his position; he retained tenure, but after, as review board chairman Arnold Relman later put it, he was not taken seriously by his colleagues anymore. Claims of alien abduction have continued since then, but one would have to search far and wide to find a clinician of Macks stature who would go on record saying they believed them.
And so here we are a quarter century later, and we are again hearing some rumblings from within the scientific community. Some scientists involved with SETI have publicly called for the interdisciplinary study of UFOs. And now Loeb (another Harvard professor) has announced the Galileo Project. With an initial private investment of nearly $2 million with which to work, the Galileo Project will certainly have access to equipment qualitatively better than what existed in the fifties and sixties. Will this make a difference? Many of Loebs colleagues are skeptical about the prospect. If history is any guide, its questionable a project like this will succeed in persuading diehard believers and skeptics to rethink their positions.
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In Pictures: See Inside the Italian Futurist Painter Giacomo Ballas Apartment, and Works From His Long-Awaited Retrospective in Rome – artnet News
Posted: at 2:04 pm
Born in Turin in1871, artist Giacomo Balla went on to become one of the worlds best-known Modernist artists. Associated with the Italian Futurists, he left anindelible mark on the history of painting, uniting elements of fantasy with close studies of light, space, and movement.
Inspired by Eadweard Muybridges dynamic photographs, and along with peersUmberto Boccioni, Gino Severini, and Mario Sironi,Balla infused his works with the Futurist ethos that pervaded Italy in his day. It was not without controversy: members of the movement, including the poetFilippo Tommaso Marinetti, who wrote the Futurist Manifesto, were closely aligned with Italian Fascism.Those ties are what ledBalla to break with the group.
Alex Cecchettis Come la luna si vede a volte in pieno giorno at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Ballas work is on view now at theFondazione MAXXI in Rome, the city in which he lived for more than 30 years. The show, titledCasa Balla: From the House to the Universe and Back,also includes a thematic exhibition of works inspired by Balla and his home.
The apartment where the artist and his family lived until his death in 1858, Casa Balla, is a kaleidoscopic space filled with cloud-scapes and mosaics, where each object, utensil, and article of clothing is a work of art unto itself. According to curators Bartolomeo Pietromarchi and Domitilla Dardi, the apartment is a truegesamtkunstwerk.
See more images from the exhibition and Ballas home below.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
Detail of Ballas apartment at Fondazione MAXXI. Photo:Musacchio, Ianniello & Pasqualini.
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In Pictures: See Inside the Italian Futurist Painter Giacomo Ballas Apartment, and Works From His Long-Awaited Retrospective in Rome - artnet News
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An in-depth look into the mysterious, futuristic world of Stray – PlayStation.Blog
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Hello, everyone! After a long period of intense work with the team, we are delighted to finally be able to show more about our game Stray with this just-released gameplay trailer. But we wanted to add a bit more context to what youve hopefully just enjoyed.
At its core, Stray is an adventure game. It tells the story of a cat who accidentally falls into a weird, mysterious city and his journey to return to his family. Exploration is a key element and as we love to add lots of details to our environments, we hope players will enjoy looking for all the little bits of hidden lore that weve added across each level.
Theres quite a lot to find and learn about this forgotten city and the surprising characters who live in it! Not everything will be explained clearly, so it will be up to the most attentive and insightful players to figure out what exactly this place is, who these inhabitants and creatures are, and the story and purpose of this beguiling world in which we are immersed.
The cat is definitely the star of the show in the game though, and it was important for us to show a glimpse of all the playful interactions that he can have with his environment. Some of them are useful and will help solve puzzles as you progress, and some are just here because cats will be cats and as most cat owners know painfully well, no sofa can be left unscratched.
The unique perspective of playing as a cat also creates interesting opportunities in terms of level design. Some of the usual tropes of videogames can be twisted in funny and interesting ways: a grid blocking the way for humans? Not for a cat! A decorative rain pipe spiraling along a building? Perfect platforming sequence for a feline!
But even though cats can do lots of amazing things, they dont usually interact with technology that well. The small drone, B12, that youll encounter has lots of helpful features like translating the language of the machines inhabiting the world, or storing precious items that you find during your journey. But above all, he is a friendly being with a mysterious story learning about his past as his relationship with the cat evolves is a key element to this adventure.
Their journey will not be a calm river, though action and fast-paced sequences are a strong component of Stray, too. Some areas of the game are way more dangerous and unwelcoming for the little duo, and our heros agility and quick moves will be put to the test to survive vicious enemies like the swarm of Zurks as seen in the trailer. The Zurks have a big impact on the lives of the inhabitants of the city, but they are not the only type of foe that you may encounter. And while being quick and agile is required, being stealthy and sneaky will be just as important to find the exit of this strange and futuristic maze.
Hopefully this gives you a more detailed and in-depth look at the world of Stray, but we still have a lot more to show! Theres a whole other part of the city waiting to be discovered that we shared a glimpse of in our very first teaser. The whole team is working full speed to deliver the most polished experience possible, and we look forward to seeing players explore our world early next year. Until then, like Oscar, our Office Manager, always says: PrrrMEeow!
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Venice bridge is built with ancient masonry and 3d printing – Fast Company
Posted: at 2:04 pm
A small seaside park in Venice, Italy, was recently upgraded to include an innovative new concrete pedestrian bridge from the research arm of the global contemporary design firm Zaha Hadid Architects. Like many of the firms signature projects, it has swooping lines, smooth curves, and the vaguely futuristic shape of something that seems built either by or for space robots.
Whats important about the concrete bridge is what it doesnt have. Using a building technique inspired by ancient masonry, the bridge requires neither steel reinforcements, binding mortar, nor the large amount of carbon-intensive concrete that a conventionally built structure would require.
[Photo: in3d/courtesy BRG/ZHACODE]The bridge is able to stand, and indeed to carry the weight and forces of regular use, through a highly detailed and computer-driven design that used 3D printing to precisely generate 53 hollow chunks of concrete that stack together into a structure as strong as stone.
[Photo: in3d/courtesy BRG/ZHACODE]The bridge was designed by Shajay Bhooshan, co-founder of Zaha Hadid Architects Computation and Design Group ZHACODE and Philippe Block, a professor in the Institute of Technology in Architecture at ETH Zurich, in collaboration with 3D printing company incremental3D and the global building materials company Holcim. Like ancient stone bridges and cathedrals, the structure was designed in an old style but with new material precision. Installed as part of the current Venice Architecture Biennale, the bridge is an attempt to prove that ancient and modern techniques can be combined to create better structures.
[Photo: Tom Van Mele/courtesy BRG/ZHACODE]Many masonry structures are standing after centuries because of their capacity to move and to settle. Theyre still there, theyre very robust but not in a way that modern engineering enables, says Block. Arched stone bridges from Roman times, for example, have stood intact for centuries due to their sheer compression and weight. This is a beautiful thing that we want to reintroduce into modern architecture and engineering practice.
[Photo: Naaro/courtesy BRG/ZHACODE]The pieces of the bridge were 3D printed to be discrete chunks that are mostly hollow, with only small concrete braces within. Computational design was used to determine how each piece could support weight on its own, and how all 53 pieces of the bridge could fit together and provide structural strength entirely through compression. This approach cuts down the amount of concrete and eliminates the need for the steel reinforcing bars that concrete structures require. Fewer materials lower the overall cost of building, and the relative ubiquity of concrete means this type of construction could potentially happen anywhere.
Youre placing material exactly where it is needed, says Bhooshan, who developed the design as part of his PhD research at ETH Zurich.
[Photo: Naaro/courtesy BRG/ZHACODE]Rather than the typical 3D printing approach that lays a uniform line of mixture over and over again to build simple walls, Bhooshan and Block worked with Holcim to develop a special 3D printing approach that can lay a variable width of material, enabling a more complex structural form while using less steel and concrete. The non-parallel forms open up new aesthetic opportunities for 3D printing concrete. Its really about starting from the design and thinking about how the materials want to be used in the best way, says Francis Steiner, Holcims head of digital design and fabrication. This is where we see the future of 3D concrete printing.
[Photo: Naaro/courtesy BRG/ZHACODE]Constructed earlier this summer over a simple wooden bracing structure, the bridge also has small concrete pads and steel tension ties at the five points where it meets the ground, and steel steps. Because the bridge requires no mortar or glue to hold it together, it is capable of being disassembled and rebuilt elsewhere as needed (there may come a time when buildings and infrastructure have to be moved quickly for cities to adapt to climate change). Block says the team is currently in the process of finding a second home for the bridge.
Despite its location in the lagoon city of Venice, the bridge is situated in the middle of a park and doesnt actually cross water. But that hasnt stopped it from being used, according to Bhooshan. Since opening, it has been popular with kids, people walking dogs, and park visitors walking up just for a perch to stare out at the ocean. It turned out to be a very social space, he says. That was quite a surprising and pleasant and happy coincidence to discover.
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Venice bridge is built with ancient masonry and 3d printing - Fast Company
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New Paper Warns That Environmental Collapse Will Lead to "Untold Suffering" – Futurism
Posted: at 2:04 pm
"Transformational system changes are required, and they must rise above politics."Dying Earth
The ecological vital signs of the planet are in dire shape, according to an updated report endorsed by almost 14,000 scientists.
Even before it came out, we knew that the paper would present a grim outlook for the future of life on Earth. And now, the very first sentence of the study, published Wednesday in the journal BioScience, points out that the panel of scientists declared a climate change emergency that would cause untold suffering back in 2019. And the rest of the paper explains how nearly every single measurement save for a few exceptions like increased solar energy adoption is now worse than before.
The updated planetary vital signs we present reflect the consequences of unrelenting business as usual, the paper reads. A major lesson from COVID-19 is that even colossally decreased transportation and consumption are not nearly enough and that, instead, transformational system changes are required, and they must rise above politics.
The scientists behind the updated report plan to revisit the planets vitals again in another few years, Live Science notes. If we want to see improvement and perhaps mitigate some of that suffering by then, the scientists recommend taking three crucial steps.
First, they say that we as a planet need to stop using and ban fossil fuels. Then we need to impose a significant price on carbon in order to discourage emissions, and finally we need to protect and restore the planets various forests, wetlands, and other natural carbon sinks in order to get things back on track.
Implementing these three policies soon will help ensure the long-term sustainability of human civilization and give future generations the opportunity to thrive, the paper reads. The speed of change is essential, and new climate policies should be part of COVID-19 recovery plans.
READ MORE: Ignoring climate change will yield untold suffering, panel of 14,000 scientists warns [Live Science]
More on the climate change emergency: Scientists Warn That the Earth Is Literally Dying
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New Paper Warns That Environmental Collapse Will Lead to "Untold Suffering" - Futurism
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The Space Station Incident Was Far Worse Than NASA Admitted – Futurism
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The ISS spun nearly enough to qualify for Olympic skateboarding.Record Baby
Last week, calamity nearly struck the International Space Station when Russias newly-docked Nauka module accidentally fired its thrusters and sent the space station literally spinning.
Now, it seems the problem was worse than anyone admitted at the time. Initially, NASA announced that the ISS had rotated about 45 degrees away from its original position. But faced with reporting from The New York Times, the space agency confirmed that the ISS actually spun a full rotation and a half before crew members got it under control.
The 45-degree number was initially offered in the first minutes after the event occurred by our guidance, navigation and control officer in Mission Control, but were later updated following an analysis of the actual divergence, a NASA spokesperson told Space.com.
Its easy to imagine the Hollywood version of the events, where the ISS is spinning so rapidly that panicked crew gets plastered against the walls as they try to regain control. But even with the incident being more dangerous than NASA first let on, the space agency says the ISS still rotated too slowly about half a degree per second at its fastest for any astronauts to physically feel the movement.
The ISS spun one-and-a-half revolutions about 540 degrees before coming to a stop upside down, NASA flight director Zebulon Scoville, who led the ground effort during the incident, told the NYT. The space station then did a 180-degree forward flip to get back to its original orientation.
As a result, a sense of calm professionalism pervaded throughout, Scoville said.
Probably the intensity goes up a little bit, Scoville said. But theres a pervasive kind of calmness of people not panicking and just looking at the data, figuring out what was happening and try to solve the problem from there.
However, Scoville did add that he had to declare a spacecraft emergency for the first time.
READ MORE: Space station mishap with Russian module more serious than NASA first reported [Space.com]
More on the ISS incident: Crisis Briefly Spins International Space Station Out of Control
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