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Daily Archives: June 2, 2021
Third Horizon Film Festival Puts A Spotlight On Caribbean Creatives – Broadway World
Posted: June 2, 2021 at 5:29 am
Deemed one of the "25 Coolest Film Festivals in the World" by MovieMaker Magazine in 2019, the Third Horizon Film Festival returns for its fifth edition. This year the festival will be hosted hybrid style with a thoughtfully curated mix of in-person and virtual screenings beginning June 24, 2021, through July 1, 2021, in Miami, Florida.
For the first time, the festival will be broadcasting to a global audience, sharing Caribbean culture through penetrating cinema, insightful discussions, and electric music and visual art. Tickets are now available via thirdhorizonfilmfestival.com.
Virtual attendees can access the festival directly on the website or through the official Third Horizon Film Festival app, available on Amazon Fire T.V. Stick, Apple T.V., and Roku. Those interested in an in-person viewing experience can attend four screenings and three parties hosted at the Nite-Owl Drive-In and one screening and extended panel discussion at the Prez Art Museum Miami.
"We've envisioned this edition of the festival as an underground Caribbean television station sending an urgent signal out to the world for one week in the middle of a historic summer; we're aiming to bridge diasporas and regions with this one," says Jason Fitzroy Jeffers, Co-Festival Director and Co-Executive Director of parent organization Third Horizon, an award-winning Caribbean filmmaking collective. "The Caribbean is the crossroads of the world, between the east and the west, the old world and the new. We are descended from people all across the globe: Taino, African, Asian, Spanish, French, Dutch, you name it. The stories forged in this cultural furnace-which come to life in the incredible films we're screening-have so much to share with the world."
With its move to a hybrid model with virtual screenings, THFF has expanded from four days to seven, featuring its largest and most robust lineup yet of 12 feature films, three medium-length films, and 46 short films.
"Our ongoing evolution has guided this year's film program as a celebration of thoughtful cinema from the Caribbean, its diaspora and beyond, but just as much as by the seismic events of the past year," says Jonathan Ali, Director of Programming. "This is the most inclusive we've ever been in our selection, with the most countries we've ever had represented in our lineup. It's a deliberate mix of fiction, non-fiction, hybrid, and experimental work, reflecting an outlook of global solidarity in this moment of precarity and potential, and also promises an unforgettable viewing experience for audiences."
As is tradition, the festival will feature a virtual artist exhibition featuring the engaging work of Miami-based Haitian-American artist Edny Jean Joseph and New York-based Trinidadian-American/Barbadian-American artist duo Intelligent Mischief. The festival will also host three parties at Nite Owl Drive-In curated by acclaimed Trinidadian-Venezuelan DJ and event producer Foreigner, one of the most exciting creatives on the underground L.A. scene.
Finally, the festival will host three panels, in addition to a three-day seminar immediately preceding the festival called Caribbean Film Academy, details of which are soon to be announced. Together, the workshops and seminar offer Caribbean filmmakers worldwide an opportunity to gather to learn from some of the leading voices in Caribbean cinema virtually.
"There are very few film programs in the Caribbean, especially the English-speaking Caribbean, giving students an in-depth understanding of the industry and craft, and many of our most talented, emerging filmmakers often have to head abroad to further their education and careers," said Romola Lucas, Co-Festival Director and Co-Executive Director of Third Horizon. "For those who can't go overseas to attend film school, we are bringing film school to them with this program."
OPENING NIGHT FILM: LIBORIO
Thursday, June 24, 8:30 pm | Nite-Owl Drive-In and Tropical Market
Set in the Dominican Republic in the 1920s and based on a true story, Liborio chronicles the life of its title character. This peasant disappears in a hurricane and returns as a prophet. He says he's been given a mission to bring the good and take away the evil, curing the sick and teaching by example. People begin to assemble by his side. They move to the mountains to have total freedom and develop their dream of an independent community - everything changes when the invading US Marines want to disarm and disband the community. Liborio wants to avoid a confrontation, but they know they can't run forever. (Dominican Republic)
*Followed by the festival's Opening Night Party party DJed by Foreigner
STATELESS: Screening and Panel Discussion
Saturday, June 26, 3 pm | Prez Art Museum Miami
Stateless, the new film from Michle Stephenson, the critically acclaimed filmmaker of American Promise, looks at the complex politics of immigration and race in the Dominican Republic and Haiti. In this dangerous climate, a young attorney named Rosa Iris mounts a grassroots campaign, challenging electoral corruption and advocating for social justice. As Rosa balances her congressional run with her dedication to her family and community, the full scope of her fight is revealed. (Dominican Republic/Haiti)
*Followed by an extended discussion with Stephenson, the film's subject Rosa Iris Diendomi, and France Francois, founder and CEO of In Cultured Company, an organization that works on conflict resolution and reconciliation between Haitians and Dominicans. Moderated by Third Horizon filmmaker Monica Sorelle.
WEEKEND DOUBLE FEATURE: SHE PARADISE & STUDIO 17: THE LOST REGGAE TAPES
Saturday, June 26, 8:30 pm + 10:30 pm | Nite-Owl Drive-In and Tropical Market
In She Paradise, Sparkle is a nave 17-year-old girl seeking community and excitement when she stumbles upon a free-spirited dance crew who invite her to their next audition. Welcomed despite her lack of street smarts, she soon meets Skinny, a rapper who's immediately taken with her wide-eyed innocence. Navigating this thrilling yet sinister new world that revolves around nightlife and cash, Sparkle finds her fate in the hands of those with power in this seemingly postcard-perfect setting, with misogyny brewing beneath the surface. (Trinidad and Tobago)
Studio 17 tells the compelling story of the Chins, the Chinese-Jamaican family behind one of the actual birthplaces of reggae music. Located in downtown Kingston, Studio 17 became a legendary recording studio right at the heart of the music revolution that began after Jamaican independence from Great Britain in 1962. (UK/Jamaica)
*Preceded by a warm-up lime at the drive-in at 6:30 pm curated by Foreigner.
CLOSING NIGHT FILM: BANT MAMA
Thursday, July 1, 8:30 pm | Nite-Owl Drive-In and Tropical Market
In Bant Mama, a French woman of African descent escapes after being arrested in the Dominican Republic. She finds shelter in the most dangerous district of Santo Domingo, where a group of children takes her in. By becoming their protg and maternal figure, she will see her destiny change inexorably.
*Followed by the festival's Closing Night Party party DJed by Foreigner and guests
The festival was founded in 2016 by Third Horizon, a Caribbean filmmaking collective. Its films, such as Papa Machete and T, have screened at some of the world's most prominent film festivals such as Sundance, BlackStar and TIFF, with T being awarded the coveted Golden Bear for Best Short Film at the 2020 Berlinale, the Berlin International Film Festival, known as one of the "big three" film festivals in the world alongside Cannes and Venice. In 2020, Third Horizon merged with the NYC-based nonprofit Caribbean Film Academy-co-founders and joint producers of the festival-to create the new and expanded Third Horizon.
Third Horizon is proudly supported by Knight Foundation, which supports transformational ideas that promote quality journalism, advance media innovation, engage communities and foster the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, please visit knightfoundation.org.
Third Horizon is also proudly supported by JustFilms / Ford Foundation. As part of the Ford Foundation's Creativity and Free Expression program, JustFilms funds social justice storytelling and the 21st-century arts infrastructure that supports it. The projects and people it supports inspire imaginations, disrupt stereotypes, and help transform the conditions that perpetuate injustice and inequality. For more, please visit fordfoundation.org.
THIRD HORIZON FILM FESTIVAL 2021
FILM SCHEDULE
THURSDAY, JUNE 24
8:30 pm
LIBORIO
Dir. Nino Martnez Sosa | 77 mins | 2021 | Dominican Republic/France | Spanish and French with English Subtitles | Fiction
In the Dominican Republic early in the 20th century, Liborio, a peasant, disappears in a hurricane and returns as a prophet. He says he's been given a mission: to bring the good and take away the evil, curing the sick and teaching by example. People begin to congregate by his side and they move to the mountains to have total freedom and develop the dream of an independent community. Everything changes when the invading US Marines want to disarm and disband the community. Liborio wants to avoid a confrontation, but he knows that they can't run forever.
LIBORIO will be screening both online at in-person at Nite Owl Drive-In
10:30 pm
OPENING NIGHT PARTY FEATURING FOREIGNER
In keeping with its history of epic opening night parties, Third Horizon Film Festival 2021 will kick off with a session under the stars with Foreigner, the Trinidadian/Venezuelan DJ who's set L.A.'s underground scene on fire with his debaucherous and wildly inventive parties such as Junkyard Jourvet and Road Block Rally.
FRIDAY, JUNE 25
6:00 pm
SHORT FICTIONS: PROGRAM 1
Four dramatic shorts from the Caribbean and its diaspora that reflect an impressive range of styles and themes.
TUFF GUY
Dir. Yannis Sainte-Rose | 23 mins | 2021 | Martinique | French French Creole with English subtitles | Fiction
Following an inappropriate remark towards a woman, a young man finds himself plunged into a parallel world where he will undergo a series of remarks and micro-attacks usually reserved for women.
NO ENTRY
Dir. Kaleb D'Aguilar | 13 mins | 2021 | United Kingdom | English | Fiction
Against the backdrop of the Windrush scandal, a Jamaican mother, Valerie, struggles to keep her relationship with her son Eli intact. Valerie suffers in silence as she battles with the government's hostile environment tactics. She keeps the threat of deportation a secret, while her psychological state begins to deteriorate and she grapples with the fear of losing her son and the country she calls home.
PARIS IS HERE
Dirs. La Magnien and Quentin Chantrel | 17 mins | 2020 | French Guiana | French and French Creole with English Subtitles | Fiction
The peaceful life of Georges, an introverted French Guyanese teenager, gets complicated when he falls in love with Gisele, a dreamy girl who hopes to see Paris more than anything.
COUSINS
Dir. Mandy Marcus | 13 mins | 2021 | United States | English | Fiction
A Brooklyn teenager is reunited with her Guyanese cousin for the funeral of a relative. On the last day of the wake, the girls venture out into the city alone.
8:00 pm
PARTY DONE
Dir. Ian Harnarine | 46 mins | 2021 | Trinidad & Tobago | English Creole with English Subtitles | Non-Fiction
A popular Trinidadian television host utilizes viewer tips in an attempt to make a dent in the country's soaring murder and crime rate. His controversial techniques put him at odds with criminals and the law.
9:30 pm
RIGHT NEAR THE BEACH
Dir. Gibrey Allen | 80 mins | 2020 | Jamaica | English | LGBTQ+ Fiction
After the death of famous runner Jeffrey Jacobs, the Jamaican public becomes enamored with the details of his life and speculates as to the motivation behind his murder. Jeffrey's father, a reserved and kind farmer, struggles to grieve while inundated by the inescapable coverage. Through moments of blinding rage and quiet contemplation, the camera is a window into a life burdened by the death of a child that will never know justice. Against a backdrop of beautiful vistas, Right Near The Beach takes a lyrical approach to its subject-rather than treat the murder as a voyeuristic mystery, the film challenges us to contemplate the anguish of loss while everyone else debates the value of one person's life.
SATURDAY, JUNE 26
11:00 am
SHORTS: THIS WOMAN'S WORK
History and myth, poetry and reality embrace one another in these four filmic conjurations of the feminine, from Guyana to Scotland, Cuba to the USA.
PATTAKI
Dir. Everlane Moraes | 21 mins | 2018 | Cuba | Spanish with English subtitles | Experimental Non-Fiction
In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity are hypnotized by the powers of Yemaya, the goddess of the sea.
DOLL THOMAS
Dir. Ashanti Harris | 22 mins | 2019 | English | Scotland | English | Experimental Non-Fiction
Doll Thomas, is a document of artist and filmmaker Ashanti Harris' research into the historical relationship between Guyana and Scotland, and the hidden legacies of a female diaspora. In the film, Harris applies Gayatri Chakravorty Spivak's theories of translation as a methodology for speculating history and elaborating on the complex and extraordinary life of Doll Thomas, from the limited archival information documenting her existence. (Audience content warnings: The work makes reference to difficult and traumatic histories including the transatlantic slave trade and the colonial subjugation of women.)
SPIT ON THE BROOM
Dir. Madeleine Hunt-Ehrlich | 11 mins | 2020 | United States | English | Experimental Non-Fiction
For more than a century and a half, a group of African-American women belonging to a clandestine organization have acted as agents of goodwill in their communities. This visual essay conveys the history of the United Order of Tents, a secret society that originated in the aftermath of the American Civil War. The strength of this multigenerational sisterhood is shown through an amalgamation of historical reenactments and contemporary sequences.
WHEN ANGELS SPEAK OF LOVE*
Dir. Helen Pea | 13 mins | 2021 | United States | English | Non-Fiction
When Angels Speaks of Love, is a ritual portrait of a Miami woman as she grieves her sister's passing and prepares for new life in Clearwater, Florida.
1:00 pm
FILMMAKER In Focus: MORGAN QUAINTANCE
Morgan Quaintance is one of the most vital artist filmmakers working today. His practice reflects a strikingly unique approach to film form, and his growing body of work sits at an arresting confluence of the personal and the political. Having screened two of his films at THFF20, we are pleased this year to present this focus on Quaintance featuring three new and recent works.
SURVIVING YOU, ALWAYS
Dir. Morgan Quaintance | 18 mins | 2020 | United Kingdom | English | Experimental Non-Fiction
The transcendental promise of psychedelic drugs versus a concrete and violent experience of metropolitan living: these two opposing realities form the backdrop for an adolescent encounter told through still images and written narration.
MISSING TIME
Dir. Morgan Quaintance | 15 mins | 2020 | United Kingdom | English | Experimental Non-Fiction
Through a focus on alien abduction, cold war history, and Britain's colonial history, Missing Time considers the relation between amnesia, concealed histories, state secrecy, and the constitution of the self.
SOUTH
Dir. Morgan Quaintance | 28 mins | 2020 | United Kingdom | English | Experimental Non-Fiction
Taking two anti-racist and anti-authoritarian liberation movements in South London and Chicago's South Side as a point of departure, South presents an expressionistic investigation of the power of individual and collective voice. Interlinked with the filmmaker's own biography (time spent living in both London and Chicago), the film also considers questions of mortality and the will to transcend a world typified by concrete relations.
3:00 pm
STATELESS
Dir. Michle Stephenson | 96 mins | 2020 | Canada /United States/Haiti /Dominican Republic | Spanish with English subtitles | Non-Fiction
In 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929. The ruling rendered more than 200,000 people stateless, without nationality, identity or a homeland. Stateless traces the complex tributaries of history and present-day politics, as state-sanctioned racism seeps into mundane offices, living room meetings, and street protests. Anyone defending marginalized groups faces threats of violence. In this dangerous climate, a young attorney named Rosa Iris mounts a grassroots campaign, challenging electoral corruption and advocating for social justice. As Rosa balances her congressional run with her dedication to her family and community, the full scope of herfight is revealed.
STATELESS - PANEL DISCUSSION
Our screening of STATELESS will be followed by an extended in-person discussion with Stephenson, Rosa Iris Diendomi, and France Francois, founder and CEO of In Cultured Company, an organization that works on conflict resolution and reconciliation between Haitians and Dominicans. Moderated by Third Horizon filmmaker Monica Sorelle.
STATELESS will be screening both online and in-person at Prez Art Museum Miami.
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Law&Crime Expands Its Cable Footprint Across The Caribbean and Latin America With a Launch on Flow – Law & Crime
Posted: at 5:29 am
Law&Crime founder Dan Abrams
New York, NY June 1, 2021 Law&Crime, the leading legal and true crime network has announced a significant cable expansion across the Caribbean and Latin America with a launch on Flow. Part of Cable & Wireless Communications, Flow is the preeminent provider of telecommunications and entertainment services reaching 16 countries across the region.
Law&Crime features multiple live trials daily along with expert legal analysis. Original programming includes Brian Ross Investigates, hosted by former ABC Chief Investigative Correspondent Brian Ross, Trial File, Law&Crime Daily and Prime Crime. The network has recently expanded its live coverage to ten hours daily to accommodate the high-profile trial of real estate heir Robert Durst where it is also acting as the sole pool camera allowed in the courtroom.
Were excited about Flows vision around the legal and true crime programming genre and the Law&Crime fit in its channel packages, said Alex Kopacz, Head of Content Distribution & Licensing at Law&Crime. The networks footprint outside of the U.S. has reached new heights as viewer interest in compelling live trials and our related programs has seen no boundaries.
Flow provides enhanced features to its pay-TV subscribers including pausing live TV, starting shows from the beginning or the recording of any content on the cloud. It has also recently enlarged its video-on-demand (VOD) catalog. Law&Crime can be found on Flow video systems throughout the Caribbean.
About Law&Crime
From the high-profile cases to the most compelling local trials, Law&Crime is the leading network offering daily live trial coverage and expert legal commentary and analysis. Created by TVs top legal commentator and attorney, Dan Abrams, and backed by A+E Networks, Law&Crime is dedicated to exploring the always intriguing world of the law while also offering original true crime stories and legal programs to a broad, multi-platform audience. Law&Crime is available on prominent OTT services including Peacock, fuboTV, Sling, Philo, The Roku Channel, Xfinity, XUMO and TV Plus as well as on basic cable packages in most states and across the Caribbean.
About C&W Communications
C&W, part of the Liberty Latin America group of companies, is a full-service communications and entertainment provider and delivers market-leading video, broadband, telephony and mobile services to consumers in more than 20 markets. Through its business division, C&W provides data center hosting, domestic and international managed network services, and customized IT service solutions, utilizing cloud technology to serve business and government customers. C&W also operates a state-of-the-art submarine fiber network the most extensive in the region. Learn more at http://www.cwc.com
[Image via Law&Crime Network]
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Sneak Peek: Tequila Butcher at the Caribbean – Mpls.St.Paul Magazine
Posted: at 5:29 am
The Caribbean in Tonka Bay has LONG been my favorite spot for a chill lakeside meal. The boat-up burger shack is one of the oldest on the lake, and I loved it forthe anti-boat-mob vibe, the quiet neighborhood, the refreshing lack of bands. And I have long asserted that they had the best burger on the lake, mainly because they were fresh and not frozen hand-pattied beef bombs. But the old and quirky spot changed hands a few years ago, and whilethe new owners tried to run the restaurant side of the marina, it just wasn't the same. I made peace with that, I can handle change.
But I'd rather handle this kind of change: the deck-only restaurant is now being managed by a crew of true professionals. In a smart move, the ownership has partnered up with Chanhassen's favorite tequila and taco spot, so that this summer we get The Tequila Butcher at the Caribbean.
Yes, that means killer drinks from Ralena Young. Yes, that means you have to let go of this being the spot where you could bring your liquor bottle from your boat and get a "set-up". Ralena's mixed drinks are better than anything you might glurg into a Solo cup, so get ready.
The whole building has had a refreshing coat of paint and some light upgrades. The side-patio, which is screened in and the only place with actual cover if it rains, has been given nice lighting and paint. The baris currently still not a place where you can sit (due to rules), buthas a least been given a great makeover, with cocktails and tapped beer added to the menu.
It's still a deck! The tables all have fresh umbrellas, and there's new staff to serve the tables, but the vibe is still walk-up or boat-up casual.
You'll have to walk by the smoker on your way in, and that's not a bad thing.
As for the food, it's a world of difference. And it's a bigger menu than has ever been carried out of that kitchen, as far as I can remember. If you've been to the Chanhassen spot, you'll see some familiar bits, but there are also new items that are Tonka Bay specific.
Let's just address the burger in the room. They are offering a Caribbean burger, single or double, on the menu and trying to recapture the old hearts and the old ways. But, you might just opt for the Hot and Smoky burger which tops the beef patty with smoked brisket, a split hot link, crispy onions, and a winning smoked gouda cheese sauce. Embrace the future! And other than burgers, there are options for a Cubano, a crispy chicken sandwich with diablo sauce, a bacon wrapped Guadalajara dog, even a lobster roll.
Or, go tacos. Blackened tilapia, crispy fish, beef barbacoa, carnitas, and chicken tinga all make a great hand snack. You'll also find a generous portion of ceviche and a crazy pineapple stuffed with spicy fruit. Add a side shot of tequila with that one. Plus, they will have a BBQ pack that serves 3-4, if you want to get back on the boat or your own deck with ribs, brisket, pulled pork, sausage, elotes, fries and more good stuff.
The drinks program here is worth giving up your set-up culture, and it has a lot of pedigree that takes it beyond the 2-4-1 game found around the lake. The El Diablo with blackberry and coconut is your upgraded tequila drink. The Caipirinha is simple lime and rum, that kicks. They're sporting their signature Old Fashioned from sister restaurant Bourbon Butcher, but the house Old Fashionedhas vacation feels with coconut sugar, agave nectar, chai tea,and anejo tequila.
Though, you can't really go wrong with the classic margarita. Choose your tequila or mezcal from the list, or let them choose, and sit back to watch the lake. There is one frozen drink on the list, the Caribbean Colada, which whips up a sunset-worthy mango, pineapple, coconut cream brain freeze.
It really could be the best summer ever. Opening on Friday, the Butcher on the bay will do lunch and dinner W-Su. No rezzies, so drive over (be respectful of those tight neighborhood streets) or boat up to the dock (technically on Echo Bay), and you can grab a deck spot or grab takeout and sit on your boat. Change is good.
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Sneak Peek: Tequila Butcher at the Caribbean - Mpls.St.Paul Magazine
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How Telling The Truth On Campus Gets You Persecuted – The Federalist
Posted: at 5:29 am
Words are violence. Cultural appropriation. Cisgender norms. Intersectionality. These are some of the phrases aggressively (and endlessly) foisted upon American society. They are employed to attack and vilify the critics of wokeness. And they are spawned and perpetuated in the bogs of the liberal academy.
Canadian free speech activist Lindsay Shepherd knows something about this pseudo-intellectual claptrap. She suffered through years of it at Wilfrid Laurier University in Ontario, Canada, both before and after her now-famous decision as a teaching assistant of a communications studies course to present a Jordan Peterson clip regarding pronouns.
The fallout from that, which I reported on a 2018 Federalist article, dramatically changed her life, and made her a heroine of those who prize free expression and are concerned about the intellectual decline of university campuses. Her new book, Diversity & Exclusion: Confronting the Campus Free Speech Crisis, exposes how morally and intellectually bankrupt the academy has become.
Shepherds story proves the risible and ridiculous character of the contemporary university. Much of this falls within what she calls the oppression Olympics. One professor discouraged white students from raising their hands during class, alleging they have more opportunities in society than students of color.
Other professors put land acknowledgments recognitions of the indigenous peoples who earlier inhabited a certain piece of land in their email signatures. At one campus demonstration, a speaker claimed that adding yogurt to hummus is cultural appropriation.
Its not just the asininity of the academy, but its pettiness. When Shepherd tweeted part of a syllabus from a professor regarding land acknowledgments, the professor threatened to silence her with intellectual property violations.
Another time, a grad student who engaged in online sparring matches with Shepherd demanded she leave the communications study lounge, where she was printing some documents. When she refused and called him petty and pathetic, he lodged a formal complaint with the university. Shepherd was eventually cleared of the charge.
During the tribunal with three Wilfrid Laurier employees to discuss Shepherds provocative video clip, professor Nathan Rambukkana referred to Shepherds positionality. He further chastised her for making her students feel uncomfortable and fostering an unsafe learning environment by allegedly promoting gendered violence and transphobia.
Diversity & Exclusion also exposes how universities have become places not to inculcate portions of the Western tradition, train young people how to think, and prepare them for professional life, but centers of intellectually incurious indoctrination.
I had been under the impression graduate school attracted the most open, inquisitive, and curious minds, but instead I was finding rigid ideological conformity and disavowal of those who deviate ever so slightly, writes Shepherd. Her readings had titles like Dialectics of Colonial Sovereignty and The Future Birth of the Affective Fact: The Political Ontology of Threat.
According to Shepherd, the currently popular biopolitical theory is a study in nothingness. She explains:
The biopolitics acolytes deployed a specialized, obscure language that made it seem like they were doing something so distinguished that a layperson just could simply not understand it, when really there was nothing substantive about what they were saying. The nothingness of their endeavor was cloaked with fancy terms like necropolitics, subjectivity, and governmentality.
The perverse effect of this indoctrination is visible in how students responded to Shepherds battle with the university over free speech, which originated in her simply raising for discussion the use of pronouns (which faculty described as violent speech and gendered violence). The universitys Rainbow Centre, for example, declared: Debates about gender neutral pronouns or the validity of trans identities are not only discussions about (dis)allowable speech but, also, affronts on the reality of trans experience. Such debates, it claimed, even constitute a form of epistemic violence that dehumanizes trans people by denying the validity of trans experience.
What Shepherd experienced first-hand are the tactics employed by tyrannical ideologues to defame and delegitimize opponents. In an irony student activists seemed unable to appreciate, they characterized a free-speech rally as actually silencing trans and non-binary students and engaging in transphobia. As R.R. Reno has noted at First Things, by accusing ones intellectual opponents as suffering from some sort of phobia, the activist ideologue leverages the supposedly clinical and scientific against the allegedly backward and bigoted.
This uneducates students in logic, rhetoric, and debate, teaching them instead to vilify their opponents via name-calling, caricature, and guilt by association. Peterson, according to one student petition, engages in gendered white supremacist ideology. Shepherd, one Canadian professor claimed, is an alt-right provocateur who deploys White Lady Tears.
Shepherd, they declared, was supposedly alt-right because she showed a video of Peterson, a bestselling mainstream author some alt-right people support. This is utter nonsense.
For most of her life, Shepherd by default considered herself a leftist. She was not religious (and enjoyed listening to prominent atheist intellectuals); she favored pro-choice, environmental-conscious policies; she was concerned about wealth inequality; she harbored no opposition to gay marriage. Yet she, unlike many of her classmates, was intellectually curious and uninterested in simply regurgitating Michel Foucault and other postmodernists. In other words, she was willing to have her intellectual premises tested.
For that, Shepherd was attacked and maligned, not only by the academy, but by much of Canadian media. No longer at home among the liberal intelligentsia, she joined the Conservative Party of Canada. She now has had trouble finding employment because of her reputation.
Her $3.6 million lawsuit against the professors and administrators at Wilfrid Laurier, as well as the university, for harassment, intentional infliction of nervous shock, negligence, and constructive dismissal, is still pending. I hope she gets every penny.
Whats to be done? Shepherd calls for the closure of campus diversity offices, which she believes undermine the pursuit of knowledge by elevating identity politics over uncomfortable truths.
Thats just a start. The purpose of the academy in the Western tradition is to transfer to students a conception of objective truth. The very name university derives from the idea that a diversity of subjects (mathematics, science, history, language) are all unified as part of a broader, coherent human understanding of reality.
Now the academy peddles in postmodern deconstructionism that questions whether objective knowledge is even possible. Even math and logic are now said to be racist and colonialist.
Yet if the deconstructionists, postmodernists, and adherents of critical theory are correct that our intellectual and cultural traditions are inaccurate, immoral, and incoherent, whats the point of even having a university? They have, in effect, argued themselves out of their jobs.
State governments, which possess the power to influence public academic institutions, need to take more interest in what is happening in state universities and apply the necessary pressure to stop these worrying trends, which evince not only an intellectual suicide but a socio-cultural one. Our leaders must demonstrate the courage to curb what is killing us. What we need are politicians who demonstrate the kind of courage displayed by Lindsay Shepherd.
Casey Chalk is a Senior Contributor at The Federalist and an editor and columnist at The New Oxford Review. He has a bachelor's in history and master's in teaching from the University of Virginia and a master's in theology from Christendom College.
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How Telling The Truth On Campus Gets You Persecuted - The Federalist
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Spain will open its borders to cruise ships in June – Royal Caribbean Blog
Posted: at 5:29 am
One of the most important countries to the cruise industry in Europe is set to reopen its ports to cruise ships.
The gateway to Western Mediterranean cruises is Spain, and it looks as though they will welcome back cruise ships next month.
Spain's Transport Minister is reported by Reuters to have said its ports will allow cruise ship traffic once again, beginning on June 7.
With new cases falling and an increase in vaccinations in the country, Spain's government officials believe the time is right to let cruise ships back in.
In April, the European Union announced plans to allow fully vaccinated Americans to visit their countries this summer.
Greece, Spain, Italy, Portugal and Croatia are the countries leading the charge to allow Americans, since their economy relies so heavily on tourism.
Spain's Prime Minister said fully vaccinated people from anywhere in the world would be allowed in last week, beginning June 7th.
Royal Caribbean has two ships scheduled to sail from Spain this summer, Harmony of the Seas and Rhapsody of the Seas.
Harmony's summer season is scheduled to begin on July 4, 2021 and is still on the cruise line's schedule to sail from Barcelona.
Harmony of the Seas European season is scheduled to run between July through October, wwith 7-night Western Mediterranean cruises that visit Palma de Mallorca, Provence, Florence, Rome, and Naples.
Rhapsody of the Seas has a transatlantic sailing scheduled for November 30, 2021 from Barcelona.
Cruise ships have been prohibited from operating in Spain since June 2020.
Royal Caribbean has not officially cancelled ormade any updates to scheduled cruises in July, including Europe or the United States.
As of the posting of this article, Harmony of the Seas is off the coast of Barcelona, and Rhapsody of the Seas is in the Bahamas.
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Floating Island Project | The Seasteading Institute
Posted: at 5:28 am
The Gulf of Fonseca, bordering three Central American nations, was chosen as a test case for the suitability of the design for protected, territorial waters this location selected was based loosely on the criteria we used for selecting host nations, such as proximity to cities and existing infrastructure, and location within an attractive climate, outside the path of hurricanes. However, site selection for this study should not be interpreted as suggesting that we have an agreement to develop a floating city in the Gulf of Fonseca. In a location like this, DeltaSync reports that the platforms could be completely solar-powered, and that this would in fact be more cost-effective than diesel generation, even including the costs of battery storage and distribution via micro-grid. This concept also assesses a scalable method of financing a breakwater, which could eventually surround the city and allow it to move out to the open ocean. Mobility of the individual modules is key from the perspective of guaranteeing autonomy for the city in the event that the relationship with a particular host nation no longer suits either party, the platforms could detach from their moorings and float to a different location. Modularity and mobility also enable dynamic geography and empower citizens of the city to rearrange into more desirable configurations as the population grows and evolves. While more in-depth engineering research is required, the preliminary analysis suggests that concrete platforms in the 50 x 50 meter dimensions strike the best balance between cost, movability, and stability in the waves of the representative region. Future research includes verifying the findings in DeltaSyncs report and honing the assumptions off of which the design is based.
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This is why the Thai navy busted a seasteading American
Posted: at 5:28 am
BANGKOK Thai authorities have raided a floating home in the Andaman Sea belonging to an American man and his Thai partner who sought to be pioneers in the seasteading movement, which promotes living in international waters to be free of any nations laws.
Thailand's navy said Chad Elwartowski and Supranee Thepdet endangered national sovereignty, an offense punishable by life imprisonment or death.
It filed a complaint against them with police on the southern resort island of Phuket. Thai authorities said they have revoked Elwartowskis visa.
Elwartowski said in an email Thursday that he believes he and Supranee also known as Nadia Summergirl did nothing wrong.
"This is ridiculous," he said in an earlier statement posted online. "We lived on a floating house boat for a few weeks and now Thailand wants us killed."
The couple, who have gone into hiding, had been living part-time on a small structure they said was anchored outside Thailands territorial waters, just over 12 nautical miles from shore. They were not there when the navy carried out their raid on Saturday.
The Thai deputy naval commander responsible for the area said the project was a challenge to the country's authorities.
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"This affects our national security and cannot be allowed," Rear Adm. Wintharat Kotchaseni told Thai media on Tuesday. He said the floating house also posed a safety threat to navigation if it broke loose because the area is considered a shipping lane.
Seasteading has had a revival in recent years as libertarian ideas of living free from state interference such as by using crypto-currency including Bitcoin have become more popular, including among influential Silicon Valley figures such as entrepreneur Peter Thiel. Elwartowski, an IT specialist, has been involved in Bitcoin since 2010.
Several larger-scale projects are under development, but some in the seasteading community have credited the Andaman Sea house with being the first modern implementation of seasteading.
"The first thing to do is whatever I can to help Chad & Nadia, because living on a weird self-built structure and dreaming of future sovereignty should be considered harmless eccentricities, not major crimes," Patri Friedman, a former Google engineer who heads The Seasteading Institute, said on his Facebook page.
The floating two-story octagonal house at the center of the controversy had been profiled and promoted online by a group called Ocean Builders, which touted it as a pilot project and sought to sell additional units.
The group describes itself as "a team of engineering focused entrepreneurs who have a passion for seasteading and are willing to put the hard work and effort forward to see that it happens."
In online statements, both Elwartowski and Ocean Builders said the couple merely promoted and lived on the structure, and did not fund, design, build or set the location for it.
"I was volunteering for the project promoting it with the desire to be able to be the first seasteader and continue promoting it while living on the platform," Elwartowski told The Associated Press.
"Being a foreigner in a foreign land, seeing the news that they want to give me the death penalty for just living on a floating house had me quite scared," Elwartowski said. "We are still quite scared for our lives. We seriously did not think we were doing anything wrong and thought this would be a huge benefit for Thailand in so many ways."
Asked his next step, he was more optimistic.
"I believe my lawyer can come to an amicable agreement with the Thai government," he said.
Associated Press journalist Tassanee Vejpongsa contributed to this report.
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