Daily Archives: October 6, 2019

Wriggling out of accountability: Misinformation, evasion, and the informational problem of live TV interviews – Nieman Journalism Lab at Harvard

Posted: October 6, 2019 at 4:44 pm

First, it happened on Fox News. Chris Wallace asked White House adviser Stephen Miller about the presidents decision to use private lawyers to get information from the Ukrainian government rather than go throughagencies of his government.

Millers response began Two different points when Wallace cut him off. How about answering my question? Wallace asked.

Miller, changing the subject, ignored Wallace. Wallaces question was never answered.

Then it happened again. Jake Tapper hosted Congressman Jim Jordan on his CNN show State of the Union. As the interview closed, Jordan simply started ignoring Tappers questions and giving his talking points instead. The interview concluded with a visibly frustrated Tapper signaling disappointment about his guests avoidance of simple and direct questions.

Both interviews clarified little. These clashes between recalcitrant guests and flustered hosts created sensational television, but rather than enlighten, as journalism should do, they muddied the story for uninformed viewers.

Audiences critiqued the behavior of the interviewer and interviewees using viral clips on social media, but little was noted about the troublesome aspects of the format itself. The live TV interview, with its tightly constricted parameters, has much to do with the journalistic failure that occurred. What happened in these interviews recurs with such regularity that the failure of this exercise is, by now, entirely predictable.

Perhaps its time to reconsider the journalistic value of live interviews and return to a standard that reflects what viewers should expect from news programming.

When radio broadcasting emerged in the 1920s, unscripted live interviews were rare. Radio networks and stations carefully policed their airwaves lest something too disagreeable, spontaneous, or controversial cause problems with sponsors or the Federal Communications Commission. As media history and radio studies scholar Jason Loviglio notes, even popular vox pop shows (featuring people-on-the-street interviews) were often scripted.

During World War II, broadcast interviews were diligently monitored by the Office of Censorship and the Office of War Information. Scripts of interviews with soldiers and homefront citizens alike were often censored to prevent a war secret accidentally slipping through.

After the war, radio documentary reporters began asking interviewees critical and even occasionally antagonistic questions in their recordings. But soon the anticommunism infecting American politics made broadcasters wary of unscripted responses. Controversial guests were either blacklisted by the networks or carefully vetted. News interview shows became largely friendly and promotional.

Villains and controversy remained rare even on journalist Edward R. Murrows celebrated programs, See It Now and Person to Person. When they did appear as in the famous broadcasts featuring Sen. Joseph McCarthy they were shown mostly in selectively edited film clips.

Then Mike Wallace arrived. Beginning with Night Beat, a local New York City program aired in 1956 and 1957, Wallace transformed the broadcast interview.

In the new documentary Mike Wallace Is Here, clips illustrate Wallaces revolutionary approach. He could be sarcastic, probing, antagonistic and critical. On both Night Beat and ABCs The Mike Wallace Interview, Wallace proved a relentless inquisitor. Acting the prosecutor, Wallace watched a procession of gangsters, corrupt politicians, and celebrities flinch and dissemble from segregationist Sen. James Eastland to the controversial author Ayn Rand.

But Wallaces abrasive style failed to fit the sunny optimism of the Kennedy years. When legal problems and dipping ratings ended his programs run, the Wallace style wouldnt return until the late 1960s.

Thats when the credibility gap caused largely by the governments misinformation about such issues as the Vietnam War and the audiences growing skepticism in an age of assassinations and turmoil had so widened that critics like The New Yorkers Michael Arlen argued that television news required more forceful and critical interviewing.

In 1968, CBS News assembled a new news magazine called 60 Minutes that forever changed American television. Although hampered by low ratings in its initial years, Wallace, its star, soon emerged as Americas crusading TV reporter. Hed grill everyone from the small-time con artist to the president, from dictators to celebrities to expose their weaknesses and reveal their humanity.

Imam, he said to Irans revolutionary leader Ayatollah Khomeini during the hostage crisis of 1979, President Sadat [of Egypt], a devoutly religious mansays that what you are doing now is, quote, a disgrace to Islam, and he calls you forgive me, his words, not mine a lunatic.' The ayatollah responded by calling for Sadats overthrow.

60 Minutes spawned numerous imitators. Its mix of sensational investigations, celebrity profiles, and engaging stories made it one of the longest-running (and most profitable) network TV shows. It proved just how much money good TV interviews might earn.

60 Minutes relied upon carefully produced and edited interviews. But soon satellite technology facilitated live remote interviewing, and the live TV interview format became common. A key evolutionary moment occurred in 1979, when ABC inaugurated a series of shows about the Iran hostage crisis that evolved into Nightline.

Nightline host Ted Koppel bore in on guests with icy precision. Koppels interviews with everyone from the disgraced televangelist Jim Bakker and his wife Tammy Faye to Nelson Mandela became memorable moments in broadcast journalism history. Is it going to be possible for you to get through an interview without wrapping yourselves in the Bible? he asked the Bakkers.

Other TV interviewers, including Barbara Walters and Larry King, developed their own idiosyncratic styles for both live and taped programs. Audiences loved their favorite interviewers, and the TV interview reliably delivered high ratings and lucrative ad revenue.

But nothing equaled 60 Minutes. At its ratings apex, the programs most attractive feature remained those Mike Wallace interviews. On Sunday nights, after NFL football, Mike Wallaces weekly inquisition became an American TV ritual.

The legacy of 60 Minutes is mixed. Many young reporters idolized Wallace, and soon every TV market in America had its investigative I-teams revealing local swindles. Antagonistic interviews with bad guys became routine.

By the 1980s, talk shows with hosts like Morton Downey Jr. began inviting guests to appear in order to belittle them. Downey generated high ratings by yelling Shut up! at everyone in the studio. Later, at Fox News, Bill OReillys hectoring and insults also produced high ratings. Encouraged, TV news interviewers yelled more. Guests soon realized this, and began preparing more carefully by strategically rehearsing talking points and planning to ignore questions in favor of repeating their own messages.

The interviews by Jake Tapper and Chris Wallace who is of course Mike Wallaces son represent the culmination of this trajectory. It was entirely predictable that their two guests Sunday would stonewall any semblance of dialogue.

The cable channels have no one to blame but themselves. They have boxed themselves in with the popularity of their live interview shows and found success with a format that is both constricting and ripe for exploitation.

60 Minutes very rarely aired live interviews because that programs producers knew live TV can be commandeered. On a live broadcast, when a guest misbehaves or misinforms the audience, a host has few options. They can ungraciously argue and yell, but that might inspire sympathy for the interviewee. They can cut off the microphone, but that might incite charges of censorship.

Theres one option that could be considered by these programs: not inviting guests who will mislead audiences with provably inaccurate information.

The Biden campaign recently asked that Rudy Giuliani, the presidents personal lawyer, be excluded from interviews for these journalistic reasons. The request argues that the balance between informing and misinforming viewers is a journalistic question, not a political one.

Ultimately, this is not an ethical issue of balance or fairness. Citizens require credible, verified, and accurate information to perform their democratic responsibilities. Theres no journalistic obligation to disseminate views that mislead, misdirect, or offer irrelevant information designed to intentionally confuse viewers. In fact, there is a journalistic obligation to do the opposite.

To fulfill their democratic and journalistic responsibilities, perhaps TV news operations airing these programs could consider inviting alternative guests and changing the standard format. That way, we could all be more reliably informed.

Michael J. Socolow is an associate professor of communication and journalism at the University of Maine. This article is republished from The Conversation under a Creative Commons license.

View original post here:

Wriggling out of accountability: Misinformation, evasion, and the informational problem of live TV interviews - Nieman Journalism Lab at Harvard

Posted in Ayn Rand | Comments Off on Wriggling out of accountability: Misinformation, evasion, and the informational problem of live TV interviews – Nieman Journalism Lab at Harvard

"Joker" is a wildly uneven mess and a dangerous one in the wrong hands – Salon

Posted: at 4:44 pm

"Joker" is a movie that you ignore at your own peril. Its fans will no doubt complain that this review focuses on politics, but the movie's political implications are so explicit and intentional (despite the main character's last-minute protestations to the contrary) that ignoring them would be the film critic equivalent of dereliction of duty. If you're going to be a "message" picture, then your message defines your artistic merit.

Is it a dangerous manifesto that could inspire incels to commit acts of violence, as some of its critics fear? An edgy character study teeming with social commentary, as director Todd Phillips and co-writer Scott Silver seem to have intended? Is it a dark comic book adventure like "The Dark Knight" or a perverse ode to mentally ill social rejects, like the Martin Scorsese classics "Taxi Driver" and "The King of Comedy" (and "The Dark Knight" as well)?

The answer is yes to all of those questions, but explaining why is not so simple. It's best to start by describing the skin of the film, its meandering plot, before trying to disentangle the messy entrails.

"Joker" is the story of Arthur Fleck (Joaquin Phoenix), a mentally ill and impoverished street clown who has absurdly, cruelly implausible dreams of succeeding as a stand up comedian. The problem is that nothing in his life is particularly funny, an irony that does not escape the future Joker. He suffers from pathological laughter, is socially awkward, depends on numerous psychiatric medications, lives with an abusive and neglectful mother, has no real friends, and is prone to humiliating himself. A series of rejections and setbacks some economic, some social, some in the form of physical persecution - gradually transform him into a violent criminal. In the process he inspires protests and riots from countless other self-declared "clowns" like himself, with major consequences for both himself and Gotham City.

As a traditional comic book movie which this does not aspire to be "Joker" would be a failure. This is, emphatically, not a film for children, and not just because it mostly waits until the end to provide the requisite elaborate action sequences and special effects. "Joker" aims to be Heath Ledger's iconic iteration of that character from "The Dark Knight" by way of Martin Scorsese's gritty narrative style, flaunting its R rating with gruesome gore, an unremittingly bleak tone, vulgar language, and deeply disturbing subject matter.

Yet while it succeeds in aping the superficial aspects of Scorsese's style, "Joker" lacks the intelligence or gravitas of Scorsese's best work. If anything it reminded me of Phillips' first film, "Hated: GG Allin and the Murder Junkies," a documentary about a punk rocker whose shows included nudity, self-harm, violence against audience members, and eating various bodily excrements. Allin infamously befriended serial killer John Wayne Gacy, a fact that Phillips tellingly found to be cool and subversive instead of sinister (he even commissioned Gacy to design the film's poster). What's more, Allin's music was about as good as Fleck's comedy (that is, not very), and as a result, both movies mix their ostensible sympathy for their subjects with a sense of smug superiority. The end result, on both occasions, is simultaneously provocative and shallow.

And yes, there is good reason to worry that this film will appeal to incels. The character of Sophie Dumond (Zazie Beetz) exists for no other purpose than to be a supposed love interest who is stalked, obsessed over, has her apartment broken into, and is eventually reduced to a plot gimmick. She is, in other words, an object in Fleck's world rather than a three-dimensional character, with her main function that of reinforcing Fleck's sense of failure and justify his resentments against the world. This is perhaps an intentional parallel to Cybill Shepherd's Betsy from "Taxi Driver," but we actually saw Robert De Niro's Travis Bickle interact with her in meaningful ways and learned about her as a person. While Sophie isn't vilified, the simplistic and objectifying nature of her story arc is problematic, and meshes uneasily with a movie that is aimed at the violently embittered.

There is a different type of problem in the film's approach to economic issues. Like "The Dark Knight" trilogy, it wants to acknowledge social and political injustices, but lacks the courage to define itself as anything other than generically populist a creative choice that means it can be easily used for inspiration by both left-wingers and right-wingers. To be sure, Thomas Wayne (Brett Cullen), the father of future Batman Bruce Wayne (Dante Pereira-Olson), has a clearly defined ideology: He is a loathsome oligarch who fancies himself the hero of an Ayn Rand fable. At no point does he question that his wealth and business success reflect on his worth as a human being rather than unearned privileges. He openly derides those who struggle in life as "clowns" who should simply accept their inferiority to him and be grateful that he wants to be their mayor (almost certainly as a Republican). When the Joker murders three of Wayne's obnoxious yuppie employees, the billionaire never questions that they are innocent victims of a jealous loser.

Yet those who oppose this unjust establishment aren't given a specific ideology, just explosively violent rage. It offers no solutions beyond "burn it all down," with the Joker openly (and somewhat disingenuously) disavowing any interest in politics during a climactic monologue. The desire to kill elites is instead driven by primal vengeance, not a desire for a new world order like the anarchism preached by Ledger's Joker and Tom Hardy's Bane in "The Dark Knight Rises." Given the movie's ultra-violent conclusion, the malleability of this aspect of its identity is also potentially dangerous.

Finally there is its handling of mental illness. When I first saw trailers for the movie I was concerned that it would stigmatize people in this community, of which I am a member. My fears weren't entirely founded - Fleck is a sympathetic character and the movie is surprisingly realistic in depicting some aspects of how society mistreats the mentally ill but it still characterizes Fleck as prone to violence and crime. His unemployability is partially blamed on social cruelty, but there is still the sense that he is incompetent and undeserving of the success he seeks. Phillips doesn't explore Fleck's soul so much as present him as a spectacle, an act that objectifies mental illness as much as using it to make a character into a MacGuffin (which happened in 2018's "The Predator") or a monster (such as in 2017's "Split"). This cinematic trend of objectifying mentally ill characters for plot convenience has become so ubiquitous that it warrants a term.

Would I recommend the movie? If you want to see a memorably idiosyncratic Phoenix performance or are tickled by the idea of Robert De Niro in the Jerry Lewis character from "The King of Comedy," sure. If you enjoy Scorsese's style of filmmaking, yes as long as you are willing to accept a lesser-grade substitute. If you want to see a fun comic book movie, absolutely not.

Yet that isn't the big thing that matters here. The more important point is that, because "Joker" wants to be a deep movie and is almost certainly going to be a huge success due to the ongoing popularity of the Batman franchise, it is likely that many people will identify with Fleck and consider the movie to be thought-provoking. As a result, the ideas in "Joker" will have consequences. How we proceed with our conversation about them will help determine whether they are for good or ill.

Link:

"Joker" is a wildly uneven mess and a dangerous one in the wrong hands - Salon

Posted in Ayn Rand | Comments Off on "Joker" is a wildly uneven mess and a dangerous one in the wrong hands – Salon

Opinion | Oct. 5: Digital billboards dangerous, Ontario’s heartless government and other letters to the editor – TheSpec.com

Posted: at 4:44 pm

Who are the real Nazis here?

Election

I attended the Bernier/PPC event at Mohawk College on Sunday. I wanted to see if they really were a far right party as many have claimed. And to be honest, I thought it might be fun to watch the circus.

Inside the theatre, I listened carefully to the panellists and my neighbours in the audience and did not hear any hate speech.

Outside was a different story. Antifa (who are opposed to Bernier's party) were roaming around in packs picking on those walking alone, the elderly, the infirm or their favourite targets women. They prevented their victims from moving forward, blew cigarette smoke into their faces while screaming "Nazi scum, off our streets." It's ironic they should call others Nazis because Hitler's storm troopers began exactly the same way disrupting political events by using intimidation and harassment. Whether they are on the left or the right is irrelevant this behaviour should not be tolerated.

Fred Cranston, Hamilton

Andrew Scheer's boring fantasies

Election

An insurance broker? That's the best fake Andrew Scheer can conjure? Not astronaut, ninja warrior or heart surgeon?

At least if he's going to invent things he's done, he could have picked something more interesting. The man is too boring to lead.

Jeanette Morgan, Burlington

No such thing as absolute freedom

Public safety

The current controversy regarding "the rights" of anti-vaxxers and parents who believe in alternative medicine at the peril of their children's lives brings into glaring relief the misunderstanding of the concept of freedom and individual rights in this era.

Absolute freedom does not exist in nature or society. Reality restricts the possibility in nature and the benefits availed by living in a society preclude absolute freedom. Concessions must be made. Individual freedom/rights are tempered by the needs/benefits of the whole. That's what is known as "The Social Contract."

Gerard Shkuda, Burlington

Ayn Rand had most things dead wrong

Ayn Rand had it right on the economy (Sept. 25)

"A free mind and a free market are corollaries." Sorry, Ayn Rand had it wrong.

Let's add Pinochet to the list of notable figures the writer cites; he needed a bloody military coup to impose Milton Friedman's free-market policies in Chile, leading to the death and disappearance of thousands. The result was a crisis of corruption and debt so severe that the dictator was forced to nationalize several large deregulated financial institutions, producing more government intervention than there had been before the elected socialist government was ousted.

CEO Eddie Lampert tried restructuring Sears according to Rand's principles, breaking it into more than 30 individual units, each with its own management and measured separately for profit and loss, assuming competition would lead to higher profits. Where's Sears now? Thousands of free minded people ended up with no jobs and no pensions.

What would have happened in the 2008 collapse without government intervention and the bailouts of free-market institutions and corporations deemed too big to fail? Where would the wealthy be without the government enforced property and contract laws that work in their favour?

Support for unregulated free markets is support for homelessness and exploitative labour practices: 19th century laws to restrict child labour were opposed on the grounds they interfered with the operation of the market. Cooperation and compassion work better than unregulated self-interest.

Mark Dineen, Hamilton

Linc billboards a driver distraction

Distracted driving

In this era of distracted driving and accidents, I wonder who the bright light at City Hall is who thought that 8-by-40-foot illuminated billboards on the Linc, that change messages every 10 seconds, was a good idea?

Let's hope that the revenue generated is enough to offset the insurance claims when drivers get distracted and cause accidents.

Maybe it's a pilot project and we will soon see many more. And then, using technology, we can allow drivers access to the screens and they can stream their favourite programs as they drive.

Lee Fairbanks, Hamilton

Continue reading here:

Opinion | Oct. 5: Digital billboards dangerous, Ontario's heartless government and other letters to the editor - TheSpec.com

Posted in Ayn Rand | Comments Off on Opinion | Oct. 5: Digital billboards dangerous, Ontario’s heartless government and other letters to the editor – TheSpec.com

Diaspora review: a rave for the senses, a future that has already arrived – The Conversation AU

Posted: at 4:43 pm

Diaspora, a production by Chamber Made, sets out to explore the nature of consciousness as society moves closer to the post-human digital realm.

It is a concept inspired by Australian Greg Egans eponymous science fiction novel. As creator Robin Fox (who collaborated with artistic director Tamara Saulwick and co-composer Erkki Veltheim) explains, Diaspora is a science fiction revelation which we are already experiencing.

A feast for the senses reminiscent at times of an all-night rave or the film Bladerunner, the work bathes the entire SUBSTATION space with broad spectrum frequencies of light and sound.

Fox delivers full sonic immersion through sub-bass pulsations felt by the audiences bodies more than heard using undulating old-school synthesizers to represent the pasts vision for our future-present. The moog analog synthesizer and ondes musicales (a 1920s electronic keyboard) are beautifully played by Madeline Flynn.

Alongside her theremin (an instrument noted for its eerie tones and hands-free playing technique), Georgina Darvidis compelling vocals filtered through synthesizer and a vocoder to reduce their bandwidth create the sonic illusion of a posthuman melody for Somewhere Over the Rainbow.

The treatment is reminiscent of Max Matthews 1961 synthesised voice on Bicycle Built for Two, made famous in Stanley Kubricks 2001: A Space Odyssey.

Another sonic layer features the extraordinarily virtuosic electric violin of Veltheim, which helps to bridge digital and analogue sound worlds. At one point a Bach partita emanates from his violin, but so heavily filtered that only fragments could be heard. The effect was ethereal.

But despite the impressive sonic techniques, the highlight of the performance was the high definition suspended three-dimensional hologram-like image. This centrepiece evolves over the course of the show from an embryo to an artificially intelligent consciousness.

Beginning as nucleus it moves from womb to human brain to the representation of active neural networks engaged in transmitting complex code. Eventually morphs into a single suspended eyeball, reminiscent of Samuel Becketts plays or Janet Frames short story Solutions, in which the body is gradually deconstructed over the course of the work.

Conversely, Diaspora gradually constructs, piece by piece, a virtual being. Using a 19th-century theatrical illusion technique known as Peppers Ghost, Fox alongside video artist and system designer Nick Roux create effective illusions by bouncing images off Perspex surfaces to produce a spectre performer.

As a musician, I became aware I was continually drawn to the visual, fixated by the projections. The music, then, sonifies these images, creating a multidimensional sensory environment in which ultimately the visual reigns.

The eyeball becomes a writhing three-armed figurine, gliding sensually to the rhythms supplied by only vaguely human musicians. The glitchy, distorted human voice becomes the ultimate sonic metaphor for the posthuman body. We still hear Roland Barthes Grain of the Voice, but in this choppy, vocoder rendition, it no longer communicates in a language we understand.

Other disembodied limbs start to dance, suspended in midair, accompanied by an upbeat jig on the fiddle, drum machine, and synthesised vocals reminiscent of Paul Lansky and Laurie Anderson.

Finally, out of a lit galaxy of zeros and ones, a lifelike apparition emerges, set against a raw, palpably human vocal canon, poignantly singing No Place Like Home. Is this the artificial, genderless, multitudinous consciousness singing from its soul? And where is this home they speak of? Is it made of the stars from which we all ultimately emerged? The audience might feel the urge, as I did, to plunge hands and feet into real soil, to feel firm ground.

As our society frets about the potential power of artificial intelligence, Fox urges us not to overlook the prospect that technology could not only save us, but could also be a beautiful moment in the evolution towards an ethereal and non-body consciousness.

Diaspora is quixotic, atmospheric, visually and sonically spectacular. It is a powerful immersion for the senses, a meditation on a posthuman future that is upon us. Does this works digital dream represent the promised utopia that it sets out to portray? This rendition seems chillingly apocalyptic.

The work aims to show the evolution of a new lifeform, but ultimately, through sensory saturation, it is the audience themselves who achieve the altered state of consciousness a profoundly moving out-of-body experience.

Diaspora is at The SUBSTATION until 6 October

Link:

Diaspora review: a rave for the senses, a future that has already arrived - The Conversation AU

Posted in Posthuman | Comments Off on Diaspora review: a rave for the senses, a future that has already arrived – The Conversation AU

The transhumanists who are ‘upgrading’ their bodies – BBC News

Posted: at 4:41 pm

Media playback is unsupported on your device

Winter Mraz says she loves having her keys in her hand but she does not mean holding them. She has actually had her door key implanted into her left hand in the form of a microchip.

In her right hand, she has had another microchip implant that acts as her business card but could also be used to store important medical information for use in the case of an emergency.

The 31-year-old engineer also has a magnet in one finger that allows her to sense electro-magnetic fields, which she says helps in her work.

But not all her body upgrades are practical. Her latest procedure is to have two LED implants, that turn on when a magnet is passed above them, illuminating her skin from inside.

Why? "Because they are sparkly and I'm a magpie," she says. "I like things that light up."

Winter is one of a growing number of people who call themselves "transhumanists".

It is the belief that the humans can improve beyond their physical and mental limitations and "upgrade" their bodies by incorporating technology.

For Winter, her first "cyber-enhancements" were not voluntary, they were through the hospital after a serious car crash in the United States that fractured her back, both her ankles and her knees.

Her back was bolted together by surgeons and one of her kneecaps was replaced with one that was 3D-printed, on the NHS.

"If it was not for my cybernetic kneecap I would not be able to walk," she told BBC Scotland's The Nine.

After her accident she moved on to voluntary personal modifications such as the microchips in her hands.

The RFID (radio-frequency-identification) chip in her left hand works on the lock in her house door in the same way as many workplace security cards operate. This means she does not have to carry keys and keeps her hand free for her walking cane.

The NFC (near-field communication) chip in her right hand has many potential uses. It is the same type of chip that allows phones and tablets to easily share data with each other.

Winter says: "I think saying that you should not alter your body and you should not change your body is a very ableist way to go about living. People who are disabled don't have that choice. It is made for us."

Steven Ryall, a 26-year-old technical operator from Manchester, says he wants to have chips implanted to make "smart hands".

"We have smart TVs, smart phones, everything is smart," he says. "Why can't I be smart?"

Steven believes that transhumanism is the logical next step in human development. He wants be able to programme the technology in his body to respond to his personal biology.

His "technological baptism" was at a private clinic in Leicester, where he had his first implant.

The microchips are usually delivered by a syringe into the back of the hand.

"I am slowly turning myself into part machine," he says. "I don't mind being biological but if I could be part mechanical that is so much more awesome than just my plain self."

Steven says the chip is "essentially" like those in a contactless bank card. "I can get an RFID or NFC reader and hook it up to a chip that I programme and then get that chip to recognise the chip in my hand and do whatever I want," he says.

Steven is an evangelist for humans "upgrading" themselves but he can understand why people might think it is an extreme thing to do. He says friends and family think it is "weird and kooky" but he believes that in the next five years they will start getting into it too.

Winter says wearable tech such as the Apple watch and Fitbit and other "doctor on your wrist" health monitors have taken off in the past few years and she believes that implants are the next logical step.

She says: "I don't think implants are inevitable but I think they are getting better, longer-lasting, cooler and have more functionality. It's going to be one more option people have."

Steven says he can easily see a time when companies are asking employees to have implants for security ID to access building or computer networks.

"I think that people would see it as an extreme thing because they are looking from a historical perspective, they are not looking forward," he says.

At the moment there are loose regulations on who can do it and most implants are done by tattoo artists and body piercers.

There are some people who are taking things into their own hands by buying the tools off websites to perform the procedure themselves.

Bio-hacker Jenova Rain, who implanted Steven's chip at her Leicester practice, said she was doing five implants a week and the numbers were rising as interest grows.

Although regulations on bio-hacking specifically are sparse, Jenova says she is covered to do implants as a tattoo artist and piercer.

Even though she promotes the idea of upgrading yourself through her YouTube channel and website she has no chips or "upgrades" herself. She says they would be "useless" for her.

Dr Mary Neal, professor of medicine and ethics at Strathclyde University, said she was "not surprised" more people were getting involved but there needed to be better regulation.

She said the procedure was similar to other body modification such as botox but there were many ethical discussions that needed to be had around bodily autonomy and regulation.

Dr Neal also said there were safety risks with people buying the equipment from online sites and doing the procedures from home.

The Scottish government told BBC Scotland's The Nine it intended to regulate procedures carried out by non-healthcare professionals and it was consulting on how this could be done.

A spokesman said it was looking at the "most proportionate and appropriate measures" and the government's priority was the safety of those involved.

Originally posted here:

The transhumanists who are 'upgrading' their bodies - BBC News

Posted in Transhumanism | Comments Off on The transhumanists who are ‘upgrading’ their bodies – BBC News

Insight: Transhumanists believe in the bionic body beautiful – The Scotsman

Posted: at 4:41 pm

No of course there shouldnt really be a religion based on The Bionic Woman that would require you to watch the show and it is cheesy and definitely for kids, laughs Ana Matronic, pop diva and Jaime Sommers obsessive.

We are having this conversation because, in her teens, she turned her fictional hero into a quasi deity the combination of the forces of science and nature and placed her at the centre of a belief system called Bionic Love. While she may now mock her fanzine flights of fancy, she still has faith in technology to transform humanity.

Matronic has been captivated by robots and cyborgs since C-3PO squeaked into her life at the age of three. Her right arm is a declaration of love a half-sleeve tattoo which began as a mishmash of cogs and springs, la Sommers, but now incorporates other favourites such as R2-D2 and Maria, the female robot from Fritz Langs 1927 film Metropolis.

Matronic, who was originally called Ana Lynch, has always been attracted to the blurring of boundaries. This is the woman who was once the only female drag queen in San Franciscos The Trannnyshack. That was before she became lead singer of the self-consciously flamboyant Scissor Sisters: a band that revelled in its own campness.

Today, she has lost none of that flamboyance; she still hosts the BBC Radio 2 programme Dance Devotion. But, an academic at heart, she also tours the country evangelising about transhumanism the merging of human and machine as well as warning of the dangers.

Later this month, she will be appearing at an event in the Dundee University Festival of the Future, along with Graeme Gerard Halliday, aka Hallidonto, a Scottish-born, London-based artist, who creates images of cyborgs, and Kadine James, Creative Tech Lead with Hobs 3D, a company that specialises in 3D printing.

Im really interested in all aspects of technology, from the three-minute pop song to AI [Artificial Intelligence] and advances in medical treatment, says Matronic.

I am interested in how things work and how they affect humanity. Technology holds so much promise, but it moves faster than governments. Thats a dangerous thing and something we ought to talk about.

The Dundee University event is timely. Not long ago, cyborgs were of mostly hypothetical interest, explored in science and speculative fiction, but not generally regarded as a contemporary reality impacting on everyday behaviour.

In the past year or so, however, transhumanism appears to have entered the mainstream; every day seems to bring a news story that could have come straight from Charlie Brookers Black Mirror; a story that challenges our preconceptions about what it means to be human.

Some of the technology we are seeing changes us physically. Blade prostheses that allow amputee athletes to run as fast as able-bodied ones for example, and power-suits that strengthen the muscles of elderly people, mean cyborgs are already in our midst.

Just last week, we learned a Frenchman paralysed in a nightclub accident had walked again thanks to a mind-controlled exo-skeleton suit. Recording devices implanted either side of his head between the skin and the brain read brainwaves and send them to a nearby computer, where they are converted into instructions for controlling the exo-skeleton.

Technology is developing so rapidly that both scientists and philosophers are pondering the possibility that we may eventually be able to transform ourselves into beings with abilities so great as to merit the label post-human.

The extent to which the concept of transhumanism (if not the word itself) has entered the public consciousness could be seen in the recent Russell T Davies drama Years And Years in which one of the main characters, Bethany, wants to become part-machine.

She has mobile phone implants in her hands, camera implants in her eyes and brain implants that allow her to make a mental connection with the internet. Set just a few years hence, and building on existing technology, the interesting thing about the series is not how futuristic it seems, but how feasible. Even when, towards the end, her aunt Edith uploads her consciousness to the cloud so she can continue to exist after death, it does not feel too far-fetched.

Martine Rothblatt, the founder of SiriusXM Satellite Radio, a super-fascinating person No 1 on my fantasy dinner party list is already developing the technology to create a mind file, says Matronic. The idea is you gather as much information on yourself as you can so that when you die your mind-file can be downloaded into a phone or into a robot and you or rather a facsimile of you can live on for your family. There are also people working on substrate independent minds brains that dont need a body to function. And people who are trying to extend life or eradicate death.

But if death becomes an option then the fairy tale of unlimited economic growth becomes even more of a fairy tale. And thats before we start thinking about storage. If you are a digital person, where do you live? And if the storage facility is so big it can store digital people then the computational power of that facility is not a what but a who. The whole thing is a crazy, crazy rabbit hole I love to jump down.

The first robot

Matronics right; it is a rabbit hole, and the further you go down it the more you lose yourself in an ethical maze.

At its best, technology has the power to tap into human potential; to make us the best we can be. When Makoto Nishimura created Japans first robot, Gakutensoku (the name means learning from natural law), he was conceived as an ideal.

At an exhibition to mark Emperor Hirohitos ascension to the throne in 1926 the year before Metropolis was released spectators were awe-struck as the God-like bronze figure appeared before them clutching a mace and arrow and smiled beatifically. Nishimura believed robots were a continuum of humanity a natural evolution. If humans are the children of nature, then robots are the grandchildren of nature, he said.

Yet, ever since the industrial revolution, western society has tended to have an adversarial attitude towards machines, viewing them as sleekit creatures who will steal our jobs or turn against us, like Frankensteins monster. In literature too, we are accustomed to the idea of scientific progress producing dystopias such as Airstrip One in 1984 or the boarding school for clones in Kazuo Ishiguros Never Let Me Go.

Overemphasising the downsides of technological advance may be discriminatory, says Matronic. When we have conversations about the evils of technology, we are being ablist. If you say, social media is bad, I will show you someone with locked-in syndrome or crippling social anxiety for whom it has opened up the possibility of friendship.

Technology could also eradicate paralysis; there would be no more quadriplegics. Also, at present we only use 10 per cent of our brains. If we have machines that can help us explore more of that, then its amazing.

Even so, neither Matronic nor Hallidonto is naive. They understand the potential pitfalls of transhumanism in a capitalist society where efficiency and profits are the most powerful drivers.

Technology initially developed for positive purposes may be subverted for negative ones, while the push to create a super-race of better, fitter, more cognitively capable humans veers perilously close to eugenics.

And then there is the question of marginalisation. We are already living in a world where those who do not own a smartphone are disadvantaged. How much greater will that socio-economic inequality become once it is possible to pay for superior physical strength and brain power?

Professor Kevin Warwick, the worlds leading expert in cybernetics, has been called the first cyborg. In the late 1990s/early 2000s, he experimented with his own body. First, he had an RIFD transmitter implanted under his skin which allowed him to control doors, lights, heaters and other devices. Then he had a BrainGate electrode array fitted which allowed him to control a robotic arm on the other side of the Atlantic a feat that conjures up the image of Thing in the Addams Family. Finally, he linked his nervous system electrically to his wifes in such a way that every time she closed her hand, his brain received a pulse. Was that not freaky? It was very intimate, he says. You are getting signals from someone elses body and nobody else knows.

The link cannot yet be made brain to brain, but when it can, it will be the basis of thought communication: telepathy, but for real.

Back in the 90s, Warwick faced criticism, not technically, just people saying: Youre a buffoon, because they didnt understand what I was doing. In the end, of course, the joke was on them.

Yet today, some people are still dubious, not about the science, but about the morality. The ethical dilemmas sparked by some of these developments are huge. For example, if you can control an arm miles from where you are, then presumably you can use it to commit crimes. Meanwhile the linking up of brains if achieved would be a useful way to communicate with someone who couldnt speak but, in the wrong hands, it could be used for coercive control.

Warwick accepts all this, but seems unperturbed. As a scientist, you are aware of things potentially going in a negative way, but you hope society will look at applications and say: Yes, this one is great it will help people and No, we dont think this one should be allowed.

Asked if it would be ethical to amputate a normal human leg in order to replace it with blades that allowed an athlete to run faster, he says yes.

I cant see a problem. We have to look to the future. At the moment, we have a body. The body does things OK and the brain controls it and its all a pretty limited package. But we have the possibility of redefining what our body and our brains can do. Why should anyone lag behind with ordinary human body parts when they could have something thats much better?

When I suggest this will exacerbate the disenfranchisement of the most vulnerable, he implies a degree of inequality is a social inevitability and points out that wealthy people can already pay for physical enhancements through cosmetic surgery.

Not everyone is this sanguine. Hallidonto is as passionate about robots as Matronic. Growing up in the 80s, the first cyborg he encountered was the one in The Terminator. I remember sitting on the sofa with my dad at three years old and being completely traumatised by it, he says. Later, I had Darth Vader toys and I would pretend I was wearing a robotic suit. I would feel quite powerful.

When he was 12, Hallidonto suffered a collapsed lung. He was put in a machine and experienced visceral, morphine-induced dreams about babies with wires coming out of their eyes. Then when he was 25, he had a brain injury on a holiday in Germany and it changed how he saw the world.

A graduate of Duncan of Jordanstone College in Dundee, his work has always featured robots. At the launch of his exhibition, Cyborg Cadavers, in London last week, he explored some of the pitfalls. I spoke about the Anthropocene and the Promethean allegory and pointed out that if we dont watch what we are doing we may end up, not with the body we desire, but with the body that is required, he says.

With technology developing so rapidly, Matronic believes there is an urgent need for tech companies and governments to talk about ethics before it is too late.

Most of the negative stories about robots/cyborgs, from Frankenstein on, involve someone with a God complex thinking they can do what the Creator does. Those stories are a warning against hubris.

So we definitely need to have conversations about morality and every tech company should have its own ethicist. They should be saying things like: Dear Elon Musk loving the SpaceX stuff, but do we really need a flamethrower?

Matronic says some of her worst fears, technologically speaking, are already being realised with Facebooks lack of transparency and peoples identities and data being turned into a commodity.

I am really concerned about autonomous weapons too, she says. Mines are horrible enough, but guns that can walk and speak? That is a terrifying prospect. I dont think they should be allowed to exist.

The potential for technology to reinforce inequality will have to be addressed too because otherwise only some people will lag behind. It will be: Oh my God did you get the brain update? No, I am still working with version 2.4. Well, version 3 just came out and its amazing.

Chair of the Dundee University event, Karen Petrie, associate dean for learning and teaching in science and engineering, is developing educational software that can adapt to the learning speed of individual students.

Her biggest fear is the one feminist activist Caroline Criado Perez touches on in her book Invisible Women: that as computers take over more and more tasks, they will replicate existing biases.

Most AIs are built on machine learning, she says. That means they take a large quantity of data, mine that data and learn behaviour. Unfortunately, if theres any bias in that data, even if it is implicit bias, then the machine will learn it. A good example of this is a big tech firm that was trying to use a machine learning algorithm to scan CVs and work out who they should or shouldnt employ.

However, until now this tech firm has employed 95 per cent men, so when this algorithm was used it pretty much screened out all the women.

Body hacktivism

For all the potential problems, the notion that technology could transform us aesthetically, cognitively, spiritually cannot fail to excite the imagination. The myriad possibilities it throws up are proving a rich source of inspiration for both artists and philosophers.

Indeed they have engendered a new art form: body hacktivism. Tight restrictions on the kinds of surgery that can be done on humans has led to a school of DIY body modification artists, who carry out work on themselves or others. There is Neil Harbisson, who sees the world in black and white, but wears an antennae that translates the frequency of colours into sounds; Tim Cannon, who had magnets implanted in his fingers; Lukas Zpira, author of the body hacktivism manifesto, who offers tongue splitting, implants, and subincision (the splitting of the penis); and Steve Haworth, who specialises in subdermal and transdermal implants, such as the Metal Mohawk a row of spikes inserted into the head to replicate a punk haircut.

Despite her fixation with cyborgs, Matronic is a late adopter of new technology. I am last to everything I never even have the latest smartphone. But she believes the future will be more fluid. Others have connected this fluidity to transgenderism; after all, if you can change the human body at will, then sex and gender become less important. And if your consciousness can exist without corporeal form then, arguably, they cease to matter at all.

If you see yourself as a religious person and you believe in the soul, then, when your soul leaves, is it male or female? says Matronic.

You have just your body you can be anything. Gender really is a construct something that is mandated by society. Different societies have different expressions of gender and different codes. I think as we expand as humans, we understand there are different ways of being and definitions loosen, so we are going to have new words and new definitions and new genders.

Everything will be new, new, new. It might be scary for some people and difficult conversations will have to be had but I believe that us humans learn to human better as we evolve and I look to the future with hope.

How Robots Are Shaping the World We Live In, 6.30pm, October 19, Juniper Auditorium, V&A, Dundee

Go here to see the original:

Insight: Transhumanists believe in the bionic body beautiful - The Scotsman

Posted in Transhumanism | Comments Off on Insight: Transhumanists believe in the bionic body beautiful – The Scotsman

Man meets machine: 21st century is age of the upgradeable human, says expert – Express.co.uk

Posted: at 4:41 pm

And by the time people are in a position to begin colonising other planets, mankind will be a technologically-augmented species, Bob Flint, the technology director with BPs Digital Innovation Organisation, predicted. The recent BBC One drama series Years and Years touched on such concepts, with one character voicing her desire to become transhuman - in other words, dramatically enhanced by technology - and Mr Flint said the concept was perhaps not as far-fetched as it might sound. Mr Flint, who will present his ideas during a talk entitled The Upgradeable Human at the New Scientist Live festival at Londons ExCel centre, said: Humankinds development is a story of using technology to add to our capabilities think clothing and spectacles, or more recently pacemakers and laser eye surgery.

We can imagine augmenting our strength, stamina, senses and even intelligence

Bob Flint

Now, with technology becoming incredibly powerful through digital, the possibilities are becoming exponentially greater. We can imagine augmenting our strength, stamina, senses and even intelligence.

It was yesterday announced that a French man, known has Thiabault, had managed to walk in the exoskeleton in a pioneering experiment carried out by scientists at the University of Grenoble in France.

As a result, the next few decades could see an increasing blurring of the lines between man and machine, Mr Flint said.

He explained: Wearables are an early example of this trend, but new technology is emerging which can be incorporated more seamlessly into the body, heralding an era where humans and machines will be closely integrated.

Eventually, its possible humans may be able to move beyond the evolutionary process by selecting digital upgrades that overcome the constraints of biology and allow each of us to choose powerful new abilities, which can be used in our personal and working lives.

Such concepts have been featured in modern sci-fi shows including Charlie Brookers Black Mirror, and the aforementioned Years and Years, written by Russell T Davies and even as far back as the Six Million Dollar Man in the 1970s.

Mr Flint said: I loved Years and Years, and thought it was great to see TV drama exploring some very futuristic concepts.

Personally, I think were some way from the transhumanism that is mentioned (one of the characters wanted to upload her personality and experiences to become a purely digital being, which would need huge advances in computing).

Im actually talking about the opposite idea, using digital technology to give our human selves greater powers - this is possible now.

READ MORE: Jet suit breakthrough: Buck Rogers in the 21st Century

Im just predicting it will become easier, cheaper and much less noticeable in the near future.

I think the bigger issue is not so much whether this will be technically possible there are lots of research projects and early products which signpost the direction of travel.

Its more whether upgrading ourselves will be seen as socially acceptable. This is hard to call, but I think that if it gives us an advantage, maybe in work, sport or socially, then eventually it will simply be regarded as a normal thing to do.

There are all sorts of major ethical questions here, some of the ones weve come across are: will human upgrades only be available to the very rich? How will the most deserving get hold of necessary technology even if they dont have the means to pay for it?

DON'T MISSRobots to take on third of unskilled jobs 'in ten years' [SCIENCE]Cyborg robots: Lab-grown biohybrid muscles could MIMIC humans [PICTURES]CYBORGS one step closer as robots created which respond to TOUCH[ANALYSIS]

What does privacy mean in an age where technology can collect lots of personal information on our physical or mental state? How do we hang onto the rights to our own data?

If a company is looking to hire a new member of staff, how should they treat the technically augmented versus the non-augmented applicants? Is the playing field ever going to be level again?

We really need a public conversation on these issues, so we can decide what regulation or legal change we may need in this area.

For example, the Royal Society has recently kicked off a public dialogue on neural interfaces, which is a great start.

Looking further into the future, Mr Flint believed technological enhancements may also help humans conquer space.

He explained: I know theres a big debate about whether its preferable for humans to lead the exploration of other worlds, or robots.

Certainly, robotic methods are going to be easier (and less costly) in the short term, as you dont need to create habitable conditions on board the spacecraft or on the planet you land on.

But eventually, if humankind is going to become an interplanetary species, well need to get good at moving life across vast tracts of space.

I actually dont think that having an upgraded human is mandatory to enable this. But I do think that the timescales will coincide in other words, we will be a technologically-augmented species anyway, by the time we seriously attempt to colonise other worlds.

The Upgradeable Human is on the Humans stage on October 10 between 10.45am and 11.25am.

See the article here:

Man meets machine: 21st century is age of the upgradeable human, says expert - Express.co.uk

Posted in Transhumanism | Comments Off on Man meets machine: 21st century is age of the upgradeable human, says expert – Express.co.uk

Hereticon, From Peter Thiel’s Founders Fund, Is a ‘Conference for People Banned From Other Conferences’ – The Daily Beast

Posted: at 4:41 pm

Being cancelled getting you down? Well now theres a conference for youand everyone else booted from mainstream political discourse for thoughtcrimes.

Imagine a conference for people banned from other conferences, the announcement for Founders Funds exclusive new three-day event reads. Imagine a safe space for people who dont feel safe in safe spaces.

Imagine indeed.

Hereticon (yes, its actually called that) promises to include many of our cultures most important troublemakers, specifically ones committed to improving civilization. That might rule out a few names, but wed expect Founders Fund to highlight at least a handful of thinkers from its portfolio companies.

Palantir will probably show up, given recent protests and the decision by both the Grace Hopper Celebration and the Lesbians Who Tech conference to remove the company, which contracts with ICE, as a sponsor.

Retiring Texas Rep. Will Hurd also seems like a natural choice, after being disinvited to keynote the Black Hat security conference due to his political record on abortion. Hurd is also friendly with Founders Fund portfolio company Anduril.

Unlike gatherings of right-leaning online provocateurs that the event resembles, Hereticon will draw a more pedigreed set. The invite-only conference in May 2020 will likely attract attendees from the much-grumbled about liberal strongholds of American tech, and perhaps others whove been cast out of the silicon gates already.

From Galileo to Jesus Christ, heretical thinkers have been met with hostility, even death, and vindicated by posterity, the blog post grandly opens, going on to declare that troublemakers are essential to mankinds progress, and so we must protect them.

The topics that will take center stage at Hereticon? Theyre a doozy. Conversations will center on a smorgasbord of libertarian micro-obsessions, including transhumanism, the abolition of college (a favorite of Founders Fund partner Peter Thiel), the benefits of starvation a la Jack Dorseys fasting diet, the softer side of doomsday prepping, and immortality, naturally.

While its no surprise to see such an event emerge from the crowd that sees eye-to-eye with a man seen as Silicon Valleys seastead-loving deep-pocketed free press assassin, its interesting to see Founders Fund throw the event themselves. Some of the firms investments, like defense-friendly Palantir and Anduril, are considered controversial in techs left-leaning circles, but many of its portfolio companies are more quotidian utilities like Stripe, Facebook, and Credit Karma. Not exactly heretical.

Its likely a strategic choice for a venture firm that could benefit from drawing the self-identified misfits stalking tech's fringes in toward the center and giving them something to feel collectively persecuted and intellectually invigorated about.

Then again, they might just come together to chatter about UFOs and wax poetic about corporate counterculture. Either way, well be staying tuned to see which technocrats and/or heretics get the invite nod.

See the rest here:

Hereticon, From Peter Thiel's Founders Fund, Is a 'Conference for People Banned From Other Conferences' - The Daily Beast

Posted in Transhumanism | Comments Off on Hereticon, From Peter Thiel’s Founders Fund, Is a ‘Conference for People Banned From Other Conferences’ – The Daily Beast

Peter Thiel’s Promised Land For Intellectual Troublemakers – SafeHaven.com

Posted: at 4:41 pm

For all of those people who feel they have become victims of an ideological witch hunt or have been evicted from all forms of intellectual debate, theres a new Promised Land to share with other like-minded individuals.

Even crazy Uncle Mike, or someone like the best friend of the Oklahoma City bomber, or Aunt Lily who is obsessed with building survival bunkers and keeping an eye out for unmarked, black helicopters would be welcome with open arms.

This coming May in New Orleans, the Founders Fund, run by billionaire Peter Thiel, co-founder of PayPal, will host a three-day event called Hereticonand the turnout promises to be unusually decent.

Imagine a conference for people banned from other conferences. Imagine a safe space for people who dont feel safe in safe spaces, the fund wrote.

The main reason for hosting the conference? The organizers believe that these apparent intellectual troublemakers are essential to mankinds progress.

We must protect them, opines the Fund. Butwhile our culture is fascinated by the righteousness of our historical heretics, it is obsessed with the destruction of the heretics among us today.

In an announcementfor the event, the fund compares potential attendees to martyrs like Galileo and Jesus Christ, and poses the question: Are our heretics the first in history who deserve to be burned?

There is no doubt that the event will attract many banned outcasted opinion havers, from all fields, since the event will welcome intellectuals from all walks of life that have been banned from other conferences.

Topics including, but are not limited to: biological self-determination, geo-engineering, transhumanism, the abolition of college, transgressive media, sex, the softer side of doomsday prepping, constitutional monarchy, immortality, drag culture, and building nations. Related: The Doodle Frenzy Is Earning Unethical Breeders Top Dollar

And at the end of the day, on the top floor of hotel, in a hidden room plastered in newspaper clippings of sightings and secret bases, there may be a talk or two on UFOs.

Though the organizers failed to include any information as to who might be presenting on this conference of heretics, media is already speculating as to who might show up. The event is invite-only, but members of the general public can apply for a spot.

While his mainstream ventures include PayPal and Facebook, many of Thiels other activities are naturally leading to something like Hereticon.

Hes been known, for instance, forusing controversial blood transfusion therapiesin pursuit of his dream of living forever.He also signed up with cryogenics company Alcor, which will freeze the ailing body in the hopes of unfreezing it in the future when there is a cure.

However, what apparently makes Thiel an intellectual outcast most is his negative attitude towards Silicon Valley. According to the Wall Street Journal, last year herelocated his home, personal funds, 50-person staff and his foundation from Silicon Valley to Los Angelesapparently because Silicon Valley was too liberal.

Thiel is one of the most vocal supporters Trump has ever enjoyed.

More recently, he accused the Google of treason for operating an artificial intelligence lab in China, which Trump promptly tweeted:

As the impeachment proceedings gain momentum, Hereticon may just gain more requests for attendance that it was planning on.

By Josh Owens for Safehaven.com

More Top Reads From Safehaven.com:

Read the original:

Peter Thiel's Promised Land For Intellectual Troublemakers - SafeHaven.com

Posted in Transhumanism | Comments Off on Peter Thiel’s Promised Land For Intellectual Troublemakers – SafeHaven.com

Peter Thiel’s VC Fund to Host Conference for Ideological ‘Heretics,’ Maybe Summon a Ghost or Two – Gizmodo UK

Posted: at 4:41 pm

Ideological outcasts who have been banned from other conferences surely the most beleaguered minority can soon find a home with other like-minded individuals at Hereticon, a three-day conference being planned by the Founders Fund venture capital firm.

Thats the same Founders Fund run by billionaire Peter Thiel, a kindred soul in the world of supposed ideological witch-hunt victims. (Disclosure: Thiel secretly financed the lawsuit that bankrupted Gizmodo US former parent company, Gawker Media, back in 2016.) In an announcement for the event, the fund compares potential attendees to martyrs like Galileo and Jesus Christ and boldly asks, are our heretics the first in history who deserve to be burned?

This coming May in the US city of New Orleans, Louisiana, event attendees will be treated to discussions on a number of ominous topics, ranging from the abolition of college and the benefits of starvation to constitutional monarchy (what?!) and revisionist demography. Thiel, who has identified as libertarian and supported Donald Trumps presidential election bid, in 2009 wrote that he believed freedom and democracy are incompatible and has reportedly explored the potential of injecting ones self with youths blood to stave off death, so this tracks.

Per the Founders Fund post, after attendees are done discussing the intricacies of becoming immortal, biologically modified monarchs, they may lighten it up by summoning a ghost:

Topics including but not limited to: biological self-determination (modification, design), geo-engineering, transhumanism, the abolition of college, transgressive media, sex, the softer side of doomsday prepping, the nature of conspiracy, the benefits of starvation, constitutional monarchy (what?!), revisionist demography, immortality, drag culture, and building nations. After dark, on the top floor of our hotel, in a hidden room plastered in newspaper clippings of sightings and secret bases, there may be a talk or two on UFOs and literally a sance.

Which ghost Founders Fund hopes to summon is perhaps a question best not asked.

We believe dissent is essential to human progress and hope Hereticon will spark important conversations within our community and beyond thats really the only goal, Founders Fund vice president Michael Solana told Business Insider.

Thiel, an early Facebook investor, sold off almost all his shares in the company, while Founders Fund has totally cashed out, Reuters reported in August 2019. Hes remained on the Facebook board of directors, despite reportedly feeling that his views are unwelcome there and continual calls for his removal. Thiels other business ventures include cyberintelligence company Palantir, whose software has reportedly aided US federal immigration authorities with detention and deportation operations, and a large stake via Founders Fund in Palmer Luckeys Anduril, a virtual wall company that inked a border surveillance deal with US Customs and Border Protection.

More recently, Thiel accused Google of treason and being infiltrated by the Chinese government, which dovetails nicely with the Trump administrations continual claims that the search giant is part of a far-ranging conspiracy to undermine his constitutional monar... err, presidency.

Featured image: Alex Wong (Getty Images)

See the article here:

Peter Thiel's VC Fund to Host Conference for Ideological 'Heretics,' Maybe Summon a Ghost or Two - Gizmodo UK

Posted in Transhumanism | Comments Off on Peter Thiel’s VC Fund to Host Conference for Ideological ‘Heretics,’ Maybe Summon a Ghost or Two – Gizmodo UK