Monthly Archives: May 2017

Space exploration games have been with us since the very first days of gaming, with the likes of Star Control 2 (1992) still recalled with much fondness. The Long Journey Home continues this tradition of massive, procedurally generated galaxies populated by alien races. It's a highly promising game about exploration, trading, upgrading and, occasionally, fighting.

Theres a lot going on in The Long Journey Home

Developed by Daedalic a company best known for narrative adventures The Long Journey Home isn't just about resource and upgrade systems. It's also a story, in which a team of four members are lost in space and trying to get back home. The player chooses the team from a roster of 10. Each has their own personality, quirks and specialties. I haven't studied them in detail, but they seem like a varied and diverse bunch, allowing for experimentation on different playthroughs.

The game begins with a space exploration mission that goes awry, throwing the team into the far nethers of creation. Physical gameplay consists of navigating through star systems, making use of planetary gravitational slingshots to inch closer to home.

Planets are discovered, explored and mined for resources. As in many such games, these planets have personalities of their own, offering different opportunities, dangers and environments. Some yield useful or trade-able artifacts.

Planetary exploration is conducted by a single, chosen crew member who drops down in a Lander-style pod. Depending on the crew-member who discovers the artifacts, different outcomes can occur. So one might favor scrapping the item for its raw materials, while another will see the value of saving it for a later trade.

Resources like gases, minerals and metals are used to repair and upgrade the ship's systems and to travel. These come in different bands of value. The ship can take damage when, for example, the player is negotiating asteroid fields. The crew's health must also be maintained, as accidents can happen on missions.

Alien races are encountered in transit or on space stations, where they can be wooed via on-screen communications. A dialog system using basic words and phrases makes use of the potential to trade and barter.

Sometimes they can be persuaded to part with useful maps that help to show the most efficient way forward. Others offer optional quests that confer useful items.

Generally, their demeanor is something to be discovered and exploited. Alien relationships with one another are a factor to be considered. This leads to some tough choices about who to chum up to, and who to avoid. On the whole, aliens won't automatically see humans as a threat more a faintly harmless curiosity so it's up to the player to avoid cultural errors that can lead to conflict.

But space is also home to various scumbags such as crooked customs officials and pirates. And so there are occasions when combat is unavoidable. Battles take place in age-of-sail style dodge and maneuver, with gun ports stationed on ship broadsides. But the cost in damage makes combat a chore to be avoided.

The Long Journey Home is currently in beta, and launches fully at the end of this month, on Windows PC with PlayStation 4 and Xbox One versions to follow.

See the original post:

The Long Journey Home offers a rich vision of space exploration ... - Polygon

Director Ridley Scotts Alien science fiction horror film franchise continues with its sixth installment that debuts in U.S. theaters this week. Alien: Covenant, the second prequel in the series, picks up years after the events depicted in the 2012 film Prometheus, in which a small group of explorers from Earth is sabotaged by a relative of the intelligent, acid-bleeding space monsters first introduced in the 1979 original.

Along with Parkour-adept parasitic extraterrestrials, a common thread runs through Scotts Alien films:In his universe, space activity is a private, commercial enterprise. The first film takes place on the Nostromo, a commercial cargo transporter named after a1904 Joseph Conrad novel centered on a fictional South American private silver-mining concession. In the subsequent films we learn the back story that Nostromo wasowned and operated by the fictional Weyland Corporation, an intergalactic mining company focused on terraforming planets for profit that wants to capture, study and weaponize the aliens.

Unlike Scotts 2015 feel-good space film The Martian, whichis focused on scientific research and intergovernmental cooperation for the advancement of science, the Alien films depict a grimmer, for-profit take on space exploration. Even without the monsters, outer space from this perspective is a dark and cruel place, characterized by blue-collar workers toiling in the outer reaches of the void on behalf of a giant soulless corporation back home on Earth.

Most of the tech industry billionaires who have founded space-oriented companies Richard Branson (Virgin Galactic), Jeff Bezos (Blue Origin), Larry Page (Planetary Resources) and Elon Musk (SpaceX) among them profess libertarian politics or come close to doing so. And as private space exploration increasingly captures the attention of these free-market boosters, the Alien movies offera dark parable in whichspace becomes the final frontier of colonial capitalism

How humanity should tackle the immensely costly and potentially profitable process of space-based research, transport and exploration is something thats only recently become a point of discussion and debate. Gone are the days of the Apollo mission, when national pride emerged from public efforts to be the first to reach the Moon or to develop Voyager 1, the first man-made object to leave the solar system. Today members of thepublic are as willing to celebrate private ventures, like SpaceXsrecyclable first-stage rocket, as they are to applaud public efforts like theCassini mission to send back to Earth detailed images of Saturn and its moons.

When you talk to people involved in space policy, theyll tell you there are currently no clear boundaries between the roles of government and the private sector. But there may soon be one in the form of distinguishing between missions near Earth and deeper space exploration, such as manned trips to the moon.

Last week famed Apollo 11 astronaut Buzz Aldrin called on the U.S. government to reallocate resources toward a human mission to Mars. To do that, he said, public funds on near-Earth missions involving crews should be ceded to the private sector. (Near-Earth missions are generally defined as ones that take place at an altitude of about 250 miles fromthe planets surface. We must retire the ISS as soon as possible, Aldrin told an audience during theHumans to Mars Summit in Washington on May 9, referring to the International Space Station, which is currently jointly funded by the U.S., Japan, Canada, Russia and the 22-nation European Space Agency.

Aldrin suggested the private sector should instead take over all near-Earth orbit space missions to free up public funds to put boots on the ground on the Moon and Mars. This is a common proposal in the space-exploration community, said John M. Logsdon, founder of the Space Policy Institute at George Washington Universitys Elliott School of International Affairs.

Theres unlikely to be enough money in the U.S. or other government budgets to operate both the space station and fund deep-space exploration, Logsdon told Salon.

Certainly there wouldnt be enough money for space exploration without allocating more funds to NASAs budget, which is minuscule compared withthe $596 billion the U.S. spent on defense last year.

NASAs fiscal 2017budget requestsought $1.43 billion to contribute to the maintenance of the International Space Station plus an additional $2.76 billion for transportation to and from low-Earth orbits, mostly to deliver payloadsto and from the space station. Thats roughly 82 percent of NASAs proposed budget for science expenses (which excludes operational expenses). Passing these costs to the private sector would therefore free up billions of dollars in NASAs annual budget for deep-space exploration.

To publicly fund both near-orbit and deep-space operations would require a massive increase in public allocations, which is unlikely to happen inthe current political climate. President Donald Trumpsfiscal 2018 budget proposal spares NASA deep cuts but reduces its budget by 0.8 percent, to $19.1 billion, while continuing to expand public-private partnerships.

Robert Frost, a NASA instructor and flight controller who contributes frequently to the online forum Quora, rejects any eitheror notion about whether space exploration should be completely publicly funded or not, but he saidits important to keep the publics interest in mind for the process through government-funded scientific research and exploration.

The role of government in space exploration is to do the things that the market cant support, but the people agree is beneficial, Frostwrote. When we send a spacecraft like New Horizons to take close up pictures of Pluto, we do so because, as a people, we understand that science is important.

Frost and Logsdon share the view that the role of governments is to set up the infrastructure and transportation systems, and in the process to collect scientific discoveries and develop new engineering techniques, such as harvesting oxygen from lunar ice.

But and heres the question thats yet unanswered what happens when these processes of discovery lead to something that can be turned into a business? How is that business regulated? What is the governments role in ensuring the operations are safe, transparent and ultimately beneficial to the public?

The mainstream view in the space exploration community is that you hand this profitable venture off to the private sector, if theres a business model that works, which has yet to be proved.

We dont know whether theres money to be made from research or other activates on the moon or Mars, Logsdon said. There are a number of people who suggest thats the case, but it has to be demonstrated.

This is particularly true with deep-space exploration. Its one thing to shuttle millionaire tourists into low-Earth orbit, like Virgin Galactic is trying to do, and its another thing entirely to send robotic miners to an asteroid and send back natural resources profitably, considering the immense costs and engineering challenges.

Current private-sector involvement in outer space is a long way from the deep space dystopia depicted in Alien, but it raises important questions about the future balance between the publics interest in outer space and whatever businesses can be built out of publicly funded space exploration.

In many ways this not much different than the debates were having today here on Earth regarding a broad range of issues about the roles of government and private institutions, from the handling of public education to the privatization of prisons. The question is whether we want to transfer this debate into a distant and dangerous environment where companies may not be as accountable for their actions as they are (or arent) on Earth. To paraphrase the original Alien tagline, when something goes wrong out there, nobody can hear you scream.

Read more from the original source:

Libertarians in space: Is Alien: Covenant a parable about the privatization of space? - Salon