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Daily Archives: May 13, 2017
Red Bay in Oakland Creates Community through Beautiful Coffee – KQED
Posted: May 13, 2017 at 6:07 am
Coffee has a complicated global path from farm to cup. Oaklands Red Bay Coffee aims to demystify that path and make coffee a vehicle for connection, social justice, and economicempowerment.
With a background as an artist and activist, Bay Area native Keba Konte co-founded Guerilla Caf in North Berkeley in 2005,sourcing coffee from Blue Bottle and produce from local farms, while building a young and diverse workforce. In 2012, he expanded that concept to San Francisco, starting Chasing Lions Caf on the CCSFcampus.
Next, Keba decided to apply his experience as a barista, maker, and entrepreneur to building a roastery in Oakland, with a focus on social justice and creating good jobs for Oakland residents. He took classes, watched YouTube videos, and built a coffee lab in his garage, where he honed his skills roasting small batches of beans to perfection. With the help of a crowdfunding campaign, he launched Red Bay Coffee in 2014. The company is now 17 employees strong, with a roastery-warehouse in Fruitvale, a shipping container caf in Uptown Oakland, and growing retail distribution.
Most recently, Red Bay added Jack London Square Farmers Market to their roster of locations. We talked with Keba about Red Bays vision for making expertly roasted coffee equitable, sustainable, and delicious forall.
What led you to found Red BayCoffee?
I launched Red Bay with a mission to bring beautiful coffee to the people. What I mean by that is that I really wanted to open up the specialty coffee industry to folks who have barriers to entry. I wanted to bring more diversity and inclusion to the industry like I did with Guerilla Caf and Chasing Lions. Red Bay Coffee is a culmination of that work. Even as an artist, I was a community organizer and activist, so social justice has always been something that was important to me and to my family. I also wanted to make coffee a lot more accessible to the public and create welcoming spaces for people who dont know anything about specialtycoffee.
People dont always think about where coffee comes from, and how it gets from the farm to the cup. In terms of social justice, how are you thinking about that global distributionchain?
Coffee is a global commodity, and there are a lot of people involved. A single cup of coffee has gone through so many hands and processes, so when you get a decent cup, its a phenomenonso many things really had to go right. I would also say that coffee is an industry that has been notorious for exploitation. A lot of people have been exploited around the world for commodities such as coffee and sugar for centuriesslavery, quite frankly. Now that coffee has reached this gourmet level of fetish, and people are paying a really high price for it, I think about the people who are really breaking their backs growing their coffee. Thats something I really careabout.
The specialty coffee industry has developed some innovative practices to bring more value or equity to the farmers. For example, we practice direct tradeat Red Bay, which puts more money in the farmers pockets. But when you look at where coffee is grown, in Africa, Central America, South America, and Southeast Asia, the people who are growing coffee and the descendants of those farmers are poorly represented in the rest of the specialty coffee industry. After it leaves the farm from export to import to grocers to coffee shops to the equipment makers to vendors, its a huge multibillion-dollar industry. The movement to create more inclusion and diversity bridges thegap.
How does inclusion fit into Red Bays business model and employeepractices?
The question I had to ask myself is, What are we doing as an industry to bring more equity to the baristas and other workers on this side of the industry, no matter what color they are? For example, through companywide profit-sharing incentives, our employees share 10% of the profits we make, which is about equity here in the Bay Area, where gentrification is really rampant. As an entrepreneur, one role I can play is helping people stay, and the way I can do it is by trying to provide livable wagejobs.
Also, there are folks who have been locked out of a lot of industries and are deserving of a second chance. Weve intentionally hired many formerly incarcerated employees, who have served as baristas and coffee roasters, from management level to production workers. We also work with foster youth and aged-out foster youth, who are now part of the Red Bayfamily.
Specialty coffee can be intimidating. How does your work at Red Bay help to make it more approachable andinclusive?
We are very intentional in training our frontline staff to keep it light and fun, and not take ourselves too seriously. We also do free public cuppings and tours at our warehouse. We have a lot people who are first-time coffee drinkers. Weve converted people who were not interested in coffee because of the culture around it. And even people who drink regular coffee, who dont know that there is a difference between coffees, they start tasting the single-origin Sumatra as opposed to a blend, trying them side by side and noticing how dramatic the flavors and profiles canbe.
What are your go-to Red Bay coffees that you recommend topeople?
Ethiopia is the birthplace of coffee. It has the most variety of coffee than any other origin on the planet. We have a medium-roast Ethiopian coffee we call Kings Prize that might be my go-to. Also, East Fourteenth, which is a darker roast. Those are a couple winners that will always make peoplehappy.
Can you tell us about the artwork associated with eachcoffee?
The artwork is street art from the countries where the coffee is from, such as Rwanda, Colombia, Tanzania. Thats a lot of fun to see. It broadens peoples perspectives about that origin country and provides context. I think its important to take people off the farm and into thecommunities.
Whats next for RedBay?
Were opening a caf inside of our headquarters in Fruitvale this summer. Were also building a beautiful aquaponic garden across the street, where people can take their drinks and sit next to the train tracks. I have an aquaponic garden in my yard, and I really enjoy introducing it to people. When they see it for the first time and they get the concept, its such a mind blow. In this time of water scarcity, its an important lesson in the cyclical nature of theuniverse.
People talk about the current specialty coffee movement as a third wave. Whats your vision for the fourthwave?
I think that the fourth wave of coffee is not just about what we do, but its about how we do it, who we do it with, and the impact on the community and the environment. Whats happening at the roastery and caf level is kind of tapped out in terms of innovation. Id say the next movement in coffee on a technical level is going to happen on the farm, where there are some really interesting things happening that are going to have the greatest impact on a cup of coffee. But in the overall industry, I think fourth wave is about us coming together and using this multibillion-dollar platform to raise our communities up and sharemore.
EVENT: DARK ROAST May 13, 12pm-4pm Celebrate Community with a coffee-rubbed Whole Lamb BBQ & Day Party with Oaklands Red Bay Coffee, Peoples Kitchen Collective, Reems California & Proof, Oaklands Bottle Shop. Red Bay Coffee HQ, 3098 E. 10th Street, Oakland. FREE ADMISSION
Find Red Bay Coffee selling freshly brewed cups and coffee beans at Jack London Square Farmers Market onSundays.
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Red Bay in Oakland Creates Community through Beautiful Coffee - KQED
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Officials, Community React to DA’s Decision Not to Charge Cop in Clemmons Shooting – Nashville Scene
Posted: at 6:07 am
"We must find a way to make policing more fair, equitable and safe for all Nashville residents."
District Attorney Glenn Funk during a press conference about the Jocques Clemmons shooting on ThursdaySteven Hale
Reaction to the news that Metro Officer Josh Lippert will not face criminal charges for shooting and killing Jocques Clemmons came first from the same podium Davidson County District Attorney Glenn Funk used to announce it.
In a remarkable move, Funk gave a microphone at his press conference to two people who did not hide their disappointment in his decision and frustration with law enforcement in Nashville.
"It's extremely disappointing to have no charges filed against Officer Lippert in this case," said Pastor Jon Faison of Watson Grove Missionary Baptist Church. "This will continue to impact the community's lack of trust in MNPD and the belief that officers are not held to the same level of accountability as citizens, particularly citizens of color. However, I do respect the findings as they were delivered and I do applaud our mayor for the courage to be proactive. I applaud District Attorney Funk and his team for their work in this case. I also concur with their four critiques of the MNPD reporting policy, as I believe these flawed reporting policies give credence to the perception of flawed policing practices executed by MNPD.
"Ladies and gentleman the incident at hand is not of one incident. The issue is one of culture. Peter Drucker once stated that culture eats strategy for breakfast. The culture of MNPD must change."
After Faison spoke, Rasheedat Fetuga of Gideon's Army the group behind last year's "Driving While Black" report was invited to speak. She said she stood in solidarity with the Clemmons family and cited Lippert's disciplinary record with the MNPD, which includes two suspensions for use of force.
"Because of that, it is definitely imperative that we look at firing Officer Lippert and getting him off of the streets," she said. "I also know that there are people who haven't come forward who are afraid because of the way that they have been treated by him and because the system is so big and the people are so small."
Fraternal Order of Police president James Smallwood also spoke. Not surprisingly, he praised Funk's decision.
"The tedious study of evidence that determined the facts led us to the truth that is before us today. Officer Joshua Lippert reasonably feared for his life and acted within the confines of his training, departmental policy and the law," Smallwood said. "We are confident that no stone was left unturned and that the investigation was conducted by all parties in a fair and unbiased manner. The community can rest easy in the fact that Nashville's officers are and will continually be held to the highest of standards. And Nashville's police officers can rest easy knowing that they if they follow their training, they follow their policy and they follow the law that their actions will be found justified."
More reaction and official statements below:
Mayor Megan Barry
To all of the many men and women who have diligently investigated the shooting on February 10th that claimed the life of Jocques Clemmons, I want to thank you for your hard work and your resolve to seek the truth about what happened on that fateful day.
And as Mayor, I know that decisions about justice must be made impartially and based on the facts and on the laws.
I know General Funk has thoroughly reviewed this case through a lens to ensure that if any criminal wrong-doing took place, it would be appropriately punished. General Funk has gone further than any prosecutor before him in ensuring that a shooting death caused by an officer be independently investigated as a way to promote the trust and confidence of the entire community.
Throughout this process, myself, Chief Anderson, and General Funk have been very intentional in not drawing conclusions until the case could be thoroughly investigated and the facts established.
Now that the District Attorney has closed the criminal case, there will be an administrative review of Officer Lipperts actions to determine if the situation was handled appropriately and whether any disciplinary action is warranted, or if there needs to be any changes to policies, training, or procedure as a result of this incident.This has been a challenging time for our city.
Over the last few weeks and months following the shooting, Ive met with members of the community from the family of Jocques Clemmons, to the NAACP, to clergy, to business people and African-American youth. One message has been consistent - a desire for positive actions not just in the area of policing but in equity and inclusion, opportunity and empowerment, in knowing that leaders in our government care - and want to do the right thing.
There are some in our community who are fearful or distrustful of the police, and we still have work to do as a government to promote greater support and trust and transparency which we are seeking to address through accountability initiatives such as body-worn cameras and through community policing initiatives such as foot patrols to promote more familiarity between police officers and citizens.
General Funk has also outlined some suggested initiatives that may or may not be directly related to this case but he feels should be further reviewed going forward - Some of which we have already begun addressing.Weve established an MOU with the TBI, MNDP, and DA so that in the future, police shootings that result in a death will be investigated solely by the TBI.
We have taken action to promote more diversity and inclusive hiring practices within the MNPD so we have a force that better reflects the composition of our city.The mayors office, along with the Police Department, has been working closely with Judge Sheila Calloway on Restorative Diversion programs for our youth.But we can always do more and we can always do better as a government, as a community, as a people - to be a more equitable and to be more inclusive and to make sure that every citizen IS safe, every citizen feels safe, and every citizen has trust in our Police Department and government to serve them and to protect them equally.
Many people, including me, acknowledge that there are systemic issues in our criminal justice system that need to be addressed. Often - interaction with our police is a persons entry point into the criminal justice system, and that is where we should begin to look at reform.
I, however, see a bigger picture. The majority of crime is rooted in poverty, and while we have to begin to reform the criminal justice system, we also have to make bigger and better strides to reduce and eliminate poverty in our most vulnerable communities. Improving policing is part of the solution and is important, but providing access to quality, affordable housing, providing access to better jobs and financial empowerment, providing access to high quality education - can greatly reduce everyones chances of having a law enforcement encounter with a police officer.
And since I came into office 19 months ago, were focused on just that the bigger picture.
General Funks decision not to bring criminal charges against Officer Lippert does not close or end those conversations. We must endeavor to ensure that all voices and opinions are heard regarding the laws and policies that govern us all. There are no easy or quick answers, and the conversations can sometimes be difficult and painful, but I have confidence in our Nashville community that we can move forward in a way that makes us a stronger city for all.
ACLU-TN
"No matter the result of these investigations, Mr. Clemmons' death was a tragedy. Regardless of whether or not the facts should have resulted in criminal charges, at the end of the day Mr. Clemmons should still be alive. Far too many Black people have died at the hands of law enforcement across this country.
The district attorney's decision not to bring charges against the officer who shot and killed Jocques Clemmons leaves behind a cloud of profound and unsettling questions for the city of Nashville. If Officer Lippert did not violate the law, then is anyone responsible for Jocques Clemmons' death? How can we stop the escalation of conflict that brings discretionary stops which happen more frequently to Black people in virtually every patrol zone in the city to tragic endings? How will the city and the police department ensure that a tragedy like this does not happen in the future?
We must find a way to make policing more fair, equitable and safe for all Nashville residents.
We repeat our call to city leaders for basic reforms, including the swift deployment of police body cameras, with policies in place to protect privacy and to ensure public access to footage related to the use of excessive force. We urge the police chief to pursue comprehensive review by an independent body of the department's tactics, training and investigatory protocol, particularly as they relate to racial profiling, implicit bias and de-escalation. We also call once again on the city to establish an independent community oversight board, with robust power to investigate and hold law enforcement accountable.
Additionally, we applaud and support Attorney General Funk's recommendations for reforms, which we believe will help move our city toward justice, fairness and equal treatment for all Nashvillians.We urge the mayor and police chief to support these reforms to stem the erosion of community-police relations and to promote basic accountability and transparency."
NAACP chapter president, Ludye Wallace:
"Its a sad day. Its a bay day today. It was a bad day Feb. 10," he said. "It didnt have to happen, and this city calling itself the 'it' city there are things that this city can be doing and shall do and I think this coalition is here to hold everybody accountable. We cant continue to let these kinds of things happen."
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Space travel as a unifier? Adler honors woman helping launch Virgin Galactic – Chicago Tribune
Posted: at 6:06 am
Beth Moses believes many of the world's differences can be solved by getting people off of it. Space travel, she said, could be a great unifier.
"You don't see borders or strife from space. You see a connected world," the aerospace engineer said. "It gives us a perspective of our place on it."
She's on a mission to help more folks get that perspective.
Moses is helping to usher in the age of space as a travel experience, heading training for customers of the Virgin Galactic commercial spaceline. Theformer NASA engineer, whoworked on the International Space Station, accepted the Women in Space Science Award from the Adler Planetarium's Women's Board Thursday at The Drake Hotel.
Moses, who grew up in Northbrook and took classes at the Adler while in high school, now lives outside Los Angeles. She addressed an audience of family, friends and admirers before speaking at a program for girls at the planetarium.
About 559 of the world's 7 billion people have visited space, mostly government employees on specific missions, she said. Soon, though, anyone with $250,000 could be anastronaut, if Virgin has its way.
More than 700 people have paid that cost up-front, she said, and are waiting to go on the two- to two-and-a-half-hour-long trips once flight test programs are completed.
Moses will beresponsible for customers' safety, preparation and athree-day training program that will precede the trip.
Space-travel hopefuls include the affluent, as well as those who have mortgaged their homes to take the trips, looking to experience weightlessness or the view.
The company aims to get the price down, she said.
"I want to be able to say, 'You get to have your zen experience! And you get to have your selfie with the Earth!'" she said.
Cheryl V . Jackson is a freelance writer.Twitter@cherylvjackson
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SpaceX Just Broke a Major Milestone in Commercial Space Travel – Futurism
Posted: at 6:06 am
In Brief
SpaceX conducted its first test of the Falcon Heavys main core this week, with a successful result. SpaceX took to Twitter to release the videoofthe event. The rocket itself was strapped down for the static fire test as the engines of the rockets boosters were ignited. The Falcon Heavy uses three Falcon 9 boosters to power its larger rocket, which SpaceX hopes will make commercial space travel a reality.
While the original plan was to have everything operational for carrying space travelers and cargo into orbit by 2013, the latest incarnation of the plan calls for a launch in late summer of 2017. This successful test may indicate that this date is possible, although the SpaceX subreddit lists the test flight in Q4.
Its possible that SpaceX CEO Elon Musk and his team are waiting to see how much progress they make between now and then or that they just cant decide yet. However, as Inverse reports, since Musk tweeted the late summer date in March and the subreddit says something different now, its possible that theyve made the decision to push back the date even later, buthavent announced it yet.
The Falcon Heavy is essential to Musks plan to send two private citizens into orbit around the Moon by late 2018. The spacecraft will buzz low over the Moons surface, although it will not land, and then allow the Moons gravity to fling it back to Earth. This week-long adventure would be more than an amazing first for humanity it would also usher in era of commercial space travel.
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SpaceX Just Broke a Major Milestone in Commercial Space Travel - Futurism
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Is human space travel possible? – The Hans India
Posted: at 6:06 am
The Hans India | Is human space travel possible? The Hans India Former Apollo astronauts at a space symposium doubted whether commercial companies will be able to accomplish human space travel, while representatives of those companies talked about redefining what it means to succeedor failin such grand ... To Mars, and beyond: Buzz Aldrin describes vision for space exploration Buzz Aldrin: Retire the International Space Station to Fund Travel to Mars Trump's right: A Mars mission by 2024 is possible |
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Oklahoma filmmaker Kyle Roberts roars back into the 1920s with … – NewsOK.com
Posted: at 6:05 am
Rett Terrell is playing the title character in the Oklahoma-made short film "The Grave." [Photo provided]
Perched in a tall chair and dressed in a snazzy suit, Rett Terrell sits still as makeup artist Krystal Rose McKinley dabs thick layers of black greasepaint around his eyes.
Only the actor's mouth is moving as he cracks wise through preparation for the lengthy final day of location filming on The Grave, an Oklahoma-made short film he waited two years to bring to life.
It's definitely the eye makeup, Terrell jokes. No, when I was a kid, I grew up reading comic books and everything about this story spoke to me.
Dressed in the olive-drab uniform and wide-brimmed hat of a World War I doughboy, Collin Place awaits his turn in the makeup chair, scanning his script as strong late afternoon sunshine beams through the wide windows of PhotoArt Studios in the Plaza District.
I'm supposed to be his best friend from the war who he couldn't save. So his guilt from his death weighs on his shoulders and that's a lot of his motivation to become The Grave,' Place says.
My dream was to be Rett, he quips, but for this project, he settles for haunting his co-star and pal.
You need to dream bigger, my friend. Aim higher, Terrell replies.
It may be a small, homegrown project, but Place says he's excited to finally reunite with Terrell, director Kyle Roberts and screenwriter (and The Oklahoman features editor) Matthew Price, of the award-winning Oklahoma feature film The Posthuman Project, for The Grave, a film-noir comic-book movie set in 1920s Oklahoma City.
With Posthuman' we made all those great connections and great friendships with people. Just being able to get back together and get back into the craft with the people you love to work with is one of the greatest things about doing this, Place says.
I just think it's awesome to be able to bring a period piece like this to life, because you really don't see a lot of that nowadays, especially in Oklahoma City. I think it's unique.
Superhero action
The black makeup sets off the skull mask and black hat Terrell has donned for the title character of The Grave, a journalist and WWI veteran named Walter Crim who takes up the mantle of a vigilante.
It's kind of our version of Batman in a way, but he's not a millionaire, Roberts says. Through Oklahoma City in the '20s where we're located there was a lot of smuggling and crooked cops and other stuff going on because of Prohibition. And he's basically taken it upon himself to go after these guys.
The Grave is out cold and bound to a chair as Roberts barks action! on the first take of the day.
Better wake up. If you don't wake up, you're gonna end up like me, Place's Ross yells, snapping in the unconscious hero's face.
Tied up next to the masked man, good cop Sgt. Stone (Stephen Goodman), stalls for time as a nattily dressed baddie named The Torch (Jacob Ryan Snovel) and two other thugs converge menacingly. Suddenly, The Grave is awake and in full heroics.
Cut! Nice, Roberts says. Guys, that was awesome. Let's go again.
It takes a few tries, but with an escape, a gunshot and a punch, the film's action-packed opening scene is in the can.
Of course, getting that point of actually rolling camera on the project wasn't so easy.
Hoping to follow up the success of his teen superhero feature "The Posthuman Project" with another indie Oklahoma superhero story, Roberts kicked off a Kickstarter campaign for The Grave in fall 2015. Although the project raised $22,000 of the $30,000 goal, it fell victim to Kickstarter's all-or-nothing rules.
It was still a lot of money, but you don't get any of it when you don't raise the full amount. With the heartbreak of that, it's just like, Is this dead or what?' Roberts said.
Last October, he resurrected The Grave, launching his own online crowdfunding campaign, which didn't raise as much but brought in enough to get the project off the page and into preproduction.
In some ways Posthuman' was superpowers as a metaphor for adolescence, and this is kind of a metaphor of adult life. When life gets you down and kicks you around, what do you do? Really, that's parallel to what our last four months have been, the director said.
The good thing and it was the same thing with Posthuman' and filmmaking in general is that in Oklahoma people are very loving and supportive of each other.
For Goodman, another Oklahoma actor, The Grave was the most fun he'd ever had on a film set.
This is a short comic book, and it also is a short film. To fit everything we have done with this that's why Kyle can always round up the best crew, in my mind, because everyone works off of everyone, he said. We've gotten to do action stuff that I don't know how we're pulling off, to tell you the truth.
Cinematic experience
The night is shrouded in full darkness and Goodman is dressed in full police uniform as he walks into the lot behind PhotoArt to film his last scene. His vigilant officer is called upon to step out of a vintage patrol car, draw his gun and pursue a mysterious noise on foot.
Goodman said his cop, the title character and the story's main antagonist, Groom (Adam Hampton), all have been shaped by their wartime experiences.
Groom said, I should be owed something for fighting.' We can see what happened to Walter, putting on the mask of The Grave. ... And I think Sgt. Stone said, Well, it's just time to put on another uniform,' he said.
Steve Mathis, the gaffer in charge of lighting the dark parking lot and the rest of The Grave, has worked on more than 80 films, including major movies like Back to the Future, Moulin Rouge! and the new Power Rangers. Although he left Oklahoma for Hollywood as soon as I could, he moved back to his home state in 2013.
One of my goals is to impart some of the experience and knowledge that I've accumulated over 40 years of doing this here, he said.
I do find myself getting ready to do something and realizing I don't have what I would normally have. But the politics are smaller on a small film; the politics are huge on a big film. And I wouldn't do it here if it wasn't fun, because I don't need to."
He said he particularly enjoys working on period pieces like The Grave, which started as an original character Price invented. The writer based the film on his comic book originally illustrated by Hunter Huskey and Jerry Bennett. Roberts is making it as a new media project.
Essentially, it's a short film, but it's kind of a pilot, Roberts said. The plan is to do festival stuff and then, of course, pitch it wherever we can and get it online somewhere to where it's not just like we post it on YouTube but to have someone pick it up.
Awakened adventure
It's close to midnight as Terrell tosses and turns in the bed in the corner of the art studio, where his character awakens suddenly from a nightmare and sees his dead pal in the mirror.
Put on the mask, Place's Ross orders, urging Walter to seek justice as a vigilante.
The last scene to be filmed for the project reflected reality for Terrell, who appeared in publicity photos as The Grave back in 2015 and stayed with the project because he couldn't imagine anyone else playing the role.
I didn't sleep the night before. Usually you get a job and then you're on set. I've been attached to 'The Grave' forever it feels like, and the night before, I was like, We're really gonna do this.' It was like my first project all over again. It was like those butterflies and then being giddy and excited. Then we show up, and I'm not sure, but I think maybe my first line, my voice cracked, he said with a laugh.
But then you take a breath, you see the people that you're around, that you trust, which is the reason that I've stuck with a project like this this long, with everyone involved. And then you kind of relax. Now I'm in cruise control, more or less, in work mode. I'll probably have another little weird moment once it's all done. We did it. I can't believe it.'
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Oklahoma filmmaker Kyle Roberts roars back into the 1920s with ... - NewsOK.com
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Ascension is Now Open at Thanksgiving Tower in Downtown Dallas – D Magazine
Posted: at 6:04 am
The third Dallas location of Ascension is now open at Thanksgiving Tower in Downtown Dallas. The popular caf, coffee shop, and wine bar is located at 1601 Elm Street at the main entrance of Thanksgiving Tower and serves breakfast, lunch, and dinner daily.
We are thrilled to be downtown and in a great location like Thanksgiving Tower, says Russell Hayward, founder-roaster at Ascension. We dont even have our sign up yet and we have already surpassed our initial opening sales projections. I havent operated downtown since 2010 and its incredible to see the difference that seven years have made. The streets are vibrant with people most of the day and into the night. There are activities going on and the new construction and renovations in progress indicate that its only going to get better.
The 50-story tower recently underwent $40 million in capital renovations.
A big part of our vision for the renovations at Thanksgiving Tower included adding high quality restaurant options, says Jonas Woods, President and CEO of Woods Capital. Offering the best cup of coffee in town, an innovative menu and an inviting, laid back caf atmosphere, Ascension really delivers on what we were hoping to provide our tenants.
Gather Kitchen will open in July 2017 and several other concepts are interested in setting up shop at the iconic tower.
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Ascension: Old cosmology, new world – Cranbrook Townsman
Posted: at 6:04 am
Old maps used to have the words Here Be Dragons at their edges. Long before Columbus and modern cartography, mapmakers drew what they knew of the world. They were unsure of what was to be found at the edge of the known world.
Its an amusing relic of a prescientific age. We know better today. There arent any dragons at the edge. In fact, there arent any edges. Weve been to space, and we know now that there are other universes out there. Our world is a tiny fragile globe spinning in space.
Our knowledge has grown exponentially in such things. Weve seen photographs of other planets, and tasted parts of outer space. When we look at ancient maps, we smile and move on. Prescientific concepts dont bother us.
But all of that changes when it comes to matters of faith. Many scientific people today still cling to outdated, outmoded, prescientific ways of thinking. Christian faith originated in a culture entirely different from ours, and much of it is couched in language and images which we know to be wrong.
I bring this up because on May 25, the Church will celebrate the Ascension of Jesus. The way the Bible tells the story, Jesus ascends to the Father in the presence of his disciples. I have often thought that it might be an early version of Beam me up, Scotty.
Now we have to be clear that this story is told using prescientific images. Ancient people saw the world as a threestorey universe.
The top storey was where the gods lived. Thats not so hard to understand. Humans tend to think that up is good and down is bad. The level above us is described as the dome of the sky, or the area above the sky. In the Old Testament, this is known as heaven, or the heavens. God dwells in the heavens, above all else in creation.
The middle level is the earth. This is where humans live. It was often described as a flat disk, with mountains at the perimeter. Its not so hard to understand why. If youve ever lived on the prairies, it becomes immediately apparent why the ancients would think of the earth as a flat disk, and the sky as a dome over the earth. Often in such a cosmology, the capital city was placed at the centre of the world.
The lowest layer was the underworld. This was usually the place where the dead went. The Old Testament calls it Sheol, the abode of the dead. Later, the place of the dead became identified as a place of eternal punishment. Hades became hell. Ill have more to say about that in a future column.
This threelevel cosmology was very common in the ancient world. Even today, our language continues to reflect it. We talk about going up to heaven, or pointing downwards when we mean hell.
So what does this have to do with Ascension? The Festival of the Ascension of the Lord celebrates Jesus return to the Father after the resurrection. The story is that Jesus goes up to be with God. The disciples remain on the earth, looking up into the sky, watching Jesus disappear.
Now, I dont really believe that heaven is up there. In 1961, the first man in space, Yuri Gagarin, looked around and said, famously, I dont see any god up here. Of course not. The threestorey universe is an image. The language of the ancients was not intended to be scientific or geographic description. It was symbolic, metaphorical language.
The challenge facing the church is to celebrate the central truths of our faith without being trapped by ancient cosmology and other ancient ways of viewing the world.
Thats not a new thought. Early church fathers treated this as metaphorical language. Let me give two examples. In the 5th century, Pope Leo taught that Christ ascended into the Eucharist, the feast of communion for the faithful. Martin Luther taught that Christ ascended, not to some distant place, but into the cosmos. There is a broad strand of teaching that as Christ went to God, he became available to all the church.
The truth which the Ascension affirms is that Jesus did not end his life in the grave. That was not his destiny. Rather, Jesus rose (note again the metaphor of up) from the grave, and rose (same image) to be with God. We dont need to live in a threestorey universe to affirm this truth. In fact, what we need to do is reframe the ancient cosmology and restate this metaphor in ways that makes sense to 21st century people.
The heart of resurrection and ascension faith, it seems to me, is that just as death could not hold Christ, neither is death able to hold us. Paul says that we have already been raised with Christ. What is left for us is to accept that resurrection life now. It means to hunger for ways to fill that void that se feel at the centre of our lives. It means to work, and sometimes to work hard, to desire something beyond the daytoday hohum of life.
We need only two things for that. The first is the desire that is unmet in our lives. The second is the willingness to risk going to God to fulfill that desire. Ascension, like resurrection, calls us to take a journey home to God. And, in the words of T.S. Eliot, the end of our exploring / will be to arrive where we started / and know the place for the first time (Little Gidding).
Yme Woensdregt is Pastor at Christ Church Anglican in Cranbrook
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Listen, Meatbag! Artificial Superintelligence is a New Game Starring the Snarky Carrot AI – AppAdvice
Posted: at 6:03 am
If youve never heard of Carrot, now is the time to take notice and listen. The snarky computer stars in a number of great titles including Carrot Weather, Carrot To-Do, and Carrot Fit. The large, sardonic dose of humor in each of the titles make them stand and make them some of our favorite in each category.
And that wit makes Artificial Superintelligence a game you dont want to miss.
Part sci-fi, part comedy, gamers take the role of a startup founder building the worlds first sentient supercomputer. For each major decision, you will only have two choices that can be activated by sliding left or right.
Each decision will add up and eventually put you on the path to one of 52 different and unique endings. One ending, no kidding, sees your cat Captain Whiskers enslave humanity. Each time you restart, the game will be in a parallel universe some with subtle changes and others that will make you laugh out loud.
Along with the great humor, the app also teaches players about how real AI works and how its both good and bad for humans and the future.
If youve previously downloaded any of the previous Carrot apps, youll definitely want to check out Artificial Superintelligence.
Artificial Superintelligence is designed for the iPhone/iPod touch and all iPad models. There is also a companion iMessage app with fun stickers. For a limited time, the app is available on the App Store for $2.99. Its usual price will be $3.99.
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Artificial Superintelligence is an interesting Sci-Fi take on Reigns swiping mechanic – Pocket Gamer
Posted: at 6:03 am
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Artificial Superintelligence is an interesting Sci-Fi take on Reigns swiping mechanic - Pocket Gamer
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