Category Archives: Intentional Communities

EASTHAMPTON When students head back to school this fall, part of the curriculum will shift outdoors for some middle-schoolers.

With a $25,000 grant from the Easthampton Learning Foundation, educators from the Massachusetts Audubon Societys Arcadia Wildlife Sanctuary and the new Mountain View School have partnered to provide outdoorgreen space education to sixth, seventh and eighth grade students.

The foundation is eager to support curricular programming that enriches our school community, said Gen Brough, president of the Easthampton Learning Foundation. This type of curriculum isnt necessarily available through a school budget, so were grateful to our partners in Arcadia as this programming will benefit the curriculum at the school.

After board members from the foundation reached out to Arcadia, Brittany Gutermuth, a climate change education program manager for Mass Audubon, and Laura Beltran, a naturalist and teacher from Arcadia, put together a proposal that includes in-service training for teachers, and classroom and outdoor lessons for students that culminatein student-led projects.

The designers of the new school created many exciting outdoor learning spaces, and we look forward to working with students to plan how they want to use those spaces, Beltran said in a statement.

Starting this summer, teachers will attend professional development sessions to learn about outdoor education best practices and topics such as field journaling, community science, local climate change, and site-specific climate solutions.

The lessons, which address science standards required by the state, help familiarize students with their new surroundings, Gutermuth said.

Lessons for sixth grade students include a seven-lesson unit that provides an introduction to climate change and the roles trees have in mitigating the effects of climate change.

Seventh grade students will spend a yearlong exploration of the outdoor spaces at the new school journaling their observations and touching on topics including birds and their changing populations, water quality and management, and gardening.

Eighth graders will be invited to bring a team of six students and up to two adult mentors to the fall 2022 Western Massachusetts Youth Climate Summit, which is hosted by Arcadia as well as the Hitchcock Center for the Environment. The summit provides a way to get upper middle and high school students involved with taking climate change action in their communities by connecting with climate change leaders, and developing a climate action project over the course of the year. A date for the summit is forthcoming.

When we bring students outside for learning, it increases their learning, engagement and understanding, and also their ability to be an environmentally and climate literate citizen, Gutermuth said. This means that they can be in their communities helping to make decisions and working with their community to implement solutions, and to just have conversations around science and climate change.

Julie Anne Levin, director of curriculum for the school district, also noted that between the new schools proximity to the Manhan Rail Trail, the new outdoor classrooms, and other natural elements on the building site, working with Arcadia educators will also provide an opportunity to offer outdoorgreen space education to elementary students as well.

It feels like such a good moment with the new building. The intentional design that went into developing the outdoor spaces will allow us to develop a site-specific curriculum and help connect students to the outdoor environment, Levin said. Its 2022 its time we put climate science in the curriculum.

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Easthampton foundation, Mass Audubon team up to provide students with outdoor education - GazetteNET

Margaret Quamme| Special to The Columbus Dispatch

If you've listened to classic rock radio stations any time in the past 40 years, you probably know Foreigner: I Want to Know What Love Is, Double Vision, Hot Blooded, Cold As Ice and many more songs likely come to mind.

The band, which is back up to performing a hundred shows a year after a break during COVID, will appear at the Ohio State Fair for a Greatest Hits show on Friday.

The band currently includes lead guitarist Mick Jones, who has been with the group since its formation in 1976, and six other members, who joined the group at various points in time from 2004 up until last year.

Ohio State Fair: Going to the Ohio State Fair? Schedule info, parking, what's new, food and more

Among them is keyboardist and backing vocalist Michael Bluestein, who spoke by phone from his home in Los Angeles prior to the start of the current tour.

Bluestein has been with the band since 2008.

I was recommended for the gig by a colleague who was playing keyboards for Foreigner at the time but was going to have to leave, so he wanted to help them out and get a replacement for himself, he said. Through serendipity, I ran into him at a music conference and he remembered me because we had worked together before. So he recommended me for the audition.

Bluestein has stayed intrigued with the music over multiple performances.

I have my hands full on a lot of the songs. They're all pretty rich with keyboards, he said.

And the Foreigner songs stand up to time.

They're well-crafted songs, with some incredible vocals. Combine that with guitar rock, great keyboards, great backing vocals in the tradition of the Beatles and bands like that, and the ingredients just come together, he said.

While the songs are sometimes tweaked with new arrangements, what really keeps the music fresh for Bluestein is the experience of touring.

Concerts at the fair: The Ohio State Fair 2022 summer concert schedule and what to know if you go

The big part of it is the audience, the reactions we get, getting to play different venues. Every concert is different, there's a different chemistry every night, depending on what part of the world you're in, what the audience is like, he said.

I like getting them fired up, seeing their faces, getting them to sing along. That keeps it fresh. Sometimes you'll have a much younger audience, and sometimes you'll have an older, more mellow, chill audience. There are always challenges, new energies coming at you.

Foreigner is known for collaborating with local youth choirs on tour, and the Columbus appearance is no exception.

The band will be donating $500 to the All-Ohio State Fair Youth Choir, a sub-set of which will be opening for the show with a short set.

The group that's going to be performing is an auditioned small group out of the larger All-Ohio State Youth Choir, said Jon Peterson, the director of the choir. The group that will be performing is the Scarlet Singers.

The group, made up of 16 to 25 high school students, commits to extra rehearsal time and learning extra music.

Ohio State Fair: Free concerts at the 2022 Ohio State Fair: Here's the lineup

The larger All-Ohio State Fair Youth Choir consists of about 75 high school students from 68 schools and 48 counties around Ohio. They arrive at the fair five days before it opens to rehearse, and live on the fairgrounds through the fair, performing at the opening ceremony and then at six to eight concerts a day.

At the Foreigner concert, the Scarlet Singers are going to be singing a combination of art music and popular music, all a cappella. That was actually a request by Foreigner. They didn't want to have instruments. They will hopefully inspire the audience and get them ready for an amazing show by Foreigner, Peterson said.

I really applaud Foreigner for being intentional about engaging the youth of the communities where they perform, and thus supporting music education, in this case in Ohio. Not many rock groups do that. The fact that they're highlighting local youth and musicians and emphasizing the importance of music education, it's a true privilege to be a part of that.

margaretquamme@hotmail.com

Foreigner will perform at 7:30 p.m. Friday at the Celeste Center, Interstate 71 and East 17th Avenue. Tickets (which include admission to the fair) start at $40. (www.ohiostatefair.com)

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Rock band Foreigner to perform Friday at the Ohio State Fair - The Columbus Dispatch

In an effort to break the cycle of incarceration for at-risk youth,Sams Club has revealed its participation in Unlock Potential, an intentional hiring program designed to provide real career opportunities for young people at the greatest risk of imprisonment.

In March 2022, the Responsible Business Initiative for Justice unveiled the groundbreaking programmade possible byWalmart(through the Walmart.org Center for Racial Equity). Unlock Potentialaims to confront economic immobility at the source by providingmeaningful, long-term career opportunitiesforyoung peopleathigh risk of criminal justice involvement. The program enables companies to use employment to promote racial equity and disrupt the prison pipeline while inclusively creating the next generation of business leaders.

Unlock Potential will focus on the individuals age 16-24 who are most likely to end up in the prison system: those who have been in the juvenile justice system, experienced sex or human trafficking, had a parent incarcerated before the age of 18, or grown out of foster care.

Through Unlock Potential, companies can help advance racial equity while preventing the lifelong economic consequences of a criminal record. A first-time sentence can decrease lifetime earnings by more than 30%. A criminal record reduces the likelihood of a callback or job offer by nearly 50%, and the magnitude of the criminal record penalty is twice as large for Black applicants as for white applicants. Black Americans are currently incarcerated at five times the rate of whites, and Black youth are up to six times as likely as whites to be opportunity youth a term which refers to individuals age 16-24 who are not in education or employment. By creating career pathways to prevent incarceration, businesses joining Unlock Potential can disrupt intergenerational cycles of poverty.

We know that at-risk youth have limited opportunities and often find themselves unemployed or out of school, and as a society, we have to intervene before it reaches that point, said Sams Club CEO Kathryn McLay. Programs like this help. We can put young people on a positive path as they begin adult life. And even if they move on after their time with us, weve provided them with real-world job and life skills they can take anywhere.

Programs like Unlock Potential not only benefit at-risk youth, but are also a valuable solution for companies during the ongoing hiring shortage.

In addition to its new partnership with Unlock Potential, Sams Clubs already has an internship program for high school students in underserved communities that provides on-the-job training and basic life skills, as well as access to free college education through the Live Better U program. To date, Sam's Club says that it has seen an almost 70% conversion rate for interns moving into full-time roles, and the company has added more than 300 high school interns to the program this summer.

Sams Club joins American Family Insurance, Ben & Jerrys, and Delta Air Lines in Unlock Potentials design phase providing feedback about the structure of the program, with input from experts and community-based organizations. Unlock Potential is scheduled to launch a 12-month pilot program in October.

Sams Club, a division of Bentonville, Ark.-based Walmart Inc., operates nearly 600 clubs in the United States and Puerto Rico. Each week, approximately 230 million customers and members visit Walmarts more than 10,500 stores and numerous e-commerce websites under 46 banners in 24 countries, with approximately 2.3 million associates worldwide. Bentonville, Ark.-basedWalmart U.S.is No. 1 on The PG 100, Progressive Grocers 2022 list of thetop food and consumables retailers in North America, while Sams Club ranks eighth.

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Sam's Club Participates in Youth Hiring Program to Prevent Cycle of Incarceration - Progressive Grocer

Perilous Course: Decades of decisions are impacting East Coast cities as temperatures rise and heat islands become more dangerous.

What makes a heat island

A look at some of the factors that contribute to heat islands.

Danielle Parhizkaran and Ricardo Kaulessar, NorthJersey.com

Thelma Mays couldnt breathe.

On a blazing summer day, she began gasping for air inside her Petersburg, Virginia, apartment, and was forced to call 911. If shed been able to look out her window to see the ambulance pull up at Carriage House, an income-based complex for the elderly, she wouldnt have been able to see a single tree. Just the other side of the sprawling brick building.

She lives on the edge of a type of "heat island," with wide stretches of concrete that bake in the sun and retain heat. She turns on the air conditioner when her room gets unbearably stuffy,which may have been the cause of her sudden coughing spasm.

When it is too hot to go outside on city streets, the indoors can be just as dangerous for her lung condition, if she gulps refrigerated air for a precious few minutes in front of the AC vent. Mays, 78, has chronic obstructive pulmonary disease, and a quick shift in humidity or temperature can trigger a respiratory emergency.

These days in central Virginia, trapped on the edge of a hotter-than-normal part of an often-overlooked majority Black city, escalating heat and weather patterns are putting Mays and others under health and financial stress. It's pressure not yet being felt equally in wealthier, majority white suburban areas of the state with landscaped gardens and plentiful indoor cool spaces.

Graphics:Record-high temperatures from heat dome affect millions

Mays was transported to the emergency room that day.

Doctors worked for hours to stabilize her breathing, giving her IV steroids to help her lungs function.

The Carriage House apartment complex has a few small trees by the sidewalk, none big enough to provide cover for a single person.

By contrast, Walnut Hill one of the wealthiest and most tree-lined parts of the city was more than 13 degrees cooler in the shade. Large trees create an arching canopy over the streets. Nearly every house has wide lawns skirted by mature shade-providing trees. Even in the sun, it was 6 degrees cooler than in Old Towne.

Old Towne is the hottest area in Petersburg based on 2021 heat-mapping.

Even on hot days, Mays uses her walker to reach the other side of the street where she can sit under the shade of a couple of small trees by a parking lot. She hates being cooped up in her apartment.

Blocks of shops and long treeless stretches of asphalt and concretetrap theheat in Old Towne. On a sweltering July afternoon, we recorded field temperatures at a scorching 101 degrees. Unlike in the West, this level of heat on the East Coast is often accompanied by moisture in the air.

What to know about the impactUrban heat islands are why it can feel 20 degrees hotter in different parts of the same city

When you have very high humidity, your body cant evaporate your sweat off of your skin, said Jeremy Hoffman, the David and Jane Cohn Scientist at the Science Museum of Virginia. It's very difficult tocool off naturally. You really need additional help.

Everything you need to know about heat:From the heat index to a heat dome to an excessive heat warning

A difference of a few degrees in extreme heat can affect the bodys ability to regulate its temperature. Some emergency rooms will put out extra gurneys in anticipation ofmore patients wholl come in with syncope, respiratory illnesses or heart failure.

Thelma Mays recovered and her granddaughter drove her home. Othersin her situation are not so lucky.

We looked at heat islands during an extensive USA TODAY Network reporting project called "Perilous Course," a collaborative examination of how people up and down the East Coast are grappling with the climate crisis. Journalists from more than 30 newsrooms from New Hampshire to Florida are speaking with regular people about real-life impacts, digging into the science and investigating government response, or lack of it.

Death on a heat island is not as visible or cinematic as the dramatic images of homes crushed by a hurricane, belongings washed away and trees bent by the wind. The elderly and young children fall victim to excessive heat in their homes or inside of cars, away from the public eye and the flashy news headlines.

Hurricanes are short-lived phenomena which areoften predicted weeks in advance. Heat's different. It can come as a heat wave, which can last for days and have no set, predictable spatial boundaries.It enhances conditions on the ground which absorb the heat.

About that dire climate report:We have the tools we need to fix things

A heat wave is very hard to define in space and time, said Hoffman. It's not something that you can see on the map; it is something that you feel in the outdoors. So, we have a crisis of communication around heat.

Climate change has exacerbated the intensity of heat waves, the number of excessive heat days per year and the length of these heat waves. The average length of a heat wave season in 50 big cities studied is now around 70 days, compared to 20 days back in the 1960s. In less than one lifetime, the heat wave season has tripled.

In some places, summer can feel like one long heat wave.

The warming climate has been tied to increased mortality around the world. In a large-scale study that examined heat in 43 countries, including the U.S., researchers found that 37 percent of heat-related deaths could be attributed to the climate crisis.

Extreme heat can be more dangerousfor those in the Northeastern United States.

What becomes really dangerous in these more northern cities is that they haven't yet adopted air conditioning very widely yet, Hoffman said. And especially in lower income and communities of color or immigrant communities,prevalence of air conditioning utilization is very low.

Three of the country's nine least-air-conditioned cities are in the Northeastern states Providence, Rhode Island; Hartford, Connecticut; and Buffalo, New York, according to U.S. Census bureau data and a USA TODAY report.

'Code Red' Heat:The climate emergency is sending more kids of color to the emergency room

In Florida, researchers have been measuring the impact of heat islands.

The National Oceanic and Atmospheric Administration has conducted studies in West Palm Beach and Jacksonville, sometimes using volunteers to capture data. Its studies have indicated that low-income neighborhoods in Florida have less ability to cope with the damaging results of manmade heat islands.

A nonprofit research group called Climate Central found that Jacksonvilles heat island was potentially raising the overall average temperature of the entire city by as much as 6 degrees.

The feels like temperature or heat index can make a major difference for people living in humid places like Florida.

On 58th Street in West Palm Beach on a block barren of shade trees it reached 93.9 degrees near noon on July 22 with a relative humidity of 58%. That means it felt like 106 degrees.

My electric bill was almost two-fold in June from what it was in March, said 27-year-old Varun Parshad. I try to be more disciplined with the temperature settings.

Six miles to the southwest, the National Weather Services official gauge at Palm Beach International Airport registered 88 degrees with a lower feels-like temperature of 100 degrees.

The difference between 58th Street and the airport is significant enough when meteorologists and emergency officials have to make heat-related decisions, and its something some cities are recognizing as they plan for a warmer future.

No matter what part of the East Coast you're in, things are getting hotter and more dangerous.

Extreme heat affects low-income communities and people of color on a greater scale due to structural inequities. From 2005 to 2015, the number of emergency room visits increased by 67% for Black people, 63% for Hispanic people and 53% for Asian Americans, compared to 27% for whites.

The conditions for heat to become deadly in certain places were set into motion decades ago by people who were very aware of race. As Hoffman himself would discover, those intentional decisions led to unintentional consequences in the present.

In Petersburg, to the west of Thelma Mays' apartment, there is an empty lot that dates back to colonial America and has housed a trading post, tobacco stemmery and Civil War prison in a town that had the highest percentage of African Americans of any in the Confederacy.

The block that remains has grass and some shady trees, and money has been spent on history signage and the stabilization of a crumbling wall. But there are not municipal improvements that give anyone who lives nearby many options to sit and use the shady space during the suffocating summer.

Hundreds of miles north from Thelma Mays apartment, theres another woman who cant stay indoors when the sun comes up in summer.

Several streets in Brianna Rodriguezs Nodine Hill neighborhood in Yonkers, New York, are named for trees. But few trees actually line the sidewalks, and there arent many parks.

I couldnt just stay in my room, she said about the July 4 holiday weekend. Unable to afford AC units, Rodriguezs family goes outside instead, to try to find a park to cool off.

When they have to be inside, three industrial fans normally used to quickly dry paint circulate air toward the center of Rodriguezs living room in Yonkers. But even on full blast, they cant cool the 18-year-old, her mom, stepdad and their dog inside their third-floor apartment.

There isn't much shade throughout the working-class Black and Latino neighborhood. Rodriguez avoids certain streets she knows would be too hot between rows of taller apartment buildings and scalding pavement and asphalt.

The new normal:People haven't just made the planet hotter. We've changed the way it rains.

The characteristics of the neighborhood Rodriguez lives in residential areas with little or no parks or tree-shade, often borderedby industrial areas, warehouses or bisected by highways and overpasses are the material remnants of an economic rating system nearly a hundred years old that disincentivized mortgage loans and devalued property.

The creation of "undesirable" economic districts by the government and banks isolated parts of the city populated by non-white people. Those "redlined districts" and the neglect of those areas that followed created the conditions which studies are now provingto bedangerous for human health amid the climate crisis that has already arrived.

In July 2017,Jeremy Hoffman set out to map Richmond, Virginia, using a new heat-tracking methodology developed by his colleague Vivek Shandas.

Someone told Hoffman that his heat map looked a lot likea map of Richmonds redlined districts, which Hoffman didnt know much about at that time. When he compared them, they looked almost identical.

He went to Baltimore, Boston and Washington, D.C., to gather temperatures. The results of the heat maps again matched up with the redlined maps of each city.

Redlining of neighborhoods explained

Redlining is the process of denying mortgage loans based on the racial makeup of a neighborhood.

Michael Nyerges, Cincinnati Enquirer

That next summer, Hoffman gathered surface temperatures through satellite imaging in each of the 250 redlined cities to see if the heat islands correlated with previously redlined areas, available through historical maps.

The pattern repeated itself in virtually every redlined city across America. Hoffman found redlined areas were on average 4.7 degrees hotter than greenlined areas of the same city.

His team was the first to compare heat and redline maps on a nationwide scale.

When Hoffman started the research, some scientists in his circle were skeptical. Was he looking at heat-mapping through a racial lens?

What he saw was the consequence of historical human decisions which themselves were racial in nature. Which areas should get investment? Or parks? And which areas could be sacrificed to have freeways built through existing neighborhoods?

Cities dont happen by accident, Hoffman said. Our neighborhoods dont happen by accident. Everything is a decision thats been made. Every single second of your daily life in a city is the integrated outcome of all the historical planning policies and decisions that were made before that.

A harsh but telling example: Maps made by the Home Owners Loan Corporation described Nodine Hill, then heavily Italian, as hazardous, a September 1937 form said. Its detrimental influences, the form said, were aging buildings and the character of occupants.

On average, a person of color lives in a census tract with higher surface urban heat island intensity than non-Hispanic white people in all but six of the 175 largest urbanized areas in the U.S., according to a 2021 study published in the science journal Nature Communications.

'By design or neglect'Flood, climate hazards threaten Massachusett's redlined neighborhoods

Black residents had the most exposure to heat islands, researchers said, followed by Hispanic people.

The underlying conditions for heat islands were set decades ago by the economic isolation of redlining. Climate change just catalyzed these places to make them even more dangerous to human life.

As a young child, Rodriguez didnt play on the swings at her Nodine Hill elementary school on the hottest days, though they were her favorite part of the playground.

At recess, she skirted School 23s playground,built on a black rubber mat over concrete, and joined hundreds of students huddled under a few trees. The sun glared directly down on the swings metal links, making them too hot to hold onto.

I had always felt that it was hotter, Rodriguez said on a recent Friday afternoon in the shadow of her old school, a large brick building for pre-K-8 students built in 1918. It was just evident to me.

Temperatures were in the 90s on July 1, 2022. But Rodriguez felt it was even hotter in Nodine Hill. The neighborhood is just a mile uphill from the Hudson River, which provides daily breeze for those along the water.

School 23s playground was nearly empty a week after classes ended. A few teens sat by one of the basketball hoops in the shade. Rodriguezs gold necklace with her middle name, Brooklyn, glinted in the sun.

On hot days, without shade or greenspace that can cool neighborhoods, fewer people are outside in Southwest Yonkers. Instead, many cluster indoors to keep cool.

The Civil Rights Acts eighth provision, the Fair Housing Act, ended redlining in 1968. But previously redlined areas remain low-income and overwhelmingly non-white.

Upscale neighborhoods are edged with trees and parks with shaded pathways. In Southwest Yonkers, where Nodine Hill is located, residential areas are edged with unwanted facilities, congested roadways, sewage and wastewater treatment plants, according to Brigitte Griswold, executive director of Groundwork Hudson Valley, an environmental justice nonprofit thats studied the local effects of redlining.

Resulting air pollution contributes tohigher rates of asthma andheart disease in these communities, she added.

Griswold said the self-imposed isolation impedes people from checking on each other during a heat wave.

Its kind of a double-edged sword, she said. The heat itself prevents that social cohesion from happening. And then that breaks down community resilience to respond to the very thing that is driving people apart.

The little growth that has come from the end of redlining is not always welcome or healthy. In these spaces, where land is cheaper and zoning fluid, manufacturing sites, energy plants and big box stores have sprung up.

New Jersey resident Tanisha Garner knows more buildings in her neighborhood mean more heat.

Garner, a Newark native who has lived in an area called the Ironbound for the past four years, said at least 10 projects are being planned for the area and that they will be built with materials that absorb and radiate heat.

The Ironbound area got its name from the metalworking factories and railroad tracks in the area. For over a hundred years, this eastern section of Newark was home to all kinds of industrial activity. It was also an area redlined back in the late 1930s, classified as dangerous and marked by the federal government to be excluded from mortgage eligibility.

Many of those industries are long gone. Others have taken their place. A waste-to-energy incinerator, a sewage treatment plant, a metal plating shop and numerous warehouses. The area has been subject to some of the worst pollution in the state.

Garner thinks these development projects take out greenery and open space and fill them with buildings that help amplify the heat in her neighborhood.

What creates that heat island? Is it the structure of the building, is it a lack of trees, is it the lack of balance between nature and construction? Garner said. When you look at the Ironbound, you can see there is an imbalance.

During a tour of her neighborhood in July, Garner pointed out some of the areas designated for development.

One of those areas encompasses Freeman and Ferry streets, the future site of a six-story, 280-unit complex to be built at the site of the historic Ballantine Brewery, starting this summer. The current area has no trees lining the sidewalk. A rendering of the proposed project shows numerous trees surrounding the building. Will it be enough to offset the potential heat effect of such a huge structure?

A temperature check of that block at 11:20 a.m. registered 95.7 degrees, six degrees more than the citys temperature of 89 degrees at that time, according to the website Weather Underground.

In July 2020, Brianna Rodriguez took her handheld FLIR thermal camera and pointed the bullseye at School 23s black rubber mat where she once played. It was 88 degrees in Yonkers that day, she noted. Down on the mat, it was 127 degrees.

The infrared camera captured yellow and orange colors around the mat, signaling more surface heat, as opposed to blue and purple meaning cool.

She jotted the reading down in her journal, as part of Groundwork Hudson Valleys green team, composed of Yonkers teens interested in sustainability and climate change. They were completing an exercise developed by Shandas, where they pretended the heat was a zombie apocalypse affecting her neighborhood. Where it was yellow and orange on the camera, there were more zombies.

The image of her playground looked like the surface of the sun.

Ultimately, potential solutions for minimizing the deaths from heat islands should be a lot easier than protecting a city from zombies. Shandas, a chronicler of the "heat dome" phenomenon that settled over Portland, Oregon, with deadly results in its hottest neighborhoods last summer, said immediate action can be taken with lifesaving results.

Such changes, Shandas said, can be implemented ahead of more complex structural changes to amend building codes for cooler buildings with walls or roof construction materials that deflect heat.

Tree planting programs have been implemented in many states. But where the trees are planted matters. While thousands of trees have been planted in Newark in the last several years, the agency in charge would not say how many were planted in the Ironbound. Walking through the Ironbound's streets, it's hard to think that this area has been targeted for a tree-based solution.

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City heat islands force vulnerable residents to weather summer's worst - The News Leader

Consider the former distribution of imperiled carnivores of the American West: A grizzly bear still graces the California state flag despite being hunted to its extinction in the Golden State nearly a century ago. More than 20 subspecies of canis lupus the gray wolf once roamed a vast swath of North America, from northern Canada into central Mexico. Wolverines, solitary hunters and scavengers partial to mountainous environments with reliable springtime snow cover, occupied parts of California and Colorado in the early 1900s. Their range in the Lower 48 is now confined to remote outposts of the Northern Rockies and Pacific Northwest.

The primary tool the United States has for keeping those reduced ranges from contracting to nothing is the Endangered Species Act. When President Richard Nixon, a Republican, signed the act into law in 1973, he celebrated the countrys rich array of animal life, saying nothing is more priceless and more worthy of preservation. But with human activity driving a mass extinction event the likes of which Earth hasnt seen since a meteor crashed into the Yucatan Peninsula 66 million years ago, the U.S. Fish and Wildlife Services nearly 50-year-old directive is becoming increasingly complicated. The agency wants to respond with more aggressive measures to ward off extinction.

On June 6, the agency unveiled a proposal that would give it more latitude to establish experimental populations of endangered or threatened species outside their current or probable historic range. The agency billed the measure as an update to proven conservation tools that could prevent more species from becoming stranded in habitats rendered unsustainable by climate change and invasive species.

The time to act and use every tool at our disposal is now, Secretary of the Interior Deb Haaland said in the release.

The agency said in emails to Montana Free Press that the proposal was not developed with particular species in mind, but public comments submitted to the agency thus far (its accepting comments on the proposed rule change through Aug. 8) offers clues to potential target species. Champions of Key deer, which are unique to the lower Florida Keys, describe reintroduction outside the species historic range as absolutely crucial to preventing extinction as sea levels rise. And in the West, environmentalists have long argued that the endangered Mexican wolf, currently found in southern Arizona and New Mexico as well as northern Mexico, could be introduced as far north as Colorado. But some Arizona ranchers, whove described the introduction of Mexican wolves as having a devastating impact on agricultural communities, arent keen on future introduction programs and their potential to introduce economic and environmental harms.

Though still in its earliest stages, USFWSs proposal, sometimes called assisted migration, evokes sticky questions about how and where the federal government should focus its efforts and about the ultimate goals of ecological restoration. Some environmentalists have praised the agencys proposal, calling it a conservation game-changer thats long overdue. Others describe themselves as leery of wildlife managers ability to get assisted migration right, given ample evidence of past natural resource management missteps.

Mike Phillips, director of the Bozeman-based Turner Endangered Species Fund, says restore to what? is one of the cardinal questions restoration ecologists tangle with. Most folks would say and Ive said this, too restore to historic conditions. It had to be really good in the past, right? he said. Increasingly, I think thats an inadequate answer, in part because climate change is reshuffling the ecological deck and, in some cases, rendering historic ranges insignificant or not significant enough. He said such profound changes merit a corresponding change in wildlife managers approach to conservation.

Ranges for many North American plants and animals are moving up either north in latitude, or higher in elevation according to David Parsons, a longtime USFWS biologist-turned- conservation nonprofit staffer. In some cases, he said, species are getting pushed off the top of mountains, meaning a species that has historically lived on one mountain or range can no longer find what it needs to survive there and has to seek refuge at even higher-elevations.

Parsons said USFWS assisted migration strategy would support efforts to stem the planets rising biological diversity loss crisis, which international leaders cited as the No. 3 risk facing the globe during the 2022 World Economic Forum. (Climate action failure topped the list, followed by extreme weather.)

With species extinction rates a thousand times or higher than they should be, there are going to be plenty more animals in need of rescue, Parsons said.

Both Parsons, a resident of Albuquerque, New Mexico, and Phillips, a Bozemanite, have masters degrees in wildlife ecology and have been involved in efforts to recover the Mexican wolf, which was listed as endangered in 1976. Parsons directed the USFWS Mexican wolf recovery program from 1990 to 1999 and remains involved in his current post as the nonprofit Rewilding Institutes carnivore conservation biologist. Phillips joined a Mexican wolf recovery advisory committee in 1995 and continued working on that effort until 2017.

Most folks would say and Ive said this, too restore to historic conditions. It had to be really good in the past, right? Increasingly, I think thats an inadequate answer, in part because climate change is reshuffling the ecological deck and in some cases, rendering historic ranges insignificant or not significant enough.

The two share a belief that any unintended consequences arising from the introduction of imperiled species into novel habitats for example, a surge or decline in other plant and animal populations can be minimized. Phillips said due diligence and an intentional, science-based plan paired with monitoring and tweaking as needed can go a long way toward preventing undesirable distortions to the complex web of interactions that underpin ecological systems.

Phillips acknowledged that mistakes will be made along the way, but said he believes in doing everything possible to address the extinction crisis. Deciding not to take action is still a decision with attendant consequences, he said. If you want an at-bat, you have to accept the fact that you might strike out. You have to accept the fact that you may create a problem, a double play for example. But my gosh, how unexciting would life be if you dont want an at-bat?

Others, like Clint Nagel, a retired U.S. Geological Survey hydrologic technician who remains active in natural resource issues through his work with groups including the Gallatin Wildlife Association, cast a wary eye on the proposal. Nagel says theres no shortage of presumably well-intentioned wildlife management efforts that have unfavorably misshapen ecological systems, including within the National Park system.

Yellowstone National Park, for example, is engaged in a decades-long, multimillion-dollar effort to rid Yellowstone Lake of lake trout, which are believed to have migrated from Lewis Lake, where they were stocked in 1890. Lake trout have wreaked havoc on the native cutthroat trout population in Yellowstone Lake, Nagel says.

About 50 miles south, the National Park Service is neck-deep in a protracted effort to get mountain goats out of Grand Teton National Park due to concerns that theyre introducing bacterial diseases to bighorn sheep and outcompeting them for forage. In February, the park used helicopters and sharpshooters to kill 58 mountain goats in Grand Teton as part of that effort.

With species extinction rates a thousand times or higher than they should be, there are going to be plenty more animals in need of rescue.

Such sagas dont bode well for heavy-handed approaches to wildlife management, Nagel argues.

Personally, I dont trust mankind to play God, he said. You know that old saying, We dont know what we dont know? I just see humans as being extremely arrogant where we think we know and understand the complexities of Mother Nature, and we dont.

Nagel acknowledged a measure of cynicism in that view, but said he worries that the federal wildlife agency has resigned itself to an extreme approach when a stronger commitment to existing conservation tools might be a better tack.

Id rather see the agency try to preserve the habitat that we have, rather than giving up on that and trying to put species where they may not belong, he said.

Char Miller, a professor of environmental analysis and history at Pomona College in California said he isnt entirely opposed to the use of assisted migration, but calls for a vigorous vetting process first. Miller argues that natural resource managers should take a hard look at the data and focus on supporting species that have a decent shot at surviving a warmer and potentially drier climate, rather than reflexively trying to conserve existing populations of favored species.

In a recent L.A. Times op-ed, he argued that installing sprinklers at the base of giant sequoia trees in Yosemite National Park to increase their odds of surviving the nearby Washburn Fire represents a denial of current and future conditions. A more proactive approach to meaningful climate adaptation would be better, he said.

As much as the Washburn Fire tactics caused a sigh of relief among Yosemite lovers, the Park Service needs to acknowledge that it makes no sense to install sprinklers to protect giant sequoias from conversions that a warming planet is unleashing in the Mariposa Grove and elsewhere, he wrote. We cannot irrigate our way out of climate change.

Miller said humans tend not to be adept at taking a 30,000-foot view of such complicated questions, but argues that the landscape-scale changes caused by a changing climate merit a similarly expansive perspective, in both geographic and temporal terms.

Is it really appropriate, Miller asked, to attempt to save the dry conifer forests of the southwest if the temperature and precipitation necessary to keep them viable wont materialize? And if conifer forests cede ground to a northward-expanding Sonoran desert, should people resist that ecological shift?

The human tendency is to fix things with tools and technologies that we havent really interrogated, he said, pointing to the historical use of the pesticide DDT, which forced birds of prey like bald eagles and osprey into decline, as an example. Its not that I want hands off, he said. I want minds on.

Greta Anderson, deputy director of Western Watersheds Project, a conservation organization that focuses on protecting watersheds and wildlife habitat on western public lands, said she appreciates both the enthusiasm and skepticism USFWSs proposal elicits.

These are the things that I think about all of the time, she said. There is a truth to biogeography species move around to suitable niches on their own, or go extinct on their own, based on fluxes in their environment. That is absolutely true. But we have unnaturally accelerated the opportunity for species to adapt and weve unnaturally limited their mobility within their adaptive geographic space. Weve bounded them.

Personally, I dont trust mankind to play God. You know that old saying, We dont know what we dont know?

Anderson said the Endangered Species Act is sometimes likened to a safety net for imperiled plants and animals. She said she sees the rule change proposal as a way of perhaps repairing some of the loopholes in that net. As such, she supports it.

She also said her primary hope is that humans do more to support ecological resilience at a landscape scale to give plants and animals more room to survive on their own terms. Shes supportive of the America the Beautiful initiative President Joe Biden unveiled last year, a proposal to conserve 30% of the countrys land and water by 2030.

I think doing land conservation and protection in the broadest way possible is what we have to do in the near-term, so that whatever we end up [pursuing] in the long-term is still possible, she said. If we continue to slice away the pie, those opportunities are going to be gone.

The controversies that wildlife management can engender are no secret, particularly in Montana, which has managed to hold on to the vast majority of its native mammals. The management of animals currently or formerly on the endangered species list is arguably the most controversial of all, with advocates for or against federal protections often engaging in a decades-long tug-of-war. Sociologists sometimes use the phrase high conflict to describe such stubborn stalemates. Theyve found plenty of it in the management of carnivores.

As with wildlife introduction efforts, policymakers have a pretty rocky history of involving the public well in all sorts of natural resource decisions, said Alex Metcalf, a University of Montana professor who teaches courses on the human dimension of resource management to forestry and wildlife biology students. He underscores the importance of engaging stakeholders and really listening to their feedback the earlier, the better, he said.

On paper at least, USFWS plans to develop any assisted migration programs with input from diverse state, local and Tribal partners. USFWS Director Martha Williams, who formerly led Montana Fish, Wildlife and Parks, expresses a commitment to locally-driven, partnership based solutions in agency writings about the proposal.

Metcalf anticipates that some introduction programs of, say, trumpeter swans could go uneventfully well. Others will be more fraught, he said, offering as a cautionary tale the history of gray wolf management, which reliably draws impassioned testimony in the Montana Legislature and before the states Fish and Wildlife Commission some 27 years after wolves from Canada were released in Yellowstone National Park. Metcalf also said there is no one-size-fits-all approach that will work everywhere. USFWS wont necessarily be able to replicate one successfully executed introduction program in another region with a different species, he said.

One of my mentors used to say to me, Once youve studied one rural community, youve studied one rural community, he said. The social piece of this is really complicated.

Asked if he has one piece of advice to offer USFWS as the agency moves into assisted migration territory, Metcalf urged patience and good-faith interactions with stakeholders, while also acknowledging the mismatched timelines of environmental need and the pace of social change.

Its pretty clear you cannot rush the social process. If you do, you end up with entrenched opposition among the very people you need for success. So, as uncomfortable as it may be, you have to take the time to do it right, he said. Thats not a comfortable answer. Thats not a happy feeling. But I think it is the reality.

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Where will all the wildlife go? - Montana Free Press

I was one of more than 700 people who traveled or telecommuted to Pittsburgh for Theatre Communications Groups 32nd National Conference in June. After three years held at a distanceTCGs last in-person convening was in Miami in June 2019, with virtual conferences taking place in the summers of 2020 and 2021this year marked our organizations first hybrid conference, offering in-person events June 16-18 and virtual programming June 15-17. It was an ambitious four-day undertaking that involved some behind-the-scenes pinch-hitting by volunteers and members of staff. As an attendee and sometime conference worker, both in person and online, I appreciated the patience and fortitude of everyone involved.

It was also my first TCG conference. While I cannot speak to the experience of past conferences, several people told me that the city always sets the tone. Im not sure if that same sentiment applied to those who tuned in virtually, but I have the City of Bridges to thank for a new perspective on the industry I cover.

To me, this years conference was about healing, about finding new ways to take care and show up for ourselves, for our work, and for each other. While I would doubt that any shared life-altering epiphany has ever been reached while sitting in upholstered banquet chairs, I mean it when I say that it was genuinely nice to meet everyone and share rooms together, whether behind masks or on Zoom. For an industry still grieving the immeasurable losses of the COVID-19 pandemic while attempting to address the systemic inequities embedded in our practices, I think that the conference provided some much-needed time to consider a way forward together.

Conference programming centered around three arcs: Redefining Our Art, Transforming Our Practices, and Tending to Our People. With sessions focused on subjects such as Trauma-Informed Theatre: Lessons from Care Work, Rethinking the Canon, Harm Reduction & Transformative Justice, Native Futures Are Our Future: Indigenous Multimedia and VR Artistry, Together We Rise: Dream Session for a Queer American Theatre, and a series of forward-thinking sessions held by TCGs 2022 Inheritors Curation Team, there were ample opportunities to envision the future of theatre. Following is my day-by-day report of events and conversations, compiled from firsthand experience, videos, and transcripts.

I arrived in Pittsburgh on the morning of the 15th. My fabulous Uber driver, Garcia, showed me around the area en route to the Westin, recommending local restaurants and wishing me well. This set me up for a productive week. The virtual programming kicked off with a plenary keynote conversation between Pittsburgh icons and Carnegie Mellon alums Tamara Tunie and Billy Porter. Both vouched for the importance of free after-school arts programs as vital to their development.

Im the last of a generation of people who had access to things that our government set up to help, Porter said. I was grandfathered into benefiting from a government that actually cared about its people. He marveled at the arts education that we were exposed to in a public school situation for free, vividly recalling a three-ring binder bursting with double-sided pages listing after-school activities. These programs gave Porter the opportunity to perform in his first musical alongside 150 classmates; his was the only role not double-cast. For her part, Tunie remembered choosing an instrument and joining the choir in the fourth grade. Both credited high school performing arts teachers with steering them toward the BFA programs at Carnegie Mellon. Tunie also recounted her alienating college audition experience as the only Black person out of 100 applicants trying out for the program.

This is what were talking about when were talking about access and opportunity, Porter said. I didnt even know it was there. I didnt even know Carnegie Mellon had a program like that. I had no idea. He added, I wouldnt be sitting here if somebody hadnt given me an opportunity.

Porter struggled throughout his 20s to fit into the limited roles offered to queer actors, often being dismissed as too flamboyant, until he realized his originality was in fact his strength.

Everybody told me that my queerness would be my liability, and everybody was right for decades, he said. But in the middle of that journey I chose myself, because I knew that however the chips may fall, wherever this may lead, its going to be rooted and based in my authenticity. So let me let all the other stuff go and just simply be in this moment with myself. He continued, I was waiting for Clive Davis to discover me. I was waiting for Stephen Sondheim to write something for me. No: Write it for yourself. Do it yourself. Creativity comes from inside you.

Placing value in his authentic self prepared Porter for the opportunities that would follow, including the roles of Lola in Kinky Boots and Pray Tell in Pose.

With the wisdom of Billy Porter and Tamara Tunie still resonating in the back of my mind, I put on my blazer and went to moderate a discussion on virtual theatre. My session, Making Virtual Theatre Work: How to Reach Audiences at Home, featured BroadwayHD founder Bonnie Comley, Geffen Playhouse associate artistic director Amy Levinson, Audible Theater artistic director Kate Navin, Arlekin Players Theatre managing producer Sara Stackhouse, and Ricky & Dana Young-Howze of the Young-Howze Theatre Journal. Panelists shared their pandemic-born innovations and explored the ongoing potential of virtual theatre.

For us its actually about creating a new genre, and I think theres something interesting there to talk about, said Stackhouse, whose company in June produced The Orchard, a Chekhov-inspired production incorporating robots, holograms, film production, streaming software, and gaming technology to create an interactive viewer experience. The key, Stackhouse said, is to learn what tools, ideas, ways of interacting and having meaningful experiences are being used by other industries and other sectors, and see what talented theatremakers can do at the cross section of those things.

Along with this genre-carving practice, though, come the responsibilities of building infrastructure and reaching new audiences.

The book manuals have not been written yet, said Ricky Young-Howze of the lack of training for virtual theatre. There arent as many teaching artists [for the virtual medium] as there need to be. Theatres, he said, also need to think about who could never come into the theatre because they couldnt physically access it, economically access it, or socially access it, where they would feel excluded. The next step, said his partner Dana Young-Howze, after finding the people who need this, is not just creating content for them, but listening to what they want.

The first day of virtual TCG programming was rounded out by a keynote conversation between activist/policy expert Julian Brave Noisecat and theatre producer/climate justice leader Ronee Penoi. A member of the Canim Lake Band Tsqescen and a descendant of the LilWat Nation of Mount Currie, Noisecat recognized Native-led movements like Idle No More, the fight against the Keystone XL Pipeline, and the protests against the Dakota Access Pipeline at Standing Rock Sioux Reservation for solidifying the connection between Indigenous rights and environmental activism.

Noisecats activism begins at the intersection of climate change, environmental advocacy, land occupation, broken treaties, and the marginalization of Indigenous history. He explained that political advocacy depends on the power of a compelling narrative, and movements often fail because of faulty storytelling techniques. In this time of division, he emphasized, it is more important than ever that all communities are fairly represented in media and that their lived experiences are reflected in public policy.

As an insider in Indigenous storytelling, said Noisecat, what I really appreciate is the stuff that gives us visibility on this broader stage, where other people can also read, watch, or listen to our stories, but where I as an insider can also see stories, people, places, and cultural things that I know, that feel intimate to me. As a Native person, thats a very novel experience in America.

He highlighted FXs series Reservation Dogs (created by the Native sketch comedy troupe the 1491s) and the book There, There by Cheyenne and Arapaho author Tommy Orange as impactful examples of Indigenous representation.

I walked away that first day with a lot on my mind. Knowing that it took decades for the industry to shine its light on a star like Billy Porter left me wondering just how much talent weve unknowingly relegated to the wings. Theres something to be said about being ahead of ones time and reclaiming creative control, but theres still the problem of flawed storytelling. Maybe the lack isnt in the talent of the actor but in the depth of the character; maybe youre missing the technology to best equip your artists or the outreach to connect you with an unfamiliar audience. Access happens where theres an abundance, not a scarcity, of opportunity. It stands to reason that as theatremakers, we are only bound by the environments we create.

For the conferences first in-person day, you might say I woke up on Pittsburghs Northside, as I hopped on a morning trolley and followed a City of Asylum walking tour down Sampsonia Way. This nonprofit hosts the largest sanctuary residency program in the world for writers living in exile under threat of death, imprisonment, or persecution in their native countries, providing them with three years of free housing, healthcare, and access to social services and resettlement.

Our helpful guide, City of Asylums manager of special projects, Erin Roussel, told us all about the programs history. A member of the International Cities of Refuge Network (ICORN), City of Asylum welcomed its first writer-in-residence, Huang Xiang, and his wife, Zhang Ling, in 2004. A poet, calligrapher, and advocate for constitutional freedoms during the post-Cultural Revolution period in China, Huang Xiang spent a total of 12 years in prison and labor camps for his work, which was later banned from publication.

Part refuge, part relief, each of the residency homes along Sampsonia Way feature unique, artist-created house publications, i.e., literary texts incorporated into their facades as public art. Huang Xiangs House Poem was the first in the series. The buildings currently house five resident writers and one artist. The tour culminated at Alphabet City, Asylums bookstore/cultural center/restaurant/performance venue, which has offered free online and in person public programming since 2016.

Back at the Westin, conference programming continued with a hybrid opening plenary featuring the launch of the 2022 State of the Artist study facilitated by Khanisha Foster and Susan V. Booth; the presentation of the Alan Schneider Director Award to Seema Sueko; and a grounding moment led by healing artist Rebecca Kelly G. Positing a series of powerful prompts, such as, What might theatremaking look like in 2027, and what needs to happen now to get us there? and What does your ideal day in the life of an artist look like, and how is that different from your daily life now?, Foster and Booth garnered a variety of responses from theatremakers from diverse disciplines and communities. Sueko highlighted the potential for playwrights to submit scripts as audio files, reasoning that giving literal voice to a playwrights language can help us experience their rhythms and intentions.

How many people sat in their living rooms and decided how to make theatre from here on out? asked facilitator Khanisha Foster, looking back at the past two years of pandemic and protest. How many of us have decided we are not going back into a rehearsal room with panic in our bones? That we want the space, and time, and energy, and honoring to do what our body, minds, and spirits are capable of. If we dont ask now, then when?

The point seemed clear: that by visualizing the industry we hope to create, we are able to more clearly define the work ahead.

Following the plenary, I made my way to the Making Home: Contemporary & Devised Performance in Pittsburgh session with trans director, performance-maker, and community organizer Lyam B. Gabel and theatre director and educator Adil Mansoor, moderated by Chanel Blanchet, programming manager at Pittsburghs Kelly Strayhorn Theater. Taking inspiration from the tradition of Black homemaking, the Strayhorn hopes to engage artists in deconstructing the complicated concepts of home and belonging, striving to be a home for creative experimentation, community dialogue, and collective action rooted in intersectional anti-oppression and the liberation of Black and queer people.

This practice of cultivating belonging is important for Gabel, who lived in New Orleans for eight years before coming to Pittsburgh for graduate school.

I make a lot of work about archives, explained Gabel. I do long processes where I do oral histories and then create performance from those oral histories. Although its not strict documentary performance, its kind of docu-fiction or docu-fabulation. Its a hybrid between narrative and documentary work. Their recent project, the dance floor, the hospital room, and the kitchen table, interweaves 32 oral histories and countless hours of research into an immersive media archive of queer care, stitching together stories from COVID-19 and the HIV/AIDS epidemic.

Thinking about home and community and all those things, how those networks of care can get built inside of a rehearsal room, have been really important to my practice and also my livelihood as an artist, Gabel continued. Theatre has this really incredible ability to create networks of care that can help to sustain us. I think it has to, unfortunately, because it does not sustain us in other ways sometimes, financially, which is something that I know a lot of people are working to remedy. But there is something that I have relied on theatre to do since a very early age, which is to make home and literally sustain me through those networks. Thats now a part of the active process Im engaged in when Im making work. Its not just about what were making, but also about the connections that were making with one another as were making it, and being really intentional about how those things can help to sustain the process.

For Adil Mansoor, who was raised outside of Chicago and moved to Pittsburgh 12 years ago, his journey involved not only carving a path into the theatre industry, but also finding a sense of home within it.

When I moved to Pittsburgh, if Im totally honest, the barrier to access when it came to entering the theatre community here was high, Mansoor said. I didnt know how to enter a theatre. I didnt study it in undergrad, I wasnt an actor, I couldnt afford a free internship, I couldnt apply for the jobs. I just was like, How do I do this? The people who welcomed him, he recalled, were dancers and silk screen printers and museum workers. So my practice was developed in other disciplines. I knew theatre was where I felt the most alive, that kept being true, but I grew up in other disciplines in Pittsburgh. At that point in his life, he felt hurt that the one place I wanted to be, all of the doors were closed, but now he counts himself grateful for what hes learned outside the theatre industry. To have DJs as your sound designers and architects as your set designers teaches you a lot about really figuring out what youre trying to do, he said.

Mansoor, whose current play Amm(i)gone is an adaptation of Sophocless Antigone that doubles as an apology to and from his mother, credits Karla Boos, artistic director of Pittsburghs Quantum Theatre, for giving him his start. Both Mansoor and Gabel agree that Pittsburgh has a unique infrastructure in place to support new work.

Something thats really incredible to me about the Pittsburgh arts community, said Gabel, is that there are resources here for artists making work, which is not true everywhere. Getting to experience that has been really transformative for my practice. Not that I did not have any access to resources, but in New Orleans a lot of the access to resources come from national funding organizations, and in Pittsburgh theres a robust local funding and foundation network. That is something that feels really unique to the ecosystem here.

Mansoor concurred, pointing to the support the Strayhorn and the New Hazlett have given to emerging Pittsburgh creators in various disciplines, in particular Strayhorns Freshworks residency program and the New Hazletts Community Supported Art (CSA) performance series as lifelines to the field, and lauding innovative Strayhorn programming director Ben Pryor.

There is certainly no shortage of new ideas brewing in Pittsburgh, and both Mansoor and Gabel want the field to recognize that theatre can thrive outside of New York.

It feels like a lot of times in order to get credibility you have to leave, said Gabel, that your work has to be seen somewhere else and then its credible. Its really transformative when our leaders start looking in their own backyards and being like, Whos here? Whos doing something interesting? Maybe they havent shown something in New York, but that doesnt actually mean, especially with the right support, that they couldnt be making really amazing things.

But all work and no play makes for dull theatre, and Mansoor rightly said that after a difficult few years, it is time to start the healing process. Speaking of the fatigue and despair of many of his friends and colleagues in the field, Mansoor said he felt the urgent need to figure out what we can do to instigate joy, even if its just tomorrow or next week or next year. It feels like a really big puzzle. I want to keep making this work. I want to keep making it with you all. I would really like to have joy while we do this very, very hard job. So what are the ways to center joy and care without shifting away from rigor? I dont think those words are the opposite of rigor at all. I actually think theyre intrinsically the same or connected.

As a field, how do we find joyful rigor?

In the spirit of instigating joy, I grabbed dinner from Condado Tacos and headed over to the opening night party at the Mattress Factory, thrown by the Pittsburgh host committee.

Thursday was certainly a busy day, but when things finally slowed down, I found myself reflecting on concepts like home, sanctuary, and joyful rigor. For the residents of City of Asylum, the program provides very real artistic refuge and personal safety. At the same time, I considered whether theatre could be a place of sanctuary for us. For members of a weary and weathered field, whose spaces often no longer look like home, how might we visualize our sanctuary? I could definitely use more joyful rigor in my day, and if theres one thing Ive taken from my time in Pittsburgh, its the idea that a better way is possible.

At the session Race and Intimacy for Artists, Management, and Administrators: What to Know, educator, activist, actor, director, and intimacy coordinator Kaja Dunn explained that shes not just on hand for combat choreography or steamy scenes; in fact the true role of the intimacy coordinator is to prevent harm, both physical and emotional. No cast member, she said, should be asked to comply with unwanted physical contact or violate their bodily autonomy for a performance. In particular to safeguard cast members of color, LGBTQ+ performers, young performers, disabled performers, and other underrepresented theatremakers on sets or stages, Dunn emphasized that rehearsals should have an intimacy coordinator. If a script deals with harmful cultural stereotypes or requires young actors to kiss, an intimacy coordinator can step in, ask questions, and establish boundaries.

You cannot colorblind choreograph, said Dunn. Nor should theatres skimp on other culturally specific services: If they are going to cast more diverse performers, they need to make space. This means providing a hairstylist who regularly works with different hair textures, makeup that matches cast members skin tones, and a wig budget, if required. If performers are expected to supply their own foundation or braid their own hair, theatres should compensate them for those costs.

Harm can be done in more subtle but insidious ways in the rehearsal room; Dunn advised theatremakers to ask, Are you using peoples cultural knowledge and capital without compensation?

The conference coincided with Juneteenth or African American Emancipation Day, the U.S. federal holiday commemorating the end of slavery under General Order No. 3 on June 19, 1865. A special session, The Meaning of Juneteenth and August Wilsons 100-year Journey to Freedom, was held at the August Wilson African American Cultural Center across the street from the Westin, featuring E.G. Baily, Justin Emeka, Sha Cage, Wali Jamal, and Caroline B. Jackson Smith. At the time of the conference, a production of Two Trains Running was playing at the Pittsburgh Public Theatre, directed by Emeka, who also played the role of Holloway alongside Jamal, who played the shows punctilious undertaker, West.

Jamal has the unique credit of being the only actor in the world to have appeared in all 11 of August Wilsons plays, including not only 10-play American Century Cycle but also the autobiographical solo show How I Learned What I Learned.

What immediately affects me about August Wilson, what the legacy of August Wilson means to me primarily, is opportunity, said Jamal. I didnt get into theatre until I was in my late 30s. I always wanted to be in it. I always did. When I was going to Carrick High School, I wanted to take theatre. They told me I couldnt take drama because there wouldnt be any parts for me. It was pretty much right, but that was before August. Now almost any high school kid can have an opportunity to experience theatre and portray characters that represent them clearly, respectfully, and truthfully.

While Wilson created an indelible collection of roles for Black actors, and helped employ a generation or two of great Black actors, including Samuel L. Jackson, Denzel Washington, and Viola Davis, Emeka noted, perhaps paradoxically, that a lot of Black people dont feel like they have a right to August Wilson because they cant speak that way, or they dont have that authentic of a Black experience. Im interested in empowering the next generation of Black actors to find themselves through the work without trying to be Anthony Chisholm or Stephen McKinley Henderson. Theyre beautiful, but you dont have to be them in order to do August Wilson.

At the same time, Emeka clarified, it is not enough for theatres to just stage August Wilsons plays and repeatedly use the N-word, as his plays do, without context. There needs to be an acknowledgment of the history and legacy involved. It is important to set the work up right, he said, as a holistic experience for the audience.

Even Wilson himself expressed the need for his plays to be staged with a certain cultural reverence. There were theatres he would return to and places he would never work again. Advocating for artistic control was a central part of Wilsons playwriting journey.

As Oberlin College theatre department chair Caroline B. Jackson Smith explained, After the first couple of plays suffered with white producers, they went to a different model of producing, and it had to do with partnering with other regional theatres so that they built their way to Broadway as their own producers. They had to select which regional theatres would be able to do the work in the responsible way that it was being crafted.

No one would deny how hard Wilson worked to tell stories and bring his characters to life. The freedom to express oneself can also feel like a burden, though, as the ambition to influence and advocate requires a tremendous amount of effort.

I think thats what the tie-in between August and Juneteenth means for us now, Jamal explained. In his plays its always, always stressed that youve got to work, that freedom comes with work. All freedom means is that now were going to work. Weve been working for 300 years, but now we can work for ourselves. Thats what its all about.

He quoted Two Trains Running: Freedom is heavy. You got to put your shoulder to freedom. Put your shoulder to it and hope your back hold up.

Across the street in the Westins Allegheny ballroom, a hybrid plenary with remarks from elected officials, followed by a legacy conversation with the members of SITI Company, was already underway.

As the first Black mayor in Pittsburghs history, Ed Gainey offered his thoughts on how to bring communities together.

Arts and culture changes lives, Gainey said. Thats the power of art. Thats the power of theatre. That you can express how we should be living, what life should be. Through arts and culture we begin to know one another, we begin to respect one another, and when that happens we eliminate racism.

He spoke about the importance of arts education and his desire for arts funding to serve as an investment in Pittsburghs future.

When I took office, because this city has often been siloed and segregated, I wanted to change how people see this city, Gainey said. He and his wife Michelle created the Pittsburgh Paints initiative, which celebrates local artists from different cultures with a monthly rotating art exhibit in the mayors executive conference room. I turned my conference room into a canvas room for the whole city to be educated, Gainey said.

For their part, SITI Company, now in the midst of their final season, were led in a virtual colloquy from their frequent base in Saratoga Springs, N.Y., by frequent collaborator Jessica Hanna, looking back on decades of not only making essential, ensemble-created theatre works but forging an influential training aesthetic inspired in part by their work with Japanese theatremaker Tadashi Suzuki. As founding member Ellen Lauren put it, Plays are what a company does, but theyre not what make a company. And her colleague Steven Webber chimed in, in bittersweet past tense: We were not employees of an institution. The company was our bodies; it was us.

The long day of reflection concluded with the Vibes NAt Pittsburgh BIPOC Artist Celebration hosted by TCG and the Kelly Strayhorn Theater at the August Wilson African American Cultural Center. The lineup included performances by Gea y Pea, Mai Khoi, #notwhitecollective, Alumni Theatre Company, Mita Ghosal, Jacquea Mae, and DJ Samira Mendoza.

Friday proved to be a great day for listening and expressing gratitude. Pittsburgh provided an excellent backdrop to examine history, from honoring the legacy of August Wilson to recognizing the citys first Black mayor. Theres a lot of conversation happening right now around EDI initiatives and addressing systemic injustices in theatre, but its not often that we get to hear from the people on the front lines of that advocacy. Wilson paved one road to change, and that was only the beginning. Its also important that creative teams consider the expertise of intimacy coordinators and sensitivity readers to avoid harm. And when harm occurs, procedures need to be in place to address it. Every theatre should strive to be a place playwrights want to revisit, not regret.

I started my last day co-hosting a live version of ATs Offscript podcast, featuring longtime arts journalist Sharon Eberson, City Theatre co-artistic director Monteze Freeland, and Quantum Theatre artistic director Karla Boos.

As for what sets Pittsburgh apart from the art scenes in other cities, both directors agreed that there is a strong network of support for artists.

The theatre community here is loyal, said Freeland, who came to the city from Baltimore. Its rich, its full of life and support. It opens and holds the door open for new people. You hear a lot of times in other cities that people have a hard time breaking in. I think we actually embrace new artists here in Pittsburgh. When they get here, were excited about their talent, were excited about what they can bring to our community, and we hold those doors open. Of course, theres more work to do, but we have a breadth of theatre that allows for that to happen on many different levels.

Boos echoed the sentiment, saying that this openness is especially true of mid-size performance companies. She described from personal experience how August Wilson, a Pittsburgh native who mostly didnt live or work in his hometown in his adulthood, nevertheless fostered a legacy of good will there.

We are all, in the present theatre, the spiritual brothers and sisters of August Wilson, said Boos. In 1990, when I was incredibly young and wanted to start a theatre in Pittsburgh, I sought out August Wilson, found him in the Crawford Grill, and talked to him about my idea to start a theatre. I was no one from nowhere, and that man extended his generous spirit. It was instrumental. Monteze is not kidding when he says we have had a tradition of embracing people for, in my experience, 30 years. And we love our differences. We love a kind of collegiality that makes all boats rise.

Though Pittsburghs arts community is strong, there is still work to be done toward making theatres accessible, inclusive, and anti-racist. Freeland emphasized the key difference between words and actions when it comes to organizational change. While many theatres shared messages of support in response to Black Lives Matter and We See You, White American Theatre, he advised us all to pay attention to which theatres are driving change from within.

Sometimes you have to clean up inside of your house before you can open the door and invite people in, said Freeland. At least thats how I was raised. So I think theres value in that and theres a purpose in that. We should be looking at those companies who are inside actually doing that work from the ground up, and making sure that those who are coming into your own spaces know that work is happening.

He pointed to Pittsburgh Playwrights Ground Up Theatre training program, which provides free theatre training for people of color in Pittsburgh to address disparities in industry education and hiring practices, while ensuring that diverse candidates are set up for success. He stressed that making sustainable theatre in Pittsburgh requires engaging with all the layers of a community. This means partnering with local restaurants, organizations, and community kitchens, uplifting residents of color through opportunity, and creating safe environments where people are valued.

My conference experience ended with a canceled flight, which gave me a few more hours in the Steel City. I was fortunate enough to spend that time at the Forbes Tavern toasting the legacy of Terry Nemeth, who will retire this fall after nearly 40 years as the publisher of TCG Books and American Theatre, and who was the subject of a heartfelt farewell tribute at the conferences closing plenary.

As a long champion of Wilsons work (TCG Books helped realize the playwrights dream of publishing the entire Century Cycle), the tribute to Nemeth provided a fitting capstone for a conference which both honored and contextualized the good work of the past, as well as learned from those improving the field.

Can theatre heal itself, and might it heal us? Gathering together last month in Pittsburgh felt like a pretty good start.

Alexandra Pierson (she/her) is associate editor of American Theatre. apierson@tcg.org

Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by making a donation to our publisher, Theatre Communications Group. When you support American Theatre magazine and TCG, you support a long legacy of quality nonprofit arts journalism. Clickhereto make your fully tax-deductible donation today!

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So Good to See You: Highlights From Pittsburgh's 2022 TCG National Conference - American Theatre

Mister President,

Members of the Security Council,

I am pleased to deliver this briefing on behalf of Special Coordinator Tor Wennesland, covering the reporting period of 27 June 21 July.

While the specific developments of the conflict fluctuate, the structural reality has not changed.

We continue to witness concerning levels of violence against civilians, which exacerbates mistrust and undermines a peaceful resolution to the conflict.

For years, illegal settlement expansion in the occupied West Bank, including East Jerusalem, has been steadily shrinking the land available to Palestinians for development and livelihoods, limiting their movement and access, and eroding the prospects for establishing a viable Palestinian State.

Three hundred and ninety-nine demolitions and seizures of Palestinian-owned structures and evictions this year in Area C have left over 400 Palestinians displaced.

There is a growing sense of hopelessness among many Palestinians who see their prospects for statehood, sovereignty and a peaceful future slipping away.

Internally, they also see a crumbling and constrained Palestinian economy, lack of progress in advancing intra-Palestinian unity and governance reform, and the urgent need for renewed legitimacy to national institutions, including through a democratically elected Parliament and Government in Palestine.

Many Israelis also understand the perils of continuing along the current path. They see endless cycles of violence, the constant risk of escalation and the absence of prospects to end the conflict.

Against this worrying backdrop, U.S. President Bidens visit to the region earlier this month signaled renewed consensus for a two-State solution based on the 1967 lines. During the visit, for the first time in years, Israeli, Palestinian and American leaders also reiterated their support for a two-State solution as essential for the future of Palestinians and Israelis alike. In addition to meeting with Prime Minister Lapid and President Abbas, President Biden made a noteworthy visit to Augusta Victoria Hospital in East Jerusalem. We must build on these reaffirmed commitments and work collectively to encourage steps that allow for a return to a meaningful political process.

Mister President,

Daily violence continued throughout the Occupied Palestinian Territory during the reporting period.

Three Palestinians were killed in the occupied West Bank during search and arrest operations and 287 Palestinians, including 28 children, were injured by Israeli security forces (ISF) during demonstrations, clashes, search-and-arrest operations, attacks and alleged attacks against Israelis, and other incidents in the West Bank. Israeli settlers or other civilians perpetrated 27 attacks against Palestinians resulting in 12 injuries and/or damage to Palestinian property, including 1000 olive trees.

In all, eighteen Israeli civilians, including two women, and seven Israeli security personnel were injured by Palestinians in shooting and stabbing attacks, clashes, and the throwing of stones and Molotov cocktails, and other incidents. In total, Palestinians perpetrated 50 attacks against Israeli civilians, 39 of which were stone-throwing incidents, resulting in injuries and/or damage to Israeli property.

On 29 June, ISF shot and killed a 25-year-old Palestinian in the context of clashes following an arrest operation conducted in Jenin in the West Bank. According to ISF, the man had thrown explosive devices towards Israeli soldiers. Palestinian Islamic Jihad later claimed the man as a member.

On 2 and 6 July, ISF fatally shot two Palestinians in the village of Jab'a, near Jenin. On 2 July, according to video and eyewitnesses, a 17-year-old was shot from some 30 meters as he was turning away after having thrown stones towards the soldiers. ISF said they fired after the boy had thrown a Molotov cocktail. On 6 July, a Palestinian man was shot and killed as he left his house during a nearby ISF arrest operation. ISF said the man had been shot after trying to run away.

On 5 July, an Israeli man was seriously injured after being stabbed on a pedestrian bridge in Bnei Brak in central Israel. On 6 July, ISF announced they had arrested a Palestinian man suspected of carrying out the attack.

On 19 July, an Israeli was stabbed and moderately injured by a Palestinian on a bus in Jerusalem. The assailant was subsequently shot and injured by an Israeli civilian.

On 2 July, the Palestinian Authority transferred the bullet that killed Palestinian-American journalist Shireen Abu Aqleh to U.S. authorities to undergo forensic testing. On 4 July, following an analysis overseen by the U.S. Security Coordinator, the U.S. announced that the examiners could not reach a definitive conclusion regarding the origin of the bullet due to its damaged condition. The U.S. also said that, after viewing the results of both Israeli and Palestinian investigations into Aqlehs death, it had concluded that gunfire from Israel Defence Forces positions was likely responsible, and that it found no reason to believe that this was intentional.

Mister President,

Settler-related violence continued during the reporting period, with particularly concerning incidents in the West Bank community of Ras al-Tin.

On the night of 6 July, individuals believed to be Israeli settlers set fire to four points around the community, damaging several structures, including tents. The attack comes on the heels of additional settler attacks against the community in recent weeks, during which two residents were injured.

I reiterate that perpetrators of all acts of violence must be held accountable and brought swiftly to justice.

I also reiterate that security forces must exercise maximum restraint and use lethal force only when strictly unavoidable in order to protect life.

Mister President,

On 20 and 21 July, thousands of Israelis participated in a widely publicized campaign by a settler organization to establish settlement outposts across the West Bank. In advance of the campaign, Israeli Defense Minister Gantz issued a statement that such efforts are illegal activities that the security services are preparing to thwart. The Israel Defense Forces and Israeli police also issued similar statements. On 21 July, ISF removed the seven makeshift encampments that had been set up and evacuated the Israeli civilians from the area.

I welcome the statements and actions by the Government of Israel to prevent the establishment of new outposts. I reiterate that all settlements are illegal under international law and remain a substantial obstacle to peace.

Mister President,

During the reporting period, Israeli authorities demolished, seized or forced owners to demolish 77 Palestinian-owned structures in Area C and five in East Jerusalem, displacing 61 Palestinians, including 31 children. The demolitions were carried out due to the lack of Israeli-issued building permits, which are nearly impossible for Palestinians to obtain.

In the wake of the 4 May ruling by the Israeli High Court of Justice allowing the eviction of the communities in Masafer Yatta in the southern West Bank to proceed due to their presence in an Israeli-declared firing zone, Israeli forces continued to adopt restrictive measures negatively affecting Palestinian communities and humanitarian actors providing support. Such measures include ongoing military training, related movement restrictions, arrests, including those involving use of force, as well as restrictions on the access of staff of international organizations and Palestinian NGOs to the area.

I remain deeply concerned by the potential implications of the High Courts ruling and the humanitarian toll on the communities in question if the eviction orders are carried out.

In a positive development, on 12 July, Israeli authorities announced that they would advance six plans for Palestinian construction in Area C. I urge Israel to further advance such plans and to issue building permits for all previously approved plans for Palestinians in Area C and in East Jerusalem.

On 21 July, Israels Supreme Court partially accepted the appeal of a Palestinian family under threat of eviction in the East Jerusalem neighborhood of Silwan, freezing the eviction order until proceedings are completed in a lower court.

I call on Israeli authorities to end the displacement and eviction of Palestinians in line with its obligations under international humanitarian law and to approve additional plans that would enable Palestinians to build legally and address their development needs.

Mister President,

On 30 June, the Israeli Knesset voted to dissolve itself and call for new parliamentary elections, scheduled now for 1 November. Due to the coalition agreements, on 1 July, Yair Lapid became Israels Prime Minister and will head the interim Government through the upcoming elections and government formation process. I congratulate Prime Minister Lapid, and the Special Coordinator looks forward to continuing to work with him to advance steps towards a two-State solution and a lasting peace between Israelis and Palestinians.

Between 13-15 July, U.S. President Biden visited Israel and the OPT, meeting with Israeli and Palestinian leaders. During the visit, the President announced a series of initiatives to support the Palestinian people. These include: a new multi-year contribution of USD 100 million to the East Jerusalem Hospital Network (EJHN), subject to congressional approval; USD 201 million in funding for the UN Relief and Works Agency (UNRWA); an additional USD 15 million in humanitarian assistance for Palestinians aimed at addressing food insecurity; and two new grants under the Middle East Partnership for Peace Act (MEPPA).

On 16 July, in the context of President Bidens meeting with regional leaders in Saudi Arabia, the United States announced that Kuwait, Qatar, Saudi Arabia and the United Arab Emirates also each pledged an additional USD 25 million to the East Jerusalem Hospital Network.

The Biden Administrations announcement that Israel has agreed to allow the Allenby Bridge between the West Bank and Jordan to operate 24-hours a day, 7 days a week by the end of September will go some way to reduce the long wait thousands undergo at the crossing. The U.S. also said Israel had agreed to accelerate the transition to 4G technology in the West Bank, and then in Gaza, and to convene the long-dormant Joint Economic Committee with the Palestinian Authority.

I welcome the crucial U.S. and regional support pledged to East Jerusalem hospitals, vital Palestinian institutions that provide health care to patients from across the Occupied Palestinian Territory (OPT). Support for structural reform of the health sector is still needed for sustainable operations of the heavily indebted hospital Network. I also welcome and look forward to the implementation of the important commitments made by Israel to improve movement and access for Palestinians at Allenby Bridge and the transition to 4G technology to support economic growth.

In advance of President Bidens visit, on 7 July, President Abbas and Defense Minister Gantz met in Ramallah, and on 8 July Israeli President Herzog and Prime Minister Lapid spoke with President Abbas by phone. The continuing high-level contacts between Israeli and Palestinian officials are encouraging, and I urge leaders on all sides to expand this engagement to encompass underlying political issues.

In addition, on 12 July, Israeli authorities announced the approval of registration of 5,500 previously unregistered Palestinians, and the expansion of a crossing in the northern West Bank to include vehicular traffic between Israel and Jenin for the use of Israeli Arabs.

On 21 July, President Abbas visited France and met with President Emmanuel Macron. At a joint press conference following the meeting, President Macron affirmed his willingness to help mobilize the international community in efforts to support the resumption of a political dialogue towards a just and lasting peace.

Mr. President,

Statements issued by ten European Foreign Ministries announced their governments had reviewed the 21 October designation of six Palestinian NGOs as terrorist organizations. The statements highlighted that no substantial information had been received that would justify a review of the Member States policies and in the absence of such evidence, the Member States confirmed that they will continue their cooperation and strong support for civil society in the OPT. Going forward, the Ministry of Defence has requested the three lawyers representing the six NGOs to seek approval before continuing to do so.

On several occasions in July, Palestinian legal associations organized demonstrations in Ramallah, attended by hundreds of participants, to protest the Palestinian Authoritys practice of issuing and amending laws by presidential decree. Protestors called for the election of a new Legislative Council and the resumption of regular legislative procedures.

Mister President,

Turning to Gaza, the situation remains fragile, as efforts by the UN and other partners continue to deliver vital humanitarian and development assistance, as well as further ease restrictions on the movement of people and goods into and out of the Strip.

On 16 July, following a period of relative calm, militants in Gaza launched four rockets towards Israel. According to Israeli authorities, one rocket was intercepted by the Iron Dome system, while the others landed in open areas in Israel. No injuries were reported. In retaliation, IDF conducted airstrikes against what it said were Hamas targets in the Strip, with no injuries reported.

On 19 July, Israeli authorities announced that they had found a bullet in Netiv HaAsara, in southern Israel, which they determined had been fired earlier that day from the Gaza Strip, damaging an industrial building. Subsequently, the IDF launched missiles at what it said were Hamas targets in the Strip, again with no injuries reported.

Reconstruction and repair of damages incurred during the 2021 escalation continues to require additional funding and the timely disbursement of pledged funding. A funding gap remains of at least USD 45 million for the reconstruction of totally damaged housing units and USD 9 million for repairs of damaged housing.

On 3 July, on the occasion of the Muslim holiday of Eid al-Adha, Israeli authorities announced that 400 permits would be issued for men above the age of 55 and women above the age of 50 to visit Jerusalem from Gaza. These are the first such permits to be issued since 2017. In addition, Israeli authorities announced that some 500 permits would be issued for Gaza residents to visit first-degree relatives in the West Bank and Israel over the holiday.

In June, some 72,000 crossings of people holding Israeli-issued permits through the Israeli-controlled Erez crossing were recorded. This is the highest number of crossings in one month since the tightening of the Israeli closures following Hamass takeover of the Strip in 2007.

June also witnessed an increase of imports into Gaza through the Kerem Shalom crossing between Israel and Gaza, with a 12 per cent increase in the number of trucks compared to May. The number of trucks entering Gaza through the informal Salah ad-Din crossing between Gaza and Egypt, increased by 45 per cent compared to May 2022.

Across the OPT, soaring commodity prices continue to negatively impact Palestinian lives. The UNRWA Gaza Emergency Food Programme requires an additional USD 72 million by September to meet food assistance needs for 1.1 million Palestine refugees in the fourth quarter. World Food Programme needs an additional USD 24 million to continue providing assistance until the end of the year, to compensate for the decrease in purchasing power. In this context, I welcome recent announcements by the U.S. and the EU confirming their 2022 contributions to UNRWA, which will allow the Agency to maintain education, primary health care and other critical services to Palestine refugees during the summer months. I encourage additional contributions from Member States to ensure that needs on the ground can be met.

Mister President,

Turning to the region, while the ceasefire between Israel and Syria continues to be generally maintained, the situation remains volatile with continued violations of the 1974 Disengagement of Forces Agreement by the parties.

The latest reported incident was brought to this Council and the Secretary-General through identical letters of the 22nd July from the Permanent Representative of Syria concerning the situation between Israel and Syria. It is important that the parties respect their obligations under the terms of the Agreement and prevent an escalation of the situation between them.

In Lebanon, following the parliamentary elections of 15 May, efforts to form a new government continue. It is of the utmost importance that a new government be formed as soon as possible and that progress is made on reforms needed to address the countrys multiple crises.

I also underscore the risks to stability posed by incidents such as the launching of three unarmed drones from Lebanon towards the Karish offshore natural gas field by Hezbollah on 2 July. I urge all parties to exercise restraint and avoid provocative actions that could lead to escalation.

On 15 and 16 July, President Biden visited Saudi Arabia, where he met with leaders of the Gulf Cooperation Council (GCC), Egypt, Iraq and Jordan. Following the summit, the U.S. and the GCC issued a joint statement reaffirming their joint commitment to preserve regional security and stability, [and] support diplomacy with the aim of regional de-escalation.

Mister President,

Immediate steps to reverse negative trends and to support the Palestinian people are essential. The violence must stop. The tensions that have been mounting, particularly in the occupied West Bank, including East Jerusalem, amidst continued settlement activity and settler-related violence, must be addressed.

However, there is no substitute for a legitimate political process that will resolve the core issues driving the conflict.

As the history of this conflict has so painfully demonstrated, if left unaddressed, the factors contributing to this corrosive situation will only deteriorate further. We must focus on reaching the ultimate goal: two States, living side-by-side in peace and security, in line with UN resolutions, previous agreements and international law.

The United Nations remains committed to supporting Israelis and Palestinians to move towards a just and lasting peace and we will continue to work with the parties and with regional and international partners to achieve this objective.

Thank you.

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Security Council briefing on the situation in the Middle East, including the Palestinian question (as delivered by Deputy Special Coordinator Lynn...

Cape May County is home to some of the most popular beach destinations in New Jersey: Ocean City, Sea Isle City, Avalon, Stone Harbor, Wildwood and, of course, Cape May. Those driving there often pass through or see signs for Upper Township, Middle Township and Lower Township, the names of contiguous townships in Cape May County. More than one person has probably remarked to themselves or to their driving companions about those names going to or leaving the beaches. Those in the know will tell you they are not just places to drive past, or names to joke about, but are livable communities with some great places to eat and drink.

The beach communities are, today, not a part of Lower, Middle and Upper, but at one time, the entire area was known as Cape May. In 1723, it was split into the three precincts, or townships, earning them their geographically accurate names. We will start with Lower and work our way up.

Lower is the birthplace of Southern Jersey, settled well before Cape May was a beach scene. In fact, it was not the beach that led to its creation but the waters off of it, first settled in 1635 by whalers. Today, the Port of Cape May remains one of the best and biggest fishing ports on the East Coast, and Lower stretches across the peninsula from the Atlantic to the Delaware Bay. So, its fitting, based on the regions origins and the present day, to mention Budds Bait and Tackle, in the community of Villas. Known for its top-quality blue claw crabs (live or steamed) and shrimp, theres also other fresh hauls, like clams and scallops. If you would rather catch your own than peel or crack your own, a full line of bait, and fishing tips await there.

If life is short, eat dessert first is really a thing, you might want to stop at Flecks Ice Cream in Villas before heading off to dinner. Cooking or eating at home? Gaiss Market is a local institution. An almost 100-year-old business, it is a butcher shop, sandwich shop and grocery store. If you prefer to eat out, Greek-inspired Olive Branch in Villas and Yozu Sushi and Hibachi in North Cape May do some great things with that locally sourced seafood coming into the port.

On to Middle Township. Nummytown is a section of Rio Grande in Middle that sounds like it belongs in a food article. It derives its name from Chief Nummy, the last leader of the Kechemeche tribe who lived in the area. Close to Nummytown, though, now is Menz Restaurant and Bar, another local establishment nearing its centennial, with an old-school menu in an old-school setting that is still keeping it fresh.

Cape May Court House is the county seat, and there are plenty of options to find a seat or to walk away with some fine food. Caf 101 and Carvery is one top option for breakfast and lunch. Try the turkey cheesesteak. Cherrys Natural Foods, also open for breakfast and lunch, is an organic caf and market that bills itself as New Jerseys Favorite Organic Cottage. Sit for a bit there, and you are likely to make it your favorite.

The Two Black Dogs Caf and Take Out inside the Green Creek Country Store (in Green Creek, of course) is another rewarding quick stop for taking out or grabbing one of the handful of tables to eat in. Instead of driving or flying by, park or land at the Flight Deck Diner in Rio Grande for breakfast and lunch with some Southern flair. If you are looking for something more upscale and slower, classic and modern French cooking meet at Provence, a beautifully designed restaurant inside the beautifully restored Peninsula B&B in Cape May Court House.

Now up to Upper. Village Kitchen in Marmora, a 40-year family operation serving breakfast and lunch, bills itself as Upper Townships Meeting and Eating Place. Sushi Ocean View (in Ocean View) is another Japanese restaurant that does well with the nearby oceans bounty. Looking for good baked goods? Blue Dolfin Sweets in Marmora and Frog Hollow Bakery in Greenfield probably have lines because it takes people too long to decide what to have.

It seems there are a lot of breakfast, lunch and takeout places mentioned, and it is intentional. A lot of folks are driving past these communities and sometimes are more focused on their ultimate destination, but Cape May County offers so much more than its beach communities, and its not all that far from those communities. Parks, farms, trails and other outdoor settings are one reason to get out and explore, but these townships also have a rich concentration of some of the best craft wineries, breweries and distilleries in the Garden State. Look for Slack Tide Brewing, 7 Mile Brewing, and Ludlum Island Brewery, among others, for beer; Cape May Distillery and Nauti Spirits for small-batch spirits; and wineries, like Hawk Haven, Turdo and Natali.

Most of these producers allow guests to bring in their own food, and there are many excellent options in addition to those listed here from which to choose from before visiting these great spots to enjoy a drink most times of the year. Some also host some fantastic local food trucks, like Mermaid Mutineer and Bayside Seafood. As always, look up websites or call ahead with any of these businesses to check hours of operation or any seasonal and special event schedule changes.

Remember, the beach is seasonal, but checking out the rest of Cape May County, starting with Lower, Middle and Upper Townships, is year round.

Hank Zonawrites regularly about wine, spirits and a range ofothertopics such as food and culture. Healso hasbeen running wine andspiritsevents of all sorts for over a decade.

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A bite-sized guide to the undiscovered foodie communities of Cape May County - Jersey's Best

Ms. Muse is a discovery place for riotous, righteous and resonant feminist poetry that nourishes and gives voice to a rising tide of female resistancebrought to you by Ms.digitalcolumnistChivasSandage.

We turn to poetry to travel, to fathom the other as one another, to bear witness, to provoke. We turn to poetry to feel less alone, more like ourselves, to remember home and to come home. Now, as we continue to rise up and resist, were turning to poetry. An antidote to the news, Ms. Muse has arrived to fortifyand defy.

Ms. Muse is backand youve clicked right into it! Stay tuned for monthly interviews with feminist poets featuring new and rarely seen work, as well as essays about the intersection of poetry, politics and our lives.

Im also excited and honored to announce that one of the first installments will be about the lost poetry of the late Cherokee Chief Wilma Mankiller, whose poems were found in her old barn.

My vision is to amplify the voices of a diverse spectrum of women making waves with poetry. Ms. Muse 2.0 will feature several former Ms. Muse poets returning as guest columnists. In this way, I can support a wider range of poets, leverage the privilege of writing for Ms., and readers can discover new communities of writers.

Since 2006, Ive taught womens writing workshops and year after year, I witness firsthand how poetry as sustenanceespecially poems by writers who identify as womencan make a difference for women, can reset ones day, the way a good meal can ground and fortify.

When I began writing Ms. Muse in the spring of 2018, I did so knowing that American feminists of every gender needed an antidote to the news. A labor of great love, the column was my literary activism while enduring life under Trump.

However, in October 2019, a painful, protracted crisis began to unfold in my personal life and I needed to take a break from writing Ms. Muse. My wife and I had spent years working with close friends in their nonprofit to found an intentional community that ultimately failed spectacularly. Our community became divided under dysfunctional leadership, documented facts no longer mattered and our so-called values became ironic and laughable. We seemed to be a microcosm of what was happening in our country. During that time, COVID cost me my dream day job, then a family crisis erupted.

Now on the other side of those devastating years, Im writing about the folly of our idealism and the distance between who we think we are, who we are and who we long to be.

Meanwhile, the deepening divisions in our country have proved to be a fatal threat to equal rights for all Americans and to democracy. There has never been a greater distance between who we think we are, who we are and who we long to be. Shortly after June 24, 2022, when the Supreme Court struck down womens constitutional right to privacy and reproductive choice, I started writing Only Freeish in America, the first installment of Ms. Muse 2.0, which went live on Thursday, July 21.

Poetry gives voice to the voiceless on behalf of women silenced for centuries. Poetry can be potent medicine, essential and redemptiveeven lifesaving.

As Ive begun to share news of the relaunch, one woman emailed, Im so happy to hear Ms. Muse is being rebooted. We need it now more than ever!

Soon, Ill announce a call for poems of witness, protest and resistance. Please spread the word to feminist poets who identify as women: If youre writing about what youre witnessing, what haunts you and what youre living, youll be invited to send your work to Ms. Muse for consideration. Selections are made entirely based on work submittedno letter or bio needed.

We are not necessarily seeking women-centric poems, but rather, hoping to find powerful work that reflects womens lived experiences, observations, perspectives and concerns. And we are open and eager to read the work of poets who write from intersectional perspectives.

Welcome back to Ms. Muse, a discovery place for riotous, righteous and resonant feminist poetry that nourishes and gives voice to a rising tide of female resistance!

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The Return of Ms. MuseBecause We Need Righteous, Riotous Feminist Poetry Now More Than Ever - Ms. Magazine

Lawmakers are scrambling to pass affordable housing legislation after Sen. Joe Manchin (D-W.Va.) threw a wrench into yet another social spending package last week.

Manchin also rejected the Biden administrations Build Back Better Act last year, which would have allotted more than $150 billion for housing geared toward the middle class and lower-income Americans.

To get those housing units built, lawmakers from both parties want to boost tax credits that incentivize builders to construct cheaper homes for low-income people in order to offset the often drastically higher profit margins that builders can make putting up homes for the wealthy.

But even with those credits in place, builders are coming up against resistance on the local and state level because low-income housing can depress property values and drag down municipal tax revenues that determine things like the quality of local school districts.

This phenomenon is known as NIMBY-ism, or not in my backyard. It means that even though voters and taxpayers may support government efforts to build more low- and middle-income housing, theyd prefer to have it done somewhere that doesnt affect them personally.

During a hearing of the Senate Finance Committee on Wednesday scheduled to explore the role that tax incentives should play to make more cheap homes, Georgia builder Jerry Konter said that NIMBY-ism often appears in the form of local building regulations.

Many people on the panel have already talked about the regulatory burden in producing housing. And you know, NIMBY-ism is a large part of that also. I know that in my community, I experience people [who] want school teachers and police officers and fire people to serve their community, but they put in restrictions that affect housing prices that force them not to live within that community, Konter, who is also the chairman of the National Association of Home Builders, said.

Sen. Michael Bennet (D-Colo.) remarked during the hearing that teachers in his constituency are being priced out of their own school districts.

I had the Colorado Teacher of the Year come visit me a month or so ago, he said. Shes from Glenwood Springs, which is a rural community on the western slope of Colorado and in passing she wasnt complaining but she just made the observation that 70 to 80 percent of her colleagues in the middle school and in the high school where she teaches have to have two or three jobs just to live in Glenwood Springs. So, you know, this is a real failure on the part of our society, I think, to be able to create workforce housing in our states.

One extreme example of NIMBY-ism occurred in 2019 in Californias San Fernando Valley, where homelessness has been a major issue for many years. Efforts to build permanent housing for the homeless in the area have been met with fierce resistance from residents of the town of Chatsworth.

Residents argued that a proposal to build 63 studio apartments for the chronically homeless as part of a billion-dollar Los Angeles City bond program would harm their community and present a danger to local school children.

Another barrier to building affordable housing is zoning laws.

We hear from people around the country what zoning regulations have done, impeding the ability to build new homes across the country, Sen. Sherrod Brown (D-Ohio) said during the hearing. If we were to provide funding to support communities that update zoning regulations, would that help increase the supply of housing?

Konter said that zoning regulations can masquerade in various ways to prevent the construction of cheaper housing.

There tend to be zoning regulations that are put in place, and whether theyre intentional or disparate, the result is that they raise the cost of housing, and therefore we cant build affordable housing through those zoning requirements, he said.

Its a great problem, he went on. Our members face it constantly. Things such as design standards being added to zoning which has really nothing to do with zoning, but increases the cost of the housing. Zoning is a tremendous problem.

There are a number of tax incentives that lawmakers are pushing to build more middle-class houses and surmount the market-driven tendency of NIMBY-ism.

Sens. Ben Cardin (D-Md.) and Rob Portman (R-Ohio) proposed legislation creating a tax credit that covers the difference between the cost of building a home and selling a home in areas with bad commercial markets.

Private development lacks in some urban and rural areas because the cost of purchasing and renovating homes is greater than the value of the sale price of homes. The Neighborhood Homes Investment Act (NHIA) creates a federal tax credit that covers the cost between building or renovating a home in these areas and the price at which they can be sold, a 2021 write-up on the bill from Cardin reads.

The low income housing tax credit is widely regarded as the most powerful credit for creating low-income housing. Started in 1986, the program has shelled out around $8 billion a year to issue tax credits for the acquisition, rehabilitation, or new construction of rental housing targeted to lower-income households, according to the Department of Housing and Urban Development.

Sens. Todd Young (R-Ind.) and Maria Cantwell (D-Wash.) have a proposal to expand the tax credit in a variety of ways, including boosting its funding, repealing population caps associated with the credit and prohibiting local approvals.

The initiatives come as prices in the housing market continue to climb skyward. New data released Thursday put the median-priced single-family home at nearly $350,000.

With mortgage rates above 5 percent and the Federal Reserve raising interest rates, houses are less affordable in nearly every county in the country, according to a new report from real estate data company ATTOM.

Median-priced single-family homes and condos are less affordable in the second quarter of 2022 compared to historical averages in 97 percent of counties across the nation with enough data to analyze. That was up from 69 percent of counties that were historically less affordable in 2021, the company said in a Thursday statement.

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Lawmakers want to expand affordable housing. Communities say, Not in my back yard - The Hill