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Monthly Archives: February 2022
Freedoms and free-market capitalism beyond utopias and dystopias: A World Without Money revised – Modern Diplomacy
Posted: February 3, 2022 at 3:48 pm
On 23 January,The Foundation for Economic Education (FEE)published Is Star Treks Dream of a World Without Money Utopian or Dystopian?, a piece does not serve the cause of Liberty well. Sure, the article is not written in bad faith. But it ends up justifying a parasitic form of capitalism that has less and less to do with entrepreneurship and increasingly colludes with and corrupts regulators and political authorities.
The issue of moneys disappearance has long been at the centre of heightened debates. Probably, some familiarised with the idea thanks to the cult sci-fi serial Star Trek. Yet, much earlier than that, classical Greek thinkers like Xenophon, Plato and Aristotle reflected on the function of money. And there are also more recent discussions on this issue: from political theorist Anitra Nelson to industrial designer Jacque Fresco. However, two millennia of debates have not yielded many results or anything resembling a consensus on the function/s money serves.
Against this background, unwarranted claims by eclectic billionaires become the unwitting target of misplaced defences of nowadays monopolistic, crony capitalism. Henceforth, this sort of capitalism or accumulation regime, as some economists label it is referred to as neo-feudalistic capitalism. Even paradoxically, perhaps, given that the authors of such articles really believe they are defending freedom and individual self-determination. Recently, the Foundation for Economic Educations (FEE) published a piece titled Is Star Treks Dream of a World Without Money Utopian or Dystopian?, which is a clear example of such misplaced defence of neo-feudalistic capitalism in the name of an enterprising, freedom-generating capitalism that does not exist.
Namely, the piece samples many of the libertarian fields weakest talking point and reflects a narrow-minded conception economic theory. First, the text creates a fake equivalence between capitalism as it is now, raising living standards and absolute-poverty reduction without observing the data critically and informing their readers correctly. Secondly, it oversimplifies most counter-arguments ignoring the many problems of neo-feudalistic capitalism and recent findings in behavioural economics.
Instead of merely criticising, deconstructing these arguments offers an occasion to imagine a wider front of liberty defenders. After all, Mises, Keynes, Marx, Sowell and Friedman disagree on the road towards, rather than notion of freedom. Hence, libertarian, conservative and progressive economics ought to reject the current form of predatory capitalism not to defend it.
One of libertarians, neoliberals, and conservatives most-often repeat argument in defence of capitalisms current form tackles the problem of poverty. In fact, the piece reads that capitalism has been successful at lifting most of humanity out of poverty. But, did it?
Indeed, this is true when considering UN data on absolute poverty; or the severe deprivation of basic human needs. And the UN lists these basic needs as: food, safe drinking water, sanitation facilities, health, shelter, education and information. In fact, the authors themselves use Our World in Datas (OWD) chart showing the reduction in absolute poverty since 1820. In addition, Figure 1 (below) shows also OWDs chart showing the share of the world population in absolute poverty. Still, it would be worth asking if is it possible for almost 90% of the world population to be extremely poor at any point in time.
Figure 1 Data on extreme poverty, (A) absolute numbers and (B) percentage. All data are before taxes and transfers. (Charts from: Our World in Data)
Looking at the methodological note on OWDs website, the solution appears related to the definition of absolute poverty. In fact, the charts count the people who lived in conditions that are similar to the living conditions of the very poorest in the world today. Therefore, OWD is assessing poverty as if the 20th centurys basic needs were universal or trans-epochal. Clearly, logically and rationally this is an econometric and statistical absurd. Conversely, it should be unsurprising that in the 19th century sanitation, education and information were of lower quality.
As a matter of fact, as countries get richer, the value of what they consider as basic needs increases. If anything, the reason lies in societys constant evolution, which ingenerates new needs and spurs new technologies also before modernity. Hence, the real success of an economic system lies in increasing the number of people who can live a decent lifeby their times standards. And economists gave a name to this measurement: relative or social poverty. According World Bank data in Figure 2, the current version of capitalism has achieved little or nothing in this respect. On the contrary: the total headcount of societal poverty is essentially at the same level it was in 1990 due to the increasing global population.
Figure 2 World Bank data on relative poverty between 1990 and 2015.(Data source: Jolliffe and Prydz 2017; Chart: Authors elaboration)
Table 1 Data on relative poverty from Jolliffe and Prydz (2017).
The second argument supporting the unquestionability of money derives from Ayn Rands Atlas Shrugged:
Money rests on the axiom that every man is the owner of his mind and his effort. [] Money permits no deals except those to mutual benefit by the unforced judgment of the traders.
For anyone with an up-to-date understanding of economic theory this is straightforward naivety. In other words, there should be is nothing in a monetary transaction besides the free will of the participants.
Yet, there are enormous conditionings that weight on the result of any transaction beyond ones free will. For instance, there may be regulations prohibiting the provision of certain services to specific individuals (e.g., international sanctions). Again, rules can fix certain goods and services minimum or maximum price (e.g., the US Office of Price Administration). More, indirect taxes, surcharges and subsidies alter prices leading some people not to buy and other to buy more. Finally, laws can impose a transaction (e.g., US law mandated covid-19 tests, but either employers or employees had to pay).
Even assuming no State intervention, one cannot disregard the power relations in the economic sphere mention one. In fact, neo-feudalistic capitalism is full of monopolies and oligopolies with stratospheric margins that dictate unreasonable prices and lobby regulators. Moreover, major corporations tend to develop predatory traits and annihilate any competition at first sight or even in the cradle. Additionally, behavioural economics shows that advertising and other practices alter preferences and behaviours surreptitiously, with the potential to generate inefficiencies.
Clearly, contrary statements prove that Kurt W. Rothschild was right when he wrote power is neglected in contemporary economic theory. Furthermore, they lead to a completely false reading of economic history. In fact, the authors strenuous critique of Marx and Marxism goes as far as saying that workers chose industrial jobs because they paid better than those in agriculture in 19th century England. Really, this reconstruction may appear rational to a libertarian but, as Karl Polanyi wrote, it is simply false. In fact, wealthy individuals began enclosing previously common plots of land, forced poor farmers out into the towns. And once there, disorientation, hunger, and other desperate peoples competition of dissipated any semblance of fair wage negotiations.
Admittedly, the aim of this article is not to prove that the abolition of money would create a utopia. Nor to support the authors claim that it would almost certainly lead to a dystopia. In reality, money is not a guarantee of freedom but neither is its abolition. Meanwhile, given that nowadays societies are already on the brink of a dystopic tomorrow, talented libertarians like the authors should refrain from pursuing counter-productive critiques of far-fetched speculations like a money-less society. Indeed, neo-feudalistic capitalism seems even unable to abolish cash let alone money itself.
Instead, it is high time for libertarians, conservatives and progressive to join forces to protect civil and economic freedoms. Each of these groups can contribute with a different, and differentiated, analysis of todays deep crisis. Yet, only forming a united front can they stop neo-feudalistic capitalisms mania for social control, monopoly and state capture. Essentially, no one supports an embryonic social-credit system, the death of small and medium businesses and reckless monetary policy. Yet, this is the direction in which neo-feudalistic capitalism is leading humanity at an accelerating speed.
Once this formidable adversary is no more, there will be plenty of time for libertarians to criticise some risk-prone progressives. As well as to serve an uppercut to some conservatives cultural traditionalism. But until then, everyones attention should be on stopping the current drift before it is too late.
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Neil Young, Joe Rogan, and Jordan Peterson Walk Into a Bar – savingcountrymusic.com
Posted: at 3:47 pm
I love music. In a world of chaos, it is the only thing that can make me feel somewhat simpatico with existence. In a world of vices with their inherent negative tradeoffs, music is one of the few things that can bring you immense joy and pleasure without some sort of negative counterbalance, like a hangover, or addiction or health concerns, or emotional entanglement. And something tells me that if youve found yourself on a niche website called Saving Country Music, you probably feel similarly.
Expressing what music means to all of us is the ever-present challenge of a music writer. Whether its music as a concept, country music in general, or a song or album specifically, attempting to describe the deep emotions music makes us feel is the evergreen struggle of the music journalist, but one that is rewarding in the fleeting moments your words rise to meet this challenge. Music expresses emotions mere words just rarely can, so the written or spoken medium is ultimately at a disadvantage. Its also one of the few things left that can bring people together across the cultural divide.
A few days ago, someone sent me a video of professor, thinker, and author Jordan Peterson talking about music on The Joe Rogan Experience. Even as toxic and polarizing as the name Joe Rogan is at the moment, Jordan Peterson takes it to another stratosphere, specifically from all of the incessant articles and think pieces about the toxicity of these two men, the characterizations of them being from the alt-right, and other hand wringing that goes along with merely mentioning their names before whatever subject at hand is even broached.
But in the 14 years of covering country music, and when composing the some 7,100 articles I have published on this site alone, I have never seen a more stunning explanation of not just what music is, but why it is so important, and why it affects us all like it does, than the one Jordan Peterson delivered on The Joe Rogan Experience. Jordan Peterson is considered by his critics as one of the most cold-hearted and callous intellectuals of our era from his severe adherence to the doctrines of self-reliance, and his ruthless dismantling of identity politics. To see him break down emotionally is hard to even comprehend, no matter what the subject matter or context happens to be. For that subject to be music makes it all the more exceptional.
And for all of the examples that Jordan Peterson could have cited in his explanation of what music is and why it moves usconcertos, Russian symphonies, soaring pop stars like Adele or Jennifer Hudsonfor his muse to be Kelleys Heroes, which is the long-standing house band of Roberts Western World bred from the Don Kelley Band of all outfitsRoberts being the very home and epicenter of the country music revolution and the last bastion of sanity on Lower Broadwaymakes the moment even more exceptional, and specifically germane to this website.
Whatever you think of Jordan Peterson, or Joe Rogan, just try and clear you mind for a second, and as a music fan, watch this:
Of course, Joe Rogan had a somewhat basic contribution by citing Jimi Hendrix. Not that Jimi Hendrix isnt an example of whats being spoken about, because he is. But its just such a default example, as opposed to the specific example Peterson cited of Ghost Riders in the Sky, from Kelleys Heroes, at Roberts Western World, with who knows what virtuoso on guitar, maybe Daniel Donato, maybe Brent Mason, maybe Guthrie Trapp or Johnny Hiland, or Luke McQueary, or any number of guys whove filled that iconic spot in Kelleys Heroes over the years.
But its Jordan Petersons words that ring so true, as he chokes back the emotion like hes standing in the Roberts Western World crowd as he speaks, overwhelmed by the joy and communion that music, and music only, can communicate.
Music is an analog of the structure of existence itself, and it calls to you to take part in that And then music does something else too. It puts you on the border of chaos and order, because a boring song does exactly what you expect it to do, and gets dull very quickly, and an unlistenable song is so random you cant follow it. And so what you want is predictability, with a leaven of unpredictability, and that puts you right on the edge. Thats the zone of proximal development.
And everyone is so taken by that because it lifts them out of the normality of their existence. You see this joy just transfuse them. And thats because they got an intimation of genuine meaning. And its not amenable to rational criticism, which is the thing that struck me as so miraculous about music, and why it has this element of salvation. It puts you directly in touch with the meaning that sustains you in life, and it shows you what that would be, which is something like to observe the harmonious interplay of the patterns of being stacked upon one another, and then to bring yourself into alignment with that.
In a couple of paragraphs, Jordan Peterson explains what I have failed to explain in over 7,100 articles posted to this website. But I keep trying. And the principles about music that Jordan Peterson conveys here guide my hand every day as I try to share the gifts of music with an audience, because as Peterson also infers, your experience with music is heightened when you share it with another.
But there is a problem with all of this, isnt there? For some, perhaps many who just read the preceding paragraphs, all the wisdom, all the beauty conveyed in that very intimate and expressive moment is tainted by the two individuals involved in it. Some, if not many, likely bailed before they even got to the quotes, or even bothered to watch the video. Transphobe, Anti-Vaxxer, Alt-Right, is what was triggered in their minds, irrespective of anything else. Similarly, some may see the name Neil Young, and immediately think Commie, Censor, Liberal. And this is the problem with all of society at the moment. And even though only one of these individuals is a musician, its specifically a music problem now too.
Aside from recognizing the name, and having some periphery notion that he had something to do with the UFC, I really had no idea who Joe Rogan was until October of 2014 when Stugill Simpson appeared on The Joe Rogan Experience for the first time. Not really being a TV guy, Id never seen an episode of Fear Factor, only caught parts and pieces of News Radio (when Joe Rogan still had hair), and had no clue he was a standup comedian at all. This occupation is apparently how Joe Rogan and Sturgill Simpson met.
Dude! Sturgills on Rogan! Sturgills on Rogan! I heard from probably a dozen readers that day in 2014, which meant virtually nothing to me, because I didnt know Joe Rogan had a podcast either. This was a few months after Sturgills album Metamodern Sounds of Country Music had been released, and was setting the independent country world on fire. So I found the podcast on YouTube, cued it up, and my jaw hit the floor. 2 hours, and 56 minutes long? Are you kidding me? And I thought episodes of This American Life were involved. Id never committed that much individual time to anything that didnt feed me, fuck me, or help put a roof over my head.
But I listened. To the whole three hours. And it was awesome. And make no mistake, that Joe Rogan podcast episode in 2014 was monstrous for helping to put Sturgill Simpson on the map. It might have been the most significant moment in Sturgill Simpsons entire career. Sturgill also appeared on The Joe Rogan Experience in April of 2016, and in March of 2018.
Shooter Jennings, Chris Stapleton, Gary Clark Jr., and Susanne Santo are also some names from the country and roots world whove appeared, and received a big boost from The Joe Rogan Experience, not to mention the mere mentions of artists such as Colter Wall, Tyler Childers, and others by Rogan on the podcast or on social media that has been significant in the development and growth of these artists and their careers, and independent country in general. You can watch the sales and streams spike in coordination with Joe Rogan mentions, and this is from a guy whose podcast really doesnt have much to do with music at all, though he has had other music personalities on in the past too such as Jewel, and especially from the hip-hop world with guys like Snoop Dogg and Killer Mike.
Since the beginning of Saving Country Music, shining a spotlight on critical moments when celebrities and influencers shout out up-and-coming artists has been an emphasis, because so often this is when careers are made. Recently, Joe Rogan was at The White Horse in Austin, TX, which is Austins equivalent to Roberts Western World in Nashvillea true honky tonk specializing in authentic country music. Rogan shot a video of and shouted out a local artist named Ellis Bullard, who just released a debut single called Roller Coaster, which right now sits atop the Saving Country Music Top 25 Playlist, and does so irrespective of the Joe Rogan shout out. Ellis Bullard has been working the honky tonks hard for a while, and is about to release his debut album. The video Rogan shot has now been viewed over a million times.
Ellis Bullard could very well be one of the next big artists to break out in independent country music, in part due to Joe Rogan. But just like the Jordan Peterson video, I was reluctant to share the news initially. Simply mentioning Joe Rogan would have immediately instigated a culture war fracas, and Ellis Bullard would have been an afterthought. That is the reality of anything involving Joe Rogan at the moment.
In many respects, Neil Young suffers from the same fate as Joe Rogan, and Jordan Petersonbeing immensely popular to many, while others experience an immediate visceral negative reaction by the mere mention of his name. Despite his polarizing nature, Neil Young deserves to be considered as one of the most important and prolific songwriters and musical performers of our time. Specific to country music, Neil Youngs string of albums Everybody Knows This Is Nowhere, After The Gold Rush, and Harvest released between 1969 and 1972 is as solid of a country music or country rock run of albums from any artist in any era, native to country music or otherwise. Of course, this is an opinion, but its an opinion of a staunch country music critic, not a rock critic with some country knowledge.
It was also the opinion of multiple country artists of the era. Waylon Jennings took Neil Youngs song Are You Ready For The Country? and reworked it into an Outlaw-era anthem, and made it the title track of his 1976 album. The Trio (Dolly Parton, Emmylou Harris, Linda Ronstadt) covered Neil Youngs After The Gold Rush on their second album. Neil Young featured Don Gibsons Oh, Lonesome Me on his After The Gold Rush album. Legendary steel guitar player Ben Keith was featured on Neils Harvest.
And of course, the songs Southern Man and Alabama can be found on these Neil Young country albums alsotwo of his most polarizing songs in his catalog, not because they lash out and criticize The Souths history of racism, but because they stereotyped everyone from the region with the same broad brush, without distinction or nuance. This was the issue Lynyrd Skynyrd took with them, and ultimately became the inspiration for Sweet Home Alabama, though later, the relationship between Young and Skynyrd was less heated, and more mutually respectful. Neil Young is an activist, and has been his entire career. He came up protesting the Vietnam War and helping lead the counterculture revolution playing in Buffalo Springfield. Nobody can be surprised that at 76 and in 2022, Neil Young is still standing for what he believes in, however you may feel about those beliefs.
In some respects, even if you are a Joe Rogan fan, you cant blame Neil Young for ditching Spotify in protest. If the only thing you knew of Joe Rogan was what you read in the mainstream media instead of actually listening to his podcastwhich is the state of the vast majority of Joe Rogans detractors (as pointed out in a now viral tweet by Edward Snoden)you would think he is the most detestable human being on the planet. Hitlerian in scope.
But how many three-hour episodes of The Joe Rogan Experience has Neil Young sat through? The answer is likely near zero, similar to the people who will share hit pieces written and produced by the same legacy mainstream media Joe Rogans homespun operation is trouncing in ratings by 4 to 5 fold on a regular basis. Joe Rogan isnt just bigger than any given cable news show by multiple multipliers, at any given time, he may be trouncing all cable news shows combined.
This right herethe above graphis one of the many reasons there is a full on assault on The Joe Rogan Experience at the moment, and why there has been for the last couple of years. Cable news and the mainstream media are out to character assassinate Joe Rogan to hopefully earn back some of that market share theyve lost to him.
But if these critics were familiar with the podcast, they would know that the vast majority of what happens on The Joe Rogan Experience is not only harmless, its often superfluous. The lions share of episodes are Joe Rogan interviewing his comedian buddies, UFC commentary, man bro car/cooking/hunting/exercise talk, and general interest stuff that might be conversationally entertaining, but not always particularly enriching unless your interest is generally aligned with whomever the guest is. That is why despite being drawn into the Joe Rogan podcast world by Sturgill Simpsons appearance and other interesting personalities over the years, I never really became a Joe Rogan podcast guy.
But that doesnt mean that Joe Rogan wont drop a deep, heady episode with an important guest with a transformational perspective, or a few of them in a row. Some Joe Rogan podcasts can be downright life-altering with the amount of earth-shattering and perspective-changing information conveyed in them. It is these episodes that have made him so powerful, and also, so reviled and feared by his detractors and competitors.
Joe Rogan didnt set out to be the biggest thing in all of American media. Joe Rogan just wanted to smoke pot with his comedian buddies and talk about aliens. No big media moguls or corporations were behind ensconcing Joe Rogan as the most powerful man in media. That is part of the problem. Hes not a machination of their own hand. He exists outside of the American corporate kleptocracy, and the uniparty industrial complex. Hes not in the pocket of Big Pharma or the American defense industry.
From the beginning, Joe Rogan was the guy that talked about the subjects the mainstream media ignored, glossed over, or outright lied about. He was talking to Sturgill Simpson, not Luke Bryan. He invited on the guests everyone wanted to hear from, but others wouldnt allow a platform, and on the political left and the right. He was a consensus seeker busting through the purposeful bifurcation of America that keeps us all fighting each other and engaged with mainstream media that slants to one side or the other. Joe Rogan was a counter-puncher, and the other voice in American media. It just happens to be that over the last five years or so, the American mainstream media has so beclowned itself and fallen so demonstrably from grace due to ideological contagion, a cage-fighting commentator and 2nd rail comedian became the most trusted voice in all of America. Maybe he was not always right, but hes always real.
As the monopoly on attention that the mainstream media has enjoyed for generations began to erode, and their quick, soundbite approach to media became exposed by long form commentary, Joe Rogans listenership expanded immensley, the knives came out from his competition. Soon he was branded alt-right, even though Joe Rogan endorsed Bernie Sanders in the last Presidential election, and had Bernie Sanders on his show, along with other left-leaning thinkers on a regular basis, while endorsing ideas such as universal healthcare, universal basic income, the forgiving of student debt, and other left-leaning issues, counterbalanced only by support of the 2nd Amendment, and his opposition to COVID-19 restrictions.
But where the right accepted Joe Rogan for his political beliefs that were counter to their own, the left attempted to banish him for having the audacity to platform thinkers from the right, like Jordan Peterson, and for sharing non-mainstream-approved ideas. Joe Rogans adversaries looked to make his name a reprehensible utterance in polite society. But of course, it not only failed, if fueled curiosity in what Joe Rogan was doing. As his name became ever-present in hit pieces that ran parallel to the constricting of allowed discourse in mainstream media and on social networks, Joe Rogans listenership swelled. Similar to what weve seen with Morgan Wallen in popular country music after an incident where the singer was caught using the N-word in a private moment with a friend, the more the media attempted to undermine Joe Rogan, the more his popularity soared.
Neil Young, Joni Mitchell, and others that have decided to exit Spotify are doing so because they believe Joe Rogan was sharing COVID-19 misinformation. But what few are bringing up is that Joe Rogan was an unequivocal victim of COVID-19 misinformation himself, or at least the attempted one. In September of 2021 when Rogan contracted COVID, dozens of media outlets falsely claimed that Joe Rogan took horse dewormer to rid himself of the disease. Rolling Stone, CNN, and scores of other media outlets made the Joe Rogan horse dewormer story the centerpiece of their coverage on September 1st.
Before Joe Rogan had controversial COVID-19 guests on his podcast such as Dr. Peter McCullough or Dr. Robert Malone, the media looked to enact the kill shot on Joe Rogan by knowingly falsely claiming he took horse medication, and refusing to correct the record afterwards. But if you go to kill the king, you better land the shot. And instead, the media simply perjured themselves, proved their lack of credibility, and had even more people tuning into The Joe Rogan Experience to see what all the hubub was about, and apparently, finding favor with what they found. Its also fair to wonder if by making Joe Rogan the public face of the COVID-19 counter-narrative, they compelled him to invite guests such Dr. Peter McCullough or Dr. Robert Malone on the podcast.
And Joe Rogan is right when he says that throughout the pandemic, there have been numerous ideas that initially if shared could have you stricken from social media, while they would never be discussed in the mainstream whatsoever, that ultimately proved to be true. As he said in his address/explanation/apology after Neil Youngs protest,
The problem that I have with the term misinformation is that many of the things that we thought of as misinformation just a short while ago are now accepted as fact, like for instance eight months ago if you said, If you get vaccinated, you can still catch COVID and spread COVID, you would be removed from social media. They would ban you from certain platforms. Now, thats accepted as fact. If you said, I dont think cloth masks work, you would be banned from social media. Now, thats openly and repeatedly stated on CNN. If you said, I think its possible that COVID-19 came from a lab, you would be banned from many social media platforms. Now, thats on the cover of Newsweek. All of those theories that at one point in time were banned, were openly discussed by those two men (Dr. Peter McCullough or Dr. Robert Malone) I had on my podcast that have been accused of dangerous misinformation.
Im not here to defend the words, opinions, or characterizations of COVID data by Dr. Peter McCullough, or Dr. Robert Malone as expressed on The Joe Rogan Experience, or even Joe Rogans personal views on COVID-19 and vaccines, because Im not a doctor, nor am I a COVID-19 expert. But what I will defend is the right for everyone to be allowed to express their opinion, because this is a fundamental right bestowed to all Americans.
It is distinctly anti-Democratic, illiberal, and un-American to attempt to stifle voices in opposition to you as opposed to defeating your positions in open dialogue. As Noam Chompsky once said, If we dont believe in freedom of expression for people we despise, we dont believe in it at all. If you believe in the persuasion and validity of your position, and that it will win out when rigorously challenged in the marketplace of ideas, there is no reason to censor your opposition, especially since those censored ideas are only likely to crop up somewhere else where they wont be challenged. Its better to challenge those ideas head on when confronted with them.
Often when people look to stifle the voices of their opposition or work to assassinate the character of their intellectual adversaries, its because they know their arguments are flimsy, often because theyre not based in fact or truth, but strident ideologythe same strident ideology that confers you the grace to lie about someone or something, as long as youre on the perceived right side of the moral arc.
Stifling voices also commonly happens to be decisively counter-productive. All that the attempts to disallow people from sharing dissenting viewpoints from the mainstream narrative about COVID-19 has done is made voices like Joe Rogan stronger. If Neil Young and others were successful in getting Spotify to kick Joe Rogan off the Spotify platform, or otherwise neuter him where he left under his own volition, what would happen? Would he just go away and be forgotten by history? Of course not. He would be welcomed somewhere else, or start his own proprietary network, and be even more popular, and more powerful for it. Its also likely he would find that safe haven somewhere even farther to the right.
This is not to defend Joe Rogan and all of his opinions, only his right to have opinions, and to share them, and have others share his opinions through his platform. All Joe Rogan is doing is what Neil Young has been doing for his entire career (at least, up until recently), which is offering a perspective that is counter to the prevailing mainstream narrative, which even if it meets with widespread disagreement and condemnation, should still be allowed to be shared in the public marketplace, lest we allow bad ideas to prevail unchallenged, or fester in society. Its also important that Neil Young is allowed his expression of protest, and leaving Spotify is his right.
Too often instances like the attempted cancellation of Joe Rogan take on the fever of a societal contagion, where people feel compelled to agree with the prevailing sentiment in their friend networks or sphere of influence, or end up being admonished or isolated themselves. This is how we saw the United States get into the war in Iraq under false pretenses, and eventually the cancellation of the (Dixie) Chicks in country music. The Chicks had the audacity to speak up against the prevailing mindset, and ultimately ended up on the right side of history.
Meanwhile, as we all scream back and forth at each other about the latest culture war clash, few are focused on how the military industrial complex and American mainstream media are a sabre rattling for a war in Ukraine that even the Ukrainians are saying America is overreacting about, and America has no vested interest in aside from helping to pad the pockets of defense contractors now that weve exited Afghanistan, which is suffering from historic famine in the wake of our exit.
Its likely to be months and years before we are able to get far enough away from the COVID-19 pandemic to where we can truly judge all the decisions made with a cool mind and deep data. Until then, we should welcome criticism of consensus opinions. After all, dissenting viewpoint have already proven to be right on numerous occasions.
And yes, the way Spotify compensates artists and songwriters (or doesnt), is certainly a dynamic to this story, but it also isnt. When Neil Young decided to use his protest to partner with Amazon Music to offer four months free to new subscribers, the idea that any of this was about artist compensation in the streaming era went out the window.
Remember, when Apple Music first launched, Taylor Swift initially refused to allow her music to be on the platform because they were offering a free trial period as well. Apple Music later backed down. Now Neil Young and Amazon are using the same free trial which takes money directly out of the music economy as a promotional incentive against Spotify. Meanwhile, the effects on Spotify by the exit of Neil Young and others will be marginal, while the next place this story may turn is how dark money from private equity might have instigated the whole thing as a way to bank off of Spotifys temporary stock plummet through hedge fund shorts.
But one fair concern here is how if artists and fans choose to flee Spotify for other platforms, and start to self-curate and stratify across streaming networks along ideological lines similar to how cable news networks cater to one side or the other, it will become just another bifurcation point of American society. We wont even be able to stream music on the same platforms anymore, repulsed by our neighbors who dare listen to that service that Joe Rogan is on, or dare listen to the one he isnt on.
Its also unclear how much longer all the COVID-19 rhetoric and infighting will even be relevant anymore. Very likely, the pandemic is on its last legs, and countries like England and Denmark are already opening up in full and easing all restrictions. A recent Monmouth poll says now 70% of Americans are ready to move on. How we all feel about restrictions, masks, vaccines, and mandates may have a shelf life of weeks as Omicron streaks through the population, and quickly dissipates leaving the disease endemic though of course, weve told this before.
The simple fact is that Joe Rogan and Neil Young probably have a lot more in common than they dont. Theyre both anti-establishment figures. They both have made careers challenging prevailing narratives. They both are distrusting of higher authority, and have made their names expressing as much. I would love to watch Neil Young on The Joe Rogan Experience. I think they would find a lot of common ground, and have a lot to discuss.
Because the thing is, most of this modern polarization boils down to bullshit. When two people meet face to face, in-person like what happens on The Joe Rogan Experience, all the acrimony sowed by social media and todays journalism landscape tends to melt away. Adversaries become friends, differences are diminished in relation to similarities, and sometimes, alliances are even formed. That is what commonly happens on Joe Rogans podcast, and that is what the mainstream who relies on polarization is most afraid of.
The greatest sin of todays media alignment is how it has turned us all against each other for the betterment of bottom lines and business models, and a side effect is the impinging on the ability of music to bring us all together through the principals Jordan Peterson so brilliantly and eloquently expressed on Joe Rogans podcast. As soon as music becomes the wedge between our similarities as opposed to the bridge between our differences, we will lose something way deeper than the ability to enjoy music together in a shared experience.
When you go to Roberts Western World in Nashville, you see all kinds of people: genuine redneck honky-tonkers, throwback country & Western hipsters, and tourists from who knows where and all walks of life, and theyre all there enjoying the gift of music together.
Something tells me is that if you put Joe Rogan, Neil Young, and Jordan Peterson all together, standing in front of the Roberts Western World stage, enjoying a Recession Special of a fried bologna sandwich, a Moon Pie, and a PBR, watching some of the greatest talent in the entire world like Brennen Leigh or Sarah Gayle Meech, the brotherhood of man would prevail. Maybe thats fantasy. But if a rendition of Ghost Riders in the Sky can bring Jordan Peterson to tears, perhaps just about anything is possible through music.
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WATCH: Jordan Peterson tears into Trudeau and praises truckers – Denver Gazette
Posted: at 3:47 pm
Canadian author and former professor Jordan Peterson criticized Prime Minister Justin Trudeau's response to the massive trucker protest in Ottawa, calling on Canadian conservatives to "seize the day" and reattain the county's charter rights.
"I've been watching what's happening in Canada ... trying to think it through," Peterson said in a video post to Instagram on Tuesday.
Peterson directly addressed conservative politicians Premier of Saskatchewan Scott Moe, Premier of Alberta Jason Kenney, Premier of Ontario Doug Ford, and opposition leader Erin O'Toole, asking them, "What in the world are you waiting for?"
ELON MUSK SUPPORTS CANADIAN TRUCKERS PROTESTING VACCINE MANDATES: 'CANADIAN TRUCKERS RULE'
"It's your moment. You've got a huge number of Canadians occupying Ottawa, expressing their dismay with the suspension of our charter rights in the face of this so-called emergency," Peterson said. "Our prime minister has literally abandoned the city run away, as far as I can tell citing security concerns because I think he believes his own propaganda about the nature of the people who are sitting in Ottawa and then lying about it, justifying it as a consequence of being exposed to COVID despite the fact he is double vaccinated and tested negative."
"You're not going to get a better opportunity. This is your moment, conservatives in Canada," he continued.
Peterson pressed the politicians to use the popular demonstration as an opportunity to push for harsh COVID-19 restrictions to end.
"We could have our country back," Peterson said. "Reassure Canadians. Remove these mandates."
CLICK HERE TO READ MORE FROM THE WASHINGTON EXAMINER
Thousands of Canadian truckers formed a convoy and drove into Ottawa, where they now occupy the city's downtown area in protest of vaccine mandates impacting the industry. Trudeau has attempted to brush off the demonstration as a "fringe minority," but videos of the massive crowd filling the city streets show a different story.
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Brian Dilworth inks with the Jayhawks on signing day – Rivals.com – Kansas
Posted: at 3:47 pm
All eyes were on Brian Dilworth going into the late signing period. He was the only recruit left on the board who was expected to sign.
Shortly after 7 a.m. eastern Dilworth sent his letter of intent into the University of Kansas.
Oh, it's great, Dilworth said. Everybody's into it. The fans and the community of the Jayhawks are real welcoming. I had a lot of people follow me on Twitter, giving me applause for becoming a Jayhawk and just wishing me the best. I'm proud of it. And the coaches seem just as happy as I am. So, I'm happy to be a Jayhawk.
It has been a long road for Dilworth to get to signing day. The cornerback from Florida picked up early offers from Auburn, Cincinnati, Penn State, Kentucky, Miami (FL), Arkansas and several other schools.
He gave a verbal commitment to Auburn but ended backing off that pledge. He went through his senior season uncommitted. When Jordan Peterson was hired as the cornerbacks coach at Kansas, he started to recruit Dilworth.
After a month of phone calls with Peterson he took an official visit to Lawrence. On Sunday when his visit ended, he gave the coaches his commitment.
It's a big relief, Dilworth said. Because I know I have somewhere I love to go, and I have a home after high school with some coaches behind me and parents and everybody else with the Jayhawk community. I'm really relieved that I have a great school to go to, great coaches to coach me and everything else.
As a junior Dilworth was a first team selection by the Miami Herald. He played football, basketball, and volleyball at Chaminade Madonna High.
After he visited Kansas, head coach Lance Leipold and Jordan Peterson visited Hollywood to see Dilworth and his family.
After I came back from Kansas, Coach Leipold and Coach Peterson came down to come talk to me about all the papers and signing day things and like that, he said. They just welcomed me home to becoming a Jayhawk and just tying it up before I actually signed.
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John Elway Would Like to Inform You He Was Not a Sloppy, Hungover Mess When He Interviewed Brian Flores – Barstool Sports
Posted: at 3:47 pm
. but Brian Flores suing the NFL is kind of a big deal.
And perhaps the least explosive allegation in the lawsuit was the stuff about Flores' interview with the Broncos, in which he alleges that John Elway showed up an hour late, looked like an unmade bed, and basically acting like he had no interest in being there.
I say "least explosive," not because that experience was any day in the park for Flores. Job interviews, by their very nature suck as it is, even in the best of circumstances. But we've all been through the process. We've all sat across from some manager with a thousand other thing on their plate and they make it abundantly clear that if you weren't there, forcing them to try and look into your soul to see if you could be trusted to grill their burgers or sell their products or write their humor blogs, they'd be dealing with more immediate issues. Or sitting quietly in their office with the door shut dreaming of retirement.
On the other hand, we've all shown up to some work-related thing not at our best. Doing the Walk of Shame into the building, looking like the drink in last night's glass. Mailing it the fuck in because nothing could be more important at that moment than a little coffee and quiet contemplation until it's time to go home.
But it's important to Elway that we all know that was NOT the deal in the situation.
Source - Elway said the Broncos strongly considered, Flores [and met with him] at a Providence, R.I., hotel.
While I was not planning to respond publicly to the false and defamatory claims by Brian Flores, I could not be silent any longer with my character, integrity and professionalism being attacked.
I took Coach Flores very seriously as a candidate for our head coaching position in 2019 and enjoyed our 3 1/2-hour interview with him. Along with the rest of our group, I was prepared, ready and fully engaged during the entire interview as Brian shared his experience and vision for our team.
Its unfortunate and shocking to learn for the first time this week that Brian felt differently about our interview with him.
For Brian to make an assumption about my appearance and state of mind early that morning was subjective, hurtful and just plain wrong. If I appeared disheveled, as he claimed, it was because we had flown in during the middle of the night and were going on a few hours of sleep to meet the only window provided to us.
So we've got here is your classic he said/he said thing. An Eye of the Beholder scenario. Where one man's "Hard Working, Dedicated Professional Operating Without Sleep" is another man's "Probably Had Dinner on Federal Hill Then Hit the Foxy Lady Because He Stinks of Booze, Cheap Perfume and Hopelessness." Nobody knows except the people who were in that room.
And I have to assume this is going to be a huge issue in the suit should it ever go to trial. Flores isn't just suing because he says Elway was unkempt and uninterested in talking to him. For 3 1/2 hours. He's trying to demonstrate a pattern of behavior from all the teams he's talked to over the years, and claiming it applies to the entire NFL, solely because of his race. If it turns out Elway's version of events is the truth, and these Broncos execs rearranged their lives and had a restless night just to chat with him for 3+ hours like it was Joe Rogan and Jordan Peterson, that is not going to help Flores prove a pervasive attitude and a pattern of behavior. So this is going to be very interesting if we ever get to hear more.
For the rest of you, let this be a lesson to you. Whether you're the interviewee or the interviewer, always show up looking your best, projecting an air of competence, and above all, demonstrating professionalism.
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Toyota Lunar Cruiser: Off-Roading on the Moon – GearJunkie
Posted: at 3:47 pm
Home Motors Toyota Lunar Cruiser: Off-Roading on the Moon
Complete with living quarters, workstations, and cutting-edge scientific instruments, the Lunar Cruiser could be the key for lunar and ultimately, Martian colonization.
On Friday, Jan. 28, Toyota and the Japan Aerospace Exploration Agency (JAXA) greenlighted the Lunar Cruiser project. After years of research and testing, engineers have started developing the advanced Land Cruiser-inspired rover, which Toyota expects to launch at the end of this decade.
Successful deployment on Mars is the ultimate goal, company officials say.
The Lunar Cruiser, whose name borrows from Toyotas perennially popular SUV, should be a live-in laboratory on wheels. Van life meets Star Trek, really. According to project lead Takao Sato, the vehicle will provide a space where people can safely live, work, and communicate with others while on the moon. If all goes according to script, Toyota should get there by 2040.
The projects been in the works for a while now some digging around in the Toyota press room unearthed a March 2019 announcement of the automakers collaboration with JAXA.But that release merely announced the two organizations agreement to consider the possibility of collaborating on international space exploration.
The pair entered into a joint research agreement to work on a manned pressurized lunar rover in June 2019.
A press release from August 2020 stated that the research involved the use of simulations to confirm power and heat dissipation performance while driving, the manufacture and assessment of prototype tires, and the use of virtual reality and full-scale models to consider the layout of equipment in the cabin.
The same statement revealed that JAXA and Toyota met with officials from various industries to discuss the vehicles potential as a starting point for lunar colonization.
Toyota brought in Gitai Japan Inc. for help developing the Lunar Cruisers peripheral robotic arm, which will provide essential collection, inspection, and maintenance services. A grappling-like structure at the arms end will allow operators to alternate between a set of specialized tools.
Although additional specifics about the Cruisers architecture are still under wraps, Fridays announcement, revealed bythe AP, seems like a concrete declaration from JAXA and Toyota.
We see space as an area for our once-in-a-century transformation, Sato stated. By going to space, we may be able to develop telecommunications and other technology that will prove valuable to human life.
For updates, follow Toyota Motor Corp. and JAXAon Twitter.
No, we won't get the Land Cruiser 300 in North America, but we will get the 2023 Toyota Sequoia TRD Pro. While the previous Sequoia didn't get us very excited, this one does! Read more
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16 Historical Fiction Books Coming Out In 2022 That Are 100% Worth Picking Up – BuzzFeed
Posted: at 3:47 pm
Release date: January 11
The Stolen may be forced to learn their captors' language, follow their beliefs, and work their labor, but they keep their own tongue, culture, and empathy alive. This is the story of a 19th century plantation, where we meet a cast of characters full of love, sorrow, anger, and hope. There's William, who falls for Margaret, which makes Cato remember his own love who was sold off without warning. And there's their eccentric and tyrannical owner, Cannonball Greene, who rules their lives with a cruel hand. When a mysterious preacher arrives spouting independence and freedom, the Stolen must decide: trust this stranger or stay with the devil they know?
Why you should read it:This slim novel packs a gut-wrenching punch, managing to display the effortless cruelty of life on a plantation with the gentle caress of each character's humanity.
Get it fromBookshopor from a bookstore near you via Indiebound.
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The mystery of the disappearing flash in space – Yahoo Entertainment
Posted: at 3:47 pm
Imagine unexpectedly seeing something so luminous light up the vacuum of space that you couldnt possibly doubt it was there until it completely vanished.
While most of the planet was on lockdown at the height of the pandemic, radio astronomer Natasha Hurley-Walker stumbled upon a cosmic flash that seemingly came out of nowhere. She and her colleagues remotely zapped speculation back and forth as they tried to figure out what the thing was. Supernova? Zombie star? Aliens? After supernovas and extraterrestrial superstructures were ruled out, they became suspicious of stars that had gone undead.
The monster was hiding in observations from the Murchison Widefield Array (MWA). Its radio antennas measure polarization, or the extent to which the vibrations of a wave, like radio waves, are going in one direction. After correcting for anything that was in the way, Hurley-Walker and her team, who recently published a study in Nature, found that the pulses were very polarized and linear no matter what angle they were viewed from and lasted up to a minute. But what could have been giving them off?
The MWA observed with a time resolution of 0.5 seconds, so that defines the smallest features we can see in the pulses, she told SYFY WIRE. "But since the pulses last for 30 to 60 seconds, that is quite a lot of resolution. They are sometimes smooth, and sometimes very spiky.
Zombies onscreen are pretty straightforward. Zombie stars, not so much. There are several forms that the cores of dead stars can take. Neutron stars and white dwarfs are cores that remain after the collapse of low-mass (white dwarfs) or high-mass (neutron stars) stars. Pulsars, which are all neutron stars (though the opposite is not always true) form when the cores of massive collapsed stars spin upward and superfast, which compresses their magnetic fields. These highly magnetized stars spew so much energy that they create radio emissions.
Hurley-Walker and her team are not ruling a white dwarf or pulsar out, but there is one type of stellar zombie they are especially focused on. Magnetars are neutron stars with the most powerful magnetic fields ever. These extreme objects behave like highly magnetized pulsars that vomit out gargantuan amounts of energy, including radio emissions, but wear themselves out in a few months. They end up too sluggish to produce radio waves anymore and become undetectable. This is why it is possible the source could be an ultra-long period magnetar.
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There's a mystery as to how our source could be so slow but also magnetic enough to produce radio emission, since neutron star magnetic fields should also decay, Hurley-Walker said. That's why theorists thought that ultra-long period magnetars would exist, but be invisible.
There is always a chance for false positives, which can be set off by everything from TV signals to satellites. That doesnt seem to be what is going on here. Because pulsars and magnetars burn their energy so fast, invisible ones should be scattered all over the Milky Way. This could be one of many dead things. Ultra-long period magnetars are theoretical objects that should rotate more slowly than most magnetars, which could explain the longer pulses, but are also invisible. What was completely unexpected was how bright this thing was if that is what it is.
I think that the evidence points toward an ultra-long period magnetar, in which case, the magnetic field only stayed twisted for some time, and after it relaxed, the radio emission ceased, said Hurley-Walker.
There is also a chance the disappearing flash could have come from a white dwarf pulsar, whose dark spots (sunspots) produced really curved magnetic fields that gave off radio emissions for a while. Whatever it is still has astronomers baffled. Its not aliens, but the truth is out there.
Resident Alien Season 2
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New Songs: The Range, EST Gee, Aesop Rock, All Them Witches, more – Brooklyn Vegan
Posted: at 3:46 pm
So many artists, so little time. Each weekwe review a handful of new albums(of all genres), round up even more new musicthat we'd call "indie,"and talk aboutwhat metal is coming out. We postmusic news, track premieres, and more all day. We update aplaylist weeklyof some of our current favorite tracks. Here's a daily roundup with a bunch of interesting, newly released songs in one place.
THE RANGE - "BICAMERAL"
Vermont electronic musician The Range (aka James Hinton) has followed 2016's great Potential with his first new single in six years, "Bicameral," via Domino Records. It's a skittering, upbeat, and very catchy song that has us looking forward to whatever else he's got up his sleeve this year.
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AESOP ROCK - THE RECYCLING BIN (BLOCKHEAD REMIXES)
After reuniting with Aesop Rock last year for the great collaborative album Garbology, Blockhead has remixed three Aesop tracks that he didn't produce, giving them the Blockhead twist. They're drastically different versions, and very cool in their own right.
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EST GEE - "WHO HOTTER THAN GEE"
Louisville rapper EST Gee follows his great Bigger Than Life or Death with a new single, and it's a tough-as-nails new song that proves Gee is just getting better and better.
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SICAYDA - "K-Y-G"
Toronto's Sicayda have put out a new single, "K-Y-G" (aka "Kill Your God"), a companion to their recent single "K-Y-E" (aka "Kill Your Ego"), and it's a very appealing fusion of heavy shoegaze and hooky post-hardcore.
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LA SEN - "HYASYNTH"
London-based singer, songwriter and producer La Sen has released her debut single for Partisan Records, "Hyasynth," which she says "is about my journey from my home in Cergy in the outskirts of Paris to London. I had to accept all the past mistakes Ive made back home that I couldnt go back to. I had to accept and move on. In a way, I ran away from certain things. In another way I also made the first step into growing into the person I really wanted to be. Sometimes I feel like my past mistakes haunt me, thats what I felt making this song. Its about wanting to grow and handle life with more wisdom."
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ALL THEM WITCHES - "BLACKSNAKE BLUES"
Stoner rockers All Them Witches have launched a new project, Baker's Dozen, with one song each month in 2022 plus an extra track. The first is "Blacksnake Blues," a jammy, 11-minute song that'll take you right back to the original blues rock era.
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LOVE BURNS - "IN A LONG TIME"
"The Triffids song 'Do You Want Me Near You,' from In the Pines was a big influence on 'In a Long Time,' along with Petula Clark's 'Downtown,' says Phil Sutton (Comet Gain, Pale Lights) of the new single from his upcoming album as Love Burns. "The former has a fantastically melodic bass line, and then a great metallic, reverb-y guitar solo that makes me think of wide open spaces in (the) Australia (of my imagination). The lyrics capture loneliness and isolation very well, which is what I tried to do with my song. Where it differs, I think is that Ive tried to make 'In a Long Time' a New York City song, rather than a relationship song; it's a sort of upside down, melancholic version of "Downtown," where someone new to the city is on the subway, looking at twinkling lights, and all the Saturday night people, but is quite alone.
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MADI DIAZ - "RESENTMENT" FT. WAXAHATCHEE
Madi Diaz is releasing a companion EP to her excellent 2021 album History of a Feeling, and the first single is a gorgeous rendition of "Resentment" featuring gorgeous harmonies with her soon-to-be tourmate Waxahatchee.
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CASSANDRA JENKINS - "IT'S YOU" (ANIMAL COLLECTIVE & VASHTI BUNYAN COVER)
Cassandra Jenkins' cover of Animal Collective& Vashti Bunyan's "It's You" --their collaborative 2005 EP, Prospect Hummer -- is from Under the Radar's upcoming Covers of Covers comp. Cassandra does a gorgeous version, with her voice sounding marvelous against swirling harp.
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PETER BJORN AND JOHN - "SONGS OF LOVE" (DIVINE COMEDY COVER)
Also from Covers of Covers, Peter Bjorn and John take on The Divine Comedy's 1996 track "Songs of Love" which was also the theme song to British sitcom Father Ted.
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Looking for even more new songs? Browse theNew Songs archive.
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Guidance Teams Up with Energy, Boysie Roses And Real Flava For Shamballa Rock – DancehallMag
Posted: at 3:46 pm
Reggae singer Guidance has released a new single, Shamballa Rock featuring BoysieRoses, Energy Di Dancer and Real Flava. A video for the song was released on January 27th on the Kerron Records label.
The response has been great so far to the Shamballa Rock, the streets are working with it, the song plays every night at all the dances in the Corporate Area, ah the hottest ting right now. and now that the video is released, this movement has gone international now, I see Shamballa Rock going far, Guidance said.
Shambhala or Shamballa is a mythical Buddhist kingdom where all of the citizens have achieved enlightenment, so it is the embodiment of Tibetan Buddhist perfection. However, the dance is inspired by a music insider called Shamballa who
The idea for the dance comes from Shamballa from Roses who is known for his signature move, the rock. The song came about when we wanted to pay tribute to him cause you know we always rocking. So we all go in a voice the riddim, Energy come, Boyzie forward, Real Flava likewise and a history create. A lot of skankers start out and reach different so ah just Shambala Rockis a simple rock, All Father Pow ah dance. It ah get feedback from all over the world, Europe, Africa, everywhere, Guidance said.
Boyzie Roses and Energy are popular dancers in the street while Real Flava is a dancehall artist. Shambala for whom the dance is named, is a long-time member of the Roses Crew which was led by the late dancer Bogle.
Guidance is known for the hit song, Love What You Got, but lately, he has been doing more dancehall-themed songs with a dance twist like the popular Logo Boss was officially released on Kerrons Records in February 2020.
Guidance is looking forward to shows in Europe this summer.
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