Daily Archives: August 20, 2017

Placemaking and Urban Renewal by ECOWEEK Students – The Jerusalem Post mobile website (blog)

Posted: August 20, 2017 at 6:32 pm

ECOWEEK is returning this year to the Middle East with a one-week conference and sustainable design workshops on September 10-15, 2017. Aiming to bring students closer to the concepts of social and environmental sustainability and placemaking in diverse sites and locations, the ECOWEEK workshops will address sites from coastal hip Tel Aviv to the mountainous Holy City of Jerusalem.

ECOWEEK in the Middle East is closing a series of events this year, that included lectures, panel discussions, workshops and film-screenings from London to Mumbai, and from Tilburg to Athens. In collaboration with the 92Y Week of Genius program, The Bartlett UCL, KRVIA School of Architecture, URBZ, AKTO College of Design, and Holon Institute of Technology, ECOWEEKprograms reached out to more than 11 cities in 9 countries.

This year ECOWEEK also issued two publications: the first is the printed version of its book ECOWEEK Book#1: 50 Voices for Sustainability 50 renowned architects, designers and environmental leaders, from the ECOWEEK conferences and workshops around the world, shared their ideas and projects on sustainable design, green architecture, public space and environmental stewardship. Among them BjarkeIngels, Kengo Kuma, Francis Kere, MVRDV, and many more.

Link: http://ecoweekbook.org/

The second is the The Workshops presenting the creative work of ECOWEEK workshops during the period 2009-2016 in cities around the world.

Link: https://issuu.com/ecoweek/docs/ecoweek_catalogue_2016

At ECOWEEK in the Middle East, the participating students and young professionals will be encouraged to design placemaking initiatives in the public space. Includes temporary housing on rooftops opposite the Old City of Jerusalem, international Parking Day interventions and public interventions with the local community in downtown Tel Aviv, and raise environmental awareness inside urban shopping malls, guided by local and visiting architects, artists, and designers.

ECOWEEK is an opportunity for students and young professionals primarily architects, designers, engineers, landscape architects and from other disciplines to experience one week of inspiring lectures and interactive design workshops in real sites within cities, work with communities, address real challenges, network with international peers and learn about social and environmental sustainability through design.

ECOWEEK is hosted at Holon Institute of Technology, Model House at Jerusalem City Hall, the Dizengoff Center, and Jerusalem Cinemateque. Professionals and students join from Israel, Germany, Holland, Austria, Norway, and Italy.

ECOWEEK is also hosting special pre-screenings of the new documentary An Inconvenient Sequel: Truth to Power with Al Gore, in Tel Aviv and Jerusalem.

Link: http://ecoweekorg.wixsite.com/ecoweekme2017/film-registration

ECOWEEK 2017 in Middle East is made possible through the cooperation and support of the Norwegian Embassy, the Austrian Culture Forum, Holon Institute of Technology, the Municipality of Jerusalem, the Municipality of Tel Aviv, Jerusalem Urban Design Center, Joint Israel, Bina, Mishlama LeYaffo, Mutav Yahdav, The Platform Tel Aviv, Dizengoff Center, Merhav-Movement for Israeli Urbanism, Enosh, Sodot Yerukim Givatayim, Society for Protection of Nature, Green Cell, DETAIL, Jerusalem Cinemateque, and Lev Dizengoff.

Link: http://ecoweek.co.il/

Workshops W1: Dizengoff Center

Austrian artist, researcher and social designer Ruth Mateus-Berrand Israeli designer ZameretHarelKanot will lead the workshop at Dizengoff Center in Tel Avivtitled E-shopping mallsand will investigate consumer statements towards designing a mall as public space for the local population. How to identify shopping malls as public spaces, for various desires and needs of the local population, in possession of the citizens and children (if just for one day). The workshop will address solutions that can be partially or completely implemented during and after ECOWEEK.

W2: Green Roofs in Jerusalem

German architect Jo Ruoff and architect Yonathan Alon, with the team of architect Hana Gribetz and landscape architect Ishai Hanoon, and coordination by ECOWEEK founder architect Elias Messinas, will head the workshop that will generate ideas on creating temporary living and guest living spaces on rooftops. The workshop will focus on two sites: the roof of the Clal Center with possible additional site the roof of Abraham Hostel in downtown Jerusalem, opposite the Old City walls. These rooftops will provide spaces to for guest housing and urban agriculture, affecting the urban micro-climate. The project is part of a new initiative by the Municipality of Jerusalem, intended to be implemented.

W3: Enosh Center

Israeli landscape architect Galia Hanoch Roe director of the Tel Aviv-Jaffa communities for the Society for Protection of Nature and architect Braha Kunda lecturer at the Holon Institute of Technology,will engage the workshop team in design and hands-on interventions at the Enosh Mental Health Association Center for youth and teenagers interiors and surrounding garden. The workshop will produce prototypes for a real project intended to be implemented.

W4: Shapira Neighborhood

Norwegian architect Alise Pavina of PIR2 firm with architect Ohad Yehieli lecturer at Tel Aviv University, with the participation of green-building expert of the Tel Aviv Municipality Uriel Babzyk will focus on Mesilat Yesharim street in the Shapira neighborhood in southern Tel Aviv. Mesilat Yesharim street, in the heart of the neighborhood, was renewed in the past, with bicycle routes and lighting, but since has deteriorated. The street serves a mixed veteran and immigrant community and small businesses, who will be taking part in the planning process. A long-term renewal process by the Municipality is starting in parallel, enabling the workshop to focus on small, local interventions that can be integrated into the overall project. The workshop will include site visits with experts from the local institutions, the local community, local businesses, and experts from the Municipality of Tel Aviv. The workshop will work with the community to initiate interventions and changes that will improve public space, public services and will actively engage the diverse local community. This workshop is a rare experience in co-design, placemaking, hands-on design, to produce fresh ideas that are expected to be further developed and/or implemented.

W5: Park(ing) Day

Dutch architect Gie Steenput, Israeli entrepreneur Yael Shemer, and art director Roni Mero, will lead the workshop of Park(ing) Day, an annual worldwide event where artists, designers and citizens transform metered parking spots into temporary public parks. This event helps advance the critical dialogue around the use of urban public space and around social and environmental justice. By reclaiming parking spots into an intentional community space, students will take part in re-thinking about the meaning of urbanism and the local communitys assets. cities for people. The workshop will provide a practical experience of thinking outside the box as we aim for a future to improve our citys public spaces. The workshop will also include an installation based on tensegrity.

W6: Jaffa Neighborhood Renewal

Reut Popkin of Better Together and architect and ECOWEEK founder Elias Messinas will lead a real-project workshop on two neighborhoods in Jaffa, Yaffo G' and Neve Golan, and the street connecting them,with the aim to generate ideas, strategies, and hands-on projects of placemaking in the public space, to create exposure for the neighborhoods and bring pride to the residents. The workshop team will visit the site, will meet the local community, and will work with them and the local authorities and institutions towards identifying actions that will serve as generators for renewal processes in the neighborhoods.

More about ECOWEEK at: http://www.ecoweek.org

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Let this be the year to build campus community – Xavier Newswire

Posted: at 6:32 pm

I had a fun summer. I spent two months working with Peaslee Neighborhood Center in Over-the-Rhine as a part of the Center for Faith and Justices Summer Service Internship program, and oh man, did I learn quite a bit.

Im going to share a little bit of what I learned, mainly focusing on the one thing that has been a constant theme in my life: community.

So, communities are freaking incredible.

The Summer Service Internship (SSI, for short) was a cohort of 20 that all lived together in Brockman Hall and worked at 20 different non-profits in the Greater Cincinnati area, and it was an intentional community. An intentional community is when a group of people get together and say, Hey, lets live in community, so lets set these rules and follow them. Its having weekly dinners, where one group cooks, one sets up the area and one group cleans. Its always being there for others and listening to how their day went when you know yours was just as long. Its having one-on-ones and learning about the people beside you in a deep, intentional manner.

Outside of the actual living situations, I found some pretty great communities within the city of Cincinnati. I found a community of people through my work at Peaslee. I became involved with Black Lives Matter Cincinnati, and I wound up marching through the streets with dozens of like-minded people, all standing together for something we all believed in.

I also did my best to build community everywhere that I went. I spoke to everyone that I could. I learned peoples names, where they were from, what they loved, what gave them passion and how they thought. With the kids I was working with, I learned what Roblox is although, only kind of. Its apparently the new version of Minecraft for kids.

I also learned which kids were afraid of spiders. I learned which kids loved reading, and I learned which kids thought everyone viewed them as stupid. I learned which kids didnt think they had a voice.

I tried my best to help them realize the power that they all have. I tried to tell them that power is only their awareness of their intrinsic ability to enact change. I can only hope that a few of them believed me and now are able to recognize the power that they have.

Building community is something that I love. Its the most crucial thing there is. Community is the only way that we can all overcome the oppressive systems that are present in this world. Building community is one thing that anyone can do to make change. You dont have to be an insanely friendly person that knows everyone to build community. You dont have to have dozens of talents. You dont even have to be that good at talking to different people. All you need to build community is to be yourself and to be open to the ideas and thoughts of everyone around you.

By: Kevin Thomas~Campus News Editor~

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Almanac: Dogs in space – CBS News

Posted: at 6:31 pm

And now a page from our "Sunday Morning" Almanac: August 20, 1960 -- 57 years ago today -- a date that gives new meaning to the expression "dog days of summer."

Soviet space dogs Strelka and Belka after a successful space flight in 1960.

ITAR-TASS Photo Agency/Alamy

For that was the day space dogs Belka and Strelka returned alive after orbiting the Earth for a day in a Soviet spacecraft.

Belka and Strelka were female strays recruited for space travel on the theory that street dogs were a tougher breed than those pampered house pets.

Belka and Strelka had the right stuff all right, becoming the first canine cosmonauts to survive an orbital space flight -- clearing the way for Yuri Gagarin to become the first human cosmonaut the following April.

Belka and Strelka never left Earth again. Strelka famously went on to give birth to a litter of puppies, one of whom was given to First Lady Jacqueline Kennedy as a goodwill gift.

Pushinka, offspring of Soviet space dog Stelka, sits outside her adopted home at 1600 Pennsylvania Avenue.

William J. Smith/AP

When THAT dog gave birth, President Kennedy playfully labeled her offspring "pupniks."

Russia honors the memory of Belka and Strelka to this day.

The animated movie feature "Space Dogs," released in 2010, tells their story.

And the REAL Belka and Strelka are still on view -- stuffed, alas -- beside their space capsule at the Memorial Museum of Cosmonautics in Moscow.

The stuffed remains of Belka and Strekla, on display next to the capsule in which they flew into outer space, at the Museum of Cosmonautics in Moscow.

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Why There Might Not Be Space Travel in the Obi-Wan Movie – Inverse

Posted: at 6:31 pm

Imagine a Star Wars movie in which there are no wars that take place in the stars. It sounds slightly insane, but if an Obi-Wan Kenobi standalone movie really happens, it could be the first film in the space-saga to not take place in outer space. And there are two good reasons.

First, if the film takes place between Episode III and Episode IV then Obi-Wan is supposed to be on Tatooine the entire time. Sure, its possible something else could be going on in the galaxy that audiences glimpse, but maybe not. If Kenobi was serious in his pledge to watch-over young Luke Skywalker, then leaving Tatooine would be a dereliction of that duty. In other words, if the movie stays with Old Bens point-of-view for the entire film, he probably wont get off the planet.

Second, Obi-Wan Kenobi for some reason really dislikes space travel. He mentions that he hates flying while battling Jango Fett in an asteroid field in Attack of the Clones. And at the beginning of Revenge of the Sith, while piloting his Jedi Starfighter, he says dismissively, flying is for droids! Would Obi-Wan prefer self-driving spaceships?

If the Obi-Wan movie doesnt have any space travel in it, certain fans could possibly claim its not a real Star Wars movie. But, then again, the point of these standalone feels is in theory to do something different with the franchise. If Star Wars is to really take risks with its subject matter, then maybe the best thing an Obi-Wan movie could do is to ground its characters. Literally.

As of this writing, there is no release date or confirmation of the Obi-Wan movie.

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18 space suits from science fiction, from worst to best – The Verge

Posted: at 6:31 pm

Space suits are cool and complicated. Earlier this week, my colleague Loren Grush launched her new series Space Craft by seeing what wearing one is like. The answer? Exhausting. Unsurprisingly, science fiction writers, movie directors, and prop-makers also love space suits youll find them everywhere from Robert A. Heinleins novel Have Space Suit Will Travel, to the latest Alien movie. But not everybody does their homework: for every fictional space suit thats more than just a fancy costume, theres one thats impractical and nonsensical even in a fictional world.

Theres no such thing as an ideal space suit, because you need specific features for different environments. But we can answer a few basic questions. Is a fictional space suit safe and wearable for its characters? Does it perform its task well? And does it realistically look like it could perform that task? With that in mind, here are some of the greatest and most cringeworthy depictions, arranged from worst to best.

I love Titan A.E. to death, but even I have to admit that its space suit is a bit wonky. Years after the destruction of Earth, Cale ends up working salvage on a space station, which seems like a risky job we even see him get smacked with a huge section of a ship thats being dismantled.

But although the armored suit superficially looks designed for this work, this one seems pretty dangerous. That huge bubble helmet would provide amazing visibility, but it also looks like it could be easily broken. Those wires or tubes hanging off the back could snag on salvage. And as for the weird series of lights on the chest... what do those even do?

Where to start with Star Trek? The upcoming show Star Trek Discovery features a badass suit that looks like an entire miniature spaceship. But there are also some bizarre, cringeworthy depictions, like these from The Original Series. Theyre sparkly! They have weird, seemingly useless colored attachments, the wearer can really only see right in front of them, and the visor extends to the back of their head for some reason.

Fortunately, the show went with some marginally better (but still science fictional) versions for The Motion Picture, and some really plausible ones in Enterprise. But although the latest series suits look cool, they dont seem that realistic either, with an emphasis on armor and propulsion over anything else. Well have to wait until later this year to know just what theyre used for.

One of my absolute favorite space suits appeared long before real humans went into space: its in the 1950s Tintin comics (and later cartoons) Destination Moon and Explorers on the Moon. These suits arent what we ended up using: theyre hard armor with a bubble helmet rather than lighter cloth, and seem cumbersome to wear and walk around in, not to mention specifically fitted to each person (and dog!)

But, theyre still a beautiful, iconic design that did draw on some real concepts. While they certainly predate the space age, and Herg does depict the suits in use on the Moon, as well as a couple of points where theyre being constructed and fixed, which means that he did put some thought into how these theoretical space suits might have functioned.

The 1950 film Destination Moon is another classic that predates the space age, like Explorers on the Moon. But its one of the first to deal with space travel in a somewhat realistic way, almost two decades before astronauts landed on the Moon, and even before the first rockets brought the first satellites into orbit.

The suits used in the film look pretty cool. Theyre not exactly what we ended up using for Lunar EVAs, but they get all the basics: flexible joints, detachable helmets, life support, and so forth. They even color-coded each astronaut so that the audience could tell each character apart. NASA only figured that out after Apollo 11, when people couldnt tell the astronauts apart on the television broadcasts, and slapped some stripes onto the mission commanders suit.

The Stargate franchise has used its share of space suits, ranging from plausibly realistic to downright strange. The last series, Stargate Universe, is definitely the latter. When an expedition is stranded on a distant starship, they discover several of these outfits and use them to explore a couple of hostile planets. But the suits look extremely cumbersome, with a lot of armor that will restrict ones movement, not to mention corners and edges that could snag on their surrounding. To be fair, they were designed by a long-lost, advanced human race, so maybe we just dont know what they were going for.

When I first watched Firefly, I was struck by an early scene where protagonist Captain Mal Reynolds is floating through space in a distinctly patched-together suit from repurposed parts, like his old combat helmet. Like lots of things in the series, these suits look like they could be used for any activity, whether thats stealing cargo, working on exterior repairs, or just moving around outside. But while it fits thematically, these activities are all pretty specific tasks, and I just cant quite buy that a suit made up of random parts is going to be safe or effective at any of them in the long run.

For a space show, we dont actually see many space suits in the SCIFI channels revival of Battlestar Galactica. On the rare occasions people head into space, its usually pilots flying combat or patrol missions, where they wear suits designed to keep a pilot alive after being ejected, which look closer to high-altitude fighter pilot uniforms than your traditional space suit. That said, these suits can keep someone alive on a planets surface, as we saw early in the show when Kara Starbuck Thrace is shot down on an uninhabitable moon.

These suits do have great helmets that afford quite a bit of visibility and can be pressurized, but theres still some sci-fi artistic license. They look improbably easy to move around in, and dont appear to have a whole lot of life-support options. If youre shot out, youve better hope for a quick rescue.

The 2000 film Mission to Mars is an exercise in exasperation, and the space suits that its characters use are no exception. These suits are used interchangeably between surface and space expeditions, and the helmets look as though they limit ones vision quite a bit.

But there are some good things here too: the suits piggyback off the design of real space suits, and include some realistic details like backpacks, chest controls, flexible joints, and color-coded suits.

Interstellar calls back to past cinematic space suits, which certainly look plausible and realistic, with details like color-coding for different characters. These appear mainly to be used for ground excursions, or for when theyre performing maneuvers in the Endurance. They do have some neat features, like thrusters mounted on the arms that dont seem all that practical for long-term use.

But ultimately, these suits just look ... kind of boring, which is a shame, given that most of the films design is really distinctive.

Weeks before Michael Bay started filming his 1998 blockbuster Armageddon, he apparently went to the props department and was dismayed at the space suits that he saw. It looked like an Adidas jogging suit on a rack, he complained. And if you dont have cool space suits, your entire movie is screwed.

The film actually does use some realistic suits. The characters train in a dive tank at NASA, and theyre later seen in the Advanced Crew Escape Suit that real shuttle crews wore during launches. But the suits they wear on the asteroid are fictional next-generation designs. They look a bit complicated, and are designed specifically for ground missions, carrying thrusters to keep someone on the ground in a low gravity environment. Props for specific purposes there.

Incidentally, the same years other blow-up-the-asteroid-before-it-strikes-the-Earth movie Deep Impact also featured astronauts at work in space. But that production used some suits that looked quite a bit more like the ones that are really used by astronauts.

An underrated sci-fi classic is the 1981 film Outland, which featured Sean Connery as a Federal Marshal working on a mining colony on Jupiters moon Io. The film features a fairly iconic suit, with a massive helmet with lights designed to show off the actors face.

The suits look pretty basic: theyre color coded, have a life support system and a couple of tubes that look as though theyll get caught on things, but they look fairly rugged and easy to use for their wearers. Those interior lights would probably get annoying though: I can imagine that theyd reflect off the helmets inner surface and be really distracting.

Sam Bell, the sole occupant of a mining facility in Duncan Jones debut film Moon, uses a really fantastic-looking space suit. Bells suit draws some inspiration from NASAs astronauts, as well as some classic science fiction films, like Alien.

This space suit is designed for excursions out onto the lunar surface or driving a rover, and its simple enough for one person to don. (Good when youre the only person there.) The helmet pops off easily enough, and there are plenty of lights for a worker to use while out and about, but the props department didnt add extras just for show. Another nice touch: Sams suit even appears visibly well-used when the film begins.

Its hard to find a space suit design thats more iconic than the one from Stanley Kubricks 2001: A Space Odyssey. These suits appear a couple of times in the film in a couple of different environments: first when the characters go into Tycho Crater to explore an anomaly, and later, on the ship Discovery One.

These suits are designed with a good dose of cool 1960s futurism, but they also get a lot of details right, thanks to designers who worked in the space and tech industry. They have control panels and life support, and seem to perform their jobs well, at least when you have your helmet on. Chris Hadfield later noted that the production even captured things like the sound of breathing while suited up. The production was even good enough to make people think Kubrick faked the Moon landings a year later.

The Alien franchise is loaded with cool space suits, some better than others. Alien leads the way with the suits the crew of the Nostromos uses for surface EVAs. These look appropriately designed for use in a harsh environment, while the space ship comes equipped with another space EVA suit stashed away in its shuttle. The suits in Alien: Covenant, which Adam Savage geeked out over at San Diego Comic-Con, are also dedicated-purpose designs, meant for light EVA and surface work. And then theres the hard suit thats used for more heavy lifting, and has a completely different design.

But there are also some misses, like the surface suit used in Prometheus. These suits are beautiful: skintight, lightly armored, with a fantastic bubble helmet. But as cool as they look, they dont seem very functional for serious or unexpected work and theyre not good at all at keeping alien acid vomit at bay.

The Expanse is set in a plausibly-realistic future in which much of humanity lives and works around the solar system, and a result, the shows characters use a variety space suits. In most cases, what we see are really utilitarian garments, used by blue collar workers on space ships or space stations.

These suits look as though they are designed with an eye towards practicality, and theyre not overly large or cumbersome. The helmets provide protection and some visibility, with lots of interchangeable parts or attachments for specific needs, such as working on depressurized parts of a spaceship, or out on an asteroid. Like Fireflys suits, they appear to be well-worn and patched, but these look like theyre quite a bit more durable than those ones.

There are high-tech suits in the show as well: the Martian military uses some heavily armored designs for their soldiers and Marines, who appear to be right at home in space, or on the surface of uninhabitable planets and moons. These suits are not only designed to protect a wearer from outer space, but also to wage war in a vacuum or on the ground.

Of all the films on this list, Gravity draws the most from the real world, so it naturally takes its cues from real equipment. The characters also use a couple of different suits, which is a nice touch: at one point, Dr. Ryan Stone dons a Russian space suit when she escapes into a Soyuz lander.

The film does take some liberties, though. Stone gets in and out of these suits really easily, and doesnt wear a cooling garment, whereas in real life, these are suits that are quite complicated to put on. But their appearance is as close as we can realistically expect in a big-budget Hollywood film.

In most cases, a film space suit is a film space suit. Sometimes, however, film designers recognize that they need something really specific. Case in point is the EVA suit used in Danny Boyles movie Sunshine. What really makes this suit really stand apart is its golden exterior, and the fact that it isnt designed for any sort of multi-purpose use. Its intended only for the Icarus and its mission to go close to the sun, and allow the astronauts onboard to go outside if needed in an environment of intense light.

This one is incredibly beautiful: its got a golden-reflective surface to protect its wearer from the intense rays from the sun, and was inspired by some unlikely sources, such as Samurai armor and deep-sea diving suits.

The Martian (both the book and the movie) is a story thats a realistic and plausible take on a future mission to Mars, and Mark Watneys space suit is probably one of the most important environments in the story. After being stranded on Mars, he spends a considerable amount of time in one.

The EVA suit used in The Martian certainly doesnt look anything like what the real Apollo astronauts used on the Moon. However, its designed with an eye towards of realism for what a Martian mission might require. The helmet is designed to impart as much visibility to the wearer as possible, and provides plenty of critical information. It also looks like parts can be worked on or switched out if needed, useful when youre far from home. Another bonus comes from the book: theyre each tailored for an individual astronaut, and they arent a one-size-fits-all garment.

The film also goes above and beyond by showing that space suits arent multi-purpose: theres one for the ground operations, but also an EVA suit for use in space, which looks really close to modern suits that NASA currently uses.

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Civilization Is Breaking DownHere’s What We Need to Do About It – Singularity Hub

Posted: at 6:31 pm

I think civilization is fundamentally breaking down today. These were the opening words of Salim Ismails talk at Singularity Universitys Global Summit in San Francisco this week.

Not the most uplifting intro. But the good news is, Ismail had some pretty unique insight to share about the nature of the problems society is facing, and plenty of thoughts on how to fix them too.

Ismail is the best-selling author of Exponential Organizationsand a sought-after strategist and tech entrepreneur who built and sold his company to Google. He was founding executive director at Singularity University and has been the companys global ambassador for the last seven years.

While technology has helped civilization, according to Ismail, its also partly to blame for widespread discontent thats manifesting in the form of armed conflicts, terrorism, extremism, and nationalism.

Never before have we had a dozen technologies all accelerating in their own right, he said. Each one is doubling at a rate of anywhere between 18 to 30 months. But where they intersect, that adds a whole other multiplier to the equation.

A lot of the technological changes going on may seem like theyre confined to specific places, people, or groups. But the truth is theyre affecting us all.

Anyone with an internet connection has an unprecedented amount of information at their fingertips. Computers are not just learning to do tasks only humans used to do, theyre doing those tasks much better than us. Huge sums of wealth are concentrated in the hands of a few (thankfully, often philanthropic) entrepreneurs. Physical goods that used to cost hundreds or thousands of dollarshave demonetized to the point that theyre practically free.

And its not just physical goods whose cost is dropping. Renewable energy, DNA sequencing, and services like rides and accommodations have seen plummeting cost curves too.

In technology after technology, the cost is crashing to near zero, which means anybody has access to these technologies, Ismail said. And this is causinghuge opportunity but also massive stress, and our existing leadership has a really tough time dealing with this.

The shifting power dynamics brought about by demonetization have left governments bewildered and apprehensive, and often at a loss for how to adjust their policies to the changing times.

We invented representative democracies when information was scarce, Ismail pointed out. But today, we have an abundance of information, and every major democracy in the world is broken.

The same goes for capitalism. Theres a massive deflationary dynamic because the money leaves the system as you move from scarcity to abundance, Ismail said.

The distribution of all that wealth, though, is far from equal. Though abundance is growing, scarcity is still very realand people are reacting.

If you look at the rise of fundamentalism around the world, this is civilization saying Im freaking out, I cant take this pace of change, lets go back to an older time, Ismail said.

Even the institutions that were set up to deal with these kinds of conflicts have become somewhat irrelevant. The UN Security Council, for example, was set up to navigate conflicts between countriesbut many modern armed conflicts are civil wars. Updating institutions that have been around for decades if not centuries is a project of dizzying scale and complexity.

There is no update mechanism in many of these structures, so we have to totally re-architect them, Ismail said. Were pepper-spraying our civics and our politics, literally shredding our own future here, and the stress around the world is quite profound.

Ismail then took the conversation in an unexpected direction, saying the best way hes found to frame why this is happening is that we have two fundamental polarities in our archetypes as a civilizationmale and female.

The male archetype is competitive, risk-taking, wants to take command and control. By the way, Im really carefully saying archetype, not gender, he clarified. The female archetype is participatory, nurturing, cooperative, and network-linked. And weve ratcheted between these two polarities throughout civilization to upgrade ourselves.

Both men and women can have traits belonging to the male or female archetypes, of course. The archetypes are an overarching symbolic understanding ingrained in our psychology.

The world, he explained, used to be run on feudal systems, which had a top-down command and control structure. Then we moved to democratic systems so that power would be distributed more evenly.

Despite the fact that many societies today are based on this democratic ideology, large swaths of those societies run on a set of top-down male archetypal structures. Ismail noted traditional corporations as a prime example: theyre pyramidic structures usually with a man at the top. Judeo-Christian religions are built around male archetypal qualities, as is the military-industrial complex.

Whats happening now, though, is the rise of the female archetype. Examples Ismail gave that embody the female archetype are open-sourcing, the maker movement, and hugely popular festivals like Burning Man.

The stress were seeing in the world is that transition from the male-centric archetype to the female-centric archetype, he said.

This looks different not only because of the fundamental qualities each archetype embodies, but their particular stress-response and control mechanisms as well.

When the male archetype is under stress, it enters the fight or flight response, while the female archetype responds by tending and befriending.

The male archetype is really good at managing scarcity, command and control, search and destroy, go, grab, bring it back, designed for that world that weve been in for thousands and thousands of years around scarcity, Ismail said.

The female archetype, though, is better at dealing with abundance; when the male archetype deals with abundance, it relates to it as power and tries to hoard it. The female archetype meets abundance and shares it around.

As we move towards abundance, Ismail believes we need to move towards a social structure that embodies the female rather than the male archetype.

While somewhat abstract and, frankly, surprising, in theory this all sounds reasonable enough. But how do you actually move a civilization from one archetype to another?

For starters, Ismail said, We need to architect our organizations and institutions for flexibility and adaptability. Existing incentive models in business focus heavily on short-term indicators like quarterly earnings and are not set up for long-term changes. But the most successful companies have turned these models on their heads, with leaders like Jeff Bezos, Mark Zuckerberg, and Larry Page refusing to steer their companies in the status-quo direction.

Similarly, Ismail said, All of our leadership globally is set up to manage an incremental, predictable, status quo, linear worldand were entering Black Swan centraland we need to architect completely new institutions.

The Fastrack Institute, which Ismail co-founded, is a non-profit organization thats helping cities do just that. The Institute takes on a specific problem facing a city, like education or corruption, and analyzes it using a four-layer system.

Were currently at the very edge of an abundant future, and the pace of change isnt going to slow down. As Ismail put it, [civilization] is heading into a trough. I think its about a 20- or 30-year period. We need to get to abundance on the other side by creating new leaders, new projects, and new institutions.

Image Credit: Stock Media provided byAlexander Slutskiy / Pond5

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Which of These Emerging Technologies Will Be the Next Big Thing? – Singularity Hub

Posted: at 6:31 pm

We tend to think of tech visionaries as inventors with a brilliant idea that no one understands. Because the world isnt quite ready, they have to pitch their invention to anyone wholl listen.

Their ideas are either crazy or geniusno ones sure because theyre so novel.

Theres another kind of tech visionary. This person has to sort the genius from the crazy, and then quite literally put their money where their mouth is. These people are investors. And no great invention or idea gets to the next level without the support to go bigger.

At Singularity Universitys Global Summit this week, Sequoia Capitals Roelof Botha sat down with Peter Diamandis for a conversation about the venture capital view of technology. Botha is a partner at Sequoia and was previously CFO of PayPal. Over the decades, Sequoia has helped launch the likes of Apple, Google, Oracle, PayPal, YouTube, Instagram, and WhatsApp.

Botha said theyve been in early on and followed the biggest trends in tech over the decades. In the 1980s, it was semiconductors. In the 1990s, the internet hit its stride with companies like Google and Yahoo. Since then, of course, mobile has been a big theme. So, whats next?

Id say right now were at a very interesting time because its not obvious what the next platform is, Botha said. The phrase weve come up with is interregnum.

Interregnum is the time a throne is vacant in between reigns, he explained. The formidable five of Microsoft, Amazon, Apple, Google, and Facebook are dominant and hoovering up resources. So, Sequoia is looking for pockets of opportunity that unfairly favor the startup.

Space is an interesting one[and] there are some interesting things around genomics, epigenetics, CRISPR and gene editing, cryptocurrencies, augmented reality, and virtual reality, Botha said. There are a bunch of emerging areas, and were exploring all of those. Even quantum computing these days looks like it might finally be something to our life.

Interest and even investment in a particular area or technology is no guarantee theyll succeed. He said typically only three or four companies drive the returns of a fund with 35 or 40 companies in it. Making sure you find those three or four companies is both art and science.

Well, the key question we always ask is why now? If a company cant answer that question, theres usually a reason not to invest. But sometimes something hasnt worked for 20 years for a reason, and now truly is the time where it does make sense.

Forecasting the cycles of hope and hype in technology is still incredibly difficult, and no one gets it just right. Some exciting technologies seem to be just around the corner, only to die out or hit unexpected roadblocks and get kicked ever further down the road.

Still, we live in a pretty amazing time in history, and over the decades, some emerging technologies will rise up and affect our lives profoundly. What is Botha most excited about in the next few years? What strikes his heart as Diamandis put it?

Id love to see us innovate in augmented reality, Botha said.

Im sure most of the audience has seen the movie Her. This idea of having an invisible user interface, which is voice-based, and having a different way of interacting with technology. If you look at people at lunch breaks, its kind of strange that weve evolved where were all sitting there hunched over these very small screens, all developing neck strains. Its hard for me to imagine thats the end state.

Image Credit:Stock Media provided by Pumidol Leelerdsakulvong / Pond5

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Ashes of the Singularity: Escalation Vulkan Support Soon – PC Perspective

Posted: at 6:31 pm

Oxide Games has been mentioned all throughout the development of the next-generation graphics APIs, DirectX 12, Mantle, and Vulkan. Their Star Swarm stress test was one of the first practical examples of a game that desperately needs to make a lot of draw calls. Also, their rendering algorithm is very different from the other popular game engines, where lighting is performed on the object rather than the screen, which the new APIs help out with.

Currently, Ashes of the Singularity supports DirectX 11 and DirectX 12, but Vulkan will be added soon. Oxide will be pushing the new graphics api in the 2.4 update, bringing increased CPU performance to all OSes but especially Windows 7 and 8 (neither of which support DirectX 12), and a free DLC pack that contains nine co-op maps. They also plan to continue optimizing Ashes of the Singularity for Vulkan in the future.

All of this will be available on Thursday, August 24th.

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Ozzfest 2001: Where Are They Now? The Second Millennium – Metal Injection.net

Posted: at 6:30 pm

While the US crowd was surely jealous that Tool and Soulfly only performed on the two UK dates, Ozzfest 2001 still boasted a hell of a line up. Black Sabbath, Slipknot, Black Label Society, and Taproot made their return to share the stage with newcomers like Mudvayne, Drowning Pool, and Marilyn Manson.

A handful of bands on the tour were short lived (Pressure 4-5, No One, and Systematic, to name a few) but were still fortunate enough to hear from the majority of these artists. Here are three from the second stage you may have forgotten about that are still out there rocking.

Formed in 1996, The Union Underground released one studio album, An Education In Rebellion, before disbanding in 2002 to focus on other projects. Bassist John Moyer went on to play with Disturbed; Bryan Scott fronted Cult To Follow and Into The Fire. For over a decade, it seemed like the band was finished. In 2016, Scott announced that a new lineup and new music were coming soon. They are currently recording a new EP and have been touring throughout the summer.

The first and only band signed under Marilyn Mansons Posthuman record label, Godheads goth/metal/industrial mix made them a perfect addition to this diverse Ozzfest. With ten albums under theirbelt, Godheadwas able to bolster a strong underground and mainstream following. Their last release was 2014sThe Shadow Realigned, a remix of 2006sThe Shadow Line). Vocalist Jason Miller, however, has kept himself busy as a solo artist playing country music thats Though Godhead is not currently active, they havent worn out their welcome and could certainly make a comeback if Miller finds the time.

Hailing from South Florida,Nonpointhas been churning out new music every few years since 1997. Songs like What A Day, Bullet With A Name, and their cover of In The Air Tonight continue to make the radio rounds.Nonpointmay not be as prominent as they were back in the early 2000s, but their consistency to deliver enjoyable music makes them a great supporting act for many of todays groups.

Looking at the lineup today, it seems a little out of place to see Papa Roach and Linkin Park sharing the stage with Mudvayne and Slipknot, but Crazy Town is by far the most surprising band on the list. While Butterfly did enjoy a comparable amount of radio play around the world similar to Last Resort and In The End, its just hard to imagine that the same crowd moshing to Dig and Down with the Sickness would be singing youre my butterfly, sugar baby. Still, thats the beauty of Ozzfest, right?

And to answer your burning question, yes, Crazy Town is still touring.

Ozzfest 2001 included another fantastic lineup full of bands that are still touring today. Though we will probably never get Papa RoachandCrazy Townon the same tour as American Head ChargeandHatebreedagain, this incarnation of the festival offered a mix of music that would be replicated the following year. Once again, Ozzfest 2001 brought metal fans across the US a show that could not be missed.

Read previous Ozzfest Nostalgia columns here

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How religious and non-religious people view the apocalypse – Bulletin of the Atomic Scientists

Posted: at 6:30 pm


Bulletin of the Atomic Scientists
How religious and non-religious people view the apocalypse
Bulletin of the Atomic Scientists
The third issue concerns existential risks, or events that would permanently prevent humanity from achieving a superior posthuman civilization, described by Oxford philosopher Nick Bostrom as a society of technologically highly enhanced beings with ...

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