Daily Archives: August 18, 2017

Houston backs bullet train, inks deal to help progress – Chron.com

Posted: August 18, 2017 at 5:06 am

Texas Central Partners said the train will likely use elevated tracks in urban areas, such as Dallas, shown in the rendering.

Texas Central Partners said the train will likely use elevated tracks in urban areas, such as Dallas, shown in the rendering.

Houston backs bullet train, inks deal to help progress

Backers of a Texas high-speed rail line on Thursday announced for the second time this week what they called significant progress on the controversial line, inking an agreement with Houston officials, detailing the work to come.

At City Hall, Houston and Texas Central Partners announced the signing of an memorandum of understanding, which commits both sides to share environmental surveys, utility analysis and engineering related to the project and surrounding area and work together to develop new transit and other travel options to and from the likely terminus of the bullet train line.

NEW RULE: Texas ban on texting while driving takes effect Sept. 1

In the memorandum, Texas Central notes the likely end of their Houston-to-Dallas line will be south of U.S. 290, west of Loop 610 and north of Interstate 10. The exact site has been long suspected as the current location of Northwest Mall.

The train will run on its own tracks, separated from roads and elevated in most places in the Houston area. Construction is expected to start late next year or early 2019, company officials said, and take between four and five years. The cost is expected to be at least $12 billion.

The cooperation between Houston and Texas Central is no surprise. City officials, notably Mayor Sylvester Turner, have praised the project, with the mayor citing it among examples of his goal of reducing automobile dependency.

We also look forward to the projects creation of job opportunities and economic development, Turner said in a prepared statement.

The company and others have also touted the lines private financing. Texas Central has said it will not fund the project with public grants, but might seek government-backed loans available to most private companies.

This demonstrates how the free market can play an integral part in addressing Americas enormous infrastructure opportunities, said Houston businessman Drayton McLane Jr., a member of the Texas Central board of directors. The agreement continues the projects momentum and shows the nation and the rest of the world how Texas does big things the right way for the public good.

Despite enjoying robust support in Houston and Dallas where Texas Central also has a memorandum with the city the bullet train project has many detractors in rural areas of the state it will cross. Many skeptics, including some in the Legislature, have said they doubt the companys chances and do not want Texans placed in the position of bailing the company out financially.

Many have also said the private company should not, and in some cases does not, have a right to use eminent domain to acquire land.

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Houston backs bullet train, inks deal to help progress - Chron.com

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Doomsday Desperation – Southern Poverty Law Center

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According to the girlfriend, Mineo requested her to shoot him in the forehead at point-blank range. Police say Mineo and his girlfriend, both conspiracy theorists and doomsday preppers, were ostracized by an alien conspiracy cult that embraced apocalyptic biblical themes from the Book of Revelation. Fearing the coming end of the world, Mineo was overcome with despondency leading up to his death wish.

Last summer, fearing the end times, another prepper killed three men near his fortified compound in Great Cacapon, West Virginia. Erick Shute, who was also a sovereign citizen, says he shot the men with a .223-caliber rifle because they were cutting wood and trespassing on his land. Doomsday preppers often emphasize living off the land or off the grid and in isolation. Investigators found the tell-tale signs of a doomsday prepper when they searched Shutes property stockpiles of food, a cache of guns, and ammunition hoarding. There was also concern that Shute had placed land-mines on the property to protect its perimeter.

The murders in Pennsylvania and West Virginia are just the latest in a long string of brutal murders and suicides among those prepping for the end times. A year earlier, Michael Augustine Bournes murdered his wife and three children at their cabin in a remote Montana forest. Bournes, then set his house on fire and committed suicide. Neighbors describe him as a survivalist who lived off the grid.

On January 17, 2015, David Crowley, an aspiring conspiracy filmmaker and screenwriter, shot and killed his wife and daughter in their home in Apple Valley, Minnesota. He then committed suicide. Crowley had been working on a feature film project called Gray State, with a storyline that revolved around a coming police state after societal breakdown.

In September 2014, Benjamin and Kristi Strack of Springville, Utah, murdered three of their four children, with a poisonous cocktail of cold medicines laced with dextrorphan and doxylamine. They then killed themselves. Authorities later learned that the parents were worried about the evil in the world and wanted to escape a pending apocalypse. Family and friends reported the Stracks wanted to move somewhere far off the grid.

A few months later, Veronica Dunnachie was charged with the shooting deaths of her estranged husband and stepdaughter during a domestic dispute in Arlington, Texas. Both Veronica and her husband were members of the 3%ers Texas, a militia group, and had an affinity for prepping and learning survival skills. There are other murder/suicide cases (ie, Shane Franklin Miller, Jimmy Lee Dykes, and Peter Keller) that demonstrate the dark side of doomsday prepping.

Doomsday prepping has been an American subculture since the 1950s. During the 20th century, preppers fed on American fears in the aftermath of World War II, the nuclear arms race, civil unrest, and economic volatility. Similarly, the 21st century has brought new uncertainties, including Y2K, weather disasters, the Mayan end calendar, global terrorism, and more civil unrest. In light of these disastrous events and predictions, doomsday preppers emphasis on preparedness appears to make sense. Family preparedness may even be advisable. Nevertheless, beyond a few legitimate reasons, doomsday prepping, for the most part, represents a dark worldview that combines, to varying degrees, end-times apocalyptic views, an obsession with firearms (and other weaponry), conspiracy theories and too often an anti-government sentiment. When combined, these radical views become toxic and lead unsuspecting followers down a funnel of despair, which perpetuates fear, paranoia and extremism.

Preppers are best known for stockpiling supplies (e.g. food, water, medicine, fuel, etc.) and building bunkers in anticipation of an impending catastrophic event, such as a war, terrorist attack or disastrous natural occurrence. Prepping can be embraced both by individuals, who emphasize surviving alone, and groups which emphasize communal living. Examples of prepper communities include the Citadel project in Benewah County, Idaho; the Trident Lakes subdivision in Ector, Texas; and Ft. Igloo in Falls River, South Dakota.

Since the 1950s, Preppers, also known as survivalists, have spread their ideology and tradecraft through preparedness expositions, gun shows, literature, and religious institutions such as Mormons, Baptists, and cults. These trends continue today. Since 2008, the Prepper Movement has steadily increased membership and grown in both sophistication and creativity. Companies specializing in making bulk emergency supplies, like ready-made meals and water purification systems, have attested to this steady rise in popularity due to sales increases. Much like the 1990s, preparedness conventions continue to attract thousands of people at each event throughout the country.

The 2008 Presidential Election, coupled with the 2008 stock market crash, marked the beginning of the prepper renaissance. However, new factors have emerged that have influenced the recent popularity growth of doomsday prepping. In 2016, Donald Trumps election further stoked the fires of fear and paranoia within the Prepper community and far right extremists with his rhetoric concerning Muslim terrorist threats in the Homeland, nuclear threats from North Korea, criminal threats from immigrants and other security issues. As a result, the Prepper Movement remains popular and supply companies within the U.S. continue to report growing sales. For example, an Idaho-based emergency supplies company, called My Patriot Supply, doubled its online sales during the week of Inauguration Day compared to the same week in 2016. Georgia-based Doomsday Prep also noticed sales spikes on both Election Day and Inauguration Day. Since the 2016 election, it has seen more than a 15% growth.

Cable television shows, such as National Geographics Doomsday Preppers, Discoverys The Colony and Survivorman, have mainstreamed, and even glorified, survivalism and end times prepping. The advent of the Internet has also given preppers a new tool to recruit members and supporters, teach tradecraft using YouTube videos, as well as create entire online marketplaces for purchasing and selling prepper-related gear and other supplies. While there are various theories about what causes the world to end, Preppers are unified on the core beliefs that society is on the verge of collapse and the last days are near.

Besides spreading fear and paranoia and preparing for the end times, the Prepper Movement provides a gateway to more radical ideologies and extremist movements, such as militia groups, white supremacists, and sovereign citizens. Of particular concern, the Prepper Movement has experienced a disturbing trend of murders and suicide over the past four years.

As prepper deaths continue to mount, rumors have circulated on survivalist forums and other far right extremist websites about secret government hit lists or death lists targeting them. They claim that this trend of murder/suicides within the Prepper Movement is the work of a sinister government plot to get rid of them. They falsely believe these deaths are evidence of the Illuminatis existence and its activation of the New World Order plan to take over the world. In reality, these violent incidents are manifestations of how mounting anxiety, fear, and paranoia can lead to deepening depression and acts of desperation that, too often, leads to violence and lawlessness. Sadly, there are even more criminal incidents and arrests related to doomsday preppers.

Rex Features via AP Images

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Oregon ‘Hate Map’ Reveals 11 Racist, Separatist Hate Groups In The State – Patch.com

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Patch.com
Oregon 'Hate Map' Reveals 11 Racist, Separatist Hate Groups In The State
Patch.com
Based on the blog Donovan writes, the Wolves of Vinland Cascadia espouse masculinity, tribalism, and survivalism. Northwest Hammerskins The Hammerskins are an unapologetic racist skinhead group with chapters established across the continental ...
Hate MapIntelligence Report
Top three states with the most hate groups: Guess where Florida ranks?Miami Herald

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‘American Made’ Review: Tom Cruise Flies Between Comedy and Tension, Missing Both – TheWrap

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Tom Cruise trashes his flashing-teeth hero image to play, if not a bad guy, then certainly a naughty one in the jaunty drug-running caper American Made.

Re-teaming with his Edge of Tomorrow (a.k.a. Live Die Repeat) director Doug Liman, Cruise plays Barry Seal, a real-life character who ran drugs, guns and money between Central America and Arkansas in the late 1970s and early 80s, while also working for the CIA.

Seal, a family man who started out as a pilot for TWA, eventually became embroiled in what blew up into the Iran-Contra scandal, as well as being a trusted delivery boy for the Medellin cocaine cartel lead by Pablo Escobar. He also earned himself millions of dollars in cash for his troubles.

Watch Video: Tom Cruise Is Back to Flying Planes in 'American Made' Trailer

Cruise slips into the role with a mischievous grin, although hes not exactly playing totally against type the way he did in, say, Magnolia. The idea is that his Barry is a slippery customer and a great pilot, more son-of-a-gun than Top Gun. With the first of several nods to Goodfellas, Cruise narrates the movie himself, although his to-camera testimonies are designed, we learn later, to incriminate his various employers.

Barry initially stumbles into the part but like a good American opportunist, he learns to game the system, using his CIA-sanctioned cover to become the gringo who delivers for Escobar and his henchmen. He comes home with suitcases stuffed so full of cash the green stuff practically falls out of the bedroom closets.

See Tom Cruise's latest POWER MOVE.

As director, Liman (whose father investigated the Iran-Contra affair) has covered the shaky moral ground of Langley in his Bourne franchise, and hes at it again here, while also trying to cram in and explain away some real political history. The film features three U.S. presidents: Jimmy Carter, Ronald Reagan and, as Governor of Arkansas, Bill Clinton, as well as figures such as Oliver North and General Noriega. Even Nancy Reagan pops up to tell us again: Just Say No.

Liman is to be commended on not stooping to a mere 80s nostalgia fest, at least not too ironically (he offers a Rubiks Cube and couple of power ballads but, hey, everyone needs context), using the Cold War politics of the time rather than any awkward fashions or pop. I wonder, though, if he was tempted to show someone watching an early Brat Pack movie on VHS?

The problem is that Cruise, even when trying to cut loose, is always so tightly controlled that we never truly feel the reptilian survivalism of Barry Seal, nor does it feel like anyone on screen is actually enjoying themselves despite the repeated tequila parties and mountains of cash.

Also Read: Don't Tell Dwayne Johnson He Runs Like Tom Cruise

Earlyish in the picture, when Barry finds himself in a Colombian jail following a police raid, theres a bit of business around him having a tooth knocked out, a clear indication that Cruise knows hes denting his trademark choppers here. Interestingly, the movie never suggests Seal (or any of his pilot cohorts) got high on their own supply; he may want to play with his image, but dont think for a minute youll catch Tom Cruise snorting coke.

Limans tone, channelled through Cruise gently straining to deconstruct his own iconography, achieves neither real comedy nor actual tension. The movie feels lightweight, even while pointing fingers at the American governments meddling foreign policy and lies. The sense of the eras political absurdity goes missing. Maybe politics, no matter how ridiculous or how distant, just isnt a laughing matter any more.

Strangely, for a Cruise vehicle, American Made takes a while to get going, and, having never quite started, it doesnt really know when to finish. Theres a terrific climax involving the CIA, DEA, FBI and a bunch of other acronymical forces except it isnt the climax, and the movie drags on for quite a while after, forgetting that we really dont care much for the underwritten storyline of Barrys family and his wife Lucy, gamely played by Sarah Wright (Marry Me) in that increasingly thankless position of girl in Tom Cruise movie.

American Made isnt exactly an American Dud, but it is too self-conscious to be as fun as it wants to be. Its professional, slick and not terrible, as youd expect from, well, slick professionals such as Liman and Cruise. It looks vibrant and verdant (shot by Uruguayan DP Cesar Chalone, who did City of God), but for the gringo movie star who always delivers, it comes up a little short.

Tom Cruise wasn't "Born on the 4th of July," but he was close. The actor turned 55 Monday. We ranked hisfilms, from the so-so to the phenomenal.

41. "Cocktail"

Cruise's Type-A, adrenaline-fueled drive serves him very well in movies where the stakes are high. But Cocktail is just "Top Gun" behind a bar. The work-hard play-hard clichs at work here threatened to make Cruise the role model for handsome, affable, lame guys you swipe past on dating apps. Cruise smartly swiped away from roles like this.

40. "Endless Love"

Tom Cruise has a tiny partin this Brooke Shields melodrama, his first ever on-screen role. He stumbles off a soccer field, goes shirtlessand shares a story with the protagonist about how he almost burned his house down. You were probably sold at "goes shirtless."

39. "Legend"

Whats sillier: Tom Cruises unicorn or his hair? Legend was a lavish, fantastical adventure that turned out to be a massive box-office misfire from director Ridley Scott and Cruise.

38. "Austin Powers in Goldmember"

Cruise makes an amusing cameo as Austin Powers in a fake trailer for a movie-within-the-movie called Austinpussy. But this opening to the third Austin Powers is its only highlight.

37. "Far and Away"

Ron Howard directs Cruise and his then-partner Nicole Kidman in this romance between a wealthy landlords daughter and a poor Irish street fighter.Cruise's accent isn't great.

36. "Knight and Day"

Wacky, screwball action-comedies almost never work, and in James Mangolds Knight and Day, Cruise and Cameron Diaz werent exactly Cary Grant and Audrey Hepburn in Charade." But the movie has its passionate fans.

35. "Interview With a Vampire: The Vampire Chronicles"

This is probably the movie where you're most aware Cruise is acting. After all, hes playing a vampire. This showy, flashy role wouldve been better suited for someone like Johnny Depp. Cruises Lestat doesn't feel as hungry as most Tom Cruise characters, just thirsty. For blood.

34. "Losin' It"

Thankfully Cruise graduated from 80s teen sex-romps like this, but Curtis Hansons Losin It has some charm with Cruise running through Tijuana with a young Jackie Earle Haley, John Stockwell and a housewife played by Shelley Long.

33. "Jack Reacher 2: Never Go Back"

The sequel to Jack Reacher was a rare, mediocre step back for Cruise.

32. "Rock of Ages"

Cruise doing his best Axl Rose impression as the rock-god Stacee Jaxx is the best part of this cute, harmless stage adaptation. He commits.

31. "The Outsiders"

Francis Ford Coppolas The Outsiders wasnt well reviewed at its time, but its a great time capsule of Cruise in a small part of a gang of other teen heartthrobs of the day, including Matt Dillon, Ralph Macchio, Patrick Swayze, Rob Lowe and Emilio Estevez. Many who grew u with it consider it a classic.

30. "All the Right Moves"

In one of theearly teen roles that would define his hard-driving persona, Cruise contends with a football coach played by Craig T. Nelson in a classicandwell-meaning but clichd sports movie.

29. "Days of Thunder"

Its Top Gun on wheels, with Tony Scott reuniting with Cruise as an up-and-coming racecar driver and pairing him for the first time with Nicole Kidman, as well as Robert Duvall. But by this point Cruise had already played the young hot shot too many times.

28. "Lions for Lambs"

Robert Redford aimed for intellectual pedigree with his political drama starring Cruise and Meryl Streep, but it mostly high-minded, overly-polished lecturing.

27. "Valkyrie"

Cruise plays a German officer who conspired to assassinate Hitler and assume power. We all know how that went. Thankfully, Cruise doesnt belabor a phony German accent, but Bryan Singers drama is mostly historical set dressing.

26. "Taps"

In just his second on-screen role, Cruise plays an unhinged military cadet who goes to extreme lengths to protect the academy when its threatened by encroaching condo developers. He almost steals the show from George C. Scott, Timothy Hutton and a young Sean Penn.

25. "Vanilla Sky"

Vanilla Sky contains a risky, very underrated Cruise role. Cruise goes from playing the cocky, unstoppable Cruise archetype to a deformed, defeated man trying to figure out what matters. Cameron Crowes remake of a Spanish-language film shifts genres stunningly, and its proved a polarizing movie in both Cruise and Crowes catalog.

24. "The Mummy"

From TheWrap's review: "Its the same loud, excessive strain of blockbuster thats cursing multiplexes, barely qualifying as horror, adventure, fantasy, thriller, or even Tom Cruise vehicle."

23. "The Last Samurai"

John Oliver has made The Last Samurai infamous as a prime example of Hollywoods Asian whitewashing. But Cruise is good enough to make it almost work. Its a solid samurai epic with Cruise fighting out of his element, playing an American Civil War official overseas as a dynasty comes to an end.

22. "Mission: Impossible II"

John Woos hyper-stylized sequel has Cruise free-hand scaling a massive, remote cliff, only to put on a pair of sunglasses and watch them explode. It all feels very '90s.

21. "Mission: Impossible III"

J.J. Abrams was brought in to reboot the franchise, so to speak, and he brought his signature lens flares, humor and gritty realism to the property. The films high point isnt Cruise, but Phillip Seymour Hoffman as the villain.

20. "The Firm"

Tom Cruise + John Grisham + Gene Hackman + Sydney Pollack? The Firm shouldve been a slam dunk, but its not even Cruises best courtroom drama.

19. "Oblivion"

Joseph Kosinskis Oblivion is visually stunning and finds Cruise tidying up Earth after the battle for humanity has ended and the planet has been evacuated. The sci-fi premise has promise but loses steam as some of the Morgan Freeman-delivered twists and parables start to come out.

18. "Jack Reacher"

Lee Child described Jack Reacher in his book as being 6 foot 5 inches tall, up to 250 pounds and having a 50-inch chest. That aint Tom Cruise. But Christopher McQuarrie extracts from Cruise a grizzled, angry action hero. Plus having Werner Herzog as your movies villain doesnt hurt.

17. "The Color of Money"

This was the movie that won Paul Newman his Oscar, a swan-song sequel to The Hustler by Martin Scorsese in which Cruise may as well be type-cast as the new arrogant upstart. But Cruise captivates with that infectious, cocky glint in his eye as he whips his cue around, knocking em dead to the tune of Werewolves of London by Warren Zevon.

16. "Tropic Thunder"

Cruise is hilariously unrecognizable beneath a balding wig, caked on makeup and some added pounds as Les Grossman, a raging, foul-mouthed studio exec. His fuming anger and profanity in this cameo makes him a pimple ready to burst, and his best dialogue isnt even fit to print.

15. "Rain Man"

Rain Man may actually be one of the more overrated Best Picture winners. Barry Levinsons film is just a road trip movie with a showy Dustin Hoffman performance at its center. And yet Cruise revealed an untapped tender side.

14. "War of the Worlds"

Critics were torn as to whether Cruise made a convincing father figure in Steven Spielbergs adaptation of the famous H.G. Wells story, but thehuman element elevated this already tense sci-fi thriller.

13. "Mission: Impossible"

The original Mission: Impossible benefits from Brian De Palmas homages to Hitchcock and other spy genre films, includingloopy twists and laughably great gadgets that explode fish tanks or transform peoples faces. But its rightfully famous for Cruises balletic, expertly executed heist as he dangles from the ceiling and tries not to break a sweat.

12. "Mission: Impossible - Rogue Nation"

Five movies into the franchise, and Christopher McQuarries film was the first that suggested a future for this franchise beyond Cruise, taking the best elements of each subsequent M:I film and making them gel. It culminates in a slick assassination inside an opera and a standout new foil for Cruise in Rebecca Ferguson. And Cruise is just awesome in it.

11. "Collateral"

Cruise never gets to play the bad guy, but hes excellent at it. Michael Mann transformed Cruise into a mysterious silver fox and silent killer, toying with his hostage Jamie Foxxs mind and morality until the two form an unexpected bond.

10. "Top Gun"

Thirtyyears later and we still feel the need for speed. Theres still no better popcorn movie that flaunts 80s nostalgia, jingoistic Americana and hyper-masculinity than Top Gun. Plus that gloriously homoerotic volleyball scene.

9. "Risky Business"

When Tom Cruise slid across that wood floor in his underwear and a white dress shirt to the opening riff of Old Time Rock and Roll, that was it; a star was born. The movie as a whole channels everything that made Cruise a star, includinghis hot-shot attitude and smirking charm. But he alsosubverts and challenges other teen films.

8. "Mission: Impossible - Ghost Protocol"

Brad Bird brought some of the cartoonish charm from Pixar over to the fourth M:I film, but he also staged one of the best action set pieces of this century. Yes, that really was Cruise dangling off the side of the Burj Khalifa tower in Dubai, and it paid off.

7. "Edge of Tomorrow"

Edge of Tomorrow is the kind of action movie that reminds you why Cruise is so reliable in his heroic roles. Cruise plays a captain in this sci-fi who sells a war to the public, but is privately a coward. When hes killed in battle and brought back to life in an endless vicious cycle played for pathos and some laughs, he regains composure. Emily Blunt gives a fantastic, hard-edged performance as well.

6. "A Few Good Men"

Cruise displays youthful goodness, decency and spirit in the face of juggernaut Jack Nicholson. "A Few Good Men" hasexactly the sort of rousing emotion Hollywood needs to tap into again to find morehit dramas for adults.

5. "Eyes Wide Shut"

All anyone wanted to talk about with Stanley Kubricks final film was the chemistry between Cruise and his wife Nicole Kidman, or the lack thereof. But that icy demeanor in what presents itself as an erotic romance amplified the surreal mystery of the film and made Cruise vulnerable and human.

4. "Jerry Maguire"

The quintessential rom-com, Jerry Maguire is timeless yet also perfectly '90s. Cameron Crowes endlessly quotable screenplay wouldnt be quite the same without Cruises comic timing as he bellows Show Me the Money and lampoons his own hot-shot persona.

3. "Born on the Fourth of July"

As a crippled war vet in Oliver Stones Vietnam drama, Cruise turns from a starry-eyed, clean-cut soldier to a vocal, harried Vietnam protestor. Its a rebuke to the blind patriotism flaunted in Cruises own Top Gun and is one of Stones best films.

2. "Minority Report"

Steven Spielbergs sci-fi has aged beautifully, in part because Silicon Valley has borrowed so muchfrom it. Cruise looks so cool manipulating video in the Pre-Cog crime lab, he practically invented touch screens. Spielberg bakes endlessfun and invigorating, futuristic chase sequences into a screenplay that contemplates big questions of fate and free will.

1. "Magnolia"

Not only is this Paul Thomas Andersons magnum-opus, an epic, surreal character drama of love, family and the meaning of life, its Cruise at his most unhinged and commanding. He plays a vile, lascivious mens right advocate named Frank T.J. Mackey, whose mantra isrespect the cock. Cruise made it possible to dislike, even loathe one of his characters, and yet hes chillinglycharismatic.

Happy 55th birthday, Tom Cruise

Tom Cruise wasn't "Born on the 4th of July," but he was close. The actor turned 55 Monday. We ranked hisfilms, from the so-so to the phenomenal.

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Hear Hellbound Glory’s Hedonistic ‘Sun Valley Blues #3 (Bloodweiser)’ – RollingStone.com

Posted: at 5:02 am

After a six-year break from the recording studio, Hellbound Glory makes its return this fall, firing twin barrels of swampy country-blues and roots-rock hedonism on the band's upcoming fourth album, Pinball. Released Friday, October 13th, the record finds the group working with producer Shooter Jennings, another 21st-century outlaw with boots planted on either side of the country-rock divide.

On "Sun Valley Blues #3 (Bloodweiser)," frontman Leroy Virgil sings about the seedy underbelly of his adopted hometown, Reno. It's a city of extremes, filled with "well whiskey and hell-raising women" on one end and "sweet cocaine and high-dollar ladies" on the other. Bowers' narrator is half-lit and eager to explore it all, careening across town with "Bloodweiser running through [his] veins." Set to a soundtrack of slide guitars and blues progressions, the song is both driving and dangerous. (Listen to the song below.)

"Sun valley is a place between hell and heaven, where you could go either way," explains Virgil, who briefly toured under his own name before reviving the Hellbound Glory moniker for Pinball's release. "That's where the blues comes from. And when he's there, the only comfort a bluesman can find is in money, a woman, a bottle, or a song but sometimes, all you got is pinball."

Meanwhile, Jennings, whose label Black Country Rock is releasing Pinball, stars in a promotional video for the album's pre-sale. In the clip below, he's taken hostage by one of Bowers' henchwomen, who tells him, "You have until October 13th to deliver the record."

In reality, Jennings jumped at the chance to work with the band, telling Rolling Stone Country, "I've been a fan of Hellbound Glory from the minute I heard 'em. They're about the most shit-kicking band with Bukowski-worthy lyrics country music has ever seen." The band will play a special release show on October 4th at the Whisky a Go Go in Los Angeles, with Jennings also on the bill.

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Kesha’s Liberating New Anthem, Woman – The New Yorker

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Seven years ago, when Kesha made her dbut, doused in glitter, she occupied the role of pops mononymous misfit with charm. Before I leave, brush my teeth with a bottle of Jack, she sang on Tik Tok, a massive, wacky earworm that effortlessly made its way into middle-school dances and bars in 2010. In the videos for Tik Tok and her other hit, Your Love Is My Drug, her jeans were ripped and her hair was mussed. (Back then, she spelled her name as Ke$ha, a joke about how broke shed been before making it big.) On her first album, Animal, she seemed averse to sincerity; for the most part, she strutted past balladry for the thumping hedonism of late-aughts E.D.M. She barely even sang. More often, Kesha rapped, sort of. Interestingly, there seemed to be no sex in her voiceonly brashness, and a buzzing, single-girl aggression.

When she did sing, as when she wrote songs, Kesha was best at sounding anonymous, and many of her own songs featured Auto-Tune. Slowly, though, and strategically, Kesha began to reveal the original rasp of her voice, exchanging vaguely warped trip-hop for sensual rock. There seemed to be a realization, sometime around the 2012 release of Warrior, that Kesha was more than a fun-house mirror of commercially packaged femininitythat she might be the real thing. A listicle about the number of songs that people probably werent aware she had written, for herself and for other artists, became popular on music sites. (Those other artists include Ariana Grande, Flo-Rida, and Alice Cooper; her talents are strangely malleable.) In 2014, she dropped the dollar sign. It became widely known that her mother is Rosemary Patricia Pebe Stewart, the songwriter who penned Old Flames Cant Hold a Candle to You for Dolly Parton. Old demos surfaced revealing Keshas ear for blues and sorrow. Like Lana Del Rey , or the intrepid young songwriters Charli XCX and Bebe Rexha, Kesha was versed both in party clich and heartfelt testimony.

She has also showed strength. For the past three years, the artist has pursued a suite of lawsuits against the producer Dr. Luke (Lukasz Sebastian Gottwald), formerly of Sony, whom she accuses of sexual assault and battery, sexual harassment, gender violence, unfair business practices, and infliction of emotional distress. (Gottwald denies all accusations, and has not faced criminal charges.) Keshas fight to release herself from the terms of her contract has initiated debates about the structural misogyny of the music industry and, more generally, the unchecked ways men may dictate the futures of the women they have harmed. Notably, the ordeal prevented Kesha from releasing any new music. Instead, she has performed covers, sometimes mournfully. Last year, before a court date, she uploaded a video of herself, taken in selfie mode. I cant put out new music, but I can sing a little of someone elses songs, of something that exists, she said, before singing Amazing Grace.

The release of Rainbow, her third album, was facilitated by a court decision allowing Kesha to record without the producer. (The decision upheld the contractual relationship; Dr. Lukes name appears on the albums liner notes.) On the Technicolor cover, Kesha stands like a trippy Venus, naked, in a cartoon pool, her back turned to us. Many have been impressed by the lushness of the albums sound, by the way that her grunts and groans meet soaring piano. Praying, the first single, which came out in July, is, as Rolling Stone put it, triumphant. But Kesha also understands that grungy irreverence has always been her skill, and that it is compatible with the grandiosity of hope. Woman, an anthem track, balances gloss and gravity with a touch of grime. Its an empowerment song of the storied Bills, Bills, Bills ilk, about shaking off no-good men and forging independencethe kind of song that could provide a soundtrack to the sequence in a feel-good romantic comedy in which a woman gets a style makeover. That movie would have an adult rating: no one says the word motherfucker quite like Kesha. On Woman, she sings it and its derivatives over and over again, employing it like a happy cudgel. Im a motherfucking woman, she exclaims, Im a motherfucker. The cursing rings like a genuine release; her profanity lifts the song out of triteness. The funk ensemble the Dap-Kings match her brass, filling the chorus with staccato horns. Around the second verse, Kesha breaks off for a momentprobably giggling about the silly lyrics, loosey as a goosey and were looking for some fun. Its sweet to hear her laugh.

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Radical action urged as Catholic marriages hit lowest level since 1941 – Scottish Catholic Observer

Posted: at 5:02 am

The Scottish bishops have been urged to take radical action after the number of Catholic marriages in Scotland hit the lowest level since 1941.

There were just 1,346 Catholic marriages in Scotland last year, down from a high of 7,066 in 1970.

Mgr Peter Magee, head of the Scottish Catholic Interdiocesan Tribunal, which rules on annulments, said he would like to see better preaching about marriages in parishes, the establishment of a Catholic Marriage Association, and one Sunday in the year dedicated to matrimony.

We need more systematic and intensified preaching and catechesis on marriage, preaching at Mass and catechesis both in Catholic schools and in the preparation of couples for marriage, he said.

Here we need to harness the expert help of communicators, psychologists in line with the Catholic vision of marriage and any other professional class which would help get the message across, including Catholic media, Catholic think tanks and Catholic social media wizards.

Mgr Magee added that Catholic marriages should be a source of inspiration.

This would include examples of marriages from the past and present and ways of enabling solid Catholic marriages to witness to others about the truth of what marriage is, with all its wonders and problems, he said.

New body

The monsignor also called for the establishment of a Catholic Marriage Association.

[This would] have the task of critically analysing the cultural and philosophical trends in our society, in order to demonstrate when those trends are, or are not, serving the true need for love, intimacy, stability, children and interpersonal development of a coupled man and woman, he said.

It would demythologise the lies which are thrown at us concerning love, sex, relationships, happiness and fulfilment and which proceed solely from the self centred needs of the hedonism which has infected and corrupted our culture and our laws.

We need a sensitive but articulate presentation of why cohabitation does not respond humanly, never mind Christianly, to what the human being craves deep down.

Message on marriage

Mgr Magee said we should have one Sunday in the year dedicated to marriage, much as we have one for life and other worthwhile causes.

It would not be just a day to preach about marriage nor to pray for itthese are givens, he said. It would be a day to celebrate marriage in the parish, both liturgically and socially.

It would be a day to issue a message on marriage to the nation in the exercise of our right of free speech and in our sense of duty to present the Christian vision courageously and positively to our sceptical and secularist culture.

He also suggested we need more marriage advisory services on a more widespread basis, closer to local communities.

But those who lead them need proper training in the rich teaching of the Church in such matters, be it for those already married or those curious about getting married, he said.

While the culture around us seems against us, there are probably thousands of young people just waiting to hear the Gospel of Marriage.

[Young people] who would be enthralled and inspired to enter into marriage as God intended it, if someone would just take the time and explain to them, with love, the rich and profound treasure that it is, and that it can only be since it comes from the hands of God.

I realise that much of what I propose requires resources, financial and personnel, but to precisely what other cause would it be more important to do so?

ian@sconews.co.uk

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St. Vincent to Direct Gender-Bent ‘The Picture of Dorian Gray’ Movie – Collider.com

Posted: at 5:02 am

Some film projects just appeal to you on a personal, spiritual level. For me, this is one of those jams. Annie Clark, better known as her stage name as musician St. Vincent, is set to direct an adaptation of The Picture of Dorian Gray for Lionsgate. But thats just the start of the good news. Per Variety, he script will come from Elle screenwriter David Birke, who is also set to pen Screen Gems upcoming Slender Man movie, and theyll be putting a twist on Oscar Wildes classic Victorian novel by gender-swapping the titular lead character.

The first and only novel from the prolific Irishwriter behind The Importance of Being Ernest, Salome, and no less than three of your favorite witticisms, The Picture of Dorian Gray follows a beautiful young man concerned with little more than the pleasures of hedonism who sells his soul to retain his youth and beauty. The libertine commissions a portrait that captures his preternatural beauty, and while he never ages a day as he continues his self-indulgent waysthrough the years, his portrait ages in his stead, revealing every vice and depravity he indulges along the way.

Image via Magnet Releasing

Clark made her directorial debut earlier this year with the female-driven horror anthology The XX, for which she helmed the films most offbeat piece a candy-colored suburban nightmare starring Melanie Lynskey that skirted the lines of the horror label. She showed off a visual acumen as a filmmaker and a refreshing, fluid approach to genre, both of which would suit an update of Wildes oft-adapted tale. More interesting is the gender swap and what commentary the film could reap from it. As it was, Wildes piece was a bit of an inversion on the more conventional Elizabeth Bathory/Evil Queen female tropes of beauty-obsessed villainy. Now, centuries later when both sides of the coin have been so well explored, Im curious if they can find something new to say. Im also very, very curious who theyll cast in the role of the lady libertine.

What do you guys think? Are you as excited as I am? Sound off in the comments.

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Postmodern Assumptions – American Spectator

Posted: at 5:02 am

August 17, 2017, 12:05 am As fact and fiction become blurred meaning and truth disappear.

Arguably the factor that militates against the sound and reasonable examination of issues on a global scale is a postmodern view that truth does not exist. In an age of internet exchanges opinions are as true as facts. Here is the efflorescence of John Paul Sartres view that intention is all that counts. If you think you are right, nothing else counts. Facts be damned.

Media ecology has converted illusions into a form of reality that houses the self-appointed arbiters of truth. If intellectual freedom encourages everyone to believe anything he wishes, limits based on objectivity and empirical data are unneeded. The new norm is no norm.

The 9/11 attacks were conducted by the CIA; vaccines lead to autism; extraterrestrials landed in the Nevada desert. These are merely a few of the bizarre claims in the anything goes universe. Two-thirds of Americans believe angels and demons are active in the world. Fifteen percent think the media or government add secret mind-controlling technology to broadcast signals. A quarter of Americans believe in witches.

Moreover, much of this fantasy has been promoted by institutions that once held the keys to objective thought: institutions of higher education; newspapers; television news. In fact, their embrace of the postmodern view has allowed the irrational to become respectable with courses on campus like mysticism and magic.

For most of American and European history a balance had been struck between credulity and skepticism. But now we are living with the great unravelling: Do your own thing means do whatever you want to do. With instant internet communication opinions can float around the globe before I have tied my shoe laces, making any manner of fantasy seem real.

If there are antecedents for the current trend they can be found in the sixties, a decade that reordered American society. Psychology and philosophy were turned on their heads leading to hot tub therapy, sexual experimentation, shamanism, Chinese medicine, and a host of narcissistic therapeutic approaches. Even madness was not mad according to the therapists who argued mental illness doesnt exist.

But despite the sixties assault on rationalism, the peaceful utopia with hearts and minds converted didnt quite pan out. It turns out reality is more than a social construct. Nonetheless, the cultural upheaval has influenced the present. Fantasyland is not only found in Disney World. Relativism is entrenched in the Academy. The distinction between fact and fiction is crumbling. Everyone seated before a computer can create his own reality for himself and others.

In our culture, there is a Greshams Law in which the bad drives the good out of circulation. Fantasy is on the rise as reality has tipped into decline. An admixture of opinion and an occasional dose of fact and wisdom do not invoke great hope for the future. This crisis goes to the essence of meaning, of how we conduct our lives and raise our children. Postmodernists are winning these battles, which leads me to wonder if the few realists left in society can hold back the tide of truth deniers.

Ernesto Che Guevara reunited with Simone de Beauvoir and Jean-Paul Sartre, in Cuba. 1960 (Wikimedia Commons)

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Op/Ed: Hate is a dangerous thing – The Times of Chester County

Posted: at 5:01 am

By U.S. Rep. Ryan Costello, Pennsylvanias 6th District

Ryan Costello

A man drove a car into a crowd of people, killing one and injuring 19 others. It was a despicable act committed by someone motivated by hate.

Some of the commentary on this incident and the Presidents myriad responses misses the mark on what is the bigger picture relating to the character of our country and what we aspire to have our culture nurture for our kids, grandkids, and future generations. No one can take that character and identity from us unless we allow them to.

We should all take pause and acknowledge that hate does not rest solely in a few certain individuals who happen to be really conservative, or really liberal, or agnostic, or faithful to one particular religious affiliation, or that it is rooted solely in one ideology or another. Hate is rooted in a personal decision to decide to be intolerant and cruel toward another individual or group of individuals based on anothers skin color, religion, gender, ethnicity, or other similar type characteristic.

Hate is a dangerous thing, in many, many ways. Hate removes rationalism, temperance, and the ability to forgive, replacing it with emotionalism, anger, and irrational blame. Reason and tolerance get lost and are replaced with a debased sense of good and bad. Hate slowly replaces common decency with disgust. In a civil society we lose our identity when we lose these collective personal values as being the foundation from which relationships and discourse emanate. Hate can fester, and can spread.

And Im really very concerned that it is spreading. The Presidents most recent statement was intended to include other groups as spreading hate on that tragic day. This was wrong. Hate groups are relishing at what is occurring right now. We now find some arguing over whether it was just alt-right hate groups or whether alt-left hate groups were also to blame such a debate is a false debate because no conclusion will actually solve or resolve anything. We are at a very divisive time in the history of our country where some people are so emotional and angry to the point where a bad situation is becoming worse.

We now find ourselves with a horrific death that exposes deeper, more ugly truths about what still festers in the deep and dark underground of our country. I would suggest the best way to move forward is to give hate no mind, no time, and no audience. One of the best things we can do is take a deep collective breath and find wisdom and solace in those preaching kindness and patient resolve in getting beyond the past few days so that we can focus on the challenges and opportunities we have in this country.

Such wisdom and clarity need not come from the words of a President, and at this point they cannot given how unbelievably poorly our President has failed. Such wisdom and clarity need not derive from any politician for that matter, or a clergy member or media figure it can come from within you. We need to do this because we owe it to ourselves and our loved ones, to the men and women who sacrificed to make this Country what it is, and to future generations who rely on us to create opportunity for them to live under the pillars of equality and dignity for all in America.

Our country is way bigger, better, and wiser than to allow the hateful few to rob us of our kindness, tolerance, and essence. So lets not allow those few to do it to us by letting them. This means refusing to parse the words of others to assign them blame for a murder perpetrated by one and instead find truth and meaning in the message of someone whose belief you are proud to stand by, and use those words as your guidance.

U.S. Rep. Ryan Costello (R., Pa.) represents the Sixth Congressional District, which includes parts of Berks, Chester, Lebanon, and Montgomery Counties

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Op/Ed: Hate is a dangerous thing - The Times of Chester County

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