Daily Archives: July 28, 2017

Marty Sklar in front of Sleeping Beautys Castle at Disneyland on July 11, 2005 (AP Photo/Jae C. Hong)

Marty Sklar, arguably one of the most influential people to work at the Disney Company aside from Walt Disney himself, died yesterday. He was 83.

Sklar started at Disney just a month before Disneyland opened in 1955 and would work his way up to becoming one of the most tireless and dedicated storytellers at the company. Sometimes described as Walts right hand man, Sklar started by writing speeches for Disney and eventually became President of Imagineering, the creative wing of the multifaceted entertainment company.

Along with Walt, Sklar helped produce the ambitious 1966 film that was shown to investors and government officials to get them interested in EPCOT, the Experimental Prototype Community of Tomorrow. The original vision of EPCOT as a living laboratory would be neutered, but the theme park is still a point of inspiration for futurists and retro-futurists alike.

Walt Disney had one foot in the past, because he loved nostalgia, and one foot in the future, because he loved new technology, Sklar told Esquire in 2015.

The original EPCOT film can be viewed on YouTube.

Sklar helped oversee the development of virtually every modern Disney park from the construction of Tokyo Disneyland and Disneyland Paris to expansion parks in the United States like Disney-MGM Studios and Disneys Animal Kingdom in Florida, as well as Disneys California Adventure park in Anaheim.

Marty was the ultimate Disney Imagineer and Cast Member. From his days working as an intern with Walt to just two weeks ago engaging with fans at D23 Expo, Marty left an indelible mark on Disney Parks around the globe and on all of the guests who make memories every day with us, Bob Chapek, chairman of Walt Disney Parks and Resorts, said in a statement.

He was one of the few people that was fortunate to attend the opening of every single Disney park in the world, from Anaheim in 1955 to Shanghai just last year, Chapek said. We will dearly miss Martys passion, skill and imaginative spark that inspired generations of Cast, Crew and Imagineers.

From the Disney Parks blog:

Born in New Brunswick, N.J., on February 6, 1934, Marty was a student at UCLA and editor of its Daily Bruin newspaper when he was recruited to create The Disneyland News for Walts new theme park in 1955. After graduating in 1956, he joined Disney full-time, and would go on to serve as Walts right-hand manscripting speeches, marketing materials, and a film showcasing Walts vision for Walt Disney World and Epcot. During this period, he also joined WED Enterprises, the forerunner of Walt Disney Imagineering, and he would later become the creative leader of Imagineering, leading the development of Disney theme parks and attractions for the next three decades. He retired as Executive Vice President and Imagineering Ambassador on July 17, 2009, Disneylands 54th birthday. Disney marked the occasion by paying tribute to Marty with the highest Parks and Resorts recognition, dedicating a window in his name on Disneylands City Hall.

Disney obviously wouldnt be the same without Sklar and we here at Paleofuture are pouring out a Mickey Mouse sippy cup on the curb for the Disney legend. RIP Marty Sklar. Thanks for your optimistic visions of tomorrow, something that seems harder and harder to conjure in the upside down world of 2017.

Original post:
Marty Sklar, Disney Legend and Futurist, Dies at 83 - Gizmodo

In 1909, Filippo Tommaso Marinettia member of the Italian literati who had studied in Egypt, France, and Italypublished his radical Futurist Manifesto, a document whose exaltations of technological disruption ignited the Italian Futurism movement.

Marinetti called for art that embraced new innovations like automobiles, glorified war, fought morality, and did away with libraries and museums, which focused too heavily on the past.

The Italian Futurism he spawned revolted against the old: Futurist poetry, for instance, often discarded grammar rules and appeared in non-linear jumbles, while Futurist paintings experimented with perspective and a collapsing of space.

Fashion was a particular fascination of Futurists. Since 1914, with the publication of Giacomo Ballas Futurist Manifesto of Mens Clothing manuscript, the debate over how Italians should dress raged within Marinettis circles. Futurists wanted manufacturers to craft clothing out of new revolutionary materials, such as paper, cardboard, glass, tinfoil, aluminum, rubber, fish skin, hemp, and gas.

In 1920, the Manifesto of Futurist Womens Fashion added a new material to this list: milk.

The idea was not entirely novel. Between 1904 and 1909, German chemist Frederick Todtenhaupt attempted to turn milk byproducts into a fibrous silk substitute. Though his efforts failed, their underlying premise intrigued Marinettis band of Futurists. Many began to speculate that milk was the fabric of the future and would one day comprise all styles of dress.

It wasnt as crazy as it might sound. Wool is a protein, so on a molecular level, it has a very similar structure to casein, the protein found in milk. Chemists simply needed to figure out how to process casein in a way that emulated the texture of wool.

Thus, for milk-based clothing to happen, Marinetti and the Italian Futurists needed to wait for the technology to catch up.

That moment came during the 1930s, when Italian Prime Minister Benito Mussolini began his push for the country to achieve economic self-sufficiency. Mussolini had stormed into office in 1922 amid popular resentment for what many saw as British, French, and American stiff-arming in the Treaty of Versailles. Marinetti was one of his early proponents. In 1919, Marinettis short-lived Futurist Political Partyan attempt to bring Futurist ideas into governmentmerged with Mussolinis Italian Fascist Party. The two were associatesMussolini once called Marinetti a fervent Fascistand they shared the goal of strengthening Italys economy in preparation for coming wars.

One way they accomplished that? Milk clothing.

In the early 1930s, Mussolini commanded Italians to create more of their own products and, in doing so, to innovate an Italian style in furnishing, interior decoration, and clothing [that] does not yet exist.

Like many in the Fascist government, he pinned his hopes on artificial fabrics, a market in which Italy proved dominant. As the Futurists had earlier proposed, many Italian companies began using organic materialsrather than less-prevalent silks and woolsto develop textiles.

Italys first great success came with rayon, an artificial silk made of cellulose. In 1929, the nation became the worlds leading producer of the material, boasting 16 percent of total rayon output.

The party responsible for the lions share of that rayon was a textile company known as SNIA Viscosa. By 1925, SNIA accounted for 70 percent of Italys artificial fibers, growing so large that it became the nations first company to be listed in foreign stock exchanges (in London and New York).

And in 1935, SNIA Viscosa acquired the rights to a new kind of fiber: a milk-based synthetic wool that, building on Todtenhaupts earlier work, the Italian engineer Antonio Ferretti had recently perfected. This new milk fiber was dubbed lanital (a compounding of lana, meaning wool, and ital, from Italia).

The lanital production process that Ferretti pioneered went like this: first, scientists added acid to skim milk, which separated out the casein. The casein was then dissolved until it developed a viscous consistency. Next, according to TIME, the casein was forced through spinnerets like macaroni, passed through a hardening chemical bath, [and] cut into fibres of any desired length. The result? A substance that mimicked wool.

A 1937 British Path video offers a rare glimpse into this process, closing on an incredible prediction: in the future, youll be able to choose between drinking a glass of milk and wearing one.

To Mussolini, lanital was ingenious. Italy, like most nations, was wasting billions of pounds per year in excess skim milk. Lanital gave them an inexpensive way to repurpose it and, considering it otherwise would have languished, offered a lot of bang for their buck: 100 pounds of milk contained around 3.7 pounds of casein, which translated to 3.7 pounds of lanital.

Though lanital was neither as strong nor as elastic as actual wool, Mussolini remained steadfastly delighted. This was the kind of Italian innovation he wanted more of.

So in 1935, after his invasion of Ethiopia resulted in heavy sanctions from the League of Nations (a post-World War I prototype for the United Nations) that further isolated Italy, Mussolini turned his full attention to lanital.

Then more than ever, Mussolini needed to achieve the economic self-sufficiency he craved. He invested more and more in what Italy did best: artificial textiles. According to Karen Pinkus, artificial fabrics, including lanital, became a central obsession for the regime.

SNIA Viscosa received large sums of government aid, and its promising new milk fabric earned strong support: by 1937, an astonishing 10 million pounds of lanital were produced. State-run textile boards began publishing propaganda posters urging citizens to Dress in an Italian manner. Futurists, delighted by the newfound prominence of milk fibers, enthusiastically praised the invention and the ingenuity of the Fascist government.

Marinetti himself became somewhat of a poet-in-residence for SNIA. His 1938 poem The Poem of Torre Viscosa praised the textile company, while The Simultaneous Poem of Italian Fashion thanked the company for its exemplary Italianness, dynamism, autonomy, [and] creativity.

But most memorable was his Poem of the Milk Dress, which was published in an illustrated propaganda booklet, and which featured some choice writing in praise of lanital:

And let this complicated milk be welcome power power power lets exalt this

MILK MADE OF REINFORCED STEEL

MILK OF WAR

MILITARIZED MILK.

The propaganda worked. Lanital became ubiquitous throughout Italy, and the Futurist dream of milk clothing seemed to become reality.

In April 1937, British publication The Childrens Newspaper reported that milk wool had infiltrated Italian suits, dresses, garments, and even flags: an order has gone forth that flags and banners be made of this material, of which the Italians are exceedingly proud.

In fact, by 1938, SNIA Viscosa became intent on spreading milk-based clothing around the world. Two years later, it had sold patents to eight countries (Holland, Poland, Germany, Belgium, Japan, France, Canada, Czechoslovakia, and England).

Yet there was one country in particular that SNIA Viscosa hoped to woo: the United States.

The U.S. was a natural target for SNIA Viscosas milk fibers. Since the early 1920s, Americans had discussed casein as a potential bridge between the agricultural and manufacturing sectors and as a way to repurpose their 50 billion pounds per year of excess skim milk.

In 1900, Henry E. Alvord, a president of multiple American agricultural colleges, suggested that casein be used in glue, buttons, and combs. During World War I, casein appeared in a paint that coated airplane wings; by 1940, it appeared in piano keys. Casein was also found in certain kinds of American paper, where it attached to minerals to give off a glossy sheen.

So SNIA Viscosa thoughtwhy not also in clothing?

With the help of the Italian government, SNIA dispatched fashion emissaries like American journalist-turned-Italian-princess Marguerite Caetani to promote lanital clothing in New York. A December 1937 TIME article describes how Caetani recruited American socialites like Mona Bismarckwhom Chanel once voted the Best Dressed Woman in the Worldto model high-end milk-based dresses for American audiences.

Their efforts paid off: in 1941, a team for the Atlantic Research Associatesa division of the National Dairy Corporationbegan producing lanital under the name aralac (ARA as in American Research Associates + lac, Latin for milk).

The new milk fibers were a hit. As SNIA had hoped, the New York fashion scene fixated on aralac-based clothing, and aralac briefly denoted sophistication. But when the U.S. joined World War II, it found a more universal use: military equipment.

Aralac was blended with rayon to produce hats, thus providing modern historians with a trivia fact to trump all trivia facts: during World War II, American soldiers wore milk to battle.

Aralac spread so quickly throughout the United Statesit soon appeared in coats, suits, and dressesthat a 1944 LIFE article declared, A great many U.S. citizens, without knowing it, are wearing clothes made from skimmed milk.

But despite the initial honeymoon period, milk-based fabrics soon fell out of favor around the world. Despite press hype about its luxury, lanital was much weaker than wool, and it broke easily. Threads often came out when ironed. But most damning was the putrid odor these fabrics sometimes gave off: when damp, [lanital and aralac] smelled like sour milk, causing many consumer complaints.

By 1948, production shut down in the United States. Soon after, SNIA Viscosa itself began focusing its energy on other synthetic products. Its reputation had taken a massive hit after World War II, when lanital-infused boots, blankets, and military uniformswhich Mussolini believed would resist poison gasin fact did little to protect Italian soldiers, and led to 2,000 cases of frostbite during a battle against France. Anyway, cheaper synthetic products were flooding the market, pricing out lanital.

Yet that is not the end of the story.

Over the decades, milk-based clothing has remained popular among futurists, and in recent years, the fibers have made somewhat of a resurgence.

In 2011 there was the debut of German-based clothing company Qmilch, whose fashionable products are manufactured almost entirely with casein. Started by German microbiologist and designer Anka Domaske, Qmilch offers products that require fewer chemicals than the lanital of the 1930s and 1940s. A single dress costs between roughly $200 and $230 and is made from six liters of milk.

According to Reuters, the fashion label Mademoiselle Chi Chia high-end clothing producer that is a favorite of American celebrities like Mischa Barton and Ashlee Simpsonhas also begun selling milk-based clothing. Uniqlos popular Heattech apparel line, too, is partially made from milk proteins.

Today, these clothes are especially attractive because they are both biodegradable and sustainable. In fact, as global society continues to emphasize reuse, one cannot help but think that perhaps Marinettis Futurists were right all along. Perhaps our future lies with the milk dress.

Read this article:
How Clothing Made From Milk Became the Height of Fashion in Mussolini's Italy - Atlas Obscura