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Monthly Archives: June 2017
The Surprising Space Ambitions in Colonial America – The Atlantic – The Atlantic
Posted: June 28, 2017 at 6:29 am
Many turned out to watch Venus pass across the face of the sun, a tiny, black dot moving against a white-hot backdrop. Scholars organized watch parties up and down the East Coast, from Rhode Island to Delaware, ready to learn more about their place in the world. The observations were described in published papers, and they were praised by European observers, who were impressed by a new stage of maturity in the development of America.
The year was 1769, and American space exploration was beginning to take shape.
The pursuit of space exploration has long been as much about geopolitical power as about scientific discovery. The tug-of-war between the Americans and the Russians on their way to orbit in the 1950s and 1960s is perhaps historys best example of that, but its certainly not the first. Politicians, religious figures, and wealthy individuals have held up the study of the cosmos as a signal of great achievement since the colonial period and Americas early years, according to Alex MacDonald, an economist at NASA and the author of The Long Space Age: The Economic Origins of Space Exploration from Colonial America to the Cold War.
In his first address as president in 1825, John Quincy Adams called for the establishment of a national astronomical observatory. And while scarcely a year passes over our heads without bringing some new astronomical discovery to light, which we must fain to receive at second-hand from Europe, are we not cutting ourselves off from the means of returning light for light, while we have neither observatory nor observer upon our half of the globe, and the earth revolves in perpetual darkness to our unsearching eyes?
Dozens of astronomical observatories began popping up across the states in the 1830s and 1840s. The funding largely came not from the government, but from private individuals and communities seeking to signal their ambitions for exploring the heavens. These days, the investments in space exploration by billionaires seems like a departure from a long record dominated by NASA and government funding. In reality, its a revival of 19th-century dynamics.
I spoke with MacDonald about this extended history of space exploration in America and the role of private individuals in making it happen. Our conversation has been edited for length and clarity.
Marina Koren: So, I had no idea that John Quincy Adams was so into space exploration.
MacDonald: Yeah, neither did I. John Quincy Adams was this fascinating character. He grew up with his father, the second U.S. president, traveling around the world. He spent time in Leiden, which is a European city famous for scientific research. He seems to have picked up an enthusiasm for science while there, and he took that into his presidency. In his first inaugural address to Congress, he essentially advocated for a federal astronomical observatory. He argued that because Europe had so many astronomical observatories and because the United States at that time did not, [building one] would show the world that America was prepared to contribute to the global scientific endeavor. He explicitly thought of this as a signal of the strength of this new union at the time.
Congress was not particularly pleased with the idea; they never actually supported his proposal when he was president, but he continued to advocate for the idea, and his advocacy ultimately ended up leading to the Smithsonian. John Quincy Adams argued that James Smithsons bequest [of his estate to the nation in 1835] should be used for a permanent endowment that will perpetually fund science in America.
Koren: It was kind of surreal to read John Quincy Adams pitch to Congress, because he literally talks about how the Russians are outpacing the Americans in astronomy. It sound as if, in his mind, there was a space race.
MacDonald: In his mind, there really was. And he looked to the Pulkovo Observatory outside of St. Petersburg. A lot of observatories had been established for the determination of longitude and practical matters, but Pulkovo had really been established in order to have a very large telescope that would hopefully find new discoveries. John Quincy Adams argued that the United States needed to follow this model.
And his advocacy actually inspired others. A guy with a marvelously 19th-century name of Ormsby MacKnight Mitchel ended up going to Cincinnatiwhich in the 1840s was the sixth-largest city in Americaand advocated, through a series of public lectures, the need for an astronomical observatory. He argued that because America had no czars like Russia did, that in America the people will have to take up the role of patrons of science. He advocated that Cincinnati should build the largest telescope in the world, which is a pretty ambitious notion. But the people actually responded strongly to this request. They end up importing the third-largest telescope in the world at the time, from Germany. And when they opened the observatory for the first time, John Quincy Adams made the last trek of his life for his last major speech to dedicate the observatory on what was renamed, and today is still called, Mount Adams.
Koren: The Cincinnati Observatory sounded to me like the product of a 19th -century Kickstarter. In exchange for contributing to the project, the public got certain perks, like membership to the citys astronomical society.
MacDonald: Long before we had the Kickstarter, we had the same notion that went by the name public subscription. This type of process was also used for monuments, so whenever you go to monuments, youll often see dozens of peoples names on it. Well, those were the Kickstarter backers of whatever monument that was. The Cincinnati Observatory established a public subscription model for astronomical observatories which was then used in other cities, in Boston, Albany, Detroit, and Pittsburgh. People came together to determine that they wanted their own telescope for the observation of the heavens.
And whats particularly interesting is that it wasnt so much that they were interested in supporting science. Often, they would fund an observatory but they wouldnt fund salaries for astronomers or instruments. What they were really interested in was this process of exploration. This actually led to a number of conflicts in some cities, such as in Albany. There was such conflict that the astronomers barricaded themselves into the observatory until the local constable had to be called out and threw them out. In Cincinnati and Boston, you also had these conflicts where the people who had paid for it essentially wanted to be able to use the telescope themselves, but the scientists wanted to be able to conduct long-term, careful research.
Koren: What was the strangest or most memorable story about this dynamic that you found?
MacDonald: One of the more unexpected stories was the case of the Georgetown Observatory, which was essentially funded by the Jesuit order. There was a Father at Georgetown in the 1840s who convinced one of the young students who was of particularly wealthy means to finance an astronomical observatory. And this information went back to the superior general of the Jesuit order in Rome, who was not very impressed because he worried that this was not exactly the right signal to send[funding] astronomy rather than, for example, supporting the poor. So they would send letters back to Georgetown saying, we dont suggest that you proceed with this project.
But Father James Curley, an Irish Jesuit, through some curious interpretation of the instructionsand utilizing the fact that it took weeks for letters to cross the Atlanticproceeded with the project anyway. He believed it was going to be a strong signal of the Jesuit order in America. What I liked about that story is that both parties were concerned about what signal the astronomical observatory sent. One believed that this would show commitment to education and science, and one worried it would show commitment to science above social means. Thats a particularly illustrative example of how this signaling role of space transcends even nations, and really is a function of human communities.
Koren: So lets zoom back out a bit. Today we hear a lot about space exploration moving more and more from the governments domain and into the private sector. But your main argument is that private citizens actually have a much longer history in space exploration.
MacDonald: We are used to this standard space-age narrative, which starts with Sputnik, the Apollo program, and the space race, when in reality, private support long predated significant programs like Apollo. Thats not to say that there wasnt public support as well. In fact, public support goes back to the origins of the country in a very small way. One of the first public appropriations for funds for science was actually by the Pennsylvania legislature, which appropriated funds in 1769 to support a number of expeditions related to the observation of the transit of Venus. And when the Declaration of Independence was first read out in Philadelphia, it was made from a raised platform that had been built as part of that observation.
But aside from small examples like that, if we look at the full history, from the colonial period to today, the vast majority of the time, it was the funds of individuals, civic societies, and philanthropic organizations, rather than public funding, that provided for astronomical observations and even for early liquid-fuel rocketry efforts. People like Andrew Carnegie, John D. Rockefeller, James Lickthey were funding, in todays terms, billion-dollar projects. Theres a precedence for these modern private-sector examples that we have with Jeff Bezos and Elon Musk that date back long before even the origin of NASA.
Koren: Can you describe the desire for space exploration over this long arc, from colonial times to the space race?
MacDonald: Lets look at signaling, which is this concept used in economics and biology that states that credible information about the characteristics of an individual or group can be transmitted through costly action. We see the emergence of a public interest in space-related signals in the reaction to the work of a scientist named David Rittenhouse, who had designed the most complex orrery, a mechanical model of the solar system. He was held up by Thomas Jefferson as one of the three great Americans, along with Franklin and Washington, and his astronomical achievements were held up as a signal of the nation as whole. And that belief about the role of space exploration as a signal of strength continued all the way to the Cold War, because achievements in this field are hard. They signal something important about the technical and organizational capability of the nation.
Sputnik, which was launched by the Soviet Union in 1957, was interpreted by the world as a very strong signal. And its important to remember this was a period of significant asymmetric informationnot a lot of people knew a lot of details about what was actually going on in the Soviet Union, and if youre in the Soviet Union or the rest of the world, not a lot about what was going on in America. All you really have to go on was newspapers or radio communications, both of which could be really easily propagandized. But if you knew one thing about a countrythat the country had sent something into space and the other country had notyou knew something important about their technical capacity.
And so from Apollo on, advances in space have served as a signal of America's technical supremacy. I dont think that is a particularly new idea, but what is often forgotten is that the space race is one example of this signaling motivation that includes the transit of Venus expedition.
Koren: You write that the Apollo program should not be seen as the classic model of American space exploration, but rather as an anomaly. Why is that?
MacDonald: When I think about the Apollo program as being an anomaly, what I mean is that at the time, in the 1960s, geopolitical competition increased the demand for space exploration. Now, we dont have that, and we have much more access to information. The demand for space exploration as a signal is not as strong as it was. So whats happening is were seeing the rise of this other trend, which is the intrinsic motivation of individuals to contribute to space exploration coming back to the fore. And thats very much what Jeff Bezos and Elon Musk represent. So were always going to have, throughout history, moments when the signal value is strong and when its not, and part of the point of trying to draw that long space age narrative out is to show that even without that strong demand for a signal, space exploration continues regardless, because individuals have used billions of dollars of their own funding in the past to make progress in this field.
Koren: Who do you think should be paying for space exploration, or who has does it better over the course of history?
MacDonald: Its not a particular question of who does it better. The private sector in the history of space exploration has as many boondoggles and cost overruns and schedule overruns as the public sector. Its not necessarily about efficiency. Both are always needed. Space is never wholly public or wholly private.
Koren: So whats next?
MacDonald: The long space age can teach us that space agencies might do well to focus on missions that serve as effective signals of national interest and achievement. My personal favorite is thinking about orbital human missions to other planets. Theres always a lot of emphasis on human missions to surfaces, but in terms of the signaling potential, orbiting other worlds is a major step beyond anything weve done and significantly more affordable and achievable than human planetary surface missions.
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Space Exploration Masters Competition Kicks Off at Paris Air Show – SpaceWatch Middle East (press release) (subscription) (blog)
Posted: at 6:29 am
The Paris Air Show was the setting for the announcement of Europes first innovation competition focused on space exploration. The Space Exploration Masters, launched by AZO on behalf of ESA, is looking for innovative business ideas in space exploration that provide major benefits for the global society and the economy. It is an international competition that aims to identify the best technology transfer business successes, as well as to empower and foster business innovation around space exploration activities in low Earth orbit for the benefit of society and humankind. Entrants can take part up until September 8th 2017 at http://www.space-exploration-masters.com.
There are two prize categories, Technology Transfer Success and New Business Innovation. The Ministry of the Economy of Luxembourg hosts the Luxembourg Prize in the category New Business Innovation, alongside several other prizes.
The Luxembourg Prize integrates perfectly into the SpaceResources.lu initiative, as it aims to discover innovative ideas and business cases complementing the Grand Duchys growing portfolio of activities in space resources utilisation. The challenge addresses companies, universities, scientific institutions, start-ups, and individuals willing to set-up a sustainable business and to create economic substance by establishing and registering a company in Luxembourg. The call for submissions covers the full value chain of space resources of prospection, extraction, processing, utilisation, and distribution.
The proposals submitted by the participants will be assessed by an interdisciplinary jury. The proposals should offer a long-term vision for space resources utilisation, but also be able to generate an economic return in the short and medium-term, by using their solution in existing space and terrestrial markets. The winners will be announced at the NewSpace Europe conference hosted by Luxembourg on November 16 and 17, 2017.
The Grand Duchy offers two awards within the frame of the Luxembourg Prize. The first one is designed to support for up to 400.000 euros a study under the Luxembourg national space program that is managed by ESA. The other award is intended for projects that are ready for early-stage funding. This award will offer a crowd investing campaign on http://www.spacestarters.com with a 30.000 euros value of services to prepare the campaign for launch.
The Luxembourg Ministry of the Economy will support both award winners by incubating their companies in one of Luxembourgs incubators. On top of that, one of the two winners will be selected as the official winner of the Luxembourg Prize and will thus be eligible for the Excellence in Space Exploration derived Business Innovation overall prize of the Space Exploration Masters New Ideas for Business Innovation competition category.
Mathias Link from the Ministry of the Economy was present at the Paris Air Show in Le Bourget when ESA announced the Space Exploration Masters. He presented the Luxembourg Prize and said: The Space Exploration Masters are yet another great opportunity for our SpaceResources.lu initiative to find new companies with innovative projects. I am convinced that we will receive numerous interesting applications for the Luxembourg Prize and that we will thus foster the further development of Luxembourgs space sector and start-up ecosystem.Original published at: https://spacewatchme.com/2017/06/space-exploration-masters-competition-kicks-off-paris-air-show/
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Constellation Software Inc. (CSU) Analysts See $7.37 EPS … – UtahHerald.com
Posted: at 6:28 am
June 27, 2017 - By Vivian Park
Analysts expect Constellation Software Inc. (TSE:CSU) to report $7.37 EPS on July, 26.They anticipate $1.91 EPS change or 34.98% from last quarters $5.46 EPS. T_CSUs profit would be $156.10 million giving it 24.15 P/E if the $7.37 EPS is correct. After having $5.90 EPS previously, Constellation Software Inc.s analysts see 24.92% EPS growth. It closed at $711.99 lastly. It is down 0.00% since June 27, 2016 and is . It has underperformed by 16.70% the S&P500.
NANOTECH ENTERTAINMENT INCORPORATED (OTCMKTS:NTEK) had an increase of 25.19% in short interest. NTEKs SI was 16,900 shares in June as released by FINRA. Its up 25.19% from 13,500 shares previously. It closed at $0.0241 lastly. It is down 0.00% since June 27, 2016 and is . It has underperformed by 16.70% the S&P500.
NanoTech Entertainment, Inc. operates as a maker and developer of technology, television content, consumer goods, mobile applications and consumer software. The company has market cap of $3.34 million. The Firm generates revenue form a mixture of licensing products to third-parties for manufacturing and distribution, as well as the manufacture and sale and rental of products directly to the consumer. It currently has negative earnings. The Companys business comprises three business units: Ultra Media Group , NanoTech Media (NMED) and 4K Studios (4K).
Among 4 analysts covering Constellation Software Inc. (TSE:CSU), 1 have Buy rating, 0 Sell and 3 Hold. Therefore 25% are positive. Constellation Software Inc. had 37 analyst reports since July 31, 2015 according to SRatingsIntel. Scotia Capital maintained Constellation Software Inc. (TSE:CSU) rating on Thursday, October 27. Scotia Capital has Outperform rating and $595 target. National Bank Canada upgraded Constellation Software Inc. (TSE:CSU) on Friday, October 30 to Sector Perform rating. The stock of Constellation Software Inc. (TSE:CSU) earned Market Perform rating by BMO Capital Markets on Monday, May 1. The firm has Sector Outperform rating given on Friday, July 31 by Scotia Capital. The rating was downgraded by RBC Capital Markets to on Friday, October 16. RBC Capital Markets maintained Constellation Software Inc. (TSE:CSU) rating on Monday, January 4. RBC Capital Markets has Sector Perform rating and $575 target. The stock has Sector Perform rating by Scotia Capital on Friday, April 21. The stock of Constellation Software Inc. (TSE:CSU) has Outperform rating given on Monday, February 22 by RBC Capital Markets. The firm has Outperform rating by RBC Capital Markets given on Monday, April 3. The stock of Constellation Software Inc. (TSE:CSU) earned Outperform rating by RBC Capital Markets on Monday, January 16.
Constellation Software Inc. is engaged in the development, installation and customization of software. The company has market cap of $15.08 billion. The Firm acquires, manages and manufactures vertical market software businesses. It has a 49.86 P/E ratio. The Companys divisions include public sector and private sector.
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Nootrobox is now HVMN and will sell biohacking products beyond nootropics – TechCrunch
Posted: at 6:27 am
If none of whats in the above headline makes sense, you probably havent been following the biohacking trend for the last couple of years. But Silicon Valley is brimming with tech execs trying to become faster, stronger and smarter by hacking their genetic code through various experimental methods called biohacks.
These would be the people drinking buttered coffee, taking cold showers and not eating every other day not because of some psychological disorder but because they believe caloric restriction will turn on certain genes to help them live longer.
HVMN (formerly Nootrobox and pronounced human) has been peddling a form of biohacking with something called nootropic supplements since its launch in 2014. These supplements are meant to help the brain become more productive. Sort of. Think the movie Limitless where Bradley Cooper takes a pill that makes him become the smartest man alive. Does it work? Maybe (you dont gain magical smartest-man-alive powers, but it might help you focus). And theres some debate on safety right now, depending on the ingredients. But the pills HVMN sells seem to be FDA OK so far.
The startup now wants to go deeper into the matrix by offering more biohacking products and felt a name fitting the change was appropriate.
The way we talk about the space is we consider the human body is the next platform, says co-founder Geoffrey Woo. Renaming our company HVMN is reallyreflective of that, its like a human 2.0.
His company will start to developboth metabolic performance products and products to do what he calls closing the loop. Its not clear what he intends to do by that as he didnt want to name any specific products just yet. However, Woo did mention a lot of experiments with sensors.
HVMNs team of 12, including the two co-founders, also will be experimenting with various methods and utilizing these sensors to get ideas of what to put out in the market next.
Employees already participate in up to 60 hours of intermittent fasting every week. Some start to fast on Sunday, breaking Tuesday evening, while others skip meals on Monday, breaking bread with the team the following work day. Woo and his partner Michael Brandt were actually fasting as they spoke to me over the phone about the changes to their company going forward.
You really start to see benefits beyond 20 hours, Brandt explained. You can track your biomarkers from the things Geoff has mentioned. And its manageable. Ive been fasting every week for a year and a half.
You cant sell fasting as a product, of course, but you can sell the biohacker lifestyle through books, podcasts and other methods like Tim Ferris and Dave Asprey from Bulletproof have done. Asprey, for instance, sells his own brand of specialized coffee and other products he promotes through various online channels.
So far HVMN has created a brand around its special pills, but its hard to tell right now what the name change and addition of other products will do for the company. The biohacker space is not low on gurus touting their methods, and HVMN may not be able to rise above the din.
Theres also a snake oil stigma attached to the industry, often overlooked by the FDA. The various pills, oils (and coffees) out on the market can get expensive, and a lot of the claims out there need regular Snopes checks to protect consumers from getting suckered.
HVMN says its doubling down on internal research and has just hired former rowing world champion Dr. Brianna Stubbs to lead in those efforts.
We see the opportunity here that we think our express goal is to make everyone a biohacker in the same sense that Nike says everyone is an athlete, Woo told TechCrunch. This is the next natural trend and everyone is going to be a biohacker.
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Nootrobox is now HVMN and will sell biohacking products beyond nootropics - TechCrunch
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Fahadh Faasil and director Anwar Rasheed to team up for Trance … – The Indian Express
Posted: at 6:26 am
By: Express Web Desk | New Delhi | Published:June 28, 2017 1:10 pm Fahadh Faasil will be seen in Anwar Rasheeds directorial titled, Trance.
Fahadh Faasil has signed a new film titled Trance, which will be directed by National Award-winning director Anwar Rasheed. This project comes as a surprise as the director will be making a comeback after a gap of five years. His last feature film Ustad Hotel starring Dulquer Salmaan fetched him the National Award. After this film, the director worked on a short film for the anthology series Anchu Sundharikal. Since then, the director turned producer for films such as Bangalore Days, Premam and Comrade in America. All the three films have done extremely well. Especially Premam and Bangalore Days have fans from across the country.
The collaboration with Fahadh Faasil in Trance is special, and fans are looking forward to something interesting like Ustad Hotel. Everyone is expecting Anwar to impress the masses with another unique subject. The release date, for now, has been set as April 2018. Amal Neerad, the director of the recent film Comrade In America, will be cranking the camera for this project.
Fahadh, in the meanwhile, is super busy with multiple projects in the pipeline. In Malayalam, his movie Role Models, touted to be a fun-filled family entertainment, released recently. It received a lukewarm response and moderate ratings from the critics. He is looking forward to Thondimuthalum Driksakshiyum, Aannengilum Alenkilum and Carbon. He is also making his Tamil debut this year and will be seen in two Kollywood film, Velaikkaran starring Sivakarthikeyan and Nayanthara, and Aneethi Kathaigal starring Vijay Sethupathi and Samantha Ruth Prabhu.
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Fahadh Faasil and director Anwar Rasheed to team up for Trance ... - The Indian Express
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Markus Schulz Slayed Unicorns at 45 East in Portland (Review) – Dance Music Northwest
Posted: at 6:26 am
The man, the legend, the unicorn slayer came, and slayed. Portland was lucky enough to have Markus Schulz pay them a visit, and it was a beautiful night of trance. Red Cube and Play Saturdays presented Markus Schulz this June, with opener local Jamie Meushaw. We recently had the opportunity to talk to Markus Schulz, and the way he talked about his music got us excited to see the work in action.
As always, 45 East was on their A game when it came to getting everyone in and keeping people safe. It was easy to get drinks, water and get around the venue. A good staff definitely makes nights going out easier.
Jamie Meushaw kicked off the night bringing us into a state of trance as the only opener for Markus Schulz. The vibes were perfect that night. As we walked in there were shuffling circles, and welcoming energy. The encouragement that we saw through out the dance floor started up front with Markus and Jamie.
Markus Schulz has been in the music industry for many years, he and knows his audience. His set took us on a journey. He was like a music conductor on the decks, conducting the crowd. Like any show you go to people become invested in the producer and their music, we had seen that before, but nothing quite like he did. Peoples bodies and minds were invested in his music. One attendee went as far as to say, trance saves lives.
Throughout the night he dropped many tracks, and our favorite being his new track, Running Up That Hill. A number of times he asked how the Portland Trance Family was doing? This only highlighted the bond people share in the trance community. The love and connection with producer, trance and the crowd was crazy to see. If you have not experienced a trance show, we highly suggest it. There was much love through out the venue. With a smaller venue we were spoiled with a more intimate performance, compared to EDC or Paradiso, but the production was just as good.
Shout out to all the shufflers that night, you all killed it! Showing off their skills but also sharing tips to onlookers. We learned that the idea of the trance community is still here, and that music has the power to take over a room, and capture a group of people.
Though trance is not the biggest genre played in Portland, when Markus Schulz comes to Portland, trance fans come out. If you did not have the opportunity to see Markus Schulz this time around, make sure to see him the next time he is on the West Coast, or if you have the chance, travel and see his Dakota show!
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Luminosity Beach Festival 2017 || Livesets – EDM Identity (blog)
Posted: at 6:26 am
Relive Luminosity Beach Festival 2017 with your favorite artistslivesets!
LuminosityBeach Festival is arguably the biggesttrance-only show in the world. In fact, if you have been taking part in the trance scene for any given amount of time, then you already know that Luminosity is the one that you must attend if you are drawn to beats that are soaked in uplift, energy, and power, driven by melodies that drip with that insatiable trance emotion that inspire us to reach our hands to the heavens.
Each summer thousands of trance lovers make the pilgrimage to the beaches of Holland. This year was especially fantastic as the festival expanded from three stages to four and celebrated its tenth anniversaryin style! Luminosity is amazing in that it curates trance artists both big and small from all over the world. This year, the lineup was better than ever, boasting massive back-to-back sets and even a few fan favorite comebacks! As if four days of partying on the beach werent enough, the last day was also host to a massive after party that kept the beats pumping until six am!It was genuinely not to be missed, especially for any big trance fan.
If you couldnt attend, missed a set or two over the weekend, or just simply want to relive your favorite moments after the glow of Luminosity begins to fade away, these livesetswill bring the most incredibleLuminosity moments back to life and help to ease some of those post-festival blues! We will constantly be adding and updating this list as more surface, so keep this page bookmarked!
What was your favorite set from the weekend? Who surprised you the most? Let us know in the comments! Also feel free to join in on the conversation on Facebook!
If sets get taken down, please comment and let us know so we can begin the hunt for new posts and links around the internet!
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube| Facebook
SoundCloud | Mixcloud| YouTube | Facebook
Website | Facebook | Twitter | YouTube
Abisola has been listening to electronic music since high school. Though she enjoys a variety of sub-genres she mainly listens to Trance, House and Techno. Abisola has attended multiple events in the Southern California region and is beginning to expand to out-of-area and international festivals. She is a full-time school psychologist and also enjoys eating, traveling and video games.
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Luminosity Beach Festival 2017 || Livesets - EDM Identity (blog)
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The Last Jedi trailer gets a cyberpunk-as-hell remake – A.V. Club
Posted: at 6:25 am
The below remake of The Last Jedi trailer is certainly interesting, in part, because of how it was produced, using an Apple IIc from 1984, a program from the era called Dazzle Draw, and some 48 floppy disks, the entirety of which contained 6 MB of information. But the method is a little less important than the end result, which is completely, stupidly cool, like youre seeing through the code from The Matrix to visualize the Magic Eye-like images buried underneath it.
According to TechCrunch, Twitter user @pinotski produced the video over the course of three weeks, apparently while holding up transparent plastic sheets against the monitor. That sounds like a lot of work, but the end result is worth it. This probably goes without being said, but maybe someone could do this for the entire prequel trilogy? Just a thought.
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The Last Jedi trailer gets a cyberpunk-as-hell remake - A.V. Club
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‘Pokmon Go’ Charged TM vs. Fast TM: What you need to know about the items added in the raid update – Mic
Posted: at 6:25 am
The new Pokmon Go gym update has shaken up the meta in pretty incredible ways, but the biggest change is raids massive collaborative battles where trainers work together to bring down powerful Pokmon. Raids give players the opportunity to catch strong Pokmon and acquire powerful items like the Golden Razz Berry and for the first time in Pokmon Go history TMs. If that's news to you, here's what it means.
Truly competitive players in Pokmon Go focus on two things when choosing their gym attackers and defenders: their IVs or Individual Values and their moveset. IVs require a lot of testing, but the Silph Road has a streamlined way to test them, and IVs don't change as you evolve your Pokmon. Good IVs stay that way.
The same isn't true of movesets, which change as you evolve. So there's a chance when you finally evolve that perfect-IV Dragonair into a Dragonite, you'll end up with a less-than-stellar moveset, making it harder to use in gym battling.
That's where TMs come in. TMs, short for technical machines, will, for the first time, allow you to change the moves your Pokmon know, according to Pokmon Go Hub. You'll obtain TMs from raids, and they'll come in two flavors, fast and charged. Fast TMs are available to any trainer level 15 or above, and charged TMs are available to any trainer level 25 or above.
TM comparison
As the names suggest, they'll either change the fast or charged move that your Pokmon currently knows when you use them. According to Pokmon Go Hub, you can use an unlimited number of TMs on your Pokmon until you get the moveset that you want. Hopefully this is the first step towards rebalancing battles so that more movesets are considered good. However we're content to settle for the guarantee that our Golden Magikarp won't be stuck with crunch forever once we evolve it.
Raids are here! See why they may be the key to legendary Pokmon. Find out how to determine how long it will take you to reach level 40, and see what we think of the Gen 2 Pokmon added to the game. Here are the kinds of Pokmon you get from 10-kilometer eggs, and here's where you can check out what you missed during the Water Festival and Solstice events. Find out more about the upcoming Chicago event and why you'll probably be able to catch Unown while you're there if you're not busy searching for rare evolutionary items, that is.
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Understanding the Urea Cost Curve for CF Industries – Market Realist
Posted: at 6:22 am
CF Industries Is Upping Its Game to Become a Nitrogen Contender PART 2 OF 8
Earlierin this series, we discussed how CF Industries (CF) earnings have fallen in recent quarters and how this has affected its stock price.
Not only did CF Industries earnings fall year-over-year (or YoY) in 1Q17, its margins were also significantly lower YoY. To understand why its marginscontracted, lets dig deeper into the cost curve.
In the chart above, we can see urea producers stacked next to each other in ascending order of total production cost by country. The cost of production is made up of three costs: energy costs, other cash costs, and freight and load costs.
On the leftmost side of the x-axis in the chart is the lowest-cost producer of urea, which in this case is North America. On the rightmost side is the highest-cost producer of urea, which in this case is China. Note that China is able to produce urea at a much lower cost by using coal as an energy source.
We can answer the question of how much urea to produce by considering the level of demand for it in the market. In the chart, this demand is estimated to be at an average of 16.8 million short tons in 2017. The level of shipments, in turn, determine the market price for urea, which in this case is estimated to be between $210 per ton and $245 per ton for 2017.
As demand moves lower or higher on the spectrum of producers, market prices move along with it. When demand rises, the next-lowest-cost producer comes online and is known as the marginal producer. As demand continues to rise, the market price rises, and so does the gap between the cost of production for lower-cost producers and their market prices, helping to expand their margins.
Investors (MOO) in PotashCorp (POT), CVR Partners (UAN), and Terra Nitrogen (TNH) will likely want to closely monitor urea demand and prices.
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Understanding the Urea Cost Curve for CF Industries - Market Realist
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