Monthly Archives: January 2015

Futurism Tribulation Rapture - a lie by the jesuits of Rome
I believe the pope of Rome is Antichrist (Daniel 7:7-27,2Thessalonians 2:1-12,2Peter 2:1-22,1John 2:18-25, Revelation 13:1-9) and Rome #39;Mystery Babylon the G...

By: Danyal Aram

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Sun Jan 25 12:45:06 EST 2015

The "Compliance" director's latest film is a minimalist chamber drama with only three actors in its cast.

Courtesy of Sundance Institute. "Z for Zachariah"

Director Craig Zobel's followup to 2012's "Compliance," Z for Zachariah is a solid relationship drama disguised as post-apocalyptic tale. The events of the film, which take place in the wake of an unspecified nuclear disaster, are defined more by its astute observations of human behavior in the face of devastating loss than any of science fiction conceits. With visuals more focused on lush New Zealand landscapes than abandoned architecture, Zobel and screenwriter Nissar Modi treat the material based on the young adult novel by Robert C. OBrien with an accomplished tone of rugged futurism.

However, reminders of the fictional backdrop are reinforced by the recurring appearances of an advanced HAZMAT suit, starting with the first scene. The character shown scavenging for supplies in a poisoned ghost town is revealed to be Ann Burden, who self-sustains on her father's farm in a beautiful, uninfected valley. Ann is a strong-willed, street-smart woman played with tough honesty by cast MVP Margot Robbie (of "Wolf of Wall Street" fame). Thanks to Robbie, Ann's formidable survival instincts are never obscured by her own character's sweet-natured religious sensibility or by her occasional lapses into human folly. The film suffers most when she's relegated to the background.

When Ann unexpectedly comes across a strapping young fellow survivor named Loomis (Chiwetel Ejiofor), she rescues and nurses him back to health after realizing that he has inadvertently washed himself with infected water. Loomis recovers slowly, and eventually finds himself in a position to offer Ann help with his scientific and technological insights. Ejiofor makes for a compatible match with Robbie, and their chemistry together carefully molded in shades of emotional nuance maintains a compelling hold. The textured approach to each character's behavior deepens an otherwise straightforward narrative. During the first half of the film, their relationship steadily grows more complex, and culminates with a convincing romance.

But progression of their mutual attraction is complicated with the sudden appearance of yet another fellow survivor, this one named Caleb (Chris Pine). Loomis immediately feels jealousy toward Caleb's attributes he's a smooth talking religious hunk who's more brawn than brain. At this point, the focus of the film shifts somewhat abruptly to a competition of masculinity that Caleb eagerly plays, as the emerging love triangle becomes increasingly difficult for all parties to ignore.

The twist arrives to the detriment of the film, given the agreeably more subdued approach to its characters' detailed interactions that came earlier. Although Ann remains at the center of the triangle, the story gets away from her. It doesn't help that Pine's character receives the least substantive development into a character, which is a problem for making the rivalry fully convincing (at times, it's hard not to think of his recent tongue-in-cheek turn in "Into the Woods"). Still, in spite of the lesser material, Pine does a fine job at playing the male tempter to Ann and the animalistic threat to Loomis.

With only three actors onscreen, "Z for Zachariah" owes much to its visual appeal. The photography by cinematography Tim Orr (a David Gordon Green regular) plays up the stillness of the landscape, while the film's unfussy conclusion punctuates its admirably minimalist approach. Even as the storys increased tension weakens its subtleties, Zobel's sensitive handling of the emotional tone throughout grounds the film with an overarching realism despite the far-fetched setting.

"Z for Zachariah" premiered this weekend at the Sundance Film Festival. Lionsgate will release it theatrically later this year.

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Sundance Review: Craig Zobel's 'Z for Zachariah' is Not Your Typical Post-Apocalyptic Romance

Adam Westlake

The last time we saw The Jetsons, the family from the '60s cartoon set in the future, on the big screen was way back in 1990. 25 years later, and it looks like Warner Bros. is ready to give the series another chance, as Variety has reported that the studio just hired writer Matt Lieberman to put together a new script. A live-action Jetsons movie is said to have talked about for years, but this is believed to be a different project and will most certainly be animated.

The original Jetsons cartoon show only lasted for one full season starting in 1962, resulting in only 24 episodes. The show became iconic of the era's ideas about futurism, filled with flying cars, moving sidewalks, and talking robots. A few more seasons were released in the '80s as part of a reboot, eventually followed by the 1990 movie.

As of now there's little details about the plot of the new Jetsons flick, leaving fans wondering if the show could be moved even further into the future that what was imagined in the '60s, or if it could just take place in the same general time, but feature different design aesthetics. Similarly, no names have been mentioned as potential directors.

If that isn't enough retro-cartoon goodness for you, a new Scoobie-Doo movie is being produced as well, also animated and featuring contribution from Lieberman. That project has been reported to be further in development, so it will probably hit screens before a new Jetsons feature. Now we just have ponder about whether these old-school animated characters should be presented in 2D or 3D.

VIA The Verge SOURCE Variety

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New animated Jetsons movie in the works from Warner Bros