Monthly Archives: January 2015

Unnecessary censorship in Smite part 9
Isis, Athena, Ymir, Hel in part 9 of unnecessary censorship in smite. Follow my stream @ http://www.twitch.tv/n0r3st Twitter - @n0r3st Facebook - http://on.fb.me/NNuqlW.

By: Doomshroom

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Unnecessary censorship in Smite part 9 - Video

BBC News China #39;s censorship of period drama cleavage provokes outrage
BBC News China #39;s censorship of period drama cleavage provokes outrage.

By: Robert James

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BBC News China's censorship of period drama cleavage provokes outrage - Video

Pocahontas Unnecessary Censorship Censored Disney Parody Bleep
POCAHONTAS Unnecessary Censorship Censored Disney Parody Bleep Video POCAHONTAS Unnecessary Censorship Censored Disney Parody Bleep Video POCAHONTAS Unnecessary ...

By: NINJA PANDA

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Pocahontas Unnecessary Censorship Censored Disney Parody Bleep - Video

OPINION What the latest Bollywood hit says about Indias fraught relationship with religion and secularism by Sawan Patel | Jan 14 2015 | 5 hours ago

India is a land of contradictions. It is home to a huge high-tech labor force as well as a multitude of low-skill agricultural and industrial workers. It is a relatively liberal democracy, yet allies itself closely with the Russian Federation, an autocratic nation. It is the birthplace of three major world religions Hinduism, Buddhism, and Sikhism yet is constantly divided by religious violence and upheaval with a long history of censorship and strong religious forces: it was the first country to ban Salman Rushdies The Satanic Verses. Religious groups have long held great power in Indian politics and society. This is even considering the fact that the Indian constitution states the country is a secular republic.

Even though the Indian government is secular, it is responsible through its loose hate-speech laws for protecting the values of its varied religious and ethnic groups. This requires censorship of what it deems offensive to any group. The Indian constitution guarantees freedom of speech, but the government has loosely interpreted laws regarding hate speech and public order, which are used very liberally to censor books, movies, and television. The logic behind this is that with such a long history of violence and such a diverse population, the only way to keep the peace is by preventing that which is deemed inflammatory from being publicly distributed.

Regardless, religion is one of the most satirized topics in Bollywood the Indian Hollywood but the new record-breaking hit PK is the latest and greatest in a line of movies that includes the critically acclaimed Oh My God: in which a man sues religious groups that represent Gods will for the destruction of his shop.

However, PK was not intended to be a serious film. It rather playfully places its emphasis critically not on religion as a whole but rather just on organized religion as it appears in India. The movies lighthearted nature is especially evident in the name, a play on the English way of writing out the Hindi word for drunk. It simply suggests that Indians should not listen to religious God-men who have achieved a God-like status among Indias poor and uneducated for their miracles and ability to communicate directly with various deities. The message is to turn inward to find religious experience rather than basing it on communal values. These God-men are criticized for being conservative and corrupt by playing on their vast support for political and monetary gain.

The radical aspect of this film comes in when one considers the context of censorship toward religious criticism prevalent in India. Films and books like these are rare in that they are never the combination of being this radical and also this influential. The reason it was a successful film is that it is funny; the reason it was the highest grossing Indian film of all time was that it resonated with people. They were finally really allowed to see both the truth and that others feel the same way as they do about these corrupt religious figures.

However, it is the backlash to this film that is most revealing of the true nature of Indian society. Even before its release, it was almost prevented from being screened by the censorship board because it supposedly promoted vulgarity.

After the films release, the true power of Indias conservative religious groups was revealed. Both religious leaders and fringe groups condemned the movie. These extremist religious groups organized burnings of the films posters. Even more portentously, many theatres in major cities were forced to cancel the screening of the movie because of threats to the owners and the theatres themselves. Theatres were threatened with being ransacked and burned.

This is the status of Indias relationship with religion. Even the government has been divided as shown by recently elected Prime Minister Narendra Modis support from both Hindu nationalists and the politically powerful sages. His checkered past as a Hindu extremist combined with his pro-Hindu reaction to anti-Islam riots when he was the governor of Gujarat in 2002 where he basically sat by and condoned the violence should have rendered him unacceptable as a Prime Ministerial candidate. Instead, he rode a Hindu wave of support to victory.

The combination of government censorship and public backlash from entrenched religious interests is the root of many of these problems. People are not allowed to confront the religious issues because they are hidden to maintain order. The only way for India to move forward as a democracy and a nation is to take off these democratic training wheels, confront their religiously turbulent past, and move past some archaic traditions.

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Censorship, religion, and PKolitics

On Jan. 7, 2015 Paris endured its deadliest attack in modern times. That morning, three Islamist gunmen tore through the office of satirical magazine Charlie Hebdo.This cowardly and barbaric attack was thought to be perpetrated in response to a 2011 issue that carried a caricature of the prophet Mohammad. Visual depictions of Mohammad are forbidden by Sunni Islamic teachings.

Despite the arrests of seven suspects connected to the attacks, the two brothers thought to be the gunmen, Cherif and Said Kouachi, remained at large for three days until two separate standoffs occurred on Jan. 9.

Friday, sustained gunfire followed by explosions echoed through a warehouse where the Kouachi brothers had taken a hostage. Not far away, a second confrontation was developing at a Kosher Market in eastern Paris. Another man said to be connected to the brothers threatened to kill others if there were any attempts made to capture Cherif and Said Kouachi. More died on this day, including the Kouachi brothers.

In total, 17 people lost their lives during this stretch of chaos. On Sunday morning, an organized march, the largest in France since the end of WWII, drew a crowd of 1.6 million in the streets of Paris.

Charlie Hebdo's creative professionals waged a war against censorship. Throughout history, and across the world today, censorship is used as a means of social control. Freedom of expression is an ongoing struggle.

As opinions are shaped and shifted by those who say what's right and wrong our choices no longer become ours. The 12 artists and professionals at Charlie Hebdo lost their lives in a fight for freedom. Let's continue their fight by having our voices heard and by letting every decision we make be our very own.

Greyson Gibson is a Sonoma County writer. His first novel is 'Nowhere to Go but Everywhere.'

Open Mic is a weekly feature in the 'Bohemian.' We welcome your contribution. To have your topical essay of 350 words considered for publication, write openmic@bohemian.com.

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Battling Censorship