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Daily Archives: April 23, 2014
Conservative tries to understand libertarianism – Video
Posted: April 23, 2014 at 10:41 am
Conservative tries to understand libertarianism
At CPAC 2014, someone overheard another interview and wanted to get kokeshed too. This brave conservative volunteer gets kokeshed really, really good. Send y...
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Conservative tries to understand libertarianism - Video
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Will superhuman powers give us superhuman problems?
Posted: at 10:41 am
Any mention of cyborgs or superpowers evokes fantastical images from the realms of science fiction and comic books. Our visions of humans with enhanced capabilities are borne of our imaginations and the stories we tell. In reality, though, enhanced humans already exist ... and they don't look like Marvel characters. As different human enhancement technologies advance at different rates, they bleed into society gradually and without fanfare. What's more, they will increasingly necessitate discussion about areas that are often overlooked what are the logistics and ethics of being superhuman? Gizmag spoke to a number of experts to find out.
Our natural tendency is to focus on the functionality of enhanced humans. Abilities like super-strength, flight or telepathy seem so far removed from that of which we're capable and so desirable that it's understandable for us to focus on these possibilities. The individual, social and ethical consequences of enhanced humans are considered far less in popular culture, however.
"People tend to imagine the current state of human enhancement as either much more advanced or retarded than it really is," Steve Fuller, Auguste Comte Chair in Social Epistemology in the Department of Sociology at the University of Warwick, tells Gizmag. "I realize that this sounds paradoxical, but generally speaking it helps to explain the curious blend of impatience and disappointment that surrounds the topic. This simply reflects the fact that people know more about human enhancement from its own hype and science-fictional representations which can be positive or negative than from what's actually available on the ground."
Professor Andy Miah, director of the Creative Futures Institute at the University of the West of Scotland, has spent much of his career looking at the potential for human enhancement and what it might mean for us. Speaking to Gizmag, he explains that enhancement is not a new phenomenon, but that, increasingly, we have important decisions that will have to be made.
Miah argues that as society becomes more advanced, more and more difficult decisions surrounding human enhancement will be thrust upon us. "I thinks it's inevitable that we will have to make these decisions," he says, explaining that the only other option would be to halt human progress with an archetypal head-in-the-sand scenario.
The issues that society will have to consider range from straightforward personal issues to highly complex and abstract social issues. Beginning with the more personal considerations, Miah uses the example of super-strength. "In order for that, you are going to need added muscle mass, which will likely compromise your potential for speed and agility," he says. It's a simple proposition used to show that any enhancement is likely to have side-effects.
Kevin Warwick, Professor of Cybernetics at the University of Reading, tells Gizmag that it will be important for people to consider what they are getting themselves into and what exactly they want to achieve. "The nature of the enhancement will take on dramatically different forms," he explains. "Has anyone done it before? It could be dangerous; could go wrong. There could be side effects that we know little or nothing about."
Another example is provided by social psychologist Bertolt Meyer in a recent Wired article. Meyer, who was born without his lower left arm, asks whether people would have a limb amputated to replace it with a prosthesis that was to some extent better. Even now, though, he notes a potential trade-off. "Augmented bodies that contain connected technology give the word hacking a new meaning," he says in the article. "My i-limb connects to my iPhone, but my iPhone is connected to the internet. Technically, a part of my body has become hackable."
Fuller agrees that such unintended consequences are the main consideration required when thinking about enhancement. "If, say, your memory is successfully enhanced, consider how else this might change your way of living and your relationship with people." Warwick reiterates this point by asking, "With superintelligence, what would the enhanced folk do with the stupid unenhanced?".
This application of practicality places the idea of human enhancement under a whole new light compared to its presentation in popular culture. It provides an instant recognition that being bestowed with a "super-power" is unlikely to come without its costs. Furthermore, it only complicates matters when considered on a larger scale.
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Amazon.com: Post-Human (Post-Human Series) eBook: David …
Posted: at 10:41 am
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Greenaway Immerses Viewers in Art
Posted: at 10:40 am
By Tim Misir
The St. Petersburg Times
Published: April 23, 2014 (Issue # 1807)
Greenaway entertains the press at the opening of his exhibition with Dutch director Saskia Boddeke in Moscow last week. Photo: Valeriy Belobeev / British Council Russia
The Soviet Union in early 20th century, a time of social and political upheaval, was also an artistic utopia, and saw the interplay of suprematism, constructivism and futurism separate but connected art movements.
Collectively known as the Russian avant-garde, theater directors like Sergei Eisenstein, poets like Mayakovsky and designers such as Alexander Rodchenko, composers, architects and artists like Kandinsky, Malevich and Lizzitsky were just a few of the many who tried to pushed the boundaries of culture and its possibilities.
A new exhibition in Moscow by Dutch theater director Saskia Boddeke and British filmmaker Peter Greenaway, The Golden Age of the Russian Avant-Garde dramatizes these characters and immerses viewers in the context of that period, exploring the lives and works of its key figures through the language of theater and cinema. Twelve pivotal figures from the period of 1910 to 1930, played by Russian actors, are used to tell the story of this period of cultural experimentation and innovation.
More than 1,000 artworks, sourced from galleries and private collections around the world, are displayed as part of the exhibit, but Greenaway and Boddeke add to that by showing the context in which these masterpieces were created, the exchange of ideas between artists and the debates that surrounded them, pieced together from memoirs, manifestos, newspaper articles, published works and personal artifacts.
The characters are shown on multi-screen projections fused with photos, film reels and film clips. They interact with each other, speaking and arguing across screens, and move from one screen to another. They are not presented in a fixed order, running in 15-minute loops, and one can move randomly from viewing one platform to another.
You may be surprised by this exhibition. It is very subjective, Greenaway said at a news conference prior to its opening on Apr. 15, adding that he hoped presenting the works this way would allow them to be viewed in a new light, and that other, previously hidden dimensions of well-known pieces, would be discovered.
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Greenaway Immerses Viewers in Art
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Sd Laika – That's Harakiri
Posted: at 10:40 am
Harakiri: a ritual Japanese suicide of disembowelment reserved only for samurai. Seems horrifying, but witnesses insist it was a profoundly impressive sight to behold.
Its an apt title for Milwaukee producer Sd Laikas long-awaited debut album then, as aural demonstrations of ultra violence are carved into something texturally exquisite.
Meshes (below) splits the seas: an Afro-futurism night terror that forces tribal rhythms into industrial hip-hop contortions. Throughout the album, he takes a dark, fast-paced and aggressive grime framework and expropriates it for his own brand of bastard brain-dance. Case in point: I Dont has those choppy, pitch-bending grime synths but batters them with pneumatic percussion thats as brilliant as it is brutal.
Sometimes these obscure noise releases with their morbid artwork and darkened press shots can mask their complete lack of listenability behind a protective black veil of excessive complexity, and the desperation of its listener to feel exclusive. Sd Laika defeats this. His music marries complexity with club-ready thump, resulting in a dystopian dancehall of morbid booty shaking.
8/10
Words: Joe Zadeh
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Italian Experimental Futurist Cinema: AMOR PEDESTRE – Video
Posted: at 10:40 am
Italian Experimental Futurist Cinema: AMOR PEDESTRE
Italian Experimental Futurist Cinema: AMOR PEDESTRE "AMOR PEDESTRE" 1914 - is an Italian silent short film directed by Marcel Fabre.
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Italian Experimental Futurist Cinema: AMOR PEDESTRE - Video
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Futurist Flight Radio #11 Special Easter 2014 – Video
Posted: at 10:40 am
Futurist Flight Radio #11 Special Easter 2014
Welcome to the Easter Special Edition of Futurist Flight I #39;m sorry, we #39;re late, but we #39;re still on time to present you with one of our best set focused on to...
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Futurist Flight Radio #11 Special Easter 2014 - Video
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