{"id":71338,"date":"2012-11-12T13:46:04","date_gmt":"2012-11-12T13:46:04","guid":{"rendered":"http:\/\/www.designerchildren.com\/view-conference-2011_erik-nash_intervista-realizzata-da-ondequadre_politenico-di-torino-video\/"},"modified":"2012-11-12T13:46:04","modified_gmt":"2012-11-12T13:46:04","slug":"view-conference-2011_erik-nash_intervista-realizzata-da-ondequadre_politenico-di-torino-video","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/freedom\/view-conference-2011_erik-nash_intervista-realizzata-da-ondequadre_politenico-di-torino-video\/","title":{"rendered":"VIEW Conference 2011_Erik Nash_Intervista realizzata da OndeQuadre_Politenico di Torino &#8211; Video"},"content":{"rendered":"<p><br \/>VIEW Conference 2011_Erik Nash_Intervista realizzata da OndeQuadre_Politenico di Torino<br \/>ERIK NASH, Visual Effects Supervisor, Digital Domain Erik Nash #39;s career spans three decades years and dozens of films. He was nominated for an Academy Award\u00ae for his work on I, Robot, and his visual effect supervisor credits also include Real Steel, Pirates of the Caribbean: At World #39;s End, Armageddon, Rules of Engagement, O Brother Where Art Thou?, Red Planet and My Super Ex-Girlfriend. Previously, Erik was visual effects director of photography on Apollo 13, Chain Reaction, Star Trek: Nemesis, xXx, Stealth and Titanic. For Titanic he designed a real-time motion control rig that was employed for many of the film #39;s Academy Award\u00ae-winning visual effects shots. Earlier in his career Erik was a visual effects camera operator on Star Trek: The Motion Picture and spent eight seasons as lead visual effects cameraman on the television series Star Trek: The Next Generation and Star Trek: Deep Space Nine. His work on the Star Trek shows earned him two Emmy Awards. Erik holds a BA in Visual Communication from Occidental College and is a member of the Academy of Motion Picture Arts   Sciences. Real Steel: Bringing Virtual Production Into the Real World The visceral robot boxing matches in Shawn Levy #39;s Real Steel were conceived, planned and executed using an innovative process that gave the filmmakers unprecedented creative freedom and efficiency -- by taking virtual production out of the studio and bringing it into real world settings. Visual effects supervisor Erik Nash and his ...From:VConferenceOfficialViews:0    0ratingsTime:03:22More inFilm   Animation<\/p>\n<p>Read more:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.youtube.com\/watch?v=TeXWz05eljo\" title=\"VIEW Conference 2011_Erik Nash_Intervista realizzata da OndeQuadre_Politenico di Torino - Video\">VIEW Conference 2011_Erik Nash_Intervista realizzata da OndeQuadre_Politenico di Torino - Video<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> VIEW Conference 2011_Erik Nash_Intervista realizzata da OndeQuadre_Politenico di Torino ERIK NASH, Visual Effects Supervisor, Digital Domain Erik Nash&#39;s career spans three decades years and dozens of films. He was nominated for an Academy Award\u00ae for his work on I, Robot, and his visual effect supervisor credits also include Real Steel, Pirates of the Caribbean: At World&#39;s End, Armageddon, Rules of Engagement, O Brother Where Art Thou?, Red Planet and My Super Ex-Girlfriend <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/freedom\/view-conference-2011_erik-nash_intervista-realizzata-da-ondequadre_politenico-di-torino-video\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187727],"tags":[],"class_list":["post-71338","post","type-post","status-publish","format-standard","hentry","category-freedom"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/71338"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=71338"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/71338\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=71338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=71338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=71338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}