{"id":68212,"date":"2016-06-14T16:42:26","date_gmt":"2016-06-14T20:42:26","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance-music-wikipedia-the-free-encyclopedia\/"},"modified":"2016-06-14T16:42:26","modified_gmt":"2016-06-14T20:42:26","slug":"trance-music-wikipedia-the-free-encyclopedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/trance-music-wikipedia-the-free-encyclopedia\/","title":{"rendered":"Trance music &#8211; Wikipedia, the free encyclopedia"},"content":{"rendered":"<p><p>    Trance is a genre of electronic music that developed    during the 1990s in the Netherlands.[5] It is characterized    by a tempo lying between 125 and 150 beats per minute (BPM),[5] repeating melodic phrases,[5] and a musical form that    distinctly builds tension and elements throughout a track often    culminating in 1 to 2 \"peaks\" or \"drops.\"[5] Although trance is a    genre of its own, it liberally incorporates influences from    other musical styles such as techno,[3]house,[1]pop,[3]chill-out[3]classical    music,[3][4]tech house, ambient, and    film music.[4]  <\/p>\n<p>    A trance refers to a    state of hypnotism and heightened consciousness. This is    portrayed in trance music by the mixing of layers with    distinctly foreshadowed build-up and release. A characteristic    of virtually all trance music is a mid-song climax followed by    a soft breakdown disposing of beats and percussion    entirely,[3][5] and leaving the    melody and\/or atmospherics to stand alone for an extended    period before gradually building up again. As a result, trance    tracks are often lengthy to allow for this progression and have    sufficiently sparse opening and closing sections to facilitate    mixing by DJs.  <\/p>\n<p>    Trance can be purely instrumental, although vocals are also a    common feature. Typically they are performed by mezzo-soprano    to soprano female soloists, often without verse\/chorus    structure. Structured vocal form in trance music forms the    basis of the vocal trance subgenre, which has been    described as \"grand, soaring, and operatic\" and \"ethereal    female leads floating amongst the synths\".[8][9]  <\/p>\n<p>    Trance as a word in music has been used for a very long time.    The first usage of Trance close to the origin of Trance as a    music genre is the British act The KLF on their 1988 track \"What Time Is Love    (Pure Trance 1)\", on which the record sleeve is also annotated    \"Pure Trance\".[citation    needed] This track however cannot be    classified as Trance but it is (Techno) Rave as it clearly    lacks the features of Trance.[according    to whom?] The very first Trance record    (also British) is \"Age Of Chance  Time's Up (Remix)\" and dates    from 1989, soon followed \"Age Of Love\" (1990, this one by an    Italian duo). The remix by Jam &    Spoon of that track speeded up the genre. Dance 2    Trance is also an early example of trance music, having    first released single in 1991.[citation    needed]  <\/p>\n<p>    Other schools of thought argue the name may refer to an induced    emotional feeling, high, euphoria, chills, or uplifting rush that listeners claim to    experience, while other suggestions trace the name to the    actual trance-like state the earliest forms of this music    attempted to emulate in the 1990s before the genre's focus    changed.[5]  <\/p>\n<p>    Some trace Trance's antecedents back to Klaus Schulze,    a German experimental electronic music artist who concentrated    in mixing minimalist music repetitive    rhythms and arpeggiated sounds (specifically his 1988 album    \"En=Trance\".[citation    needed] In truth it was really Sven Vth, his    labels and others in the same group that saw the initial    releases of trance[citation    needed] Another possible antecedent is    Yuzo    Koshiro and Motohiro Kawashima's electronic    soundtracks for the Streets of Rage series of    video games    from 1991 to 1994, and the Wangan Midnight Maximum Tune    series.[10][11][12][13] It was promoted by the    well-known UK club-night megatripolis (London, Heaven, Thursdays)    whose scene catapulted it to international    fame.  <\/p>\n<p>    Examples of early Trance releases include but are not limited    to German duo Jam & Spoon's 1992 12\" Single remix    of the 1990 song The Age Of Love.,[1] German duo Dance 2    Trance's 1990 track \"We Came in Peace\".[5]  <\/p>\n<p>    One writer[who?]    traces the roots of trance to Paul van Dyk's 1993 remix of Humate's    \"Love Stimulation\".[1]    However, van Dyk's trance origins can be traced further back to    his work with Visions Of Shiva, which were his first ever    tracks to be released.[original    research?] In subsequent years, one genre,    vocal trance, arose as the combination of progressive elements    and pop music,[3] and the    development of another subgenre, epic trance, had some of its    origins in classical music.,[3] with film music    also being influential.[4]  <\/p>\n<p>    Trance was arguably at its commercial peak in the second part    of 1990s and early 2000s.[14][15]  <\/p>\n<p>    Classic trance employs a 4\/4 time signature,[5] a tempo of 125 to 150    BPM,[5] and 32 beat phrases and    is somewhat faster than house music.[16] A kick drum is usually    placed on every downbeat and a regular open hi-hat is often placed on the    upbeat or every 1\/8th division of the bar.[5] Extra percussive    elements are usually added, and major transitions, builds or    climaxes are often foreshadowed by lengthy \"snare rolls\"a    quick succession of snare drum hits that build in velocity,    frequency, and volume towards the end of a measure or    phrase.[5]  <\/p>\n<p>    Rapid arpeggios    and minor keys are common features of Trance, the    latter being almost universal. Trance tracks often use one    central \"hook\", or melody, which runs through almost    the entire song, repeating at intervals anywhere between 2    beats and 32 bars, in addition to harmonies and motifs in    different timbres from the central melody.[5] Instruments are added    or removed every 4, 8, 16, or 32 bars.[5]  <\/p>\n<p>    In the section before the breakdown, the lead motif is often    introduced in a sliced up and simplified form,[5] to give the audience    a \"taste\" of what they will hear after the breakdown.[5] Then later, the final    climax is usually \"a culmination of the first part of the track    mixed with the main melodic reprise\".[5]  <\/p>\n<p>    As is the case with many dance music tracks, trance tracks are    usually built with sparser intros (\"mix-ins\") and outros    (\"mix-outs\") in order to enable DJs to blend them together    immediately.[3][5] As trance is more    melodic and harmonic than other electronic dance    music,[citation    needed] the construction of trance tracks    in the proper way is particularly important in order to avoid    dissonant (or \"key clashing,\" i.e., out of tune with one    another) mixes.[citation    needed]  <\/p>\n<p>    More recent forms of trance music incorporate other styles and    elements of electronic music such as electro and    progressive house into its production.    It emphasizes harsher basslines and drum beats which decrease    the importance of offbeats and focus primarily on a four on the floor stylistic    house drum pattern. The bpm of more recent styles tends to be    on par with house music at 120 - 135 beats per minute.    However, unlike house music, recent forms of trance stay true    to their melodic breakdowns and longer transitions.[17]  <\/p>\n<p>    Trance music is broken into a large number of    subgenres.[citation    needed] Chronologically, the major    subgenres are classic trance, acid trance, progressive    trance,[3]uplifting    trance,[3] and hard    trance.[citation    needed]Uplifting trance is also known as    \"anthem trance\", \"epic trance\",[3] \"commercial    trance\", \"stadium trance\", or \"euphoric trance\",[5] and has been strongly    influenced by classical music in the 1990s[3] and 2000s by    leading artists such as Ferry Corsten, Armin Van Buuren, Tiesto, Push, Rank 1 and at present with    the development of the subgenre \"orchestral uplifting trance\"    or \"uplifting trance with symphonic orchestra\" by such artists    as Andy    Blueman, Ciro Visone, Soundlift, Arctic Moon, Sergey    Nevone&Simon O'Shine etc. Closely related to Uplifting    Trance is Euro-trance, which has become a general term    for a wide variety of highly commercialized European dance    music. Several subgenres are crossovers with other major genres    of electronic music. For instance, Tech trance is a mixture of trance and    techno, and Vocal trance \"combines [trance's]    progressive elements with pop music\".[3]Balearic beat,    which is associated with the laid back vacation lifestyle of    Ibiza, Spain, is often called \"Balearic    trance\", as espoused by Roger Shah.[citation    needed] The dream trance genre originated in the    mid-1990s, with its popularity then led by Robert Miles.    There is also a slower bpm trance music, this styles are often    called \"psybient\" (synonyms are \"psychill\", \"ambient    trance\").[citation    needed]  <\/p>\n<p>    AllMusic states    on progressive trance: \"the progressive wing of the trance    crowd led directly to a more commercial, chart-oriented sound,    since trance had never enjoyed much chart action in the first    place. Emphasizing the smoother sound of Eurodance or house (and    occasionally more reminiscent of Jean-Michel Jarre than Basement Jaxx),    Progressive Trance became the sound of the world's dance floors    by the end of the millennium. Critics ridiculed its focus on    predictable breakdowns and relative lack of skill to beat-mix,    but progressive trance was caned by the hottest DJ.\"[18]  <\/p>\n<p>    The following is an incomplete list of dance music festivals    that showcase trance music.  <\/p>\n<p>    Notes:' Sunburn was not the first festival\/event to    specialize in India in trance music much earlier pioneers of    Goa parties[19] held events as early as the late    80's and through all of the 1990s[20]  <\/p>\n<p>    Electronic Dance Music festivals in the Netherlands are mainly    organized by four companies ALDA Events, ID&T, UDC and Q-dance:  <\/p>\n<p>    Electronic music festivals in the US feature various Electronic Dance Music genres such    as trance, House, Techno, Electro, Dubstep, and Drum & Bass:  <\/p>\n<p>    The trance scene in South America is constantly growing.    Countries like Brazil and Mexico have many great DJs. The most    important trance festival in South America is called Universo    Parallelo.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continued here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/en.wikipedia.org\/wiki\/Trance_music\" title=\"Trance music - Wikipedia, the free encyclopedia\">Trance music - Wikipedia, the free encyclopedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Trance is a genre of electronic music that developed during the 1990s in the Netherlands.[5] It is characterized by a tempo lying between 125 and 150 beats per minute (BPM),[5] repeating melodic phrases,[5] and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 \"peaks\" or \"drops.\"[5] Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno,[3]house,[1]pop,[3]chill-out[3]classical music,[3][4]tech house, ambient, and film music.[4] A trance refers to a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A characteristic of virtually all trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely,[3][5] and leaving the melody and\/or atmospherics to stand alone for an extended period before gradually building up again <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/trance-music-wikipedia-the-free-encyclopedia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187758],"tags":[],"class_list":["post-68212","post","type-post","status-publish","format-standard","hentry","category-trance"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/68212"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=68212"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/68212\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=68212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=68212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=68212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}