{"id":49761,"date":"2014-12-21T15:42:47","date_gmt":"2014-12-21T20:42:47","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hollywood-has-caved-before-guest-column\/"},"modified":"2014-12-21T15:42:47","modified_gmt":"2014-12-21T20:42:47","slug":"hollywood-has-caved-before-guest-column","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/hollywood-has-caved-before-guest-column\/","title":{"rendered":"Hollywood Has Caved Before: Guest Column"},"content":{"rendered":"<p><p>    Sonysdecision to pull The Interviewoff its    release schedule in order to meet North Korean cyber    terrorists demands isnt an isolated case of Hollywood caving    into foreign censorship. In fact, the film industry has been    plagued by foreign censors asearly as 1914 when the U.S.    seized prints of the epic movie1776over    its offense to the British, going so far to imprison the films    director. Even as recently as 2006 former President Bill    Clinton and members of his administration denounced the ABC    miniseriesThe Path to 911, as it portrayed the    presidential cabinet as inept regarding itsdecision to    stand down against 9\/11 architect Osama Bin    Laden.In a special column to Deadline, filmmaker    Ron Maxwell, who has    directed the Civil War moviesGettysburg, Gods &    GeneralsandCopperhead, details    Hollywoods tarnished history in curbing artistic freedom and    truth itself.  <\/p>\n<p>    It is with a sense of deja vu that we watch the spectacle of    threats, cowardice and censorship on display at SONY PICTURES.    Yes, theres nothing new under the sun.  <\/p>\n<p>    Political censorship, blackmail and intimidation is as old as    civilization and already has a well pedigreed history in    Hollywood. The examples are so rife it would take a shelf full    of books to expose the whole sorry litany.  <\/p>\n<p>    Theres the grim, absurd tale of the epic movie 1776,    produced in 1914. Only because the bad guys of this movie are    British, the US government seized the prints, prevented the    movies release and arrested the director. Yes, you read that    right. The director of the movie spent the duration of World    War One in prison accused and convicted of sedition, because    his patriotic film was deemed to undermine the war effort    against the evil Germans.  <\/p>\n<p>    Then theres    the deplorable record of intimidation, acquiescence,    self-censorship and outright censorship in the Thirties, when a    high-ranking Nazi official well ensconced in Hollywood    regularly communicated with the studio chiefs, advising them on    what Herr Hitler would or would not like to see in the movies.    This almost unbelievable Grand Guignol is documented in Ben    Urwands recent book, The Collaboration.  <\/p>\n<p>    From the other end of the political spectrum, the Soviet Union    infiltrated its agents into Hollywood. Some scripts in    development and production at major studios were actually    vetted by thuggish members of labor unions outside of    California, otherwise not even connected with moviemaking. What    mattered was the party line, that party being the PCUSA. These    shenanigans are brilliantly documented in the book, Red    Star Over Hollywoodby Ron and Aliss Radosh.    Bottom line, some films were killed in development or on the    eve of production only because of pressure from foreign    governments or their agents.  <\/p>\n<p>    More recently, the    mini-series The Path to 911was only a month    prior to broadcast on ABC when the Clinton political machine    exerted both public and behind-the-scenes pressure to shut it    down. Former Secretary of State Madeleine Albright, former    National Security chief Sandy Berger, Bill Clinton himself     all went on national TV denouncing the film and more    significantly, pressuring the network and its parent    corporation to stop its release.  <\/p>\n<p>    Now, lets put this in perspective. This is a former US    president demanding the outright censorship of an American    television program! The head of ABC did as he was    pressuredmostly. The mini-series did air, but only after the    producer and director were compelled to cut out scenes in which    Sandy Berger gives the order to special forces to stand down     to not shoot when they had Osama Bin Laden in their crosshairs.    In other words, had that order been given theres no 9-11.  <\/p>\n<p>    But it is worse.    Immediately following the one and only airing of the re-edited    version of the miniseries, the movie was placed in deep freeze.    No video, no DVD, no online streaming  nothing. It is still    under lock down. The only way to see it is via pirated copies    outside the United States. This movie was not censored or    threatened by North Korea or some rogue cyber terrorists  it    was censored and shut down by ABC under threat and duress from    Bill Clinton and his political entourage.  <\/p>\n<p>    I admire George Clooney for the courage he is showing in    defiance of SONYs hackers, but where was he when the same    thing was done to ABC by a former president of the United    States?  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continued here:<br \/>\n<a target=\"_blank\" href=\"http:\/\/deadline.com\/2014\/12\/the-interview-hollywood-history-foreign-censorship-1201331716\" title=\"Hollywood Has Caved Before: Guest Column\">Hollywood Has Caved Before: Guest Column<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Sonysdecision to pull The Interviewoff its release schedule in order to meet North Korean cyber terrorists demands isnt an isolated case of Hollywood caving into foreign censorship.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/hollywood-has-caved-before-guest-column\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-49761","post","type-post","status-publish","format-standard","hentry","category-censorship"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/49761"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=49761"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/49761\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=49761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=49761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=49761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}