{"id":41655,"date":"2014-10-13T21:47:49","date_gmt":"2014-10-14T01:47:49","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/racist-french-cinema-hit-too-politically-incorrect-for-uk-and-us-audiences\/"},"modified":"2014-10-13T21:47:49","modified_gmt":"2014-10-14T01:47:49","slug":"racist-french-cinema-hit-too-politically-incorrect-for-uk-and-us-audiences","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/politically-incorrect\/racist-french-cinema-hit-too-politically-incorrect-for-uk-and-us-audiences\/","title":{"rendered":"&#39;Racist&#39; French cinema hit &#39;too politically incorrect&#39; for UK and US audiences"},"content":{"rendered":"<p><p>    \"The people [in US and UK distribution companies] we spoke to    found it politically incorrect,\" Sabine Chemaly of TFI    International told Le Point magazine.  <\/p>\n<p>    The film got mostly rave reviews in France, with one critic    praising it as a \"sort of hymn to the melting pot of France, an    efficient comedy that uses self-derision to promote    multicultural tolerance\".  <\/p>\n<p>    The film's message appears to be that even if the French are    sometimes a little racist, common sense will prevail and    everyone can in the end get along.  <\/p>\n<p>    The director, Philippe de Chauveron, said his film was about    \"deflating\" the prejudices peddled by the anti-immigrant Front    National party, whose support has been growing rapidly in    France in recent years.  <\/p>\n<p>    But the few reviews that have appeared in the English-language    film trade press were negative.  <\/p>\n<p>    \"The majority of the jokes are extremely heavy-handed -- the    Jew calls the Arab \"Arafat\" and then is karate-chopped by the    Asian,\" said the Hollywood Reporter, while Variety magazine    noted that the film had been criticised for \"perpetuating    racist stereotypes and feeding into France's ambient    xenophobia\".  <\/p>\n<p>    The 2011 French film, The Intouchables, touched upon similar    topics as Serial (Bad) Weddings and grossed nearly $400 million    worldwide, but it's hard to see Weddings honeymooning far    outside the usual Francophone hotspots,\" added the Hollywood    Reporter.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See more here:<br \/>\n<a target=\"_blank\" href=\"http:\/\/telegraph.feedsportal.com\/c\/32726\/f\/568301\/s\/3f6641f6\/sc\/17\/l\/0L0Stelegraph0O0Cnews0Cworldnews0Ceurope0Cfrance0C1115860A30CRacist0EFrench0Ecinema0Ehit0Etoo0Epolitically0Eincorrect0Efor0EUK0Eand0EUS0Eaudiences0Bhtml\/story01.htm\/RK=0\/RS=Z79ur2vGUhC7sHM8pHa8wvej03M-\" title=\"&#39;Racist&#39; French cinema hit &#39;too politically incorrect&#39; for UK and US audiences\">&#39;Racist&#39; French cinema hit &#39;too politically incorrect&#39; for UK and US audiences<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> \"The people [in US and UK distribution companies] we spoke to found it politically incorrect,\" Sabine Chemaly of TFI International told Le Point magazine. The film got mostly rave reviews in France, with one critic praising it as a \"sort of hymn to the melting pot of France, an efficient comedy that uses self-derision to promote multicultural tolerance\". The film's message appears to be that even if the French are sometimes a little racist, common sense will prevail and everyone can in the end get along <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/politically-incorrect\/racist-french-cinema-hit-too-politically-incorrect-for-uk-and-us-audiences\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-41655","post","type-post","status-publish","format-standard","hentry","category-politically-incorrect"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/41655"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=41655"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/41655\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=41655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=41655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=41655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}