{"id":36411,"date":"2014-09-02T22:41:54","date_gmt":"2014-09-03T02:41:54","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/kingdom-explores-dramatic-censorship\/"},"modified":"2014-09-02T22:41:54","modified_gmt":"2014-09-03T02:41:54","slug":"kingdom-explores-dramatic-censorship","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/kingdom-explores-dramatic-censorship\/","title":{"rendered":"&#39;Kingdom&#39; explores dramatic censorship"},"content":{"rendered":"<p><p>  Married actors Todd Weeks and Kate Blumberg rehearse a scene from  \"Kingdom City\" at La Jolla Playhouse.<\/p>\n<p>    In 1953, Arthur Miller wrote The Crucible  a story set amid    the 17th-century Salem witch trials  as a response to attacks    on intellectual freedom under the guise of rooting out    Communism.  <\/p>\n<p>    In 2006, a school district in Fulton, Mo., canceled a planned    production of the Miller play  which had long since become a    classic and a staple of student reading lists  because of    worries over a plot thread of an extramarital affair.  <\/p>\n<p>          Sheri Wilner.  David Brooks        <\/p>\n<p>    Controversies over banned school productions, of course, have    been around forever, and they continue today, sometimes    involving even innocuous-seeming shows: Witness the recent    dust-up in Pennsylvania over a canceled staging of the comedy    Monty Pythons Spamalot, apparently because of a scene in    which two men discover their love for each other.  <\/p>\n<p>    But the Missouri cancellation, which earned press in The New    York Times and elsewhere, felt particularly alarming because    it was The Crucible  it was the irony of a play that was    written to condemn censorship (itself) being censored, says    playwright Sheri Wilner.  <\/p>\n<p>    And because its such an esteemed work, adds Wilner, if a play    such as that was up for debate, then really all of literature    felt up for debate.  <\/p>\n<p>    The event prompted Wilner to write her own play  one thats    about to receive its world premiere at La Jolla Playhouse.  <\/p>\n<p>    Kingdom City, which begins performances today, was born    partly out of anger, but also out of fear, says Wilner, who    has been working on the piece for some seven years.  <\/p>\n<p>    Yet while her play takes a critical look at censorship, Wilner    also says its meant to be much more than a polemic.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continue reading here:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.signonsandiego.com\/news\/2014\/sep\/02\/la-jolla-playhouse-kingdom-city-preview\" title=\"&#39;Kingdom&#39; explores dramatic censorship\">&#39;Kingdom&#39; explores dramatic censorship<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Married actors Todd Weeks and Kate Blumberg rehearse a scene from \"Kingdom City\" at La Jolla Playhouse. In 1953, Arthur Miller wrote The Crucible a story set amid the 17th-century Salem witch trials as a response to attacks on intellectual freedom under the guise of rooting out Communism <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/kingdom-explores-dramatic-censorship\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-36411","post","type-post","status-publish","format-standard","hentry","category-censorship"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/36411"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=36411"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/36411\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=36411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=36411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=36411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}