{"id":3374,"date":"2012-10-11T11:14:55","date_gmt":"2012-10-11T11:14:55","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/about-the-illustrators\/"},"modified":"2012-10-11T11:14:55","modified_gmt":"2012-10-11T11:14:55","slug":"about-the-illustrators","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurism\/about-the-illustrators\/","title":{"rendered":"About the Illustrators"},"content":{"rendered":"<p><p>    Outside it's 2012 and a mlange of wild styles diverts    attention wherever you look. Inside the section headers of this    year's Best of Nashville issue, however, it's a nostalgic era    of equal parts Art Deco, the Jazz Age, vintage Americana and    other stylistic influences from the early 20th century. The    look is a hallmark of Nashville designer Joel Anderson    and his Anderson Design Group, whose work can be seen    throughout the issue.  <\/p>\n<p>    A Ringling College of Art & Design graduate who's lived in    Nashville since 1986  his credits extend from the    award-winning \"Spirit of Nashville\" poster series and Olive    & Sinclair Chocolate's sumptuous packaging to an    Emmy-winning stint in the art department on the locally    produced 1988 CBS kids' show Hey Vern, It's Ernest!     Anderson says he takes inspiration from \"the lost art of    advertising design.\"  <\/p>\n<p>    With his work for the Best of Nashville issue, Anderson says,    he wanted to recapture some of the optimism and exuberance of    the poster art surrounding the 1925 World's Fair in Paris,    which assimilated styles ranging from Futurism to    Constructivism to evoke a world spinning faster.  <\/p>\n<p>    By going for the World's Fair look and vibe, he explains, he    and illustrator Aaron Johnson, an intern from the Watkins    College of Art & Design, wanted to reflect a time when    \"people were really excited about what technology would bring.\"  <\/p>\n<p>    In some regards, it may have been too optimistic about the    shape of things to come, he says. But in the traces of the    style that linger  for example, the locomotive and airplane in    the Frist Center's interior grillwork  he sees \"a belief that    we could build anything.\" That hope, and the human touch it    represents, is partly what Anderson believes is driving the    booming revival in vintage-style print-making.  <\/p>\n<p>    \"Everybody's got a computer now and can make their own    graphics,\" Anderson says. \"People are going back to that    pre-computer age and those tactile, warm, human feels.\" See    more of Anderson's work at andersondesigngroup.com.  <\/p>\n<\/p>\n<p>Originally posted here:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.nashvillescene.com\/nashville\/about-the-illustrators\/Content?oid=3039804\" title=\"About the Illustrators\">About the Illustrators<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Outside it's 2012 and a mlange of wild styles diverts attention wherever you look. Inside the section headers of this year's Best of Nashville issue, however, it's a nostalgic era of equal parts Art Deco, the Jazz Age, vintage Americana and other stylistic influences from the early 20th century.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurism\/about-the-illustrators\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-3374","post","type-post","status-publish","format-standard","hentry","category-futurism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/3374"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=3374"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/3374\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=3374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=3374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=3374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}