{"id":27018,"date":"2014-03-15T04:40:34","date_gmt":"2014-03-15T08:40:34","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/machinedrum-embroiled-in-sampling-controversy\/"},"modified":"2014-03-15T04:40:34","modified_gmt":"2014-03-15T08:40:34","slug":"machinedrum-embroiled-in-sampling-controversy","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurism\/machinedrum-embroiled-in-sampling-controversy\/","title":{"rendered":"Machinedrum Embroiled In Sampling Controversy"},"content":{"rendered":"

The legalities around sampling are becoming ever more complex. <\/p>\n

Earlier this year, Machinedrum confirmed plans for his 'Fenris District' EP - containing material composed for, but never used on, his wonderful 'Vapor City' album. <\/p>\n

Lead cut 'Back Seat Ho' was placed online, a blistering piece of footwork inspired futurism. Since then, though, Chicago producer DJ Clent has accused Machinedrum of borrowing segments of his own track 'Back Seat Hoe' without permission. <\/p>\n

Accusing the Ninja Tune signing of \"remaking the song without consent\" DJ Clent has now spoken to Do Androids Dance about the issue. <\/p>\n

Asked what he would like the outcome of the discussion to be, Clent said: \"either take [it] down or pay me and give me my credit for the concept and vocals.\" <\/p>\n

The vocals on the original aren't sampled, either - DJ Clent claims that they are recordings of his wife and children. <\/p>\n

Compare\/contrast both tracks below. <\/p>\n

(via FACT) <\/p>\n

Buy Clash Magazine Get Clash on your mobile, for free:iPhone\/Android <\/p>\n

<\/p>\n

See more here:
\nMachinedrum Embroiled In Sampling Controversy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The legalities around sampling are becoming ever more complex. Earlier this year, Machinedrum confirmed plans for his 'Fenris District' EP - containing material composed for, but never used on, his wonderful 'Vapor City' album. Lead cut 'Back Seat Ho' was placed online, a blistering piece of footwork inspired futurism. Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-27018","post","type-post","status-publish","format-standard","hentry","category-futurism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/27018"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=27018"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/27018\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=27018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=27018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=27018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}