{"id":244092,"date":"2020-12-23T17:18:56","date_gmt":"2020-12-23T22:18:56","guid":{"rendered":""},"modified":"2020-12-23T17:18:56","modified_gmt":"2020-12-23T22:18:56","slug":"world-of-wong-kar-wai-at-the-cinematheque-scout-magazine","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/world-of-wong-kar-wai-at-the-cinematheque-scout-magazine\/","title":{"rendered":"World of Wong Kar-Wai at The Cinematheque &#8211; Scout Magazine"},"content":{"rendered":"<p><p>The GOODS from The Cinematheque<\/p>\n<p>Vancouver, BC | As we settle in for a cosy, socially isolated festive season what better to keep us company than the sumptuous, sensual, unapologetically sentimental cinema of Hong Kongs best-loved auteur! The Cinematheque begins theircareer-spanning retrospectivedevoted to Wong Kar-Wai with a virtual run of seven brand-new restorations that can all be enjoyed from the comforts of home.<\/p>\n<p>Occasioned by the 20th anniversary ofIn the Mood for Love  a true contender for the title of most beautiful film ever made  this retrospective has been long-awaited by cinephiles and it wont disappoint. More titles will be announced in the new year when in-person screenings at The Cinematheque can resume.<\/p>\n<p>On January7 Chelsea Birks, a self-professed WKW fan and The Cinematheques Learning & Outreach Manager, will hosta virtual lectureexploring the directors signature stylistic techniques and artistic influences.<\/p>\n<p>Visual pleasures abound, from Wongs preference for bold, saturated colours to the profligate use of slow-motion and step printing. His films feature a veritable catalogue of Chinese cinemas most beautiful people, from the incomparably glamorous Maggie Cheung to Cantopop icons Leslie Cheung and Tony Leung Chiu-Wai to celebrity superstars Gong Li and Zhang Ziyi. But while Wongs is decidedly not an austere cinema, neither do his films reflect an unrestrained hedonism: his lovers are frequently paralyzed by repressive social conditions (In the Mood for Love,Happy Together), shyness (Chungking Express), or a general sense of youthful malaise (Days of Being Wild,Fallen Angels).  Chelsea Birks<\/p>\n<p>Enjoy all seven of the virtual titles in this retrospective at a discounted rate with aWKW Virtual Series Pass.<\/p>\n<p>Watch online until January 27, 2021.<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read this article:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/scoutmagazine.ca\/2020\/12\/21\/world-of-wong-kar-wai-at-the-cinematheque\/\" title=\"World of Wong Kar-Wai at The Cinematheque - Scout Magazine\">World of Wong Kar-Wai at The Cinematheque - Scout Magazine<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The GOODS from The Cinematheque Vancouver, BC | As we settle in for a cosy, socially isolated festive season what better to keep us company than the sumptuous, sensual, unapologetically sentimental cinema of Hong Kongs best-loved auteur! The Cinematheque begins theircareer-spanning retrospectivedevoted to Wong Kar-Wai with a virtual run of seven brand-new restorations that can all be enjoyed from the comforts of home. Occasioned by the 20th anniversary ofIn the Mood for Love a true contender for the title of most beautiful film ever made this retrospective has been long-awaited by cinephiles and it wont disappoint <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/world-of-wong-kar-wai-at-the-cinematheque-scout-magazine\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-244092","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/244092"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=244092"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/244092\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=244092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=244092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=244092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}